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Bowlive IV Night 6 Recap w/ John Medeski, Bill Evans, George Porter Jr & Shady Horns : Tonight Porter, Leo Nocentelli & Shady Horns

To many New Yorkers, Thursday signifies the start of the weekend. Music venues bulk up their staff and bands slated to perform anticipate an audience that is ready for a party.  Last night was the sixth night of Soulive’s Brooklyn Bowl residency, Bowlive IV. The foundation was set for a rocking night of music with the Brooklyn Bowl stocked with staff and Soulive ready to throw it down.

With so many amazing musicians sitting in with Soulive over the past six nights, it has been challenging to ensure proper love is given to everyone. Especially during residencies, focus on special guests and their performances become the unexpected highlights of the articles and sometimes people forget to focus on the core members of the residency themselves. Credit must be given where credit is due.

Guitarist Eric Krasno, drummer Alan Evans and Neal Evans, along with the Brooklyn Bowl, have created something extremely special and unique for the New York music community. Since it’s inception in 2010, Bowlive has turned into a musical Superbowl that pushes the skills of the best of the best. For eight to ten nights, these three rock stars provide a fusion of styles that showcase numerous artist and instruments with Soulive’s distinct sound providing the base. The shared respect between musicians to musicians, and musicians to fans amps the frenetic creative energy that flows from the first downbeat to the final bow. Eric, Alan, and Neal are all at the top of their game and are now standing out among the greats, using the glory of Bowlive to cement their place as a musical dynasty. A dynasty that began in 1999.  It speaks volumes that the trio can support an eight to ten night residency that packs the house every night and attracts some of the biggest names in live music. Last night continued the tradition of amazing collaborations with keyboardist John Medeski and saxophonist Bill Evans.

The power trio had to make a few changes to the musical formula last night. Due to a benefit concert earlier in the day, last night was the first and only night of the run where the power trio did not have a rocking opening band to set pace. Without an opening band, Soulive was tasked with pumping up the eager crowd that was filled up with party animals, packing the dance floor to the brim. By doing so, they completely reinforced to the fans why any of us were there in the first place. Soulive original, “Aladdin,” began the set, providing the first platform for Krasno to open up and slay his guitar.  Jimi Hendrix’s “Manic Depression” followed, a song that everyone can geek out on, especially the musicians playing the tune. After six nights, the guys were thoroughly warmed up and just crushing solos left and right on The Beatles tune, “I Want You.”

Enter The Shady Horns, consisting of trumpeter Eric Bloom, saxophonist James Casey, and baritone saxophonist Ryan Zoidis, for “Backwards Jack.” These three horn players provide a platform for the trio to open up and rage. Over the run, Eric Bloom has been experimenting with a guitar Wa Wa pedal during his trumpet solos, while James Casey has broken out the flute and provided percussion on many songs.

Continuing his guest appearance from the fifth night, London Souls guitarist Tash O’Neal joined the stage for the Beatles, “Get Back” and a slow “PJs.” Quality choices off their 2010 album, Rubber Soulive, made up the bulk of the first set before the audience was hit with a special unannounced guest.  Alan spoke to the crowd, “I am sorry for those of you who can’t come tomorrow night. You know, it’s a real shame that you won’t see George Porter, Jr. tomorrow. But it’s ok! Because you can see him now!!!” This was special.

Bassist George Porter, Jr. is an icon, legend and mentor, not only to the members of Soulive, but any true musician or music lover who loves funky, deep, in-the-pocket bass lines. A member of the legendary group, The Meters, Porter’s unique sound can be heard on recordings for Warren Haynes, Patti Labelle, Jimmy Buffett, David Byrne, Johnny Adams, Harry Connick Jr., Earl King, and Tori Amos, to name a few. Soulive is so well-versed on Porter’s catalog that the end of the set list simply read, “Whatever GPJ Wants!”  They cranked out Meter’s covers “Check Your Mind” right into “Funky Bitch,” without missing a beat.

Soulive continued to descend upon us with new musicians, adding keyboardist John Medeski (Medeski, Martin and Wood) and saxophonist Bill Evans to their Bowlive IV roster for the second set. A set that is hard to describe in words. Let’s just start with knowing the fact that Bill Evans was in Miles Davis’s band at the age of 22 and John Medeski was asked to perform on Jaco Pastorius’s 1981 tour while still a teenager. Along with Soulive and the Shady Horns, Medeski and Evans played a mind-blowing set.  Medeski’s avant-garde jazz quality added an incredible layer of sound to the stage, either filling every empty space with a melodic note, or simply striking one key and locking eyes with Neal. The set was filled with songs from Spark, a collaborative album with Karl Denson, released in March 2012. “Spark!,” the title track, kicked it off with Bill Evans crushing a sick solo on his soprano sax. Trombonist Natalie Cressman (Trey Anastasio Band) was the next unannounced sit-in who lent her sound on “Povo.”  “Nubian Lady” and “Liquid” followed, sounding exactly like the names suggest. The musicians were so tight, fluid, and everyone on stage was cranking out their notes in improvisational ways, yet sounded as if they had been rehearsing the same songs for years.  Unannounced drummer ?uestlove, who holds a standing DJ set on Thursdays for the Brooklyn Bowl, snuck in for “Nautilus” and proceeded to slam our heads into the beat of the song.  It was inspiring. Soulive encored with an extended, jamming “Tuesday Night Squad.”

Tonight’s jam sessions will start at 8:30 with Leroy Justice opening. Special guests will include bassist George Porter, Jr., guitarist Leo Nocentelli and The Shady Horns will be back in full effect to give their fans one extreme night of funk and fury.

Karen E. Dugan

http://tinyrager.com

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Soulive is back and full of energy for their fourth annual BOWLIVE Residency held at the ever-popular Brooklyn Bowl.  Bowlive is an exciting time for the New York City music community, which was made clear last night as Soulive performed to a sold-out crowd. A crowd who showed up to RAGE with Eric Krasno (guitar), Neal Evans (drums), and Alan Evans (Hammond B3 organ, bass keys, clavinet) while a blizzard whipped around outside.

A few things have changed this year. There are eight nights instead of ten, there are more guests than ever and you should expect surprises every night. However, one constant that never falters is Soulive’s devotion to diversity. Their mission is clear. Showcase multiple genres of music by hosting amazing guests backed by the trio’s own diverse talents.

44439_10151538968272755_2083839976_nWith the most powerful kick-off in the last four years, the rocking Jazz Funk Fusion of KUNG FU opened the run at 8:30 on the dot. KUNG FU is made up of keyboardist Todd Stoops (RAQ), bassist Chris DeAngelis (The Breakfast), saxophonist Rob Somerville (DBB), guitarist Tim Palmieri and drummer Adrian Tramontano (The Breakfast). They powered through their set-list with crushing intensity and warmed up the crowd with favorites “Do the Right Thing,” “Popcorn,” and “Scrabb.”

Then came the moment the crowd had been waiting for since the rosemary-scented close of Bowlive III. The power trio began their set with the electric “Outrage,” as the crowd leapt off the floor, fists punching the air. The raging Soulive classic “Hat Trick,” a psychedelic “Shaheed,” and rocking “Tuesday” followed, with the venue filling with Soulive’s tight and full sound.

Blues harmonica player John Popper (Blues Traveler) was the first guest to grace the stage with Soulive.  Choosing the classic Beatles tune “Come Together,” fans were delighted to watch the traditionally instrumental song be sung by Popper himself!  The Blue Traveler’s tune “Mulling It Over” closed the set with high intensity and passionate fans screaming their praises.

