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Soulive: Photograph Courtesy of Calabro Music

Soulive: Photograph Courtesy of Calabro Music

Bowlive V: Night IV – Soulive feat. Jon Cleary and John Scofield @ The Brooklyn Bowl (03.18.14)

As the members of Soulive settled in over the years, their Brooklyn Bowl based annual residency, Bowlive, has became as institutional as the music itself. During the first week, the audience was privileged enough to enjoy the musical styling of vocalists Nigel Hall and Nicki Bluhm, turntablist DJ Logic, rocking guitarists Warren Haynes and Eddie Roberts, legendary bassist George Porter, Jr., and house band, The Shady Horns. Full band performances and collaborations by Leroy Justice and The London Souls added to the marvel. Every song sailed down the middle of the stage, rolled by the trio with the consistency of a pro bowler. This consistency, of course, has been the key to Soulive’s longevity.

“When Soulive hit the stage, I was surprised at how they constantly matched the energy from the previous nights. I’m always reminded of the 80’s power trio bands that filled a room with just three musicians and am amazed how these guys do it. A modern day jazz/funk power trio like no other.” ~ R.G.

Commencing with their second week of Bowlive V, Neal Evans, Alan Evans and Eric Krasno have put together another long list of talented musicians to keep us satiated for the remaining five nights. Over the next few evenings our musical senses will be overloaded with the likes of Joe Russo, Susan Tedeschi, Jon Cleary, Bill Evans, Alan Evans Trio, DMC (of Run DMC), Marco Benevento, Sonya Kitchell, and WOLF! Featuring Scott Metzger. You can also count on some surprise guests.

For night IV, Soulive made all the right moves, showering the audience in musical genius, making sure no one would regret coming out on a Tuesday night. With Jon Cleary and John Scofield as the special guests last night, it was the perfect kick-off for the second week. And what a kick-off it was. It was truly stimulating. Soulive and their guests performed one long extended set with Jon Cleary opening to a packed house at 8:30pm.

“Notes from the front line, my first encounter with Bowlive! Thank you Soulive and Brooklyn Bowl for making our first Brooklyn Bowl/Bowlive experience a very memorable one. From the moment we arrived, we were welcomed by the staff and had a great pre-show dinner, followed by the acquisition of the highly coveted John Warner Bowlive poster, which are limited to 15 posters per evening. After seeing some fellow Pittsburghers and Jam Cruisers, we secured our spots on the platform area with a killer view of the stage.” ~ M.M & L.M.

Jon Cleary Set
Unknown
I Feel So Damn Good I’ll Be Glad When I Get the Blues
Cheating On You
When You Get Back, We Gonna Cha Cha All Night Long
The Crave (an emotionally complex piece.)
I Get The Blues When It Rains
Unknown (Boogie Woogie Tune)

Phone Capture Courtesy By Rob Mishaan

Phone Capture Courtesy By Rob Mishaan

The venue was packed with devoted music fans. This wasn’t your average audience who was there to drink and chat it up with their friends. Almost every eye was fixated on the stage as Jon Cleary opened the night with a solo piano set showcasing his vested studies in the music of New Orleans. Having moved from Kent, England to study the music of New Orleans, Jon Cleary is arguably the best out there right now. A disciple of Professor Long Hair and James Booker, Cleary’s voice is salty-sweet and he is a master of the piano, organ and guitar. You may know him best as a member of Bonnie Raitt and Taj Mahal‘s bands and his own group, Jon Cleary & the Absolute Monster Gentlemen. With his blend of jazz, blues, soul, gospel, and honky-tonk, Cleary epitomizes New Orleans music. His set was evidence of his extreme caliber of musical knowledge.

Jon Cleary started the night of music off right, as I was immediately intrigued by his silky smooth voice and Deniro-esque looks. His “Big Easy” style was quite a cover for his British heritage. This new musical discovery for me had me Googling his discography this morning to see what else I could find out about this man!” ~ M.M. & L.M.

“Having just booked our trip to Nola for jazziest the night before I could not have asked for a better punctuation. Watching Jon Cleary play keys in such classic New Orleans style blew us away. I could only wonder if Neal Evans was peeking down the stairs to watch this guy.” ~ R.G.

Set I
Shaheed
Come Together
One in 7
For Granted
Cannonball
What You See Is What You Get
Nealization
Something’s Got A Hold on Me
Motherless Child
Walk With Me
Don’t Need No Doctor
Turn It Out
Hottentot

Encore: Get Back

Last night, there wasn’t three sets or even two sets, there was one long extended set which ended promptly at midnight. Soulive, The Shady HornsJon Cleary and John Scofield would command the stage with various genres of blues and jazz, filling every second of the evening with prodigious music. The set started out with the members of Soulive performing “Shaheed,” The Beatles‘ tune, “Come Together,” and “One in 7.” During “Come Together,” the audience sang along with heads bobbing and the stage lights flashing, while “One in 7” was played with a delightful intro. It was also during this time that there was some malfunction with Neal’s keyboards. Times like these can break a musical moment but Alan Evans picked up the slack by drumming his heart out while the chords on his brother’s rig were being fixed. When the audience heard the rejuvenation of the bass keys, it was on!

“Upon completion of Jon Cleary‘s set, Soulive took the stage, embracing me with their soul soothing sounds and reminding me that Neal Evans is a true bad-ass! Watching him lay down those bass lines with his left hand as his right hand plays the Hammond chords was literal music to my ears! The Beatles‘ cover “Come Together” got the crowd singing along, but you could see the anxious anticipation for the arrival of John Scofield, who was the special guest of the evening. Having the pleasure of watching such musical prowess and interplay in such close proximity was truly a treat.” ~ M.M.

“For Granted” and “Cannonball” were both played with the help of The Shady Horns. Ryan Zoidis (baritone/alto saxophone), Eric “Benny” Bloom (trumpet) and James Casey (alto saxophone/percussion) always bring a special vibe to the stage when they join Soulive. As much as they is a respected jazz trio, their vested interest in funk runs deep. The audience is blessed to have a horn ensemble in the mix of some of their favorite jazz tunes. “For Granted” was a wonderful showcase for the widely talented Ryan Zoidis, while James Casey absolutely stole the show with his performance on “Cannonball.” Eric Bloom took his liberties with his pedals and effects during his solo, as well.  These two songs were meant to showcase The Shady Horns and boy, did they deliver.

The Shady Horns were dead on, once again. Eric Bloom‘s effects-enhanced solos and James Casey killed it, as always, while Ryan continues to be the mainstay. Gonna get some more rest today so I can get back there tonight with Tedeschi!!!” ~ R.G.

The eyes say so much, and they speak even louder when a musician closes his eyes and is fully immersed in song. This happened to Krasno throughout the remainder of the set. When Scofield came on the stage, Krasno was in a blissed-out state of being, eyes closed, in total focus. “What You See Is What You Get,” a major hit for the Dramatics in 1971, is Scofield’s interpretation of Detroit soul music.  The beautiful thing about John Scofield is that even though he covers many old tunes, the arrangements are all his own. “Nealization,” obviously composed by Neal Evans, was a fantastic representation of his talent. Scofield played lead guitar while Krasno played rhythm. The entire crew on stage was grinning from ear to ear while the ax-men played off each other, trading delicious licks on their guitars.

“I have been a fan of John Scofield since the first time I saw him at The Bottom Line in NYC in 1980. I always mark this night as a must go. Even having stayed home from work sick, I got the energy up to get there. I was not disappointed!!! It is so obvious that Kraz uses Sco as a mentor and has used him as one of his many inspirations. As it is equally obvious how Sco is impressed with Kraz. There dueling solos blew the entire audience away. Sco has a way of making his guitar sing.” ~ R.G.

“Can someone explain to me how Neal Evans solos on keys with Soulive while also dropping funky bass? Meanwhile, I can’t even rub my tummy and tap my head at the same time…” ~ K.S.

“Neal Evans is the most underrated bass player in music. His right hand gets so funky, we forget his left is leading us to the promise land.” ~ J.S.

The next two songs were songs off John Scofield‘s latest album release, Piety Street. The Rev. James Cleveland cover, “Something’s Got A Hold On Me,” was first but it was “Motherless Child,” a traditional negro spiritual born out of slavery and sung by Cleary with sharp new harmonies, that grabbed the audience’s attention. 

“When I heard “Motherless Child,” I almost didn’t recognize it. I recognized that I was hearing the words of a song I knew but the arrangement was so different from the versions I’d previously heard.  I am aging myself by saying this but I remember the first time I ever heard that song. I was just 15 years old. It is the hidden song within Track 11 off the Cracked Rear View album by Hootie and The Blowfish. Y’all remember that? Darius Rucker sings the song in it’s traditional A-Capella style. It was as beautiful to back then as it was now, hearing it in this new style and arrangement. I adore when modern musicians take classic songs and make them their own.” ~ K.D.

“One of my favorite moments of the evening, was when the stage was packed with everyone on the bill, Soulive, The Shady Horns, Scofield and Clearly as they played a tune that featured three part harmonies of Alan EvansJon Cleary and Eric “Benny” Bloom. I look forward to finding that show on Archive.org to relive that moment and sing along with them!” ~ M.M.

Photo Courtesy of Mark Dershowitz

Photo Courtesy of Mark Dershowitz

Then, the jazz/organ trio pulled a new maneuver out of their Bowlive bag of tricks. Jon Cleary and John Scofield remained on stage, while Soulive and The Shady Horns exited. This would be the first time in Bowlive history where the band allowed the stage to be commanded solely by the guests. It was not a coincidence that Jon Cleary and John Scofield were the two guests playing on the bill last night. Cleary is not only renowned for his ability to play the ivories, but he also composes music and went on to write and join John Scofield on the the road singing and playing with Scofield’s Piety Street Band. Needless to say, the combination of the two artists performing their song, “Walk With Me,” was electrifying and unique. Cleary sat back and watched as Scofield took a few measures for himself before joining in the song.

Through great applause, John Scofield leaned into the microphone. Referring to Cleary, he says, “This guy can play a mean piano but did you know he is an amazing guitarist, as well?” With that, Cleary jumped from the keys and moved to guitar while Krasno picked up the bass for “Don’t Need No Doctor.” Scofield continued, “John Mayer used to sing this song, but you should hear Cleary sing this song.” The audience laughed. The horns had left the stage but James Casey remained playing percussion. Casey is an amazing horn player but his talent by way of understanding sounds in percussion has grown exponentially since we saw him last year at Bowlive IV.  During the song, Scofield could be seen bouncing around, pointing to the next member on stage he wanted to pull a solo.

