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Posts Tagged ‘The Shady Horns’

Bowlive IV Night 4 Recap w/ Booker T, David Hidalgo & The Shady Horns | Tonight Hidalgo Returns, Marco & The Shady Horns

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Dedicated music lovers brought themselves out to the Brooklyn Bowl for the start of Soulive’s second week of the Bowlive IV residency. Guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans are back with a new week and new musical adventures.

_DSC4418Last week’s roster was packed with sit-ins by southern blues rock guitarist Luther and percussionist Cody Dickinson (The North Mississippi Allstars), the fierce harmonica playing of John Popper (The Blues Travelers), the 70’s flare of vocalist Lee Fields and his Expression Horns, the pedal steel slide guitar styling of Robert Randolph (Robert Randolph and the Family Band), the soul-filled flavor of vocalist Nigel Hall and the spinning talents of DJ Logic. Surprise guests included the amazing Allman Brothers Band guitarists Warren Haynes and Derek Trucks and trombonist Sanders Sermon (Tedeschi/Trucks Band).

One of the highlights of Bowlive this year has been the killer opening bands kicking off every night. Kung Fu absolutely blew the roof off the first night, setting a pace of rage for the rest of the week. The second night followed with the powerful 8-piece Sister Sparrow and the Dirty Birds who kept the energy high and the Alecia Chakour Band delivered their sultry sounds on Saturday. You can read about those shows in earlier posts here on TinyRager.com.

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Following one of the best first weeks in Bowlive history, the formula would to remain the same. The high powered, high energy, talented horn-crunching musicianship of saxophonist Cochemea Gastulem (Sharon Jones and the Dap Kings) and his band, The Electric Sounds of Johnny Arrow, showcased a different style of music to Soulive fans. The sounds of Africa’s Fela Kuti and 70’s baritone player Lekan Animashanu provided influence to the tunes. One’s hips couldn’t help but begin to grind to the pulsating percussion infused music. After the opening set, there were members of the audience who could be overheard discussing these new sounds that Soulive had introduced to their Bowlive roster.

Set List:

Dark City
Carlito
Impala 73
You’re So Good To Me
Heleyos
Lluva Con Nieve
Fathom 5
No Goodbyes

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The theme for the rest of the night was simple. Play one strong, satisfying Tribute to Stax Records with one of the coolest, hippest, electric blues keyboardist of all time, Booker T. Jones (Booker T. and the MG’s.) However, the audience had to be patient. Soulive purists still needed to see their favorite trio stand alone. Alan, Neal and Eric performed “Outrage” and “Dig” before the Shady Horns joined the stage. Baritone saxophonist Ryan Zoidis and trumpeter Eric Bloom (Lettuce) and James Casey (Trey Anastasio Band) brought another layer of funk to the vibe with “Hatrick” and even more horns joined when Cochemea’s baritone saxophonist Freddy Deboe and Lee Fields band’s saxophonist Mike Buckley sat in on “For Granted.”  Their powerful horn solos overwhelmed the speakers causing feedback that took a minute to control and it was back into full funky rage.

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When Booker T. Jones came on stage, the crowd went wild. To experience an entire set with Booker T. and Soulive was liberating. However, to see how excited Soulive was, well, that was just icing on the cake of what was a delicious remaining night of music. Krasno put it best as he spoke to the audience, explaining that as much fun as it is for the fans, it’s equally as fun for Soulive, as they are fans themselves. Fans that have the distinct pleasure and honor of inviting their mentors and influences on stage to join them. The passion for Booker T. was also evident as you looked around the audience and saw other famous Jam-world faces such as Erik Kalb (Deep Banana Blackout), David Bailis (Pimps of Joytime), and Alecia Chakour (Alecia Chakour Band).

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Booker T. and Soulive crushed out iconic Booker T. and the MGs hits “Hip Hug Her,” “Hang ‘Em High,” “Time is Tight,” and more. They then played “Born Under A Bad Sign,” which Albert King made famous but was written by Booker who along with the MG’s and The Memphis horns appear on that studio version. There was the catchy instrumental versions of Cee Lo Green’s “Crazy,” and Lauryn Hill’s “Everything is Everything,” with each instrument on stage taking the lead on each song.  It was sharp, stunning and solid. The Booker T’s Memphis Soul Sound was supported wonderfully by Soulive, all three of whom were grinning from ear to ear throughout the entire set. Finally, it wouldn’t be Bowlive without a surprise special guest. Guitarist David Hidalgo (Los Lobos), in town a night early for his Wednesday night Bowlive appearance, would pop out halfway in the middle of tunes then disappear again. This would continue through the set, teasing us with what would be seen on night five.

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The Booker T. encore was the most recognizable tune of all, the instrumental classic, “Green Onions,” with its ripping Hammond Organ line were both Neal and Booker T. enjoyed trading licks on their keys. That song threw everyone, of all ages, back into the soundtrack of 1993’s The Sandlot, back riding around in their 1962 Chevy Impala Convertible with the top down. It is a song that defined the ages and every one of all ages was invested.

