Feeds:
Posts
Comments

Posts Tagged ‘Bowlive III’

Bowlive III: Night Ten – Finale Recap for Soulive w/ Ledisi, Derek Trucks and The London Souls ~ Extended Review + Media (03.10.12)

After nine nights of warming up, Soulive members Eric KransoNeal Evans and Alan Evans tore the roof off the Brooklyn Bowl Saturday night for the final night of their 3rd annual ten-night residency, Bowlive. Over the course of the last two weeks, Soulive presented their audience with talented guests from across the musical spectrum. Virtuoso guitarists such as jazz legend John Scofield, southern blues rocker Luther Dickinson (North Mississippi Allstars), and the hard-bopping Warner Brothers artist Mark Whitfield created slaying duets with guitarist Eric Krasno. Renowned bassists Oteil Burbridge (The Allman Brothers Band) and George Porter, Jr. (The Meters) rocked the stage, adding to the cool bass keys Neal Evans plays so strikingly. Hip-hop drummer ?uestlove (The Roots), experimental percussionist Billy Martin (MMW) and world beat drummer Luke Quaranta took their turns leading the rhythm when the smoother than smooth Soulive drummer Alan Evans stepped aside to play rhythm guitar.

Guest vocalists Nigel Hall, Allen Stone, Jennifer Hartswick and Alecia Chakour brought their own style of strength and soul to the mic, Citizen Cope and Alice Smith sang an eclectic mix of blues, laid-back rock and folk while Rhazel and Ledisi delivered beat boxing and R&B/Soul into the eager ears of their audience. As well, for two night and two full sets, Royal Family recordings artists Lettuce, consisting of guitarist Adam Smirnoff, drummer Adam Deitch (Break Science), bassist ED “Jesus” Coomes, and The Bowlive horns, seared the stage with their urban funk flavor.

The Bowlive Horns, consisting of saxophonist James Casey, trumpeters Eric Bloom and Matt Owens and tenor saxophonist Ryan Zoidis were joined over the course of the run by numerous big name brass players.  Trombonist Sam “Big Sam” Williams (Big Sam’s Funky Nation), flautist/saxophonist Karl Denson (Karl Denson’s Tiny Universe), trumpeters Rashawn Ross (Dave Matthews Band) and Jennifer Hartswick, flautist Kofi Burbrudge (Derek Trucks Band) and wild improvisational saxophonist Skerik, rotated throughout the ten nights creating one of the sickest brass ensembles some have ever seen.

Other surprise guests included virtuoso pianist Eldar and organist Mitch Chakour while DJ Wyllys spun the ones and twos in between the weekend sets. When Soulive didn’t open the show themselves, the one man band, Zach Deputy, Royal Family recording artists The Nigel Hall Band, The Alecia Chakour Band and The London Souls amped the energy of the evening before Soulive took over to lay devastation upon the stage. It has been a two week rage of full on face melting, mind warping, soul filling, gut busting musicianship that accelerated with power each night and with audience members wondering how it could be topped.

Saturday night was the tenth and last night of Bowlive III. The audience, clad in white outfits for the evening’s White-Out Party theme, could be heard whispering their ideas of who the special guests might be. The London Souls, Ledisi and The Royal Family All-Stars were billed which could only mean that a surprise that couldn’t be named was being prepared.

The London Souls opened the evening with their Hendrix-style rock and roll sound. It is quite impossible to remain calm when guitarist Tash Neal, bassist Stu Mahan, and drummer Chris St. Hilaire are slamming away on their instruments.  The perfect opening for the end of a great run.

Soulive’s set started off with the super horn heavy, high-energy “El Ron”  However, during “Upright,” some unexpected technical difficulty occurred.  What could have been a rough moment turned into something special. There was three minutes where Alan Evans and his team worked at lightning speed to repair a broken drum head while the remaining members on stage worked together to keep the audience engaged. The audience clapped and cheered, supporting their favorite trio because there was importance in this moment. The band’s talent was exposed so much more during this time as they kept it together. The power from the applause in the audience when Evans’ silver shimmering drum kit was finally lifted in the air and put back in place was outstanding. It was a killer moment in rock n roll, a killer moment in Bowlive History. The trio ripped into the end of “Upright” and kept the momentum UP, UP, UP! They rolled through “Tuesday Night Squad” and Nigel Hall sang on the lively “Too Much” and the beautifully arranged “Everybody Wants to Rule the World” by Tears For Fears that segued into Bobby Caldwell’s “Open Your Eyes.”

When Ledisi was brought back on stage for the second night, the crowd exploded. Her R&B flavor had brought such joy to the previous night’s performance and we wanted more. Singing “Love Never Changes” off her Turn Me Loose album, Ledisi unleashed her massively powerful voice upon the audience. Her range and strength were unbelievable as she swiftly scatted her way through “Them Changes,” a Buddy Miles cover off of Jimi Hendrix’s Band of Gypsys. Tash Neal also performed on this song where he and Krasno playfully raged a duet to end the set.

The second set began as multiple white balloons were tossed out into the audience while Soulive played “One in Seven.” The second technical difficulty of the night occurred as Neal Evans’ clavinet finally gave way after nine nights of solid pounding. Not to miss a beat, Alan Evans began jamming on his kit, delivering a tight an extended drum solo as the back line team fixed the issue.  It was then time for some Beatles love as they played an electric run of “Eleanor Rigby,” “She’s So Heavy” and “Get Back.”