“I want to say that my highlight was “What You See Is What You Get,” “Nealization” or “Hottentot,” but honestly I had two highlights. (1) Cleary killing it on guitar with Kraz killing it on Bass, and (2) Scofield directing traffic. Maybe it’s an elder statesman thing, but the respect that guy engenders on stage is impressive. He was absolutely in charge and was clearly enjoying going tit for tat with everyone. I especially loved when [John Scofield] made a point to give Alan some play time, because, give the drummer some! Am I right? All in all, just a beast of a show. I fucking love Bowlive.”  ~ B.M.

Jon Cleary‘s turn was up and he retired backstage. The Shady Horns were also held back as Soulive and John Scofield played, “Turn It Out.” This was the time for all the jazz heads to revel in the genre. As much as Soulive likes to give us the funk, jazz is their priority and their growing reputation on this musical path is what has brought them this far. Scofield’s reputation in the Jazz community runs deeper and Krasno’s idolization of Scofield’s style is evident in how Krasno, himself, plays. So you can imagine how equally graceful and intense this part of the set was.

“Seeing two guitar gods trade licks was invigorating, and truly impressive at the same time, as you could see the admiration that Krasno has for Scofield as they both played their hearts out! It was ON, for sure!! “Turn It Out” brought back some great musical memories for me, as I harkened back to a January 2003 Soulive show that took place in an Italian restaurant in the tiny mountain town of Makawao, HI on the island of Maui. It reinforced the fact that we made a great decision to make the trek for our first Bowlive and it’s got me jazzed looking forward to what I’ll get to experience tonight! Thank you Eric, Alan and Neal!! You and your friends bring me musical delight!” ~ M.M.

We love you madly,” said Scofield, “This one is a groover, called ‘Hottentot,’ so let’s keep dancing.” And dance we did. The venue never emptied out like in previous nights and this was a true testament to the musicianship on stage. Like I mentioned previously, this wasn’t your average audience of bar goers. There were super fans in the audience for each of the artists on stage and they were there in full support all night. Alan Evans was featured on a rousing drum solo during “Hottentot.”  He is honestly one of the best jazz drummers around and the audience was overheard speaking on how they were looking forward to the Alan Evans Trio opening for Bowlive on night six.

Everyone was brought back on stage for the single-song encore, “Get Back.” A Beatles‘ tune, it was expertly played by the musicians on stage, having all worshiped the Beatles at some point in their musical careers.  The audience was invested as well and sang along with bodies bouncing. It was a perfect ending to a wonderful collaboration of musicians.

——————————

Tonight, Jon Cleary will return with special guests jazz saxophonist Bill Evans, acclaimed Brooklyn drummer Joe Russo and southern vocalist and guitarist Susan Tedeschi. 

——————————

List of Special Guests and Openers:

THURSDAY MARCH 13 – Special Guest: NIGEL HALL, EDDIE ROBERTS, more TBA

FRIDAY MARCH 14 – Special Guests: GEORGE PORTER JR. & SPECIAL GUESTS TBA
Opener: LEROY JUSTICE

SATURDAY MARCH 15 – Special Guest: GEORGE PORTER JR. feat. a special LONDON SOULIVE joint set
Opener: THE LONDON SOULS

TUESDAY MARCH 18 – Special Guest: JOHN SCOFIELD
Opener & Special Guest: JON CLEARY

WEDNESAY MARCH 19 – Special Guests: JOE RUSSO & SUSAN TEDESCHI
Opener & Special Guest: JON CLEARY

THURSDAY MARCH 20 – Special Guest: DMC (of RUN DMC) and TALIB KWELI
Opener: ALAN EVANS TRIO

FRIDAY MARCH 21 – Special Guest: Marco Benevento, Sonya Kitchell, Roosevelt Collier, Felix Pastorius, Oteil & Kofi Burbridge, and Brandon Niederauer
Opener: SONYA KITCHELL

SATURDAY MARCH 22 – Special Guest: Bill Evans and more TBA
Opener: WOLF! Featuring Scott Metzger

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As my fifth New Orleans Jazz and Heritage Festival gets closer, the anticipation gets stronger. This year is a little different- I have two friends coming to Jazz Fest on my say so, so I’m a little stressed, wanting to make sure they tell me what they want to hear, making sure they love it as much as I do. So in prepping for my favorite week of the year, here are some things you don’t want to miss:

At the fairgrounds:

Thursday, May 3rd

High School Gospel Choirs: I like to open my fest with the McMain Singing Mustangs – every year, these kids bring some serious firepower to the Gospel Tent.  McDonogh #35 High School also does some incredible stuff later in the afternoon.

New Orleans Music Legends: Bassist George Porter Jr. has probably played on your favorite album, whether with Tori Amos, David Byrne, being the bass line sampled for tons of hip hop classics, or with his own groundbreaking work with the legendary Meters. Do yourself a favor and see him. While you’re at it, check out piano virtuoso Henry Butler, and the boys and girl in Dumpstaphunk. All of em will make you wish you lived here and saw em more often.

Home Grown Up and Comers: I saw Mia Borders in a tiny club with a leaky roof on the lower east side last year and she was amazing. Probably got an awesome band with her, including NOLA saxman Khris Royal (who’s probably with George too), and her cover of Bill Wither‘s “Use Me” was just bananas last year.

2012 Fantasy Map

2012 Fantasy Map

Friday, May 4th

The One Woman Army, now with backup: Theresa Andersson is a tremendous singer, fiddle player, and all around musician. This year, she’s got a great krewe of musicians with her, including Hannah Krieger-Benson, a fantastic trumpet player and singer who’s doing her own stuff (Hannah KB Band) and some ska too (The Local Skank)

Pick your own Jazz Adventure:  Three amazing jazz sets happening right after Theresa, at the same time. I have no idea how I’ll do all three.  Big Chief Donald Harrison will be mixing his bebop and modern jazz skills with R&B and NOLA classics, ala the amazing cover of “Indian Red” he did for the Treme Season One Soundtrack.  Or, you can get your fill of low end saxophonics, with Roger Lewis (Dirty Dozen Brass Band) leading three Bari Saxes and a Bass Sax for Baritone Bliss (which was fantastic last year).  Or, you can see Preservation Hall trumpet man Mark Braud do his own thing in the Economy Hall tent.

Holy People: Bet on Mavis Staples, who was already among the top reasons we went with this weekend, to put on a ridiculous set at the gospel tent in honor of her friend (and ours), the late great Levon Helm.  I’m sure her set is going to be so great, I’ll probably miss Deacon John‘s killer cover of “Many Rivers to Cross” to get a spot. However, if I were you, I wouldn’t miss much else of his set.  Local music legend, a fantastic performer, a great singer, a helluva guitar player, just amazing stuff, see Deacon John.

Mahalia Jackson - Historic Jazz Fest Picture

Mahalia Jackson – Historic Jazz Fest Picture

Saturday May 5th

Family Preservation: Loads of famous families in the New Orleans tradition – on Saturday, the Brunious family represents in Economy Hall. A few hours before Mark Braud (nephew to the late John Brunious) takes the stage (and hopefully passes out some ice cream) with the
Preservation Hall Jazz Band, his other uncle (and brother to John) Wendell Brunious will step up to the stage- Wendell was on fire at BAM a couple weeks back, sitting in with Dr. John, so look for some tasty trumpet goodness all around.

Raisin’ Hell: Another scion of a famous musical family takes the Fais Do Do stage, Rockin Dopsie and his Zydeco Hellraisers.  I feel like a lot of my favorite Zydeco bands all seemed to be packed into first weekend, but Rockin Dopsie is a notable exception.

Local Greats to Look For: Anders Osborne is a beast on guitar, and his new album is a great mix of sweetness, of sadness, of blues and power.  Not sure who’s playing with them, but see it.  Paul Sanchez’s Rolling Road show is always packed with local stars, Joe Krown with Russell Batiste and Walter “Wolfman” Washington is a tight organ guitar drums trio that does it right. John Boutte‘s voice, which you may recognize from the theme song from Treme, is tremendous to hear in the Jazz Tent – he may spoil us with a great cover of Leonard Cohen‘s “Hallelujah”…if we’re lucky!

The Cafe du Monde stand between the Jazz and Blues tents, around 5:30pm.  Good time to hydrate and get some iced coffee.  Hard to see ending my Preservation Hall second line early, but gonna need to refuel. And what better place to do it? Herbie Hancock and his band in the Jazz Tent on your right, the Warren Haynes Band (with tinyrager.com faves Nigel Hall and Alecia Chakour, as well as Dr. John, playing out) on your left in the Blues Tent.

Jazzfest 1975 Historic Poster

Jazz Fest 1975 Historic Poster

Sunday, May 6th

Sunday is always the most packed day, the closing day of the festival.  Of course, I can tell you to park at Gentilly Stage all day, or don’t miss Galactic, but hopefully you already know.  Here are a few things you might not know about:

The Family that Prays Together: Remember that John Boutte guy from Saturday?  He’s bringin’ his whole family to the gospel tent. You should get there too.

Arieal

Arieal

Glen David Andrews: Cousin to Trombone Shorty and James Andrews, the fire-breathing trombone player’s got an incredible performance you don’t want to miss.  Why he’s not taking his rightful place closing down the Gospel tent is beyond me, but at least it makes the FOMS (Fear of Missing Something) to close the festival a bit easier.

Camping at the Jazz and Heritage Stage: I don’t know the higher heights, but every other group at the Jazz and Heritage stage is a smoker, starting with War Chief Juan, the TBC Brass Band, Los Hombres Calientes will be incredible (why not in the Jazz tent?), and

Big Chief Bo Dollis: It’s not clear if the Big Chief is going to make it, he’s fallen ill, so I expect the boys to rock it out hard for him even if he can’t make it.  Look for Brooklynite turned Orleanian Billy Iuso wrecking shop on guitar (if not here, with Anders on Saturday), he’s a force to be reckoned with.

Close out with the Hall: Okay, so you’ve got 8, count em, 8 amazing sets lined up to end your fest. My pick is Preservation Hall – they’re going to have a lot of friends on stage with them and it’s going to be a lot of fun.  Also, I have no idea why they put Sharon Jones in the Blues Tent when she’s going to want the crowd up and dancing.