The trio that never ceases to amaze wasted no time with long set breaks.  Only a few minutes went by before the boys were back on stage, this time with slide guitarist Luther Dickinson (North Mississippi Allstars) demanding the audience to “Shake What Your Momma Gave Ya.” While our attention generally would have been on the musicians, the crowd’s attention was pulled to the bowling lanes where four dancers in mod outfits shook their own asses up and down the aisles for the surprised crowd. A wonderful, fresh idea that reminded us that the guys are just as fun as they are talented.

With the crowd popping with energy and excitement,  Soulive continued to tackle our musical senses with Luther Dickinson singing a ripping version of Jimi Hendrix’s “Spanish Castle Magic.” During George Harrison’s “While My Guitar Gently Weeps,” the amazing guitar styling of Dickinson and Eric Krasno were showcased through stunning solos.

Percussionist Cody Dickinson (North Mississippi Allstars) joined the stage for the Beatles “Tomorrow Never Knows,” Bob Dylan’s “Someday Baby,” and “Shake ‘Em on Down,” a country-style blues song recorded by Bukka White in 1937. The Dickinson brother’s southern-blues flavor enhanced every tune.

When Cody Dickinson knelt down and put on his washboard and his thimbles, the crowd paid deeper attention as they knew something unique was about to take place. Cody’s metal tipped fingers danced around on the electric washboard, closing the set with his rhythmic sounds backed by amazing bass licks from Neal Evans.

Final guest, DJ ?uestlove (The Roots), was unable to make the show due to circumstances out of his control. Eric Krasno announced to the audience that the power trio would continue playing and the crowd went wild. Then, the first unannounced special guest, Saunders Sermons (Tedeschi Trucks Band), sang and provided trombone for the Bill Wither’s cover “Kissin My Love.” It was a wonderful close to the first night of what promises to be another outstanding run.

Over the next seven nights, Soulive fans will hear music from legendary bass player George Porter, Jr., the heavy rocking London Souls, the soulful singing of Alecia Chakour, the powerful blows of the Shady Horns and so many more surprise artists who sit on the sidelines, hoping and itching to have a chance to join Soulive’s stage. Tonight, put your dancing shoes back on for pedal steel slide guitarist Robert Randolph (Robert Randolph and the Family Band) and soul singer Lee Fields (Lee Fields and the Expressions).

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January 2013 Music Calendar

January 2013 NYC Music Calendar

Calendar updated daily!

FESTIVALS

GLOBALFEST: Groundbreaking international music festival and a volunteer run non-profit organization dedicated to foster cultural exchange. globalFEST’s mission is cultural, social and political. It aims to bring down boundaries between countries and create cultural opportunities for individual artists and for governments, sponsors, scholars and critics to collaborate. Tours and cultural exchanges that result from globalFEST¹s showcases have helped to build an ever widening audience for world music and, by extension an increase in international cooperation and collaboration.

30th Next Wave Festival: returning for its 30th season, presenting an array of contemporary performance, artist talks, storytelling, visual art, and film that showcases work by emerging artists and innovative modern masters.

CONCERTS

Tuesday, January 1, 2013

  • ($18-$25) Joseph Arthur & Vernon Reid @ City Winery
  • ($20) Nigel Hall Band (Phish/Mule After-Party) @ The Blue Note
  • ($25) Rusted Root @ Stage 48
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Wednesday, January 2, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($10-$12) New York Funk Exchange w/ Jane Lee Hooker @ Mercury Lounge
  • ($20) The Louis Armstrong Centennial Band @ Birdland
  • ($35) “A Love Supreme” Azar Lawrence Quintet featuring Eddie Henderson @ Smoke Jazz & Supper Club-Lounge (7pm, 9pm, 10:30 sets)Sets)
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Thursday, January 3, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($22) Howie Day @ City Winery
  • ($35) “A Love Supreme” Azar Lawrence Quintet featuring Eddie Henderson @ Smoke Jazz & Supper Club-Lounge (7pm, 9pm, 10:30 sets)
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Friday, January 4, 2013

  • ($8) Electic Method @ Knitting Factory
  • ($22) Howie Day @ City Winery
  • ($30) John Abercrombie Quartet @ Jazz Standard
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Saturday, January 5, 2013

  • ($8-$10) Ikebe Shakedown @ Cameo Gallery
  • ($20) Maurice Brown @ Ginny’s Supper Club (2 Sets)
  • ($30) John Abercrombie Quartet @ Jazz Standard
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Sunday, January 6, 2013

  • ($20) Earth, Wind & Fire @ B.B. King Blues Club and Grill (Celebrating 40 Years)
  • ($25) John Abercrombie Quartet @ Jazz Standard
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Monday, January 7, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($10) Charlie Hunter @ The Living Room
  • ($10) Alecia Chakour Band: First Mondays @ Rockwood Music Hall
    • Join Alecia Chakour, Neal Evans, Sam Cohen, Alex Chakour, Miles Arntzen, Cochemea Gastelum and friends on the first Monday of every month at Rockwood Music Hall for their unique take on rock n’ soul…
  • ($18-$22) Diane Birch @ City Winery
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard

Tuesday, January 8, 2013

  • ($15) The London Souls @ The Bowery Ballroom
  • ($18-$22) Diane Birch @ City Winery
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($40-$60) Nas with Anthony Decurtis @ Kaufmann Concert Hall, 92 Street Y

Wednesday, January 9, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25) Robert Glasper and Friends @ S.O.B.’s
  • ($25) Dr. Lonnie Smith Trio @ Jazz Standard (2 sets)
  • ($25-$30) Shuggie Otis, People Get Ready, Ofei, Joshua Nelson, & DJ Kool Herc @ Highline Ballroom

Thursday, January 10, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night DJ set)
  • ($10) Jamie McLean Band @ Rockwood Music Hall (10:15pm slot)
  • ($10-$13) Adam Ezra Group @ Mercury Lounge
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25) Robert Glasper & Friends @ SOB’s

Friday, January 11, 2013(Biggest Musical Day of the Month)

  • (FREE) Zongo Junction @ Rockwood Music Hall (11:45pm slot)
  • ($7) Klezwoods @ Spike Hill
  • ($10) Spanglish Fly @ NuBlu
  • ($10-$13) Apollo Run w/ Midnight Spin @ Mercury Lounge
  • ($15) Slick Rick: The Ruler @ Brooklyn Bowl
  • ($15-$18) Snarky Puppy @ Rockwood Music Hall (10pm slot)
  • ($15-$20) APAP Showcase w/ The Iguanas, Mia Borders, Colin Lake & Sasha Masakowski @ Hill Country
  • ($20-$25) Big Sam’s Funky Nation, The Stooges Brass Band, Mia Borders, Christian Scott Sextet & Flow Tribe @ The Cutting Room
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25-$30) Alan Doyle (of Great Big Sea), The Dunwells, & Amy Helm @ B. B. Kings Blues Club
  • ($30) Dr. Lonnie Smith Trio @ Jazz Standard
  • ($35) Marcus Strickland & TWI-LIFE @ Sullivan Hall (2013 NYC Winter Jazzfest)
  • ($35-$70) INDELIBLE FESTIVAL: Meshell Ndegeocello presents Spirit Music Jamia @ @ Highline Ballroom
    • Featuring: Cecil Taylor, DJ Questlove, AYO, Guy Davis, Gregoire Maret, THE DUST RAYS featuring Kirk Douglas & Mark Kelley of the Roots & Ricc Sheridan from Earl Greyhound & Surprise Special Guests
  • ($40-$50) Betty LaVette @ City Winery
  • ($50-$55) CAKE @ Bowery Ballroom
  • ($50-$90) Morrissey @ Brooklyn Academy of Music
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium

Saturday, January 12, 2013

  • ($10) Stooges Brass Band @ Brooklyn Bowl
  • ($20) Arturo O’Farrill Trio @ Ginny’s Supper Club
  • ($20-$35) Ramsey Lewis & John Pizzarelli @ The Blue Note (2 Sets)
  • ($30) Dr. Lonnie Smith “In The Beginning” Octet @ Jazz Standard
  • ($30-$40) Paula Cole, Kris Allen, Brother Joscephus and the Love Revolution, Teitur, Leroy Bell and his Only Friends @ City Winery
  • ($40) Bettye LaVette @ Joe’s Pub
  • ($45-$75) Roberta Flack @ St. George Theatre
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium
  • ($68-$92) Def Squad and Method Man @ Hammerstein Ballroom

Sunday, January 13, 2013

  • ($10) Reggie Watts @ Grasslands Gallery, BK
  • ($20) Gregg Kallor Hurricane Sandy Relief Concert w/ Dave Eggar @ Culture Project
  • ($20-$35) Ramsey Lewis & John Pizzarelli @ The Blue Note (2 Sets)
  • ($25) The David Johansen Band @ Highline Ballroom
  • ($26-$64) Green Day @ Barclays Center
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($30) Dr. Lonnie Smith “In The Beginning” Octet @ Jazz Standard (2 sets)
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40) The Stooges Brass Band at globalFEST @ Webster Hall
  • ($45) Cassandra Wilson @ B. B. Kings Blues Club
  • ($50-$200) Idina Menzel @ Carnegie Hall
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium

Monday, January 14, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($20) Jonathan Batiste @ Rockwood Music Hall
  • ($20-$40) International Guitar Night @ The Blue Note (1 Set)
    • feat. Martin Taylor (Scotland), Brian Gore (US), Solorazaf (Madagascar)
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Terence Blanchard Quintet @ Birdland

Tuesday, January 15, 2013

  • ($20-$40) John and Hank Green: An Evening of Awesome w/ The Mountain Goats @ Carnegie Hall
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($30-$35) The Airborne Toxic Event @ Webster Hall
  • ($35-$55) Little Feat / Leon Russell @ The Capitol Theatre, Port Chester, NY
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($46-$85) Lynyrd Skynyrd @ Beacon Theatre

Wednesday, January 16, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($15-$20) Soundgarden @ Terminal 5
  • ($20-$25) Bob Schneider @ City Winery
  • ($20-$80) Meshell Ndegeocello @ BAM in Brooklyn, NY (Part of 30th Next Wave Festival)
    • When Past & Future Collide ~ Life Along the Borderline: A Tribute to Nico, Curated by John Cale
  • ($30-$35) Billy Cobham’s “Spectrum 40″ @ B. B. Kings Blues Club
  • ($30-$35) The Airborne Toxic Event @ Webster Hall
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($40-$90) G. Love & Special Sauce @ Irving Plaza

Thursday, January 17, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($12) Jeff Bujak @ Sullivan Hall
  • ($36-$40) Lalah Hathaway @ B. B. Kings Blues Club

Friday, January 18, 2013

  • ($25) Toshi Reagon and BIGLovely @ Joe’s Pub
  • ($30-$40) Alejandro Escovedo with The Mastersons @ City Winery
  • ($30-$65) Umphrey’s McGee @ Beacon Theater
  • ($36) Guster & Yellowbirds @ The Capitol Theatre, Port Chester, NY
  • ($40) Terence Blanchard Quintet @ Birdland

Saturday, January 19, 2013

  • ($10) Driftwood @ Rockwood Music Hall
  • ($15) John Brown’s Body @ Maxwell’s Hoboken, NJ
  • ($20) Cracker & Camper Van Beethoven @ Stage 48
  • ($25) Toshi Reagon and BIGLovely @ Joe’s Pub
  • ($30-$40) Alejandro Escovedo with The Mastersons @ City Winery
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($50) Morrissey @ The Capitol Theatre, Port Chester, NY

Sunday, January 20, 2013

  • ($20) Talib Kweli @ S.O.B.’s
  • ($25) Toshi Reagon: Sacred Music Show w/ Bernice Johnson Reagon @ Joe’s Pub
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($30-$55) Béla Fleck BANJO SUMMIT @ Michael Schimmel Center for the Arts
    • Banjo mastermind, Béla Fleck will be joined by Tony Trischka, Bill Keith, Richie Stearns, Eric Weissberg, and Noam Pikelny.
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • (???) Juan Maclean DJ Set @ Le Bain at The Standard

Monday, January 21, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Tim Reynolds of the Dave Matthews Band @ Iridium Jazz Club
  • ($35) Living Colour @ Highline Ballroom (For The Million Man Mosh II)

Tuesday, January 22, 2013

  • ($10) Zen Tricksters @ The Brooklyn Bowl
    • Special Guest: Rob Barraco (Phil Lesh & Friends, The Dead, Dark Star Orchestra) & Keith Kenny
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($65-$76) Soundgarden @ Hammerstein Ballroom

Wednesday, January 23, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($20) The Louis Armstrong Centennial Band @ Birdland NYC
  • ($30-$35) Papa Roach @ Terminal 5
  • ($40) Trey Anastatio Band @ The Capitol Theatre, Port Chester, NY
  • ($66-$80) Soundgarden @ Hammerstein Ballroom

Thursday, January 24, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($15) FLOODWOOD (feat. Al Schnier & Vinnie Amico of moe.) @ Rockwood Music Hall (9pm slot)
  • ($15) The Wailers (performing Survival & more) @ The Brooklyn Bowl
  • ($25-$45) Dirt Farmer Band featuring Larry Campbell, Amy Helm, Byron Isaacs, Justin Guip and Teresa Williams @ City Winery
  • ($40) Trey Anastatio Band @ The Capitol Theatre, Port Chester, NY
  • ($42.50) Austra @ Hammerstein

Friday, January 25, 2013

  • ($5) Austra (DJ Set) @ Glasslands Gallery
  • ($10) #1 Kid (feat. members of Rubblebucket) @ Rockwood Music Hall ~ Stage 2 (11pm Slot)
  • ($15-$20) Ryan Montbleau Band @ City Winery
  • ($25-$30) Sister Hazel @ B. B. Kings Blues Club
  • ($30-$42) Robert Earl Keen @ Irving Plaza powered by Klipsch
  • ($42.50) Austra @ Hammerstein

Saturday, January 26, 2013

  • ($10-$12) The Nigel Hall Band @ Sullivan Hall
  • ($15) Marion LoGuidice @ Joe’s Pub
  • ($15-$20) Ryan Montbleau Band @ City Winery
  • ($25-$30) Lotus w/ Moon Hooch @ Best Buy Theatre
  • ($30-$35)  Femi Kuti & Positive Force @ Webster Hall
  • ($42-$46)  Loudon Wainwright III @ Zankel Hall
  • ($50-$90) Pat Benatar @ The Capitol Theatre, Port Chester, NY

Sunday, January 27, 2013

  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill

Monday, January 28, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($22.50) Reel Big Fish @ Irving Plaza
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Johnny Winter – 3rd Annual residency @ B. B. Kings Blues Club
  • ($35-$50) Robert Earl Keen @ City Winery
  • ($40-$75) Tegan and Sara @ The Beacon Theater (SOLD OUT)