Finally, the last surprise guest of this amazing musical journey was invited on the stage. Southern rock, slide guitarist Derek Trucks (The Allman Brothers Band) walked out on stage with Nigel Hall and Ledisi to perform Sam Cooke’s Civil Rights Era anthem “A Change Gonna Come,”. It was no wonder that while Ledisi and Hall sang with all their passion and Derek Trucks made his guitar cry, audience members began to weep where they stood. The meaning and epic delivery of this song wasn’t lost on a single soul. Soulive flipped the emotional script by following Cooke’s song with the raging Jimi Hendrix’s tune, “Manic Depression!” Derek Trucks, Eric Krasno, Neal Evans and Alan Evans delivered a sick rendition of the song with Trucks and Krasno playing off each other and Trucks taking a ripping solo to end the set.

Before the encore, Brooklyn Bowl owner, Pete Shapiro, came on stage with Rosemary and Lavender plants in his hands. He explained that everyone on the floor was to take a piece of the plants being passed around the audience in hopes that the aroma therapy would help us gather our strength for one last song. Ending their epic ten night run the way they began, our favorite trio, just the three of them, took the stage for “Aladdin.”

Bowlive III is now over, leaving some New Yorkers wondering what to do with themselves.  For two weeks, dedicated fans came to the Brooklyn Bowl to see Neal Evans, Alan Evans and Eric Krasno play their hearts out, touching on every musical genre and playing with many of Americas most talented musicians. Let us give thanks to Soulive for the dedication to their craft and their ability to express it through the creative outlet that is Bowlive. Thanks for their want to educate us on new talent, their need to put new twists on old classics, and their determination to raise the bar each and every night.

Let us give thanks to The Brooklyn Bowl, because without them there would be no Bowlive. Thanks for their wonderful environment, staff and treatment.  For the last 2 weeks the Brooklyn Bowl has been our community’s second home. We’ve feasted on their fantastic Blue Ribbon cuisine, felt at home on their plush leather couches and enjoyed their attentive staff.   Soulive + The Brooklyn Bowl = Bowlive and don’t you forget it!

A change has come to New York City. A change has come to the music community.  Soulive has created something so special in Bowlive.  There is nothing else like it in our scene and it’s through that unique way of doing things that Soulive will remain one of the most influential groups in our music community. Bowlive is the development of a passionate dream that is now reality. After three years, Bowlive is no-doubt a game changer in the music community and will continue to be for many years to come. Thank you Soulive!

 Karen E. Dugan
– Photo courtesy of Phrazz

Youtube Videos

Read Full Post »

Bowlive III: Night Nine – Soulive w/ George Porter Jr., Ledisi and Skerik ~ Extended Review + Media (03.09.12): Bowlive Finale White Party Ledisi, The London Souls, and The Royal Family All-Stars TONIGHT!

Fire! Fire! Fire! These three little words are the simplest yet perfect definition of what occurred on the Brooklyn Bowl‘s stage last night for the ninth night of Soulive’s third annual ten night residency, Bowlive. So far, nine epically diverse nights of music have now been devoured by sold-out crowds of rabid NY music fans. The members of Soulive, the amazing Neal Evans on organ and bass keys, Eric Krasno, and the backbone of it all, Alan Evans on drums, were back at it for the last weekend of this fantastic run. After eight nights of raging musical collaborations, Soulive continued to deliver with an onslaught of some of America’s most influential musicians. The members of Soulive, The Bowlive Horns, George Porter, Jr., Eldar, Ledisi, Mark Whitfield, Nigel Hall and Alecia Chakour invested all their energy into making last night’s audience react just as powerfully as these musicians performed.

Last night’s opening act is one of the newest musical collaborations within the Royal Family. Nigel Hall and Alecia Chakour took to the stage with a “little help from their friends” to deliver a set of beautifully arranged classics.  These soul-filled vocalists are being compared to some of the greatest soul singing duos of our era and deserve all the love and recognition that comes their way. Supporting their slow, soulful vibe was drummer Adam Deitch (Break Science), trumpeter Eric Bloom (Diana Birch), guitarist Adam Smirnoff (Lettuce), saxophonist James Casey (6figures), Ryan Zoidis (Lettuce), and Alecia Chakour’s brother, bassist Alex Chakour. Nigel Hall sat behind his Rhodes keyboard while Alecia dominated the crowds command from the front of the stage. Performing such classics as Stevie Wonder’s “Signed, Sealed, Delivered” and The Righteous Brothers’ “You’ve Lost That Loving Feeling,” Hall and Chakour made the music their own with beautifully blended voices and arrangements of the songs. These two voices were meant to find each other and the audience couldn’t have been more invested in the harmonies and beauty resonating between them. Pure soul perfection. Keeping with the “Family Affair,” Mitch Chakour, Alecia and Alex’s father, was invited on stage to play keys for Joe Cocker’s “With a Little Help From my Friends!” When Nigel Hall and Alecia Chakour join forces on stage, their bond through music and their passion for soul pours out of them. This was only the second time the duo had performed as an organized set all their own and fans can be sure that it will not be their last. There is magic in this musical union that doesn’t come around often.

After such an touching set, NY-bsed DJ, Wyllys, spun on the 1’s and 2’s to keep the crowds elevated before Soulive took to the stage. When Soulive finally hit, they came out blasting with “Steppin.” This was the final weekend of Bowlive and the trio, who have been delivering us powerful sets for two weeks, raised their own bar a little higher.  After the short set with George Porter Jr. (The Meters) the previous night, Soulive jumped right into the second song by inviting New Orleans funkiest bassist back out on stage for “Pungee” and “Need More Time.” There is an energy that George Porter, Jr. brings to a stage that is tangible. Nigel Hall was back to join Porter for “Leave Me Alone,” but not before Nigel bowed at Porter’s feet letting the crowd know that this “was the funkiest black man in the universe!”

