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Bowlive IV Recap Including Day & Night 8 Reviews

We’ve officially been “Bowlived” for the fourth year as Soulive reached the finish line of their 4th Annual residency, Bowlive, on Saturday night. It’s a bittersweet feeling; similar to the feelings you get when you have to leave an amazing few weeks at summer camp. For the members of Soulive, seeing the regular faces and New York City fan dedication is a wonderful energy for them to play off of throughout the run. In turn, fans get to see their favorite artists night after night, performing exquisitely executed originals and crushing covers with spectacular guests. All the while, both fans and band dance around with each other, their friends, and other musicians in the audience who are there just to bare witness. Everyone smiles and engages each other, soaking up every glorious note. It’s a symbiotic relationship that is hard to fall away from after being dipped so deeply for eight nights. So, when the end comes, we must remind ourselves that these residencies are special because they only happen once a year! Soulive reminds themselves that they have something special to look forward to as much as the audience does. And each year, the audience witnesses the unfolding of a beautiful musical dynasty that Eric Krasno and brothers Neal and Alan Evans have created.

 Unlike the three previous year’s run, Soulive chose to focus their energy into eight shows instead of ten. This choice applies great pressure to any band who chooses to change the formula of a well-established and respected event. Bowlive fans expect a certain caliber of guests, a high level of surprise sit-ins, and some spectacular musical experiences that sometimes end up being a once-in-a-lifetime moment.  Soulive knows this to be true and always takes the time to consider such factors. How about having Mod dancers bust out into the bowling lanes during the second set of Night I?! It was just go time at that point!

Over the course of eight nights, guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans provided a stage and support for fantastic and exciting artists. They played endless jams in multiple styles across the musical spectrum, which is an important goal of the residency every year. Special guests included rocking Southern Blues brothers, guitarist Luther Dickinson and his brother, drummer Cody Dickinson, the 1970’s soul vocalist, Lee Fields and his modern day counterpart, Nigel Hall. There was the unmatched pedal steel slide guitarist Robert Randolph, legendary jam scene DJ, DJ Logic, and The Shady Horns lent their wall of sound during the second week with the help of crushing saxophonist Bill Evans one night. Some of America’s most outstanding keyboardists, 1970’s Memphis blues keyboardist, Booker T. Jones, mad scientist and keyboard wizard, John Medeski, and the ever experimental Marco Benevento, dominated their time on stage. Stepping in to melt faces on guitar was the astonishing Los Lobos’s David Hildago and The Meter’s Leo Nocentell. Soulive closed out their epic week playing with America’s most famous funk bassist, George Porter. Jr.

Another exciting element of Bowlive each year is the choice opening bands Soulive picks to set the audience’s mood each night. Due to a benefit at the Brooklyn Bowl on Night Six, there were only seven opening groups, all delivering a variety of musical power. The ridiculous ragers who make up Kung-Fu opened the run with so much fury. It was a perfect choice. The rocking Sister Sparrow and the Dirty Birds, The London Souls and Leroy Justice got the dance floor grooving. It was also a great pleasure to see two powerful females amongst the male-dominated residency by way of Alecia Chakour (The Alecia Chakour Band) and Arleigh Kincheloe (Sister Sparrow). The soul and flavor of love got shot to our hearts with The Nigel Hall Band, the Alecia Chakour Band and Cocheme Gastulum’s The Electric Sound of Johnny Arrow. You’re encouraged to read about them all in the previous night’s posts.

Then, you have the unannounced guests who are a separate list of continual, crushing talent. The Allman Brother’s southern rock guitarist Warren Haynes and slide guitarist Derek Trucks surprised the audience with a secret full third set on Night Two. Trombonists Sanders Sermon (Tedeschi/Trucks Band) and Natalie Cressman (Trey Anastatio Band) and trumpeters Maurice Brown and Igmar Thomas, and saxophonist Cocheme Gastulum (Sharon Jones and the Dap Kings), enhanced the wall of horns over the run on various nights. Behind everything, the chemistry and talents of Eric Krasno, Neal Evans and Alan Evans, are what make Bowlive possible.