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Capping off the night, the trio stood alone on stage for “Tuesday Night Squad,” a nod to the night and perhaps Soulive’s way of naming the dedicated tribe who supported them on such an early weeknight.  The Tuesday Night Squad we became and Bowlive fanatics should hold that badge with honor, the same way Soulive was visibly honored to perform for us last night with such an amazing icon of music.

Last night’s tribute to Stax Records was a pleasure.  Tonight get there on time for another stunner of an opener with the ever-rocking London Souls and guests Marco Benevento (keys) and guitarist David Hidalgo (Los Lobos).

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Set List:
Hip Hug Her
Hang ‘Em High
Born Under A Bad Sign
Crazy
Time is Tight
Something
Everything is A Everything

Encore:
Green Onions
Tuesday Night Squad

Written by Karen Dugan
Tinyrager.com

Photos By Andrew Blackstein & Allison Murphy

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Bowlive III: Night Eight – Soulive w/ George Porter Jr., Zach Deputy, Citizen Cope and Alice Smith ~ Extended Review + Media (03.08.12)

For the eighth night, Soulive members, Eric Krasno, Alan Evans and Neal Evans, performed at the Brooklyn Bowl for their annual residency, Bowlive.  In its third year, Bowlive has become one of the most interesting, engaging, educational and smoking residencies in New York City. There are some, who might argue, in America. Each night has gotten heavier, deeper, tighter, and energetically more invested with each guest who joins the stage to breath more life into the already amazing trio.

The Alecia Chakour Band opened last night to a huge crowd. Chakour joined the Bowlive rooster last year.  In the masculine crew that makes up the artists on the Royal Family Records Label, Alecia Chakour is a breath of fresh female energy. With a voice and range as powerful as Aretha Franklin, Chakour rightful deserves to be on stage with the talented musicians who make up Soulive. Chakour’s band members consisted of trumpeter Igmar Thomas (The Cypher), organist Neal Evans (Soulive), bassist and brother Alex Chakour, drummer Miles Arntzen (Antibalas), guitarist Sam Cohen (Apollo Sunshine), and saxophonist James Casey (6figures).  A highlight was when surprise guest artist Kofi Burbridge (The Derek Trucks band) lent his fluttering flute to the bunch on their new tune, “Surely.” The Alecia Chakour Band is a sick, tight, funky crew who fit right into the rotation of amazing acts that we have so far seen over the two week run.

Soulive members (guitarist Eric Krasno and soul brothers Alan Evans on drums and Neal Evans on clavinet) welcomed numerous guests on stage last night, some announced and some a surprise. This is always to be expected and they never disappoint. “Steppin” was the only song Soulive ever stood alone on stage for. After that, the flood gates opened with Kofi Burbridge jumping in on “El Ron” with the Bowlive Horns: saxophonist James Casey, trumpeter Eric Bloom and tenor saxophonist Ryan Zoidis. Special guest and Brooklyn resident Citizen Cope was next to join the stage to perform his original “Bullet and a Target,” and “Something to Believe In.” Cope’s raw, uncommon chords and proactive lyrics have been recognized and covered by likes of Carlos Santana, Dido, Sheryl Crow and Slipknot. His vocals transformed the bowl into a new vibe, a slower yet passionate part of the set. Alice Smith, the second vocalist billed that night, joined for Cope’s last tunes, “Ain’t Gonna Stand for It” and “107 Degrees.” Alice Smith’s voice melded beautifully with Cope’s the same way that Alecia Chakour’s voice melds perfectly with Nigel Halls. She is aggressive, serious, powerful, and passionate with a 4-octave vocal range and stunning stage presence. Cope exited the stage and Alice Smith, with the Soulive trio backing her, performed Cee Lo Green’s, “Fool For You.” The Bowlive Horns helped closed out the set with “Tuesday Night Squad,”as trumpeter Eric Bloom’s excitement spilled out of his animated solo and Nigel Hall took over the keys.

The second set was dedicated exclusively to the musical power of New Orleans yet contained special guests of varying styles. This was definitely one of the best sets of the entire run. Special guests, world renowned New Orleans bassist George Porter, Jr. (The Meters), drummer ?uestlove (The Roots), Billy Martin (Martin, Medeski and Wood), flautistKofi Burbridge and saxophonist Skerik, out for his third night, piled on stage with Soulive and the Bowlive horns. Covering New Orleans and Meters favorites “Just Kissed My Baby, “Hey Pocky Way,” “Come Fly with Me,” and “Funkify Your Life,” the musical entourage on stage was the definition of a Jam Room. George Porter, Jr. brought such life to the younger musicians who were surrounding him. Each artist took their turn power housing their instruments because Porter believes in the journey of the song and allowing it to unfold, which is exactly what happened on “Africa,” when Skerik took his solo and the classic song turned into a completely different creature.

Experimental jazz percussionist Billy Martin was left to his own devices with a pile of instruments to create sounds with after drumming for “Hey Pokey Way.” Martin is the drumming member of his own jazz, funk trio so his addition to Soulive allowed for experimental sounds that enhanced the layers of the music. “Everything is Everything” closed the set with Nigel Hall on vocals and another night of Bowlive ended, this time without and encore.  ?uestlove’s Bowl Train DJ set saw out the rest of  the night and everyone danced their way through funky, old skool tunes until their weary bodies said enough.


