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Bowlive IV Night 7 Recap w/ George Porter Jr., Leo Nocentelli & The Shady Horns : Next Up Kids Bowl / George Porter Jr. + The Shady Horns

Friday nights are always fun at the Brooklyn Bowl.  There is a relaxed weekend vibe. Everyone is ready to dance, eat Blue Ribbon fried chicken and enjoy a rich Brooklyn brewed lager. We had hit night seven of eight of Soulive’s Brooklyn Bowl residency and Soulive was prepped for the beginning of the end. I wish I could say the same for the audience. Understanding that the band must be weary, there are those fans who just simply can’t ever get enough of virtuoso guitarist Eric Krasno, soul drummer Alan Evans and one of the unique keyboardists of our generation, Neal Evans. As these three musical wizards warmed up over the week, the energy has radiated to an outstanding level. The boundaries of their musical talents have been pushed to the limits by the guests that have graced the stage with them.

Leroy Justice set the pace tonight with their garage rock sound. Leroy Justice is a legitimate rock n roll band consisting of the charismatic Jason Gallagher (guitar/vocals), Sloan Marshall (keys), Bradley Wegner (bass), Josh Karis (drummer), Justin Mazer (guitarist). Their eclectic, southern, hard-rocking sound and on stage presence taps into The Doors, Lynyrd Skynyrd, The Allman Brothers and The Black Crowes. The keyboard was covered in an American flag and Pennsylvania license plates decorated the amps. The slamming rhythm section drove the songs that varied in styles from hard rock to southern blues with harmonica and got the crowd in dancing mode.

Over the seven nights of Bowlive IV’s run, Soulive has delivered the audience a Stax appreciation night with Memphis blues keyboardist Booker T. Jones, a southern rock throw down with guitarist Luther Dickinsion and drummer Cody Dickinson and a psychedelic jazz night with experimental jazz keyboardist John Medeski and saxophonist Bill Evans. Last night, Soulive brought it back to their roots; back to their initial passion of soul and funk, with special guests bassist George Porter, Jr. and guitarist Leo Nocentelli, of the legendary 1970’s funk band, The Meters. Soulive opened their set, just the three of them, with an amazing rendition of “Steppin” and “Eleanor Rigby.” The trio was on fire, each taking a little time to shine through the tune. Wasting no time at all, Alan Evans introduced “a first in Bowlive History, y’all!” Guitarist Leo Nocentelli, one of the original forming members of the greatest New Orleans funk band ever, was up on deck for the rest of the set. With the help of The Sandy Horns, Nocentelli , “Rudy’s Way” and “Hat Trick.” It was nice to see Nocentelli and Krasno trading funky licks amongst the traditionally jazzy tunes. Neal’s hands were pounding away at the bass keys and his legs were constantly in motion, dancing behind his kit. Everyone was pumped up as bassist George Porter, Jr. was invited out for “Come Back Jack” and “Cissy Strut,” the songs that made the Meter’s a household name, was supported by Porter’s funky bass riffs.  Porter exited and Nocentelli continued on vocals for Stevie Wonder’s “Jesus Children on America” into “Want Me To Stay.” To say that the band was excited was a gross understatement. The energy flowing between the musicians and through the audience was like a supernova, with screaming fans and our Royal Family musicians ecstatic to be on stage with their own musical heroes.

Set I:
Steppin
Eleanor Rigby (Beatles cover)
Rudy’s Way (w/ Leo Nocentelli)
Hat Trick (w/ Leo Nocentelli)
Come Back Jack (The Meters cover w/ Leo Nocentelli and GPJ)
Cissy Strut (The Meters cover w/ Leo Nocentelli and GPJ)
Jesus Children of America > (Stevie Wonder cover w/ Leo Nocentelli)
If You Want Me to Stay (Sly and the Family Stone cover w/ Leo Nocentelli)