Perhaps the most special show for many Soulive fans is the Kids show. Soulive held another KidsBowl performance early Saturday afternoon from 2pm to 3pm. These specific types of shows bring Soulive’s music to both the fans children and the unknowing adults who bring their kids to bowl on a Saturday, not knowing what a treat they are in for.  For dedicated Bowlive fans, the kids show is a wonderful way for the individual dancing alone at night to bring his or her family to meet one another.  The reality of life becomes evident as the adults were in “parent” mode, not “party” mode. Babies were crawling on the dance floor and children of all ages were running around in bowling shoes. The lights were on and bumpers were out. In their hour, they performed a few Soulive originals and brought Meter’s bassist, George Porter, Jr. It was when the set was over that the real raging began, however, when the children were allowed on stage to play with instruments and dance.

KidsBowl Set:

Uncle Jr.

Vapor

Hat  Trick

Turn It Out

Hey Pockey Way (w/ George Porter, Jr.)

How Sweet It Is (To Be Loved By You)

 It was back to party time with the evening show and The Alecia Chakour Band opening. Her blues siren vocals backed by Neal Evans on keys, bassist Alex Chakour, drummer Caito Sanchez, saxophonist Cocheme Gastulum, and trombonist Dave “Smoota” Smith, were perfection.  After a lovely instrumental intro, Chakour sang seven band originals, including “Runaway,” “Over Again,” “You Didn’t Tell Me,” and “The Sun.” Each member of her band taking solos and leads amongst her sweet sounding vocals. This was a fantastic group of soulful musicians and a perfect choice to transition into the funk-filled evening.

Opening Set:

1. Instrumental

2. Runaway

3. Over Again

4. You Didn’t Tell Me

5. The Sun

6.Ghost

7. Shirley

8. Everything Time I See You (Stevie Wonder Cover)

The important point of all of this, simply, was the music. Music that creates a passion within Soulive and luckily, that passion is extended to the fans. For the final evening of their amazing residency Soulive would play host to their mentor in funk, Meter’s bassist, George Porter Jr. But not before bringing it home for the Soulive purists, proving once again what a sick power trio they truly are.  The first set was pure fire, and with help from the Shady Horns, there was nothing to divert our thoughts from what was most important.  The set was full of sick Soulive originals, “Uncle Jr.,” “Aladdin,” and “One in Seven.” “Lenny,” a Stevie Ray Vaughn cover and highlight of any set, allows Krasno to open up a can of whoop ass upon your ears. He broke his string during his ripping solo. Enough said. The London Souls’ Tash O’Neal (guitar and vocals) and Chris St. Hilaire (drums) joined for the a “cover” of their own “Steady Are You Ready” then stayed on to help deliver a crushing version of Howlin’ Wolf’s “Killin’ Floor” in the vein of Electric Flag’s version. Remember, as we learned on Night Four, Krasno is a huge Tash O’Neal fan, so you can imagine the chemistry.

Set I:

Uncle Jr. (w/ Shady Horns)

Aladdin (w/ Shady Horns)

Come Together (Beatles cover)

Lenny (Stevie Ray Vaughn cover)

One In Seven

Steady Are you Ready (London Souls cover w/ Tash O’Neal & Chris St. Hilaire)

Killin Floor (Howlin’ Wolf Cover…Electric Flag Version w/ w/ Tash O’Neal & Chris St. Hilaire)

 Soulive performed a beautiful rendition of “El Ron,” before George Porter, Jr. was introduced for Set II, continuing on as one of Bowlive’s greatest musical mainstays.  During this tune, the Shady Horns, with the help of guest saxophonist Cocheme Gastulum, broke off into an extended improvisational blowing session with Alan supporting on drums. For lack of better words, it could best be described as a drum line for horns. A Hornline, if you will?! The entire second set evolved into of slew of classics from The Meter’s catalog.

