Bowlive IV Night 5 Recap w/ Marco Benevento, David Hidalgo & The Shady Horns : John Medeski, Bill Evans & The Shady Horns
Soulive’s Brooklyn Bowl residency, Bowlive IV, reached it’s fifth night last night. In past years, this would signify the middle of the run and the end of the residency’s first week. However, Soulive has chosen to pack more talent into eight days this year and continue to impress upon us just how talented they truly are. As if we didn’t know already.
The equally impressive power trio and Bowlive alumi, The London Souls, opened with a fury that paralleled Bowlive IV’s previous night openers. Eric Krasno made a point to remind the audience that this is one of his “favorite bands!” That was a powerful statement from a powerful guitarist who sees and appreciates the talent in his peers and a clear invitation to Soulive fans to pay attention. The London Souls are a classic rock band consisting of shredding guitarist Tash O’Neal, drummer Chris St. Hilaire and bassist Stu Mahan. Tash’s sound is reminiscent of Jimi Hendrix; the comparisons are just inevitable. However, as a group, they seamlessly flow from multiple styles while improvising styles all with undertones of pure Rock ‘n Roll! Their wickedly expansive sound, something every power trio hopes to accomplish, shone through vibrantly in their performance of originals “Old Country Road,” “Easier Said Than Done,” and the old-timey tune “Bobby James.” The audience rocked out to AC/DC’s “Long Way To The Top” and The Souls closed their set with a rousing cover of Frank Zappa’s “Apostrophe.” So much to say, so little time.
The London Souls Set List:
Lucille Cover
Under Control
All Tied Down
Old Country Road
Honey → Long Way To The Top (AC/DC)
Bobby James
Some Day
Easier Said Than Done
I Think I Like It
Apostrophe (Frank Zappa)
Many times, the relationship between Soulive and their guests is one that has been cultivated in New York City, in front of Soulive fans who get to witness local musical guest sit-ins during local shows. Last night’s first guest, avant-garde pianist and organist Marco Benevento, a long-time NYC resident now living in Woodstock, is a Bowlive alum that fit this category. Benevento adds an element of improvisational psychedelia and locks right into the groove of every tune he touches with a specific experimental jazzy sound that defines his music. Soulive, with the help of the Shady Horns, churned out “El Ron” and teased Bob Marley’s “WAR” before a crushing “Reverb.” Saxophonist James Casey, Baritone saxophonist Ryan Zoidis and trumpeter Eric Bloom went into a hot, circular jam session, just the three of them, before Benevento joined the stage for another Soulive original “Upright.” Benevento made his presence known with an extended face-melting solo of his own. He remained on stage for the rest of the set, seamlessly layering his sound amongst the trio’s for “Swamp E” and The Beatles cover, “Revolution.” As much as Benevento is known for his own amazing techniques and stand alone performances, he is also part of a wonderful Led Zeppelin tribute band, Bustle In Your Hedgerow, which New York jam band music fans fawn over. So, when Zeppelin’s “The Ocean” began, Benevento fans and beyond went ballistic and everyone’s musical taste buds were satisfied.
Set I:
El Ron
Reverb
Upright (w/ Marco)
Swamp E (w/ Marco)
Revolution (Beatles cover w/ Marco)
The Ocean (Led Zeppelin cover w/ Marco)
The second set came quick as the excitement of the next guest was something that could hardly be contained by the members of Soulive. Los Lobos guitarist David Hildalgo came out on stage and became the newest musician to join the Bowlive roster. Granted, he snuck into a few tunes the previous night but now was his time to shine. For those of you who don’t know, Hildalgo is a world renowned guitarist who has played on albums of Buckwheat Zydeco, Elvis Costello, Paul Simon, Gov’t Mule, and even G. Love and Special Sauce. The list of collaborations goes on as does Hildalgo’s ability to play multiple instruments and styles. However, tonight, his vocals and guitar skills would be the highlight of the second set. Soulive performed “Shaheed” alone before Hildalgo picked up his guitar and walked out to a screaming audience. He veered completely off the setlist and performed a fantastic version of Traffic’s “Who Knows What Tomorrow Will Bring.” The energy on stage was magnetic and the foursome pushed the boundaries of memorable Bowlive collaborations to the limit with Hendrix’s “3rd Stone From the Sun,” and Los Lobo’s tunes, “Dream in Blue” and “Chains of Love.” The Shady Horns threw out killer solos amongst the jams and a highlight of the evening was watching Hildalgo and Krasno trade licks off each other for Jerry Garcia’s “West LA Fade Away.” The tie between Garcia comes from Hildalgo writing “Evangeline,” which the Jerry Garcia Band covered regularly. Hildalgo and Jerry played together on numerous occasions and had a huge respect for one another’s playing. The musicianship on stage was outstanding and the set was pure fire. It’s impossible to replay into words sometimes and for those who were present, they know what I am talking about!
Finally, last evening’s encore could easily rank high in Bowlive History as one of the best. It wasn’t just an encore…It was a “Neil-Core”: Soulive ended the night with a Neil Young medley for the ages, touching on three distinctly different parts of Neil Young’s career. There could not have had a better supporting cast of guitarists to bring the screeching Neil Young chords to life with David Hidalgo (Los Lobos) and Tash Neil (The London Souls) on stage alongside Eric Kranso. The first song in the Neil medley was “Ohio,” a political song written by Neil Young about the 1970 Kent State shootings and the protest movement that it helped shape. “Ohio” was followed up by a spirited version of “Down by the River,” a tune Neil Young and Crazy Horse played on the album Everybody Knows This is Nowhere. Alan Evans, who was lending his drum kit to The London Souls’ Chris St. Hilaire, shared the vocals on that tune with Tash O’Neal. Seeing Alan in the middle of the stage with a microphone in his hand was new and fun. He seemed to be having a blast. Soulive went even deeper into the Neil Young catalog by playing “For What It’s Worth,” another powerful protest song written by Neil’s band mate in the Buffalo Springfield, Stephen Stills. These three songs forced those remaining at the Brooklyn Bowl into a dancing frenzy of happiness.