It’s unbelievable to think that the members of Soulive have been going full speed for eight crazy nights. What a testament to their level of stamina, creativity, and their ability to surprise and entice their audience.  For those who can’t make the last two nights, check out the live feed on iClips.net. For those of you with the ability to make it this weekend, you won’t be disappointed. Continuing his New Orleans flavor from last night, special guest George Porter Jr. will be joined by Ledisi with Nigel Hall and Alecia Chakour opening. We can only speculate who the surprise guests will be, but you can be sure they will bring in Bowlive’s final weekend in FULL RAGE!!!

BUY SINGLE DAY TICKETS NOW!
Can’t make the LIVE RAGE? Stream It on iClips.net!

 Karen E. Dugan
– Photo courtesy of Phrazz

Youtube Videos

Soulive feat. Citizen Cope – “Bullet & a Target” : http://www.youtube.com/watch?v=hoFGGhF_z2s

Soulive feat. George Porter & Nigel Hall – “Come Fly Away” : http://www.youtube.com/watch?v=azUKgsH7ztY

Soulive feat Alice Smith & Citizen Cope – “107 Degrees” : http://www.youtube.com/watch?v=HdVFSkp-YEg

Soulive feat. George Por ter, Nigel & Kofi – “Voices Inside” : http://www.youtube.com/watch?v=7cRBqKlyAHc

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Bowlive III: Night Seven – Soulive w/ Skerik, Kofi Burbridge & Lettuce ~ Extended Review + Media (03.07.12)

Zach Deputy opened night seven of Bowlive III with his Caribbean Ninja Soul flavor. His one-man-band sets always seem to force happiness out of the audience.  He is the purest definition of jolly as he sits behind a massive rig of equipment, creating and layering every element of his songs. Over the past two nights, Deputy has been throwing us all new tunes except for two different versions of “Lincoln Continental.” This would set a theme for a night of new tunes to be delivered by the members of Souilve, Lettuce and Alecia Chakour!

Experimental “saxophonic” saxophonist Skerik and the NY’s premiere urban funk band Lettuce continued into second night as special guests. However, following their formula of the previous week, Soulive guitarist Eric Krasno, organist Neal Evans and drummer Alan Evans initially hit the stage solo. Alan Evans dominated “Rudy’s Way” with his best drum solo of the run sending the audience UP!  A fixture of Bowlive since its inception, Kofi Burbridge of the Derek Trucks Band surprised the audience when he walked out on stage with his flute for “Cash’s Dream,” a warm, softening addition to such an organ-heavy song.

The Bowlive Horns, consisting of saxophonist James Casey (6figures), tenor saxophonist Ryan Zoidis (Lettuce), and trumpeters Eric Bloom (Diane Birch) and Rashawn Ross (The Dave Matthews Band) were next to join Soulive. Special guest Skerik completed the brass entourage and “Upright,” “Vapor” and “Flurries” delivered us a massively long horn-heavy rage. The various musicians on stage rotated solos starting with Skerik who inserted his wild element of experimental jazz while Rashawn Ross’s melting-pot experience defined his style per song. Everyone continued through the trio of songs jumping from tambourines to maracas and other various percussion instruments filling all voids with extremely tight and organized sound.  Special guest and opener Zach Deputy lead the stage for his original, “Thrill is Gone.” To see Deputy explore his guitar talents with a full band is quite a different experience. His sound completely changes because he isn’t worrying about layering the beats, the bass or the horns. The massive crew on stage closed the set with “Aladdin” and the always funky “El Ron.”

The entire Lettuce ensemble (The Bowlive Horns including Skerik, guitarists Eric Krasno and Adam Smirnoff, bassist ED “Jesus” Coomes, and drummer Adam Deitch) raged the stage for the second set kicking it off with “King of the Burgs.” Rashawn Ross lead with a killer trumpet solo while drummer Adam Deitch made his presence known after Alan Evan’s domination of the kit in the earlier set. Last night was an amazing night for drumming fans, to be sure. The funkiest band on the planet followed last night’s rage by releasing more new songs off their upcoming album to an eager, elevated crowd. On Tuesday night, we heard “Mean Fonk,” “Lettuce Play,” and the jokingly named tune “Brooklyn Bowler,” a word play on the wonderful venue housing Soulive’s ten-night residency and actually titled”Bowler,” reflecting organist Neal Evan’s signature hat. Last night the explosive audience members (and iClips.net online viewers) jumped and danced their bodies weary to new tunes, “Bump Tubby,” “Fast Kraz,” “Ghost of Jupiter,” and “New GoGo.” Alecia Chakour joined the stage for to sing the sultry “Do Ya Thing,” a first time cover for both Chakour and Lettuce. Flautist Kofi Burbridge played throughout the entire set while Skerik could be seen enjoying the set by the sound board. ED “Jesus” Coomes’ bass playing was a crucial element to the entire set as his glasses literally fogged up from the heat coming off his playing. Toubab Krewe’s Luke Quartana was back for a second night front and center on stage with his Djembe drum for “New GoGo,” while saxophonist James Caseyplayed the congas with drum sticks. Krasno was nowhere to be seen for this tune while the stage exploded into one of the sickest 11-piece percussion rages this super fan has had the privilege of watching. The amazing, soulful voice of Nigel Hall helped close the set with “Making my Way,” into a Curtis Mayfield medley of “We’re a Winner” and “Move on Up!”


