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July 2013 Music Calendar

July 2013 Music Calendar

Calendar updated daily!

FESTIVALS

Celebrate Brooklyn!: One of New York City’s longest running, free, outdoor performing arts festivals. Launched in 1979, as a catalyst for Brooklyn’s performing arts scene and to bring people back into Prospect Park after years of neglect, Celebrate Brooklyn has been an anchor in the park’s revitalization and has become one of the city’s foremost summer cultural attractions. Over the course of its history Celebrate Brooklyn has presented over 1,700 artists and ensembles reflective of the borough’s diversity, ranging from internationally acclaimed performers to emerging, cutting-edge artists.

Central Park’s Summer Stage: An annual, free performing arts summer festival founded in 1986 which takes place at Rumsey Play field in Manhattan, New York City’s Central Park and, since 2010, in parks throughout the five boroughs of New York City.

“In a city happily inundated with summertime cultural offerings, the SummerStage festival stands alone for its dizzying array of options, its local enthusiasm, and its general aura of awe. This year spreads more than 100 free performances across 17 parks in all five boroughs.” The New York Times

Lowdown Hudson Blues Festival (New York, NY): Calling all jazz fans! The third annual Lowdown Hudson Blues Festival at Brookfield Place (formerly the World Financial Center) features some top notch jazz performers: B.B King, Los Lobos, Los Lonely Boys, Alejandro Escovedo and The James Hunter Six. The festival is FREE and takes place on July 10th and 11th. – See more at: http://www.metro.us/newyork/events/lowdown-hudson-blues-festival#sthash.bUp5N2Sk.dpuf

Maplewoodstock Music and Arts Festival (Maplewood, NJ): Thirteen bands on Sat, Jul 13, and twelve bands on Sun, Jul 14 25 miles outside the city in Maplewood, NJ.

Music Frees All Festival 2013 (New York, NY): Now in its third year, the 2013 Music Frees All Festival will take place over three days, July 19-21, in New York City. Proceeds will go to the Scotty Hard Trust. TICKETS: http://musicfreesallfestival.bpt.me/

Pleasantville Music Festival – (Pleasantville, NY): For $15 (Seniors) and $40 (Everyone else), you can enjoy the 9th Annual Musica Festival put on by “107.1 The Peak” radio station. Ten musical acts, including Brett Dennen, Easy Star All-Stars, The Kopecky Family Band, Bobby Long, Delta Rae, Red Wanting Blue and Mary C and the Stellars and more. The gates open at 12 Noon on July 13 & 14th, 2013. Music continues until 8:30PM. The Pleasantville Music Festival is ADA accessible! TICKETS: http://www.pleasantvillemusicfestival.com/tickets.html

CONCERTS

Monday, July 1, 2013

  • (FREE!!) Dave Eggar @ Rockwood Music Hall
  • ($8) Jim Campilongo @ The Living Room
  • ($10) Alecia Chakour Band: First Mondays @ Rockwood Music Hall
  • ($10-$15) A Decade Of Soul  Classic Soul & Motown Revue @ B.B. Kings Blues Club
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard

Tuesday, July 2, 2013

  • ($15) Boogie Back Tuesdays with  Q-Tip @ Cielo – New York, NY

Wednesday, July 3, 2013

  • (FREE!!) James Casey @ Rockwood Music Hall
  • (FREE!!) TAUK July Residency @ Spike Hill
  • ($35-$55) Suzanne Vega – Summer Residency (w/ Full Band) @ City Winery
  • ($60-$75) Phish @ Darling’s Waterfront Pavilion – Bangor, ME

Thursday, July 4, 2013

  • (FREE!!) Raul Midón with special guest Master Kong Nay @ Target Free David Rubenstein Atrium
  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)

Friday, July 5, 2013

  • ($10) Fort Knox Five @ Brooklyn Bowl (12pm set)
  • ($15) Deep Banana Blackout @ Brooklyn Bowl
  • ($60-$75) Phish @ Saratoga Performing Arts Center – Saratoga Springs, NY

Saturday, July 6, 2013

  • ($15) Deep Banana Blackout @ Brooklyn Bowl
  • ($35-$55) 10,000 Maniacs (Album Release) @ City Winery
  • ($40) She & Him @ SummerStage – Central Park, NY
  • ($60-$75) Phish @ Saratoga Performing Arts Center – Saratoga Springs, NY

Sunday, July 7, 2013

  • ($10) Klezmer Brunch – Ben Holmes Trio (10am)
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($35-$55) Dave Mason @ City Winery – New York, NY
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($50) Preservation Hall Jazz Band @ The McKittrick Hotel
  • ($60-$75) Phish @ Saratoga Performing Arts Center – Saratoga Springs, NY

Monday, July 8, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($12) Now vs. Now @ The Bowery Electric
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($40) She & Him @ SummerStage – Central Park, NY
  • ($50) Preservation Hall Jazz Band @ The McKittrick Hotel

Tuesday, July 9, 2013

  • ($15) Boogie Back Tuesdays with  Q-Tip @ Cielo
  • ($25-$100) Unity Tour 2013: 311 with Cypress Hill and G. Love & Special Sauce @ PNC Bank Arts Center – Holmdel, NJ
  • ($50) Preservation Hall Jazz Band @ The McKittrick Hotel

Wednesday, July 10, 2013

  • LOWDOWN HUDSON BLUES FESTIVAL
    • (FREE!!) B.B. King @ Brookefield Place Plaza
  • (FREE!!) Caravan of Thieves @ Parker Press Park – Woodbridge, NJ
  • ($20) The Skatalites @ Mexicali Live – Teaneck, NJ
  • ($35-$120) Cyndi Lauper @ Beacon Theatre
  • ($35-$55) Suzanne Vega – Summer Residency (w/ Full Band) @ City Winery
  • ($50) Preservation Hall Jazz Band @ The McKittrick Hotel
  • ($60) Ledisi @ Luxury Infinity Yacht
  • ($60-$75) Phish @ PNC Bank Arts Center – Holmdel, NJ

Thursday, July 11, 2013

  • LOWDOWN HUDSON BLUES FESTIVAL
    • (FREE!!) Los Lobos @ Brookefield Place Plaza
  • (FREE!!) TAUK July Residency @ Spike Hill
  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($10) Q-Tip @ Stage 48
  • ($15-$20) Carbon Leaf @ City Winery
  • ($15-$20) Reggie Watts @ Mercury Lounge
  • ($22-$26) Buckwheat Zydeco @ B.B. Kings Blues Club
  • ($25-$35)  Sly & Robbie @ Irving Plaza powered by Klipsch
  • ($40-$105) Furthur w/ Phil Lesh @ Barclays Center
  • ($42-$53) Belle and Sebastian @ Prospect Park Bandshell
  • ($50) Preservation Hall Jazz Band @ The McKittrick Hotel

Friday, July 12, 2013

  • (FREE!!) Cheap Trick @ Seaside Summer Concert Series
  • ($18-$20) Rachael Yamagata @ Maxwell’s – Hoboken, NJ
  • ($35-$75) Cyndi Lauper @ The Capitol Theatre – Port Chester, NY
  • ($40-$105) Furthur @ PNC Bank Arts Center – Holmdel, NJ
  • ($50) Preservation Hall Jazz Band @ The McKittrick Hotel
  • ($60-$75) Phish @ Nikon at Jones Beach Theatre – Wantagh, NY

Saturday, July 13, 2013

  • Maplewoodstock Music and Arts Festival (Maplewood, NJ)
    • w/ Joan Osborne
  • ($15-$40) Pleasantville Music Festival (Pleasantville, NY)
    • Brett Dennen, Easy Star All-Stars, The Kopecky Family Band, Bobby Long, Delta Rae, Red Wanting Blue and Mary C and the Stellars and more.
  • (FREE!!) Philip Glass @ Celebrate Brooklyn! Performing Arts Festival
  • ($10) Wax Poetic @ Nublu
  • ($25-$100) Cypress Hill and G. Love & Special Sauce @ Nikon at Jones Beach Theater
  • ($35-$75) Chris Isaak @ The Capitol Theatre – Port Chester, NY
  • ($42) An Intimate Solo / Acoustic performance by Citizen Cope @ City Winery
  • ($50) Aerosmith, Barbecue & Craft Beer! @ Randalls Island Park

Sunday, July 14, 2013

  • Maplewoodstock Music and Arts Festival (Maplewood, NJ)
    • w/ Joan Osborne
  • (FREE) Tall Tall Trees @ Brooklyn Fire Proof
  • ($10) Klezmer Brunch w/ Benjy Fox-Rosen & Michsel Winograd @ City Winery
  • ($15-$40) Blues Traveler @ Empire City Casino – Yonkers, NY
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill (Eary)
  • ($42) An Intimate Solo / Acoustic performance by Citizen Cope @ City Winery