Set II:
Shaheed
Who Knows What Tomorrow Will Bring (Traffic cover)
Dream of Love (Los Lobos Cover) >
3rd Stone From the Sun (Jimi Hendrix cover)
Chains of Love (Los Lobos cover)
Revolution (The Beatles cover)
West LA Fade Away (Grateful Dead cover)
Stone Free (Jimi Hendrix cover)
-Encore-
Ohio (CSNY)
Down By the River (Neil Young and Crazy Horse)
For What it’s Worth (Buffalo Springfield)
Sure, it was Wednesday night and the audience was weary from dancing their legs off the previous nights, but true music fans love hearing famous covers performed by their favorite bands. Soulive has been consistently banging out tight versions of their own originals but it’s the rousing covers of popular classic rock songs that brought the jam band crowd of the Brooklyn Bowl to their Nirvana last night. These collaborations also feed the members of Soulive. Marco Benevento and David Hildalgo expanded the consciousness of Soulive last night and the audience was just in awe.
Tonight’s guests will include organ wizard (and possibly a regular wizard as well) John Medeski and saxophonist Bill Evans along w/The Shady Horns. Because Brooklyn Bowl is hosting a fundraiser for The Brooklyn Nets this afternoon, so there isn’t an opener tonight. Doors will open at 8p with Soulive on close to 9p. On to the next one……
An absolutely historical night of music. A bitter-sweet night of music. A magical combination of guitar-shredding artists who came together for the memory of one man. Allen Woody!
His unexpected passing on August 26, 2000 encouraged his fellow musicians to hold the first benefit called One For Woody in September 2000. Tonight, ten years later, Warren Haynes and an ARSENAL of guitar-wielding friends put together the second benefit for this greatly missed musician: Another One For Woody: “Wish You Were Here!”
This was a man whose musical presence touched the lives of numerous musicians, inspired a genre and who’s musical contribution deserves recognition. Tonight, people paid over $140 a ticket to pay homage to this dearly missed bass player whose tragically early departure from music left a gaping whole in the sound of southern rock. The proceeds from this 10th Anniversary event went to raising money for musical education in schools. For every person we heard complaining about the price, we politely reminded them of this fact. Having just had the privilege of attending T-Bone Burnett’s “Waiting For Superman” Benefit at The Beacon (click for my review) a few weeks earlier, it is safe to say that the quest for keeping music & art in the school system is not going to ever be ignored. We are all soldiers in that fight.
“It’s too loud? Too fuckin’ bad” -Allen Woody 4/4/96
Roseland Ballroom
Arriving at 6:45pm, I had quibbled with my man over arriving to the venue early. He didn’t want to stand around for hours and I wanted to make sure we had ample time to arrive early enough for good viewing locations. Roseland Ballroom is one of those venues, like Terminal 5, that has a sardine-like feeling with horrible site lines due to low ceilings and poor design. Doors were meant to open at 6pm but didn’t open until after 7pm. When we arrived, the line to the venue was wrapped completely around the block. Of course, even being an hour early, we were still slightly late but the first of our friends. Our section of the line starting to bulge as more friends joined our space.
Dino Perucci (Dino Perrucci Photography) and Allison Murphy (Allison Murphy Photography), two of my favorite NY based photographers, were walking the front of the stage. My smile swelled because I knew that I didn’t need my camera tonight. Throughout this article, many of the pictures you will see are shots through their lens. Thanks to both photographers for allowing this Tiny Raging blogger to stand there and take it all in, not having to worry about the pictures. And thank you, not simply for this show, but for the hundreds you do every year. Thank you, from all the people who admire your talent and work, for doing what you do and bringing the music to our eyes.
The show was supposed to start at 7pm and the doors didn’t even open until after 7pm. After a lovely chat with the lovely Allison Murphy while the unusually long sound check and stage set-up it seemed about that time. Those of us in the front were debating which musicians would be standing/sitting/playing where. As long as I could see a full-on shot of Derek Trucks, Warren Haynes and Luther Dickinson, I didn’t care where I was standing.
Out walks Warren Haynes with two other musicians that I am unsure of. It wasn’t until maybe an hour later that I found out that the men were Edwin McCain and Kevin Kinney. This was the acoustic set and it was beautiful.
As soon as Warren Haynes started his strumming into Kevin Kinney‘s Just Outside Of Heaven (A Good Country Mile), I got that religious swell that I sometimes reach when the beauty of the music overwhelms me. This time, it was just as much the energy in the room as the music. I looked behind me and saw the faces of all my friends just beaming with excitement and love. Edwin McCain sang The Lucky One. All three sang on a gorgeous rendition of I Shall Be Released.
Set: Just Outside Of Heaven (A Good Country Mile), The Lucky One, I Shall Be Released
Warren Haynes + Gordie Johnson (Photo by Allison Murphy)
The Brothers Dickinson brought the Memphis blues to our ears with Sitting On Top of the World, a 1930’s standard. The gospel tone came out with Shimmy She Wobble > Station Blues > Preachin’ Blues, all North Mississippi Allstars originals. It was at this time that standing in front of the speakers began to take effect and I had to pop in the ear plugs. It never fails and as usual, I ended up passing out the rest to friends and strangers around me who were clearly in need.
And then it was time for the guests. Gordie Johnson, Big Sugar guitarist and recent Gov’t Mule producer, came out to join the Duo for Po Black Maddie. Initially, it looked as though Gordie was going to sing the song but it almost appeared as if he was unsure of the words. Did anyone else catch this mumbling into the microphone?? Luther ended up singing the song.
Gordie Johnson remained for Straight to Hell. Cody Dickinson‘s smile never left his face the entire set. It almost looked plastered on but we all know he was truly happy. How could anyone not be? There was a stand-alone drum solo by Cody Dickinson while Luther and Gordie Johnson switch sides of the stage for the final song of the set.
The end of their set was FIRE!! The Duo welcomed Artimis Pyle (Lynyrd Skynyrd) on drums, Danny Louis (Gov’t Mule) on keys and Audley Freed (Cry of Love & the Black Crowes) to the stage to perform Whiskey Rock A Rolla! There was now an arsenal of musicians on the stage to sing about whiskey and rock-n-roll! Four guitarists as Cody Dickinson moved from his drums to a guitar, tambourines, keyboards…What a mess of Southern rednecks. Their vests, boots, long stringy hair, cowboy hats…all screaming of their bluesy country background.