When special guest New Orleans singer-songwriter Ledisi was announced, the venue erupted. This portion of the set was so smokin’ that heat was rising from the stage. Performing “Knocking,” with Adam Deitch now on drums, Ledisi wowed the crowd with her powerful, demanding vocals and sensual style. There is no doubt that she deserves the multiple Grammy nominations that have come her way in the past few years as this was the definition of pure entertainment. “Chain of Fools” followed with The Bowlive Horns, Porter, and a surprise sit-in by Eldar, a fellow Grammy nominated pianist and composer. Surely one of the hottest portion of the night, confirmed by the buzz heard through the audience, Eldar delivered a complex piano solo while Ledisi scatted atop his gorgeous improvisational composition.  George Porter Jr. and the remaining musicians on stage supported this musical bliss to end one of the most magnificent sets of the run. Ledisi’s vocals supported by George Porter Jr. funky bass and combined with the jazzy vibe from Soulive and surprise guest Eldar was truly inspirational, uplifting and touched the audience’s soul. This is what Bowlive is all about, the deliverance of truly developed artists who are masters at their craft!!

Wyllys was spinning again for set break. Never using a set list, Wyllys kept the energy UP with choice selections of funk, R&B, and soul tunes. He kept the crowd dancing before Soulive came back for “Cannonball” supported by the Bowlive Horns. Always ready for something special and new, Soulive invited hard bop jazz guitarist Mark Whitfield on stage next for an electric rendition of George Benson’s “World is a Ghetto.” Following this amazing sit-in, George Porter, Jr. came back on stage and took the lead for the rest of the night performing multiple tunes from The Meters catalog, “Funky Miracle,” “The Dragon,” “People Say,” and “Ain’t No Use.”  The consistent funky bass lines and powerful, invested vocals coming from Porter during these selections fueled the set as well as the musicians sharing the stage. They were long arrangements making room for each artist to share their talent with rousing solos and epic extended jams. Tears were in the eyes of their audience as Eric Krasno and friends ended the set with a stunning, gorgeous arrangement of “Out in the Country.”


There are some music performances that are simply impossible to describe with words. Last night was one of those nights and any attempt at doing justice through written word seems unfulfilling after witnessing the magic of last night. The musical genius that poured off the stage resulted in emotional ballads and extended improvisational jams that expanded on the already amazing two weeks that Soulive has provided it’s audience. It’s painful to even imagine that this adventure is coming to an end. However, we still have one night!  A single night to enjoy one of the sickest musical residencies to happen to our musical community. Every night Soulive has stepped up their game, tightened their sound, and put together an arsenal of talented musicians to play some of the greatest songs ever written.  Tonight, Soulive invites Ledisi, The London Souls, and the Royal Family All-Stars to close out the residency. You can expect nothing but pure gold this evening as these boys will surely be going out with a bang! 

 Karen E. Dugan

– Photo courtesy of Marc Millman

*To see photos of these musicians and lots of other live music, please check out: http://www.marcmillmanphotos.com/music

Or

Become a fan of Facebook:
http://www.facebook.com/pages/Marc-Millman-Photography/203440567122?ref=ts

Youtube Videos

Read Full Post »

Bowlive III: Night Eight – Soulive w/ George Porter Jr., Zach Deputy, Citizen Cope and Alice Smith ~ Extended Review + Media (03.08.12)

For the eighth night, Soulive members, Eric Krasno, Alan Evans and Neal Evans, performed at the Brooklyn Bowl for their annual residency, Bowlive.  In its third year, Bowlive has become one of the most interesting, engaging, educational and smoking residencies in New York City. There are some, who might argue, in America. Each night has gotten heavier, deeper, tighter, and energetically more invested with each guest who joins the stage to breath more life into the already amazing trio.

The Alecia Chakour Band opened last night to a huge crowd. Chakour joined the Bowlive rooster last year.  In the masculine crew that makes up the artists on the Royal Family Records Label, Alecia Chakour is a breath of fresh female energy. With a voice and range as powerful as Aretha Franklin, Chakour rightful deserves to be on stage with the talented musicians who make up Soulive. Chakour’s band members consisted of trumpeter Igmar Thomas (The Cypher), organist Neal Evans (Soulive), bassist and brother Alex Chakour, drummer Miles Arntzen (Antibalas), guitarist Sam Cohen (Apollo Sunshine), and saxophonist James Casey (6figures).  A highlight was when surprise guest artist Kofi Burbridge (The Derek Trucks band) lent his fluttering flute to the bunch on their new tune, “Surely.” The Alecia Chakour Band is a sick, tight, funky crew who fit right into the rotation of amazing acts that we have so far seen over the two week run.

Soulive members (guitarist Eric Krasno and soul brothers Alan Evans on drums and Neal Evans on clavinet) welcomed numerous guests on stage last night, some announced and some a surprise. This is always to be expected and they never disappoint. “Steppin” was the only song Soulive ever stood alone on stage for. After that, the flood gates opened with Kofi Burbridge jumping in on “El Ron” with the Bowlive Horns: saxophonist James Casey, trumpeter Eric Bloom and tenor saxophonist Ryan Zoidis. Special guest and Brooklyn resident Citizen Cope was next to join the stage to perform his original “Bullet and a Target,” and “Something to Believe In.” Cope’s raw, uncommon chords and proactive lyrics have been recognized and covered by likes of Carlos Santana, Dido, Sheryl Crow and Slipknot. His vocals transformed the bowl into a new vibe, a slower yet passionate part of the set. Alice Smith, the second vocalist billed that night, joined for Cope’s last tunes, “Ain’t Gonna Stand for It” and “107 Degrees.” Alice Smith’s voice melded beautifully with Cope’s the same way that Alecia Chakour’s voice melds perfectly with Nigel Halls. She is aggressive, serious, powerful, and passionate with a 4-octave vocal range and stunning stage presence. Cope exited the stage and Alice Smith, with the Soulive trio backing her, performed Cee Lo Green’s, “Fool For You.” The Bowlive Horns helped closed out the set with “Tuesday Night Squad,”as trumpeter Eric Bloom’s excitement spilled out of his animated solo and Nigel Hall took over the keys.