Monday, July 15, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($42) An Intimate Solo / Acoustic performance by Citizen Cope @ @ City Winery
  • ($60-$95) The Monkees @ The Capitol Theatre – Port Chester, NY

Tuesday, July 16, 2013

  • ($15) Boogie Back Tuesdays with  Q-Tip @ Cielo
  • ($42) An Intimate Solo / Acoustic performance by Citizen Cope @ City Winery
  • ($60-$95) Melissa Etheridge @ The Capitol Theatre – Port Chester, NY

Wednesday, July 17, 2013

  • ($22) Howie Day ($42) @ City Winery – New York, NY
  • ($30-$100) Mobb Deep @ Stage 48 – New York, NY
  • ($35) Les Paul Monday’s with Jimmy Vivino featuring The Les Paul Trio @ Iridium Jazz Club

Thursday, July 18, 2013

  • (FREE!!) TAUK July Residency @ Spike Hill
  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($12) OMAHA DINER: Charlie Hunter, Steven Bernstein, Skerik & Bobby Previte @ Brooklyn Bowl
  • ($22) Howie Day @ City Winery
  • ($25-$30) Jars of Clay @ B.B. Kings Blues Club
  • ($35-$75) Alice Cooper @ Beacon Theatre

Friday, July 19, 2013

  • Music Frees All Festival 2013 @ The Bell House – Brooklyn, NY
    • ($25) Antibalas / The Stepkids / DJ Prince Paul / Pegasus Warning
  • ($10) Brothers Past @ Brooklyn Bowl – Brooklyn, NY
  • ($10) Will Bernard @ The Blue Note – New York, NY
  • ($40-$95) Zac Brown Band @ PNC Bank Arts Center – Holmdel, NJ
  • ($150-$300) Justin Timberlake and Jay-Z @ Yankee Stadium
    • ($25) Pre Party Cruise to the Jay Z and Justin Timberlake Concert @ Rocks Off River Cruise

Saturday, July 20, 2013

  • Music Frees All Festival 2013 @ The Bell House
    • ($25) Antibalas / The Stepkids / DJ Prince Paul / Pegasus Warning
  • ($20) Apollo Run w/ Krissy Krissy @ Rockwood Music Hal – New York, NY
  • ($35-$76) Hot Tuna With Special Guest Leon Russell @ State Theatre – New Brunswick, NJ
  • ($42) An Intimate Solo / Acoustic performance by Citizen Cope @ City Winery
  • ($150-$300) Justin Timberlake and Jay-Z @ Yankee Stadium
  • ($25) Pre Party Cruise to the Jay Z and Justin Timberlake Concert @ Rocks Off River Cruise

Sunday, July 21, 2013

  • Music Frees All Festival 2013 @ The Bell House – Brooklyn, NY
    • ($25) Antibalas / The Stepkids / DJ Prince Paul / Pegasus Warning
  • ($10) Klezmer Brunch w/ Moshe Bonen & HaTaklitim @ City Winery – New York, NY
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40-$55) Everclear @ The Capitol Theatre – Port Chester, NY
  • ($42) An Intimate Solo / Acoustic performance by Citizen Cope @ City Winery – New York, NY
  • ($58-$135) Lyle Lovett & His Acoustic Group @ Tarrytown Music Hall – Tarrytown, NY

Monday, July 22, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($35-$40) Anders Osborne, Trombone Shorty & Orleans Avenue / Soulive @ Central Park Summerstage – New York, NY
  • ($42-$50) fun. w/ special guest Tegan and Sara @ Hudson River Park – Pier 26
  • ($65) Phil Lesh w/ John Medeski @ The Capitol Theatre – Port Chester, NY

Tuesday, July 23, 2013

  • ($15) Boogie Back Tuesdays with  Q-Tip @ Cielo – New York, NY
  • ($28-38) Xavier Rudd w/ Nahko & Medicine for the People @ City Winery – New York, NY
  • ($35-$60) Brandi Carlile @ State Theatre – New Brunswick, NJ
  • ($50) fun. with very special guests Tegan and Sara @ Hudson River Park – Pier 26
  • ($65) Phil Lesh w/ John Medeski @ The Capitol Theatre – Port Chester, NY

Wednesday, July 24, 2013

  • ($15) Allen Stone @ Brooklyn Bowl – Brooklyn, NY
  • ($15) Dragon Smoke Feat. Stanton Moore & Robert Mercurio (Galactic) Ivan Neville (Dumpstaphunk) with Anders Osborne @ Brooklyn Bowl
  • ($25-$35) Dawes @ The Capitol Theatre – Port Chester, NY
  • ($28-38) Xavier Rudd w/ Nahko & Medicine for the People @ City Winery – New York, NY

Thursday, July 25, 2013

  • (FREE!!) Jason Gallagher (of Leroy Justice) @ Rockwood Music Hall – New York, NY
  • (FREE!!) Smokey Robinson @ Seaside Summer Concert Series – Brooklyn, NY
  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($15) Zongo Junction @ Littlefield – Brooklyn, NY
  • ($60) Paul Weller @ The Apollo Theater – New York, NY

Friday, July 26, 2013

  • ($10) Tall Tall Trees @ Mercury Lounge – New York, NY
  • ($35-$40) The Gaslight Anthem @ Hudson River Park – Pier 26 – New York, NY
  • ($40-$85) Rock The Blues Summer Jam 2013 @ The Capitol Theatre – Port Chester, NY
  • ($60) Paul Weller @ Webster Hall – New York, NY
  • ($80) Americanarama Festival of Music featuring Bob Dylan & His Band / Wilco / My Morning Jacket @ Pier A – Hoboken, NJ

Saturday, July 27, 2013

  • (FREE!!) The Gaslight Anthem @ Irving Plaza – New York, NY
  • ($10) Underground Horns @ Nublu – New York, NY
  • ($35-$50) Booker T. Jones @ City Winery – New York, NY
  • ($40-$105) Americanarama Festival of Music feat. Bob Dylan and His Band + more! Nikon @ Jones Beach Theater, Wantagh, NY
  • ($50-$80) Robert Plant presents The Sensational Space Shifters @ Celebrate Brooklyn at Prospect Park Bandshell – Brooklyn, NY
  • ($70-$160) BON JOVI Because We Can – The Tour @ MetLife Stadium – East Rutherford, NJ

Sunday, July 28, 2013

  • ($10) Klezmer Brunch w/ Paul Shapiro Ribs & Brisket Revue @ City Winery – New York, NY
  • ($15-$45) Kansas @ Empire City Casino at Yonkers Raceway – Yonkers, NY
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($35-$40) The Gaslight Anthem w/ The Hold Steady @ Hudson River Park, Pier 26 – New York, NY
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($45-$95) An Evening with YES @ The Capitol Theatre – Port Chester, NY

Monday, July 29, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($15) Rebirth Brass Band @ Brooklyn Bowl – Brooklyn, NY
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard

Tuesday, July 30, 2013

  • (Free!!) Barenaked Ladies @ Celebrate Brooklyn! at the Prospect Park Bandshell
  • ($15) Boogie Back Tuesdays with  Q-Tip @ Cielo – New York, NY

Wednesday, July 31, 2013

  • ($22-$60) Slick Rick w/ Lifted (live band) @ Stage 48 – New York, NY
  • ($30) Ravi Coltrane @ The Iridium – New York, NY

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Bowlive IV Recap Including Day & Night 8 Reviews

We’ve officially been “Bowlived” for the fourth year as Soulive reached the finish line of their 4th Annual residency, Bowlive, on Saturday night. It’s a bittersweet feeling; similar to the feelings you get when you have to leave an amazing few weeks at summer camp. For the members of Soulive, seeing the regular faces and New York City fan dedication is a wonderful energy for them to play off of throughout the run. In turn, fans get to see their favorite artists night after night, performing exquisitely executed originals and crushing covers with spectacular guests. All the while, both fans and band dance around with each other, their friends, and other musicians in the audience who are there just to bare witness. Everyone smiles and engages each other, soaking up every glorious note. It’s a symbiotic relationship that is hard to fall away from after being dipped so deeply for eight nights. So, when the end comes, we must remind ourselves that these residencies are special because they only happen once a year! Soulive reminds themselves that they have something special to look forward to as much as the audience does. And each year, the audience witnesses the unfolding of a beautiful musical dynasty that Eric Krasno and brothers Neal and Alan Evans have created.

 Unlike the three previous year’s run, Soulive chose to focus their energy into eight shows instead of ten. This choice applies great pressure to any band who chooses to change the formula of a well-established and respected event. Bowlive fans expect a certain caliber of guests, a high level of surprise sit-ins, and some spectacular musical experiences that sometimes end up being a once-in-a-lifetime moment.  Soulive knows this to be true and always takes the time to consider such factors. How about having Mod dancers bust out into the bowling lanes during the second set of Night I?! It was just go time at that point!