“People Say,” kicked off a funk-fueled set with James Casey delivering a rousing solo. Casey has carried a saxophone around his next all week and when he plays, it’s clear that he was meant to blow a horn.  However, it must be mentioned that over the run, Casey provided grooving percussion on the congas for many songs. It was a dance party for “Hey Pockey Way,” as Porter announced that, “Everyday should be Mardi Gras!!!”  Then, audience participation time for the fun tune, “Hand Clapping Song.”  The next Meter’s original, “Out in the Country,” was performed in the style of Porter’s slow emotional arrangement from his It’s Life album. This was a gorgeously played ballad that tugged at the heartstrings of the crowd in a deep way. From a personal perspective, it brought tears to my eyes, almost opening the floodgates until I reeled it back in.  I wasn’t alone in this outpour of emotions. Again, acknowledging that this super-stimulating, night time version of summer camp, full of friendly faces, is like ending an addiction cold-turkey. Bowlive is an institution in the Jam Band universe at this point, it lasts longer than many music festivals, and it’s not easy for the die-hards when it ends.

The set ended and no one moved.  There was just endless screaming and shouting of Krasno and the Evans brother’s names. Then, Brooklyn Bowl owner, Peter Shapiro, stepped onto the stage. On the last night of every Bowlive, right before the final encore of the run, Peter Sharpio does something special for Bowlive’s loyal audience in an effort to show his gratitude for their support of live music.  At the end of the first Bowlive, 700 shots of tequila were handed out from the stage.  He kept it entirely mellow last year by passing around Aromatherapy plants: Sage, Rosemary and Thyme, asking that the audience to grab sprigs of each plant and inhale. This was to encourage a revitalization within our body, mind and soul for the energy to dance on for one more song. Not missing a creative beat, Peter Shapiro took the mic on this final night and thanked us for our loyalty in proper rockstar fashion. He alerted the audience that this was a milestone 40th show for Bowlive and that the he had had made t-shirts with “40” on the back and “BOWLIVE” on the front. XL shirts went flying around the venue and Shapiro asked that the audience put them on right away before Soulive would deliver us our double encore of “He Bite Me (The Dragon)” and “Ain’t No Use.” The gifting of the shirts was a smart and fun way to end this year’s Bowlive.

Set II:

El Ron (w/ Shady Horns and Cocheme Gastulum)

People Say

Take A Chance

Hey Pockey Way

Jezebel

Hand Clapping Song

Out In the Country

Encore:

He Bite Me (The Dragon)

Ain’t No Use

Soulive has truly cemented their reign as a musical dynasty. A talented trio on top of their game in this unforgiving musical bastion of NYC. The magnitude of music overheard during the last two weeks was dynamic and inspiring.  The guests and the musicians solos were magnificent, diverse and captivating. Soulive always gives us something to look forward to every single night of Bowlive and this year was nothing less.

On personal note, I hope these reviews have helped supplement the wealth of musical knowledge that Soulive bequeathed upon us during Bowlive IV.  It is a delight and a  privilege to witness Bowlive every year and count Soulive and the Brooklyn Bowl as part of my local music scene. It also goes without saying that it is an honor and a true highlight of my career to be blessed to write for this amazing phenomenon called Bowlive. Thank you to Peter Shapiro, the Brooklyn Bowl, all the staff and production crew. Thank you to Royal Family Records for the opportunity to cover such a delightful event. A giant thank you to all the guests who lent their sound to the stage. Finally, the biggest congratulations and thank you to Alan Evans, Neal Evans and Eric Krasno for making it all possible. Your fans eagerly await to see what you have in store for Bowlive V!

Karen Dugan

tinyrager.com

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Bowlive III: Night Eight – Soulive w/ George Porter Jr., Zach Deputy, Citizen Cope and Alice Smith ~ Extended Review + Media (03.08.12)

For the eighth night, Soulive members, Eric Krasno, Alan Evans and Neal Evans, performed at the Brooklyn Bowl for their annual residency, Bowlive.  In its third year, Bowlive has become one of the most interesting, engaging, educational and smoking residencies in New York City. There are some, who might argue, in America. Each night has gotten heavier, deeper, tighter, and energetically more invested with each guest who joins the stage to breath more life into the already amazing trio.