The second set was dedicated exclusively to the musical power of New Orleans yet contained special guests of varying styles. This was definitely one of the best sets of the entire run. Special guests, world renowned New Orleans bassist George Porter, Jr. (The Meters), drummer ?uestlove (The Roots), Billy Martin (Martin, Medeski and Wood), flautistKofi Burbridge and saxophonist Skerik, out for his third night, piled on stage with Soulive and the Bowlive horns. Covering New Orleans and Meters favorites “Just Kissed My Baby, “Hey Pocky Way,” “Come Fly with Me,” and “Funkify Your Life,” the musical entourage on stage was the definition of a Jam Room. George Porter, Jr. brought such life to the younger musicians who were surrounding him. Each artist took their turn power housing their instruments because Porter believes in the journey of the song and allowing it to unfold, which is exactly what happened on “Africa,” when Skerik took his solo and the classic song turned into a completely different creature.

Experimental jazz percussionist Billy Martin was left to his own devices with a pile of instruments to create sounds with after drumming for “Hey Pokey Way.” Martin is the drumming member of his own jazz, funk trio so his addition to Soulive allowed for experimental sounds that enhanced the layers of the music. “Everything is Everything” closed the set with Nigel Hall on vocals and another night of Bowlive ended, this time without and encore.  ?uestlove’s Bowl Train DJ set saw out the rest of  the night and everyone danced their way through funky, old skool tunes until their weary bodies said enough.


It’s unbelievable to think that the members of Soulive have been going full speed for eight crazy nights. What a testament to their level of stamina, creativity, and their ability to surprise and entice their audience.  For those who can’t make the last two nights, check out the live feed on iClips.net. For those of you with the ability to make it this weekend, you won’t be disappointed. Continuing his New Orleans flavor from last night, special guest George Porter Jr. will be joined by Ledisi with Nigel Hall and Alecia Chakour opening. We can only speculate who the surprise guests will be, but you can be sure they will bring in Bowlive’s final weekend in FULL RAGE!!!

BUY SINGLE DAY TICKETS NOW!
Can’t make the LIVE RAGE? Stream It on iClips.net!

 Karen E. Dugan
– Photo courtesy of Phrazz

Youtube Videos

Soulive feat. Citizen Cope – “Bullet & a Target” : http://www.youtube.com/watch?v=hoFGGhF_z2s

Soulive feat. George Porter & Nigel Hall – “Come Fly Away” : http://www.youtube.com/watch?v=azUKgsH7ztY

Soulive feat Alice Smith & Citizen Cope – “107 Degrees” : http://www.youtube.com/watch?v=HdVFSkp-YEg

Soulive feat. George Por ter, Nigel & Kofi – “Voices Inside” : http://www.youtube.com/watch?v=7cRBqKlyAHc

Read Full Post »

Bowlive III: Night Seven – Soulive w/ Skerik, Kofi Burbridge & Lettuce ~ Extended Review + Media (03.07.12)

Zach Deputy opened night seven of Bowlive III with his Caribbean Ninja Soul flavor. His one-man-band sets always seem to force happiness out of the audience.  He is the purest definition of jolly as he sits behind a massive rig of equipment, creating and layering every element of his songs. Over the past two nights, Deputy has been throwing us all new tunes except for two different versions of “Lincoln Continental.” This would set a theme for a night of new tunes to be delivered by the members of Souilve, Lettuce and Alecia Chakour!

Experimental “saxophonic” saxophonist Skerik and the NY’s premiere urban funk band Lettuce continued into second night as special guests. However, following their formula of the previous week, Soulive guitarist Eric Krasno, organist Neal Evans and drummer Alan Evans initially hit the stage solo. Alan Evans dominated “Rudy’s Way” with his best drum solo of the run sending the audience UP!  A fixture of Bowlive since its inception, Kofi Burbridge of the Derek Trucks Band surprised the audience when he walked out on stage with his flute for “Cash’s Dream,” a warm, softening addition to such an organ-heavy song.

The Bowlive Horns, consisting of saxophonist James Casey (6figures), tenor saxophonist Ryan Zoidis (Lettuce), and trumpeters Eric Bloom (Diane Birch) and Rashawn Ross (The Dave Matthews Band) were next to join Soulive. Special guest Skerik completed the brass entourage and “Upright,” “Vapor” and “Flurries” delivered us a massively long horn-heavy rage. The various musicians on stage rotated solos starting with Skerik who inserted his wild element of experimental jazz while Rashawn Ross’s melting-pot experience defined his style per song. Everyone continued through the trio of songs jumping from tambourines to maracas and other various percussion instruments filling all voids with extremely tight and organized sound.  Special guest and opener Zach Deputy lead the stage for his original, “Thrill is Gone.” To see Deputy explore his guitar talents with a full band is quite a different experience. His sound completely changes because he isn’t worrying about layering the beats, the bass or the horns. The massive crew on stage closed the set with “Aladdin” and the always funky “El Ron.”