Two nights into the second week and already we have had two surprise guests, Oteil and Kofi Burbridge, on top of the amazing special guests, Zach Deputy, Skierk and Lettuce. Soulive changes things up tonight with the invitation extended to Citizen Cope & Alice Smith, the legendary funk bassist George Porter, Jr. (The Meters), drummer Billy Martin (Martin, Medeski and Wood), Alecia Chakour Band, and ?uestlove (The Roots) on the 1’s and 2’s. RAGE!!

BUY SINGLE DAY TICKETS NOW!
Can’t make the LIVE RAGE? Stream It on iClips.net!

 Karen E. Dugan

YouTube Videos

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Oh My Goddess aerial performers during Break Science

Oh My Goddess aerial performers during Break Science

The start of festival season is an exciting time in our musical community!  The cold of winter melts off our dancing legs and the anticipation of weekend and week-long non-stop musical events become reality.  For New Yorker’s, the New York festival season kicked off in Kerhonkson, NY on April 1, 2011with the Rock & Roll Resort.

ED "Jesus" Combes (Lettuce)

ED "Jesus" Combes (Lettuce)

There were many acts, but the main acts of the weekend consisted of multiple musical groups from The Royal Family record label.  The members of The Shady Horns, The Sam Kininger Band, The Nigel Hall Band, Break Science, Chapter 2 and Lettuce headlined each night over the three day musical event.

Sam Kininger (The Sam Kininger Band)

Sam Kininger (The Sam Kininger Band)

The different acts brought an amazing array of musical talent and diversity, from the beautiful vocals of The Nigel Hall Band, to the funky grooves of The Sam Kininger Band, Eric Krasno & Chapter 2 as well as Lettuce and the late night beats of Break Science.  The Royal Family left their mark on Rock and Roll Resort 2011 in a deep way.

Eric Krasno (Lettuce & Chapter 2)

Eric Krasno (Lettuce & Chapter 2)

For an in-depth overview of each of these acts, please check out my article for The Royal Family Records website

Use this link – http://www.royalfamilyrecords.com/news/post/royal-family-reigns-rock-n-roll-resort – if link above doesn’t work!

Downloadable Sets:

Eric Krasno & Chapter 2
The Nigel Hall Band
The Sam Kininger Band
Lettuce

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And for an in-depth overview of Rock N Roll Resort, please keep your eyes out for the posting on Music Marauders in the next 48 hours! Rage!

Neal Evans (Chapter 2 & Lettuce)

Neal Evans (Chapter 2 & Lettuce)

Chris Loftlin (Chapter 2)

Chris Loftlin (Chapter 2)

Jeffrey Lockhart (The Sam Kininger Band)

Jeffrey Lockhart (The Sam Kininger Band)

Nigel Hall (The Nigel Hall Band)

Nigel Hall (The Nigel Hall Band)

Adam Deitch (Break Science)

Adam Deitch (Break Science)

** Special thanks to Chris Monaghan for photography.  You can check out his phenomenal photography at http://www.monaghanphotography.com **

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Terminal 5 Event Poster

Terminal 5 Event Poster

The Royal Family Ball @ Terminal 5 (10.02.10)

It was a night New Yorkers and beyond had been waiting for since it was first announced back in July.  The Royal Family would be taking over Terminal 5 for a night of pure FUNKY RAGE hosting their 3rd Annual Royal Family Ball. Knowing that The Royal Family is a tight brotherhood that rolls deep with love, we die hard fans  knew it would be a special night.  A night to remember, a night of complete surprises, a night of of complete funk, of blues, of rock ‘n’ roll.  A night requiring us to dance till we drop….simply a night we would NEVER forget.

Event Poster: The Royal Family Dream Team

Event Poster: The Royal Family Dream Team

For months, we have eagerly awaited this night.  The Royal Family had enticing little offers before the show such as rewarding the first 100 people to purchase a ticket with an autographed poster of The Royal Family.  Man, what a hilarious treat.  I, of course, jumped on that offer, buying my ticket at 12:01 pm, right when they went on sale, closing the sale out at 12:03pm.  Sadly, I didn’t get a poster but many of my friends did.  I will some how rectify this 😉 You can be sure of that!

The importance of this night and the energy behind it hit me the second I woke up Saturday morning.  I felt like it was Christmas.  As much music as I see, this was a show that had me jumping on my toes.  The anticipation was palpable.  For weeks before the big night, I had numerous friends from outside NY toy with the idea of coming in for the show.  However it was my dear friend Andy who was the only one to make the trip from Baltimore for the day/night.

“Street fair arepas… Gut bomb. Royal Family Revue… Funk bomb.” ~ Andy D.

They handed out party favors...

They handed out party favors...

This was one of those events where traveling would be worth it.  My phone had been blowing up all night prior to the show with friends wondering what was going down before the Rage.  In the end, we summoned all our favorite Ragers to a “Ragehearsal,” as one of my dear friends has come to so aptly name our rendezvous before the shows.  Everyone was eager to make a day of it.  A 24-hour rage.  The EPICNESS of what tonight might bring to our eyes and ears was lost on no one.