The Alecia Chakour Band opened last night to a huge crowd. Chakour joined the Bowlive rooster last year.  In the masculine crew that makes up the artists on the Royal Family Records Label, Alecia Chakour is a breath of fresh female energy. With a voice and range as powerful as Aretha Franklin, Chakour rightful deserves to be on stage with the talented musicians who make up Soulive. Chakour’s band members consisted of trumpeter Igmar Thomas (The Cypher), organist Neal Evans (Soulive), bassist and brother Alex Chakour, drummer Miles Arntzen (Antibalas), guitarist Sam Cohen (Apollo Sunshine), and saxophonist James Casey (6figures).  A highlight was when surprise guest artist Kofi Burbridge (The Derek Trucks band) lent his fluttering flute to the bunch on their new tune, “Surely.” The Alecia Chakour Band is a sick, tight, funky crew who fit right into the rotation of amazing acts that we have so far seen over the two week run.

Soulive members (guitarist Eric Krasno and soul brothers Alan Evans on drums and Neal Evans on clavinet) welcomed numerous guests on stage last night, some announced and some a surprise. This is always to be expected and they never disappoint. “Steppin” was the only song Soulive ever stood alone on stage for. After that, the flood gates opened with Kofi Burbridge jumping in on “El Ron” with the Bowlive Horns: saxophonist James Casey, trumpeter Eric Bloom and tenor saxophonist Ryan Zoidis. Special guest and Brooklyn resident Citizen Cope was next to join the stage to perform his original “Bullet and a Target,” and “Something to Believe In.” Cope’s raw, uncommon chords and proactive lyrics have been recognized and covered by likes of Carlos Santana, Dido, Sheryl Crow and Slipknot. His vocals transformed the bowl into a new vibe, a slower yet passionate part of the set. Alice Smith, the second vocalist billed that night, joined for Cope’s last tunes, “Ain’t Gonna Stand for It” and “107 Degrees.” Alice Smith’s voice melded beautifully with Cope’s the same way that Alecia Chakour’s voice melds perfectly with Nigel Halls. She is aggressive, serious, powerful, and passionate with a 4-octave vocal range and stunning stage presence. Cope exited the stage and Alice Smith, with the Soulive trio backing her, performed Cee Lo Green’s, “Fool For You.” The Bowlive Horns helped closed out the set with “Tuesday Night Squad,”as trumpeter Eric Bloom’s excitement spilled out of his animated solo and Nigel Hall took over the keys.

The second set was dedicated exclusively to the musical power of New Orleans yet contained special guests of varying styles. This was definitely one of the best sets of the entire run. Special guests, world renowned New Orleans bassist George Porter, Jr. (The Meters), drummer ?uestlove (The Roots), Billy Martin (Martin, Medeski and Wood), flautistKofi Burbridge and saxophonist Skerik, out for his third night, piled on stage with Soulive and the Bowlive horns. Covering New Orleans and Meters favorites “Just Kissed My Baby, “Hey Pocky Way,” “Come Fly with Me,” and “Funkify Your Life,” the musical entourage on stage was the definition of a Jam Room. George Porter, Jr. brought such life to the younger musicians who were surrounding him. Each artist took their turn power housing their instruments because Porter believes in the journey of the song and allowing it to unfold, which is exactly what happened on “Africa,” when Skerik took his solo and the classic song turned into a completely different creature.

Experimental jazz percussionist Billy Martin was left to his own devices with a pile of instruments to create sounds with after drumming for “Hey Pokey Way.” Martin is the drumming member of his own jazz, funk trio so his addition to Soulive allowed for experimental sounds that enhanced the layers of the music. “Everything is Everything” closed the set with Nigel Hall on vocals and another night of Bowlive ended, this time without and encore.  ?uestlove’s Bowl Train DJ set saw out the rest of  the night and everyone danced their way through funky, old skool tunes until their weary bodies said enough.