The entire Lettuce ensemble (The Bowlive Horns including Skerik, guitarists Eric Krasno and Adam Smirnoff, bassist ED “Jesus” Coomes, and drummer Adam Deitch) raged the stage for the second set kicking it off with “King of the Burgs.” Rashawn Ross lead with a killer trumpet solo while drummer Adam Deitch made his presence known after Alan Evan’s domination of the kit in the earlier set. Last night was an amazing night for drumming fans, to be sure. The funkiest band on the planet followed last night’s rage by releasing more new songs off their upcoming album to an eager, elevated crowd. On Tuesday night, we heard “Mean Fonk,” “Lettuce Play,” and the jokingly named tune “Brooklyn Bowler,” a word play on the wonderful venue housing Soulive’s ten-night residency and actually titled”Bowler,” reflecting organist Neal Evan’s signature hat. Last night the explosive audience members (and iClips.net online viewers) jumped and danced their bodies weary to new tunes, “Bump Tubby,” “Fast Kraz,” “Ghost of Jupiter,” and “New GoGo.” Alecia Chakour joined the stage for to sing the sultry “Do Ya Thing,” a first time cover for both Chakour and Lettuce. Flautist Kofi Burbridge played throughout the entire set while Skerik could be seen enjoying the set by the sound board. ED “Jesus” Coomes’ bass playing was a crucial element to the entire set as his glasses literally fogged up from the heat coming off his playing. Toubab Krewe’s Luke Quartana was back for a second night front and center on stage with his Djembe drum for “New GoGo,” while saxophonist James Caseyplayed the congas with drum sticks. Krasno was nowhere to be seen for this tune while the stage exploded into one of the sickest 11-piece percussion rages this super fan has had the privilege of watching. The amazing, soulful voice of Nigel Hall helped close the set with “Making my Way,” into a Curtis Mayfield medley of “We’re a Winner” and “Move on Up!”


Two nights into the second week and already we have had two surprise guests, Oteil and Kofi Burbridge, on top of the amazing special guests, Zach Deputy, Skierk and Lettuce. Soulive changes things up tonight with the invitation extended to Citizen Cope & Alice Smith, the legendary funk bassist George Porter, Jr. (The Meters), drummer Billy Martin (Martin, Medeski and Wood), Alecia Chakour Band, and ?uestlove (The Roots) on the 1’s and 2’s. RAGE!!

BUY SINGLE DAY TICKETS NOW!
Can’t make the LIVE RAGE? Stream It on iClips.net!

 Karen E. Dugan

YouTube Videos

Read Full Post »

Night 6 Recap with Lettuce, Zach Deputy, Skerik, and Allen Stone :: Lettuce, Zach Deputy, and Skerik Tonight!

We have reached the second week of Soulive’s electric ten night Brooklyn Bowl Residency, Bowlive III. After two days of rest, drummer Alan Evans, organist Neal Evans and guitarist Eric Krasno were back for their sixth night, enlisting the help of guitarist Zach Deputy, vocalist Allen Stone, saxophonist Skerik and the funkiet group on the planet, Lettuce. There were also surprise sit-ins by percussionist Luke Quaranata (Toubab Krewe) and bassist Oteil Burbridge (The Allman Brothers Band). Whoa….

Last week, Soulive took on the responsibility of ripping open the stage themselves, proving that they don’t need anyone to help them stir the fire in our bellies. However, after a week of exhaustive musical deliverance, Soulive opted to let another wonderful musician lead the way with their first mid-week opener by way of Zach Deputy. Deputy describes his style as “Gospel, Ninja Soul.” He is a one-man band who sits behind a custom-made rig of electronics, computers, pedals, mics and various instruments to create a song which he delivers to the audience one layer at a time, looping his sounds to reach the end result.  The result being a complete song with beats, bass, lyrics, harmonies, and instrumental backups.  Aside from being fully invested in all aspects of his creativity, Zach Deputy is one of the kindest, accessible musicians on our scene. He adores his fans to a point that a lot of musicians do not.  Deputy spent the entire Soulive/Lettuce performance in the audience smiling and dancing away with the rest of us.

Soulive hit the stage to a sold-out venue warming up with “One in Seven” into “So Live.” Since Lettuce was in the house, Soulive invited out the horn section out for “Get Back.”  Saxophonist James Casey, tenor saxophonist Ryan “Zwad” Zoidis, and trumpeters Eric Bloom (Diane Birch) and Rashawn Ross (The Dave Matthews Band) lined up behind the trio, creating an intimidating wall of brass.  However, the audience erupted into frenzy when one of the sickest bassists on the planet, Oteil Bubridge, walked out to join the tune.  Oteil Burbridge is best known for his work with The Allman Brothers Band and his phenomenal scatting ability he delivers while playing some of the sickest bass lines you will ever hear. The addition of Oteil’s bass to the trio was a special treat. The Allman Brothers Band starts their ten-night residency at The Beacon Theater on March 9, 2012.

The deep and dirty “Hat Trick” continued with Oteil Burbridge on bass. The tight horn section became even more ridiculous with the addition of Seattle-based improvisational jazz saxophonist Skerik on “PJs”.  One name is all Skerik needs.  A founding member of such quirky jazz projects as Critters Buggin, Garage a Trois and Skerik’s Syncopated Taint Septet, his unique and wildly pioneering sound has been dubbed “saxophonics,” Skerik brought an element to the brass wall of horns that gave East Coasters a taste of that West Coast flavor.

For Granted” followed with a trumpet solo from Eric Bloom that stopped conversations and had eyes focused on the stage. Soulive then shifted gears by introducing the second Seattle-based special guest of the night, soul vocalist Allen Stone.  Our favorite trio was alone on stage to back Stone on his original “Unaware” Bowlive III audience members had not yet seen a voice of this nature on stage. Even though the energy lowered due to the softness of the song, Stone’s smooth falsetto was absolutely captivating and all eyes were on him by the time he belted out “Mary” and “Love and Happiness” to end the diverse and fulfilling musical set.