“Royals, you shook me, you shook me all night long. Powerful stuff.” ~ Robert M.

Of all the years I have been an Eric Krasno junkie, I have never been part of such a complete day and night full of The Royal Family.  And the best part about it…there were guests.  Oh yes, there were guests. Tonight’s rage would include performances by:

The Royal Family

Soulive

Lettuce

The Nigel Hall Band

Chapter 2

The Shady Horns

Special Guests

John Scofield – Guitar

Warren Haynes – Guitar

Talib Kweli – Rapper

Big Sam Williams – Trombone

The Shady Horns

Maurice Brown – Trumpet

Christian Scott – Trumpet

Spinning between sets: DJ Equal

Terminal 5 doors opened at 6:30pm and we were all in the building by 7:30pm, not wanting to miss a single minute of the show.  The venue was far from packed but by the end of the night, the 3,000-person venue was packed in on all sides. It was a night filled to the brim with the EPITOME of Funk, Soul, Blues, Rock, Hip-Hop and more. They play it all ladies and gentleman. And it all began, as it almost always does, with a set from The Nigel Hall Band. Let’s get this Royal Party started…..

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

The Nigel Hall Band @ 7:30/8:00pm

Nigel Hall – Keys, Vocals

Eric Krasno – Bass

Adam Deitch – Drums

Adam “Shmeeans” Smirnoff – Guitar

Sam Kininger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Maurice Brown – Trumpet

Alan Evans – Backup vocals

Lindsay Lucas – Backup vocals

Mel Flannery – Backup vocals

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

MVP OF THE NIGHT – It just needs to be said, flat out, hands down!!! ROYAL FAMILY MVP!  Nigel Hall started the show, performed throughout the show and closed the show with the highest elevation of energy and the full embodiment of what RAGE truly entails. He had been rehearsing for weeks with new back-up singers and the rest of the crew to deliver what was quite possibly the greatest performance I had ever seen him lay out on a stage.  As soon as I started seeing Nigel Hall perform many moons ago, I started recognizing a pattern prior to his performances and the pattern goes a little something like this…..

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Arriving early, I walk around the venue, listening to the audience talking.  Many are not sure of who this magnificent singing, keys player is who will be opening for whatever Royal Family Project is slated to open that night.  You hear a few people explain  “It’s Nigel Hall!” but they do not elaborate.  “Who is this Nigel Hall” you hear them wondering out loud?  I always want to stop and answer each one of them but I know that Nigel will be answering for himself as soon as the music starts.   And then he starts performing…and if not by the end of the first song, by the end of the second song the audience is locked in, jaws on the ground asking everyone around them, WHO IS THIS GUY!!!!?? But this time, they are really looking for answers, they actually care and are invested…floored by this magical singing machine.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

And so it was this night.  I walked around the venue listening to people talking about what might happen on stage this night.  Noticing so many people asking about the opener, Nigel Hall.  What those around me didn’t realize yet was that he would steal the show.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Tonight The Nigel Hall Band consisted of a thick wall of solid musicians that we all recognized and a few new faces to the mix.  His back up band consisted of those listed above.  Eric Krasno, the King of the Royal Family, supporting his fellow Family member on bass guitar.  Alan Evans stepping out of his drummer seat to sing backup vocals while Adam Deitch destroyed the drum kit.  Not wanting to be left out, from my second level perch I noticed Neal Evans hanging over by Deitch striking things with a single drum stick.  You might not have noticed him if you were on the ground level in front of the stage.

This was also the first time I had seen backup singers.  Lindsay Lucas and Mel Flannery‘s voices, supported by Alan Evans, melted seamlessly with Nigel‘s smooth vocals. This line-up of The Nigel Hall Band hit a home run. To begin, the stage was set with each member on stage, warming up the mics and the instruments for a funky introduction which Nigel steps out to in an orange Argyle sweater with a smile so wide I couldn’t help but mirror the image. And so it began…right into Hang It Up.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Wait Till I Get Home had the Shady Horns completely blowing up the stage.  Ryan Zoidis completely standing out on the baritone sax.  Everywhere I looked…smiles. Second song in and the place was on fire. This is EXACTLY what Nigel Hall is meant to do and by GOD he does a GREAT job.  Never Know saw the Shady Horns exit and Krasno and Smirnoff backing Nigel on keys through the slow and smooth flow.

“I loved the show. I felt that Nigel stood out as there were many great musicians but only 1 best singer. I myself was born under a bad sign so I can relate.” ~ Josh R.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Gimmie a Sign upped the funk meter ten-fold with Nigel funking up the keys.  He then takes a moment to explain to the audience, “This is a song that has stuck with me over many years after I heard this song as a young boy. I hope you enjoy it.” And while Adam “Shmeeans” Smirnoff completely let loose on his guitar, Nigel sang a soulful Baby, I Do Love You.