It’s unbelievable to think that the members of Soulive have been going full speed for eight crazy nights. What a testament to their level of stamina, creativity, and their ability to surprise and entice their audience.  For those who can’t make the last two nights, check out the live feed on iClips.net. For those of you with the ability to make it this weekend, you won’t be disappointed. Continuing his New Orleans flavor from last night, special guest George Porter Jr. will be joined by Ledisi with Nigel Hall and Alecia Chakour opening. We can only speculate who the surprise guests will be, but you can be sure they will bring in Bowlive’s final weekend in FULL RAGE!!!

BUY SINGLE DAY TICKETS NOW!
Can’t make the LIVE RAGE? Stream It on iClips.net!

 Karen E. Dugan
– Photo courtesy of Phrazz

Youtube Videos

Soulive feat. Citizen Cope – “Bullet & a Target” : http://www.youtube.com/watch?v=hoFGGhF_z2s

Soulive feat. George Porter & Nigel Hall – “Come Fly Away” : http://www.youtube.com/watch?v=azUKgsH7ztY

Soulive feat Alice Smith & Citizen Cope – “107 Degrees” : http://www.youtube.com/watch?v=HdVFSkp-YEg

Soulive feat. George Por ter, Nigel & Kofi – “Voices Inside” : http://www.youtube.com/watch?v=7cRBqKlyAHc

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Bowlive II: Night Three – Soulive w/ Alecia Chakour and Bernie Worrell @ The Brooklyn Bowl

(Photo by Allison Murphy)

(Photo by Allison Murphy)

(Photo by Allison Murphy)

(Photo by Allison Murphy)

The Royal Family just keeps raising the bar as the third night of Bowlive 2 was spectacular!!! Any night where the new musical generation of a genre gets to play with an old school member something magical happens on stage.

Last night, fifteen musicians rotated on and off The Brooklyn Bowl‘s stage as Soulive hosted keyboardist/Moog extraordinaire Bernie Worrell of George Clinton’s Parliament Funkadelic for a Parliament Funkadelic tribute that brought people to their knees.

Alecia Chakour & The Osrah

Alecia Chakour – Vocals
James Casey – Saxaphone
Makaya McCraven– Drums
Jaron Olevsky – Guitar
Igmar Thomas – Trumpet
Darby Wolf – Keyboardist

Special Guests:
Nigel Hall – Keys, Vocals
Ryan Zoidis – Alto Saxophone
Cheme Gastelum – Saxophone
Alan Evans – Guitar

(Photo by Allison Murphy)

(Photo by Allison Murphy)

The vampy Alecia Chakour engaged the audience with her soulful vocals to open the evening.  Chakour’s emotive voice was a nice change from the Nigel Hall and WAX sets that opened the previous nights. She is a phenomenal power behind the microphone similar to the likes of Joss Stone but better.  Chakour spoke of family and a theme that would define the evening was unleashed.

The addition of Alecia Chakour to The Royal Family has been a pleasant surprise this year. The combination of Nigel Hall and Alecia Chakour’s voice is seamless.  His vibrant, smooth voice melds wonderfully with Alecia’s calm, sexy vocals. Their tonality and harmony on top of one another is flawless.  Their chemistry, amazing as he dances around her and she locks eyes with him.  So long as they continue to perform together, they will become a force to be reckoned with, without a doubt.

Bowlive 2010 alums James Casey and Igmar Thomas made up Chakour’s horn section while keyboardist Darby Wolf, guitarist Jaron Olevsky and drummer Makaya Marcus McCraven made their Bowlive debuts.  The smoothness flowed as Nigel Hall, Cheme Gastelum, Ryan Zoidis and Alan Evans (on guitar!) all joined the stage for a slow and subtle jamming “Hard Times,” joining two musical families together and closing out a great set!

(Photo by Allison Murphy)

Special Guests: Bernie Worrell, James Hurt and ??  (Photo by Allison Murphy)

Soulive

Eric Krasno – Guitar
Neal Evans – Keys, bass
Alan Evans – Drums

Special Guests:
Alecia Chakour – Vocals
Nigel Hall – Keys, Vocals
Ryan Zoidis – Alto Saxophone
Cheme Gastelum – Saxophone

The ever hilarious MC Mike Gibney introduced Soulive speaking of his new haircut and how sharp he looks for this awesome band! Soulive started their set with tracks such as “Something” from their latest album Rubber SouliveThe Shady Horns, consisting of Ryan Zoidis and Cheme Gastelum, stepping in for Sam Kininger, were brought out to compliment the jazzy/funk trio on a KILLER “Hat Trick,” where Gastelum was given room to release a spectacular solo. Nigel Hall came out to lend his vocals to “Do the 2” and “Too Much” with help from Alecia Chakour.