The night shows are a whole other animal, coming for part 2…

Words by Guest Writer: Russ Agdern

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Bowlive III: Night Nine – Soulive w/ George Porter Jr., Ledisi and Skerik ~ Extended Review + Media (03.09.12): Bowlive Finale White Party Ledisi, The London Souls, and The Royal Family All-Stars TONIGHT!

Fire! Fire! Fire! These three little words are the simplest yet perfect definition of what occurred on the Brooklyn Bowl‘s stage last night for the ninth night of Soulive’s third annual ten night residency, Bowlive. So far, nine epically diverse nights of music have now been devoured by sold-out crowds of rabid NY music fans. The members of Soulive, the amazing Neal Evans on organ and bass keys, Eric Krasno, and the backbone of it all, Alan Evans on drums, were back at it for the last weekend of this fantastic run. After eight nights of raging musical collaborations, Soulive continued to deliver with an onslaught of some of America’s most influential musicians. The members of Soulive, The Bowlive Horns, George Porter, Jr., Eldar, Ledisi, Mark Whitfield, Nigel Hall and Alecia Chakour invested all their energy into making last night’s audience react just as powerfully as these musicians performed.

Last night’s opening act is one of the newest musical collaborations within the Royal Family. Nigel Hall and Alecia Chakour took to the stage with a “little help from their friends” to deliver a set of beautifully arranged classics.  These soul-filled vocalists are being compared to some of the greatest soul singing duos of our era and deserve all the love and recognition that comes their way. Supporting their slow, soulful vibe was drummer Adam Deitch (Break Science), trumpeter Eric Bloom (Diana Birch), guitarist Adam Smirnoff (Lettuce), saxophonist James Casey (6figures), Ryan Zoidis (Lettuce), and Alecia Chakour’s brother, bassist Alex Chakour. Nigel Hall sat behind his Rhodes keyboard while Alecia dominated the crowds command from the front of the stage. Performing such classics as Stevie Wonder’s “Signed, Sealed, Delivered” and The Righteous Brothers’ “You’ve Lost That Loving Feeling,” Hall and Chakour made the music their own with beautifully blended voices and arrangements of the songs. These two voices were meant to find each other and the audience couldn’t have been more invested in the harmonies and beauty resonating between them. Pure soul perfection. Keeping with the “Family Affair,” Mitch Chakour, Alecia and Alex’s father, was invited on stage to play keys for Joe Cocker’s “With a Little Help From my Friends!” When Nigel Hall and Alecia Chakour join forces on stage, their bond through music and their passion for soul pours out of them. This was only the second time the duo had performed as an organized set all their own and fans can be sure that it will not be their last. There is magic in this musical union that doesn’t come around often.

After such an touching set, NY-bsed DJ, Wyllys, spun on the 1’s and 2’s to keep the crowds elevated before Soulive took to the stage. When Soulive finally hit, they came out blasting with “Steppin.” This was the final weekend of Bowlive and the trio, who have been delivering us powerful sets for two weeks, raised their own bar a little higher.  After the short set with George Porter Jr. (The Meters) the previous night, Soulive jumped right into the second song by inviting New Orleans funkiest bassist back out on stage for “Pungee” and “Need More Time.” There is an energy that George Porter, Jr. brings to a stage that is tangible. Nigel Hall was back to join Porter for “Leave Me Alone,” but not before Nigel bowed at Porter’s feet letting the crowd know that this “was the funkiest black man in the universe!”

When special guest New Orleans singer-songwriter Ledisi was announced, the venue erupted. This portion of the set was so smokin’ that heat was rising from the stage. Performing “Knocking,” with Adam Deitch now on drums, Ledisi wowed the crowd with her powerful, demanding vocals and sensual style. There is no doubt that she deserves the multiple Grammy nominations that have come her way in the past few years as this was the definition of pure entertainment. “Chain of Fools” followed with The Bowlive Horns, Porter, and a surprise sit-in by Eldar, a fellow Grammy nominated pianist and composer. Surely one of the hottest portion of the night, confirmed by the buzz heard through the audience, Eldar delivered a complex piano solo while Ledisi scatted atop his gorgeous improvisational composition.  George Porter Jr. and the remaining musicians on stage supported this musical bliss to end one of the most magnificent sets of the run. Ledisi’s vocals supported by George Porter Jr. funky bass and combined with the jazzy vibe from Soulive and surprise guest Eldar was truly inspirational, uplifting and touched the audience’s soul. This is what Bowlive is all about, the deliverance of truly developed artists who are masters at their craft!!

Wyllys was spinning again for set break. Never using a set list, Wyllys kept the energy UP with choice selections of funk, R&B, and soul tunes. He kept the crowd dancing before Soulive came back for “Cannonball” supported by the Bowlive Horns. Always ready for something special and new, Soulive invited hard bop jazz guitarist Mark Whitfield on stage next for an electric rendition of George Benson’s “World is a Ghetto.” Following this amazing sit-in, George Porter, Jr. came back on stage and took the lead for the rest of the night performing multiple tunes from The Meters catalog, “Funky Miracle,” “The Dragon,” “People Say,” and “Ain’t No Use.”  The consistent funky bass lines and powerful, invested vocals coming from Porter during these selections fueled the set as well as the musicians sharing the stage. They were long arrangements making room for each artist to share their talent with rousing solos and epic extended jams. Tears were in the eyes of their audience as Eric Krasno and friends ended the set with a stunning, gorgeous arrangement of “Out in the Country.”


There are some music performances that are simply impossible to describe with words. Last night was one of those nights and any attempt at doing justice through written word seems unfulfilling after witnessing the magic of last night. The musical genius that poured off the stage resulted in emotional ballads and extended improvisational jams that expanded on the already amazing two weeks that Soulive has provided it’s audience. It’s painful to even imagine that this adventure is coming to an end. However, we still have one night!  A single night to enjoy one of the sickest musical residencies to happen to our musical community. Every night Soulive has stepped up their game, tightened their sound, and put together an arsenal of talented musicians to play some of the greatest songs ever written.  Tonight, Soulive invites Ledisi, The London Souls, and the Royal Family All-Stars to close out the residency. You can expect nothing but pure gold this evening as these boys will surely be going out with a bang! 

 Karen E. Dugan

– Photo courtesy of Marc Millman

*To see photos of these musicians and lots of other live music, please check out: http://www.marcmillmanphotos.com/music

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Bowlive III: Night Eight – Soulive w/ George Porter Jr., Zach Deputy, Citizen Cope and Alice Smith ~ Extended Review + Media (03.08.12)

For the eighth night, Soulive members, Eric Krasno, Alan Evans and Neal Evans, performed at the Brooklyn Bowl for their annual residency, Bowlive.  In its third year, Bowlive has become one of the most interesting, engaging, educational and smoking residencies in New York City. There are some, who might argue, in America. Each night has gotten heavier, deeper, tighter, and energetically more invested with each guest who joins the stage to breath more life into the already amazing trio.

The Alecia Chakour Band opened last night to a huge crowd. Chakour joined the Bowlive rooster last year.  In the masculine crew that makes up the artists on the Royal Family Records Label, Alecia Chakour is a breath of fresh female energy. With a voice and range as powerful as Aretha Franklin, Chakour rightful deserves to be on stage with the talented musicians who make up Soulive. Chakour’s band members consisted of trumpeter Igmar Thomas (The Cypher), organist Neal Evans (Soulive), bassist and brother Alex Chakour, drummer Miles Arntzen (Antibalas), guitarist Sam Cohen (Apollo Sunshine), and saxophonist James Casey (6figures).  A highlight was when surprise guest artist Kofi Burbridge (The Derek Trucks band) lent his fluttering flute to the bunch on their new tune, “Surely.” The Alecia Chakour Band is a sick, tight, funky crew who fit right into the rotation of amazing acts that we have so far seen over the two week run.

Soulive members (guitarist Eric Krasno and soul brothers Alan Evans on drums and Neal Evans on clavinet) welcomed numerous guests on stage last night, some announced and some a surprise. This is always to be expected and they never disappoint. “Steppin” was the only song Soulive ever stood alone on stage for. After that, the flood gates opened with Kofi Burbridge jumping in on “El Ron” with the Bowlive Horns: saxophonist James Casey, trumpeter Eric Bloom and tenor saxophonist Ryan Zoidis. Special guest and Brooklyn resident Citizen Cope was next to join the stage to perform his original “Bullet and a Target,” and “Something to Believe In.” Cope’s raw, uncommon chords and proactive lyrics have been recognized and covered by likes of Carlos Santana, Dido, Sheryl Crow and Slipknot. His vocals transformed the bowl into a new vibe, a slower yet passionate part of the set. Alice Smith, the second vocalist billed that night, joined for Cope’s last tunes, “Ain’t Gonna Stand for It” and “107 Degrees.” Alice Smith’s voice melded beautifully with Cope’s the same way that Alecia Chakour’s voice melds perfectly with Nigel Halls. She is aggressive, serious, powerful, and passionate with a 4-octave vocal range and stunning stage presence. Cope exited the stage and Alice Smith, with the Soulive trio backing her, performed Cee Lo Green’s, “Fool For You.” The Bowlive Horns helped closed out the set with “Tuesday Night Squad,”as trumpeter Eric Bloom’s excitement spilled out of his animated solo and Nigel Hall took over the keys.

The second set was dedicated exclusively to the musical power of New Orleans yet contained special guests of varying styles. This was definitely one of the best sets of the entire run. Special guests, world renowned New Orleans bassist George Porter, Jr. (The Meters), drummer ?uestlove (The Roots), Billy Martin (Martin, Medeski and Wood), flautistKofi Burbridge and saxophonist Skerik, out for his third night, piled on stage with Soulive and the Bowlive horns. Covering New Orleans and Meters favorites “Just Kissed My Baby, “Hey Pocky Way,” “Come Fly with Me,” and “Funkify Your Life,” the musical entourage on stage was the definition of a Jam Room. George Porter, Jr. brought such life to the younger musicians who were surrounding him. Each artist took their turn power housing their instruments because Porter believes in the journey of the song and allowing it to unfold, which is exactly what happened on “Africa,” when Skerik took his solo and the classic song turned into a completely different creature.

Experimental jazz percussionist Billy Martin was left to his own devices with a pile of instruments to create sounds with after drumming for “Hey Pokey Way.” Martin is the drumming member of his own jazz, funk trio so his addition to Soulive allowed for experimental sounds that enhanced the layers of the music. “Everything is Everything” closed the set with Nigel Hall on vocals and another night of Bowlive ended, this time without and encore.  ?uestlove’s Bowl Train DJ set saw out the rest of  the night and everyone danced their way through funky, old skool tunes until their weary bodies said enough.