Tuesday, January 29, 2013

  • ($20) Alice Smith (Residency Week One) @ Rockwood Music Hall ~ Stage 2
  • ($40-$45) Ladysmith Black Mambazo @ Highline Ballroom
  • ($40-$75) Tegan and Sara @ Beacon Theatre
  • ($50-$63) An Evening of the Blues Feat. Ben Harper & Charlie Musselwhite @ Irving Plaza

Wednesday, January 30, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)

Thursday, January 31, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($25-$30) Gin Blossoms @ B. B. Kings Blues Club

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Bowlive III: Night Ten – Finale Recap for Soulive w/ Ledisi, Derek Trucks and The London Souls ~ Extended Review + Media (03.10.12)

After nine nights of warming up, Soulive members Eric KransoNeal Evans and Alan Evans tore the roof off the Brooklyn Bowl Saturday night for the final night of their 3rd annual ten-night residency, Bowlive. Over the course of the last two weeks, Soulive presented their audience with talented guests from across the musical spectrum. Virtuoso guitarists such as jazz legend John Scofield, southern blues rocker Luther Dickinson (North Mississippi Allstars), and the hard-bopping Warner Brothers artist Mark Whitfield created slaying duets with guitarist Eric Krasno. Renowned bassists Oteil Burbridge (The Allman Brothers Band) and George Porter, Jr. (The Meters) rocked the stage, adding to the cool bass keys Neal Evans plays so strikingly. Hip-hop drummer ?uestlove (The Roots), experimental percussionist Billy Martin (MMW) and world beat drummer Luke Quaranta took their turns leading the rhythm when the smoother than smooth Soulive drummer Alan Evans stepped aside to play rhythm guitar.

Guest vocalists Nigel Hall, Allen Stone, Jennifer Hartswick and Alecia Chakour brought their own style of strength and soul to the mic, Citizen Cope and Alice Smith sang an eclectic mix of blues, laid-back rock and folk while Rhazel and Ledisi delivered beat boxing and R&B/Soul into the eager ears of their audience. As well, for two night and two full sets, Royal Family recordings artists Lettuce, consisting of guitarist Adam Smirnoff, drummer Adam Deitch (Break Science), bassist ED “Jesus” Coomes, and The Bowlive horns, seared the stage with their urban funk flavor.

The Bowlive Horns, consisting of saxophonist James Casey, trumpeters Eric Bloom and Matt Owens and tenor saxophonist Ryan Zoidis were joined over the course of the run by numerous big name brass players.  Trombonist Sam “Big Sam” Williams (Big Sam’s Funky Nation), flautist/saxophonist Karl Denson (Karl Denson’s Tiny Universe), trumpeters Rashawn Ross (Dave Matthews Band) and Jennifer Hartswick, flautist Kofi Burbrudge (Derek Trucks Band) and wild improvisational saxophonist Skerik, rotated throughout the ten nights creating one of the sickest brass ensembles some have ever seen.

Other surprise guests included virtuoso pianist Eldar and organist Mitch Chakour while DJ Wyllys spun the ones and twos in between the weekend sets. When Soulive didn’t open the show themselves, the one man band, Zach Deputy, Royal Family recording artists The Nigel Hall Band, The Alecia Chakour Band and The London Souls amped the energy of the evening before Soulive took over to lay devastation upon the stage. It has been a two week rage of full on face melting, mind warping, soul filling, gut busting musicianship that accelerated with power each night and with audience members wondering how it could be topped.

Saturday night was the tenth and last night of Bowlive III. The audience, clad in white outfits for the evening’s White-Out Party theme, could be heard whispering their ideas of who the special guests might be. The London Souls, Ledisi and The Royal Family All-Stars were billed which could only mean that a surprise that couldn’t be named was being prepared.

The London Souls opened the evening with their Hendrix-style rock and roll sound. It is quite impossible to remain calm when guitarist Tash Neal, bassist Stu Mahan, and drummer Chris St. Hilaire are slamming away on their instruments.  The perfect opening for the end of a great run.

Soulive’s set started off with the super horn heavy, high-energy “El Ron”  However, during “Upright,” some unexpected technical difficulty occurred.  What could have been a rough moment turned into something special. There was three minutes where Alan Evans and his team worked at lightning speed to repair a broken drum head while the remaining members on stage worked together to keep the audience engaged. The audience clapped and cheered, supporting their favorite trio because there was importance in this moment. The band’s talent was exposed so much more during this time as they kept it together. The power from the applause in the audience when Evans’ silver shimmering drum kit was finally lifted in the air and put back in place was outstanding. It was a killer moment in rock n roll, a killer moment in Bowlive History. The trio ripped into the end of “Upright” and kept the momentum UP, UP, UP! They rolled through “Tuesday Night Squad” and Nigel Hall sang on the lively “Too Much” and the beautifully arranged “Everybody Wants to Rule the World” by Tears For Fears that segued into Bobby Caldwell’s “Open Your Eyes.”

When Ledisi was brought back on stage for the second night, the crowd exploded. Her R&B flavor had brought such joy to the previous night’s performance and we wanted more. Singing “Love Never Changes” off her Turn Me Loose album, Ledisi unleashed her massively powerful voice upon the audience. Her range and strength were unbelievable as she swiftly scatted her way through “Them Changes,” a Buddy Miles cover off of Jimi Hendrix’s Band of Gypsys. Tash Neal also performed on this song where he and Krasno playfully raged a duet to end the set.

The second set began as multiple white balloons were tossed out into the audience while Soulive played “One in Seven.” The second technical difficulty of the night occurred as Neal Evans’ clavinet finally gave way after nine nights of solid pounding. Not to miss a beat, Alan Evans began jamming on his kit, delivering a tight an extended drum solo as the back line team fixed the issue.  It was then time for some Beatles love as they played an electric run of “Eleanor Rigby,” “She’s So Heavy” and “Get Back.”

Finally, the last surprise guest of this amazing musical journey was invited on the stage. Southern rock, slide guitarist Derek Trucks (The Allman Brothers Band) walked out on stage with Nigel Hall and Ledisi to perform Sam Cooke’s Civil Rights Era anthem “A Change Gonna Come,”. It was no wonder that while Ledisi and Hall sang with all their passion and Derek Trucks made his guitar cry, audience members began to weep where they stood. The meaning and epic delivery of this song wasn’t lost on a single soul. Soulive flipped the emotional script by following Cooke’s song with the raging Jimi Hendrix’s tune, “Manic Depression!” Derek Trucks, Eric Krasno, Neal Evans and Alan Evans delivered a sick rendition of the song with Trucks and Krasno playing off each other and Trucks taking a ripping solo to end the set.

Before the encore, Brooklyn Bowl owner, Pete Shapiro, came on stage with Rosemary and Lavender plants in his hands. He explained that everyone on the floor was to take a piece of the plants being passed around the audience in hopes that the aroma therapy would help us gather our strength for one last song. Ending their epic ten night run the way they began, our favorite trio, just the three of them, took the stage for “Aladdin.”

Bowlive III is now over, leaving some New Yorkers wondering what to do with themselves.  For two weeks, dedicated fans came to the Brooklyn Bowl to see Neal Evans, Alan Evans and Eric Krasno play their hearts out, touching on every musical genre and playing with many of Americas most talented musicians. Let us give thanks to Soulive for the dedication to their craft and their ability to express it through the creative outlet that is Bowlive. Thanks for their want to educate us on new talent, their need to put new twists on old classics, and their determination to raise the bar each and every night.

