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Soulive: Photograph Courtesy of Calabro Music

Soulive: Photograph Courtesy of Calabro Music

Bowlive V: Night IV – Soulive feat. Jon Cleary and John Scofield @ The Brooklyn Bowl (03.18.14)

As the members of Soulive settled in over the years, their Brooklyn Bowl based annual residency, Bowlive, has became as institutional as the music itself. During the first week, the audience was privileged enough to enjoy the musical styling of vocalists Nigel Hall and Nicki Bluhm, turntablist DJ Logic, rocking guitarists Warren Haynes and Eddie Roberts, legendary bassist George Porter, Jr., and house band, The Shady Horns. Full band performances and collaborations by Leroy Justice and The London Souls added to the marvel. Every song sailed down the middle of the stage, rolled by the trio with the consistency of a pro bowler. This consistency, of course, has been the key to Soulive’s longevity.

“When Soulive hit the stage, I was surprised at how they constantly matched the energy from the previous nights. I’m always reminded of the 80’s power trio bands that filled a room with just three musicians and am amazed how these guys do it. A modern day jazz/funk power trio like no other.” ~ R.G.

Commencing with their second week of Bowlive V, Neal Evans, Alan Evans and Eric Krasno have put together another long list of talented musicians to keep us satiated for the remaining five nights. Over the next few evenings our musical senses will be overloaded with the likes of Joe Russo, Susan Tedeschi, Jon Cleary, Bill Evans, Alan Evans Trio, DMC (of Run DMC), Marco Benevento, Sonya Kitchell, and WOLF! Featuring Scott Metzger. You can also count on some surprise guests.

For night IV, Soulive made all the right moves, showering the audience in musical genius, making sure no one would regret coming out on a Tuesday night. With Jon Cleary and John Scofield as the special guests last night, it was the perfect kick-off for the second week. And what a kick-off it was. It was truly stimulating. Soulive and their guests performed one long extended set with Jon Cleary opening to a packed house at 8:30pm.

“Notes from the front line, my first encounter with Bowlive! Thank you Soulive and Brooklyn Bowl for making our first Brooklyn Bowl/Bowlive experience a very memorable one. From the moment we arrived, we were welcomed by the staff and had a great pre-show dinner, followed by the acquisition of the highly coveted John Warner Bowlive poster, which are limited to 15 posters per evening. After seeing some fellow Pittsburghers and Jam Cruisers, we secured our spots on the platform area with a killer view of the stage.” ~ M.M & L.M.

Jon Cleary Set
Unknown
I Feel So Damn Good I’ll Be Glad When I Get the Blues
Cheating On You
When You Get Back, We Gonna Cha Cha All Night Long
The Crave (an emotionally complex piece.)
I Get The Blues When It Rains
Unknown (Boogie Woogie Tune)

Phone Capture Courtesy By Rob Mishaan

Phone Capture Courtesy By Rob Mishaan

The venue was packed with devoted music fans. This wasn’t your average audience who was there to drink and chat it up with their friends. Almost every eye was fixated on the stage as Jon Cleary opened the night with a solo piano set showcasing his vested studies in the music of New Orleans. Having moved from Kent, England to study the music of New Orleans, Jon Cleary is arguably the best out there right now. A disciple of Professor Long Hair and James Booker, Cleary’s voice is salty-sweet and he is a master of the piano, organ and guitar. You may know him best as a member of Bonnie Raitt and Taj Mahal‘s bands and his own group, Jon Cleary & the Absolute Monster Gentlemen. With his blend of jazz, blues, soul, gospel, and honky-tonk, Cleary epitomizes New Orleans music. His set was evidence of his extreme caliber of musical knowledge.

Jon Cleary started the night of music off right, as I was immediately intrigued by his silky smooth voice and Deniro-esque looks. His “Big Easy” style was quite a cover for his British heritage. This new musical discovery for me had me Googling his discography this morning to see what else I could find out about this man!” ~ M.M. & L.M.

“Having just booked our trip to Nola for jazziest the night before I could not have asked for a better punctuation. Watching Jon Cleary play keys in such classic New Orleans style blew us away. I could only wonder if Neal Evans was peeking down the stairs to watch this guy.” ~ R.G.

Set I
Shaheed
Come Together
One in 7
For Granted
Cannonball
What You See Is What You Get
Nealization
Something’s Got A Hold on Me
Motherless Child
Walk With Me
Don’t Need No Doctor
Turn It Out
Hottentot

Encore: Get Back

Last night, there wasn’t three sets or even two sets, there was one long extended set which ended promptly at midnight. Soulive, The Shady HornsJon Cleary and John Scofield would command the stage with various genres of blues and jazz, filling every second of the evening with prodigious music. The set started out with the members of Soulive performing “Shaheed,” The Beatles‘ tune, “Come Together,” and “One in 7.” During “Come Together,” the audience sang along with heads bobbing and the stage lights flashing, while “One in 7” was played with a delightful intro. It was also during this time that there was some malfunction with Neal’s keyboards. Times like these can break a musical moment but Alan Evans picked up the slack by drumming his heart out while the chords on his brother’s rig were being fixed. When the audience heard the rejuvenation of the bass keys, it was on!

“Upon completion of Jon Cleary‘s set, Soulive took the stage, embracing me with their soul soothing sounds and reminding me that Neal Evans is a true bad-ass! Watching him lay down those bass lines with his left hand as his right hand plays the Hammond chords was literal music to my ears! The Beatles‘ cover “Come Together” got the crowd singing along, but you could see the anxious anticipation for the arrival of John Scofield, who was the special guest of the evening. Having the pleasure of watching such musical prowess and interplay in such close proximity was truly a treat.” ~ M.M.

“For Granted” and “Cannonball” were both played with the help of The Shady Horns. Ryan Zoidis (baritone/alto saxophone), Eric “Benny” Bloom (trumpet) and James Casey (alto saxophone/percussion) always bring a special vibe to the stage when they join Soulive. As much as they is a respected jazz trio, their vested interest in funk runs deep. The audience is blessed to have a horn ensemble in the mix of some of their favorite jazz tunes. “For Granted” was a wonderful showcase for the widely talented Ryan Zoidis, while James Casey absolutely stole the show with his performance on “Cannonball.” Eric Bloom took his liberties with his pedals and effects during his solo, as well.  These two songs were meant to showcase The Shady Horns and boy, did they deliver.

The Shady Horns were dead on, once again. Eric Bloom‘s effects-enhanced solos and James Casey killed it, as always, while Ryan continues to be the mainstay. Gonna get some more rest today so I can get back there tonight with Tedeschi!!!” ~ R.G.

The eyes say so much, and they speak even louder when a musician closes his eyes and is fully immersed in song. This happened to Krasno throughout the remainder of the set. When Scofield came on the stage, Krasno was in a blissed-out state of being, eyes closed, in total focus. “What You See Is What You Get,” a major hit for the Dramatics in 1971, is Scofield’s interpretation of Detroit soul music.  The beautiful thing about John Scofield is that even though he covers many old tunes, the arrangements are all his own. “Nealization,” obviously composed by Neal Evans, was a fantastic representation of his talent. Scofield played lead guitar while Krasno played rhythm. The entire crew on stage was grinning from ear to ear while the ax-men played off each other, trading delicious licks on their guitars.

“I have been a fan of John Scofield since the first time I saw him at The Bottom Line in NYC in 1980. I always mark this night as a must go. Even having stayed home from work sick, I got the energy up to get there. I was not disappointed!!! It is so obvious that Kraz uses Sco as a mentor and has used him as one of his many inspirations. As it is equally obvious how Sco is impressed with Kraz. There dueling solos blew the entire audience away. Sco has a way of making his guitar sing.” ~ R.G.

“Can someone explain to me how Neal Evans solos on keys with Soulive while also dropping funky bass? Meanwhile, I can’t even rub my tummy and tap my head at the same time…” ~ K.S.

“Neal Evans is the most underrated bass player in music. His right hand gets so funky, we forget his left is leading us to the promise land.” ~ J.S.

The next two songs were songs off John Scofield‘s latest album release, Piety Street. The Rev. James Cleveland cover, “Something’s Got A Hold On Me,” was first but it was “Motherless Child,” a traditional negro spiritual born out of slavery and sung by Cleary with sharp new harmonies, that grabbed the audience’s attention. 

“When I heard “Motherless Child,” I almost didn’t recognize it. I recognized that I was hearing the words of a song I knew but the arrangement was so different from the versions I’d previously heard.  I am aging myself by saying this but I remember the first time I ever heard that song. I was just 15 years old. It is the hidden song within Track 11 off the Cracked Rear View album by Hootie and The Blowfish. Y’all remember that? Darius Rucker sings the song in it’s traditional A-Capella style. It was as beautiful to back then as it was now, hearing it in this new style and arrangement. I adore when modern musicians take classic songs and make them their own.” ~ K.D.

“One of my favorite moments of the evening, was when the stage was packed with everyone on the bill, Soulive, The Shady Horns, Scofield and Clearly as they played a tune that featured three part harmonies of Alan EvansJon Cleary and Eric “Benny” Bloom. I look forward to finding that show on Archive.org to relive that moment and sing along with them!” ~ M.M.