Set: Sitting On Top of the World, Shimmy She Wobble > Station Blues > Preachin’ Blues, Glory Glory, Po Black Maddie, Straight To Hell, Whiskey Rockin Rolla
The members of Gov’t Mule take the stage after a few minutes of stage setting. Warren‘s iconic raspy voice heads into Railroad Boy. The screen behind the band was projecting a black background with “GOT MULE?” plastered across in white. Warren ripped a solo and the set just launched into southern goodness at its best.
There was a spacey rip into Blind Man in the Dark, a personal favorite to sing around my apartment. Warren asked us how we were feeling and the place erupted with a happy reply. Danny Louis jumped off the keys and onto guitar for Steppin’ Lightly. At this point, there were old picture of Woody shooting or lingering across the screen behind the band. His face smiling at us, showing his appreciation for the music in front of him.
Sometimes there is nothing better then watching the hands of your favorite guitar player. Personally, my favorite guitar player had not yet hit the stage but here in front of me was Warren. He is simply amazing. Watching Warren, I was in tune with his hands much more then usual. I equate that to the fact that I have never been this close to his hands before. I was so happy to be in the front row. Banks of the Deep End sprang out of his hands and so it went…full on Warren!
And now it was time for some GUESTS!!! Gordie Johnson once again joined the stage, this time followed by Jim Loughlin & Vinnie Amico, the drummers from Moe. They raged I’m A Ram before jamming into Dear Prudence where Chuck Garvey, also of Moe, joined with his guitar. I LOVE Moe.
Warren Haynes + Chuck Garvey (Photo by Allison Murphy)
Dear Prudence with the members of Moe. AWESOME! THIS little addition to the stage made me very VERY happy. Seeing Chuck on stage with Warren was interesting. Their sounds are so different so vibing them together was great even though I silently wished it had been Al who was joining the stage. Chuck lead while Warren sang. There were whimsy art paintings across the screen behind the stage. Chuck gave a great solo and then tagged in Luther.
Warren Haynes + Hook Herrera (Photo by Allsion Murphy)
The 320 Blues saw Hook Herrera join the stage with his mighty harmonica. Oh, the harmonica. I LOOOOOOOOOVE the layer of sound a harmonica add to a musical journey. As well, Luther and Cody Dickinson joined the stage followed by Artemis Pyle (Lynyrd Skynyrd). GOD! It just kept getting better and better! So many musicians had been touched by Allen’s friendship, music and memory. Cody busted out his washboard and I finally heard the North Mississippi Allstars sound that I associate so much to that washboard. The place was on FIRE!! and the music was so loud and vibrant that the musicians drinks were shaking off the amps. As far as energy was concerned, this was the pop-off song of the night, so far.
Audley Freed + Robert Kearns (Photo by Allison Murphy)
Warren then spoke of how Big Sugar used to open for Gov’t Mule and how he and Allen Woody would rage this Al Green song. He welcomed Rich Robinson (Black Crowes) to the stage for Stay With Me, Rick’s slide guitar sound melting everyone’s ears. Danny Louis was back on his keyboard. This song was so pretty. Warren ripped a solo and then they all hugged. The next song saw Rich Robinson staying on stage and being joined by Robert Kearns (Cry of Love) replacing Jorgen Carlsson on bass and Artemis Pyle (Lynyrd Skynyrd) jumping on drums. They flew into Sometimes Salvation, a Black Crowes cover, and the venue cheered.
Simple Man was next. I love this song. It never gets old for me. Matt Abts left the stage this time leaving only Artemis Pyle to play the drums. Audley Freed was back out on guitar and so they went…
Warren Haynes + Savannah Woody (Photo by Allison Murphy)
Wishing Well was next with the same people gracing the stage. And then we were given an emotional surprise. Savannah Woody, Allen Woody’s daughter, came out to the front of the stage to sing Soul Shine. And she sang the line: Now you gotta let your soul Shine / Just like my daddy used to say...the entire place erupted with the longest loudest cheer of the night and Warren’s tears took over the gleam in his eye. It took some time for people to realize who Savannah Woody was but when she sang that line, I knew immediately that it must be SOME kind of close relative to Woody.
During the song, she was standing on stage, arms dangling while solos were being taken. A stage hand brought out a tambourine in the cutest way but she still didn’t move that much.
Warren Haynes + Savannah Woody (Photo by Allison Murphy)
When Allen died, a fund for Savannah’s education was established in his memory. She didn’t look any older then a high school student and it made me sad to know she lost her father so young. But the fact that she was up there, singing in her father’s memory, and not crying…we knew she was a strong. Certainly stronger then me as I teared up once I realized who she was and what she meant to the show. It must feel wonderful to see that your father touched so many lives. It must be wonderful to know that all those amazing guitar legends up on stage were actually men who look after their own and I am sure have taken her under their wing over the years. It was a lovely and touching performance of an otherwise tedious song.
This show was supposed to end at 11:50pm, due to city/venue rules. This set ended at 11:30pm and we KNEW that we were not going anywhere for sometime because now….it was time for The Allman Brothers Band, but not before almost a 40 minute set break.
Set List: Railroad Boy > Blind Man In The Dark, Steppin’ Lightly, Banks Of The Deep End, I’m A Ram (with Gordie Johnson, Jim Loughlin & Vinnie Amico), Dear Prudence (with Chuck Garvey, Jim Loughlin & Vinnie Amico), 32/20 Blues (with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle), Stay With Me (with Rich Robinson & Artemis Pyle), Sometimes Salvation (with Rich Robinson, Robert Kearns & Artemis Pyle, without Jorgen Carlsson), Simple Man (with Artemis Pyle, Audley Freed & Robert Kearns, without Matt Abts & Jorgen Carlsson),Wishing Well (with Artemis Pyle & Audley Freed), Soulshine (with Savannah Woody & Artemis Pyle)
The set break must have last over 40 minutes. Sadly, my date for the evening felt the weight of the tiresome day during the obsessively long break and had to leave. A set that was supposed to end at 11:40pm and didn’t even start until at least midnight. This was insane but I only knew good things would come from those of us who had been standing on our feet for over five hours at this point.
When the music final started, my feet were aching, I was missing my date and fighting to hold my place up in the front row. The masses pushed even closer as Derek entered the stage. And for the first time since I was able to meet him on his tour bus during Mountain Jam (click to read), I was back into a super fan. My legs buckled at first site, my smile exploded out the side of my face and I screamed like one of those chicks who faint when seeing the Beatles or Justin Beiber. Derek-Mania was going through my entire body. He is the one musician that makes me completely lose control.
Derek Trucks + Marc Quinones (Photo by Allison Murphy)
At this point, I am afraid I won’t be doing a great job of writing out exactly what went down. Like I said, I get a little more then weak in the knees when I see Derek Trucks and stopping to takes notes or trying to recall everything when all I want to be doing is staring at his fingers, well…..I didn’t write much at all.
First, the overly handsome Oteil Burbridge joins the stage, followed by Warren Haynes and Gregg Allman who wander to their respective instruments. It didn’t take more then 60 seconds for the rest of the members of The Allman Brothers Band, including Marc Quiñones on percussion, to lock into place and blast right into Don’t Want You No More, the first song on the first Allman Brothers album and an instrumental that was originally recorded by The Spencer Davis Group in 1967. All I wrote in my notes is “Ok, I just need to dance now.”
Gregg Allman continued striking the keys and singing into This is Not My Cross to Bear, a song Greg wrote about an old girlfriend. Both Derek and Warren were given ample time to release their talents through solos during this song so be sure to watch. And as you watch Derek smile towards the camera right in the beginning of the following video, you can be sure he is smiling at me. Oh yes! To be sure **wink**
End of the Line was next. Warren changed out his guitars for this one and ripped out an astounding solo. Sometimes I just don’t understand how things can sound so different with every show. Same style but soooo different in sounds. At this point it is still only the members of The Allman Brothers Band gracing the stage and it proceeded that way for the following 5 songs.
Greg Allman + Danny Louis (Photo by Allison Murphy)
So at this point, there is a lull in the sound throughout the audience and I catch myself SCREAMING like one of those Beatles Mania fans again: “DEREK I LOOOOOOOOVE YOU!!!!!!!!!!!!!!!.” No One Left To Run With was next, one of the few songs Dickey Betts wrote for the group but never sang.
Fun fact: This song was included on the 2002 compilation CD Mullets Rock!. For a while, The Allman Brothers were prime offenders of the haircut that was “Business in the front, party in the back.”
There was a gnarly guitar duel between Warren and Derek. I mean it just never ends with these two. Warren was presenting us with such a phenomenal night of music and he was the ONLY musician to play in almost every song and at least in ever set. He was the hardest working man in show buisness that night! The drums in this song were killer.
Black Hearted Woman, also a song written by Gregg Allman about the same woman he wrote This is Not My Cross to Bear about, followed and continued right into Other One Jam, a Grateful Dead cover, until they begin inviting out the guests!!! Greg sang his heart out and the video shows it!
Hook Herrera came out and joined the boys for Who’s Been Talking. That man is an absolutely phenomenal harmonica player. I’ve said it a million times but I LOVE THAT INSTRUMENT. You can’t get a sound from any other instrument the way a sound is produced through a harmonica. It’s just soulful and the epitome of the blues to this southern gal.
Artimus Pyle + Audley Freed (Photo by Allison Murphy)
Midnight Rider, a crowd favorite,followed. Now, the original version of the song was with Duane Allman playing. I believe Gregg Allman re-made it a few years later (correct me if I am wrong). If you listen to older recordings, you can hear and feel Duane and Dickeys’ opposing styles very well. So amazing. Also, in 2005, this was used in the opening credits of Rob Zombie‘s horror flick The Devil’s Rejects. Who doesn’t love that kind of product placement!?
Midnight Rider was followed by One Way Out. This song welcomed out Rich Robinson, Berry Oakley Jr. & Artemis Pyle to the stage. I don’t know why but the videographers apparently must have run out of time or video because the Allman Brothers YouTube videos begin dying off around this point.
Warren Haynes + Berry Oakley Jr (Photo by Allison Murphy)
Statesboro Blues saw all guests leave the stage except for Berry Oakley Jr.. Berry Oakley Jr. is the son of Berry Oakley, a founding member and original bass player for The Allman Brothers Band who sadly passed away in 1972. It was a tribute for many people this evening and I was hoping people recognized the significance. Berry Oakley, Jr. left the stage and was replaced by Audley Freed & Danny Louis on guitar and keys respectively for The Band‘s The Weight.
Chuck Garvey, Jim Loughlin, Jimmy Vanderbogart & Vinnie Amico came out to join The Allmans during one of my all time favorite Grateful Dead songs, Franklin’s Tower. Got to be honest with you and admit I have NO CLUE who Jimmy Vanderbogart is and I can’t find any info online that can give me more insight – If you know, please comment.
Southbound followed with the addition of the Dickenson Brothers joining the crowd on stage along side Hook Herrera and Danny Louis. This was one of my favorite songs of the set simply because it was The Allman Brothers with this North Mississippi Allstars Duo and a freaking harmonica. SOUTHERN GREATNESS!!!
All guests exited the stage and a RAGING Whipping Post closed out the set. Derek Trucks once again showing us he is the king of the slide guitar. Once again showing me that he is the king of kings in my world when it comes to the guitar.
Gordie Johnson (Photo by Allison Murphy)
As my girlfriend and I walked away, we realized it was almost 2am in the morning on a work night. We discussed leaving before the encore and went to the restroom. Coming back up from the basement bathrooms, we smiled at each other as we heard the stage light up again. We couldn’t leave. Not this time. Warren Haynes began strumming the chords to Pink Floyd’s Wish You Were Here. And without uttering a word, the entire venue began singing the lyrics. Warren places his hand behind his ears and the venue sings louder. Berry Oakley, Jr., Gordie Johnson, Danny Louis and Matt Abts joined the stage for the remainder of the song with images of Woody’s face flashing smiles across the screen behind them. And I cried…for the third or fourth time that night.
Set List:Don’t Want You No More, Ain’t My Cross To Bear, End Of The Line, No One Left To Run With, Black Hearted Woman > Other One Jam, Who’s Been Talking, Midnight Rider, One Way Out, Statesboro Blues, The Weight, Franklin’s Tower, Southbound, Whipping Post
Encore: Wish You Were Here
What an amazing night of music!! Simply amazing. The epitome of love and community within southern rock was found on that stage this night. I truly wish I could offer you a free download but alas…..
A nature and music filled weekend in upstate New York. The weather was picture perfect as we left the city in our rental car by way of Palisades Parkway. We stopped at a lovely scenic overlook to admire a view of Manhattan we rarely get to experience.
View from part of the Mohonk Mountain hike
As we drove down the New York State Thruway, the weather remained unmatchable, the trees glowing in their shades of orange and yellows. It was simply magnificent. Coming from the Blue Ridge Mountains to live in NYC, the drive reminded how lovely the change of season is and how I longed for Virginia. New York, however, served up such images of beauty over the weekend, I half considered, just for a moment, how nice it would be to have my parents move here to join my sister and I to live out our days in the tri-state area.
View from Mohonk Mountain hike
Leaving Manhattan in the early afternoon, Jay and I were dropped off at the mouth of the Mohunk Preserve. The weekend started with a rocky rambling hike through the Preserve to the Mohunk Mountain House. So majestically beautiful, I couldn’t possibly have left it out of the weekend’s descriptions. Walking through the halls of this massive castle the Quakers built back in the 1800s, I immediately felt like I was in the Stephen King novel, The Shining. And as I vocalize this thought to my companion he turns to tell me that Stephen King stayed here and this was where he got the inspiration for the movie. Creepy.
Mohonk Mountain House
Walking to the top of the Mohunk Mountain to the tower was magical. I felt as if I was in a different land. How could I be in New York? How could it have taken me 7 years to make my way to this beautiful area. Simply majestic.
View of Mohonk Mountain House from top of Hike
RAGING THE MOUNTAIN!
I ended Saturday with a few new bruises and so many smiles, surrounded by new friends and excited for what Sunday would bring. As we awoke Sunday morning, I stepped out on to the back porch of the country house and took in the view and the fresh air. What a great day for a Ramble. The sun was shining, the air had warmed and our friends had started to gather for round two. But what is a Ramble you ask? Once a month, Levon Helm, best known as the drummer for The Band, holds a The Midnight Ramble inside “The Barn” located on his Woodstock New York property. That is pretty awesome. Today was a free Levon Helm’s Kids Ramble and it would be held at Gills Farm.
Gill's Farm Store Front
Pumpkin Cannon of Ulster County
The Kids Ramble was slated to go from 2pm to 4pm. We arrived around 1pm and the parking had already gotten tight. As I exited the car, the first sounds I heard came from THE PUMPKIN LAUNCHER. A pretty insane part of the event. The epic sound of this launcher was ridiculous. I hadn’t seen the thing yet but I imagined this GIANT slingshot type thing going down. Not the case. First thing I saw, as we made our way to the property, peeking out just above the tree line, was the tip of a metal shaft and a chunk of pumpkin spewing out. This thing was more crucial then I could even imagine. The second thing I see is a crowd of people checking out this MASSIVE, double-tanked 30+ foot welded, metal pumpkin launcher. Apparently, they have contests giving people a reason to build these excellent contraptions.
THE CANNON
Having a 6 year old with us, this Ramble was designed for her and her peer group. There was a giant pumpkin field on the right side of the property where families were picking pumpkins to take home. There was face painting and pumpkin carving stations. You had an amazing tractor ride that took families through the pumpkin field, the corn field, a mud bog and back to the pumpkin field. Then you had this enclosed hay tunnel the kids could climb through. And although I never saw the end, it must have had one as the kids came bounding to the soundboard once the music started.
Hippies dancing in the pumpkin fields
The entire event was was literally held in the parking lot and side field (a little more then an acre of space maybe??) in the store font of Gills Farm. Taking a look around, there were easily 300 people crammed onto this property and SPILLING into the streets, into the pumpkin field. It got to the point where the locals had parked along the nearby streets, blocking the shuttle buses picking people up from the designated parking lots.
Roasted Corn! Get Some!!
On the side of the store was the kitchen where they sold roasted corn, corn chowder, chili, hot dogs, squash soup, ciders and more. I can speak for the roasted corn and corn chowder. I had never had roasted corn before and I believe it made it into my top 100 all time favorite foods now. A-MA-ZING! Then you had the corn chowder which I had heard others raving about. It was not overly salted or peppered so the simplicity of the corn really came through. I loved it.
Our Farm Fueled Lunch!
Yummy!
As we attempted to find a spot to sit and eat, we came across a few upside down plastic crates and sat. Just as I was about to dig into my corn I was told I had to move. There was no natural seating except for a few benches here that were all taken up. As I walked away to head to our blanket behind the soundboard, the crowd started cheering. Seems I had been sitting right next to Levon’s trailer and sadly, as my hands were filled with scrumptious farm treats, I was unable to get pictures. I was also a little open-jawed as Donald Fagan followed close behind. And as I made it to the soundboard, Levon made it to the stage.
They started the set with notable songs from The Band‘s catalog like Look Out Cleveland and Long Black Veil. Larry Campbell, a self taught musician who has never had formal training on any of the instruments he plays, switched from guitar to mandolin to violin throughout the set. Teresa Williams also on guitar, sang like a dove. Long Black Veil was a favorite of the day thanks to her earthy vocals.
Rambling Musicians!
Next we had Donald Fagan give us a sultry, bluesy intro to a song I am unsure of. He sang the lyrics and melted the last few notes. I really wish I could recall the title. Ophelia had everyone cheering and singing along. A great song. There was a large horn section with two saxophones, a trumpet and trombone. Each one taking their turn for a solo throughout the song. Almost sounding second line-esque the entire set.
Then we had the Grateful Dead covers by way of Shakedown Street with Donald Fagan on lead vocals. Deep Elem Blues had Larry Cambell on mandolin, hippies dancing in pumpkin patches and the horns got down and dirty as Levon played his electric mandolin while Justin Flick took his place at the drum kit.
With all these people he brings to a stage, Levon is never far from adding more and more. Out walks Daniel Lewis (Gov’t Mule) to play keys along side Donald Fagan for Tennessee Jed. I saw a guy on the french horn at this point but I was unsure of who he was. The horn players evaded me as I couldn’t get close enough to make out faces.
Larry and Teresa - Levon on Mandolin
Donald Fagan and Daniel Lewis blasted out on the keys for a superb cover of Steely Dan’s Black Friday.Teresa Williams BELTED out Hot Tuna‘s Keep Your Lamps Trimmed and Burning. This song was originally a spiritual song sung by Blind Willie Johnson, a favorite of mine. The way her voice melted into the song almost had me in tears. Yup. It’s been a while sing I cried at s show as a result of being touched by the music. She almost had me but not quite. Perhaps yall should check out her band, Ollabelle.
They closed the show out with The Band‘s famous song, The Weight. Everyone was singing. The kids were dancing. Steven Bernstein gave us a wonderful solo on the trumpet. The sun was shining. We all ended the set in a blissful singalong.
Levon says Goodbye!
SET LIST: Look Out Cleveland, Long Black Veil, ———, Ophelia, Shakedown Street, ————, Deep Elem Blues, Tennessee Jed, Black Friday, Keep Your Lamps Trimmed and Burning, King’s Harvest, The Weight
There are shows you attend because you want to see remarkable musicians manipulate their instruments and bring innovation and something new to the musical tables. Then there are shows one goes to see to be slammed against the wall with nostalgia. You already know every note, every lyrics and you just want to hear everything familiar. Tonight, I would be seeing Arrested Development perform at B.B. King’s Blues Club & Grill in Times Square. Tonight…it was all about nostalgic progressive hippie-rap.
Buy Storm! Out Now!
Touring mainly over seas since getting back together in 2000, Arrested Development hasn’t been in our neck of the words for some time. However, it didn’t take them long to make their second rounds on the American musical community. With the release of their new album, Strong, and holding top-10 positions on International music charts, they are proving that a positive message, no matter when delivered, is relevant at any age!
Speech of Arrested Development @ B.B. Kings
Their albums speak of political issues, ethical dilemmas, they celebrate feminism and masculinity and project mounting peace and love in an overwhelming society fueled by negativity. My Arrested Development albums were literally some of the first Cds (other then my Grateful Dead Cds) to be played out. Arrested Development was also my first introduction to hip-hop. I was immediately listening to beats that I normally would not have been hearing had I only listened to my Grateful Dead or Allman Brothers Band cds. This was all around 1993 when I was 13 years old so….I heard them, listened to them, and started researching their influences. I remember being very shocked at the contrast in gansta rap bein’ spit by Dr. Dre vs. the positive lecturing by Speech in the Arrested Development tracks.
One Love of Arrested Development @ B.B. Kings
We walked in during We Rad, We Doin’ It. A harmonic, danceable song with the messages of Peace and Love, with sections of One Love inserting his DJ rapping intelligence in the middle. With a tambourine and a hard rock guitar throughout, Speech gave us the message: “I Get Up / I Keep Going / I Get Over It.” One song in and the stage was already bouncing and the dance floor was already bumpin’.
Montsho Eshe of Arressted Development @ B.B. Kings
And right into what might be my new favorite Arrested Development tune. The World is Changing. SO HAPPY, motivationally charged in the music, I couldn’t help but just dance all over the front row with the audience. The members on stage were just as energized. I was lucky enough to be in standing in front of Montsho Eshe. Upon her introduction, Speech mentioned that she had been with the group since she was 13 years old. AND HOLY CRAP! That woman has some dancing raging energy. With someone dancing in front of you like that, and the bass pumping like that, do you blame me for not taking notes or good videos? See…..
Rasadon of AD @ B.B. Kings
One of the things I noticed immediately was that the front row was filled with drunk young faces. With my research showing that the average audience age for Arrested Development being in the 21-25, it is clear that they have been rediscovered by the younger generation as I was in my teenage years when they were influencing my life back in the 90’s. That stat was CLEARLY reflected in the drunk (possibly 21??) sloppies who were falling into themselves, other audience members, the stage and trying with all their might to touch their idols hands and feet. Luckily, I had an unlucky buffer by way of a 6’2 African American woman who was clearly trying to remain calm and enjoy her show while remaining upright from being drunkenly danced into. I felt bad for her but happy that they were not bumping into me.
Arrested Development @ B.B. Kings
JJ Boogie of AD @ B.B. Kings
The vibrantly dressed group proceeded to play all the wonderful nostalgic tunes I came to see: Tennessee, Mr Wendal, People Everyday. The audience continued to shout out the names of these songs until they were played. From their new album, Strong, they performed We Rad, We Doin’ It, LA LA LA, The World is Changing, Bloody and Haters.
LA LA LA is a more sexy, soulful, loungy songs in the repertoire that incorporates some really great voice manipulations, Afrocentric beats and Speech spittin’ his lyrics. Bloody gave us a more deep, heavy, reggea-ish vibe fueled by issues of genocide and the deconstruction of souls. It sounded like a song to march into battle with…Militaristic for a reason, with it’s politically charged lyrics. I suppose I hit the nail on the head as I have just found the video and see it playing out my description…check out the video…what a message:
The strongly spiritually charged Tennessee, Mr. Wendal and Everyday People just BROUGHT DOWN THE HOUSE. I was thrown back into high school dances and the entire night was exactly what I wanted and expected. They presented us with a ton of their new material but also balanced their set list with all the songs that brought us to the stage that night in the first place. If you ever enjoyed their music, check them out.
Proposed Set list from stage list: Rock Intro, We Rad We Doin’ It, Motivational, LA La La, World is Changing, Fishin’ For Religion, Dawn Of Dreads, Bloody, Easy My Mind, Africa’s Inside Me, Tennessee, Wet Your Voice, Haters, Inner City, Mr. Wendal, Freestyle, I Got the Feelin’, Honeymoon Day, Raining Rev, Redemption, Miracles, I’m Bad, Mama’s, People Everday.
Actual Set list: Rock Intro, We Rad We Doin’ It, The World Is Changing, Fishin’ For Religion, Dawn of Dreads, Bloody, Ease Mind, Africa’s Inside Me, Tennessee, Wet Your Voice, Haters, Mr. Wendal, Freestyle Drummer rage, Inner City, Redemption, Mama’s, Everyday People.
Jesus, my spoiled ass forgot what a hot tent feels like in the morning when the sun finally seeks you out. MY GOODNESS!! But considering the stormy conditions we had to endure at last year’s Vibes, the sun was completely welcoming.
VIP Perk #1: You have sectioned camping in the section of the park that has the most tree canopy coverage. The general camping is located in mainly open fields and parking lots.
The Casbah...
Quote of the morning: *With a mischievous look** “Are you trying to tempting me with a good time??”
We woke up to a gorgeous day. We spent the morning relaxing, waking up slowly with our friends at the Cosmic Casbah. We were greeted with friends of ours who were only just now passing out, a table full of breakfast foods like bacon and eggs, muffins and fruit, and music. I crashed onto the mats with my plate of food, listening to the music, letting it breath life into me to start my day.