A slow, sexy, melodic version of The Meter’s “Pungee” began with Krasno and the Evans brothers for the second set and George Porter snuck out in the middle of it. It would be Porter’s time to shine after Leo Nocentelli dominated the first set. “No More Okey Doke,” showcased the baritone sax talents of Ryan Zoidis, who traded licks against Porter’s bass lines. Krasno then took what could arguably be the sickest solo of the run.  As if under a trance, his face began a series of contortions that resulted from the severe intensity at which he was focused on delivering the notes. His passionate playing lifted him onto his toes and his body undulated back and forth. It was epic. All the while, the remaining musicians on stage provided a solid foundation for his shredding guitar playing.  “No More Time,” “Jezebel,” and “Stop That Train,” were amazing, different and it was wonderful to hear a bass player with our favorite power trio. It must be mentioned that Neal Evan’s technique of playing the bass line on his clavinet is one of the most defining aspects of Soulive’s sound. So, the addition of one of the sickest bass players to the already magnificent power of Alan, Neal and Krasno projected and supported their expansive sound. When “How Sweet It Is To Be Loved By You” began to play, the same energy that comes from an audience hearing, “With A Little Help From My Friends,” came from this audience. The crowd went wild, couples turned to one another and kissed, and friends placed their arms around each others shoulders. It was friendly, loving and high-energy, creating a smile on every face. With happiness dripping from the rafters, “Them Changes,” a famous Band of Gypsy’s tune written by Buddy Miles, was loud and vibrant with Ryan Zoidis taking another bone-crushing baritone sax solo.

The jams that occurred throughout both sets were fantastic. Everyone felt at home, whether on stage or in the audience. Those comfortable, jamming encounters are what fan our passion for the funk. The funkiest encore of the run, “Afrika,” included a never-ending, thumping rage as Lettuce and Break Science drummer Adam Deitch, finally graced us with his presence. This was not to be taken lightly as Deitch is arguably one of the best drummers of our generation and a Bowlive mainstay in the previous years. As well, unannounced trumpeter Maurice Brown (Tedeschi Trucks Band) and Natalie Cressman (Trey Anastasio Band) ran out into the horn section during the first measures of the song.  At this point, Leo Nocentelli was on guitar along with ten other musicians on stage while Porter sang the tune, “Just Kissed My Baby!” POrter danced around on stage, would turn around to direct the horns and even ran over to Neal’s keyboards and played with him. It was madness, super genius madness and the crowd soaked it up like a sponge.

Set II:
Pungee (Meters cover w/ GPJ)
No More Okey Doke (Meters cover w/ GPJ)
Need More Time (w/ GPJ)
Jezebel (w/ GPJ)
Stop That Train (Bob Marley & Wailers cover w/ GPJ)
How Sweet It Is (To Be Loved By You) (Marvin Gaye cover w/ Leo and GPJ)
Them Changes (Buddy Miles cover w/ Leo and GPJ)
Encore: Africa (w/ Adam Deitch, Leo and GPJ)
Encore: Just Kissed My Baby (w/ Adam Deitch, Leo and GPJ)

The quality of music that came from the Brooklyn Bowl stage the past two weeks has ignited fires in our musical souls. Why would we want it to stop now? To the chagrin of those Soulive fans who couldn’t make it to as many shows they would like this year, there is only one night left of the Fourth Annual Bowlive residency. However, like every closing night of Bowlive, Soulive promises to make it best.  Last night’s guest, bassist George Porter Jr. will continuing his reign tonight as Bowlive’s #1 special guest.

Karen Dugan

TinyRager.com

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Bowlive IV Night 4 Recap w/ Booker T, David Hidalgo & The Shady Horns | Tonight Hidalgo Returns, Marco & The Shady Horns

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Dedicated music lovers brought themselves out to the Brooklyn Bowl for the start of Soulive’s second week of the Bowlive IV residency. Guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans are back with a new week and new musical adventures.

_DSC4418Last week’s roster was packed with sit-ins by southern blues rock guitarist Luther and percussionist Cody Dickinson (The North Mississippi Allstars), the fierce harmonica playing of John Popper (The Blues Travelers), the 70’s flare of vocalist Lee Fields and his Expression Horns, the pedal steel slide guitar styling of Robert Randolph (Robert Randolph and the Family Band), the soul-filled flavor of vocalist Nigel Hall and the spinning talents of DJ Logic. Surprise guests included the amazing Allman Brothers Band guitarists Warren Haynes and Derek Trucks and trombonist Sanders Sermon (Tedeschi/Trucks Band).

One of the highlights of Bowlive this year has been the killer opening bands kicking off every night. Kung Fu absolutely blew the roof off the first night, setting a pace of rage for the rest of the week. The second night followed with the powerful 8-piece Sister Sparrow and the Dirty Birds who kept the energy high and the Alecia Chakour Band delivered their sultry sounds on Saturday. You can read about those shows in earlier posts here on TinyRager.com.