It’s unbelievable to think that the members of Soulive have been going full speed for eight crazy nights. What a testament to their level of stamina, creativity, and their ability to surprise and entice their audience.  For those who can’t make the last two nights, check out the live feed on iClips.net. For those of you with the ability to make it this weekend, you won’t be disappointed. Continuing his New Orleans flavor from last night, special guest George Porter Jr. will be joined by Ledisi with Nigel Hall and Alecia Chakour opening. We can only speculate who the surprise guests will be, but you can be sure they will bring in Bowlive’s final weekend in FULL RAGE!!!

BUY SINGLE DAY TICKETS NOW!
Can’t make the LIVE RAGE? Stream It on iClips.net!

 Karen E. Dugan
– Photo courtesy of Phrazz

Youtube Videos

Soulive feat. Citizen Cope – “Bullet & a Target” : http://www.youtube.com/watch?v=hoFGGhF_z2s

Soulive feat. George Porter & Nigel Hall – “Come Fly Away” : http://www.youtube.com/watch?v=azUKgsH7ztY

Soulive feat Alice Smith & Citizen Cope – “107 Degrees” : http://www.youtube.com/watch?v=HdVFSkp-YEg

Soulive feat. George Por ter, Nigel & Kofi – “Voices Inside” : http://www.youtube.com/watch?v=7cRBqKlyAHc

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Soulive members, the rhythmic Evans brothers Neal and Alan and guitarist Eric Krasno transformed The Brooklyn Bowl from a guitar god’s wet dream to a world of funk and Beatle Mania on the third night of Bowlive III.

However, before the show could start, there were a few adventures I went on that I would like to share.  The most silly adventure was first. On Jam Cruise this year, a girl named Harmony held a pet adoption with stuffed animals (mostly sheep) of varying styles and sizes. What first occurred at The Catskill Chill Music Festival on a small scale last summer had now made it’s way to the Jam Cruise world on a large scale. As a result, musicians and their children, like New Orleans trombonist Big Sam (Big Sam’s Funky Nation) and Marco Benevento‘s daughter Ruby, adopted animals. Big Sam adopted a sheep and named her…what else? Harmony!

What's with the stuffed animals, you ask?

What’s with the stuffed animals, you ask?

Front row rage with Jessica, Laurie and LUCY!

Front row rage with Jessica, Laurie and LUCY!

Jam Cruisers and their animals were all over the Bowlive scene during the ten day residency but Big Sam is the only artists who engaged in the enjoyment of his adopted pet publicly. Before the show, I was with a friend who had brought her lamb, Lucy. We ran into Big Sam and asked about Harmony. He had her in a plastic bag in his hand. Right then and there, Harmony was brought out and Lucy and she “played” and “danced” a bit together before Big Sam took Harmony backstage! Over the run, Lucy (NY), Smiley-Face (MD), Harmony (NOLA), Fluffy (VA) and Jimmy (NJ) would make their way from various parts of America with their adoptive parents to enjoy Bowlive shows from the front row.  Big Sam’s Harmony, however, was the only one who engaged in the back stage rage and got to dance on stage. Enjoy the clip:


At the end of the day, this new vein within our scene is representative of the curiosity and connection that we all posses and/or seek. Just as The Karma Wash and Fan Club Headquarters are relevant, so is this fun idea. Amazingly, lots of people have mascots and the addition of this adoption program has spawned multiple mascot meetups and adoptive front row rages around our scene. Be sure to look for a stuffed sheep or mascot near you and share a dance 🙂

Neal Evans (Photo by Phrazz)

Neal Evans (Photo by Phrazz)

The previous two evenings, the trio infused their sounds with special guest southern slide guitarist Luther Dickinson and jazz great John Scofield. On this night, Karl Denson (Karl Denson’s Tiny Universe), Sam Williams (Big Sam’s Funky Nation), and Rahzel (The Roots) graced the stage with their flute and saxophone, trombone and beat boxing, respectively.

The organ-based jazz trio kicked off their set with “Steppin,” off their 2010 Live at the Blue Note Tokyo album and “Uncle Junior,” 2007 Get Down album. As the three core leaders of Bowlive, they immediately established that there would be no slowing down. By the middle of “Aladdin,” all three men on stage were fully invested.  Krasno was taking his solos at the edge of the stage, sometimes rising onto his toes, while Neal Evans dominated the song with his bass keys and organ play and Alan Evans slammed his drums with ferocity.

Karl Denson (Photo by Phrazz)

Karl Denson (Photo by Phrazz)

Karl Denson was announced as the audience was told that he “just got off a plane and walked on this stage.”  Karl Denson is one of the hardest working musicians in the business and his passion for his craft drips off every note he plays. He is a fast, funky band leader who is always consistent in his delivery.  “The Swamp” and “Rudy’s Way” followed with Denson choosing to add his flute to the beautifully composed songs.  The addition of Karl’s flute to the sound of our favorite trio added another dimension of emotion to the songs.  They continued with “Shaheed,” off their 2001 album Doin’ Something where Karl’s flute provided a softness to the hard-edged song. Krasno raged his guitar till the strings broke and had to change to a new guitar and Neal Evans kicked a drum solo into the audience’s guts.

Alan Evans, Karl Denson, Big Sam, and Eric Krasno (Photo by Phrazz)

Alan Evans, Karl Denson, Big Sam, Eric Krasno & Nigel Hall (Photo by Phrazz)

Joining the foursome on stage next was Nigel Hall (The Warren Haynes Band) and Sam Williams (Big Sam’s Funky Nation). There can be no doubt that the danceable and excitable energy that Big Sam brings is something you can’t find in many artists. The New Orleans native, formerly the trombonist for the Dirty Dozen Brass Band, danced out on stage with his horn, picked up a stage prop that he had brought (his stuffed sheep named Harmony) and began to dance all around the stage. Nigel and Big Sam began grooving it together and the entire audience couldn’t help but beam over the energy of it all.  These are serious performances but it’s ALWAYS appropriate to have a good time and with just his presence; Big Sam will lift any crowd. The powerhouse of funk on stage slowed the rage down for the soulful, “Leave Me Alone,” sung by Hall. Karl Denson changed to his saxophone and kicked us a lightning fast solo to end the set.

Rage (Photo by Phrazz)

Rage (Photo by Phrazz)

Rahzel Set Break Set (Photo by Phrazz)

Rahzel Set Break Set (Photo by Phrazz)

Straying from the formula of the first two nights, during this set break the audience would not be staring at an empty stage waiting for the first set to start. Instead, Beat Boxer Rahzel, the “Godfather of Noyze,” came out to keep them engaged.  Watching the audience react to this amazing addition to the night was almost as exciting as watching Rahzel. Specialize in the “fifth element of hip-hop,” Rahzel’s instrument is himself and a microphone.  He is a vocal percussionist who uses his breath, mouth and body to imitate sounds, instruments and voices.  He projected unmistakable beats from the Wu-Tang Clan and Run DMC. He became a DJ scratching records, created a buzzing insect around his head and brought Optimus Prime (Transforms) to life on stage with his robotic sounds. His signature song, “If Your Mother Only Knew” is always the highlight of a Rahzel performance. Rahzel simultaneously sings the lyrics and works the beats. It is quite difficult to even comprehend how Rahzel does what he does!  AMAZING!

Rubber Soulive Album

Rubber Soulive Album

Before Beatle Mania could kick off the first set, Soulive joined Rahzel on stage and performed “I Am the Magnificent” and it was just that, magnificent.  The entire first half of the second set consisting of songs chosen off Soulive’s latest album, Rubber Soulive.  “Come Together,” “Eleanor Rigby,” and I Want You (She’s So Heavy).” The audience sang along to the first song while the psychedelic lights and trippy sounds emanating off stage for “She’s So Heavy” was reinvented through the jazz trio.

Karl Denson, Big Sam, Nigel Hall and Lenesha Randolph (Photo by Phrazz)

Karl Denson, Big Sam, Nigel Hall and Lenesha Randolph (Photo by Phrazz)

Questlove (Photo by Phrazz)

Questlove (Photo by Phrazz)

Big Sam, Karl Denson, Nigel Hall and now, Lenesha Randolph (Robert Randolph and the Family Band) joined the stage for “Too Much.” Randolph and Hall sang the up-beat tune while Karl and Big Sam took their turn at the mic delivering some of the hardest, funkiest horn solos that Bowlive audiences will experience this run.  They kept up the pace with Stevie Wonder’s “Signed, Sealed, Delivered” and Questlove (The Roots) replacing Alan Evans, who picked up a guitar.

Full Stage Rage (Photo by Phrazz)

Full Stage Rage (Photo by Phrazz)

The entire crew of Soulive and their special guests kicked off the end of the set with “Tuesday Night Squad.”  Big Sam dominated a 3 minute long trombone rage, Alan was back on killin it on the drums, Nigel was on the Bongos before heading over to Neal where the pair did a little dance, if you will, shifting back and forth past each other to manipulate the various levels of keys that Neal’s kit provides.  Hall sang James Brown’s “Beweildered,” a deep, soulful song that required Nigel to reach the top of his range, and then he walked off stage.  It was back into “Tuesday Night Squad” to close the set.

Nigel and Neal Rage the Boards (Photo by Phrazz)

Nigel and Neal Rage the Boards (Photo by Phrazz)

There was never really an encore because every musician on stage was so into the music and feeling the audience’s energy that they chose to just play through and give their fans that extra five minutes of music that every audience desires.

Download Night 3 Sound Board Audio Here!

In three days Bowlive III had now brought us jazz, soul, psychedelic rock, New Orleans funk, hip-hop and southern-style blues in only three nights. The following evening, the party continued with Karl Denson sticking around for a second night and Jennifer Hartswick (Trey Anastasio Band) joining with her funky trumpet and soulful voice.

Pictures by Phrazz

Videos by: I can’t believe there are no videos for this entire night. If anyone finds some, send them my way

Words by The Tiny Rager

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Thank you Cloud 9 Adeventures and MSC Crusies!!

Thank you Cloud 9 Adventures and MSC Cruises!!

There are music festivals and then there is Jam Cruise!!  A musical festival on a cruise ship that travels international seas for 5 to 6 days.  I said it last year and I will say it again now.  IT IS THE GREATEST MUSICAL ADVENTURE anyone can take.