Let us give thanks to The Brooklyn Bowl, because without them there would be no Bowlive. Thanks for their wonderful environment, staff and treatment.  For the last 2 weeks the Brooklyn Bowl has been our community’s second home. We’ve feasted on their fantastic Blue Ribbon cuisine, felt at home on their plush leather couches and enjoyed their attentive staff.   Soulive + The Brooklyn Bowl = Bowlive and don’t you forget it!

A change has come to New York City. A change has come to the music community.  Soulive has created something so special in Bowlive.  There is nothing else like it in our scene and it’s through that unique way of doing things that Soulive will remain one of the most influential groups in our music community. Bowlive is the development of a passionate dream that is now reality. After three years, Bowlive is no-doubt a game changer in the music community and will continue to be for many years to come. Thank you Soulive!

 Karen E. Dugan
– Photo courtesy of Phrazz

Youtube Videos

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Bowlive III: Night Eight – Soulive w/ George Porter Jr., Zach Deputy, Citizen Cope and Alice Smith ~ Extended Review + Media (03.08.12)

For the eighth night, Soulive members, Eric Krasno, Alan Evans and Neal Evans, performed at the Brooklyn Bowl for their annual residency, Bowlive.  In its third year, Bowlive has become one of the most interesting, engaging, educational and smoking residencies in New York City. There are some, who might argue, in America. Each night has gotten heavier, deeper, tighter, and energetically more invested with each guest who joins the stage to breath more life into the already amazing trio.

The Alecia Chakour Band opened last night to a huge crowd. Chakour joined the Bowlive rooster last year.  In the masculine crew that makes up the artists on the Royal Family Records Label, Alecia Chakour is a breath of fresh female energy. With a voice and range as powerful as Aretha Franklin, Chakour rightful deserves to be on stage with the talented musicians who make up Soulive. Chakour’s band members consisted of trumpeter Igmar Thomas (The Cypher), organist Neal Evans (Soulive), bassist and brother Alex Chakour, drummer Miles Arntzen (Antibalas), guitarist Sam Cohen (Apollo Sunshine), and saxophonist James Casey (6figures).  A highlight was when surprise guest artist Kofi Burbridge (The Derek Trucks band) lent his fluttering flute to the bunch on their new tune, “Surely.” The Alecia Chakour Band is a sick, tight, funky crew who fit right into the rotation of amazing acts that we have so far seen over the two week run.

Soulive members (guitarist Eric Krasno and soul brothers Alan Evans on drums and Neal Evans on clavinet) welcomed numerous guests on stage last night, some announced and some a surprise. This is always to be expected and they never disappoint. “Steppin” was the only song Soulive ever stood alone on stage for. After that, the flood gates opened with Kofi Burbridge jumping in on “El Ron” with the Bowlive Horns: saxophonist James Casey, trumpeter Eric Bloom and tenor saxophonist Ryan Zoidis. Special guest and Brooklyn resident Citizen Cope was next to join the stage to perform his original “Bullet and a Target,” and “Something to Believe In.” Cope’s raw, uncommon chords and proactive lyrics have been recognized and covered by likes of Carlos Santana, Dido, Sheryl Crow and Slipknot. His vocals transformed the bowl into a new vibe, a slower yet passionate part of the set. Alice Smith, the second vocalist billed that night, joined for Cope’s last tunes, “Ain’t Gonna Stand for It” and “107 Degrees.” Alice Smith’s voice melded beautifully with Cope’s the same way that Alecia Chakour’s voice melds perfectly with Nigel Halls. She is aggressive, serious, powerful, and passionate with a 4-octave vocal range and stunning stage presence. Cope exited the stage and Alice Smith, with the Soulive trio backing her, performed Cee Lo Green’s, “Fool For You.” The Bowlive Horns helped closed out the set with “Tuesday Night Squad,”as trumpeter Eric Bloom’s excitement spilled out of his animated solo and Nigel Hall took over the keys.

The second set was dedicated exclusively to the musical power of New Orleans yet contained special guests of varying styles. This was definitely one of the best sets of the entire run. Special guests, world renowned New Orleans bassist George Porter, Jr. (The Meters), drummer ?uestlove (The Roots), Billy Martin (Martin, Medeski and Wood), flautistKofi Burbridge and saxophonist Skerik, out for his third night, piled on stage with Soulive and the Bowlive horns. Covering New Orleans and Meters favorites “Just Kissed My Baby, “Hey Pocky Way,” “Come Fly with Me,” and “Funkify Your Life,” the musical entourage on stage was the definition of a Jam Room. George Porter, Jr. brought such life to the younger musicians who were surrounding him. Each artist took their turn power housing their instruments because Porter believes in the journey of the song and allowing it to unfold, which is exactly what happened on “Africa,” when Skerik took his solo and the classic song turned into a completely different creature.

Experimental jazz percussionist Billy Martin was left to his own devices with a pile of instruments to create sounds with after drumming for “Hey Pokey Way.” Martin is the drumming member of his own jazz, funk trio so his addition to Soulive allowed for experimental sounds that enhanced the layers of the music. “Everything is Everything” closed the set with Nigel Hall on vocals and another night of Bowlive ended, this time without and encore.  ?uestlove’s Bowl Train DJ set saw out the rest of  the night and everyone danced their way through funky, old skool tunes until their weary bodies said enough.


It’s unbelievable to think that the members of Soulive have been going full speed for eight crazy nights. What a testament to their level of stamina, creativity, and their ability to surprise and entice their audience.  For those who can’t make the last two nights, check out the live feed on iClips.net. For those of you with the ability to make it this weekend, you won’t be disappointed. Continuing his New Orleans flavor from last night, special guest George Porter Jr. will be joined by Ledisi with Nigel Hall and Alecia Chakour opening. We can only speculate who the surprise guests will be, but you can be sure they will bring in Bowlive’s final weekend in FULL RAGE!!!

BUY SINGLE DAY TICKETS NOW!
Can’t make the LIVE RAGE? Stream It on iClips.net!

 Karen E. Dugan
– Photo courtesy of Phrazz

Youtube Videos

Soulive feat. Citizen Cope – “Bullet & a Target” : http://www.youtube.com/watch?v=hoFGGhF_z2s

Soulive feat. George Porter & Nigel Hall – “Come Fly Away” : http://www.youtube.com/watch?v=azUKgsH7ztY

Soulive feat Alice Smith & Citizen Cope – “107 Degrees” : http://www.youtube.com/watch?v=HdVFSkp-YEg

Soulive feat. George Por ter, Nigel & Kofi – “Voices Inside” : http://www.youtube.com/watch?v=7cRBqKlyAHc

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I had the pleasure of writing for Royal Family Records website for all ten nights for Bowlive III. So, if you care for the shorter, not so critical and emotional charged recaps, head over to RoyalFamilyRecords.com and read up there as you all know the following post will be full of extra details and a much longer recap. Available videos are linked to the song titles! With that said:

HAPPY BOWLIVE NEW YORK CITY!!

BOWLIVE RAGERS!!!  (Photo by Phrazz)

BOWLIVE RAGERS!!! (Photo by Phrazz)

I must start this recap by giving mad love to the Brooklyn Bowl.  If you have never been, what are you waiting for? Their food is killer, their big, leather couches lining the bowling lanes and open feel makes it one of the best venues in Brooklyn, if not all of NYC.  Owner, Pete Shapiro, is one of the most humble, caring, proprietors of an establishment that I have ever had the pleasure of meeting. His connections and passion to the music scene are evident as he joins the audience when amazing performances are taking place.  For an example of his kindness, Josh (My Mega Rager) and I got engaged last week in Mexico and are frequent attendees at Brooklyn Bowl performances. It is our favorite venue in the city and not just because Josh and I met there at a Karl Denson show two years ago.

Josh and I thanked Pete last night for providing us with such a great platform to meet. He bought us a bottle of champagne and we all shared a celebratory “Cheers.”  Josh and I are not drinkers but that didn’t stop the toast because when Pete Shapiro buys you a drink, you take it 🙂 I have now only seen Josh take a shot of tequila (a gift from the Brooklyn Bowl on his birthday) and now a glass of champagne.  Thanks again Pete and all the staff who run the Brooklyn Bowl for providing us such a wonderful place to engage in our musical passions, to engage with our musical family and friends and for your killer fried chicken.  As well, the addition of the hooks under the bar and upper level viewing deck did not go unnoticed and had both male and females singing the praises of having their purses and jackets now off the sticky ground 🙂  Quality upgrade!!! Now, on to the real magic.

Bowlive III – Night 1 Recap

Faithful fans of Soulive descend upon the Brooklyn Bowl, one of Brooklyn’s premier music venues, on February 28, 2012 for the first night of the highly anticipated ten-night residency, BOWLIVE III.

Faithful Fans (minus a few) (Photo by Phrazz)

Faithful Fans (minus a few) (Photo by Phrazz)

Alan Evans (Photo by Phrazz)

Alan Evans (Photo by Phrazz)

In previous years, Bowlive audiences have had the pleasure of witnessing diverse line-ups of well-known (Warren Haynes, Derek Trucks, Maceo Parker) and up and coming musicians (The London Souls, Alecia Chakour and Mel Flannery), taking their turn on stage with guitarist Eric Krasno, organist and bass keys player  Neal Evans and drummer Alan Evans, the soulful trio who inspire these ten nights of musical magic. Bowlive III was no different with scheduled collaborations by Zach Deputy, Big Sam, Karl Denson, Questlove, Lettuce, Rahzel, Allen Stone, Jennifer Hartswick, and the Alecia Chakour Band. More additions were added continuously over the run so I keep my eyes (and ears) open.

Mike Gibney, The Royal Family’s announcer or HYPE BOY, if you will, came out on stage to announce the band. He is a hilarious, happy, charming, funny man who never fails to pump up the crowd with his wit and humor or hilarious Cosby Sweater-styled outfits.  Tonight, pimpin’ a nice suit, he would scream out how proud he was of himself for being “undefeated in Bowlive History!”  I had to scream “ME TOO!” as loud as I could as there are literally a handful of fans AND staff who have actually attended all ten nights the previous years. I have gone to 29 out of 30 Bowlive shows.

Straying from the formula of the past two years, Soulive hit the stage early, opting out of an opening band until the weekend performances.  The trio stated slow with the appropriate “So Live.” Their energy was calm and they warmed up nicely into the explosive “Hat Trick,” which would set the tone for the rest of the night. Opting out of an opener really placed full responsibility on the trio to ensure the energy was up, to ensure that we stayed engaged, and to ensure that they made the point that they were back!!!  Having seen these three musicians grow since 2000, there was nothing standing in their way last night.

Neal Evans (Photo by Phrazz)

Neal Evans (Photo by Phrazz)

You know when you see the same band over and over and it sometimes appears that they are going through the motions?  I have seen Soulive and its members in their various projects for over a decade now. I hold them to a very high standard as the point of all of this is growth. Growth as a band and as individual musicians.  Bowlive provides a platform for these men to expand their musical catalog by infusing their material with the styles of the special guests that join them.  Because of all these collaborations, it could be easy as the hosts to, perhaps, not invest as much power and passion into the solo songs where the trio played alone.  Of course, this is something that SHOULDN’T happen, and on this first night, it didn’t. I looked forward to watching this monster of a musical run grow beneath our feet and in front of our eyes and to watch the exposure of stamina and talent of these three musical masters were going to have to project as time goes on.

Eric Krasno (Photo by Phrazz)

Eric Krasno (Photo by Phrazz)

The Legendary John Scofield (Photo By Phrazz)

The Legendary John Scofield (Photo By Phrazz)

John “Sco” Scofield, one of America’s greatest Jazz guitarists and composers, was the first guest to appear on stage this year. I absolutely adore seeing Sco and Krasno collaborate.  Joining the trio on the third song, “Tabasco”, a Sco original, Krazno and Sco immediately engaged in each other. Coming ever so close to each other, face to face on stage, they played off each others rifts with the Evan brothers blasting their rhythms.  A Billy Cobham cover, “Red Baron,” followed allowing for each musician on stage to throw down some lightening rod solos.  Sco’s time on stage brought a range of psychedelic jamming and jazz infusion to the trio’s sound that only Sco can help create. This was an exciting show simply because of the fact that John Scofield, Eric Krasno and Luther Dickinson would all be performing together in various combinations throughout the night. For guitar loving rockers like me and every other male that was in that audience, this was FIRE!!! What a great way to start it off.

Nigel Hall (Photo by Phrazz)

Nigel Hall (Photo by Phrazz)

Nigel Hall joins Neal Evans on Keys (Photo by Phrazz)

Nigel Hall joins Neal Evans on Keys (Photo by Phrazz)

Nigel Hall (The Warren Haynes Band, Dr. Klaw) was next to join the stage, initially jumping in on the keyboards with Alan Evan during “What You See Is What You Get.”  The Nigel Hall Band actually opened almost every night during the first Bowlive in 2012. This run, however, Hall took to the microphone only once with his band to deliver the sultry, sexy Donny Hathaway cover “More Then You’ll Ever Know.” Hall’s emotional connection to this powerful ballad was evident as he melted the hearts in front of him. I watched men kiss their girls passionately, I watched bros hug it out on the main floor and I felt my own heart melt.  Hall left immediately for home after the song and I texted him to let him know that his connection was so clear to those who were paying attention.  His response: “Thank you! When you’ve been in love, you can relate.” I hoped that we would get to experience more of him during this run but at the time, nothing was scheduled. We kept those fingers crossed.

John Scofield and Soulive (Photo by Phrazz)

John Scofield and Soulive (Photo by Phrazz)

“Boozer,” another Sco original, end the KILLER first set with Sco thanking Soulive for allowing him to join the party and calling Nigel Hall a “genius.” That statement is powerful and honest and to hear it ring from Sco’s lips, I know for a fact that Nigel’s heart swelled. Mine certainly did.

Nigel Hall connecting with John Scofield (Photo by Phrazz)

Nigel Hall connecting with John Scofield (Photo by Phrazz)

After a short intermission, the Evans brothers and Krasno were back on stage, alone, performing the beautifully composed “El Ron,”  followed by a raging “One in Seven.” No special guests needed to be on stage to ensure that fire was coming off it.  The trio was living up to their responsibilities and taking the songs we have seen them play a million times and breathing fresh life and RAGE into them.

Luther and Soulive - Outstanding Performance

Luther and Soulive  (Photo by Phrazz)

Luther Dickinson (Photo by Phrazz)

Luther Dickinson (Photo by Phrazz)

When southern-style slide guitarist Luther Dickinson (North Mississippi AllStars) joined the stage, all hell broke loose.  Literally, broke shit up all over our brains and faces.  Booker T. and the MG’s cover “Hip Hug Her” started slow and simple, a playing quality that Luther Dickinson has perfected with his understated simplicity and lightening fast fingers.  Initially, after the great versions of Soulive’s original songs had just brought the energy up, Dickinson’s simplistic playing and calm warm-up seemed to bring the energy down but only for that first song. The set continued with Dickinson, Krasno and the Evan brothers elevating their quality of playing to the peak of high energy for the evening, downright melting the audience’s faces with solo after solo after solo.