Photo Courtesy of Mark Dershowitz

Photo Courtesy of Mark Dershowitz

Then, the jazz/organ trio pulled a new maneuver out of their Bowlive bag of tricks. Jon Cleary and John Scofield remained on stage, while Soulive and The Shady Horns exited. This would be the first time in Bowlive history where the band allowed the stage to be commanded solely by the guests. It was not a coincidence that Jon Cleary and John Scofield were the two guests playing on the bill last night. Cleary is not only renowned for his ability to play the ivories, but he also composes music and went on to write and join John Scofield on the the road singing and playing with Scofield’s Piety Street Band. Needless to say, the combination of the two artists performing their song, “Walk With Me,” was electrifying and unique. Cleary sat back and watched as Scofield took a few measures for himself before joining in the song.

Through great applause, John Scofield leaned into the microphone. Referring to Cleary, he says, “This guy can play a mean piano but did you know he is an amazing guitarist, as well?” With that, Cleary jumped from the keys and moved to guitar while Krasno picked up the bass for “Don’t Need No Doctor.” Scofield continued, “John Mayer used to sing this song, but you should hear Cleary sing this song.” The audience laughed. The horns had left the stage but James Casey remained playing percussion. Casey is an amazing horn player but his talent by way of understanding sounds in percussion has grown exponentially since we saw him last year at Bowlive IV.  During the song, Scofield could be seen bouncing around, pointing to the next member on stage he wanted to pull a solo.

“I want to say that my highlight was “What You See Is What You Get,” “Nealization” or “Hottentot,” but honestly I had two highlights. (1) Cleary killing it on guitar with Kraz killing it on Bass, and (2) Scofield directing traffic. Maybe it’s an elder statesman thing, but the respect that guy engenders on stage is impressive. He was absolutely in charge and was clearly enjoying going tit for tat with everyone. I especially loved when [John Scofield] made a point to give Alan some play time, because, give the drummer some! Am I right? All in all, just a beast of a show. I fucking love Bowlive.”  ~ B.M.

Jon Cleary‘s turn was up and he retired backstage. The Shady Horns were also held back as Soulive and John Scofield played, “Turn It Out.” This was the time for all the jazz heads to revel in the genre. As much as Soulive likes to give us the funk, jazz is their priority and their growing reputation on this musical path is what has brought them this far. Scofield’s reputation in the Jazz community runs deeper and Krasno’s idolization of Scofield’s style is evident in how Krasno, himself, plays. So you can imagine how equally graceful and intense this part of the set was.

“Seeing two guitar gods trade licks was invigorating, and truly impressive at the same time, as you could see the admiration that Krasno has for Scofield as they both played their hearts out! It was ON, for sure!! “Turn It Out” brought back some great musical memories for me, as I harkened back to a January 2003 Soulive show that took place in an Italian restaurant in the tiny mountain town of Makawao, HI on the island of Maui. It reinforced the fact that we made a great decision to make the trek for our first Bowlive and it’s got me jazzed looking forward to what I’ll get to experience tonight! Thank you Eric, Alan and Neal!! You and your friends bring me musical delight!” ~ M.M.

We love you madly,” said Scofield, “This one is a groover, called ‘Hottentot,’ so let’s keep dancing.” And dance we did. The venue never emptied out like in previous nights and this was a true testament to the musicianship on stage. Like I mentioned previously, this wasn’t your average audience of bar goers. There were super fans in the audience for each of the artists on stage and they were there in full support all night. Alan Evans was featured on a rousing drum solo during “Hottentot.”  He is honestly one of the best jazz drummers around and the audience was overheard speaking on how they were looking forward to the Alan Evans Trio opening for Bowlive on night six.

Everyone was brought back on stage for the single-song encore, “Get Back.” A Beatles‘ tune, it was expertly played by the musicians on stage, having all worshiped the Beatles at some point in their musical careers.  The audience was invested as well and sang along with bodies bouncing. It was a perfect ending to a wonderful collaboration of musicians.

——————————

Tonight, Jon Cleary will return with special guests jazz saxophonist Bill Evans, acclaimed Brooklyn drummer Joe Russo and southern vocalist and guitarist Susan Tedeschi. 

——————————

List of Special Guests and Openers:

THURSDAY MARCH 13 – Special Guest: NIGEL HALL, EDDIE ROBERTS, more TBA

FRIDAY MARCH 14 – Special Guests: GEORGE PORTER JR. & SPECIAL GUESTS TBA
Opener: LEROY JUSTICE

SATURDAY MARCH 15 – Special Guest: GEORGE PORTER JR. feat. a special LONDON SOULIVE joint set
Opener: THE LONDON SOULS

TUESDAY MARCH 18 – Special Guest: JOHN SCOFIELD
Opener & Special Guest: JON CLEARY

WEDNESAY MARCH 19 – Special Guests: JOE RUSSO & SUSAN TEDESCHI
Opener & Special Guest: JON CLEARY

THURSDAY MARCH 20 – Special Guest: DMC (of RUN DMC) and TALIB KWELI
Opener: ALAN EVANS TRIO

FRIDAY MARCH 21 – Special Guest: Marco Benevento, Sonya Kitchell, Roosevelt Collier, Felix Pastorius, Oteil & Kofi Burbridge, and Brandon Niederauer
Opener: SONYA KITCHELL

SATURDAY MARCH 22 – Special Guest: Bill Evans and more TBA
Opener: WOLF! Featuring Scott Metzger

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Soulive: Photograph Courtesy of Calabro Music

Soulive: Photograph Courtesy of Calabro Music

Bowlive V: Night I – Soulive feat. DJ Logic, Nigel Hall, The Shady Horns, Eddie Roberts, Adam Smirnoff and Questlove (03.13.14)

Hitting a milestone fifth year, Soulive is back for their annual “Bowlive” residency at the Brooklyn Bowl in Brooklyn, New York.

This is an outstanding achievement for Eric Krasno (guitar), Neal Evans (drums), and Alan Evans (Hammond B3 organ, bass keys, clavinet), who, over the past four years, have performed 40 nights of strong, energetic, exciting shows including musical collaborations with artists from all genres.  The jazz/funk trio’s “Bowlive” event is now  solidified as a staple in the land of famous musical NYC residencies. You can be certain that this year will not disappoint.

For a recording of the evening’s music, click here!

Photo Courtesy of Andrew H. WalkerNeilson BarnardRick Diamond, Getty Images

DMC, Talib Kweli, George Porter, Jr.: Photo Courtesy of Andrew H. Walker/Neilson Barnard/Rick Diamond, Getty Images

DJ Logic, Leroy Justice, Jon Cleary, Alan Evans Trio, The London Souls, WOLF! and Sonya Kitchell will open for Soulive over the eight night run. Special guests include Bowlive DMC (of Run DMC), Susan Tedeschi, John Scofield, Talib Kweli, Joe Russo, Marco Benevento, George Porter Jr., Bill Evans and more. All the while, the Shady Horns will be on point each night rounding out Soulive’s house band.

“Thank you Soulive. Thank you Brooklyn Bowl. Thank you Madison House. Thank you Peter Shapiro. Thank you Royal Family Records. Thank you. Thank you. Thank You.”  ~ K.D.

“There’s just something about Soulive at the Bowl that is so amazing. It’s like the old school Knicks at the Garden, with Nigel playing, John Starks firing up the crowd, and everyone just relaxed and amped at the same time.” ~ B.M.

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Opener

For the opening night of Bowlive V, turntablist DJ Logic (Project Logic, Zen of Logic, For No One in Particular, The Anomaly), was on hand spinning upbeat grooving, funky, soulful tunes. Logic is a standout DJ in the jam band scene and electronic jazz community. Working with latter-day jazz saints such as Vernon Reid and Medeski, Martin and Wood, Logic shares the same musical passion as the jamming musicians that he began performing with many moons ago. He relishes in the improvisational spirit of jazz and makes you want to shake your ass.

Set  1
So Live
Uncle Junior
Rudy’s Way
Cash’s Dream
Turn It Out
Brother Soul
Right On

Neal Evans: Photo Courtesy of Dani Barbieri

Neal Evans: Photo Courtesy of Dani Barbieri

Our favorite power trio took the stage at 9:30 pm. In previous years, there have been Mod dancers in the bowling lanes and other visually stimulating nuggets to aid the group in the residency kick-off. This year, there was no fanfare; nothing to distract the audience from what was truly important: the music.  The members of Soulive, dressed in their signature black suits, simply walked out on stage, smiles on their faces and after a few seconds of checking their instruments, went right into “SO LIVE!”

While at The Allman Brothers Band residency the previous night, Eric Krasno shared with me that they would be playing their first album, “Get Down” in its entirety. It took everything in my power not to blast this news out over the world wide web at that moment. However, yesterday, I couldn’t keep my mouth shut and spread the word to as many friends as I could because I knew that dropping this knowledge on them would draw those who were on the fence to the venue.