Give it up for the Horns,” screams Nigel.  With Never Gonna Let You Go closing out his set, Nigel Hall sang smoothly as his backup singers filled in when he walked off the stage.  And as Ryan Zoidis soloed on his axe of funk, Nigel came running back on stage, grabbing the mic, screaming “NEVER! NEVER! NEVEEEEER!”  His passion and his lust for life provides a fuel to his energy that is unmatched.  And this was only the first set 🙂

Nigel Hall Setlist: Intro, Hang It Up, Wait Till I Get Home, Too Sweet, Never Know, Gimme A Sign, Baby I Do Love You, Never Gonna Let You Go

Download: Nigel Hall Band @ Terminal 5 (10/02.10) – It is located under Lettuce’s Set

 

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

NOTE TO TAPERS!!  TAPE NIGEL’S SETS and post them.  Where is the love??? He is just as much a part of this raging cycle of music as anyone of them.  Just sayin….get with the program on that tip please.

After Nigel’s set, I decided to move from my second floor perch to ride the rail with my friends for a bit.  Sadly, my crew was situated right in front of the DJ Booth. However, I could see neither drums nor the horns.  Absolutely couldn’t stand that option for the rest of the night.  Even though I wanted to chill with my friends, I thought, well, I do that every night and this was a show I really had to SEE and inhale completely. So, I reserved myself to chillin on the second perch alone while my crew raged the rail! As it should be 🙂 Watching them, waving to them, laughing with them, we were all still connected as I was completely visible to them.  This was actually a part of the night that enhanced my happiness.  Seeing them react to Warren coming on stage…their faces, their jumping, screaming, hugging. Perfection.

DJ Equal spins in between sets

DJ Equal spins in between sets

Lettuce @ 8:45/9:00pm

Eric Krasno – Guitar

E.D. “Jesus” Combes – Bass, Vocals

Adam Deitch – Drums

Adam “Shmeeans” Smirnoff – Guitar

Neal Evans – Keys, Vocals

Sam Kinninger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Alan Evans – Percussion

Special Guests:

Big Sam Williams – Trombone

Maurice Brown – Trumpet

Christian Scott – Trumpet

John Scofield – Guitar

Talib Kweli – Rapper

Nigel Hall – Keys, Vocals

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Soul singer Hall left the stage and was replaced by DA FUNKY FUNK!!!! One of my top ten favorite groups to have formed on this earth: LETTUCE.  Going on a little before/after 9pm, the entire original crew graced the stage, to include the rare appearance by E.D. “Jesus” Combes on bass.  Living on the West Coast, he is constantly working with big names such as Eminem, Dr. Dre and played bass and wrote/produced several tracks on Britney Spears new album Blackout.  I love E.D. “Jesus” Combes because he puts a lot of thought into the notes he chooses to play, sometimes bursting to the front of the stage with a blast of funk through his body. He totally grinds into his playing which I LOVE!.  He stands out with understated effort because his sound is unusual and not forced. You just got to hear him to understand.

“Excellent night all around. Nigel and Soulive were incredible, but Lettuce especially blew me away! Check out the rooftop area for a breather between sets. Nice joint!” ~ Markus S.

The stellar cast on stage played a handful of favorites to include Blast Off, Sam Huff’s Flying Ragin’ Machine and Last Suppitt before bringing out the guests.  Let it be made very clear that Lettuce completely set the stage on fire even without the guests.  They truly are so tight and on point every time and we were enjoying them so much.  The guests were simply a blessed bonus.  My hands were on the railing of my ledge and I was literally head banging with so much fury as their energy coursed through me.  The horn section with it’s supplements was completely out of control. FIRE FUNK!

Set II: Lettuce w/ Talib Kweli

Set II: Lettuce w/ Talib Kweli

“Talib was money” ~ Eric S.

“You have my quote on the evening… “Tits on bacon.” ~ Andy D.

The first guest and a personal favorite of the night was Talib Kweli.  Rapper’s delight. He brought such an unusual layer to the revue. Bringing the urban into an already straight up funky urban rage, he rapped through Move Something.

The whole joint start shakin

This ain’t the time or place for you to prove something

Cut the stargazin’ yo, move somethin’! ~ Talib Kweli

 

Set II: Lettuce w/ Talib & Nigel

Set II: Lettuce w/ Talib & Nigel

The Blast saw Nigel Hall back on stage as he joined in on vocals with Talib KweliNigel, man, the guy can do it all.  Albeit, he is not a rapper in my mind and probably never will be.  He did, however, bring a soulful layer to his rapping that Talib couldn’t touch as he continued to rap over/under Nigel.  “Jazzfest energy” was a term I heard among my friends to describe the energy of Talib‘s trio of songs ending with Get By.

Little focus on Nigel‘s vocals……

Set II: Lettuce

Set II: Lettuce

Talib and Nigel leave the stage for the originals, led by the ever amazing Eric Krasno, rage through Break Out and Relax. Eric Krasno, relentless, captivating.  His sound and style, one you could pick out of any crowd of guitar players.  Powerful musician…wonderful band leader.  With all his projects and large catalog of musicians under his Royal Family records, Eric Krasno ensures that our nights in NYC are constantly filled with talented musical projects and shows. I can’t imagine the city without Krasno, Deitch and the lot.  And here he was showcased in front of all his projects together in one night. Then as if things could get any better…John Scofield joined the stage…enjoy his warm up…

John Scofield, a legend.  A complete and utter master at his trade. Being billed right off the bat, this was one of the highlights of the show that everyone was anticipating that evening.  The Flu… it was amazing.  John took a little time to warm up in my opinion but then it got rowdy.  The horns were grimy, popping in sounds that reminded me of Skerik.  It got powerful. The guitar standing out on top of it all, the audience slightly more quiet now, just watching it unfold.