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Following one of the best first weeks in Bowlive history, the formula would to remain the same. The high powered, high energy, talented horn-crunching musicianship of saxophonist Cochemea Gastulem (Sharon Jones and the Dap Kings) and his band, The Electric Sounds of Johnny Arrow, showcased a different style of music to Soulive fans. The sounds of Africa’s Fela Kuti and 70’s baritone player Lekan Animashanu provided influence to the tunes. One’s hips couldn’t help but begin to grind to the pulsating percussion infused music. After the opening set, there were members of the audience who could be overheard discussing these new sounds that Soulive had introduced to their Bowlive roster.

Set List:

Dark City
Carlito
Impala 73
You’re So Good To Me
Heleyos
Lluva Con Nieve
Fathom 5
No Goodbyes

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The theme for the rest of the night was simple. Play one strong, satisfying Tribute to Stax Records with one of the coolest, hippest, electric blues keyboardist of all time, Booker T. Jones (Booker T. and the MG’s.) However, the audience had to be patient. Soulive purists still needed to see their favorite trio stand alone. Alan, Neal and Eric performed “Outrage” and “Dig” before the Shady Horns joined the stage. Baritone saxophonist Ryan Zoidis and trumpeter Eric Bloom (Lettuce) and James Casey (Trey Anastasio Band) brought another layer of funk to the vibe with “Hatrick” and even more horns joined when Cochemea’s baritone saxophonist Freddy Deboe and Lee Fields band’s saxophonist Mike Buckley sat in on “For Granted.”  Their powerful horn solos overwhelmed the speakers causing feedback that took a minute to control and it was back into full funky rage.

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When Booker T. Jones came on stage, the crowd went wild. To experience an entire set with Booker T. and Soulive was liberating. However, to see how excited Soulive was, well, that was just icing on the cake of what was a delicious remaining night of music. Krasno put it best as he spoke to the audience, explaining that as much fun as it is for the fans, it’s equally as fun for Soulive, as they are fans themselves. Fans that have the distinct pleasure and honor of inviting their mentors and influences on stage to join them. The passion for Booker T. was also evident as you looked around the audience and saw other famous Jam-world faces such as Erik Kalb (Deep Banana Blackout), David Bailis (Pimps of Joytime), and Alecia Chakour (Alecia Chakour Band).

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Booker T. and Soulive crushed out iconic Booker T. and the MGs hits “Hip Hug Her,” “Hang ‘Em High,” “Time is Tight,” and more. They then played “Born Under A Bad Sign,” which Albert King made famous but was written by Booker who along with the MG’s and The Memphis horns appear on that studio version. There was the catchy instrumental versions of Cee Lo Green’s “Crazy,” and Lauryn Hill’s “Everything is Everything,” with each instrument on stage taking the lead on each song.  It was sharp, stunning and solid. The Booker T’s Memphis Soul Sound was supported wonderfully by Soulive, all three of whom were grinning from ear to ear throughout the entire set. Finally, it wouldn’t be Bowlive without a surprise special guest. Guitarist David Hidalgo (Los Lobos), in town a night early for his Wednesday night Bowlive appearance, would pop out halfway in the middle of tunes then disappear again. This would continue through the set, teasing us with what would be seen on night five.

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The Booker T. encore was the most recognizable tune of all, the instrumental classic, “Green Onions,” with its ripping Hammond Organ line were both Neal and Booker T. enjoyed trading licks on their keys. That song threw everyone, of all ages, back into the soundtrack of 1993’s The Sandlot, back riding around in their 1962 Chevy Impala Convertible with the top down. It is a song that defined the ages and every one of all ages was invested.

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Capping off the night, the trio stood alone on stage for “Tuesday Night Squad,” a nod to the night and perhaps Soulive’s way of naming the dedicated tribe who supported them on such an early weeknight.  The Tuesday Night Squad we became and Bowlive fanatics should hold that badge with honor, the same way Soulive was visibly honored to perform for us last night with such an amazing icon of music.

Last night’s tribute to Stax Records was a pleasure.  Tonight get there on time for another stunner of an opener with the ever-rocking London Souls and guests Marco Benevento (keys) and guitarist David Hidalgo (Los Lobos).