Last year, I was at a complete loss for words.  It was my Virgin Cruise and I was awestruck by the magnitude of what I had just experienced.  Considering this was my second year, I thought the hype would be just a bit dimmer, I figured I would be a little less anxious and calm.  Nope!

Even now, while I could burst at the seams ATTEMPTING to explain these EPIC musical journeys, I find it so hard figuring out where to start. It’s all so unbelievable.  I could tackle these articles by day, or perhaps by subject regarding the atmosphere, the music or the people and so much more. I could write a five page article just on the relationship cultivations that took place this year.  There is just so much!!! And the fact that I only slept about 10-12 hours over the span of 5 days gives me an arsenal of memories to pull from.

Jam Cruise 9 Website Banner

Jam Cruise 9 Website Banner

Last year Tinyrager.com didn’t exist as it’s own site.  I wrote for other sites but mainly for my own personal cataloging of memories and would just save the documents on my computer.  So, after last year’s Jam Cruise, I began writing out my adventure and I never made it past the Sail Away Party.

My life took off before I could finish my personal Jam Cruise manifesto.  But I did make an attempt and the end result was all the glorious details about the embarkation line to the ship, the embarkation process, what happened when I explored the boat stumbling across the various venues and checking into my room with the gift bags and what not.  I wrote about everything I could remember up until the Sail Away Party….and then I stopped.

This year, I am going to continue where I left off at the Sail Away Party with a few backtracking steps.  There is no need for me to re-write the exact same information about the boat for this article. If you would like to know about all the things listed above then CLICK HERE!  The article is totally relevant to this one and worth the read and would help cement your mind if you are still debating on getting on the boat.  Jam Cruise staff actually found it last year and blasted it over their page a few times due to the comprehensive nature of the article.  So, enjoy that! It’s got great pictures too!

Now, let’s get this party started!!!

Hello Pretty Ship!! (Photo by Murray)

Hello Pretty Ship (Photo by Murray)

~ Boarding & Pre-Sail Away ~

Within MINUTES, sooooo much can happen to you on Jam Cruise.  This year, I boarded the boat in what felt like 15 minutes but was really a little over/under an hour.  As we get our room keys and begin the walk into the ship, I gaze to my right and Bob Weir is standing next to me. He pulled himself from the line and leans against the wall looking dazed, confused and very skinny. Had he been standing by us the whole time and we been too excited to notice?  He didn’t have an entourage and he looked so frail I guess it’s possible.  As my friends and I realized the magnitude of this moment, we all said “Hello Bob!” and he flashed us a forced smile.  I couldn’t tell if he was happy or sad but I knew how we felt! FREAKING STOKED!!!

A few more feet through the line and we were shuffled into the section where you get your boarding pictures taken. You could purchase the pictures for $30 if you wanted, but whoa that is a lot.  However, in the group behind us, Steve Kimock jumped into the picture.  Now THAT is a $30 moment worth purchasing!!  And there you had another group of people whose minds were just blown and we hadn’t even made it on the boat yet.  Sadly, my hunt for these pictures has come to a dead end. They are gone once you leave the ship.

Before all hell broke loose :) (Photo By Murray)
The NYC Krewe + some before all hell broke loose 🙂 (Photo By Murray)

I was in line with two of my best friends from NYC and we were in different rooms. Once we boarded the boat we separated so I could take my luggage to my room and unpack as fast as possible as not to miss a moment.  I was wearing my Big Sam’s Funky Nation tee-shirt, READY for the Sail Away Party. READY to see my main man Big Sam.  As I step into the mirrored elevator with my luggage, I was covered by this giant shadow of a man who had followed behind me.  And as I turn around, I am embraced by none other than Big Sam. Having reached out to me after he saw one of my reviews of his show, he flashed a smile that melted me as I got a huge hug! What a super duper dude! I will have TONS to say about him later in these articles.

(Photo by Jeffery Dupuis)

(Photo by Jeffery Dupuis)

Last year I was in the Singles Program.  The layout of my room this year was exactly like last year except that I was now with two friends I had met on my virgin cruise: Aaron and Victoria, a super cute Jam Cruise couple who completely enhanced my journey. Thank you both for being such wonderful roommates.    I entered an empty room and unpacked as fast as I could. When I walked out of my room, I just didn’t know which way to turn. There were SO many people I wanted to see who I hadn’t seen since last year’s journey and whose relationship was cultivated through Facebook over the year as we waited patiently to all be together again.  There was so much I wanted to do all in one moment but I knew where I needed to be.    This year, I had a krewe from NYC on the boat and one of them was a virgin, my dear sweet friend Jessica.  I wanted to see their room and be with her.  I just wanted to watch her take it all in because that must have been what I was like last year with my jaw on the ground.

Jam Cruise is over but we know that time will last forever. From the minute I walked into 10242 there was nothing but LOVE. Jessica who I’vereally never met treated me (and everyone) like I was a saint or angel or something. We constructed the door decor (bonding) and the RAGE was on ! Off to Eric’s to gather the troops and start the search for the bottom of the tequilla bottle. A short time later we were off to the pool deck to find the angel Karen has been talking about: Hillary! ~ Murray Ballz

~ Door Décor Competition ~

Sharon & Said's Decor!!  (Photo by Richmand Images)

Sharon & Said's Decor!! (Photo by Richmand Images)

As I entered their room, the faces looking at me were already more shiny and sparkly then when we had left in line.  The Jam Cruise blood was flowing through their veins. Their room was bigger with a balcony.  It’s always good for SOMEONE in your rage krewe to have a balcony! They had taken out all the makings for their door décor and were attempting to assemble it.  Their concept was beautiful.  Using pictures of multiple artists and groups that inspired them, along with artists that couldn’t make it on the boat as well as pictures of allllllll our friends and families who couldn’t make it on the boat, we were to create a collage covering the door and then we placed a mirror in the middle.  On the mirror’s top it read: “We are all on board together.”  On the mirror’s bottom: “And so are you!” So, that when you look into the mirror, everyone is together, connected somehow on board together.  I loved it!

A typical hallway on Jam Cruise (Photo by Chad Smith)

A typical hallway on Jam Cruise (Photo by Chad Smith)

(Photo by Murray)

(Photo by Murray)

We spent a few hours cutting pictures, tapping things.  The rest of our NY posse rolling through the room to say Hi and get the best hugs in the world.  This also began the utilization of the deck for party breaks which, as time passed, began making it hard for us to focus and use tape correctly HAHAHA!!  The mirror began messing with my head; Rob couldn’t roll a piece of tape to save his life! It was awesome! Oh, you should have seen it.

During this time, the magic of the boat presented itself to us with the introduction of Rob and Jess’s neighbors.  When we ran out of tape, they came right in for the rescue. When we needed writing done for the mirror, they were right there with a solution and Maker’s Mark on the rocks. No matter what you want, you get what you NEED on Jam Cruise! From masking tape to enlightenment.

Putting "our" door decor!! (Photo by Murray)

Putting "our" door decor!! (Photo by Murray)

The final product was perfect. A door COVERED with people and musicians we love that couldn’t be on the boat with us, yet they were, even if it was only in this small way.  Throughout the week, any number of our NYC posse could be found sitting on the floor starting at our door. Staring at our loved ones, staring at Jerry and Janis.  Personally, I was found passed out with my hand on the picture of myself and my boyfriend on the first night and was guided back to bed for what would be the only night I would sleep in my cabin!!!

And in terms of what door enhanced my JC experience the most??   Door number #9211.  This door was covered in 3D pictures from last year’s Jam Cruise.  There were numerous 3D glasses attached to the wall by string so you could see the pictures.  It just got cooler every time I saw it. And at one point, I didn’t even NEED the glasses to see it in 3D.  So, anyway, TINYRAGER award to Room #9211 for making us go OUT of our way at least 2 times a day to check out your door!

Forum Party/ Sharon's Birthday Rage! (Photo by Rex-A-Vision)

Forum Party/ Sharon's Birthday Rage! (Photo by Rex-A-Vision)

Once we finished the door we  realized that we missed the forum party on the pool deck.  They had gathered to give Sharon R. a proper Happy Birthday.  I am so sorry I missed this Sharon!  Love you! And now…it was time for the Sail Away Party!!!

Jam Cruise Day One Schedule!!

Jam Cruise Day One Schedule!!

~ Big Sam’s Funky Nation / Sail Away Party ~ Pool Deck ~

Photo By Rex-A-Vision

Photo By Rex-A-Vision

The wonderful Julie McCoy (Photo by Chad Smith)

The wonderful Julie McCoy (Photo by Chad Smith)

The Sail Away Party is phenomenal and truly defines the rest of the voyage.  Julie McCoy, the ship’s activities coordinator/manager/queen bee, comes on to the stage.  Free champagne is distributed amongst the cruisers lining the pool deck and The Captain and Julie McCoy toast us off on our journey.  Then the horns blow and you now know…the party has OFFICIALLY begun. As well, Sweet Water Brewery gives out free beer at during this set, wonderful news for the alcohol drinkers, if you like their flavors!

Photo by Rex-A-Vision

Photo by Rex-A-Vision

I walked to the front row with my friends, toasted, and then stepped away for a moment alone. I was alone on the top level of the Pool deck last year for the beginning of Trombone Shorty’s Sail Away Party and I wanted to be in the similar location and just be alone, connecting with the ship, for a few moments.  If you read my post from last year, you know the turmoil I was in before I boarded this magical vessel that changed my world.  So, I walked up to my sacred spot, snapped a picture of the amazing sight I was staring at and took one giant breath. Upon exhaling that breath came SO MANY tears, I almost collapsed.  The flood gates opened upon the realization that I was back. I was back in this music world; this musical WONDERLAND that completely CHANGED MY LIFE! And this year was going to be SO different than last year.

~ Big Sam Sail Away Party~ Raging Audience Shot from Stage ~

Photo By Rex-A-Vision

Photo By Rex-A-Vision

After letting the tears flow for 2 songs, I gathered myself, with the help of a few people around me, and went back down to the front row, puffy faced and all smiles.  For those of you who don’t know much about the boat or who are not large into the music scene, the front row is where it’s at.  I was greeted into the front row where all the best people reside in most musical scenes, let alone Jam Cruise. But I suppose I need to talk about music here at some point right?  Wasn’t this a music festival on a ship?