The Shady Horns with Big Sam on trombone was out of this world.  Orchestral.  Everything was so tight and then Scofield would go off into trippy spacey scratching of the guitar making faces to match.  He is endless with the sounds he can produce with a guitar.

Set II: Lettuce

Set II: Lettuce

And with a gracious introduction from Alan Evans, with the horns blasting out his name and with John Scofield still in the mix, Nigel Hall was brought back on stage to perform their Curtis Mayfield staple, Move On Up. As many times as I have heard Nigel sing this song and heard he say he was sick of singing it, this version was STELLAR!!! My video is not so great so just turn it down a little lower to hear it and watch it…

The one below is only 1 minute but much better sound. Thought I’d give ya everything 😉

One of the deepest, funkiest, raging songs of the night: Making My Way Back Home, a song about Nigel’s hometown of Washington, DC. Raised three hours away in Williamsburg, Virgina, I relate to this song well. The bass line is killer in  this song. Nigel, so interactive with the audience, breaks it down and just continually bringing the energy UP, UP, UP Chuck Brown-style!!! SARDINES & KRAZ AND SCHMEENS!!

Lettuce Setlist: Intro, Blast Off Sam Huff’s Flying Ragin’ Machine, Last Suppitt, King of the Bergs, Move Something, The Blast, Get By, Break Out, Relax, The Flu, Move On Up, Makin My Way Back Home

Download: Lettuce Live at Terminal 5 on 2010-10-02 (October 2, 2010)

Breaksciene’s Afterparty at The Loving Cup’s Cameo was announced and the merchandise was plugged….and the headlining group was finally announced.  Soulive.  Live it, learn it, love them!

Dj Equal spinning away...

Dj Equal spinning away...

Soulive @ 10:30/10:45pm

Eric Krasno – Guitar

Neal Evans – Keys, bass

Alan Evans – Drums

Special Guests:

Warren Haynes – Guitar

Big Sam Williams – Trombone

Rashawn Ross – Trumpet

Sam Kinninger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Maurice Brown – Trumpet

Christian Scott – Trumpet

John Scofield – Guitar

Nigel Hall – Keys, Vocals

Set III: Soulive + Shady Horns

Set III: Soulive + Shady Horns

Keys + Bass = Amazing

Keys + Bass = Amazing

You know about Soulive right? One of the greatest trios ever IMHO!! I sure hope you know who they are and if not, check them out. It’s a trio comprised of the virtuoso guitar player, Eric Krasno, drums played by Alan Evans and then there is Neal Evans who plays keys.  The standout detail about this group is that Neal also plays the bass through the second layer of his keys.  Seriously.  Now…what kind of brain can do that?  That takes a complicated mind right there.   Such a cool combination of sounds/notes/vibes.

Set III: Soulive + Shady Horns

Set III: Soulive + Shady Horns

Soulive came out dressed in stylish suits and slammed into Beatles tunes.  Their latest CD release, Rubber Soulive, has been something of a hot topic among talented music circles.  It’s luscious, loud and worth every single penny.  Bringing their own touch to classic Beatles tune such as Come Together, Something in the Way, and Eleanor Rigby, it’s just superb. Sing alongs ensued.  Come Together found it’s way into everyone’s throats and the audience sang for their tickets as Soulive played for  their lives. Jazz-filled funky rock. The following video is a wonderful collection of all the Beatles tunes.  Sit back, turn it up and watch the magic.  Best video of the article 🙂  Everyone say “Thank you Mike!”

Krasno completely ripped open the songs, jamming us all into the floor.  Backed by the brothers of rage, the Beatles medley was one of the highlights of the show. I Want You (She’s So Heavy) was on a different level all together. Everyone thank my boy Scott for the excellent video below!!

“Was really great to see Soulive hit a comfort level with the Beatles material that they really ripped into it- I want you (She’s so heavy) seemed to really hit another gear of nastiness as they did with that song what most instrumentalists I know have always wanted to do with it.” ~ Russ A.

Set III: Shady Horns + some!!

Set III: Shady Horns + some!!

And once the covers of the Rubber Soulive were done they blasted into their oldies but raging goodies with The Shady Horns (Sam Kinninger & Ryan Zoidis) joining the stage for El Ron.  The place was utterly packed and from my second floor perch, I could see everyone moving, groovin’ and clapping.  Christian Scott had joined the rage and John Scofield joins the stage again for What You See Is What You Get. Granted, Scofield is a god, but this song was stolen by Christian Scott‘s trumpet solo and Neal Evans‘s keys.

At this point, the show starts elevating into a high point that seems unreachable.  Time for a horn rage.  By this time Maurice Brown and Rashawn Ross have joined Christian Scott and the Shady Horns. A horn rage ensues but where is Big Sam Williams on the trombone?? Oh man….well, he tried to join the horn ledge, however, Christian Scott had taken his microphone so NOLA represented.  Walking behind the drum kit to the front of the stage, Big Sam took over Eric Krasno‘s vocal mic for an intense in-your-face solo.  Enjoy! (Turn down volume a bit – it’s one of mine)

Set III: Soulive!