"Get Down!" Album Cover

“Get Down!” Album Cover

“Get Down” was recorded in 1998-99 and released in 2002. For many of us in the audience, we were transported to a time in our own musical history, when this CD was instrumental and meaningful in our daily lives. I was surrounded by friends and Soulive enthusiasts who couldn’t stop commenting on the power this album had on them when it was released. Having listened to the album for over a decade myself, nothing compared to the live musical experience we were about to be delivered.

The trio finished their first tune and Krasno took to the microphone. “We truly appreciate you guys being here,” he proclaimed as he began clapping, getting the audience involved. As we all clapped along to the beat, Alan Evan gave his first drum solo of the night, leading the boys into “Uncle Junior,” a major staple and fan favorite of the Soulive catalog. Neal Evans was on fire during this organ-driven tune.

“Cliff Robinson turned to me as Neal was grooving and said, “No matter how many times I hear these guys, it feels like the first time.” ~ G.F.

Only two songs into the set and it was outstanding. The animation of the guys on stage was infectious and it was evident that they were feeling great and on point. We would have been satisfied if it had remained just the three of them on stage but it wouldn’t be BOWLIVE without a certain someone. That someone was Mr. Nigel Hall, soul singer and keyboardist extraordinaire.

Alan Evans and Nigel Hall: Photo Courtesy of Mark Dershowitz

Alan Evans and Nigel Hall: Photo Courtesy of Mark Dershowitz

During the first Bowlive in 2010, The Nigel Hall Band opened for Soulive every single night. He is the one Bowlive veteran to play as a guest every year.  As the audience hollered, Alan Evans introduced Nigel Hall and shouted excitedly, “Get Down, Brother Nigel! Get Down!” It was now Nigel’s turn to shine, and while Krasno was twinkling away at the strings,  Nigel grabbed the microphone and said, “You guys just keep doing that while I tell a story.”  And with that he recalled his childhood memories of listening to “Get Down!” with his mother, while sitting on their porch in Washington DC, smoking weed. He continued on:

“The song I am about to play on has meant something to me for many years. I used to live in Bangor, Maine and I played in a band there. One time, we had a gig in Portland and while we drove from Bangor to Portland, we listened to this one song the entire two hour trip. When the gig was over, we drove back, listening to the same song for another two hours. We listened to that song for four hours. I have asked the guys (Soulive) to let me play it with them and they said, “No! No! No!,” until now. Do you know what this means to me, to my soul?” ~ Nigel Hall

Soulive & Nigel Hall: Photo Courtesy of Dani Barbieri

Soulive & Nigel Hall: Photo Courtesy of Dani Barbieri

And with that, Nigel Hall put his hand over his heart and then crushed “Cash’s Dream.” I don’t know where to begin praising Nigel Hall for his performance during this song. Having transplanted to New Orleans from New York City since Bowlive IV, Nigel Hall has clearly fine-tuned his talent on the keyboards. The speed at which he played; the precision on his runs over the keys. It was an outstanding solo and performance. The camaraderie on stage was ignited.

“The musical moment I enjoyed most was Soulive playing Cash’s Dream. Nigel sat in on this tune and told a touching introduction about listening to this tune in 1999 with his since deceased mother. They went on to play an amazing rendition of this song which I have never heard live with an awesome piano solo by Nigel.” ~ A.S.

“Five years ago when we saw Nigel Hall playing, he was good. He has always been good. But this performance…something has changed. He is AMAZING now.” ~ R.A.

After the song, Nigel high-fived his way off the stage as Alan spoke on how it was true that Soulive hasn’t played that song in a while and how playing these songs now brought back cherished memories.

My favorite part…is that they’re playing 15 year old songs for the nth time and Kraz is still marveling at how Neal is crushing the hand bass and Hammond. I just fucking love Bowlive. ~ B.M.

“Brother Soul” was next, bringing out DJ Logic and The Shady Horns, consisting of Eric Bloom (trumpet), Ryan Zoidis (saxophone) and James Casey (saxophone/percussion). Each of the horns took their turn soloing while DJ Logic scratched his turn tables, adding a great texture to the remaining songs.

Eddie Roberts and Eric Krasno: Photo Courtesy of TinyRager's phone!

Eddie Roberts and Eric Krasno: Photo Courtesy of TinyRager’s phone!

The big surprise for the end of the first set was the arrival of Eddie Roberts, guitarist for the supremely funky British band The New Mastersounds. His soaring hard-bop guitar playing complemented Soulive’s final tune of the set and the last track off the album, “Right On.”

The Shady Horns never seize to amaze me. I think this trio of Zoidis, Bloom and Casey may be my favorite. Special love for James because he was at our wedding and seems to be blowing up!!! ~ R.G.

“My favorite moment and also one of my favorite 2 Soulive songs ever is “Right On,” which I’m not sure I’ve ever heard them play. We watched Eddie staring at Krasno’s fingers for the first part of the song, and then both followed with dueling solos that crushed the crowd. As good as all that is, I’m reminded if what a genius Neal is holding bass line down with the left (hand) while soloing or laying down melodies with his right (hand).” ~ R.G.

Eddie Roberts: Photo Courtesy of Dani Barbieri

Eddie Roberts: Photo Courtesy of Dani Barbieri

The only song that wasn’t played from the album was Track 6, titled “Bitch-Ass Ho.” Considering that it’s a 23 minute track, that is probably why it was left off the first set.

“Bowlive kinda kicks of the festival season and spring off for us for the past 5 years. Watching them, I’m reminded of what truly gifted musicians they all are. The choice to play their first album was perfect and a punctuation to the obvious synergy these guys must have had since day one.” ~ R.G.

 Set Break

DJ Logic returned to the tables during set break and kept the energy level high for the audience. During this time, I generally like to take a walk around the venue and listen to the reactions of the audience. The buzz over the album was prevalent while many people were speaking individually about each artist or their favorite song. The Eddie Roberts sit-in had some audience members inquiring about the New Mastersounds. It was clear to me that the people in the audience were true fans, Soulive lovers and most of them men with bro-crushes on the band. Jen Durkin from Deep Banana Blackout was standing 20 feet away from me on the right while Basketball All-Star Cliff Robinson towered behind me most of the evening.

 Set II
Tuesday Night Squad
Don’t Change For Me
Gimmie A Sign
Layaway
Leave Me Alone

The second set started as simply as the first and with just as much energy. Eric, Neal and Alan took to the stage, joined by the Shady Horns and Nigel Hall for a fantastic rendition of “Tuesday Night Squad.” At one point during the song, Nigel got up from his keyboards, ran across the stage and jumped on the Clavinet with Neal Evans for a good 20 measures of excellent showmanship and musicianship. Talk about a highlight of the evening. The crowd went wild.

“I was mesmerized watching Neal and Nigel play the Hammond/bass keys together last night…they were having so much fun!! and the antics/keyboard trickery it was like a choreographed dance between two ridiculously amazing boards men – ducking under each other’s arm, jumping back and forth with their hands. Yeah, it was something fierce.” ~ A.R.

“Nigel getting up from the keyboard second set to lead the crowd was awesome.” ~ L.H.

“The hottest moment if the night was Neal and Nigel switching positions on the keys while never missing a note in the bass line!!! SUPER HOT AND ENTERTAINING!!!!” ~ R.G.

Eddie Roberts: Photo Courtesy of Dani Barbieri

Eddie Roberts: Photo Courtesy of Dani Barbieri

Nigel’s smooth voice overtook us with “Don’t Change For Me,” a bluesy tune that had Krasno’s guitar strumming along sweetly in our ears. At one point, Nigel was on the ground, on his knees, singing directly to the lucky folks in the front row. His signature soulful scream resonating throughout the crowd, as we all melted into his vibe.

Nigel Hall’s original tune, “Gimmie A Sign” was next. He spoke about the new Brooklyn Bowl Vegas and how much he loved it there but how the original Brooklyn Bowl will always be home. This proclamation extended to Soulive as they have played The Brooklyn Bowl more times then any other group, while Krasno has played the Bowl more then any other artist.

When The Root’s drummer, Questlove, walked on stage for “Layaway,” Nigel’s latest musical creation, the audience went wild. Alan Evans moved to vocals while Questlove added his signature groove to the song. Questlove has a standing DJ gig every Thursday at the Brooklyn Bowl. If you are ever in the area, bring your dancing shoes because his long-standing set is one of the hottest dance parties in the city.

The entire night, Adam “Shmeeans” Smirnoff (Lettuce) had been hanging in the wings, looking sharp in his suit. We all wondered when we would get a chance to hear this amazing guitarist and “Leave Me Alone” gave us that chance. We now had a slew of amazing musicians on stage and the sound was so tight. Nigel asked Shmeens to “tell us a little bit about yourself” and with that, Schmeens went into a disgustingly rich, hearty guitar solo. Eric Krasno beamed at Schmeens as he played, recognizing the hotness we were being delivered through his strings.