THE FUNKY NATION:

Big Sam– Trombone
Danny Abel – Guitar
Eric Vogel – Bass
Drummer Boy Milk Williams – Drums
Da Phessah Drew Baham – Vocal/Trumpet

Not so great mobile pic of the View from my "alone" spot (Photo by TinyRager)

Not so great mobile pic of the View from my "alone" spot (Photo by TinyRager)

I have seen Big Sam numerous times throughout the year. I was worried that his Sail Away party would be the same formulaic shows that I had seen him perform over the year.  But that wasn’t the case.  Where there was a similar flow to it all, Big Sam covered some great songs, added some new dance moves…they just brought us a new show and the audience ate it right up.

Photo by Rex-A-Vision

Photo by Rex-A-Vision

During the fourth song, the ship’s debarking horn blew, the pool deck erupted with cheers and we started moving.   Immediately, the heavy hitters started joining the party.  If nothing else, Jam Cruise is about the various musical combination of artists you can find  performing on the boat. You NEVER know who is going to sit in with whom.  In this case, Leo Nocentelli (The Meters) joined Big Sam for “Gonna Get Funked Up Tonight” and Fred Wesley (JB Horns) followed for “See Me Dance”.

~ Big Sam Sail Away Party~ Top of Pool Deck Perspective ~

Now, The Funky Nation is know for their ability to rage cover songs as well as create new edgy music. Throughout the set he blew some heat into Gnarls Barkley‘s “Crazy”, The Black Crowes/Otis Redding‘s “Hard To Handle”  and their final song of the set was a mash up of Cee Lo Green‘s “Fuck You” and Lady Gaga‘s “Bad Religion”.  This moment was special for me because when the song first came out, Josh and I literally blasted that Cee Lo Green song for a month straight every morning while getting ready for work.  The song is hilarious and the video is even more so.  In this moment, I looked around the pool deck and saw people kinda staring blankly.  Except for a few people, they didn’t recognize the song.  The entire set lived up to it’s expectations.  It was high energy, full of flare and raging rock funk.

Set List:

01. Intro
02. ?? (jam/instrumental)
03. Feelin’
04. King of the Party
05. ?? (instrumental)
06. Gonna Get Funked Up Tonight
07. See Me Dance
08. Big Ole Booty
09. Hard to Handle
10. Do Watcha Wanna > Everybody Needs Someone to Love > You Are My Sunshine tease > ??
11. Dance Floor
12. Up In Here >
13. jam >
14. ?? >
15. Crazy > Get Low >
16. band intros/banter >
17. Fuck You > Bad Romance tease

Download Big Sam’s Funky Nation Set

At this point we had half an hour until any music started. Being that this was the first night, I can’t believe they had lulls but this year’s scheduling seemed to be staggered differently so whatever. Gave us time to debate!  The options were:

1) Bob Weir‘s Scaring The Children on the Pool Deck (9:30pm-11:30pm)

2) Greensky Bluegrass in the Zebra Bar (9:15pm-10:45pm)

3) Robert Randolph and the Family Band in Teatro Carlos Felice (9pm-11pm)

Already, my heart was racing with the fact that I knew I would be missing things I didn’t want to miss.  This year, I knew I would be spending a significant amount of time the first few days cultivating relationships and so I made a point to schedule the music I loved but also plan to hang out where a large percentage of my Jamily might be.

Most of the performers have two sets over the course of the week so I was ok with missing things here and there and catching them later.  In general, the inner turmoil for me over what music to see is the most stress I feel on that ship.

Carlos Felice Theater! (Photo by TinyRager)

Carlos Felice Theater! (Photo by TinyRager)

I took off for Robert Randolph and the Family Band, riding on a cloud.  When I got there, the theater greeted me with all its purple and gold majesty.  This is my favorite venue on the ship. Again, you can learn about the ship from last year’s posts.  But I will tell ya that the purple and gold colors are beautiful and remind me of my college, there are two levels to rage on, the elevated steps in front of the stage are perfect for our drinks, extra costume accessories like boas, hats and what not.  The stairs are also rounded and this allows for a much larger front row throwdown.

I got to the theater and no one was really even in there and the roadies were still setting up.  Speaking of cultivating relationships, I met a lovely twin set named Cindy and Mindy, who inevitably raged the front row with the best of us the whole cruise. Rage on ragers. Big hugs to you both!

(Photo by Rex-A-Vision)
(Photo by Rex-A-Vision)

~ Robert Randolph and the  Family Band ~ Theatro Carlo Felice ~

Robert Randolph – Pedal Steel, Guitar and Vocals

The Family Band:

Danyel Morgan – Bass and Vocals
Marcus Randolph – Drummer
Adam Smirnoff – Rhythm Guitar
Lenesha Randolph -Vocals
Brett Haas – Keyboards and Guitar

Special Geusts:

Eric Krasno – Guitar
Big Sam – Trombone
Ivan Neville – Keys
Taylor Hicks -Vocals & Harmonica

(Photo by Rex-A-Vision)
(Photo by Rex-A-Vision)

As I sat there, making new friends, old ones started arriving.  Said and Sharon’s smiling face made their way to our side of the theater. (Thanks to Said for the RR&TFB set-list below).  Then one by one the Jamily krewe gathered until we were 25+ deep on the left side of the stage. Oh, how I just want to talk about all these lovely people, not the music. It’s insane.  But that is not the purpose of this so…

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Having seen Robert Randolph and the Family Band a few times this year and being disappointed in the performances, I was PRAYING that he would kick it back to his roots and focus on older songs, perhaps melt our faces without playing Lady Gaga tunes to fill time.  Perhaps give us some great covers; perhaps show us some great collaborations.  And that is exactly what they did.

Blasting off his set with “Ted’s Jam,” he shot me right back to ten years ago when I first found Robert and Danyel at Star Hill in Charlottesville, Virginia.  The newest addition to the clan, Lenesha Randolph, was on stage, backing up her brother.  I am still weary on her talent.  I won’t say anymore regarding that topic.

“The March” is one of my all time favorites Robert debuted years ago.  I was right up front with my musical posse and when Robert got off his seat and started dancing for us, we all knew the dance and joined along.  He asked us to teach those around us but he was doing a fine job wiggling his body for us….mmmmmm. And Danyel‘s bass thumped away. I am absolutely IN LOVE with Danyel and his voice.   Always have been!

A re-worked “Thriller” cover saw Eric Krasno and Big Sam join the stage and over the remainder of the set Ivan Neville and American Idol’s Taylor Hicks, yup Taylor Hicks, also joined the stage.


“Tears of Joy” brought the blues to an otherwise raging set and my faith in Robert Randolph and his family, however swaying it may have been hours earlier, was restored and his #1 fan was back on top, in the front row, loosing her mind!

Set List:

01. Ted’s Jam
02. ?
03. ?
04. The March
05. ?
06. If I Had My Way
07. Deliver Me
08. I Miss My Girlfriend (Her Name is Molly)
09. Thriller Jam
10. I Need More Love
11. Voodoo Chile
12. Tears of Joy
13. Traveling Shoes

Download Robert Randolph and the Family Band Theater Set

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

As soon as set ended, I hightailed it to the Pool Deck to check out the remainder of Bob Weir‘s Scaring The Children.  I ended up on the upper deck looking down at the sea of Dead heads who were staring doe-eyed at Bobby and Co. The wind was blowing warmly over my body as I realized we were so far from land now I couldn’t see lights.

I gave Bobby as much time as I could before wanting to leave.  Personally, I thought it sounded pretty slow and that is not a bad thing, I just needed something more to move to.  I wish I could recall the song that was playing.  Even though it was tough for me to look at Bobby, as all I could imagine was the scene from Indiana Jones where the guy takes the sip from the wrong chalice and his skin melts off,  it appeared that he was giving the people what they wanted.  Smiles abounded on the faces below me and I just knew that Jerry was smiling down upon the ship.

(Photo by Jeffrey Dupuis)

(Photo by Jeffrey Dupuis)

So, after Robert Randolph‘s set, we were faced with more difficult choices.

1) Pimps of Joytime in the Zebra Bar (11:00pm-1:00am)

2) Karl Denson’s Tiny Universe on the Pool Deck (12:30am-3:00am)

  • Sadly, I can not find a link for this set. If anyone finds one, please pass it along to me.

3) Anders Osborne with Stanton Moore and Carl Dufrene in the Teatro Carlos Felice (11:45pm-1:15am)

Having just seen Karl Denson’s Tiny Universe numerous time over the past year and just a few days earlier as the Phish After Party on New Years Eve, I decided to skip KDTU on the Pool Deck and focus on the Anders Osborne set.

Performing on same stage as Robert Randolph, the Anders set was going to take a little time to prepare as they transferred over the equipment.  I used this time to gather my thoughts, fill up my water bottle and grab a bite to eat. I don’t want to go into the food just yet…too stressful.

(Photo by Michael Weiss)

(Photo by Michael Weiss)

~ Anders Osborne with Stanton Moore and Carl Dufrene ~ Teatro Carlo Felice ~

(Photo by Dave Vann)

(Photo by Dave Vann)

I had missed Anders Osbourne the few times he made his way through NYC the past year and having seen him in the past, I KNEW he would rip up whatever stage he was on with his rouge, wild, rockin’ New Orleans vibe.  That is exactly what I was looking for at this time in the evening.

His back up band was a force to be reckoned with.  Joining  the stage this set was:

Anders Osbourne – Guitar and Vocals
Robert Walter – B3 Organ
Carl Dufrene – Bass
Stanton Moore -Drums

Special Guests:

Scott Metzger – Guitar
Will Bernard – Guitar
Skerik – Saxaphone

(Photo by Michael Weiss)

(Photo by Michael Weiss)

This set was complete fire!!!  I mean absolutely out of control, rock-laced guitar shredding jams, backed by outrageous solos by Skerik and added guitar layers by way of Scott Metzger and Will Bernard.  At the time, it was my favorite set of the night and in hindsight, it is in my top five sets of the week.  The inclusion of Skerik‘s hyper-driven saxophone layered upon Anders songs was, well……take a look at this….seriously.

Set List:

1. Tuning
2. Love Is Taking Its Toll
3. Echoes Of My Sins
4. Darkness At The Bottom
5. Burning On The Inside
6. Got Your Heart
7. Me Donkey Want Water

Download Anders Osborne Theater Set

(Photo by Dave Vann)

(Photo by Dave Vann)

And here we were back having to make decisions!!