Dickinson and Krasno (Photo by Phrazz)

Dickinson and Krasno (Photo by Phrazz)

At one point, the wonderful Alan Evans was left alone the stage for an isolated drum solo lit by a single house light. His serious composure throughout the evening provided the foundation for all this musical majesty to take place. Neal Evans’ organ play was deep, intense, raw and when paired with the slide guitar of Dickinson, brought Soulive’s sound to new heights. It is collaborations like these that make Bowlive so special.  How can we watch the same group for ten nights in a row and not get bored? Well, that is their job and they do their job RIGHT!

Luther and Soulive - Outstanding Performance

Luther and Soulive (Photo by Phrazz)

At times when a song is taking off, I like to take a walk through the audience and listen to them, their comments, their critics (if they know what they are talking about) and just engage in the energy around me.  When they broke into “Hear My Train” by Jimi Hendrix, the rage that ensued both on stage and in the audience was palpable. “Holy Shit” and “Do you see what is happening on stage?” were common statement that could be heard throughout the sea of heady heads. People hushed those around them talking too loud and eyes were transfixed on the stage ~ (Some might say STFUAD – Shut The F*&K Up And Dance). The foursome encored with another Hendrix song, “Stone Free,” a tight, jamming song that cemented the power of the evening and left the audience screaming with thunderous applause.

WINNING!!!!

WINNING!!!! (Photo by Phrazz)

Bowlive III had begun in New York City!!  We only prayed that we could handle it because after the freight train of rage that was released that night; there would be no stopping it. The power that slides off of these performances are unlike any regular 2-set performances you attend. The energy and collaborations that I would enjoy in the coming weeks would far surpass many musical runs I might experience.  TEN NIGHTS!!!!  That is a superb feat for any musician of ANY age to accomplish. For those of us with day jobs and for those of us expected to process material by the next morning, it’s even more of a feat. One that I have been proud to be a part of for the last two years.

Setlist Rage!

The Initial Setlist!

Download Night 1 Sound Board Audio Here!

Pictures by Phrazz

Videos by Marc Millman and mkdevo

Words by The Tiny Rager

Check out some amazing Bowlive Shots by Michael Jurick here!

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Tiny Rager with Questlove, Christian McBride and Gary Bartz. SO HAPPY!!!

Tiny Rager with Questlove, Christian McBride and Gary Bartz. SO HAPPY!!!

Questlove Presents Mo’ Meta Blues I ft. Booker T, Eric Krasno, Gary Bartz, Charistian McBride & Nigel Hall @ The Blue Note (06.21.11)

Questlove – Drums
Eric Kranso – Guitar
Booker T. Jones – Organ
Gary Bartz – Saxophone
Christian McBride – Bass

Surprise Guest:
Dee Dee Bridgewater – Vocals
Nigel Hall – Vocals

The Blue Note Venue Front

The Blue Note Venue Front

The Blue Note is a venue name that is known around the world for housing some of the world’s most famous jazz musicians in it’s various Milan, Tokyo, NYC and Nagoya locations.  For true NY music goers, we aren’t always fond of this venue but no one can deny that some of our city’s greatest music is made inside that sardine-packed tourist trap.

For 30 years, The Blue Note has brought us some of the most phenomenal music played by phenomenal collections of musicians.  This year, to celebrate their 30 years dedicated to music, The Blue Note, along with Jill Newman Productions, has put together a month long calendar of music around the city, creating the inaugural Blue Note Jazz Festival.

Over the past month The Festival has featured numerous high-profile acts within the walls of the Blue Note  such as Dave Brubeck, Chris Botti, Nancy Wilson, Bobby McFerrin, Roberta Flack, Brian Wilson, Medeski Martin & Wood, El Gran Combo, McCoy Tyner, Bill Frisell, Meshell Ndegeocello, Madeleine Peyroux, Chaka Khan, and many more. As well, numerous acts have been held around the city’s various outdoor spaces such as Parks and other music venues.

Questlove @ The Blue Note (Photo by Dino Perrucci)

Questlove @ The Blue Note (Photo by Dino Perrucci)

For two nights, famed drummer Questlove hosted Mo’ Meta Blues 1  featuring a collection of amazing jazz virtuoso musicians to include guitarist Eric Kranso and bassist Christian McBride.  The group was completed with legendary saxophonist Gary Bartz and Rock N’ Roll Hall of Famer organist Booker T. Jones (Booker T and the MG’s).

I was terribly excited for a performance mixing the old school with the new school.  It is performances like these were I wish there were more youth in the audience. More young musicians who have deliberately sought out the best in the scene; sitting in the audience watching how it’s done.  Looking around, I couldn’t help but wonder how in a city like NYC, there were not more musical savvy teenagers. Where is the disconnect? Is it because our music isn’t on the radio? Just something I always ponder while sitting waiting for shows to begin.

Booker T Jones latest Cd: The Road From Memphis

Booker T Jones latest Cd: The Road From Memphis

Tonight’s musicians would be performing a selection of songs from Booker T’s new album, The Road From Memphis, a wonderful collection of songs with collaborations with Yim Yames of My Morning Jacket, Sharon Jones and Lou Reed and The National’s Matt Berninger.  Produced by Jones with The Roots’ ?uestlove and Rob Schnapf (Beck, Elliot Smith), Memphis was recorded by Daptone Records mastermind Gabriel Roth with backing by The Roots.  Enjoy Booker T’s video for his cover of Lauryn Hill‘s “Everything is Everything.”

The new school rhythm section alone could have kept my attention for both sets. Questlove has been drumming since he was a little boy on tour with his famous 50’s doo wop father, Lee Andrews of Lee Andrews & the HeartsQuestlove is best known as the drummer for the Grammy Award-winning band The Roots, which is now the in-house band for Late Night with Jimmy Fallon.

Christian McBride, Questlove‘s high school homie, is considered a virtuoso bass player and is one of the most recorded bassists of the last 20 years. He has performed and recorded with a massive number of artists, jazz legends and ensembles including Freddie Hubbard, Joe Henderson, McCoy Tyner, Herbie Hancock, Pat Metheny, Diana Krall, Roy Haynes, Chick Corea, John McLaughlin, Wynton Marsalis, Hank Jones, Joshua Redman, as well as with hip-hop, pop, soul, and classical musicians like The Roots, Kathleen Battle, Carly Simon, Sting, Bruce Hornsby, and James Brown. His sound is liberating and intoxicating.

“Half the fun up here is the fun music trivia we all have and finding the fun in referencing it in the music we play up here.  I am just warning you all now, there will be a lot of inside musical jokes on this stage.” ~ Questlove

Booker T Jones @ The Blue Note (Photo by Dino Perrucci)

Booker T Jones @ The Blue Note (Photo by Dino Perrucci)

Then you had Booker T. Jones from Booker T and the MGs.  Booker T. & the MG’s were the house band for the famous Memphis Soul music label Stax Records.  They recorded with all the Stax Records artists, including Wilson Pickett, Otis Redding, and Isaac Hayes, but they also recorded their own material between sessions.  The song they are most famous for is Green Onions, a song they played every set during this run. My favorite and earliest memory of hearing this song can be seen right here:

All the Blue Note sets had the same set lists, in varying order:

  1. Down In Memphis ( Booker T on vocal, #5 on disc)
  2. Rent Party (#7 on disc)
  3. Walking Papers (#1 on disc)
  4. Everything is Everything (#6 on disc)
  5. Hip Hugger (Old Booker T Song)
  6. Gentle Smiles (Gary Bartz Tune)
  7. Born Under A Bad Sign (William Bell cover)
  8. Can’t Find Love
  9. Green Onions
  10. Melting Pot
Look at Those Happy Faces @ Blue Note (Photo by TinyRager)

Look at Those Happy Faces @ Blue Note (Photo by TinyRager)

Both nights, Questlove was the first to enter on stage.  He sat at his drum kit and announced each artist individually as they waited patiently at the top of the stairs. Questlove‘s sense of humor came out immediately.  “Please welcome Mr. Eric Kras-NOW,” as he emphasized the last part with a huge smile. “Please welcome Mr. Gary “Blow Your Horn” Bartz!” And so it continued till each member was on stage and the show could begin.

Down In Memphis ( Booker T on vocal, #5 on disc)
Rent Party (#7 on disc)

They stated the set with Down In Memphis with Booker T. on vocals.   His signature plunking Organ keys sounding just like I remembered.  Rent Party followed with Eric Kranso taking the lead on the solo. During the song, Kranso took the guitar licks and changed them up slightly, causing a jubilant stir from Booker T. and QuestloveBooker T. could be caught glancing at Kranso with looks of interest and obvious delight as Kranso took the song to level Booker T. probably wished was on his new cd.

Eric Krasno @ The Blue Note (Photo by Dino Perrucci)

Eric Krasno @ The Blue Note (Photo by Dino Perrucci)

Walking Papers (#1 on disc)

“The next song selection and what not is…You know we gotta be classy, this is the Blue Note after all!  The next song selection and shit …..” ~ Questlove as the venue erupted in laughter. Probably the one and only time I will hear cursing on the stage of the Blue Note from time to come.

The third selection was Walking Papers. Questlove described the song titles as “the papers that your angry wife gives you.” The song broke into a funky beat and my friend and I all complained about being forced to sit through this danceable set.

Whole Group @ Blue Note (Photo by TinyRager)

Whole Group @ Blue Note (Photo by TinyRager)

Everything is Everything (#6 on disc)

Booker T.‘s cover of Lauryn Hill‘s Everything is Everything followed. This song should have been sung by Nigel Hall who was waiting in the rafters during the first set while this song played but was sitting at our table for the second.  However, Booker T. played the vocals on his organ. No words. Personally, I feel that it is the words of this song that make it powerful and I loved how this elder artist was playing the younger tunes but it was general consensus around my table that it should be sung, not played.  Watching Gary Bartz, I wondered when he learned the song and how long it took him to learn it.  Did he really like it?  On the new cd, Booker T. also covers Gnarls Barkley‘s Crazy.

Hip Hugger (Old Booker T Song)

The best thing about being on this stage the past few days has been our ability to vicariously feel like we are in each others bands. We all have so much respect for each others bands and projects. This next tune will make us honorary MGs”  ~ Questlove introducing HipHugger.

As they segued into HipHugger, Christian McBride took the lead.  He shot out the gate with his solos on this song each set. His smile infectious, his playing addicting.

Gary Bartz @ The Blue Note (Photo by Dino Perrucci)

Gary Bartz @ The Blue Note (Photo by Dino Perrucci)

Gentle Smiles (Gary Bartz Tune)

At this point I should tell yall a little something about the magnificent Gary Bartz as he was the reason this show was even taking place!! When Jill Newman approached Questlove with the list of musicians that might want to take part in this project, Gary Bartz‘s name was what stopped him.

Gary Bartz is a Grammy winning alto saxophone player who first touched down on ears in the mid 60’s.  He played with epic jazz musicians like Art Blakey’s Jazz Messengers, Charles Mingus’ Workshop and McCoy Tyner before even reaching the 70’s.  His music became influential amongst many genres and soon Gary’s music hit Questlove‘s ears as he followed the rise of hip-hop.

If you were a fan of hip-hop in 1991 then you might have known of a song called Gentle Smiles but might not have known it was a Bartz original.  A Tribe Called Quest famously used this sample for their song Butter on the “The Low End Theory” 1991 album. Everyone knows that album, or rather they should. Questlove dropped some serious licks while playing this song, probably having played it in his head over and over for years coming up in the scene.  It was a slow, downright sexy rage.

Gary Bartz’s Gentle Smiles:

A Tribe Called Quest’s Butter, sampling the song:

Nigel Hall @ The Blue Note (Photo by Dino Perrucci)

Nigel Hall @ The Blue Note (Photo by Dino Perrucci)

“And now I’d like to introduce you to the last member of our clan. A person who has his graduate degree in soul walking and Jamesology.  I’ve given him new monikers each set. I need help giving him one for this set,” said Questlove as he looked at the rest of his band. Nigel Hall was introduced by Questlove last night as Nigel Baptiste, Nigel Cosby was his name for tonight’s first set and Norman Huckstable Hall was thrown out this time by Christian McBride.

This was Nigel Hall‘s first paid performance at the Blue Note. As we stood at the top of the stairs and chatted he was wringing his hands and seemed slightly nervous.  So endearing.

Celestial Blues (Gary Bartz Tune)

As Nigel Hall began his next song he spoke of the Maine State Slogan being “They Way Life Should Be” and how the song he was about to sing is more tactical version of that statement.  “so meditate and contemplate”  Gary Bartz raged thru his solo.  Gary Bartz is the reason Questlove went after this gig.  When Jill Newman,  the lady who helped fund the Blue Note Jazz Festival, read Questlove the list of musicians who were interested in the super jam…this is the name that solidified the deal.

Whole Group raging The Blue Note (Photo by Dino Perrucci)

Whole Group raging The Blue Note (Photo by Dino Perrucci)

Born Under A Bad Sign (William Bell cover)

There was more banter and The Temptations Get Ready was teased by the rhythm section, another inside musical joke. Nigel Hall went on to sing Born Under A Bad SignNigel went off in the song, getting lost in his own voice. We got lost as well.  Having been part of The Warren Haynes Band for a few months, Nigel Hall has fused this song to his blood line.  And as always, I heard people asking “who was this guy,” questioning with the biggest smiles possible!!!   The night before, I was unlucky enough to miss Dee Dee Bridgewater, who came out in the second set to join Nigel on this song.  Amazing.

“Let’s give fun a round of applause ~ Questlove

Got To Get Some > Cant’ Find Love

As they began to play the next tune Got To Get Some, Questlove stopped and I think might have broken something as he said “well, they are gonna charge me five bucks for that! ” Nigel responds, “Sounds alright.  So long as its tight, its alright.” Nigel sang soulfully through Got To Get Some and Cant’ Find Love.

Whole Group w/ Nigel @ Blue Note (Photo by TinyRager)

Whole Group w/ Nigel @ Blue Note (Photo by TinyRager)

Green Onions & Melting Pot (Booker T Covers)

Nigel Hall bounced off the stage as the remaining group broke into Green Onions.  Christian McBride is such an amazing bassist as he kicked his bass so deep during this song.  Seeing this song performed live was truly special.  With these musicians, who were having so much fun on stage, they brought the song to life and I have to admit that it was one of my fav parts of the set. Just hearing the opening immediately made me smile. It’s impossible not to love this song.

The super group ended their exciting set with Booker T’s Melting Pot from his 1971 studio album.  Here is the studio version of the song. There were certainly to many restrictions on picture and video taking at The Blue Not like always.

When super groups like this gather, it’s always a shame to miss the magic. I hope this brought you into the moment, if only a little bit!

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