We knew that for breakfast we were being dished some New Orleans ROCK by way of The Radiators so we hit the field pretty early, only missing Billy Simons Band on the Green Vibes stage. You know, it’s almost impossible to catch all the music at a festival if you are solo but with a running crew it takes that much more time to settle.
VIP TENT! (Night shot!)
VIP Perk #2: During this time, we utilized the free food in the VIP tent where they had wonderful selection of snacks and beverages to sustain us ALL DAY. At $6-$10 for a single meal or $4 for a water in general vending, these 24-hour snacks of fruit, pretzels, chips and salsa, candies, sodas, water, juices, milk, coffees and teas were BEYOND welcoming, sustaining and economical. It’s possible to spend $60 on water before even considering food at a festival. And that is just the 24-hour spread. From 11am-3pm you are offered a buffet of hot meats, salads, pastas, and desserts to chose from. And generally, if you are starving and want another half of a turkey wrap, you could easily ask for one. We made our rounds of good mornings and set up shop by the Karma Wash. It was time to focus on the music.
Dave Malone – guitar, vocals
Ed Volker – keyboards, vocals
Camile Baudoin – guitar Reggie Scanlan – bass
Frank Bua Jr. – drums
I danced into the field listening to The Radiators. Their bluesy-rocky vibe catching my feet and ears completely off guard. Being a huge fan of New Orleans Funk, I knew anything coming from NOLA would be better then good. I was excited to hear some NOLA ROCK from the band considered the #1 Rock band on the NOLA scene!!! They didn’t disappoint.
They came out blasting with rock -n-roll. For all you Phish heads out there, Phish opened for this band back in the 90’s. So did Widespread Panic. Where as both of those bands have now reached high commercial success, The Radiators have always been a deeply respective, yet decisively underground group on the scene.
Ragers!
An unavoidable NOLA signature, their funk layer was evident in the music immediately, coming from Ed Volker on keys. There was also that grungy swamp rock layer by way of Camile Baudoin on guitar. It was rough and rugged. The keys sounded almost out of tune but on purpose reminiscent of Professor Longhair in sound, not style. They were a tight group, the guitar players really made some hot sounds with their axes, with twang here, rock there, and smooth swamp grunge in the middle. It was fun music to dance too, sway too, but really it was something to slither too.
Setlist: I Like It Like That, Lets Radiate, Hard Rock Kid >, Lost Highway, Sitting on Top of the World, Crazy Mona, River Run, Soul on Fire, The Death Of The Blues, Junco Partner, You Ain’t Going Nowhere, Rosie
We needed to charge our phones so headed over towards the Green Vibe stage and that is where I heard the funky, odd sounding keys reminiscent of Alan Evans. But maybe a bit too much guitar. It was not as solid as it could be. It sounded choppy at times. Definitely took some getting used too. So, since they confused me, yet, intrigued me…of course, I had to check them out.
Kung Fu's Kris Jensen @ GOTV 2010
When I approached the stage, I recognized Kris Jensen right away from Dickey Betts. His horn brought a delicious element to an otherwise decent band. I wasn’t a big fan of Todd Stoops singing, or any of the singing really, but he knew his way around that keyboard. Tim Palmieri looked familiar as well and I realized later he has played with numerous artists I knew. He was great. Ultimately, the band itself was comprised of some talented musicians who tore up their solos but sometimes they fell off the page when they were playing as a group. The following video will show you what I mean…not bad their at the end, huh?
I was soooo ready to get down to Jackie Greene‘s set that when I heard him start during the Kung Fu set, I took off running. Jackie Greene is a wonderful artist who has an old soul sound and a yung sexy body 😉 Young and talented, open and warm, HOT!!! A rocker, a funker, a jammer, a rager on top of being a keys player, songwriter and a guitarist., electric, acoustic, loungy, rock, whatever…he does it all.
I made it front row for Jackie Greene where I ran into a few of my favorite Jam Cruisers. He came out rocking right off the bat. The second song was a new rock tune, Medicine. And I love a good harmonica. He slowed it down with a beautiful Shaken. Jut an upbeat rock vibe from Jackie all the way through. Perfect set for that perfect sunny afternoon.
Another Tiny Rager!
He blew me away. Tight, on point, smooth and simple. Jackie Greene isn’t someone who needs lights and fluff. He is just talent. He had the whole field dancing and I noticed that the ladies were ogling over him as much as I was. I try not to but sometimes, just DAYUM! Animal was just sexy and finally I was enjoying a singer for the first time that day. And finally, inviting drummer John Molo (Phil & Friends) to the stage, showing love to Jerry, he raged the hell out of his encore covering Scarlet Begonias, one of my favorite Jerry songs that houses one of my favorite Grateful Dead lyrics:
Once in a while you get shown the light/In the strangest of places if you look at it right.
Setlist: I’m So Gone, Medicine, Farewell, So Long, Goodbye, A Moment of Temporary Color, Gone Wanderin’, Shakey Ground, Animal, Spooky Tina, Shaken, Tell Me Mama, Tell Me Right, Hollywood ->, Tomorrow Never Knows >, Taxman ->, Tomorrow Never Knows, Scarlet Begonias *, Like A Ball And Chain
Nick Ayers – Percussion, Flute and Vox
Brennan Andes – Bass and Vox
Jesse Clayton – Keys
Griffin Bastian – Drums
Ross Huff – Trumpet, Flugelhorn and Vox
The Macpodz @ GOTV 2010
Surrounded by creativity!
Another cell phone charger exchange. We wanted to make sure that we could always get in touch with Issac so Jay and I would alternate charging our phones making sure one of us had a functioning one at all times. Where I generally might have left my phone to die in my tent since I was actually camping and not in a house, this couldn’t be the case this festival. I, of course, ended up using it much more by having it on my person. Alas, I am addicted to technology 🙂 Because of this, I also was able to check out the side stage performances and here we were with The Macpodz.
Just like Kung Fu, I was drawn towards the stage because of what I heard coming from the keyboardist, Jesse Clayton. Sounded GOOD! Their image immediately stood out to me, not that it matters but it was like a warped frat house up there. I enjoyed the trumpet as well. Other then that, meh! Nothing would hae sounded good to me at time, knowing who was coming on the Main stage next.
One of my favorite sets of the day. When is Steve Kimock not good? When does he never just sound so perfect and beautiful and full of rage at the same time making you dance to PRETTY music. And here we had the debut of a NEW CRAZY ENGINE!
Such a signature sound with Kimock, that guitar. So light, airy, happy, funky and jammy. He always has such lovely melodies throughout his music. His songs engage different emotions with every measure. I love him. The addition of keyboard legend, Bernie Worrell was a treat for all of us. He threw in Row Row RowYour Boat, The Star- Spangled Banner and all kinds of silly licks from nostalgic tunes throughout his solos.
Steve Kimock and son, John Morgan @ GOTV 2010
Wavy Gravy - blowing bubbles during Kimock set
Bobby Vega bassed us out on Funky B4 Five, a lovely melodic jam where a fun response comes from the crowd at the end of the chorus. Everything is Everything brought out a rapping Chris Burger (Alphabet Soup, Band of Brotherz) who began with the band introductions. Bernie funked out the keys and it was just a funk fest in the field. Closing with Parliament Funkadelic‘s Red Hot Mama, the guitar just sounded so hot and Bernie Worrell was in his element. John Kimock never stood out to me during this set but I do know he is a wonderful fresh drummer who I hope hits our scene with a tornado like force one of these days.
Setlist: A New Africa, Five B4 Funk, Crazy Engine, Everything is Everything, Red Hot Mama
We again made our way to the Silver Lining booth where we were charging our phones with our friend, Thud. Once again, a decent sounding song caught my ear. Quinn Sullivan was playing but I didn’t have time to stop and pay attention. I had a 15 year old to check in with and feed and Sharon Jones and the Dap Kings were up next on stage.
There are certain bands where words never do it justice, and sometimes, they don’t even do themselves justice, because they are just THAT good. Sharon Jones and the Dap Kings have consistently performed, blowing the ears and minds of millions of people with every performance. This performance was no exception. Just stop the program. Just end it all right here. No one can touch this woman. She is FIRE.
Sharon Jones and the Dap Kings @ GOTV 2010
Sharon Jones (Photo by Jeffrey Dupuis)
Sharon Jones didn’t join the stage immediately. First, the stage just filled with DAPPER looking men and their instruments. The first song consisted of the horns blasting, the funk machine igniting and it was POPPIN’. After the first few songs, Sharon Jones joined the stage and well…I just really don’t know how to describe her. She is like a bolt of lightning. Her pores OOZE soul. Her dance moves are spirited and it was as if the music inside her was controlling her like a puppet with strings. Her eyes closing and opening as the passion in the music gained momentum. She kicked her shoes off at one point and just brought down the house with every single word and note. Just watch this woman perform.
Check out this video of The Vibes performance:
Check out the video for the title track from the 2007 album “100 Days, 100 Nights.” in it’s entirety.
THANK GOD!!!! I was not sure what to expect from this set. I had seen Robert Randolph a few weeks earlier in New York City and had witnessed one of the worst Randolph performances I had ever seen. I almost cried because my heart hurt from thinking such bad thoughts of the show. It wasn’t because he didn’t play his songs well but because his new songs are just not of the caliber of AWESOMENESS that they were in his early years.
My Tribe had to be up front for this performance and so we were, dead center. As I approached the front row, it looked as if Robert had found his roots again. Where a tie had been worn at the previous show, Robert was now wearing a liberating bandanna with a long tail. Where the white guy behind the mic were doing most of the singing at the previous show, Robert was now throwing us the licks and doin’ the spittin’ on the mic. Where as Robert was on his guitar most of the time at the previous show, today, he gave an amazing chance to a few lucky guys in the audience and stuck mainly to his pedal steel where his fingers knew no boundaries. His energy was contagious…
Robert Randolph & The Family Band @ GOTV 2010
He brought the stage to fire with an old song right out of the hatch: Ted’s Jam, one of my top three favorite Randolph’s tunes. With this song, it just escalated into one of my favorite, hottest Robert Randolph performances. I could write pages about it but I will write about my favorite memory of the set.
Towards the end of the set, Robert Randolph said he needed some help from and audience member to rage a song. The first guy got on stage and immediately proved he had no chops. This happened with 2 other men before Frederick Aidan Pagnani from Freddy and the Yeti’s jumped on stage to Robert’s delight. Once he started playing, this 19 year old (we found that out talking to him in the VIP then) held his own against Robert Randolph and The Family Band. Check it out:
Setlist: Ted’s Jam, Back to Wall, Travel Shoes, Them Bones, Untitled, I’m Not Listening, Papa Was a Rolling Stone, Deliver Me, If I Had My Way, E, It Don’t Matter
Phil Lesh – Bass
Bob Weir – Guitar
Jeff Chimenti – Keyboards
John Kadlecik – Guitar
Joe Russo – Drums
Jeff Pearson – Vocals
Sunshine Becker – Vocals
The headliner for the evening was Furthur. Just like the Randolph set, here was another group that I was hoping was going do a better then job then I had seen them last. If you might recall, there was giant whirlwind chatter about the Furthur show, specifically Bob Weir’s performance, at Nokia Theatre in Times Square last Wednesday. What a difference.
“Seal your face right off your head“
Between Dark Star Orchestra and Furthur, it was arguable who had performed a better set. Both nights were magical recreations of some tightly played nostalgic tunes. Where as Dark Star seemed to be more of stand out performance by Jeff Mattson, Furthur’s performance felt like more of a cohesive group effort and Bobby was on point. The set list contained a plethora of sing along tunes and provided platforms for intense jams during the 4 hours slot.
There was a gorgeous glow worm that was walked through the 15,000 person audience which I was able to catch on film!
Now, here is the song in it’s entirety with the appearance of the glow worm 🙂
Furthur @ GOTV 2010 (Photo by Jeff Dupuis)
Set I: The Golden Road, Jack Straw, Ramble On Rose, Dupree’s Diamond Blues, Friend of The Devil, Estimated Prophet> , Eyes of The World>, Not Fade Away,
Set II: Playing In The Band, Althea, Wharf Rat>, He’s Gone>, Scarlet Begonias>, The Wheel, Standing On The Moon, Help On The Way>, Slipknot!>, Franklin’s Tower, crowd/donor rap/tuning,
Musical Musings of a Tiny Rager 