Over the course of eight nights, guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans provided a stage and support for fantastic and exciting artists. They played endless jams in multiple styles across the musical spectrum, which is an important goal of the residency every year. Special guests included rocking Southern Blues brothers, guitarist Luther Dickinson and his brother, drummer Cody Dickinson, the 1970’s soul vocalist, Lee Fields and his modern day counterpart, Nigel Hall. There was the unmatched pedal steel slide guitarist Robert Randolph, legendary jam scene DJ, DJ Logic, and The Shady Horns lent their wall of sound during the second week with the help of crushing saxophonist Bill Evans one night. Some of America’s most outstanding keyboardists, 1970’s Memphis blues keyboardist, Booker T. Jones, mad scientist and keyboard wizard, John Medeski, and the ever experimental Marco Benevento, dominated their time on stage. Stepping in to melt faces on guitar was the astonishing Los Lobos’s David Hildago and The Meter’s Leo Nocentell. Soulive closed out their epic week playing with America’s most famous funk bassist, George Porter. Jr.

Another exciting element of Bowlive each year is the choice opening bands Soulive picks to set the audience’s mood each night. Due to a benefit at the Brooklyn Bowl on Night Six, there were only seven opening groups, all delivering a variety of musical power. The ridiculous ragers who make up Kung-Fu opened the run with so much fury. It was a perfect choice. The rocking Sister Sparrow and the Dirty Birds, The London Souls and Leroy Justice got the dance floor grooving. It was also a great pleasure to see two powerful females amongst the male-dominated residency by way of Alecia Chakour (The Alecia Chakour Band) and Arleigh Kincheloe (Sister Sparrow). The soul and flavor of love got shot to our hearts with The Nigel Hall Band, the Alecia Chakour Band and Cocheme Gastulum’s The Electric Sound of Johnny Arrow. You’re encouraged to read about them all in the previous night’s posts.

Then, you have the unannounced guests who are a separate list of continual, crushing talent. The Allman Brother’s southern rock guitarist Warren Haynes and slide guitarist Derek Trucks surprised the audience with a secret full third set on Night Two. Trombonists Sanders Sermon (Tedeschi/Trucks Band) and Natalie Cressman (Trey Anastatio Band) and trumpeters Maurice Brown and Igmar Thomas, and saxophonist Cocheme Gastulum (Sharon Jones and the Dap Kings), enhanced the wall of horns over the run on various nights. Behind everything, the chemistry and talents of Eric Krasno, Neal Evans and Alan Evans, are what make Bowlive possible.

Perhaps the most special show for many Soulive fans is the Kids show. Soulive held another KidsBowl performance early Saturday afternoon from 2pm to 3pm. These specific types of shows bring Soulive’s music to both the fans children and the unknowing adults who bring their kids to bowl on a Saturday, not knowing what a treat they are in for.  For dedicated Bowlive fans, the kids show is a wonderful way for the individual dancing alone at night to bring his or her family to meet one another.  The reality of life becomes evident as the adults were in “parent” mode, not “party” mode. Babies were crawling on the dance floor and children of all ages were running around in bowling shoes. The lights were on and bumpers were out. In their hour, they performed a few Soulive originals and brought Meter’s bassist, George Porter, Jr. It was when the set was over that the real raging began, however, when the children were allowed on stage to play with instruments and dance.

KidsBowl Set:

Uncle Jr.

Vapor

Hat  Trick

Turn It Out

Hey Pockey Way (w/ George Porter, Jr.)

How Sweet It Is (To Be Loved By You)

 It was back to party time with the evening show and The Alecia Chakour Band opening. Her blues siren vocals backed by Neal Evans on keys, bassist Alex Chakour, drummer Caito Sanchez, saxophonist Cocheme Gastulum, and trombonist Dave “Smoota” Smith, were perfection.  After a lovely instrumental intro, Chakour sang seven band originals, including “Runaway,” “Over Again,” “You Didn’t Tell Me,” and “The Sun.” Each member of her band taking solos and leads amongst her sweet sounding vocals. This was a fantastic group of soulful musicians and a perfect choice to transition into the funk-filled evening.

Opening Set:

1. Instrumental

2. Runaway

3. Over Again

4. You Didn’t Tell Me

5. The Sun

6.Ghost

7. Shirley

8. Everything Time I See You (Stevie Wonder Cover)

The important point of all of this, simply, was the music. Music that creates a passion within Soulive and luckily, that passion is extended to the fans. For the final evening of their amazing residency Soulive would play host to their mentor in funk, Meter’s bassist, George Porter Jr. But not before bringing it home for the Soulive purists, proving once again what a sick power trio they truly are.  The first set was pure fire, and with help from the Shady Horns, there was nothing to divert our thoughts from what was most important.  The set was full of sick Soulive originals, “Uncle Jr.,” “Aladdin,” and “One in Seven.” “Lenny,” a Stevie Ray Vaughn cover and highlight of any set, allows Krasno to open up a can of whoop ass upon your ears. He broke his string during his ripping solo. Enough said. The London Souls’ Tash O’Neal (guitar and vocals) and Chris St. Hilaire (drums) joined for the a “cover” of their own “Steady Are You Ready” then stayed on to help deliver a crushing version of Howlin’ Wolf’s “Killin’ Floor” in the vein of Electric Flag’s version. Remember, as we learned on Night Four, Krasno is a huge Tash O’Neal fan, so you can imagine the chemistry.

Set I:

Uncle Jr. (w/ Shady Horns)

Aladdin (w/ Shady Horns)

Come Together (Beatles cover)

Lenny (Stevie Ray Vaughn cover)

One In Seven

Steady Are you Ready (London Souls cover w/ Tash O’Neal & Chris St. Hilaire)

Killin Floor (Howlin’ Wolf Cover…Electric Flag Version w/ w/ Tash O’Neal & Chris St. Hilaire)

 Soulive performed a beautiful rendition of “El Ron,” before George Porter, Jr. was introduced for Set II, continuing on as one of Bowlive’s greatest musical mainstays.  During this tune, the Shady Horns, with the help of guest saxophonist Cocheme Gastulum, broke off into an extended improvisational blowing session with Alan supporting on drums. For lack of better words, it could best be described as a drum line for horns. A Hornline, if you will?! The entire second set evolved into of slew of classics from The Meter’s catalog.

“People Say,” kicked off a funk-fueled set with James Casey delivering a rousing solo. Casey has carried a saxophone around his next all week and when he plays, it’s clear that he was meant to blow a horn.  However, it must be mentioned that over the run, Casey provided grooving percussion on the congas for many songs. It was a dance party for “Hey Pockey Way,” as Porter announced that, “Everyday should be Mardi Gras!!!”  Then, audience participation time for the fun tune, “Hand Clapping Song.”  The next Meter’s original, “Out in the Country,” was performed in the style of Porter’s slow emotional arrangement from his It’s Life album. This was a gorgeously played ballad that tugged at the heartstrings of the crowd in a deep way. From a personal perspective, it brought tears to my eyes, almost opening the floodgates until I reeled it back in.  I wasn’t alone in this outpour of emotions. Again, acknowledging that this super-stimulating, night time version of summer camp, full of friendly faces, is like ending an addiction cold-turkey. Bowlive is an institution in the Jam Band universe at this point, it lasts longer than many music festivals, and it’s not easy for the die-hards when it ends.

The set ended and no one moved.  There was just endless screaming and shouting of Krasno and the Evans brother’s names. Then, Brooklyn Bowl owner, Peter Shapiro, stepped onto the stage. On the last night of every Bowlive, right before the final encore of the run, Peter Sharpio does something special for Bowlive’s loyal audience in an effort to show his gratitude for their support of live music.  At the end of the first Bowlive, 700 shots of tequila were handed out from the stage.  He kept it entirely mellow last year by passing around Aromatherapy plants: Sage, Rosemary and Thyme, asking that the audience to grab sprigs of each plant and inhale. This was to encourage a revitalization within our body, mind and soul for the energy to dance on for one more song. Not missing a creative beat, Peter Shapiro took the mic on this final night and thanked us for our loyalty in proper rockstar fashion. He alerted the audience that this was a milestone 40th show for Bowlive and that the he had had made t-shirts with “40” on the back and “BOWLIVE” on the front. XL shirts went flying around the venue and Shapiro asked that the audience put them on right away before Soulive would deliver us our double encore of “He Bite Me (The Dragon)” and “Ain’t No Use.” The gifting of the shirts was a smart and fun way to end this year’s Bowlive.