Set III: Soulive!

It was time for Scofield to lead the show with one from his own catalog, the funk rock original Hottentot!! The whisper through the audience after this song was loud.  This song choice made a lot of people happy, as it should.  The song allowed for he & Krasno to trade licks and let loose for a great jam, which I thought might lead to the beginning of the end of Scofield’s addition to the stage, until possibly the encore.  Boy….I had no idea what I was thinking.  The best was totally yet to come…..

Since the album version was my ringtone for years, the surprise bust-out of Sco’s “Hottentot” was probably one of my favorite highlights. It had a slightly slower, nastier vibe to it that I really enjoyed. ~ Andy D.

WARREN joins the stage...

WARREN joins the stage...

And if you just watched the video above, then the end just gave it away but THE BEST WAS TOTALLY YET TO COME!!!  Warren Haynes……….WARREN HAYNES joined the stage.  I literally grabbed the bars in front of me and screamed at the top of my lungs while flailing around.  I couldn’t believe it.  I just couldn’t believe it.  What is more unbelievable is I had to tell all the people around me who that even was.  I believe they were there for Talib Kweli but they had NO clue who Warren was.  Unreal.  And so it was that the venue erupted into a ball of energy that the night had yet to see.

Set III: Soulive + Warren + Sco

Set III: Soulive + Warren + Sco

Born Under A Bad Sign, a song made popular by Cream and originally written by the legendary blues guitarist, Albert King.  Yes SIR!!  HOLY YES!!!!!!  What can I say about this?  It was phenomenal.  Warren Haynes, John Scofield and Eric Krasno on the stage at one time…kidding me?  Nigel Hall came out and sang alternating verses with Warren Haynes and there were mixed reviews over this move but I thought it was superb. Nigel, once again adding a layer to the mix that just felt right.

“Nigel’s voice is always a special treat. Being a longtime Soulive fan, I really appreciated their take on the Beatles. Oh Eleanor Rigby! Thank you Soulive, Nigel Hall and the whole crew for getting so many wonderful musicians together all on one stage for this major collaboration!” ~ Jessica B.

I’m actually a little torn on Nigel.  I think Warren could have held the vocals down on “Born Under a Bad Sign” on his own, though Nigel did rip Too Much and the JB mini set. ~ Russ A.

I always did say Warren sings like an angel. ~ Jessica B.

This was just such a treat. You had Big Sam on his trombone as well.  I mean, the $25 ticket was paid for so long ago but if anyone had any qualms, they were silenced by this mega, face-melting guitar threesome horn flip-out.  Nigel‘s voice was killer.  Warren was killer. The horns were unmatched.  Scofield was melting into the floor with his guitar.  Unreal.  For a minute, I forgot who I was there to watch.  Wondering who the true star of the show truly was. Scofield left the stage and the rest of the set was Nigel Hall tearing up the vocals and Soulive blasting the stage apart with funky goodness. It was so great!

(Doin the 2 Video is uploading.  I’ll insert it tomorrow)

The encore was a James Brown Medley of all kinds of songs.  John Scofield came back out.  During the 3rd song, Nigel miscounted the beats and had a little rage to a stop and rewind the moment.  TWENTY!!!  And the second time around it went down right and they dropped the funk into our faces and dripped funk until they exited the stage.  JAMES BROWN MEDLEY!!  Think about that energy if you can!  Those of you there, remember that?  Nigel screaming, horns blasting…

There was some kind of swagger in the Soulive set that night. maybe it was that this was the biggest paying crowd for them headlining a show in nyc, maybe it was just feeling good on the material, maybe it was the hard work, but they played the hell out of those tunes. they owned those tunes. ~ Russ A.

Soulive Setlist: Come Together, Something In The Way, Eleanor Rigby, I Want You (She’s So Heavy),

El Ron, What You See Is What You Get, Hottentot, Born Under a Bad Sign, Do The 2, Too Much, JB Medley w/ John Scofield

Download: Soulive Live at Terminal 5 on 2010-10-02 (October 2, 2010)

 

THANK YOU ROYAL FAMILY!!!

THANK YOU ROYAL FAMILY!!!

 

It was a phenomenal night of music at Terminal this night.  for $25 you just couldn’t beat what we had just witnessed.  There was a fire on stage and an energy pumping thorugh the venue that I hadn’t felt before.  The crowd being so diverse, some coming for Talib Kweli and not knowing Warren Haynes.  Others knowing Warren Haynes but not Nigel Hall.  Others boasting about Lettuce but knowing nothing of John Scofield.  I think the greatest part of the night was knowing that a lot of people were introduced to a lot of new music and musicians this night.  I hope they went home and looked up Warren Haynes and Talib Kweli and Nigel Hall.

The Royal Family ensures that New York City will remain at the forefront of musical collaborations and musical history.  I feel as though whenever The Royal Family has a big to-do, they out do themselves every single time.  Thank you Royal Family.  Thank you for feeding us, supplying us with the music we need to survive.

Thank You SO MUCH!!!

Thank You SO MUCH!!!

 

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