“Any night that you get to see Shmeeans, Kraz and Eddie Roberts play together in a show is funk guitar at its best. All three are so amazing in their own way. Kras crushing leads, Shmeeans playing rhythm guitar timed to the perfection of a Swiss watch, and Eddie Roberts who swings back and forth between amazing leads and perfect rhythm. For us guitar heads, it was a night to remember.” ~ J.R.

Encore: James Brown Medley
Lickin Stick
There Was A Time

For the encore, Soulive, Nigel Hall, The Shady Horns and DJ Logic delivered a rousing James Brown medley of “Lickin Stick” into “There Was A Time.” Alan Evans continued holding down the beat on the drums while his brother, Neal, slayed the keys. This brotherly duo demonstrates quality, seasoned musicianship with every note they drop.

“The James Brown Medley was this band at its finest. So good, so tight and they played so well with each other.” ~ G.F.

“Last night was one of my most favorite Bowlive ever. The vibe in the bowl was magical and everybody was really into it. I can’t wait for tonight!! Always great to hang! George matters and bring Nigel back on stage!! He was so happy last night!” ~ L.H.

With out a doubt, Neal Evans, Alan Evans and Eric Krasno enjoyed the first night of their milestone fifth year of Bowlive. We all did. I pray every year that they will come out with a DVD of these adventurous nights of music simply because no words do justice to the energy and animation of these three wonderful men. Three wonderful men who have created a treasured event based around love, music and friendship.

Tonight’s Special Guests will be the famous funky bassist from The Meters, Mr. George Porter, Jr. and Leroy Justice will open at 8:30 pm

On to the next one….. 🙂

List of Special Guests and Openers:

THURSDAY MARCH 13 – Special Guest: NIGEL HALL

FRIDAY MARCH 14 – Special Guests: GEORGE PORTER JR. & SPECIAL GUESTS TBA
Opener: LEROY JUSTICE

SATURDAY MARCH 15 – Special Guest: GEORGE PORTER JR. feat. a special LONDON SOULIVE joint set
Opener: THE LONDON SOULS

TUESDAY MARCH 18 – Special Guest: JOHN SCOFIELD
Opener: & Special Guest: JON CLEARY

WEDNESAY MARCH 19 – Special Guests: JOE RUSSO & BILL EVANS
Opener & Special Guest: JON CLEARY

THURSDAY MARCH 20 – Special Guest: DMC (of RUN DMC)
Opener: ALAN EVANS TRIO

FRIDAY MARCH 21 – Special Guest: MARCO BENEVENTO
Opener: SONYA KITCHELL

SATURDAY MARCH 22 – Special Guest: BILL EVANS
Opener: WOLF! Featuring Scott Metzger

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Bowlive IV Recap Including Day & Night 8 Reviews

We’ve officially been “Bowlived” for the fourth year as Soulive reached the finish line of their 4th Annual residency, Bowlive, on Saturday night. It’s a bittersweet feeling; similar to the feelings you get when you have to leave an amazing few weeks at summer camp. For the members of Soulive, seeing the regular faces and New York City fan dedication is a wonderful energy for them to play off of throughout the run. In turn, fans get to see their favorite artists night after night, performing exquisitely executed originals and crushing covers with spectacular guests. All the while, both fans and band dance around with each other, their friends, and other musicians in the audience who are there just to bare witness. Everyone smiles and engages each other, soaking up every glorious note. It’s a symbiotic relationship that is hard to fall away from after being dipped so deeply for eight nights. So, when the end comes, we must remind ourselves that these residencies are special because they only happen once a year! Soulive reminds themselves that they have something special to look forward to as much as the audience does. And each year, the audience witnesses the unfolding of a beautiful musical dynasty that Eric Krasno and brothers Neal and Alan Evans have created.

 Unlike the three previous year’s run, Soulive chose to focus their energy into eight shows instead of ten. This choice applies great pressure to any band who chooses to change the formula of a well-established and respected event. Bowlive fans expect a certain caliber of guests, a high level of surprise sit-ins, and some spectacular musical experiences that sometimes end up being a once-in-a-lifetime moment.  Soulive knows this to be true and always takes the time to consider such factors. How about having Mod dancers bust out into the bowling lanes during the second set of Night I?! It was just go time at that point!

Over the course of eight nights, guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans provided a stage and support for fantastic and exciting artists. They played endless jams in multiple styles across the musical spectrum, which is an important goal of the residency every year. Special guests included rocking Southern Blues brothers, guitarist Luther Dickinson and his brother, drummer Cody Dickinson, the 1970’s soul vocalist, Lee Fields and his modern day counterpart, Nigel Hall. There was the unmatched pedal steel slide guitarist Robert Randolph, legendary jam scene DJ, DJ Logic, and The Shady Horns lent their wall of sound during the second week with the help of crushing saxophonist Bill Evans one night. Some of America’s most outstanding keyboardists, 1970’s Memphis blues keyboardist, Booker T. Jones, mad scientist and keyboard wizard, John Medeski, and the ever experimental Marco Benevento, dominated their time on stage. Stepping in to melt faces on guitar was the astonishing Los Lobos’s David Hildago and The Meter’s Leo Nocentell. Soulive closed out their epic week playing with America’s most famous funk bassist, George Porter. Jr.

Another exciting element of Bowlive each year is the choice opening bands Soulive picks to set the audience’s mood each night. Due to a benefit at the Brooklyn Bowl on Night Six, there were only seven opening groups, all delivering a variety of musical power. The ridiculous ragers who make up Kung-Fu opened the run with so much fury. It was a perfect choice. The rocking Sister Sparrow and the Dirty Birds, The London Souls and Leroy Justice got the dance floor grooving. It was also a great pleasure to see two powerful females amongst the male-dominated residency by way of Alecia Chakour (The Alecia Chakour Band) and Arleigh Kincheloe (Sister Sparrow). The soul and flavor of love got shot to our hearts with The Nigel Hall Band, the Alecia Chakour Band and Cocheme Gastulum’s The Electric Sound of Johnny Arrow. You’re encouraged to read about them all in the previous night’s posts.

Then, you have the unannounced guests who are a separate list of continual, crushing talent. The Allman Brother’s southern rock guitarist Warren Haynes and slide guitarist Derek Trucks surprised the audience with a secret full third set on Night Two. Trombonists Sanders Sermon (Tedeschi/Trucks Band) and Natalie Cressman (Trey Anastatio Band) and trumpeters Maurice Brown and Igmar Thomas, and saxophonist Cocheme Gastulum (Sharon Jones and the Dap Kings), enhanced the wall of horns over the run on various nights. Behind everything, the chemistry and talents of Eric Krasno, Neal Evans and Alan Evans, are what make Bowlive possible.

Perhaps the most special show for many Soulive fans is the Kids show. Soulive held another KidsBowl performance early Saturday afternoon from 2pm to 3pm. These specific types of shows bring Soulive’s music to both the fans children and the unknowing adults who bring their kids to bowl on a Saturday, not knowing what a treat they are in for.  For dedicated Bowlive fans, the kids show is a wonderful way for the individual dancing alone at night to bring his or her family to meet one another.  The reality of life becomes evident as the adults were in “parent” mode, not “party” mode. Babies were crawling on the dance floor and children of all ages were running around in bowling shoes. The lights were on and bumpers were out. In their hour, they performed a few Soulive originals and brought Meter’s bassist, George Porter, Jr. It was when the set was over that the real raging began, however, when the children were allowed on stage to play with instruments and dance.

KidsBowl Set:

Uncle Jr.

Vapor

Hat  Trick

Turn It Out

Hey Pockey Way (w/ George Porter, Jr.)

How Sweet It Is (To Be Loved By You)

 It was back to party time with the evening show and The Alecia Chakour Band opening. Her blues siren vocals backed by Neal Evans on keys, bassist Alex Chakour, drummer Caito Sanchez, saxophonist Cocheme Gastulum, and trombonist Dave “Smoota” Smith, were perfection.  After a lovely instrumental intro, Chakour sang seven band originals, including “Runaway,” “Over Again,” “You Didn’t Tell Me,” and “The Sun.” Each member of her band taking solos and leads amongst her sweet sounding vocals. This was a fantastic group of soulful musicians and a perfect choice to transition into the funk-filled evening.

Opening Set:

1. Instrumental

2. Runaway

3. Over Again

4. You Didn’t Tell Me

5. The Sun

6.Ghost

7. Shirley

8. Everything Time I See You (Stevie Wonder Cover)

The important point of all of this, simply, was the music. Music that creates a passion within Soulive and luckily, that passion is extended to the fans. For the final evening of their amazing residency Soulive would play host to their mentor in funk, Meter’s bassist, George Porter Jr. But not before bringing it home for the Soulive purists, proving once again what a sick power trio they truly are.  The first set was pure fire, and with help from the Shady Horns, there was nothing to divert our thoughts from what was most important.  The set was full of sick Soulive originals, “Uncle Jr.,” “Aladdin,” and “One in Seven.” “Lenny,” a Stevie Ray Vaughn cover and highlight of any set, allows Krasno to open up a can of whoop ass upon your ears. He broke his string during his ripping solo. Enough said. The London Souls’ Tash O’Neal (guitar and vocals) and Chris St. Hilaire (drums) joined for the a “cover” of their own “Steady Are You Ready” then stayed on to help deliver a crushing version of Howlin’ Wolf’s “Killin’ Floor” in the vein of Electric Flag’s version. Remember, as we learned on Night Four, Krasno is a huge Tash O’Neal fan, so you can imagine the chemistry.