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Set List:
Hip Hug Her
Hang ‘Em High
Born Under A Bad Sign
Crazy
Time is Tight
Something
Everything is A Everything

Encore:
Green Onions
Tuesday Night Squad

Written by Karen Dugan
Tinyrager.com

Photos By Andrew Blackstein & Allison Murphy

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Tiny Rager with Questlove, Christian McBride and Gary Bartz. SO HAPPY!!!

Tiny Rager with Questlove, Christian McBride and Gary Bartz. SO HAPPY!!!

Questlove Presents Mo’ Meta Blues I ft. Booker T, Eric Krasno, Gary Bartz, Charistian McBride & Nigel Hall @ The Blue Note (06.21.11)

Questlove – Drums
Eric Kranso – Guitar
Booker T. Jones – Organ
Gary Bartz – Saxophone
Christian McBride – Bass

Surprise Guest:
Dee Dee Bridgewater – Vocals
Nigel Hall – Vocals

The Blue Note Venue Front

The Blue Note Venue Front

The Blue Note is a venue name that is known around the world for housing some of the world’s most famous jazz musicians in it’s various Milan, Tokyo, NYC and Nagoya locations.  For true NY music goers, we aren’t always fond of this venue but no one can deny that some of our city’s greatest music is made inside that sardine-packed tourist trap.

For 30 years, The Blue Note has brought us some of the most phenomenal music played by phenomenal collections of musicians.  This year, to celebrate their 30 years dedicated to music, The Blue Note, along with Jill Newman Productions, has put together a month long calendar of music around the city, creating the inaugural Blue Note Jazz Festival.

Over the past month The Festival has featured numerous high-profile acts within the walls of the Blue Note  such as Dave Brubeck, Chris Botti, Nancy Wilson, Bobby McFerrin, Roberta Flack, Brian Wilson, Medeski Martin & Wood, El Gran Combo, McCoy Tyner, Bill Frisell, Meshell Ndegeocello, Madeleine Peyroux, Chaka Khan, and many more. As well, numerous acts have been held around the city’s various outdoor spaces such as Parks and other music venues.

Questlove @ The Blue Note (Photo by Dino Perrucci)

Questlove @ The Blue Note (Photo by Dino Perrucci)

For two nights, famed drummer Questlove hosted Mo’ Meta Blues 1  featuring a collection of amazing jazz virtuoso musicians to include guitarist Eric Kranso and bassist Christian McBride.  The group was completed with legendary saxophonist Gary Bartz and Rock N’ Roll Hall of Famer organist Booker T. Jones (Booker T and the MG’s).

I was terribly excited for a performance mixing the old school with the new school.  It is performances like these were I wish there were more youth in the audience. More young musicians who have deliberately sought out the best in the scene; sitting in the audience watching how it’s done.  Looking around, I couldn’t help but wonder how in a city like NYC, there were not more musical savvy teenagers. Where is the disconnect? Is it because our music isn’t on the radio? Just something I always ponder while sitting waiting for shows to begin.

Booker T Jones latest Cd: The Road From Memphis

Booker T Jones latest Cd: The Road From Memphis

Tonight’s musicians would be performing a selection of songs from Booker T’s new album, The Road From Memphis, a wonderful collection of songs with collaborations with Yim Yames of My Morning Jacket, Sharon Jones and Lou Reed and The National’s Matt Berninger.  Produced by Jones with The Roots’ ?uestlove and Rob Schnapf (Beck, Elliot Smith), Memphis was recorded by Daptone Records mastermind Gabriel Roth with backing by The Roots.  Enjoy Booker T’s video for his cover of Lauryn Hill‘s “Everything is Everything.”

The new school rhythm section alone could have kept my attention for both sets. Questlove has been drumming since he was a little boy on tour with his famous 50’s doo wop father, Lee Andrews of Lee Andrews & the HeartsQuestlove is best known as the drummer for the Grammy Award-winning band The Roots, which is now the in-house band for Late Night with Jimmy Fallon.

Christian McBride, Questlove‘s high school homie, is considered a virtuoso bass player and is one of the most recorded bassists of the last 20 years. He has performed and recorded with a massive number of artists, jazz legends and ensembles including Freddie Hubbard, Joe Henderson, McCoy Tyner, Herbie Hancock, Pat Metheny, Diana Krall, Roy Haynes, Chick Corea, John McLaughlin, Wynton Marsalis, Hank Jones, Joshua Redman, as well as with hip-hop, pop, soul, and classical musicians like The Roots, Kathleen Battle, Carly Simon, Sting, Bruce Hornsby, and James Brown. His sound is liberating and intoxicating.

“Half the fun up here is the fun music trivia we all have and finding the fun in referencing it in the music we play up here.  I am just warning you all now, there will be a lot of inside musical jokes on this stage.” ~ Questlove

Booker T Jones @ The Blue Note (Photo by Dino Perrucci)

Booker T Jones @ The Blue Note (Photo by Dino Perrucci)

Then you had Booker T. Jones from Booker T and the MGs.  Booker T. & the MG’s were the house band for the famous Memphis Soul music label Stax Records.  They recorded with all the Stax Records artists, including Wilson Pickett, Otis Redding, and Isaac Hayes, but they also recorded their own material between sessions.  The song they are most famous for is Green Onions, a song they played every set during this run. My favorite and earliest memory of hearing this song can be seen right here:

All the Blue Note sets had the same set lists, in varying order:

  1. Down In Memphis ( Booker T on vocal, #5 on disc)
  2. Rent Party (#7 on disc)
  3. Walking Papers (#1 on disc)
  4. Everything is Everything (#6 on disc)
  5. Hip Hugger (Old Booker T Song)
  6. Gentle Smiles (Gary Bartz Tune)
  7. Born Under A Bad Sign (William Bell cover)
  8. Can’t Find Love
  9. Green Onions
  10. Melting Pot
Look at Those Happy Faces @ Blue Note (Photo by TinyRager)

Look at Those Happy Faces @ Blue Note (Photo by TinyRager)

Both nights, Questlove was the first to enter on stage.  He sat at his drum kit and announced each artist individually as they waited patiently at the top of the stairs. Questlove‘s sense of humor came out immediately.  “Please welcome Mr. Eric Kras-NOW,” as he emphasized the last part with a huge smile. “Please welcome Mr. Gary “Blow Your Horn” Bartz!” And so it continued till each member was on stage and the show could begin.

Down In Memphis ( Booker T on vocal, #5 on disc)
Rent Party (#7 on disc)

They stated the set with Down In Memphis with Booker T. on vocals.   His signature plunking Organ keys sounding just like I remembered.  Rent Party followed with Eric Kranso taking the lead on the solo. During the song, Kranso took the guitar licks and changed them up slightly, causing a jubilant stir from Booker T. and QuestloveBooker T. could be caught glancing at Kranso with looks of interest and obvious delight as Kranso took the song to level Booker T. probably wished was on his new cd.

Eric Krasno @ The Blue Note (Photo by Dino Perrucci)

Eric Krasno @ The Blue Note (Photo by Dino Perrucci)

Walking Papers (#1 on disc)

“The next song selection and what not is…You know we gotta be classy, this is the Blue Note after all!  The next song selection and shit …..” ~ Questlove as the venue erupted in laughter. Probably the one and only time I will hear cursing on the stage of the Blue Note from time to come.

The third selection was Walking Papers. Questlove described the song titles as “the papers that your angry wife gives you.” The song broke into a funky beat and my friend and I all complained about being forced to sit through this danceable set.

Whole Group @ Blue Note (Photo by TinyRager)

Whole Group @ Blue Note (Photo by TinyRager)

Everything is Everything (#6 on disc)

Booker T.‘s cover of Lauryn Hill‘s Everything is Everything followed. This song should have been sung by Nigel Hall who was waiting in the rafters during the first set while this song played but was sitting at our table for the second.  However, Booker T. played the vocals on his organ. No words. Personally, I feel that it is the words of this song that make it powerful and I loved how this elder artist was playing the younger tunes but it was general consensus around my table that it should be sung, not played.  Watching Gary Bartz, I wondered when he learned the song and how long it took him to learn it.  Did he really like it?  On the new cd, Booker T. also covers Gnarls Barkley‘s Crazy.

Hip Hugger (Old Booker T Song)

The best thing about being on this stage the past few days has been our ability to vicariously feel like we are in each others bands. We all have so much respect for each others bands and projects. This next tune will make us honorary MGs”  ~ Questlove introducing HipHugger.

As they segued into HipHugger, Christian McBride took the lead.  He shot out the gate with his solos on this song each set. His smile infectious, his playing addicting.