Set List: Beatles medley, Something, Upright, For Granted, Hat Trick, Doin’ The 2, Too Much

(Photo by Allison Murphy)

(Photo by Allison Murphy)

Soulive w/Bernie Worell

Bernie Worrell – Keys/Moog/Organ

Eric Krasno – Guitar
Neal Evans – Keys, bass-keys
Alan Evans– Guitar

Special Guests:

Chris Loftlin – Bass
James Hurt – Keys
Adam “Shmeeans” Smirnoff – Guitar
Nikki Glaspie – Percussion, drums, vocals
?uestlove – Drums
Ryan Zoidis – Saxophone
James Casey – Saxaphone
Cheme Gastelum – Saxophone
Igmar Thomas – Trumpet
Nigel Hall – Keys, Vocals
Lenesha Randolph – Backup vocals
Tanya Jones – Backup vocals
Mel Flannery – Backup vocals

When Parliament Funkadelic’s Bernie Worrell hit the stage, funk hit the fan.  It begged me to ask the question: Where would Soulive be without Parliament Funkadelic?  Where would the funk genre be without Parliament Funkadelic?

Parliament Funkadelic Group Promo Shot

Parliament Funkadelic Group Promo Shot

A group that helped define a genre, Parliament Funkadelic was the bearer of multiple musicians that helped developed what FUNK sounds like and stands for!!  Band leader George Clinton lead the Mothership of musical freaks to the promise land through his vocals, songwriting and outrageous character.  Bassist Williams “Bootsy” Collins is considered highly influential in his funk bass styling.  Then, you have Bernie Worrell,  an amazing keyboardist who brought the synthesizer to the forefront of funk.

(Photo by Allison Murphy)

(Photo by Allison Murphy)

Almost as if Bernie Worrell was calling out to his youthful counterparts through his Moog, one by one every musician that was wondering around the venue ended up on stage.  Over the course of a phenomenal danceable set, 15 musicians including three guitarists (Alan Evans, Adam Smirnoff, Eric Krasno), five vocalists (Nigel Hall, Tanya Jones, Mel Flannery, Lenesha Randolph, Nikki Glaspie), four keyboardists (Neal Evans, Nigel Hall, James Hurt and Bernie Worrell), three horns (Ryan Zoidis, Cheme Gastelum, Igmar Thomas and James Casey), bassist Chris Loftlin and drummers Nikki Glaspie and Questlove,  tore the stage apart.


With a scarf on his head, Nigel Hall led the masses through a medley of P-Funk tunes.  Where some might say the “Dr. Frankenstein” was the highlight others will argue that “Flashlight” blew the cobwebs out our minds!  During “Mothership,” Bernie Worrell played the keys as Neal Evans perfectly projected a sound that emulated a spaceship landing.  It was amazing and uplifting to say the least.

(Photo by Allison Murphy)

(Photo by Allison Murphy)

During “Dr. Frankenstein”, my personal favorite RIPPING JAM of the night, hilarious bassist, Chris Loftlin, comes to the front of the stage, takes the microphone and proceeds to sing the children’s tune “Little Mrs. Muffit,” throwing us his ROCK HORNS and amping up the audience more then ever. He is so unbelievably fun, hilarious, vibrant and awesome!  I adore Chris Loftlin. Check it out:

Set List: Up For the Downstroke, Mothership, Dr, Frankenstein, Flashlight, Do That Stuff

Are you ready for more?  Tonight Krasno and the Evans Brothers welcome pedal-steel guitarist Robert Randolph (Robert Randolph and the Family Band, The Word) to engage Brooklyn Bowl’s audience in yet another night of soulful music..

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