Set II:

El Ron (w/ Shady Horns and Cocheme Gastulum)

People Say

Take A Chance

Hey Pockey Way

Jezebel

Hand Clapping Song

Out In the Country

Encore:

He Bite Me (The Dragon)

Ain’t No Use

Soulive has truly cemented their reign as a musical dynasty. A talented trio on top of their game in this unforgiving musical bastion of NYC. The magnitude of music overheard during the last two weeks was dynamic and inspiring.  The guests and the musicians solos were magnificent, diverse and captivating. Soulive always gives us something to look forward to every single night of Bowlive and this year was nothing less.

On personal note, I hope these reviews have helped supplement the wealth of musical knowledge that Soulive bequeathed upon us during Bowlive IV.  It is a delight and a  privilege to witness Bowlive every year and count Soulive and the Brooklyn Bowl as part of my local music scene. It also goes without saying that it is an honor and a true highlight of my career to be blessed to write for this amazing phenomenon called Bowlive. Thank you to Peter Shapiro, the Brooklyn Bowl, all the staff and production crew. Thank you to Royal Family Records for the opportunity to cover such a delightful event. A giant thank you to all the guests who lent their sound to the stage. Finally, the biggest congratulations and thank you to Alan Evans, Neal Evans and Eric Krasno for making it all possible. Your fans eagerly await to see what you have in store for Bowlive V!

Karen Dugan

tinyrager.com

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Bowlive IV Night 6 Recap w/ John Medeski, Bill Evans, George Porter Jr & Shady Horns : Tonight Porter, Leo Nocentelli & Shady Horns

To many New Yorkers, Thursday signifies the start of the weekend. Music venues bulk up their staff and bands slated to perform anticipate an audience that is ready for a party.  Last night was the sixth night of Soulive’s Brooklyn Bowl residency, Bowlive IV. The foundation was set for a rocking night of music with the Brooklyn Bowl stocked with staff and Soulive ready to throw it down.

With so many amazing musicians sitting in with Soulive over the past six nights, it has been challenging to ensure proper love is given to everyone. Especially during residencies, focus on special guests and their performances become the unexpected highlights of the articles and sometimes people forget to focus on the core members of the residency themselves. Credit must be given where credit is due.

Guitarist Eric Krasno, drummer Alan Evans and Neal Evans, along with the Brooklyn Bowl, have created something extremely special and unique for the New York music community. Since it’s inception in 2010, Bowlive has turned into a musical Superbowl that pushes the skills of the best of the best. For eight to ten nights, these three rock stars provide a fusion of styles that showcase numerous artist and instruments with Soulive’s distinct sound providing the base. The shared respect between musicians to musicians, and musicians to fans amps the frenetic creative energy that flows from the first downbeat to the final bow. Eric, Alan, and Neal are all at the top of their game and are now standing out among the greats, using the glory of Bowlive to cement their place as a musical dynasty. A dynasty that began in 1999.  It speaks volumes that the trio can support an eight to ten night residency that packs the house every night and attracts some of the biggest names in live music. Last night continued the tradition of amazing collaborations with keyboardist John Medeski and saxophonist Bill Evans.

The power trio had to make a few changes to the musical formula last night. Due to a benefit concert earlier in the day, last night was the first and only night of the run where the power trio did not have a rocking opening band to set pace. Without an opening band, Soulive was tasked with pumping up the eager crowd that was filled up with party animals, packing the dance floor to the brim. By doing so, they completely reinforced to the fans why any of us were there in the first place. Soulive original, “Aladdin,” began the set, providing the first platform for Krasno to open up and slay his guitar.  Jimi Hendrix’s “Manic Depression” followed, a song that everyone can geek out on, especially the musicians playing the tune. After six nights, the guys were thoroughly warmed up and just crushing solos left and right on The Beatles tune, “I Want You.”

Enter The Shady Horns, consisting of trumpeter Eric Bloom, saxophonist James Casey, and baritone saxophonist Ryan Zoidis, for “Backwards Jack.” These three horn players provide a platform for the trio to open up and rage. Over the run, Eric Bloom has been experimenting with a guitar Wa Wa pedal during his trumpet solos, while James Casey has broken out the flute and provided percussion on many songs.

Continuing his guest appearance from the fifth night, London Souls guitarist Tash O’Neal joined the stage for the Beatles, “Get Back” and a slow “PJs.” Quality choices off their 2010 album, Rubber Soulive, made up the bulk of the first set before the audience was hit with a special unannounced guest.  Alan spoke to the crowd, “I am sorry for those of you who can’t come tomorrow night. You know, it’s a real shame that you won’t see George Porter, Jr. tomorrow. But it’s ok! Because you can see him now!!!” This was special.

Bassist George Porter, Jr. is an icon, legend and mentor, not only to the members of Soulive, but any true musician or music lover who loves funky, deep, in-the-pocket bass lines. A member of the legendary group, The Meters, Porter’s unique sound can be heard on recordings for Warren Haynes, Patti Labelle, Jimmy Buffett, David Byrne, Johnny Adams, Harry Connick Jr., Earl King, and Tori Amos, to name a few. Soulive is so well-versed on Porter’s catalog that the end of the set list simply read, “Whatever GPJ Wants!”  They cranked out Meter’s covers “Check Your Mind” right into “Funky Bitch,” without missing a beat.

Soulive continued to descend upon us with new musicians, adding keyboardist John Medeski (Medeski, Martin and Wood) and saxophonist Bill Evans to their Bowlive IV roster for the second set. A set that is hard to describe in words. Let’s just start with knowing the fact that Bill Evans was in Miles Davis’s band at the age of 22 and John Medeski was asked to perform on Jaco Pastorius’s 1981 tour while still a teenager. Along with Soulive and the Shady Horns, Medeski and Evans played a mind-blowing set.  Medeski’s avant-garde jazz quality added an incredible layer of sound to the stage, either filling every empty space with a melodic note, or simply striking one key and locking eyes with Neal. The set was filled with songs from Spark, a collaborative album with Karl Denson, released in March 2012. “Spark!,” the title track, kicked it off with Bill Evans crushing a sick solo on his soprano sax. Trombonist Natalie Cressman (Trey Anastasio Band) was the next unannounced sit-in who lent her sound on “Povo.”  “Nubian Lady” and “Liquid” followed, sounding exactly like the names suggest. The musicians were so tight, fluid, and everyone on stage was cranking out their notes in improvisational ways, yet sounded as if they had been rehearsing the same songs for years.  Unannounced drummer ?uestlove, who holds a standing DJ set on Thursdays for the Brooklyn Bowl, snuck in for “Nautilus” and proceeded to slam our heads into the beat of the song.  It was inspiring. Soulive encored with an extended, jamming “Tuesday Night Squad.”

Tonight’s jam sessions will start at 8:30 with Leroy Justice opening. Special guests will include bassist George Porter, Jr., guitarist Leo Nocentelli and The Shady Horns will be back in full effect to give their fans one extreme night of funk and fury.

Karen E. Dugan

http://tinyrager.com

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January 2013 Music Calendar

January 2013 NYC Music Calendar

Calendar updated daily!

FESTIVALS

GLOBALFEST: Groundbreaking international music festival and a volunteer run non-profit organization dedicated to foster cultural exchange. globalFEST’s mission is cultural, social and political. It aims to bring down boundaries between countries and create cultural opportunities for individual artists and for governments, sponsors, scholars and critics to collaborate. Tours and cultural exchanges that result from globalFEST¹s showcases have helped to build an ever widening audience for world music and, by extension an increase in international cooperation and collaboration.

30th Next Wave Festival: returning for its 30th season, presenting an array of contemporary performance, artist talks, storytelling, visual art, and film that showcases work by emerging artists and innovative modern masters.