Gary Bartz @ The Blue Note (Photo by Dino Perrucci)

Gary Bartz @ The Blue Note (Photo by Dino Perrucci)

Gentle Smiles (Gary Bartz Tune)

At this point I should tell yall a little something about the magnificent Gary Bartz as he was the reason this show was even taking place!! When Jill Newman approached Questlove with the list of musicians that might want to take part in this project, Gary Bartz‘s name was what stopped him.

Gary Bartz is a Grammy winning alto saxophone player who first touched down on ears in the mid 60’s.  He played with epic jazz musicians like Art Blakey’s Jazz Messengers, Charles Mingus’ Workshop and McCoy Tyner before even reaching the 70’s.  His music became influential amongst many genres and soon Gary’s music hit Questlove‘s ears as he followed the rise of hip-hop.

If you were a fan of hip-hop in 1991 then you might have known of a song called Gentle Smiles but might not have known it was a Bartz original.  A Tribe Called Quest famously used this sample for their song Butter on the “The Low End Theory” 1991 album. Everyone knows that album, or rather they should. Questlove dropped some serious licks while playing this song, probably having played it in his head over and over for years coming up in the scene.  It was a slow, downright sexy rage.

Gary Bartz’s Gentle Smiles:

A Tribe Called Quest’s Butter, sampling the song:

Nigel Hall @ The Blue Note (Photo by Dino Perrucci)

Nigel Hall @ The Blue Note (Photo by Dino Perrucci)

“And now I’d like to introduce you to the last member of our clan. A person who has his graduate degree in soul walking and Jamesology.  I’ve given him new monikers each set. I need help giving him one for this set,” said Questlove as he looked at the rest of his band. Nigel Hall was introduced by Questlove last night as Nigel Baptiste, Nigel Cosby was his name for tonight’s first set and Norman Huckstable Hall was thrown out this time by Christian McBride.

This was Nigel Hall‘s first paid performance at the Blue Note. As we stood at the top of the stairs and chatted he was wringing his hands and seemed slightly nervous.  So endearing.

Celestial Blues (Gary Bartz Tune)

As Nigel Hall began his next song he spoke of the Maine State Slogan being “They Way Life Should Be” and how the song he was about to sing is more tactical version of that statement.  “so meditate and contemplate”  Gary Bartz raged thru his solo.  Gary Bartz is the reason Questlove went after this gig.  When Jill Newman,  the lady who helped fund the Blue Note Jazz Festival, read Questlove the list of musicians who were interested in the super jam…this is the name that solidified the deal.

Whole Group raging The Blue Note (Photo by Dino Perrucci)

Whole Group raging The Blue Note (Photo by Dino Perrucci)

Born Under A Bad Sign (William Bell cover)

There was more banter and The Temptations Get Ready was teased by the rhythm section, another inside musical joke. Nigel Hall went on to sing Born Under A Bad SignNigel went off in the song, getting lost in his own voice. We got lost as well.  Having been part of The Warren Haynes Band for a few months, Nigel Hall has fused this song to his blood line.  And as always, I heard people asking “who was this guy,” questioning with the biggest smiles possible!!!   The night before, I was unlucky enough to miss Dee Dee Bridgewater, who came out in the second set to join Nigel on this song.  Amazing.

“Let’s give fun a round of applause ~ Questlove

Got To Get Some > Cant’ Find Love

As they began to play the next tune Got To Get Some, Questlove stopped and I think might have broken something as he said “well, they are gonna charge me five bucks for that! ” Nigel responds, “Sounds alright.  So long as its tight, its alright.” Nigel sang soulfully through Got To Get Some and Cant’ Find Love.

Whole Group w/ Nigel @ Blue Note (Photo by TinyRager)

Whole Group w/ Nigel @ Blue Note (Photo by TinyRager)

Green Onions & Melting Pot (Booker T Covers)

Nigel Hall bounced off the stage as the remaining group broke into Green Onions.  Christian McBride is such an amazing bassist as he kicked his bass so deep during this song.  Seeing this song performed live was truly special.  With these musicians, who were having so much fun on stage, they brought the song to life and I have to admit that it was one of my fav parts of the set. Just hearing the opening immediately made me smile. It’s impossible not to love this song.

The super group ended their exciting set with Booker T’s Melting Pot from his 1971 studio album.  Here is the studio version of the song. There were certainly to many restrictions on picture and video taking at The Blue Not like always.

When super groups like this gather, it’s always a shame to miss the magic. I hope this brought you into the moment, if only a little bit!

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