1) Papadosio in the Zebra Bar (1:45am-3:15am)

Set List:
1. Utopiate
2. Unparalyzer
3. Magreenery
4. Bionic Man
5. All I Knew
6. Method Of Control
7. Cue
8. Polygons
9. Eyes Have Eyes

2) Stockholm Syndrome in the Teatro Carlos Felice (2:00am-4:00am)

3) Nutritious in the Disco (2:00am-6:00am)

4) AND THE LAST CHOICE!!!!  The Jam Room: Hosted by Tony Hall (12:00am – 6:00am)

Now we come to the greatest and grandest part of the Jam Cruise experience. THE JAM ROOM!! Each night, a different musician (generally a guitar player, keys player or bass player) hosts The Jam Room.  The Jam Room is a entertainment space located in the rear of the ship where these musicians play host to who ever wants to join them on stage.  Sometimes, there are pre-arranged gatherings or sometimes a musician just jumps up for a song and adds to the insanity.  Always, there are free jams, group rages and it’s all off the cuff improvisational jamming.

~ The Jam Room with Host Tony Hall ~

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Tonight’s Jam Room host was Tony Hall, New Orlean’s Dumpstaphunk bass player. Tony is one of the most charismatic musicians around.  He is always invested in engaging with his audiences, making faces, pulling girls on stage, dancing with the audience.  He is one of my favorites in that aspect.

Sadly there is not a lot of footage from the Jam Room to show you.  Many Cruisers had already gone to bed to save their strength while others were raging so hard they couldn’t manipulate a camera or video device to save their life.  But I can tell you that it was a RIPPING good Jam Room.

It was an epic moment lost on the winds of the ocean and remembered only by those that were present… ~ Ananda Atmore

Tony Hall was backed by many of his bands mates from Dumpstaphunk to include:

Ivan Neville – Keys
Nick Daniels III – Bass
Raymond Weber – Drums
Ian Neville – Guitar

Other Guests:

Big Sam – Trombone
Nigel Hall (Lettuce/SCFJ)- Keys
Danny Louis (Gov’t Mule/Stockholm Syndrome) – Keys
Eric Krasno (Lettuce) – Guitar
Adam Deitch (Lettuce) – Drums
Ron Johnson (SCFJ) – Bass
Zach Deputy – Guitar
Roosevelt Collier (The Lee Boys) – Pedal Steel Guitar

There was so much happening on stage there is no way to recall it all.  One of the last songs played in the jam room that night was Jimi Hendrix‘s “Hey Joe”. The Lee BoysRoosevelt Collier jumped up on stage and confused the hell out of us as he was only a passenger on the ship thus year!  SO FUN when things like that happen.  You know it’s a good time when other musicians pay to get on board.

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Tonight would be the only night that I came back to my room to sleep.  The theme one must know and get to embrace on Jam Cruise is: “It’s a marathon, not a sprint!” It appeared that everyone had taken that creed to heart as I wondered around the pool deck wondering where everyone was.  Where were the late night jam sessions and/or drum circles on the pool decks?  Where was Brock Butler playing his acoustic guitar to the people watching the sunrise.I am sure that they were somewhere, I just never stumbled upon them. It was destiny, however, because after raging the Unofficial Pre-Jam Cruise party at the Days Inn Bahia Cabana Beach Resort the night prior, I was exhausted.  I decided to watch the sunrise with my NYC crew and hear how our virgin cruiser Jessica B. had enjoyed her first night.

As I looked over the balcony, lost in the wake of the ship, my friends and I smiled at each other.  We watched the wake of the ship hit the tip of the horizon and we knew there was no turning back. We were together on this epic musical journey and there were so many adventures to be had.  I took myself to bed around 7am but not before touching the faces of all our family and friends that lined the door decor, wishing they were with us.  Sleep was needed as we had a full day at sea tomorrow.  I couldn’t wait to see what was in store for us when we final rose again.

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www.gatheringofthevibes.comGathering of the Vibes Music Festival: Friday (07.30.10)

Day I Review: Gathering of the Vibes VX @ Bridgeport, CT (07.29.10)

The Cosmic Casbah...

The Cosmic Casbah...

Jesus, my spoiled ass forgot what a hot tent feels like in the morning when the sun finally seeks you out.  MY GOODNESS!!  But considering the stormy conditions we had to endure at last year’s Vibes, the sun was completely welcoming.

VIP Perk #1: You have sectioned camping in the section of the park that has the most tree canopy coverage.  The general camping is located in mainly open fields and parking lots.

The Casbah...

The Casbah...

Quote of the morning: *With a mischievous look** “Are you trying to tempting me with a good time??”

We woke up to a gorgeous day.  We spent the morning relaxing, waking up slowly with our friends at the Cosmic Casbah.  We were greeted with friends of ours who were only just now passing out, a table full of breakfast foods like bacon and eggs, muffins and fruit, and music.  I crashed onto the mats with my plate of food, listening to the music, letting it breath life into me to start my day.

We knew that for breakfast we were being dished some New Orleans ROCK by way of  The Radiators so we hit the field pretty early, only missing Billy Simons Band on the Green Vibes stage. You know, it’s almost impossible to catch all the music at a festival if you are solo but with a running crew it takes that much more time to settle.

VIP TENT! (Night shot!)

VIP TENT! (Night shot!)

Eat me!VIP Perk #2: During this time, we utilized the free food in the VIP tent where they had wonderful selection of snacks and beverages to sustain us ALL DAY.  At $6-$10 for a single meal or $4 for a water in general vending, these 24-hour snacks of fruit, pretzels, chips and salsa, candies, sodas, water, juices, milk, coffees and teas were BEYOND welcoming, sustaining and economical.  It’s possible to spend $60 on water before even considering food at a festival.  And that is just the 24-hour spread. From 11am-3pm you are offered a buffet of hot meats, salads, pastas, and desserts to chose from.  And generally, if you are starving and want another half of a turkey wrap, you could easily ask for one.  We made our rounds of good mornings and set up shop by the Karma Wash. It was time to focus on the music.

Gathering of the Vibes 2010

Gathering of the Vibes 2010

The Radiators

Dave Malone – guitar, vocals
Ed Volker – keyboards, vocals
Camile Baudoin – guitar
Reggie Scanlan – bass
Frank Bua Jr. – drums

I danced into the field listening to The Radiators.  Their bluesy-rocky vibe catching my feet and ears completely off guard.  Being a huge fan of New Orleans Funk, I knew anything coming from NOLA would be better then good.  I was excited to hear some NOLA ROCK from the band considered the #1 Rock band on the NOLA scene!!!  They didn’t disappoint.

They came out blasting with rock -n-roll.  For all you Phish heads out there, Phish opened for this band back in the 90’s.  So did Widespread Panic.  Where as both of those bands have now reached high commercial success, The Radiators have always been a deeply respective, yet decisively underground group on the scene.

Ragers!

Ragers!

An unavoidable NOLA signature, their funk layer was evident in the music immediately, coming from Ed Volker on keys.  There was also that grungy swamp rock layer by way of Camile Baudoin on guitar.  It was rough and rugged.  The keys sounded almost out of tune but on purpose reminiscent of Professor Longhair in sound, not style.  They were a tight group, the guitar players really made some hot sounds with their axes, with twang here, rock there, and smooth swamp grunge in the middle.  It was fun music to dance too, sway too, but really it was something to slither too.

Setlist: I Like It Like That, Lets Radiate, Hard Rock Kid >, Lost Highway, Sitting on Top of the World, Crazy Mona, River Run, Soul on Fire, The Death Of The Blues, Junco Partner, You Ain’t Going Nowhere, Rosie

Download: The Radiators @ Gathering of the Vibes (07.30.10)

Gathering of the Vibes 2010

Gathering of the Vibes 2010

 

Kung Fu

Dave Livolsi – Bass
Kris Jensen – Sax
Todd Stoops – Keyboards
Tim Palmieri – Guitar
Adrian Tramontano – Drums

Kung Fu @ GOTV 2010

Kung Fu @ GOTV 2010

 

Kung Fu @ GOTV 2010

Kung Fu's Todd Stoops @ GOTV 2010

 

We needed to charge our phones so headed over towards the Green Vibe stage and that is where I heard the  funky, odd sounding keys reminiscent of Alan Evans.  But maybe a bit too much guitar.  It was not as solid as it could be.  It sounded choppy at times.  Definitely took some getting used too. So, since they confused me, yet, intrigued me…of course, I had to check them out.

Kung Fu's Kris Jensen @ GOTV 2010

Kung Fu's Kris Jensen @ GOTV 2010

When I approached the stage, I recognized Kris Jensen right away from Dickey Betts.  His horn brought a delicious element to an otherwise decent band.  I wasn’t a big fan of Todd Stoops singing, or any of the singing really, but he knew his way around that keyboard.   Tim Palmieri looked familiar as well and I realized later he has played with numerous artists I knew.  He was great.  Ultimately, the band itself was comprised of some talented musicians who tore up their solos but sometimes they fell off the page when they were playing as a group.  The following video will show you what I mean…not bad their at the end, huh?

Gathering of the Vibes 2010

Gathering of the Vibes 2010

Jackie Greene

Jackie Greene – Guitar
Nathan Dale – Sax
Jeremy Plog – Keyboards
John Hofer – Guitar

Jackie Greene @ GOTV 2010

Jackie Greene @ GOTV 2010

Jackie Greene @ GOTV 2010

Jackie Greene @ GOTV 2010

I was soooo ready to get down to Jackie Greene‘s set that when I heard him start during the Kung Fu set, I took off running.  Jackie Greene is a wonderful artist who has an old soul sound and a yung sexy body 😉  Young and talented, open and warm, HOT!!!  A rocker, a funker, a jammer, a rager on top of being a keys player, songwriter and a guitarist., electric, acoustic, loungy, rock, whatever…he does it all.

I made it front row for Jackie Greene where I ran into a few of my favorite Jam Cruisers.  He came out rocking right off the bat.  The second song was a new rock tune, Medicine. And I love a good harmonica. He slowed it down with a beautiful Shaken. Jut an upbeat rock vibe from Jackie all the way through.  Perfect set for that perfect sunny afternoon.

Another Tiny Rager!

Another Tiny Rager!

He blew me away.  Tight, on point, smooth and simple.  Jackie Greene isn’t someone who needs lights and fluff.  He is just talent.  He had the whole field dancing and I noticed that the ladies were ogling over him as much as I was.  I try not to but sometimes, just DAYUM! Animal was just sexy and finally I was enjoying a singer for the first time that day.  And finally, inviting drummer John Molo (Phil & Friends) to the stage,  showing love to Jerry, he raged the hell out of his encore covering Scarlet Begonias, one of my favorite Jerry songs that houses one of my favorite Grateful Dead lyrics:

Once in a while you get shown the light/In the strangest of places if you look at it right.

Setlist: I’m So Gone, Medicine, Farewell, So Long, Goodbye, A Moment of Temporary Color, Gone Wanderin’, Shakey Ground, Animal, Spooky Tina, Shaken, Tell Me Mama, Tell Me Right, Hollywood ->, Tomorrow Never Knows >, Taxman ->, Tomorrow Never Knows, Scarlet Begonias *, Like A Ball And Chain

Download: Jackie Greene Live at Gathering of the Vibes; Seaside Park on 2010-07-30 (July 30, 2010)

MacPodz

Nick Ayers – Percussion, Flute and Vox
Brennan Andes – Bass and Vox
Jesse Clayton – Keys
Griffin Bastian – Drums
Ross Huff – Trumpet, Flugelhorn and Vox

The Macpodz @ GOTV 2010

The Macpodz @ GOTV 2010

Surrounded by creativity!

Surrounded by creativity!

Another cell phone charger exchange. We wanted to make sure that we could always get in touch with Issac so Jay and I would alternate charging our phones making sure one of us had a functioning one at all times.  Where I generally might have left my phone to die in my tent since I was actually camping and not in a house, this couldn’t be the case this festival.  I, of course, ended up using it much more by having it on my person.  Alas, I am addicted to technology 🙂 Because of this, I also was able to check out the side stage performances and here we were with The Macpodz.

Just like Kung Fu, I was drawn towards the stage because of what I heard coming from the keyboardist, Jesse Clayton. Sounded GOOD! Their image immediately stood out to me, not that it matters but it was like a warped frat house up there. I enjoyed the trumpet as well.  Other then that, meh! Nothing would hae sounded good to me at time, knowing who was coming on the Main stage next.

Steve Kimock Crazy Engine

Steve Kimock – Guitars
John Morgan Kimock – Drums
Bernie Worrell – Keys
Bobby Vega – bass

Steve Kimonk Crazy Engine @ GOTV 2010

Steve Kimonk Crazy Engine @ GOTV 2010

One of my favorite sets of the day.  When is Steve Kimock not good?  When does he never just sound so perfect and beautiful and full of rage at the same time making you dance to PRETTY music.  And here we had the debut of a NEW CRAZY ENGINE!

Such a signature sound with Kimock, that guitar. So light, airy, happy, funky and jammy.  He always has such lovely melodies throughout his music. His songs engage different emotions with every measure.  I love him.  The addition of keyboard legend, Bernie Worrell was a treat for all of us.  He threw in Row Row Row Your Boat, The Star- Spangled Banner and all kinds of silly licks from nostalgic tunes throughout his solos.

Steve Kimock and son, John Morgan @ GOTV 2010

Steve Kimock and son, John Morgan @ GOTV 2010

Wavy Gravy - blowing bubbles during Kimock set

Wavy Gravy - blowing bubbles during Kimock set

Bobby Vega bassed us out on Funky B4 Five, a lovely melodic jam where a fun response comes from the crowd at the end of the chorus.  Everything is Everything brought out a rapping Chris Burger (Alphabet Soup, Band of Brotherz) who began with the band introductions. Bernie funked out the keys and it was just a funk fest in the field.  Closing with Parliament Funkadelic‘s Red Hot Mama, the guitar just sounded so hot and Bernie Worrell was in his element.  John Kimock never stood out to me during this set but I do know he is a wonderful fresh drummer who I hope hits our scene with a tornado like force one of these days.

Setlist: A New Africa, Five B4 Funk, Crazy Engine, Everything is Everything, Red Hot Mama

Download: Steve Kimock Crazy Engine Live at Gathering of the Vibes on 2010-07-30 (July 30, 2010)

We again made our way to the Silver Lining booth where we were charging our phones with our friend, Thud.  Once again, a decent sounding song caught my ear.  Quinn Sullivan was playing but I didn’t have time to stop and pay attention.  I had a 15 year old to check in with and feed and Sharon Jones and the Dap Kings were up next on stage.

Sahron Jones and the Dap Kings - Promo shot

Sahron Jones and the Dap Kings - Promo shot

Sharon Jones and the Dap Kings

Sharon Jones – Vocals

THE DAP-KINGS are:
Homer Steinweiss – Drums
Binky Griptite – Guitar
Boogaloo Valez – Congas
Dave Guy – Trumpet
Tommy TNT Brenneck – Guitar
Bosco Mann – Bass
Neal Sugarman – Tenor
Ian Jendrickson – Smith – Baritone

There are certain bands where words never do it justice, and sometimes, they don’t even do themselves justice, because they are just THAT good.  Sharon Jones and the Dap Kings have consistently performed, blowing the ears and minds of millions of people with every performance. This performance was no exception.   Just stop the program.  Just end it all right here.  No one can touch this woman.  She is FIRE.

Sharon Jones and the Dap Kings @ GOTV 2010

Sharon Jones and the Dap Kings @ GOTV 2010

Sharon Jones (Photo by Jeffrey Dupuis)

Sharon Jones (Photo by Jeffrey Dupuis)

Sharon Jones didn’t join the stage immediately.  First, the stage just filled with DAPPER looking men and their instruments.   The first song consisted of the horns blasting, the funk machine igniting and it was POPPIN’.   After the first few songs, Sharon Jones joined the stage and well…I just really don’t know how to describe her.  She is like a bolt of lightning.  Her pores OOZE soul.  Her dance moves are spirited and it was as if the music inside her was controlling her like a puppet with strings.  Her eyes closing and opening as the passion in the music gained momentum.  She kicked her shoes off at one point and just brought down the house with every single word and note.  Just watch this woman perform.

Check out this video of The Vibes performance:

Check out the video for the title track from the 2007 album “100 Days, 100 Nights.” in it’s entirety.


Robert Randolph & The Family Band @ GOTV 2010

Robert Randolph & The Family Band @ GOTV 2010

Robert Randolph and the Family Band

Robert Randolph – Pedal Steel, Guitar
Danyel Morgan – Bass
Marcus Randolph – drums
Adam Smirnoff – Guitar
Lenesha Randolph – Backup Vocals
Brett Haas – Keyboardist

Robert Randolph & The Family Band @ GOTV 2010

Robert Randolph & The Family Band @ GOTV 2010

THANK GOD!!!!  I was not sure what to expect from this set.  I had seen Robert Randolph a few weeks earlier in New York City and had witnessed one of the worst Randolph performances I had ever seen.  I almost cried because my heart hurt from thinking such bad thoughts of the show.  It wasn’t because he didn’t play his songs well but because his new songs are just not of the caliber of AWESOMENESS that they were in his early years.

My Tribe had to be up front for this performance and so we were, dead center.  As I approached the front row, it looked as if Robert had found his roots again.  Where a tie had been worn at the previous show, Robert was now wearing a liberating bandanna with a long tail.  Where the white guy behind the mic were doing most of the singing at the previous show, Robert was now throwing us the licks and doin’ the spittin’ on the mic.  Where as Robert was on his guitar most of the time at the previous show, today, he gave an amazing chance to a few lucky guys in the audience and stuck mainly to his pedal steel where his fingers knew no boundaries. His energy was contagious…

Robert Randolph & The Family Band @ GOTV 2010

Robert Randolph & The Family Band @ GOTV 2010

He brought the stage to fire with an old song right out of the hatch: Ted’s Jam, one of my top three favorite Randolph’s tunes. With this song, it just escalated into one of my favorite, hottest Robert Randolph performances.  I could write pages about it but I will write about my favorite memory of the set.

Towards the end of the set, Robert Randolph said he needed some help from and audience member to rage a song.  The first guy got on stage and immediately proved he had no chops. This happened with 2 other men before Frederick Aidan Pagnani from Freddy and the Yeti’s jumped on stage to Robert’s delight.  Once he started playing, this 19 year old (we found that out talking to him in the VIP then) held his own against Robert Randolph and The Family Band.  Check it out:

Setlist: Ted’s Jam, Back to Wall, Travel Shoes, Them Bones, Untitled, I’m Not Listening, Papa Was a Rolling Stone, Deliver Me, If I Had My Way, E, It Don’t Matter

Download: Robert Randolph [and the Family Band] Live at Gathering of the Vibes on 2010-07-30 (July 30, 2010)

Furthur @ GOTV 07.30.10

Furthur @ GOTV 07.30.10 (Photo by Jeff Dupuis)

Furthur

Phil Lesh – Bass
Bob Weir – Guitar
Jeff Chimenti – Keyboards
John Kadlecik – Guitar
Joe Russo – Drums
Jeff Pearson – Vocals
Sunshine Becker – Vocals

The headliner for the evening was Furthur.  Just like the Randolph set, here was another group that I was hoping was going do a better then job then I had seen them last.  If you might recall, there was giant whirlwind chatter about the Furthur show, specifically Bob Weir’s performance, at Nokia Theatre in Times Square last Wednesday. What a difference.

“Seal your face right off your head

Between Dark Star Orchestra and Furthur, it was arguable who had performed a better set.  Both nights were magical recreations of some tightly played nostalgic tunes.  Where as Dark Star seemed to be more of stand out performance by Jeff Mattson, Furthur’s performance felt like more of a cohesive group effort and Bobby was on point.  The set list contained a plethora of sing along tunes and provided platforms for intense jams during the 4 hours slot.

There was a gorgeous glow worm that was walked through the 15,000 person audience which  I was able to catch on film!

Now, here is the song in it’s entirety with the appearance of the glow worm 🙂

Furthur @ GOTV 2010

Furthur @ GOTV 2010 (Photo by Jeff Dupuis)

Set I: The Golden Road, Jack Straw, Ramble On Rose, Dupree’s Diamond Blues, Friend of The Devil, Estimated Prophet> , Eyes of The World>, Not Fade Away,

Set II: Playing In The Band, Althea, Wharf Rat>, He’s Gone>, Scarlet Begonias>, The Wheel, Standing On The Moon, Help On The Way>, Slipknot!>, Franklin’s Tower, crowd/donor rap/tuning,

Encore: Terrapin Station Suite

Download: Furthur Live at Gathering of the Vibes; Seaside Park on 2010-07-30 (July 30, 2010)

——————–

Move on to: Day III Review: Gathering of the Vibes VX @ Bridgeport, CT (07.31.10)

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