Set I:

Uncle Jr. (w/ Shady Horns)

Aladdin (w/ Shady Horns)

Come Together (Beatles cover)

Lenny (Stevie Ray Vaughn cover)

One In Seven

Steady Are you Ready (London Souls cover w/ Tash O’Neal & Chris St. Hilaire)

Killin Floor (Howlin’ Wolf Cover…Electric Flag Version w/ w/ Tash O’Neal & Chris St. Hilaire)

 Soulive performed a beautiful rendition of “El Ron,” before George Porter, Jr. was introduced for Set II, continuing on as one of Bowlive’s greatest musical mainstays.  During this tune, the Shady Horns, with the help of guest saxophonist Cocheme Gastulum, broke off into an extended improvisational blowing session with Alan supporting on drums. For lack of better words, it could best be described as a drum line for horns. A Hornline, if you will?! The entire second set evolved into of slew of classics from The Meter’s catalog.

“People Say,” kicked off a funk-fueled set with James Casey delivering a rousing solo. Casey has carried a saxophone around his next all week and when he plays, it’s clear that he was meant to blow a horn.  However, it must be mentioned that over the run, Casey provided grooving percussion on the congas for many songs. It was a dance party for “Hey Pockey Way,” as Porter announced that, “Everyday should be Mardi Gras!!!”  Then, audience participation time for the fun tune, “Hand Clapping Song.”  The next Meter’s original, “Out in the Country,” was performed in the style of Porter’s slow emotional arrangement from his It’s Life album. This was a gorgeously played ballad that tugged at the heartstrings of the crowd in a deep way. From a personal perspective, it brought tears to my eyes, almost opening the floodgates until I reeled it back in.  I wasn’t alone in this outpour of emotions. Again, acknowledging that this super-stimulating, night time version of summer camp, full of friendly faces, is like ending an addiction cold-turkey. Bowlive is an institution in the Jam Band universe at this point, it lasts longer than many music festivals, and it’s not easy for the die-hards when it ends.

The set ended and no one moved.  There was just endless screaming and shouting of Krasno and the Evans brother’s names. Then, Brooklyn Bowl owner, Peter Shapiro, stepped onto the stage. On the last night of every Bowlive, right before the final encore of the run, Peter Sharpio does something special for Bowlive’s loyal audience in an effort to show his gratitude for their support of live music.  At the end of the first Bowlive, 700 shots of tequila were handed out from the stage.  He kept it entirely mellow last year by passing around Aromatherapy plants: Sage, Rosemary and Thyme, asking that the audience to grab sprigs of each plant and inhale. This was to encourage a revitalization within our body, mind and soul for the energy to dance on for one more song. Not missing a creative beat, Peter Shapiro took the mic on this final night and thanked us for our loyalty in proper rockstar fashion. He alerted the audience that this was a milestone 40th show for Bowlive and that the he had had made t-shirts with “40” on the back and “BOWLIVE” on the front. XL shirts went flying around the venue and Shapiro asked that the audience put them on right away before Soulive would deliver us our double encore of “He Bite Me (The Dragon)” and “Ain’t No Use.” The gifting of the shirts was a smart and fun way to end this year’s Bowlive.

Set II:

El Ron (w/ Shady Horns and Cocheme Gastulum)

People Say

Take A Chance

Hey Pockey Way

Jezebel

Hand Clapping Song

Out In the Country

Encore:

He Bite Me (The Dragon)

Ain’t No Use

Soulive has truly cemented their reign as a musical dynasty. A talented trio on top of their game in this unforgiving musical bastion of NYC. The magnitude of music overheard during the last two weeks was dynamic and inspiring.  The guests and the musicians solos were magnificent, diverse and captivating. Soulive always gives us something to look forward to every single night of Bowlive and this year was nothing less.

On personal note, I hope these reviews have helped supplement the wealth of musical knowledge that Soulive bequeathed upon us during Bowlive IV.  It is a delight and a  privilege to witness Bowlive every year and count Soulive and the Brooklyn Bowl as part of my local music scene. It also goes without saying that it is an honor and a true highlight of my career to be blessed to write for this amazing phenomenon called Bowlive. Thank you to Peter Shapiro, the Brooklyn Bowl, all the staff and production crew. Thank you to Royal Family Records for the opportunity to cover such a delightful event. A giant thank you to all the guests who lent their sound to the stage. Finally, the biggest congratulations and thank you to Alan Evans, Neal Evans and Eric Krasno for making it all possible. Your fans eagerly await to see what you have in store for Bowlive V!

Karen Dugan

tinyrager.com

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Bowlive IV Night 4 Recap w/ Booker T, David Hidalgo & The Shady Horns | Tonight Hidalgo Returns, Marco & The Shady Horns

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Dedicated music lovers brought themselves out to the Brooklyn Bowl for the start of Soulive’s second week of the Bowlive IV residency. Guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans are back with a new week and new musical adventures.

_DSC4418Last week’s roster was packed with sit-ins by southern blues rock guitarist Luther and percussionist Cody Dickinson (The North Mississippi Allstars), the fierce harmonica playing of John Popper (The Blues Travelers), the 70’s flare of vocalist Lee Fields and his Expression Horns, the pedal steel slide guitar styling of Robert Randolph (Robert Randolph and the Family Band), the soul-filled flavor of vocalist Nigel Hall and the spinning talents of DJ Logic. Surprise guests included the amazing Allman Brothers Band guitarists Warren Haynes and Derek Trucks and trombonist Sanders Sermon (Tedeschi/Trucks Band).

One of the highlights of Bowlive this year has been the killer opening bands kicking off every night. Kung Fu absolutely blew the roof off the first night, setting a pace of rage for the rest of the week. The second night followed with the powerful 8-piece Sister Sparrow and the Dirty Birds who kept the energy high and the Alecia Chakour Band delivered their sultry sounds on Saturday. You can read about those shows in earlier posts here on TinyRager.com.

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Following one of the best first weeks in Bowlive history, the formula would to remain the same. The high powered, high energy, talented horn-crunching musicianship of saxophonist Cochemea Gastulem (Sharon Jones and the Dap Kings) and his band, The Electric Sounds of Johnny Arrow, showcased a different style of music to Soulive fans. The sounds of Africa’s Fela Kuti and 70’s baritone player Lekan Animashanu provided influence to the tunes. One’s hips couldn’t help but begin to grind to the pulsating percussion infused music. After the opening set, there were members of the audience who could be overheard discussing these new sounds that Soulive had introduced to their Bowlive roster.

Set List:

Dark City
Carlito
Impala 73
You’re So Good To Me
Heleyos
Lluva Con Nieve
Fathom 5
No Goodbyes

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The theme for the rest of the night was simple. Play one strong, satisfying Tribute to Stax Records with one of the coolest, hippest, electric blues keyboardist of all time, Booker T. Jones (Booker T. and the MG’s.) However, the audience had to be patient. Soulive purists still needed to see their favorite trio stand alone. Alan, Neal and Eric performed “Outrage” and “Dig” before the Shady Horns joined the stage. Baritone saxophonist Ryan Zoidis and trumpeter Eric Bloom (Lettuce) and James Casey (Trey Anastasio Band) brought another layer of funk to the vibe with “Hatrick” and even more horns joined when Cochemea’s baritone saxophonist Freddy Deboe and Lee Fields band’s saxophonist Mike Buckley sat in on “For Granted.”  Their powerful horn solos overwhelmed the speakers causing feedback that took a minute to control and it was back into full funky rage.

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When Booker T. Jones came on stage, the crowd went wild. To experience an entire set with Booker T. and Soulive was liberating. However, to see how excited Soulive was, well, that was just icing on the cake of what was a delicious remaining night of music. Krasno put it best as he spoke to the audience, explaining that as much fun as it is for the fans, it’s equally as fun for Soulive, as they are fans themselves. Fans that have the distinct pleasure and honor of inviting their mentors and influences on stage to join them. The passion for Booker T. was also evident as you looked around the audience and saw other famous Jam-world faces such as Erik Kalb (Deep Banana Blackout), David Bailis (Pimps of Joytime), and Alecia Chakour (Alecia Chakour Band).

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Booker T. and Soulive crushed out iconic Booker T. and the MGs hits “Hip Hug Her,” “Hang ‘Em High,” “Time is Tight,” and more. They then played “Born Under A Bad Sign,” which Albert King made famous but was written by Booker who along with the MG’s and The Memphis horns appear on that studio version. There was the catchy instrumental versions of Cee Lo Green’s “Crazy,” and Lauryn Hill’s “Everything is Everything,” with each instrument on stage taking the lead on each song.  It was sharp, stunning and solid. The Booker T’s Memphis Soul Sound was supported wonderfully by Soulive, all three of whom were grinning from ear to ear throughout the entire set. Finally, it wouldn’t be Bowlive without a surprise special guest. Guitarist David Hidalgo (Los Lobos), in town a night early for his Wednesday night Bowlive appearance, would pop out halfway in the middle of tunes then disappear again. This would continue through the set, teasing us with what would be seen on night five.

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The Booker T. encore was the most recognizable tune of all, the instrumental classic, “Green Onions,” with its ripping Hammond Organ line were both Neal and Booker T. enjoyed trading licks on their keys. That song threw everyone, of all ages, back into the soundtrack of 1993’s The Sandlot, back riding around in their 1962 Chevy Impala Convertible with the top down. It is a song that defined the ages and every one of all ages was invested.

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Capping off the night, the trio stood alone on stage for “Tuesday Night Squad,” a nod to the night and perhaps Soulive’s way of naming the dedicated tribe who supported them on such an early weeknight.  The Tuesday Night Squad we became and Bowlive fanatics should hold that badge with honor, the same way Soulive was visibly honored to perform for us last night with such an amazing icon of music.

Last night’s tribute to Stax Records was a pleasure.  Tonight get there on time for another stunner of an opener with the ever-rocking London Souls and guests Marco Benevento (keys) and guitarist David Hidalgo (Los Lobos).

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Set List:
Hip Hug Her
Hang ‘Em High
Born Under A Bad Sign
Crazy
Time is Tight
Something
Everything is A Everything

Encore:
Green Onions
Tuesday Night Squad

Written by Karen Dugan
Tinyrager.com

Photos By Andrew Blackstein & Allison Murphy

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Bowlive IV #2 Recap w/ Warren Haynes, Derek Trucks, Lee Fields, Robert Randolph & More : Nigel Hall & DJ Logic Tonight

IMG_3535For those super-fans, like myself, who have never missed a Bowlive show, (that’d be 31 shows, counting last night), the epic musicianship of Eric Krasno (guitar) and brothers Neal Evans (Hammond B3 organ, bass keys, clavinet) and Alan Evans (drums) is what drives us to come each night. However, it’s the un-announced musicians that also fuel a real fire in our motivation. The surprise third set that gets announced at the start of the night begins driving the rumor mill and the audience wonders how our favorite jazz trio is going to deliver us their musical spread for the evening. Let’s be honest! If Soulive/Bowlive fans keep it real about one thing they have learned over the last three years, it’s that Soulive will always keep us guessing and they never fail to deliver. The second night of Bowlive IV was no different.

The eight-piece powerhouse, Sister Sparrow and the Dirty Birds, kept the energy going from the first night, opening to another packed house. The sexy, sultry voice of Arleigh Kincheloe led the group, consisting of brothers Jackson Kincheloe (harmonica) and Bram Kincheloe (drums), Sasha Brown (guitar), Josh Myers (bass), Phil Rodriguez (trumpet), Ryan Snow (trombone) and Brian Graham (baritone sax). They rocked through their originals tunes, “Freight Train,” “Too Much,” and “Dirt.” However, they brought down the house when they covered AC/DC’s “Back in Black.”

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IMG_3662 copySoulive blasted out of the gate with “El Ron,” showcasing the magnificent drumming skills of Alan Evans. After Alan removed his jacket and introduced the band, the trio took their time grinding into the melodic “DIG.” The first half of the first set contained jamming, old skool originals like “Uncle Junior” and “Azucar” before vocalist Lee Fields and the Expressions horns joined the stage. It was then that the audience was transported back to the 70’s, with the Brooklyn-based singer, wearing a killer silver suit, knocked the audience down with his powerful vocals.  Performing his famous “We Fought for Survival,” recorded in 1970, and “You’re My Weakness,” Lee Fields danced and grooved around on stage and into the audience’s hearts with his James Brown-style. The crowd was electrified.

IMG_3468 copySet II began with the jazz-funk trio performing “Aladdin” with Neal Evans standing out significantly on the bass keys. They brought the energy level right back to where they left off at the end of the first set when pedal steel slide guitarist Robert Randolph (Robert Randolph and the Family Band) walked out wearing a silver sequins mask. With Alan Evans on vocals, they crushed Jimi Hendrix’s “Foxy Lady.” Randolph sang his radio friendly tune, “It Don’t Matter,” breaking the first of three chairs that he would eventually bend due to his climbing and jumping upon them. Lee Fields joined the stage for a rousing improvisational jam entitled “C# Funk Blues.” Then, Randolph and the trio took a risk, slowing the pace down for the beautiful “She Feels So Good.” At first, the crowd was lost in conversation but Randolph and the guys quickly reeled them back. Randolph was on his knees while playing The Temptations’ “Papa Was a Rolling Stone” and The Expressions’ saxophonist, Leon Michaels, delivered a long and majestic saxaphone solo to top it off. The set list called for Jimi Hendrix’s “Crosstown Traffic” to end the set. However, Randolph wasn’t done with the stage. Randolph drove past “Crosstown Traffic” into a five minute nameless jam to solidify his reign for this year’s Bowlive run.

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After Robert Randolph’s set, the venue emptied out a bit and many who remained had no idea that they were about to be rewarded with an amazing third set. Every year as the Brooklyn Bowl gets down to the Funky sounds of Soulive, there is always another residency raging in New York City at the Beacon Theater.  That would be the the Allman Brothers Band residency.  Many fans of both bands split their time between the two residencies during their annual extended March runs. There are also many who leave the Beacon and make a beeline to Brooklyn hoping to catch the end of the later running Bowlive performance.  And on a few evenings, they hope to see members of the Allman Brothers Band sit in with Soulive.  Earlier in the week, Eric Krasno was a guest of the Allman Brothers at the Beacon Theater.  But tonight, it would be Kraz’s turn to play musical host to two of the Jam universe’s biggest heroes, Derek Trucks and Warren Haynes.

IMG_3828 copyLong before the surprise guests took the stage, the buzz had flown around the Brooklyn Bowl that the possibility of a Derek Trucks and Warren Haynes appearance was eminent. Everyone waited in anticipation of the third set, which would surely bring together an epic combination of guitarists.  Krasno and the Evans brothers went right into a fast paced version of “One in 7.”  Kraz played a great solo, perhaps anticipating the push he would feel from the two greats appearing later in the song. Finally, we were delivered our present as Derek Trucks came out during the raging “One in 7” and within 120 seconds, he and Krasno were standing next to one another, trading off screeching leads and bringing the crowd into a state of blissful guitar heaven. The audience was going ballistic and became a sea of cameras and arms.

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IMG_4051 copyWarren Haynes came out as the band got ready to play their next song.  He stepped right up to the microphone for vocals on “The Thrill is Gone,” backed by Derek and Kraz joining in for a super jam near the end.  The rest of the set had the crowd mesmerized as three guitar legends traded licks. However, there was still one more guitarist who had to re-join the party before it was all over, Robert Randolph.  Robert came out and sat at his pedal steel as the band ripped into a mind-blowing version of Jimi Hendrix’s “Them Changes.”

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Seeing those four finger picking maestros on stage together will be a once-in-a-lifetime moment for many fans in the audience. Those are the moments that scream at the music-lover in all of us. Warning, or rather,TELLING us not to miss the next show. Another amazing Bowlive memory for the books. We should be thankful that, for now, it’s a never ending series!

Tonight, Soulive will host Nigel Hall, who opened all ten nights of Bowlive I and is a staple in the Royal Family projects. As well, be prepared to be awed by the powerful vocals of Alecia Chakour Band and the DJing talents of DJ Logic.

Written by Karen Dugan

Pictures by Allison Murphy

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January 2013 Music Calendar

January 2013 NYC Music Calendar

Calendar updated daily!

FESTIVALS

GLOBALFEST: Groundbreaking international music festival and a volunteer run non-profit organization dedicated to foster cultural exchange. globalFEST’s mission is cultural, social and political. It aims to bring down boundaries between countries and create cultural opportunities for individual artists and for governments, sponsors, scholars and critics to collaborate. Tours and cultural exchanges that result from globalFEST¹s showcases have helped to build an ever widening audience for world music and, by extension an increase in international cooperation and collaboration.

30th Next Wave Festival: returning for its 30th season, presenting an array of contemporary performance, artist talks, storytelling, visual art, and film that showcases work by emerging artists and innovative modern masters.

CONCERTS

Tuesday, January 1, 2013

  • ($18-$25) Joseph Arthur & Vernon Reid @ City Winery
  • ($20) Nigel Hall Band (Phish/Mule After-Party) @ The Blue Note
  • ($25) Rusted Root @ Stage 48
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Wednesday, January 2, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($10-$12) New York Funk Exchange w/ Jane Lee Hooker @ Mercury Lounge
  • ($20) The Louis Armstrong Centennial Band @ Birdland
  • ($35) “A Love Supreme” Azar Lawrence Quintet featuring Eddie Henderson @ Smoke Jazz & Supper Club-Lounge (7pm, 9pm, 10:30 sets)Sets)
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Thursday, January 3, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($22) Howie Day @ City Winery
  • ($35) “A Love Supreme” Azar Lawrence Quintet featuring Eddie Henderson @ Smoke Jazz & Supper Club-Lounge (7pm, 9pm, 10:30 sets)
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Friday, January 4, 2013

  • ($8) Electic Method @ Knitting Factory
  • ($22) Howie Day @ City Winery
  • ($30) John Abercrombie Quartet @ Jazz Standard
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Saturday, January 5, 2013

  • ($8-$10) Ikebe Shakedown @ Cameo Gallery
  • ($20) Maurice Brown @ Ginny’s Supper Club (2 Sets)
  • ($30) John Abercrombie Quartet @ Jazz Standard
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Sunday, January 6, 2013

  • ($20) Earth, Wind & Fire @ B.B. King Blues Club and Grill (Celebrating 40 Years)
  • ($25) John Abercrombie Quartet @ Jazz Standard
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Monday, January 7, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($10) Charlie Hunter @ The Living Room
  • ($10) Alecia Chakour Band: First Mondays @ Rockwood Music Hall
    • Join Alecia Chakour, Neal Evans, Sam Cohen, Alex Chakour, Miles Arntzen, Cochemea Gastelum and friends on the first Monday of every month at Rockwood Music Hall for their unique take on rock n’ soul…
  • ($18-$22) Diane Birch @ City Winery
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard

Tuesday, January 8, 2013

  • ($15) The London Souls @ The Bowery Ballroom
  • ($18-$22) Diane Birch @ City Winery
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($40-$60) Nas with Anthony Decurtis @ Kaufmann Concert Hall, 92 Street Y

Wednesday, January 9, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25) Robert Glasper and Friends @ S.O.B.’s
  • ($25) Dr. Lonnie Smith Trio @ Jazz Standard (2 sets)
  • ($25-$30) Shuggie Otis, People Get Ready, Ofei, Joshua Nelson, & DJ Kool Herc @ Highline Ballroom

Thursday, January 10, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night DJ set)
  • ($10) Jamie McLean Band @ Rockwood Music Hall (10:15pm slot)
  • ($10-$13) Adam Ezra Group @ Mercury Lounge
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25) Robert Glasper & Friends @ SOB’s

Friday, January 11, 2013(Biggest Musical Day of the Month)

  • (FREE) Zongo Junction @ Rockwood Music Hall (11:45pm slot)
  • ($7) Klezwoods @ Spike Hill
  • ($10) Spanglish Fly @ NuBlu
  • ($10-$13) Apollo Run w/ Midnight Spin @ Mercury Lounge
  • ($15) Slick Rick: The Ruler @ Brooklyn Bowl
  • ($15-$18) Snarky Puppy @ Rockwood Music Hall (10pm slot)
  • ($15-$20) APAP Showcase w/ The Iguanas, Mia Borders, Colin Lake & Sasha Masakowski @ Hill Country
  • ($20-$25) Big Sam’s Funky Nation, The Stooges Brass Band, Mia Borders, Christian Scott Sextet & Flow Tribe @ The Cutting Room
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25-$30) Alan Doyle (of Great Big Sea), The Dunwells, & Amy Helm @ B. B. Kings Blues Club
  • ($30) Dr. Lonnie Smith Trio @ Jazz Standard
  • ($35) Marcus Strickland & TWI-LIFE @ Sullivan Hall (2013 NYC Winter Jazzfest)
  • ($35-$70) INDELIBLE FESTIVAL: Meshell Ndegeocello presents Spirit Music Jamia @ @ Highline Ballroom
    • Featuring: Cecil Taylor, DJ Questlove, AYO, Guy Davis, Gregoire Maret, THE DUST RAYS featuring Kirk Douglas & Mark Kelley of the Roots & Ricc Sheridan from Earl Greyhound & Surprise Special Guests
  • ($40-$50) Betty LaVette @ City Winery
  • ($50-$55) CAKE @ Bowery Ballroom
  • ($50-$90) Morrissey @ Brooklyn Academy of Music
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium

Saturday, January 12, 2013

  • ($10) Stooges Brass Band @ Brooklyn Bowl
  • ($20) Arturo O’Farrill Trio @ Ginny’s Supper Club
  • ($20-$35) Ramsey Lewis & John Pizzarelli @ The Blue Note (2 Sets)
  • ($30) Dr. Lonnie Smith “In The Beginning” Octet @ Jazz Standard
  • ($30-$40) Paula Cole, Kris Allen, Brother Joscephus and the Love Revolution, Teitur, Leroy Bell and his Only Friends @ City Winery
  • ($40) Bettye LaVette @ Joe’s Pub
  • ($45-$75) Roberta Flack @ St. George Theatre
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium
  • ($68-$92) Def Squad and Method Man @ Hammerstein Ballroom

Sunday, January 13, 2013

  • ($10) Reggie Watts @ Grasslands Gallery, BK
  • ($20) Gregg Kallor Hurricane Sandy Relief Concert w/ Dave Eggar @ Culture Project
  • ($20-$35) Ramsey Lewis & John Pizzarelli @ The Blue Note (2 Sets)
  • ($25) The David Johansen Band @ Highline Ballroom
  • ($26-$64) Green Day @ Barclays Center
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($30) Dr. Lonnie Smith “In The Beginning” Octet @ Jazz Standard (2 sets)
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40) The Stooges Brass Band at globalFEST @ Webster Hall
  • ($45) Cassandra Wilson @ B. B. Kings Blues Club
  • ($50-$200) Idina Menzel @ Carnegie Hall
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium

Monday, January 14, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($20) Jonathan Batiste @ Rockwood Music Hall
  • ($20-$40) International Guitar Night @ The Blue Note (1 Set)
    • feat. Martin Taylor (Scotland), Brian Gore (US), Solorazaf (Madagascar)
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Terence Blanchard Quintet @ Birdland

Tuesday, January 15, 2013

  • ($20-$40) John and Hank Green: An Evening of Awesome w/ The Mountain Goats @ Carnegie Hall
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($30-$35) The Airborne Toxic Event @ Webster Hall
  • ($35-$55) Little Feat / Leon Russell @ The Capitol Theatre, Port Chester, NY
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($46-$85) Lynyrd Skynyrd @ Beacon Theatre

Wednesday, January 16, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($15-$20) Soundgarden @ Terminal 5
  • ($20-$25) Bob Schneider @ City Winery
  • ($20-$80) Meshell Ndegeocello @ BAM in Brooklyn, NY (Part of 30th Next Wave Festival)
    • When Past & Future Collide ~ Life Along the Borderline: A Tribute to Nico, Curated by John Cale
  • ($30-$35) Billy Cobham’s “Spectrum 40″ @ B. B. Kings Blues Club
  • ($30-$35) The Airborne Toxic Event @ Webster Hall
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($40-$90) G. Love & Special Sauce @ Irving Plaza

Thursday, January 17, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($12) Jeff Bujak @ Sullivan Hall
  • ($36-$40) Lalah Hathaway @ B. B. Kings Blues Club

Friday, January 18, 2013

  • ($25) Toshi Reagon and BIGLovely @ Joe’s Pub
  • ($30-$40) Alejandro Escovedo with The Mastersons @ City Winery
  • ($30-$65) Umphrey’s McGee @ Beacon Theater
  • ($36) Guster & Yellowbirds @ The Capitol Theatre, Port Chester, NY
  • ($40) Terence Blanchard Quintet @ Birdland

Saturday, January 19, 2013

  • ($10) Driftwood @ Rockwood Music Hall
  • ($15) John Brown’s Body @ Maxwell’s Hoboken, NJ
  • ($20) Cracker & Camper Van Beethoven @ Stage 48
  • ($25) Toshi Reagon and BIGLovely @ Joe’s Pub
  • ($30-$40) Alejandro Escovedo with The Mastersons @ City Winery
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($50) Morrissey @ The Capitol Theatre, Port Chester, NY

Sunday, January 20, 2013

  • ($20) Talib Kweli @ S.O.B.’s
  • ($25) Toshi Reagon: Sacred Music Show w/ Bernice Johnson Reagon @ Joe’s Pub
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($30-$55) Béla Fleck BANJO SUMMIT @ Michael Schimmel Center for the Arts
    • Banjo mastermind, Béla Fleck will be joined by Tony Trischka, Bill Keith, Richie Stearns, Eric Weissberg, and Noam Pikelny.
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • (???) Juan Maclean DJ Set @ Le Bain at The Standard

Monday, January 21, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Tim Reynolds of the Dave Matthews Band @ Iridium Jazz Club
  • ($35) Living Colour @ Highline Ballroom (For The Million Man Mosh II)

Tuesday, January 22, 2013

  • ($10) Zen Tricksters @ The Brooklyn Bowl
    • Special Guest: Rob Barraco (Phil Lesh & Friends, The Dead, Dark Star Orchestra) & Keith Kenny
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($65-$76) Soundgarden @ Hammerstein Ballroom

Wednesday, January 23, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($20) The Louis Armstrong Centennial Band @ Birdland NYC
  • ($30-$35) Papa Roach @ Terminal 5
  • ($40) Trey Anastatio Band @ The Capitol Theatre, Port Chester, NY
  • ($66-$80) Soundgarden @ Hammerstein Ballroom