The second set was just a full rage by Lettuce, the greatest urban-flavored funk band in America.  The stage swelled as Lettuce’s horn section, comprised of saxophonist James Casey, tenor saxophonist Ryan “Zwad” Zoidis, and trumpeters Eric Bloom (Diane Birch) and Rashawn Ross (The Dave Matthews Band) came back on.  Alan Evans, who had held down the dirty drums all night, was replaced by Adam Deitch (Break Science). Krasno was joined on rhythm guitar by Adam “DJ Schmeeans” Smirnoff and energetic bassist ED “Jesus” Coomes set up center stage. Vocalist Nigel Hall grabbed the microphone and they kicked off the hot set with some love to Bootsy Collins as he shouted “We Like To Party!”  Lettuce performed tunes off their old catalog but it was when new song “Bowler” and “Madison Square” that the audience gave the most love to the artists on stage.  “Madison Square” is currently the song the NY Knicks are using as their theme song. The Brooklyn Bowl went wild as Skerik jumped in and out of songs with his wild musical antics and Luke Quaranata (Toubab Krewe) ending the set with a killer rendition of “Squad Live.”


The party continues tonight with the same special guests. And who knows, with the energy rising each night and more and more musical guests seen wandering the bowling lanes, you can be sure that more artists will be gracing the Bowlive stage then are billed.

 Karen E. Dugan

Youtube Videos

Soulive w/ Allen Stone – “Love And Happiness” : http://www.youtube.com/watch?v=g9n8k0vkPNc

Soulive w/Allen Stone – “Mary” : http://www.youtube.com/watch?v=4B45uPhn_oo

Lettuce – Ryan Zoidis sax solo : http://www.youtube.com/watch?v=fa1i-ZUjo_g

Read Full Post »

Night 4 Recap with Karl Denson, Jennifer Hartswick and The London Souls :: Marco Benevento and Jennifer Hartswick Tonight!

The fourth night of Bowlive took place at the Brooklyn Bowl in Williamsburg last night to a sold-out crowd of dedicated Soulive fans. Drummer Alan Evans, guitarist Eric Krasno, and organist Neal Evans took it easy as guitarist Tash Neal, bassist Stu Mahan, and drummer Chris St. Hilaire opened the evening with a hard-rocking 30-min set. This was Stu’s second live performance with the London Souls and he couldn’t be a better fit. Tash is an aggressive guitarist and Chris’s powerhouse drumming makes you want to full on head bang. Perhaps you have heard their song “Steady As You Ready” off of Mob Wives, which they killed last night! Eric Krasno could be seen in the audience bopping his head to one of his favorite bands in our scene. The London Souls return to Bowlive on Saturday, March 10th.

When the endless lines outside the Brooklyn Bowl had finally been let in, Soulive took to the stage and played “El Ron” with such a fierce level of energy, shouting out musically that the weekend had begun! In that first song, Krasno was at the edge of the stage on his tiptops shredding his guitar into the faces of those in the front row. Keeping up the energy, “Dig” followed with teases of Snoop Dog and Lettuce mixed in.

The first tribute of the run was to the great Melvin Sparks. Soulive’s highly anticipated latest release, Spark, had only just shown up in Vinyl form that morning to the Brooklyn Bowl. Melvin Sparks was an American guitarist who passed last year. His soul jazz, hard bop and jazz blues influence can been seen in every one of today’s talented guitarists. Spark is a collaboration between the members of Soulive and Karl Denson. That pretty much is all that really needs to be said to convince you to check it out.

Flutist and saxophone player Karl Denson was special guest for his second night. He joined the stage for the song “Spark,” which had audience members fully engrossed. Karl added a gorgeous level with his flute while drummer Alan Evans, once the drummer for Karl Denson’s Tiny Universe, and the rest of the stage passionately layered their sound atop one another. A lovingly delivered tribute to the end.

Trumpeter Jennifer Hartswick, the second special guest billed last night and the first female presence to grace the stage for the run, joined for another song of Spark titled “Povo,” another head banging rock song that at times turned psychedelic is an instrumental by Freddie Hubbard. Krasno and Hartswick bantered playfully with their instruments and Karl now back on his saxophone. When Jennifer took her solo, she slammed the audience so hard with her talent that afterwards, the place erupted! Female Power!! A beautifully executed “Nubian Woman” was the choice off their latest cd with a more psychedelic jazz flavor. The members on stage were feeling the Melvin Sparks vibe flowing through them freely.

When Jennifer Hartswick moved from horn row to the front stage, those in the audience who realized the treat they were in store for began screaming. Saxophonist James Casey (The Shady Horns) also joined the stage. The musicians teased Aretha Franklin’s “Rock Steady” as Jennifer hummed the tune to warm her voice and to tease us with her sultry sound before delivering  the goods. Her voice shook the rafters on the high notes and as the cool James Casey rocked the audience a killer solo, the shades on his head fell over his eyes in true rockstar fashion.

“Bowlive Staple,” as Krasno called him, Nigel Hall joined the stage now as the entire vibe was slowed down for a song that would, regardless of it’s slower speed, would trigger fond memories and raise the energy of the minds in the audiences. Tears for Fears cover “Everyone Wants to Rule the World” is a song that Soulive has perfected with their own style. Something every artist hopes to accomplish, especially when it’s a cover. Nigel Hall on vocals was heart melting as always while Alan and Krasno filled in the backup vocals. Towards the end of the tune, Nigel flowed seamlessly into “The Light” by Bobby Caldwell. An absolutely gorgeous, mellow, yet powerful mash-up to end the set.