CONCERTS

Tuesday, January 1, 2013

  • ($18-$25) Joseph Arthur & Vernon Reid @ City Winery
  • ($20) Nigel Hall Band (Phish/Mule After-Party) @ The Blue Note
  • ($25) Rusted Root @ Stage 48
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Wednesday, January 2, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($10-$12) New York Funk Exchange w/ Jane Lee Hooker @ Mercury Lounge
  • ($20) The Louis Armstrong Centennial Band @ Birdland
  • ($35) “A Love Supreme” Azar Lawrence Quintet featuring Eddie Henderson @ Smoke Jazz & Supper Club-Lounge (7pm, 9pm, 10:30 sets)Sets)
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Thursday, January 3, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($22) Howie Day @ City Winery
  • ($35) “A Love Supreme” Azar Lawrence Quintet featuring Eddie Henderson @ Smoke Jazz & Supper Club-Lounge (7pm, 9pm, 10:30 sets)
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Friday, January 4, 2013

  • ($8) Electic Method @ Knitting Factory
  • ($22) Howie Day @ City Winery
  • ($30) John Abercrombie Quartet @ Jazz Standard
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Saturday, January 5, 2013

  • ($8-$10) Ikebe Shakedown @ Cameo Gallery
  • ($20) Maurice Brown @ Ginny’s Supper Club (2 Sets)
  • ($30) John Abercrombie Quartet @ Jazz Standard
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Sunday, January 6, 2013

  • ($20) Earth, Wind & Fire @ B.B. King Blues Club and Grill (Celebrating 40 Years)
  • ($25) John Abercrombie Quartet @ Jazz Standard
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Monday, January 7, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($10) Charlie Hunter @ The Living Room
  • ($10) Alecia Chakour Band: First Mondays @ Rockwood Music Hall
    • Join Alecia Chakour, Neal Evans, Sam Cohen, Alex Chakour, Miles Arntzen, Cochemea Gastelum and friends on the first Monday of every month at Rockwood Music Hall for their unique take on rock n’ soul…
  • ($18-$22) Diane Birch @ City Winery
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard

Tuesday, January 8, 2013

  • ($15) The London Souls @ The Bowery Ballroom
  • ($18-$22) Diane Birch @ City Winery
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($40-$60) Nas with Anthony Decurtis @ Kaufmann Concert Hall, 92 Street Y

Wednesday, January 9, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25) Robert Glasper and Friends @ S.O.B.’s
  • ($25) Dr. Lonnie Smith Trio @ Jazz Standard (2 sets)
  • ($25-$30) Shuggie Otis, People Get Ready, Ofei, Joshua Nelson, & DJ Kool Herc @ Highline Ballroom

Thursday, January 10, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night DJ set)
  • ($10) Jamie McLean Band @ Rockwood Music Hall (10:15pm slot)
  • ($10-$13) Adam Ezra Group @ Mercury Lounge
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25) Robert Glasper & Friends @ SOB’s

Friday, January 11, 2013(Biggest Musical Day of the Month)

  • (FREE) Zongo Junction @ Rockwood Music Hall (11:45pm slot)
  • ($7) Klezwoods @ Spike Hill
  • ($10) Spanglish Fly @ NuBlu
  • ($10-$13) Apollo Run w/ Midnight Spin @ Mercury Lounge
  • ($15) Slick Rick: The Ruler @ Brooklyn Bowl
  • ($15-$18) Snarky Puppy @ Rockwood Music Hall (10pm slot)
  • ($15-$20) APAP Showcase w/ The Iguanas, Mia Borders, Colin Lake & Sasha Masakowski @ Hill Country
  • ($20-$25) Big Sam’s Funky Nation, The Stooges Brass Band, Mia Borders, Christian Scott Sextet & Flow Tribe @ The Cutting Room
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25-$30) Alan Doyle (of Great Big Sea), The Dunwells, & Amy Helm @ B. B. Kings Blues Club
  • ($30) Dr. Lonnie Smith Trio @ Jazz Standard
  • ($35) Marcus Strickland & TWI-LIFE @ Sullivan Hall (2013 NYC Winter Jazzfest)
  • ($35-$70) INDELIBLE FESTIVAL: Meshell Ndegeocello presents Spirit Music Jamia @ @ Highline Ballroom
    • Featuring: Cecil Taylor, DJ Questlove, AYO, Guy Davis, Gregoire Maret, THE DUST RAYS featuring Kirk Douglas & Mark Kelley of the Roots & Ricc Sheridan from Earl Greyhound & Surprise Special Guests
  • ($40-$50) Betty LaVette @ City Winery
  • ($50-$55) CAKE @ Bowery Ballroom
  • ($50-$90) Morrissey @ Brooklyn Academy of Music
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium

Saturday, January 12, 2013

  • ($10) Stooges Brass Band @ Brooklyn Bowl
  • ($20) Arturo O’Farrill Trio @ Ginny’s Supper Club
  • ($20-$35) Ramsey Lewis & John Pizzarelli @ The Blue Note (2 Sets)
  • ($30) Dr. Lonnie Smith “In The Beginning” Octet @ Jazz Standard
  • ($30-$40) Paula Cole, Kris Allen, Brother Joscephus and the Love Revolution, Teitur, Leroy Bell and his Only Friends @ City Winery
  • ($40) Bettye LaVette @ Joe’s Pub
  • ($45-$75) Roberta Flack @ St. George Theatre
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium
  • ($68-$92) Def Squad and Method Man @ Hammerstein Ballroom

Sunday, January 13, 2013

  • ($10) Reggie Watts @ Grasslands Gallery, BK
  • ($20) Gregg Kallor Hurricane Sandy Relief Concert w/ Dave Eggar @ Culture Project
  • ($20-$35) Ramsey Lewis & John Pizzarelli @ The Blue Note (2 Sets)
  • ($25) The David Johansen Band @ Highline Ballroom
  • ($26-$64) Green Day @ Barclays Center
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($30) Dr. Lonnie Smith “In The Beginning” Octet @ Jazz Standard (2 sets)
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40) The Stooges Brass Band at globalFEST @ Webster Hall
  • ($45) Cassandra Wilson @ B. B. Kings Blues Club
  • ($50-$200) Idina Menzel @ Carnegie Hall
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium

Monday, January 14, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($20) Jonathan Batiste @ Rockwood Music Hall
  • ($20-$40) International Guitar Night @ The Blue Note (1 Set)
    • feat. Martin Taylor (Scotland), Brian Gore (US), Solorazaf (Madagascar)
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Terence Blanchard Quintet @ Birdland

Tuesday, January 15, 2013

  • ($20-$40) John and Hank Green: An Evening of Awesome w/ The Mountain Goats @ Carnegie Hall
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($30-$35) The Airborne Toxic Event @ Webster Hall
  • ($35-$55) Little Feat / Leon Russell @ The Capitol Theatre, Port Chester, NY
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($46-$85) Lynyrd Skynyrd @ Beacon Theatre

Wednesday, January 16, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($15-$20) Soundgarden @ Terminal 5
  • ($20-$25) Bob Schneider @ City Winery
  • ($20-$80) Meshell Ndegeocello @ BAM in Brooklyn, NY (Part of 30th Next Wave Festival)
    • When Past & Future Collide ~ Life Along the Borderline: A Tribute to Nico, Curated by John Cale
  • ($30-$35) Billy Cobham’s “Spectrum 40″ @ B. B. Kings Blues Club
  • ($30-$35) The Airborne Toxic Event @ Webster Hall
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($40-$90) G. Love & Special Sauce @ Irving Plaza

Thursday, January 17, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($12) Jeff Bujak @ Sullivan Hall
  • ($36-$40) Lalah Hathaway @ B. B. Kings Blues Club

Friday, January 18, 2013

  • ($25) Toshi Reagon and BIGLovely @ Joe’s Pub
  • ($30-$40) Alejandro Escovedo with The Mastersons @ City Winery
  • ($30-$65) Umphrey’s McGee @ Beacon Theater
  • ($36) Guster & Yellowbirds @ The Capitol Theatre, Port Chester, NY
  • ($40) Terence Blanchard Quintet @ Birdland

Saturday, January 19, 2013

  • ($10) Driftwood @ Rockwood Music Hall
  • ($15) John Brown’s Body @ Maxwell’s Hoboken, NJ
  • ($20) Cracker & Camper Van Beethoven @ Stage 48
  • ($25) Toshi Reagon and BIGLovely @ Joe’s Pub
  • ($30-$40) Alejandro Escovedo with The Mastersons @ City Winery
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($50) Morrissey @ The Capitol Theatre, Port Chester, NY

Sunday, January 20, 2013

  • ($20) Talib Kweli @ S.O.B.’s
  • ($25) Toshi Reagon: Sacred Music Show w/ Bernice Johnson Reagon @ Joe’s Pub
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($30-$55) Béla Fleck BANJO SUMMIT @ Michael Schimmel Center for the Arts
    • Banjo mastermind, Béla Fleck will be joined by Tony Trischka, Bill Keith, Richie Stearns, Eric Weissberg, and Noam Pikelny.
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • (???) Juan Maclean DJ Set @ Le Bain at The Standard

Monday, January 21, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Tim Reynolds of the Dave Matthews Band @ Iridium Jazz Club
  • ($35) Living Colour @ Highline Ballroom (For The Million Man Mosh II)

Tuesday, January 22, 2013

  • ($10) Zen Tricksters @ The Brooklyn Bowl
    • Special Guest: Rob Barraco (Phil Lesh & Friends, The Dead, Dark Star Orchestra) & Keith Kenny
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($65-$76) Soundgarden @ Hammerstein Ballroom

Wednesday, January 23, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($20) The Louis Armstrong Centennial Band @ Birdland NYC
  • ($30-$35) Papa Roach @ Terminal 5
  • ($40) Trey Anastatio Band @ The Capitol Theatre, Port Chester, NY
  • ($66-$80) Soundgarden @ Hammerstein Ballroom

Thursday, January 24, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($15) FLOODWOOD (feat. Al Schnier & Vinnie Amico of moe.) @ Rockwood Music Hall (9pm slot)
  • ($15) The Wailers (performing Survival & more) @ The Brooklyn Bowl
  • ($25-$45) Dirt Farmer Band featuring Larry Campbell, Amy Helm, Byron Isaacs, Justin Guip and Teresa Williams @ City Winery
  • ($40) Trey Anastatio Band @ The Capitol Theatre, Port Chester, NY
  • ($42.50) Austra @ Hammerstein

Friday, January 25, 2013

  • ($5) Austra (DJ Set) @ Glasslands Gallery
  • ($10) #1 Kid (feat. members of Rubblebucket) @ Rockwood Music Hall ~ Stage 2 (11pm Slot)
  • ($15-$20) Ryan Montbleau Band @ City Winery
  • ($25-$30) Sister Hazel @ B. B. Kings Blues Club
  • ($30-$42) Robert Earl Keen @ Irving Plaza powered by Klipsch
  • ($42.50) Austra @ Hammerstein

Saturday, January 26, 2013

  • ($10-$12) The Nigel Hall Band @ Sullivan Hall
  • ($15) Marion LoGuidice @ Joe’s Pub
  • ($15-$20) Ryan Montbleau Band @ City Winery
  • ($25-$30) Lotus w/ Moon Hooch @ Best Buy Theatre
  • ($30-$35)  Femi Kuti & Positive Force @ Webster Hall
  • ($42-$46)  Loudon Wainwright III @ Zankel Hall
  • ($50-$90) Pat Benatar @ The Capitol Theatre, Port Chester, NY

Sunday, January 27, 2013

  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill

Monday, January 28, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($22.50) Reel Big Fish @ Irving Plaza
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Johnny Winter – 3rd Annual residency @ B. B. Kings Blues Club
  • ($35-$50) Robert Earl Keen @ City Winery
  • ($40-$75) Tegan and Sara @ The Beacon Theater (SOLD OUT)

Tuesday, January 29, 2013

  • ($20) Alice Smith (Residency Week One) @ Rockwood Music Hall ~ Stage 2
  • ($40-$45) Ladysmith Black Mambazo @ Highline Ballroom
  • ($40-$75) Tegan and Sara @ Beacon Theatre
  • ($50-$63) An Evening of the Blues Feat. Ben Harper & Charlie Musselwhite @ Irving Plaza

Wednesday, January 30, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)

Thursday, January 31, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($25-$30) Gin Blossoms @ B. B. Kings Blues Club

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Last Saturday, The Brooklyn Bowl played host to the 12th Annual Freaks Ball, a high-energy party hosted by the deeply-rooted, music-loving Yahoo! Group the NYC Freaks. With access to so much music, New Yorkers are privileged to see any act of their choice. In some cases, multiple times a year. However, it’s a show like The Freaks Ball that we wait for as music lovers in New York City.

A wonderful part of NYC’s underground musical culture, the NYC Freaks have been around as long as anyone can remember. After inquiring to a few members, many couldn’t recall when they were invited to join NYC’s hottest music list, but noted that they were happy members and the list was their main access to music knowledge and insight. This party would be for the Freaks. Seeing the collection of hugging friends as the city’s heaviest music-loving hitters entered the Brooklyn Bowl was inspirational. The pockets of positivity around me were wonderful. This wasn’t your typical gathering for a concert at Brooklyn Bowl. Freaks had taken over.

Over the years, this friendly, musical party has included musicians and projects that eventually went on to hit the national jam-band scene, including The Duo (Marco Benevento and Joe Russo), Robert Randolph, Apollo Sunshine, RANA, Bustle in Your Hedgerow, New Mastersounds and members of the extended Daptone family.

Opening the show was a quartet consisting of Eric Deutsch on keys, Joe Russo on drums, Scott Metzger (Wolf!) on guitar and Hagar Ben-Ari (Dap Kings) on bass. They played a tight set consisting of the Beatle’s “Day Tripper,” Grateful Dead’s “New Speedway Boogie,” a ‘Wolf!’ tune called “Get in The Van,” Erik Deutsch’s original “Funky Digits,” Neil Young’s “Don’t Let it Bring You Down” and an Ike Willis tune to close the set called “Funky Mule.” If one didn’t know any better, one might have thought that this was a polished group who rehearsed regularly. In reality, the set exposed four accomplished musicians with great talent coming together for a unique super jam that was solid, full of varying styles of music and fully preparing us for the main event that was about to hit the stage.

After a short intermission, we were delivered a Super Jam of E-P-I-C proportions with the Freaks Ball AllStars that included Warren Haynes (Allman Brothers), Eric Krasno (Soulive), Eddie Roberts (The New Mastersounds), Joe Russo (Furthur), Marco Benevento (Surprise Me Mr. Davis), Ron Johnson and Alecia Chakour (Warren Haynes Band).

The collection of musical talent on stage was staggering. Over the course of the night, each musician rotated on and off the stage providing for a rare night of music. Each guitarist was distinctly different in sound covering songs like Sly Stone’s “Sing a Simple Song,” Howard Tate’s “You Don’t Know Nothing About Love” and The Meter’s “Funky Miracle.” Bassist Ron Johnson held it down for the entire set with the biggest smile, killing it during “Windjammer.”

The Brooklyn Bowl audience stood in a pile of their own tears as the super group displayed their love for the magnificent Etta James, who died just days earlier. Alecia Chakour’s voice shook the rafter’s as she and Warren Haynes shared a duet on “Little Wings” while Eric Krasno’s guitar gently wept through “I’d Rather Go Blind.”

 

The lights this evening were above par, complimenting Marco Benevento’s unique sound as he performed his original “Mephisto” and the Benevento/Russo Duo’s “Scratchitti.” Everyone joined the stage to close with “While My Guitar Gently Weeps.” A completely wonderful, ripping spectacle.

The Freaks Ball kicked off a trend of many more magical nights at the Brooklyn Bowl and raised the bar so high that it will be a long time before this night of music is topped. I look forward to running into more Freaks when that time comes.

www.brooklynbowl.com

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10/29 - Poster by Nate Duval © Phish 2010. New Jersey Eastern Goldfinch.

10/29 - Poster by Nate Duval © Phish 2010. New Jersey Eastern Goldfinch.

Halloween is my favorite holiday! Hands down!  The creativity, the energy, the raging, the musical performances, the underlying scary vibes. It’s an excellent excuse for a party and that is what most in the music industry believe as well.

Hallorage Time!

Hallowrage Time!

Numerous bands and musicians rage their individual Halloween performances all over the nation and expectations are always high.  For the past few years I have spent Halloween in the mecca of the holiday down in the East Village in New York City.  However, this year I would be following only one band and it would take me out of one city and into another.

Phish. Halloween. Atlantic City. Four words that established one of the most amazing, unpredictable, energy-filled weekends in my musical history.

Atlantic City Skyline!

Atlantic City Skyline!

Let me just list a few things for ya here right quick!

Halloween Weekend in Atlantic City = YOUTH POSSE!!!, The Borgata, Phish @ Boardwalk Hall (3 nights), after show performances by Karl Denson’s Tiny Universe (Friday), Marco Benevento (Sat) and The Heavy Pets (Sun), house parties, 30+ friends gathering from around the NATION, good food at fun restaurants, Casinos, raging Halloween costumes, contests, spa treatments, Led Zeppelin rages, Little Feat rages…and the list goes onnnnnnnnn!

The Departure

I could barely sit still at work. I walked into the Arsenal by 7am just so I could put in a full day of work before leaving at 3pm for one of the greatest rages of the year.  My crew (2 adults and the YOUTH POSSE = four raging HS juniors we were chaperoning for the weekend) gathered up our gear, headed out of our respective homes, jobs or schools and collected at 88th and Madison with fireworks coming out of our ears .

Yukon Denali

Yukon Denali

While most people were taking buses, trains or caravan-ing with their friends, we were riding in style in a big black Yukon Denali arranged through a car service. (THANKS MATTT!!)  The ride to the show was a highlight of the weekend, I must say.  Sitting in a car with our four raging high-school charges, listening to their hilarious conversations, participating in a few and being shocked by others.

It was (and always is) great spending time connecting with our favorite young ragers.  It’s just so humbling to be around these wonderful young adults.  They are smart, funny, well-mannered, sober, non-rebellious, beautifully spirited young adults. They are also members of THOR!  Check it out! They truly give me hope for a future where so many kids their age are little bastards. I’m just saying, I live in NYC.  Most of the kids I see/meet are seriously brats.

The Arrival

The Borgata in all it's purple glory!!

The Borgata in all it's purple glory!!

We debated constantly whether to go to The Borgata, our lovely accommodations for the weekend, first to drop off our belongings or head straight to Boardwalk Hall so we didn’t miss the opener. Luckily, we made it in plenty of time to check in, or so we thought.  As we arrived at the giant purple glowing Borgata, the lines were horrendously long, there were Phish heads scattered around the lobby but not many. Our lodging would be a 5 minute taxi ride from the venue but almost everyone else we knew would be occupying casinos surrounding Boardwalk Hall.

So, we left all our things with the Concierge and would deal with it all after the show. This was a bit of a rush and, of course, we all left things behind.  Most important thing I left: my camera.  GRRRR!!   Alas…so many of the pictures you see throughout this article will be from my friends, other websites, etc.

Will-Call/Entry

I lead the Youth Posse to Will Call to pick up our laminates and tickets for the weekend.  Josh went to the flag poles, which would become the meeting point for everyone all weekend.  While handling the ticket situations, which was quite unorganized, a security guard whispered in my ear about drugs.

“Hey! Ppsstt! You looking for some pot?”

“What? Huh? Nah, I’m sorry. I don’t have any.”

“Nah, Nah! I am looking to sell YOU some!”

“Seriously? You are a security guard and I am here with 3 kids. Back it up homie!”

And with that I turned my back and we were off to the flag poles.  The entire exchange blew me away as I had just read the article about Atlantic City cops going undercover at Phish shows to see what they were up against earlier in the week. Here this guard was, trying to deal. Unreal!

Picture by David Vann (2010)

Picture by David Vann (2010)

I am so thankful I never had to deal with the general population entrance to the show.  The set-up was as disorganized like a five lane highway under construction merging into one, bottle-necking at the mouth of the gate where security guards yelled at everyone to hold up their tickets.  To be clear on the disorganization, I had a friend, with a ticket, who made it in without his ticket being scanned or his person being searched. We miracle someone with it during intermission!!  I later came to read about Phishheads crashing the show on Halloween dressing up as security guards and sneaking in as well.

Phish Atlantic City: Friday (10.29.10)

It was a sold-out show but people were pretty much giving their tickets away Friday night.  The ticket situations are super intricate sometimes. People spending hundreds to get into certain shows, doing things I would never do to see a live performance of a band.

Boardwalk Hall Seating

Boardwalk Hall Seating

Friday: SET I

Picture by David Vann (2010)

Picture by David Vann (2010)

After helping/making sure every one of our friends were taken care of, we finally entered the building. We popped into our seats in Section 103 easily enough, the isles already getting packed.  Within minutes of getting to our seats, the lights dimmed, the band walked out and the weekend had OFFICIALLY begun.

Without a beat, all four Phish members surround a microphone situated at the front of the stage and went into a barber shop quartet-style, acapella Star Spangled Banner.  That is the first time that I had ever seen something of this sort at an event other than a sporting event.  I looked to my right and a MASSIVE American flag was hanging at the end of the venue. I wondered if I would have ever noticed it if we hadn’t sung that song.

Having finally gotten to our seat, the show beginning and everyone situated, I collapsed into my seat.  I was completely exhausted.    The excitement of the week leading up to this adventure, the ride to Atlantic City and finally getting things into place for the weekend.  Man oh man, the weight was lifted and I just collapsed.  I took this time to reflect on the venue.  It was gorgeous.

The inside of the gorgeous Boardwalk Hall

The inside of the gorgeous Boardwalk Hall

The bluesy My Soul started off the music, getting us into our dancing shoes.  AC/DC Bag had me on my toes, thinking of my buddy who had been hoping for the song last weekend in Amherst, Mass. The playful, bouncy melody of Ocelot filled our ears as Trey gave us the usual guitar jam in the middle while Fishman slammed our ears with some high-style drumming. It all just brightened up the room a little bit more.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Sample in a Jar, a personal favorite from my teenage years, played but the whole set was still lying a little flat for me.  I was assuming it was because it was Friday and they were saving their energy for the next tw0 nights.  But then, they released themselves upon us. The highlight of the set, IMHO, Light Up or Leave Me Alone, (a Steve Winwood/Traffic cover), rocked everyone’s heads OFF.  AWESOME cover. With Page on vocals and Trey’s jams, they overly entice us to boogie on down.  Page…oh Page!  I just love you. The lights, as always, amazing.

Sugar Shack and Timber (Jerry) were just ok. I like Timber to a point, the chorus is fun to sing along with and roll your body along to the tune.  It’s a decent song that my friend would call an Intermezzo Phish song, giving the audience time to run to the restroom or the beer tent.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Axilla into Rift highlighted Page on his piano and rocked out Fishman on the drums.  This is such a rager of a duo.  The beginning of Axilla simply throws your body into gyrations and it was around this time I found myself starting to head bang in my seat.  I needed to get out of the confines of these bleachers. Not a big fan of them singing during this song but I LOVE the chorus including the guitar rift and the drumming rages.

That super sped-up Axilla (for which I was front row center). Damn, that was hot. Headbanging at Phish shows isn’t usually the protocol, but I can’t resist Axilla! ~ Karina R.

It’s all about the Rhythm section folks. DAYUM! A funky unfinished The Moma Dance into Cities (a Talking Heads cover) had everyone dancing and singing along. The second highlight of the first set for sure.  Tight, funky and fierce.

Continuing the flow from Cities, they took it right into 46 Days as the set closer.  Great high-energy jamming continued on by Trey, Fishman ripping the drums apart, Page slamming down on the keys and Chris Kuroda‘s lights were SUPERB! It’s absolutely amazing watching a light tech do his job, flowing with the music as if he is an extension of the music himself.  110% love me some Chris Kuroda. This was a great ending to the first set. Some argue, the best jam of the weekend.  I’ll let you decide on that one.

FRIDAY: SET II

I was officially hungry for more. The first set of seven for the weekend had ignited my energy.  Where there was once a tired version of me, there was now a bouncing, giggling girl realizing what the hell was standing in front of her. This is what was surrounding….I mean, come on!

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Magic Key to my Magic Weekend

The Magic Key to my Magic Weekend

I needed some air and to get away from all the smoke during intermission so Josh and I explored, using our laminates to find the best way outside as it was a non-reentry show.  I was so thankful for these wonderful bits of magic around our necks for the weekend. I absolutely needed and was able to utilize the fresh air many times that weekend which enhanced my overall comfort throughout the shows. That was great.

As we returned from the cold night air, we walked around the venue to take in the sights.  People were in costumes, running around like chickens with their heads cut off, standing in beer lines, bathrooms lines or just in piles leaning against the walls with friends escaping the hot, smoky inner belly of the venue.

Having missed most of the piano-heavy Punch You In The Eye, we heard the funk going down in Sand beginning to play, a gorgeous song about what it is like being a piece of sand in an hourglass.  We ran into the closest tunnel that would take us to the song, ending up in the very back of the theater.

Slide and let the silicone
Embrace you as you fall
Then bounce and land you let
Your brothers crush you to the wall

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

The light show was spectacular from back there.  The balls flying throughout the floor were so tiny but the whole scene looked so magnified, I was completely overwhelmed.  Sitting closer to the stage, you loose an ability to fully take in the light show.   You loose the magnitude of the venue because you are not looking behind you. Sometimes, people don’t get to experience the magnitude of the space, the energy backing up on all sides.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Sand segued into an unfinished Carini, a little sloppily but the crowd was so pumped they didn’t seem to mind.  It was a  great light show but I felt like I have heard some cleaner, smoother versions of this song. The energy, however, was relentless.   You’ll wanna check out the lights in the video! 🙂

I was walking down the steps towards the GA Friday night when Sand segued into Carini. It was MADNESS. Some guy through his Philly cheese steak up in the air, and I couldn’t move a foot, as everyone had stepped into the aisle to boogie down. I actually thought it was Zeppelin’s Kashmir for a second…interesting foreshadowing! ~ Karina R.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Mike’s bass dominated my ears during Prince Caspian.  Another favorite of mine albeit a little dull at times.  There so many places this song could go in a jam.  Where as Trey didn’t really bring it home, it was a high energy moment in the venue and it was laid out nicely enough.  The lights, the balloons and balls floating over the audience were stunning.  The taper of the videos I am using was in a great centralized location for this show, right?  Great view! Great videos!

Then a song began that I was unsure of until my friends blasted it out before my mind had time to register it. “Los Lobos?” cried one. “No, it’s not!” cried the other. Coincidentally, both were right.  The Taj Mahal cover Corinna was next but Trey teased When the Circus Comes before the count off that threw my musically knowledgeable friends for a tiny little loop. There were a lot of teases throughout the night which I could have written down but I was having too much fun dancing with my friends!

Corrina is a rarity that they’ve been busting out once a tour since New Years 2009. First night was a great warm-up for what was to come. ~ Erika V.

Piper. I am pretty sure this was my first Piper live and I LOVED it.  The intro was fun and it got fast…quick. They were on it here.  Chris Kuroda‘s lights once again stealing my eyes away from the band.  They blast into hyper drive and Trey’s solo begins.  Page’s keys driving it at times.  One of my favorite songs of this set for sure.  And it went into my second favorite song of the set…..

Right into Theme From the Bottom.  Perhaps not the most well-played song of the night, but Chris Kuroda‘s light work on this song was phenomenal. Making the sea of people on the floor look like an ocean of fun I just wanted to jump into. Blue lights radiating off the walls like waves, I swear my face melted a little bit.  The glow stick war that exploded during the crescendo was a favorite moment to top it all off!  Just a great song that threw me back into the seat of any number of my friend’s  car driving around in the 90’s in high school.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

The face melting continued during Golgi Apparatus.  The energy was lifted up and glow sticks went everywhere during the “ticket stub” line.  And then the slow jam that I was wishing would speed up to keep us raging hyper.  Which eventually, it did.  I loved this song mainly because of it’s lighting effects and the speed at which things can change up.  And there is nothing better when the entire place erupts during a climatic point in the tune.  I SAW YOU WITH A TICKET STUB IN YOUR HAND!!! Glow sticks everywhere.   The lights catching them as they fly into the air.  JOY KILL MOMENT: To the people who throw them UP into the stands…STOP! Unprofessional raging!  Throwing them down is as dangerous as it needs to be.  Projectiles coming AT our faces tend to cause more damage then a few sticks hitting you on the head coming from the stands.  Saw a poor girl get one to the eye during this song.   She was ok, albeit a few tears down, never fear 🙂 Tour kids are tough!

The first half of Slave to the Traffic Light was a bit slow for my taste but the second half…magic. Slow but lovely.  I remember closing my eyes, taking in the energy around me, swaying in tune with my friends surrounding me, the lights slow and soft.  I raised my hands in the air and it felt slightly like a spiritual moment. Uplifting music is all I ever ask for.  Tinkling piano keys brightening up the bass sounds and Trey just raged the song…fully delivering it at the end.

Rocking Fluffhead, but when is it not rocking.  I do feel like I have seen this song performed at every other show I have seen this year but I wasn’t going to complain because it’s fun.  Lovin Cup (a Rolling Stones cover) was delivered as the encore.  This high-impacting song blazed through the arena.  Everyone singing along, jumping everywhere, the floor a massive earthquake.

I just remember hearing ‘loving cup’ for the first time on Friday. This has been one of my favorite Stones songs forever and hearing the guys play it couldn’t help but put a smile on my face. That encore reminded me that Phish is about more than an exploratory jam; a sense of love and happiness was in the air that night. What a beautiful buzz. ~ Matt L.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Friday definitely got us warmed up for what was in store that weekend. That’s not to say that Axilla and Corinni wasn’t hot, hot, hot. I love a full sound with heavy beats and high energy! ~ J. Bach

Friday’s performance is being greatly over looked by many people I believe. Overall a slow start to a raging weekend, the show blasted us with one hell of set list that brought the energy up just enough to tease us and keep us on our toes for the following night. Of course we would want more energy tomorrow. Of course they would need to bring it tomorrow. Phish knew this and it was nice to see them withhold a few things because what we were about to be delivered the following two nights were beyond anyone’s imagination, predictions and dreams.

Friday started slow but eventually got quite jamming. At the end of the show I leaned over to Isaac and said, that was a tasty appetizer. ~ J. Raskin

Friday Setlist

Set 1: The Star Spangled Banner, My Soul, AC/DC Bag, Ocelot, Sample in a Jar, Light Up Or Leave Me Alone, Sugar Shack, Timber (Jerry) > Bouncing Around the Room, Axilla > Rift, The Moma Dance > Cities > 46 Days

Set 2: Punch You In the Eye > Sand -> Carini > Prince Caspian, Corinna, Piper > Theme From the Bottom > Golgi Apparatus > Slave to the Traffic Light > Fluffhead

E: Loving Cup

DOWNLAODING INFORMATION AS PER PHISH’S FACEBOOK PAGE

Included in the ticket price for each date on Phish’s Fall Tour, is a free MP3 download of the entire show (a fully mixed soundboard recording), redeemable at LivePhish.com. This includes all tickets purchased through Phish Tickets, Ticketmaster, Ticket Horse, and at the venue’s box office.

If you’ve got your tickets in hand, you may redeem your code now at http://www.livephish.com/redeem. Your “code” is the barcode that appears on the tickets. You may upgrade to CD or CD-Quality FLAC or 24 Bit FLAC-HD after you redeem.

Phish’s entire 2010 Fall Tour is available now for download, including their recent Halloween show – with the complete Waiting For Columbus second set – now at LivePhish.com. Included with all downloads is the original Phishbill that was handed out to fans at the begninning of the show.

Please visit http://www.livephish.com/ today.

Borgata Rage & Chris Kuroda

After we were finally ejected from the venue we collected at the Flag poles and delivered the news of the Karl Denson show to anyone who would listen.  No one was going to bed any time soon. The power of the show, even though this was no show stopper, the energy surrounding it, the people, knowing what was in store….We were kids in a candy store. High on life!

We still had not dealt with our luggage and checking into the hotel so we scooped up our Youth Posse and made way for The Borgata in two cabs.  As my crew waited in The Borgata lobby for the second cab to arrive, tour buses began pulling up.   The cute teen couple in my charge stood guessing who’s bus was who.  “It can’t be Trey’s. Trey’s is (insert color here).” or “I think that is Mike’s?”

We ran up to the rooms. They were gorgeous.  Totally jumped on the beds in each room! They were lovely rooms with beautiful views of the city. LOVED the shower! We all got ready for round two  and met in the lobby.

Here comes a super highlight of my night. We reach the lobby and see a friend.  Hugs ensue between everyone and is chatting.  At some point Chris Kuroda has joined the group and we are introduced, again.  Before I register who it is, I go in for the hug I normally give everyone I met and almost get stuck in place. I worship Chris Kuroda. I really do. He is my favorite member of the band.  Pulling away was tough cause I knew I would have to make small talk which is hard for me when I’m standing in front of one of my musical idols. Pulling away was hard enough. I hardly gathered myself but we shared a few words about the light show that evening. My night was officially made.

We jumped back in the taxis and were off to….

Karl Denson’s Tiny Universe@ Trump Plaza

We walked all over Trump Plaza for some tasty Karl Denson, running through casinos, through bars with people in costumes dancing to various styles of music…

OK! This is where I make my first Jam Cruise reference.  I always make one right? Floating around Atlantic City was as close to Jam Cruise as I have found this year aside from Wook the…I mean Rock The Resort.  Running through casinos, restaurants, going from one show to another, stopping in friend’s suites along the way in the various hotels that were pretty much connected, costumes everywhere…the list goes one.

The AC setting is as close to a festival as you can get without actually having a festival. Anything and everything was available to us 24 hours a day. Everywhere I walked, I saw show goers and smiling faces. I can’t stress enough how special it is when so many wonderful, same goal-minded people get together. ~ J. Bach

KDTU! (Picture by I. Sloane)

KDTU! (Picture by I. Sloane)

Karl D! (Photo by J. Raskin)

Karl D! (Photo by J. Raskin)

We got to the show around 1:15 I would say.  It was more empty then I thought it would be.  But, the show had clearly started.  I saw a few tapers in the room and knew I didn’t have to worry anything. I could just enjoy the company of my friends who were, just a few hours earlier,  spread out amongst 14,000 people and who were now all roaming a MUCH smaller space. It was one reunion after the other.

At this point I had been up since 5am Friday morning and was exhausted.  I just let the night flow, not worrying about notes or set lists.  Sadly, the tapers have not loaded their recordings to the web. BOO!!  It was a great show though 🙂

Mellow after such a high energy performance but towards the end Karl had us back on our toes by the time Mighty Rebel was played.  Here are a few videos!  Thank you to the person taking the time to record!!!

Karl Denson’s AfterParty Setlist

Set 1: Turnips, Front Money, Bag O Funk, Look Out, The Answer, Because Of Her Beauty, Soul Driftin’ > Manic Depression, Brother’s Keeper pt.1 > Brother’s Keeper pt.2

Set 2: The Mighty Rebel > reggae jam > Walking On The Moon (one verse), Grenadiers , Chance With You > Hey Jude jam > Chance With You, How Fine Is That, Funky Song, Satisfied, The Bunny Playa

E: Superman Lover, Shake It Out

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