Thursday, January 24, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($15) FLOODWOOD (feat. Al Schnier & Vinnie Amico of moe.) @ Rockwood Music Hall (9pm slot)
  • ($15) The Wailers (performing Survival & more) @ The Brooklyn Bowl
  • ($25-$45) Dirt Farmer Band featuring Larry Campbell, Amy Helm, Byron Isaacs, Justin Guip and Teresa Williams @ City Winery
  • ($40) Trey Anastatio Band @ The Capitol Theatre, Port Chester, NY
  • ($42.50) Austra @ Hammerstein

Friday, January 25, 2013

  • ($5) Austra (DJ Set) @ Glasslands Gallery
  • ($10) #1 Kid (feat. members of Rubblebucket) @ Rockwood Music Hall ~ Stage 2 (11pm Slot)
  • ($15-$20) Ryan Montbleau Band @ City Winery
  • ($25-$30) Sister Hazel @ B. B. Kings Blues Club
  • ($30-$42) Robert Earl Keen @ Irving Plaza powered by Klipsch
  • ($42.50) Austra @ Hammerstein

Saturday, January 26, 2013

  • ($10-$12) The Nigel Hall Band @ Sullivan Hall
  • ($15) Marion LoGuidice @ Joe’s Pub
  • ($15-$20) Ryan Montbleau Band @ City Winery
  • ($25-$30) Lotus w/ Moon Hooch @ Best Buy Theatre
  • ($30-$35)  Femi Kuti & Positive Force @ Webster Hall
  • ($42-$46)  Loudon Wainwright III @ Zankel Hall
  • ($50-$90) Pat Benatar @ The Capitol Theatre, Port Chester, NY

Sunday, January 27, 2013

  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill

Monday, January 28, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($22.50) Reel Big Fish @ Irving Plaza
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Johnny Winter – 3rd Annual residency @ B. B. Kings Blues Club
  • ($35-$50) Robert Earl Keen @ City Winery
  • ($40-$75) Tegan and Sara @ The Beacon Theater (SOLD OUT)

Tuesday, January 29, 2013

  • ($20) Alice Smith (Residency Week One) @ Rockwood Music Hall ~ Stage 2
  • ($40-$45) Ladysmith Black Mambazo @ Highline Ballroom
  • ($40-$75) Tegan and Sara @ Beacon Theatre
  • ($50-$63) An Evening of the Blues Feat. Ben Harper & Charlie Musselwhite @ Irving Plaza

Wednesday, January 30, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)

Thursday, January 31, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($25-$30) Gin Blossoms @ B. B. Kings Blues Club

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As my fifth New Orleans Jazz and Heritage Festival gets closer, the anticipation gets stronger. This year is a little different- I have two friends coming to Jazz Fest on my say so, so I’m a little stressed, wanting to make sure they tell me what they want to hear, making sure they love it as much as I do. So in prepping for my favorite week of the year, here are some things you don’t want to miss:

At the fairgrounds:

Thursday, May 3rd

High School Gospel Choirs: I like to open my fest with the McMain Singing Mustangs – every year, these kids bring some serious firepower to the Gospel Tent.  McDonogh #35 High School also does some incredible stuff later in the afternoon.

New Orleans Music Legends: Bassist George Porter Jr. has probably played on your favorite album, whether with Tori Amos, David Byrne, being the bass line sampled for tons of hip hop classics, or with his own groundbreaking work with the legendary Meters. Do yourself a favor and see him. While you’re at it, check out piano virtuoso Henry Butler, and the boys and girl in Dumpstaphunk. All of em will make you wish you lived here and saw em more often.

Home Grown Up and Comers: I saw Mia Borders in a tiny club with a leaky roof on the lower east side last year and she was amazing. Probably got an awesome band with her, including NOLA saxman Khris Royal (who’s probably with George too), and her cover of Bill Wither‘s “Use Me” was just bananas last year.

2012 Fantasy Map

2012 Fantasy Map

Friday, May 4th

The One Woman Army, now with backup: Theresa Andersson is a tremendous singer, fiddle player, and all around musician. This year, she’s got a great krewe of musicians with her, including Hannah Krieger-Benson, a fantastic trumpet player and singer who’s doing her own stuff (Hannah KB Band) and some ska too (The Local Skank)

Pick your own Jazz Adventure:  Three amazing jazz sets happening right after Theresa, at the same time. I have no idea how I’ll do all three.  Big Chief Donald Harrison will be mixing his bebop and modern jazz skills with R&B and NOLA classics, ala the amazing cover of “Indian Red” he did for the Treme Season One Soundtrack.  Or, you can get your fill of low end saxophonics, with Roger Lewis (Dirty Dozen Brass Band) leading three Bari Saxes and a Bass Sax for Baritone Bliss (which was fantastic last year).  Or, you can see Preservation Hall trumpet man Mark Braud do his own thing in the Economy Hall tent.

Holy People: Bet on Mavis Staples, who was already among the top reasons we went with this weekend, to put on a ridiculous set at the gospel tent in honor of her friend (and ours), the late great Levon Helm.  I’m sure her set is going to be so great, I’ll probably miss Deacon John‘s killer cover of “Many Rivers to Cross” to get a spot. However, if I were you, I wouldn’t miss much else of his set.  Local music legend, a fantastic performer, a great singer, a helluva guitar player, just amazing stuff, see Deacon John.

Mahalia Jackson - Historic Jazz Fest Picture

Mahalia Jackson – Historic Jazz Fest Picture

Saturday May 5th

Family Preservation: Loads of famous families in the New Orleans tradition – on Saturday, the Brunious family represents in Economy Hall. A few hours before Mark Braud (nephew to the late John Brunious) takes the stage (and hopefully passes out some ice cream) with the
Preservation Hall Jazz Band, his other uncle (and brother to John) Wendell Brunious will step up to the stage- Wendell was on fire at BAM a couple weeks back, sitting in with Dr. John, so look for some tasty trumpet goodness all around.

Raisin’ Hell: Another scion of a famous musical family takes the Fais Do Do stage, Rockin Dopsie and his Zydeco Hellraisers.  I feel like a lot of my favorite Zydeco bands all seemed to be packed into first weekend, but Rockin Dopsie is a notable exception.

Local Greats to Look For: Anders Osborne is a beast on guitar, and his new album is a great mix of sweetness, of sadness, of blues and power.  Not sure who’s playing with them, but see it.  Paul Sanchez’s Rolling Road show is always packed with local stars, Joe Krown with Russell Batiste and Walter “Wolfman” Washington is a tight organ guitar drums trio that does it right. John Boutte‘s voice, which you may recognize from the theme song from Treme, is tremendous to hear in the Jazz Tent – he may spoil us with a great cover of Leonard Cohen‘s “Hallelujah”…if we’re lucky!

The Cafe du Monde stand between the Jazz and Blues tents, around 5:30pm.  Good time to hydrate and get some iced coffee.  Hard to see ending my Preservation Hall second line early, but gonna need to refuel. And what better place to do it? Herbie Hancock and his band in the Jazz Tent on your right, the Warren Haynes Band (with tinyrager.com faves Nigel Hall and Alecia Chakour, as well as Dr. John, playing out) on your left in the Blues Tent.

Jazzfest 1975 Historic Poster

Jazz Fest 1975 Historic Poster

Sunday, May 6th

Sunday is always the most packed day, the closing day of the festival.  Of course, I can tell you to park at Gentilly Stage all day, or don’t miss Galactic, but hopefully you already know.  Here are a few things you might not know about:

The Family that Prays Together: Remember that John Boutte guy from Saturday?  He’s bringin’ his whole family to the gospel tent. You should get there too.

Arieal

Arieal

Glen David Andrews: Cousin to Trombone Shorty and James Andrews, the fire-breathing trombone player’s got an incredible performance you don’t want to miss.  Why he’s not taking his rightful place closing down the Gospel tent is beyond me, but at least it makes the FOMS (Fear of Missing Something) to close the festival a bit easier.

Camping at the Jazz and Heritage Stage: I don’t know the higher heights, but every other group at the Jazz and Heritage stage is a smoker, starting with War Chief Juan, the TBC Brass Band, Los Hombres Calientes will be incredible (why not in the Jazz tent?), and

Big Chief Bo Dollis: It’s not clear if the Big Chief is going to make it, he’s fallen ill, so I expect the boys to rock it out hard for him even if he can’t make it.  Look for Brooklynite turned Orleanian Billy Iuso wrecking shop on guitar (if not here, with Anders on Saturday), he’s a force to be reckoned with.

Close out with the Hall: Okay, so you’ve got 8, count em, 8 amazing sets lined up to end your fest. My pick is Preservation Hall – they’re going to have a lot of friends on stage with them and it’s going to be a lot of fun.  Also, I have no idea why they put Sharon Jones in the Blues Tent when she’s going to want the crowd up and dancing.

The night shows are a whole other animal, coming for part 2…

Words by Guest Writer: Russ Agdern

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