Soulive opened up the second set with the fuly raging “One in Seven.”  Neal Evans, who has been on fire this entire run, continued his trend while brother Alan was then left on stage for a calculated isolated drum solo. After witnessing his drum solos each night, it is fun to enjoy the different tricks Alan pulls out of his bag to ensure that we get a taste of his various abilities. And then it was back to close out One in Seven.

Tash Neal (The London Souls) was the next guest invited out on stage to perform the famous Crosby, Stills, Nash and Young song “Ohio!” Unbelievable guitar rage between he and Krasno. The Evans brothers were crushing it as Karl Denson couldn’t miss this wonderful performance and ran out on stage grabbing a tambourine. Tash and Karl left as the trio, now alone on stage, executed a gorgeous rendition of Stevie Ray Vaughn’s “Lenny,” a beautiful love song Vaughan wrote for his wife and performed beautifully and emotionally by Krasno.

Karl Denson joined for the raging “Turn It Out,” where he delivered a beautiful flute solo. They continued on into “For Granted,” where he was joined by James Casey, Jennifer Hartswick, and Nigel Hall on keys with Neal. The playful song gave each artist a dedicated two minute solo to showcase their instruments. Starting with Krasno establishing the musical chorus, Karl followed, then Hartswick, and James Casey, who crushed it so hard Karl Denson began fanning Casey’s fire off with a towel giving him the props he rightfully deserved.  Nigel Hall solo followed with Neal filling in the blanks. Each solo established that these musicians had chops. That they were the best in their game and at that time, they were making sure we recognized that fact.

Neal Evans, now alone again on his rig, started off “Jesus Children” with a heavy, deep organ rage, before Hall started singing. It was here the set ended. The flavorful Wyllys, a DJ and Jennifer Hartswick’s husband, would be following the show so the high-energy of live music had to end. However, Wyllys has an extensive vinyl collection of some of the hottest tunes and with the help of Quincy Jones and other amazing samples, he got everyone back on the dance floor and fully engaged.


A killer beginning to what is going to be a jam-packed weekend of Delicious Soulive rage, the party continues tonight with Jennifer Hartswick and her band coming out for her second night with new special guest unique jazz improvisational keyboardist Marco Benevento. Seriously? The excitement of seeing Marco and Neal together is going to be worth the measly $15 it will l take to experience the musical magic!

 Karen E. Dugan
– Photo courtesy of Phrase

Youtube Videos:

Read Full Post »

Soulive members, the rhythmic Evans brothers Neal and Alan and guitarist Eric Krasno transformed The Brooklyn Bowl from a guitar god’s wet dream to a world of funk and Beatle Mania on the third night of Bowlive III.

However, before the show could start, there were a few adventures I went on that I would like to share.  The most silly adventure was first. On Jam Cruise this year, a girl named Harmony held a pet adoption with stuffed animals (mostly sheep) of varying styles and sizes. What first occurred at The Catskill Chill Music Festival on a small scale last summer had now made it’s way to the Jam Cruise world on a large scale. As a result, musicians and their children, like New Orleans trombonist Big Sam (Big Sam’s Funky Nation) and Marco Benevento‘s daughter Ruby, adopted animals. Big Sam adopted a sheep and named her…what else? Harmony!

What's with the stuffed animals, you ask?

What’s with the stuffed animals, you ask?

Front row rage with Jessica, Laurie and LUCY!

Front row rage with Jessica, Laurie and LUCY!

Jam Cruisers and their animals were all over the Bowlive scene during the ten day residency but Big Sam is the only artists who engaged in the enjoyment of his adopted pet publicly. Before the show, I was with a friend who had brought her lamb, Lucy. We ran into Big Sam and asked about Harmony. He had her in a plastic bag in his hand. Right then and there, Harmony was brought out and Lucy and she “played” and “danced” a bit together before Big Sam took Harmony backstage! Over the run, Lucy (NY), Smiley-Face (MD), Harmony (NOLA), Fluffy (VA) and Jimmy (NJ) would make their way from various parts of America with their adoptive parents to enjoy Bowlive shows from the front row.  Big Sam’s Harmony, however, was the only one who engaged in the back stage rage and got to dance on stage. Enjoy the clip:


At the end of the day, this new vein within our scene is representative of the curiosity and connection that we all posses and/or seek. Just as The Karma Wash and Fan Club Headquarters are relevant, so is this fun idea. Amazingly, lots of people have mascots and the addition of this adoption program has spawned multiple mascot meetups and adoptive front row rages around our scene. Be sure to look for a stuffed sheep or mascot near you and share a dance 🙂

Neal Evans (Photo by Phrazz)

Neal Evans (Photo by Phrazz)

The previous two evenings, the trio infused their sounds with special guest southern slide guitarist Luther Dickinson and jazz great John Scofield. On this night, Karl Denson (Karl Denson’s Tiny Universe), Sam Williams (Big Sam’s Funky Nation), and Rahzel (The Roots) graced the stage with their flute and saxophone, trombone and beat boxing, respectively.

The organ-based jazz trio kicked off their set with “Steppin,” off their 2010 Live at the Blue Note Tokyo album and “Uncle Junior,” 2007 Get Down album. As the three core leaders of Bowlive, they immediately established that there would be no slowing down. By the middle of “Aladdin,” all three men on stage were fully invested.  Krasno was taking his solos at the edge of the stage, sometimes rising onto his toes, while Neal Evans dominated the song with his bass keys and organ play and Alan Evans slammed his drums with ferocity.

Karl Denson (Photo by Phrazz)

Karl Denson (Photo by Phrazz)

Karl Denson was announced as the audience was told that he “just got off a plane and walked on this stage.”  Karl Denson is one of the hardest working musicians in the business and his passion for his craft drips off every note he plays. He is a fast, funky band leader who is always consistent in his delivery.  “The Swamp” and “Rudy’s Way” followed with Denson choosing to add his flute to the beautifully composed songs.  The addition of Karl’s flute to the sound of our favorite trio added another dimension of emotion to the songs.  They continued with “Shaheed,” off their 2001 album Doin’ Something where Karl’s flute provided a softness to the hard-edged song. Krasno raged his guitar till the strings broke and had to change to a new guitar and Neal Evans kicked a drum solo into the audience’s guts.

Alan Evans, Karl Denson, Big Sam, and Eric Krasno (Photo by Phrazz)

Alan Evans, Karl Denson, Big Sam, Eric Krasno & Nigel Hall (Photo by Phrazz)

Joining the foursome on stage next was Nigel Hall (The Warren Haynes Band) and Sam Williams (Big Sam’s Funky Nation). There can be no doubt that the danceable and excitable energy that Big Sam brings is something you can’t find in many artists. The New Orleans native, formerly the trombonist for the Dirty Dozen Brass Band, danced out on stage with his horn, picked up a stage prop that he had brought (his stuffed sheep named Harmony) and began to dance all around the stage. Nigel and Big Sam began grooving it together and the entire audience couldn’t help but beam over the energy of it all.  These are serious performances but it’s ALWAYS appropriate to have a good time and with just his presence; Big Sam will lift any crowd. The powerhouse of funk on stage slowed the rage down for the soulful, “Leave Me Alone,” sung by Hall. Karl Denson changed to his saxophone and kicked us a lightning fast solo to end the set.

Rage (Photo by Phrazz)

Rage (Photo by Phrazz)

Rahzel Set Break Set (Photo by Phrazz)

Rahzel Set Break Set (Photo by Phrazz)

Straying from the formula of the first two nights, during this set break the audience would not be staring at an empty stage waiting for the first set to start. Instead, Beat Boxer Rahzel, the “Godfather of Noyze,” came out to keep them engaged.  Watching the audience react to this amazing addition to the night was almost as exciting as watching Rahzel. Specialize in the “fifth element of hip-hop,” Rahzel’s instrument is himself and a microphone.  He is a vocal percussionist who uses his breath, mouth and body to imitate sounds, instruments and voices.  He projected unmistakable beats from the Wu-Tang Clan and Run DMC. He became a DJ scratching records, created a buzzing insect around his head and brought Optimus Prime (Transforms) to life on stage with his robotic sounds. His signature song, “If Your Mother Only Knew” is always the highlight of a Rahzel performance. Rahzel simultaneously sings the lyrics and works the beats. It is quite difficult to even comprehend how Rahzel does what he does!  AMAZING!

Rubber Soulive Album

Rubber Soulive Album

Before Beatle Mania could kick off the first set, Soulive joined Rahzel on stage and performed “I Am the Magnificent” and it was just that, magnificent.  The entire first half of the second set consisting of songs chosen off Soulive’s latest album, Rubber Soulive.  “Come Together,” “Eleanor Rigby,” and I Want You (She’s So Heavy).” The audience sang along to the first song while the psychedelic lights and trippy sounds emanating off stage for “She’s So Heavy” was reinvented through the jazz trio.

Karl Denson, Big Sam, Nigel Hall and Lenesha Randolph (Photo by Phrazz)

Karl Denson, Big Sam, Nigel Hall and Lenesha Randolph (Photo by Phrazz)

Questlove (Photo by Phrazz)

Questlove (Photo by Phrazz)

Big Sam, Karl Denson, Nigel Hall and now, Lenesha Randolph (Robert Randolph and the Family Band) joined the stage for “Too Much.” Randolph and Hall sang the up-beat tune while Karl and Big Sam took their turn at the mic delivering some of the hardest, funkiest horn solos that Bowlive audiences will experience this run.  They kept up the pace with Stevie Wonder’s “Signed, Sealed, Delivered” and Questlove (The Roots) replacing Alan Evans, who picked up a guitar.

Full Stage Rage (Photo by Phrazz)

Full Stage Rage (Photo by Phrazz)

The entire crew of Soulive and their special guests kicked off the end of the set with “Tuesday Night Squad.”  Big Sam dominated a 3 minute long trombone rage, Alan was back on killin it on the drums, Nigel was on the Bongos before heading over to Neal where the pair did a little dance, if you will, shifting back and forth past each other to manipulate the various levels of keys that Neal’s kit provides.  Hall sang James Brown’s “Beweildered,” a deep, soulful song that required Nigel to reach the top of his range, and then he walked off stage.  It was back into “Tuesday Night Squad” to close the set.

Nigel and Neal Rage the Boards (Photo by Phrazz)

Nigel and Neal Rage the Boards (Photo by Phrazz)

There was never really an encore because every musician on stage was so into the music and feeling the audience’s energy that they chose to just play through and give their fans that extra five minutes of music that every audience desires.

Download Night 3 Sound Board Audio Here!

In three days Bowlive III had now brought us jazz, soul, psychedelic rock, New Orleans funk, hip-hop and southern-style blues in only three nights. The following evening, the party continued with Karl Denson sticking around for a second night and Jennifer Hartswick (Trey Anastasio Band) joining with her funky trumpet and soulful voice.

Pictures by Phrazz

Videos by: I can’t believe there are no videos for this entire night. If anyone finds some, send them my way

Words by The Tiny Rager

Read Full Post »

Older Posts »

%d bloggers like this: