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Bowlive IV Recap Including Day & Night 8 Reviews

We’ve officially been “Bowlived” for the fourth year as Soulive reached the finish line of their 4th Annual residency, Bowlive, on Saturday night. It’s a bittersweet feeling; similar to the feelings you get when you have to leave an amazing few weeks at summer camp. For the members of Soulive, seeing the regular faces and New York City fan dedication is a wonderful energy for them to play off of throughout the run. In turn, fans get to see their favorite artists night after night, performing exquisitely executed originals and crushing covers with spectacular guests. All the while, both fans and band dance around with each other, their friends, and other musicians in the audience who are there just to bare witness. Everyone smiles and engages each other, soaking up every glorious note. It’s a symbiotic relationship that is hard to fall away from after being dipped so deeply for eight nights. So, when the end comes, we must remind ourselves that these residencies are special because they only happen once a year! Soulive reminds themselves that they have something special to look forward to as much as the audience does. And each year, the audience witnesses the unfolding of a beautiful musical dynasty that Eric Krasno and brothers Neal and Alan Evans have created.

 Unlike the three previous year’s run, Soulive chose to focus their energy into eight shows instead of ten. This choice applies great pressure to any band who chooses to change the formula of a well-established and respected event. Bowlive fans expect a certain caliber of guests, a high level of surprise sit-ins, and some spectacular musical experiences that sometimes end up being a once-in-a-lifetime moment.  Soulive knows this to be true and always takes the time to consider such factors. How about having Mod dancers bust out into the bowling lanes during the second set of Night I?! It was just go time at that point!

Over the course of eight nights, guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans provided a stage and support for fantastic and exciting artists. They played endless jams in multiple styles across the musical spectrum, which is an important goal of the residency every year. Special guests included rocking Southern Blues brothers, guitarist Luther Dickinson and his brother, drummer Cody Dickinson, the 1970’s soul vocalist, Lee Fields and his modern day counterpart, Nigel Hall. There was the unmatched pedal steel slide guitarist Robert Randolph, legendary jam scene DJ, DJ Logic, and The Shady Horns lent their wall of sound during the second week with the help of crushing saxophonist Bill Evans one night. Some of America’s most outstanding keyboardists, 1970’s Memphis blues keyboardist, Booker T. Jones, mad scientist and keyboard wizard, John Medeski, and the ever experimental Marco Benevento, dominated their time on stage. Stepping in to melt faces on guitar was the astonishing Los Lobos’s David Hildago and The Meter’s Leo Nocentell. Soulive closed out their epic week playing with America’s most famous funk bassist, George Porter. Jr.

Another exciting element of Bowlive each year is the choice opening bands Soulive picks to set the audience’s mood each night. Due to a benefit at the Brooklyn Bowl on Night Six, there were only seven opening groups, all delivering a variety of musical power. The ridiculous ragers who make up Kung-Fu opened the run with so much fury. It was a perfect choice. The rocking Sister Sparrow and the Dirty Birds, The London Souls and Leroy Justice got the dance floor grooving. It was also a great pleasure to see two powerful females amongst the male-dominated residency by way of Alecia Chakour (The Alecia Chakour Band) and Arleigh Kincheloe (Sister Sparrow). The soul and flavor of love got shot to our hearts with The Nigel Hall Band, the Alecia Chakour Band and Cocheme Gastulum’s The Electric Sound of Johnny Arrow. You’re encouraged to read about them all in the previous night’s posts.

Then, you have the unannounced guests who are a separate list of continual, crushing talent. The Allman Brother’s southern rock guitarist Warren Haynes and slide guitarist Derek Trucks surprised the audience with a secret full third set on Night Two. Trombonists Sanders Sermon (Tedeschi/Trucks Band) and Natalie Cressman (Trey Anastatio Band) and trumpeters Maurice Brown and Igmar Thomas, and saxophonist Cocheme Gastulum (Sharon Jones and the Dap Kings), enhanced the wall of horns over the run on various nights. Behind everything, the chemistry and talents of Eric Krasno, Neal Evans and Alan Evans, are what make Bowlive possible.

Perhaps the most special show for many Soulive fans is the Kids show. Soulive held another KidsBowl performance early Saturday afternoon from 2pm to 3pm. These specific types of shows bring Soulive’s music to both the fans children and the unknowing adults who bring their kids to bowl on a Saturday, not knowing what a treat they are in for.  For dedicated Bowlive fans, the kids show is a wonderful way for the individual dancing alone at night to bring his or her family to meet one another.  The reality of life becomes evident as the adults were in “parent” mode, not “party” mode. Babies were crawling on the dance floor and children of all ages were running around in bowling shoes. The lights were on and bumpers were out. In their hour, they performed a few Soulive originals and brought Meter’s bassist, George Porter, Jr. It was when the set was over that the real raging began, however, when the children were allowed on stage to play with instruments and dance.

KidsBowl Set:

Uncle Jr.

Vapor

Hat  Trick

Turn It Out

Hey Pockey Way (w/ George Porter, Jr.)

How Sweet It Is (To Be Loved By You)

 It was back to party time with the evening show and The Alecia Chakour Band opening. Her blues siren vocals backed by Neal Evans on keys, bassist Alex Chakour, drummer Caito Sanchez, saxophonist Cocheme Gastulum, and trombonist Dave “Smoota” Smith, were perfection.  After a lovely instrumental intro, Chakour sang seven band originals, including “Runaway,” “Over Again,” “You Didn’t Tell Me,” and “The Sun.” Each member of her band taking solos and leads amongst her sweet sounding vocals. This was a fantastic group of soulful musicians and a perfect choice to transition into the funk-filled evening.

Opening Set:

1. Instrumental

2. Runaway

3. Over Again

4. You Didn’t Tell Me

5. The Sun

6.Ghost

7. Shirley

8. Everything Time I See You (Stevie Wonder Cover)

The important point of all of this, simply, was the music. Music that creates a passion within Soulive and luckily, that passion is extended to the fans. For the final evening of their amazing residency Soulive would play host to their mentor in funk, Meter’s bassist, George Porter Jr. But not before bringing it home for the Soulive purists, proving once again what a sick power trio they truly are.  The first set was pure fire, and with help from the Shady Horns, there was nothing to divert our thoughts from what was most important.  The set was full of sick Soulive originals, “Uncle Jr.,” “Aladdin,” and “One in Seven.” “Lenny,” a Stevie Ray Vaughn cover and highlight of any set, allows Krasno to open up a can of whoop ass upon your ears. He broke his string during his ripping solo. Enough said. The London Souls’ Tash O’Neal (guitar and vocals) and Chris St. Hilaire (drums) joined for the a “cover” of their own “Steady Are You Ready” then stayed on to help deliver a crushing version of Howlin’ Wolf’s “Killin’ Floor” in the vein of Electric Flag’s version. Remember, as we learned on Night Four, Krasno is a huge Tash O’Neal fan, so you can imagine the chemistry.

Set I:

Uncle Jr. (w/ Shady Horns)

Aladdin (w/ Shady Horns)

Come Together (Beatles cover)

Lenny (Stevie Ray Vaughn cover)

One In Seven

Steady Are you Ready (London Souls cover w/ Tash O’Neal & Chris St. Hilaire)

Killin Floor (Howlin’ Wolf Cover…Electric Flag Version w/ w/ Tash O’Neal & Chris St. Hilaire)

 Soulive performed a beautiful rendition of “El Ron,” before George Porter, Jr. was introduced for Set II, continuing on as one of Bowlive’s greatest musical mainstays.  During this tune, the Shady Horns, with the help of guest saxophonist Cocheme Gastulum, broke off into an extended improvisational blowing session with Alan supporting on drums. For lack of better words, it could best be described as a drum line for horns. A Hornline, if you will?! The entire second set evolved into of slew of classics from The Meter’s catalog.

“People Say,” kicked off a funk-fueled set with James Casey delivering a rousing solo. Casey has carried a saxophone around his next all week and when he plays, it’s clear that he was meant to blow a horn.  However, it must be mentioned that over the run, Casey provided grooving percussion on the congas for many songs. It was a dance party for “Hey Pockey Way,” as Porter announced that, “Everyday should be Mardi Gras!!!”  Then, audience participation time for the fun tune, “Hand Clapping Song.”  The next Meter’s original, “Out in the Country,” was performed in the style of Porter’s slow emotional arrangement from his It’s Life album. This was a gorgeously played ballad that tugged at the heartstrings of the crowd in a deep way. From a personal perspective, it brought tears to my eyes, almost opening the floodgates until I reeled it back in.  I wasn’t alone in this outpour of emotions. Again, acknowledging that this super-stimulating, night time version of summer camp, full of friendly faces, is like ending an addiction cold-turkey. Bowlive is an institution in the Jam Band universe at this point, it lasts longer than many music festivals, and it’s not easy for the die-hards when it ends.

The set ended and no one moved.  There was just endless screaming and shouting of Krasno and the Evans brother’s names. Then, Brooklyn Bowl owner, Peter Shapiro, stepped onto the stage. On the last night of every Bowlive, right before the final encore of the run, Peter Sharpio does something special for Bowlive’s loyal audience in an effort to show his gratitude for their support of live music.  At the end of the first Bowlive, 700 shots of tequila were handed out from the stage.  He kept it entirely mellow last year by passing around Aromatherapy plants: Sage, Rosemary and Thyme, asking that the audience to grab sprigs of each plant and inhale. This was to encourage a revitalization within our body, mind and soul for the energy to dance on for one more song. Not missing a creative beat, Peter Shapiro took the mic on this final night and thanked us for our loyalty in proper rockstar fashion. He alerted the audience that this was a milestone 40th show for Bowlive and that the he had had made t-shirts with “40” on the back and “BOWLIVE” on the front. XL shirts went flying around the venue and Shapiro asked that the audience put them on right away before Soulive would deliver us our double encore of “He Bite Me (The Dragon)” and “Ain’t No Use.” The gifting of the shirts was a smart and fun way to end this year’s Bowlive.

Set II:

El Ron (w/ Shady Horns and Cocheme Gastulum)

People Say

Take A Chance

Hey Pockey Way

Jezebel

Hand Clapping Song

Out In the Country

Encore:

He Bite Me (The Dragon)

Ain’t No Use

Soulive has truly cemented their reign as a musical dynasty. A talented trio on top of their game in this unforgiving musical bastion of NYC. The magnitude of music overheard during the last two weeks was dynamic and inspiring.  The guests and the musicians solos were magnificent, diverse and captivating. Soulive always gives us something to look forward to every single night of Bowlive and this year was nothing less.

On personal note, I hope these reviews have helped supplement the wealth of musical knowledge that Soulive bequeathed upon us during Bowlive IV.  It is a delight and a  privilege to witness Bowlive every year and count Soulive and the Brooklyn Bowl as part of my local music scene. It also goes without saying that it is an honor and a true highlight of my career to be blessed to write for this amazing phenomenon called Bowlive. Thank you to Peter Shapiro, the Brooklyn Bowl, all the staff and production crew. Thank you to Royal Family Records for the opportunity to cover such a delightful event. A giant thank you to all the guests who lent their sound to the stage. Finally, the biggest congratulations and thank you to Alan Evans, Neal Evans and Eric Krasno for making it all possible. Your fans eagerly await to see what you have in store for Bowlive V!

Karen Dugan

tinyrager.com

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Bowlive IV Night 7 Recap w/ George Porter Jr., Leo Nocentelli & The Shady Horns : Next Up Kids Bowl / George Porter Jr. + The Shady Horns

Friday nights are always fun at the Brooklyn Bowl.  There is a relaxed weekend vibe. Everyone is ready to dance, eat Blue Ribbon fried chicken and enjoy a rich Brooklyn brewed lager. We had hit night seven of eight of Soulive’s Brooklyn Bowl residency and Soulive was prepped for the beginning of the end. I wish I could say the same for the audience. Understanding that the band must be weary, there are those fans who just simply can’t ever get enough of virtuoso guitarist Eric Krasno, soul drummer Alan Evans and one of the unique keyboardists of our generation, Neal Evans. As these three musical wizards warmed up over the week, the energy has radiated to an outstanding level. The boundaries of their musical talents have been pushed to the limits by the guests that have graced the stage with them.

Leroy Justice set the pace tonight with their garage rock sound. Leroy Justice is a legitimate rock n roll band consisting of the charismatic Jason Gallagher (guitar/vocals), Sloan Marshall (keys), Bradley Wegner (bass), Josh Karis (drummer), Justin Mazer (guitarist). Their eclectic, southern, hard-rocking sound and on stage presence taps into The Doors, Lynyrd Skynyrd, The Allman Brothers and The Black Crowes. The keyboard was covered in an American flag and Pennsylvania license plates decorated the amps. The slamming rhythm section drove the songs that varied in styles from hard rock to southern blues with harmonica and got the crowd in dancing mode.

Over the seven nights of Bowlive IV’s run, Soulive has delivered the audience a Stax appreciation night with Memphis blues keyboardist Booker T. Jones, a southern rock throw down with guitarist Luther Dickinsion and drummer Cody Dickinson and a psychedelic jazz night with experimental jazz keyboardist John Medeski and saxophonist Bill Evans. Last night, Soulive brought it back to their roots; back to their initial passion of soul and funk, with special guests bassist George Porter, Jr. and guitarist Leo Nocentelli, of the legendary 1970’s funk band, The Meters. Soulive opened their set, just the three of them, with an amazing rendition of “Steppin” and “Eleanor Rigby.” The trio was on fire, each taking a little time to shine through the tune. Wasting no time at all, Alan Evans introduced “a first in Bowlive History, y’all!” Guitarist Leo Nocentelli, one of the original forming members of the greatest New Orleans funk band ever, was up on deck for the rest of the set. With the help of The Sandy Horns, Nocentelli , “Rudy’s Way” and “Hat Trick.” It was nice to see Nocentelli and Krasno trading funky licks amongst the traditionally jazzy tunes. Neal’s hands were pounding away at the bass keys and his legs were constantly in motion, dancing behind his kit. Everyone was pumped up as bassist George Porter, Jr. was invited out for “Come Back Jack” and “Cissy Strut,” the songs that made the Meter’s a household name, was supported by Porter’s funky bass riffs.  Porter exited and Nocentelli continued on vocals for Stevie Wonder’s “Jesus Children on America” into “Want Me To Stay.” To say that the band was excited was a gross understatement. The energy flowing between the musicians and through the audience was like a supernova, with screaming fans and our Royal Family musicians ecstatic to be on stage with their own musical heroes.

Set I:
Steppin
Eleanor Rigby (Beatles cover)
Rudy’s Way (w/ Leo Nocentelli)
Hat Trick (w/ Leo Nocentelli)
Come Back Jack (The Meters cover w/ Leo Nocentelli and GPJ)
Cissy Strut (The Meters cover w/ Leo Nocentelli and GPJ)
Jesus Children of America > (Stevie Wonder cover w/ Leo Nocentelli)
If You Want Me to Stay (Sly and the Family Stone cover w/ Leo Nocentelli)

A slow, sexy, melodic version of The Meter’s “Pungee” began with Krasno and the Evans brothers for the second set and George Porter snuck out in the middle of it. It would be Porter’s time to shine after Leo Nocentelli dominated the first set. “No More Okey Doke,” showcased the baritone sax talents of Ryan Zoidis, who traded licks against Porter’s bass lines. Krasno then took what could arguably be the sickest solo of the run.  As if under a trance, his face began a series of contortions that resulted from the severe intensity at which he was focused on delivering the notes. His passionate playing lifted him onto his toes and his body undulated back and forth. It was epic. All the while, the remaining musicians on stage provided a solid foundation for his shredding guitar playing.  “No More Time,” “Jezebel,” and “Stop That Train,” were amazing, different and it was wonderful to hear a bass player with our favorite power trio. It must be mentioned that Neal Evan’s technique of playing the bass line on his clavinet is one of the most defining aspects of Soulive’s sound. So, the addition of one of the sickest bass players to the already magnificent power of Alan, Neal and Krasno projected and supported their expansive sound. When “How Sweet It Is To Be Loved By You” began to play, the same energy that comes from an audience hearing, “With A Little Help From My Friends,” came from this audience. The crowd went wild, couples turned to one another and kissed, and friends placed their arms around each others shoulders. It was friendly, loving and high-energy, creating a smile on every face. With happiness dripping from the rafters, “Them Changes,” a famous Band of Gypsy’s tune written by Buddy Miles, was loud and vibrant with Ryan Zoidis taking another bone-crushing baritone sax solo.

The jams that occurred throughout both sets were fantastic. Everyone felt at home, whether on stage or in the audience. Those comfortable, jamming encounters are what fan our passion for the funk. The funkiest encore of the run, “Afrika,” included a never-ending, thumping rage as Lettuce and Break Science drummer Adam Deitch, finally graced us with his presence. This was not to be taken lightly as Deitch is arguably one of the best drummers of our generation and a Bowlive mainstay in the previous years. As well, unannounced trumpeter Maurice Brown (Tedeschi Trucks Band) and Natalie Cressman (Trey Anastasio Band) ran out into the horn section during the first measures of the song.  At this point, Leo Nocentelli was on guitar along with ten other musicians on stage while Porter sang the tune, “Just Kissed My Baby!” POrter danced around on stage, would turn around to direct the horns and even ran over to Neal’s keyboards and played with him. It was madness, super genius madness and the crowd soaked it up like a sponge.

Set II:
Pungee (Meters cover w/ GPJ)
No More Okey Doke (Meters cover w/ GPJ)
Need More Time (w/ GPJ)
Jezebel (w/ GPJ)
Stop That Train (Bob Marley & Wailers cover w/ GPJ)
How Sweet It Is (To Be Loved By You) (Marvin Gaye cover w/ Leo and GPJ)
Them Changes (Buddy Miles cover w/ Leo and GPJ)
Encore: Africa (w/ Adam Deitch, Leo and GPJ)
Encore: Just Kissed My Baby (w/ Adam Deitch, Leo and GPJ)

The quality of music that came from the Brooklyn Bowl stage the past two weeks has ignited fires in our musical souls. Why would we want it to stop now? To the chagrin of those Soulive fans who couldn’t make it to as many shows they would like this year, there is only one night left of the Fourth Annual Bowlive residency. However, like every closing night of Bowlive, Soulive promises to make it best.  Last night’s guest, bassist George Porter Jr. will continuing his reign tonight as Bowlive’s #1 special guest.

Karen Dugan

TinyRager.com

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Bowlive IV Night 4 Recap w/ Booker T, David Hidalgo & The Shady Horns | Tonight Hidalgo Returns, Marco & The Shady Horns

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Dedicated music lovers brought themselves out to the Brooklyn Bowl for the start of Soulive’s second week of the Bowlive IV residency. Guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans are back with a new week and new musical adventures.

_DSC4418Last week’s roster was packed with sit-ins by southern blues rock guitarist Luther and percussionist Cody Dickinson (The North Mississippi Allstars), the fierce harmonica playing of John Popper (The Blues Travelers), the 70’s flare of vocalist Lee Fields and his Expression Horns, the pedal steel slide guitar styling of Robert Randolph (Robert Randolph and the Family Band), the soul-filled flavor of vocalist Nigel Hall and the spinning talents of DJ Logic. Surprise guests included the amazing Allman Brothers Band guitarists Warren Haynes and Derek Trucks and trombonist Sanders Sermon (Tedeschi/Trucks Band).

One of the highlights of Bowlive this year has been the killer opening bands kicking off every night. Kung Fu absolutely blew the roof off the first night, setting a pace of rage for the rest of the week. The second night followed with the powerful 8-piece Sister Sparrow and the Dirty Birds who kept the energy high and the Alecia Chakour Band delivered their sultry sounds on Saturday. You can read about those shows in earlier posts here on TinyRager.com.

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Following one of the best first weeks in Bowlive history, the formula would to remain the same. The high powered, high energy, talented horn-crunching musicianship of saxophonist Cochemea Gastulem (Sharon Jones and the Dap Kings) and his band, The Electric Sounds of Johnny Arrow, showcased a different style of music to Soulive fans. The sounds of Africa’s Fela Kuti and 70’s baritone player Lekan Animashanu provided influence to the tunes. One’s hips couldn’t help but begin to grind to the pulsating percussion infused music. After the opening set, there were members of the audience who could be overheard discussing these new sounds that Soulive had introduced to their Bowlive roster.

Set List:

Dark City
Carlito
Impala 73
You’re So Good To Me
Heleyos
Lluva Con Nieve
Fathom 5
No Goodbyes

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The theme for the rest of the night was simple. Play one strong, satisfying Tribute to Stax Records with one of the coolest, hippest, electric blues keyboardist of all time, Booker T. Jones (Booker T. and the MG’s.) However, the audience had to be patient. Soulive purists still needed to see their favorite trio stand alone. Alan, Neal and Eric performed “Outrage” and “Dig” before the Shady Horns joined the stage. Baritone saxophonist Ryan Zoidis and trumpeter Eric Bloom (Lettuce) and James Casey (Trey Anastasio Band) brought another layer of funk to the vibe with “Hatrick” and even more horns joined when Cochemea’s baritone saxophonist Freddy Deboe and Lee Fields band’s saxophonist Mike Buckley sat in on “For Granted.”  Their powerful horn solos overwhelmed the speakers causing feedback that took a minute to control and it was back into full funky rage.

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When Booker T. Jones came on stage, the crowd went wild. To experience an entire set with Booker T. and Soulive was liberating. However, to see how excited Soulive was, well, that was just icing on the cake of what was a delicious remaining night of music. Krasno put it best as he spoke to the audience, explaining that as much fun as it is for the fans, it’s equally as fun for Soulive, as they are fans themselves. Fans that have the distinct pleasure and honor of inviting their mentors and influences on stage to join them. The passion for Booker T. was also evident as you looked around the audience and saw other famous Jam-world faces such as Erik Kalb (Deep Banana Blackout), David Bailis (Pimps of Joytime), and Alecia Chakour (Alecia Chakour Band).

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Booker T. and Soulive crushed out iconic Booker T. and the MGs hits “Hip Hug Her,” “Hang ‘Em High,” “Time is Tight,” and more. They then played “Born Under A Bad Sign,” which Albert King made famous but was written by Booker who along with the MG’s and The Memphis horns appear on that studio version. There was the catchy instrumental versions of Cee Lo Green’s “Crazy,” and Lauryn Hill’s “Everything is Everything,” with each instrument on stage taking the lead on each song.  It was sharp, stunning and solid. The Booker T’s Memphis Soul Sound was supported wonderfully by Soulive, all three of whom were grinning from ear to ear throughout the entire set. Finally, it wouldn’t be Bowlive without a surprise special guest. Guitarist David Hidalgo (Los Lobos), in town a night early for his Wednesday night Bowlive appearance, would pop out halfway in the middle of tunes then disappear again. This would continue through the set, teasing us with what would be seen on night five.

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The Booker T. encore was the most recognizable tune of all, the instrumental classic, “Green Onions,” with its ripping Hammond Organ line were both Neal and Booker T. enjoyed trading licks on their keys. That song threw everyone, of all ages, back into the soundtrack of 1993’s The Sandlot, back riding around in their 1962 Chevy Impala Convertible with the top down. It is a song that defined the ages and every one of all ages was invested.

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Capping off the night, the trio stood alone on stage for “Tuesday Night Squad,” a nod to the night and perhaps Soulive’s way of naming the dedicated tribe who supported them on such an early weeknight.  The Tuesday Night Squad we became and Bowlive fanatics should hold that badge with honor, the same way Soulive was visibly honored to perform for us last night with such an amazing icon of music.

Last night’s tribute to Stax Records was a pleasure.  Tonight get there on time for another stunner of an opener with the ever-rocking London Souls and guests Marco Benevento (keys) and guitarist David Hidalgo (Los Lobos).

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Set List:
Hip Hug Her
Hang ‘Em High
Born Under A Bad Sign
Crazy
Time is Tight
Something
Everything is A Everything

Encore:
Green Onions
Tuesday Night Squad

Written by Karen Dugan
Tinyrager.com

Photos By Andrew Blackstein & Allison Murphy

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Bowlive III: Night Ten – Finale Recap for Soulive w/ Ledisi, Derek Trucks and The London Souls ~ Extended Review + Media (03.10.12)

After nine nights of warming up, Soulive members Eric KransoNeal Evans and Alan Evans tore the roof off the Brooklyn Bowl Saturday night for the final night of their 3rd annual ten-night residency, Bowlive. Over the course of the last two weeks, Soulive presented their audience with talented guests from across the musical spectrum. Virtuoso guitarists such as jazz legend John Scofield, southern blues rocker Luther Dickinson (North Mississippi Allstars), and the hard-bopping Warner Brothers artist Mark Whitfield created slaying duets with guitarist Eric Krasno. Renowned bassists Oteil Burbridge (The Allman Brothers Band) and George Porter, Jr. (The Meters) rocked the stage, adding to the cool bass keys Neal Evans plays so strikingly. Hip-hop drummer ?uestlove (The Roots), experimental percussionist Billy Martin (MMW) and world beat drummer Luke Quaranta took their turns leading the rhythm when the smoother than smooth Soulive drummer Alan Evans stepped aside to play rhythm guitar.

Guest vocalists Nigel Hall, Allen Stone, Jennifer Hartswick and Alecia Chakour brought their own style of strength and soul to the mic, Citizen Cope and Alice Smith sang an eclectic mix of blues, laid-back rock and folk while Rhazel and Ledisi delivered beat boxing and R&B/Soul into the eager ears of their audience. As well, for two night and two full sets, Royal Family recordings artists Lettuce, consisting of guitarist Adam Smirnoff, drummer Adam Deitch (Break Science), bassist ED “Jesus” Coomes, and The Bowlive horns, seared the stage with their urban funk flavor.

The Bowlive Horns, consisting of saxophonist James Casey, trumpeters Eric Bloom and Matt Owens and tenor saxophonist Ryan Zoidis were joined over the course of the run by numerous big name brass players.  Trombonist Sam “Big Sam” Williams (Big Sam’s Funky Nation), flautist/saxophonist Karl Denson (Karl Denson’s Tiny Universe), trumpeters Rashawn Ross (Dave Matthews Band) and Jennifer Hartswick, flautist Kofi Burbrudge (Derek Trucks Band) and wild improvisational saxophonist Skerik, rotated throughout the ten nights creating one of the sickest brass ensembles some have ever seen.

Other surprise guests included virtuoso pianist Eldar and organist Mitch Chakour while DJ Wyllys spun the ones and twos in between the weekend sets. When Soulive didn’t open the show themselves, the one man band, Zach Deputy, Royal Family recording artists The Nigel Hall Band, The Alecia Chakour Band and The London Souls amped the energy of the evening before Soulive took over to lay devastation upon the stage. It has been a two week rage of full on face melting, mind warping, soul filling, gut busting musicianship that accelerated with power each night and with audience members wondering how it could be topped.

Saturday night was the tenth and last night of Bowlive III. The audience, clad in white outfits for the evening’s White-Out Party theme, could be heard whispering their ideas of who the special guests might be. The London Souls, Ledisi and The Royal Family All-Stars were billed which could only mean that a surprise that couldn’t be named was being prepared.

The London Souls opened the evening with their Hendrix-style rock and roll sound. It is quite impossible to remain calm when guitarist Tash Neal, bassist Stu Mahan, and drummer Chris St. Hilaire are slamming away on their instruments.  The perfect opening for the end of a great run.

Soulive’s set started off with the super horn heavy, high-energy “El Ron”  However, during “Upright,” some unexpected technical difficulty occurred.  What could have been a rough moment turned into something special. There was three minutes where Alan Evans and his team worked at lightning speed to repair a broken drum head while the remaining members on stage worked together to keep the audience engaged. The audience clapped and cheered, supporting their favorite trio because there was importance in this moment. The band’s talent was exposed so much more during this time as they kept it together. The power from the applause in the audience when Evans’ silver shimmering drum kit was finally lifted in the air and put back in place was outstanding. It was a killer moment in rock n roll, a killer moment in Bowlive History. The trio ripped into the end of “Upright” and kept the momentum UP, UP, UP! They rolled through “Tuesday Night Squad” and Nigel Hall sang on the lively “Too Much” and the beautifully arranged “Everybody Wants to Rule the World” by Tears For Fears that segued into Bobby Caldwell’s “Open Your Eyes.”

When Ledisi was brought back on stage for the second night, the crowd exploded. Her R&B flavor had brought such joy to the previous night’s performance and we wanted more. Singing “Love Never Changes” off her Turn Me Loose album, Ledisi unleashed her massively powerful voice upon the audience. Her range and strength were unbelievable as she swiftly scatted her way through “Them Changes,” a Buddy Miles cover off of Jimi Hendrix’s Band of Gypsys. Tash Neal also performed on this song where he and Krasno playfully raged a duet to end the set.

The second set began as multiple white balloons were tossed out into the audience while Soulive played “One in Seven.” The second technical difficulty of the night occurred as Neal Evans’ clavinet finally gave way after nine nights of solid pounding. Not to miss a beat, Alan Evans began jamming on his kit, delivering a tight an extended drum solo as the back line team fixed the issue.  It was then time for some Beatles love as they played an electric run of “Eleanor Rigby,” “She’s So Heavy” and “Get Back.”

Finally, the last surprise guest of this amazing musical journey was invited on the stage. Southern rock, slide guitarist Derek Trucks (The Allman Brothers Band) walked out on stage with Nigel Hall and Ledisi to perform Sam Cooke’s Civil Rights Era anthem “A Change Gonna Come,”. It was no wonder that while Ledisi and Hall sang with all their passion and Derek Trucks made his guitar cry, audience members began to weep where they stood. The meaning and epic delivery of this song wasn’t lost on a single soul. Soulive flipped the emotional script by following Cooke’s song with the raging Jimi Hendrix’s tune, “Manic Depression!” Derek Trucks, Eric Krasno, Neal Evans and Alan Evans delivered a sick rendition of the song with Trucks and Krasno playing off each other and Trucks taking a ripping solo to end the set.

Before the encore, Brooklyn Bowl owner, Pete Shapiro, came on stage with Rosemary and Lavender plants in his hands. He explained that everyone on the floor was to take a piece of the plants being passed around the audience in hopes that the aroma therapy would help us gather our strength for one last song. Ending their epic ten night run the way they began, our favorite trio, just the three of them, took the stage for “Aladdin.”

Bowlive III is now over, leaving some New Yorkers wondering what to do with themselves.  For two weeks, dedicated fans came to the Brooklyn Bowl to see Neal Evans, Alan Evans and Eric Krasno play their hearts out, touching on every musical genre and playing with many of Americas most talented musicians. Let us give thanks to Soulive for the dedication to their craft and their ability to express it through the creative outlet that is Bowlive. Thanks for their want to educate us on new talent, their need to put new twists on old classics, and their determination to raise the bar each and every night.

Let us give thanks to The Brooklyn Bowl, because without them there would be no Bowlive. Thanks for their wonderful environment, staff and treatment.  For the last 2 weeks the Brooklyn Bowl has been our community’s second home. We’ve feasted on their fantastic Blue Ribbon cuisine, felt at home on their plush leather couches and enjoyed their attentive staff.   Soulive + The Brooklyn Bowl = Bowlive and don’t you forget it!

A change has come to New York City. A change has come to the music community.  Soulive has created something so special in Bowlive.  There is nothing else like it in our scene and it’s through that unique way of doing things that Soulive will remain one of the most influential groups in our music community. Bowlive is the development of a passionate dream that is now reality. After three years, Bowlive is no-doubt a game changer in the music community and will continue to be for many years to come. Thank you Soulive!

 Karen E. Dugan
– Photo courtesy of Phrazz

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March Music Calendar

March 2011 Potential Show Run Down

Calendar updated daily!

Tuesday, March 1st, 2011

Wednesday, March 2nd, 2011

Thursday, March 3rd, 2011

  • (Free) The Jamie McLean Band @ 315 Bowery
    • John Varvatos Presents: JMB’s 2011 EP Release Party! Free Show! Open Bar!
  • ($10) Red Baraat @ Barbes
  • ($15) Bowlive 2: Soulive w/ Corey Glover & Bernie Worrell @ Brooklyn Bowl
  • ($33-$95) Tibet House Benefit Concert @ Carnegie Hall
    • Feat: Philip Glass, Tenzin Choegyal, The Flaming Lips, Angelique Kidjo, Taj Mahal, James McCartney, The Roots, Patti Smith, Jesse Smith and Michael Campbell, Michael Stipe
  • ($40-$80) Mahler’s Fourth Symphony @ Avery Fisher Hall

Friday, March 4th, 2011

  • ($7-$10) Official Conspirator After-Show feat. The Manhattan Project @ The Delancey
  • ($15) Bowlive 2: Soulive w/ Robert Randolph & Corey Glover @ The Brooklyn Bowl
  • ($25) Rebelution and Giant Panda Guerilla Dub Squad @ Irving Plaza
  • ($25) Conspirator @ Gramercy Theatre (Mis Ter Bugsley)
  • ($30) Larry Coryell Power Trio with Victor Bailey & Lenny White @ Iridium Jazz Club
  • ($40-$80) Mahler’s Fourth Symphony @ Avery Fisher Hall
  • ($40-$45) Dr. John and the Lower 911, Marco Benevento, High and Mighty Brass Band @ Sullivan Hall

Saturday, March 5th, 2011

  • (Free) West African Band @ St. Nicks, Harlem (late night)
  • ($15) Bowlive 2: Soulive w/ Robert Randolph @ The Brooklyn Bowl
  • ($30) Larry Coryell Power Trio with Victor Bailey & Lenny White @ Iridium Jazz Club
  • ($40) 5th Annual Nolafunk Mardi Gras Ball: featuring Dr. John & The Lower 911 , Soul Rebels Brass Band and Sister Sparrow & The Dirty Birds @ Le Poisson Rouge
  • ($40-$80) Mahler’s Fourth Symphony @ Avery Fisher Hall
  • ($41-$331) Bon Jovi @ Madison Square Garden

Sunday, March 6tht, 2011

  • ($30) Larry Coryell Power Trio with Victor Bailey & Lenny White @ Iridium Jazz Club
  • ($30) Chico O’Farrill Afro-Cuban Jazz Orchestra @ Birdland NYC
  • ($30) Fred Hersch & Joshua Redman Duo @ Jazz Standard

Monday, March 7th, 2011

  • ($5) London Souls Residency @ The Brooklyn Bowl
  • ($8) Jim Campilongo @ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard

Tuesday, March 8th, 2011

Wednesday, March 9th, 2011

Thursday, March 10th, 2011

Friday, March 11th, 2011

  • (FREE) Tall Tall Trees @ Rockwood Music Hall
  • ($15) Bowlive 2: Soulive w/ Karl Denson, Van Hunt @ The Brooklyn Bowl
  • ($15) Budos Band @ The Bell House
  • ($18) Tab Benoit & Kung Fu @ Sullivan Hall
  • ($22) Los Amigos Invisibles @ HighLine Ballroom
  • ($25) Devon Allman’s Honeytribe @ Iridium Jazz Club
  • ($30-$40) Al Dimeola World Sinofina @ The Blue Note
  • ($30-$43) Dropkick Murpheys @ Roseland Ballroom
  • ($35) Pete Yorn with very special guest Ben Kweller @ Terminal 5
  • ($46-$54) Piano Power: Brad Mehldau & Friends w/ Joshua Redman @ Zankle Hall
  • ($59) FURTHUR: Phil Lesh & Bob Weir @ Best Buy Theater
  • ($61-$172) Allman Brothers Band @ Beacon Theater

Saturday, March 12th, 2011

  • (Free) West African Band @ St. Nicks, Harlem (late night)
  • ($15) Bowlive 2: Soulive w/ Matisyahu
  • ($59) FURTHUR: Phil Lesh and Bob Weir @ Best Buy Theater
  • ($61-$172) Allman Brothers Band @ Beacon Theater
    • ($10) A Post Furthur and Allman Brothers Band Show w/ Reckoning @ Sullivan Hall
    • ($25) Post Allmans in New York Midnight Concert Series w/ The Yonrico Scott Band featuring Oteil and Kofi Burbridge @ Iridium Jazz Club

Sunday, March 13th, 2011

  • ($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery
  • ($30) Chico O’Farrill Afro-Cuban Jazz Orchestra @ Birdland NYC
  • ($30-$40) Al Dimeola World Sinofina @ The Blue Note (2 shows)
  • ($30-$42) Intimate Solo Acoustic Citizen Cope @ City Winery

Monday, March 14th, 2011

  • ($5) London Souls Residency @ The Brooklyn Bowl
  • ($8) Jim Campilongo @ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard
  • ($30) Steve Martin performing with The Steep Canyon Rangers: An Evening of Bluegrass & Banjo @ Highline Ballroom
  • ($30-$42) Intimate Solo Acoustic Citizen Cope @ City Winery
  • ($61-$172) Allman Brothers Band @ Beacon Theater

Tuesday, March 15th, 2011

  • (Free) Dred Scott Trio @ Rockwood Music Hall (late night)
  • ($5) That 1 Guy @ The Brooklyn Bowl
  • ($30-$42) Intimate Solo Acoustic Citizen Cope @ City Winery
  • ($35) Steve Martin & the Steep Canyon Rangers @ Joe’s Pub
  • ($59) FURTHUR: Phil Lesh and Bob Weir @ Best Buy Theater
  • ($61-$172) Allman Brothers Band @ Beacon Theater

Wednesday, March 16th, 2011

  • ($10) Gent Treadly @ The Sugar Bar
  • ($30-$42) Intimate Solo Acoustic Citizen Cope @ City Winery (2 shows)
  • ($35) Steve Martin & the Steep Canyon Rangers @ Joe’s Pub
  • ($40) New York Dolls @ Bowery Ballroom
  • ($80-$180) Elton John @ Madison Square Garden

Thursday, March 17th, 2011

  • (Free) The Farewell Drifters @ Rockwood Music Hall
  • ($5) Dead Kenny G’s @ Brooklyn Bowl
  • ($15) Chris Morrisey Quartet w/ Mark Guiliana @ The Jazz Gallery
  • ($18-$22) JJ Grey(MOFRO) solo acoustic with Shannon McNally @ City Winery
  • ($35) Steve Martin & the Steep Canyon Rangers @ Joe’s Pub
  • ($40) New York Dolls @ Bowery Ballroom
  • ($50-$93) Celtic Women @ Radio City Music Hall
  • ($61-$172) Allman Brothers Band @ Beacon Theater

Friday, March 18th, 2011

  • (Free) Nutritious @ The Cove
  • ($5) The Heavy Pets (GOLDYS BIRTHDAY PARTY) @ The Brooklyn Bowl
  • ($5) Buzz Universe & Afro Skull @ The Bowery Poetry Club
  • ($30) Duduka Da Fonseca Quintet featuring Anat Cohen @ Jazz Standard
  • ($35) FUNK SUMMIT: Leo Nocentelli (The Meters), Bernie Worrell (P-Funk), Fred Wesley (James Brown, P-Funk) @ Iridium Jazz Club
  • ($61-$172) Allman Brothers Band @ Beacon Theater
    • ($12) A Post Allman Brothers Band Show featuring Some Cat From Japan: The Music Of Jimi Hendrix featuring Scott Metzger / Will Bernard / Ron Johnson / Eric Bolivar @ Sullivan Hall
  • ($60-$275) Janet Jackson – Number Ones, Up Close and Personal World Tour @ Radio City Music Hall

Saturday, March 19th, 2011

  • (Free) Mark Guiliana @ Rockwood Music Hall
  • (Free) West African Band @ St. Nicks, Harlem (late night)
  • ($10) Anders Osborne w/ Leroy Justice @ Brooklyn Bowl
  • ($30-$40) Pat Martino Organ Quartet @ Birdland
  • ($35) FUNK SUMMIT: Leo Nocentelli (The Meters), Bernie Worrell (P-Funk), Fred Wesley (James Brown, P-Funk) @ Iridium Jazz Club
  • ($40) Steve Martin & the Steep Canyon Rangers @ Music Hall of Williamsburg
  • ($61-$172) Allman Brothers Band @ Beacon Theater
  • ($60-$275) Janet Jackson – Number Ones, Up Close and Personal World Tour @ Radio City Music Hall

Sunday, March 20th, 2011

  • ($20) Murder By Death @ Rocks Off Cruise
  • ($30) Chico O’Farrill Afro-Cuban Jazz Orchestra @ Birdland NYC
  • ($60-$200) Diana Ross – Greatest Hits Tour @ St. George Theater, S.I.
  • ($75-$125) Benefit for Cornell Dupree w/ Cornell Dupree, Joe Cocker and Dr. John @ B.B. King Blues Club and Grill
  • ($80-$180) Elton John @ Madison Square Garden

Monday, March 21st, 2011

  • ($5) London Souls Residency @ The Brooklyn Bowl
  • ($8) Jim Campilongo @ The Living Room
  • ($10-$17) 101.9 Wrxp 3rd Anniversary Show Feat. Guster @ Irving Plaza
  • ($25) Mingus Dynasty @ The Jazz Standard
  • ($30) Rick Derringer @ Iridium Jazz Club
  • ($50) Keyshia Cole @ B.B. Kings
  • ($60-$275) Janet Jackson – Number Ones, Up Close and Personal World Tour @ Radio City Music Hall
  • ($61-$172) Allman Brothers Band @ Beacon Theater

Tuesday, March 22nd, 2011

  • (Free) Dred Scott Trio @ Rockwood Music Hall (late night)
  • ($15-$20) Mike Gordon @ The Brooklyn Bowl
  • ($18-$22) Noah and The Whale @ Bowery Ballroom
  • ($25-$40) Paula Cole – DIVINALE: A Month of Wine, Women and Song @ City Winery
  • ($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
  • ($61-$172) Allman Brothers Band @ Beacon Theater

Wednesday, March 23rd, 2011

  • ($10/$12) Heyoka, The Malah, Octopus Nebulae, Tucci @ Public Assembly (Mis Ter Bugsley)
  • ($15) Surprise Me Mr. Davis @ The Bell House
  • ($15-$20) Mike Gordon @ The Brooklyn Bowl
  • ($20-$25) Steve Kimock 2011 NYC Residency w/ special guests Henry Butler , Andy Hess (Gov’t Mule, Black Crowes, John Scofield) and John Morgan Kimock @ Sullivan Hall
  • ($30) Jeff Lorber Fusion @ Iridium Jazz Club
  • ($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC

Thursday, March 24th, 2011

  • ($10) The Macpodz and Sister Sparrow And The Dirty Birds @ Studio at Webster Hall
  • ($25) James Blood Ulmer with The Memphis Blood Blues Band featuring Vernon Reid @ Jazz Standard
  • ($30) Jeff Lorber Fusion @ Iridium Jazz Club
  • ($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
  • ($40-$52) Cold War Kids @ Radio City Music Hall
  • ($40-$80) Hungarian Echoes IV: Bartók’s First Piano Concerto @ Avery Fisher Hall
  • ($61-$172) Allman Brothers Band @ Beacon Theater

Friday, March 25th, 2011

  • ($??) Mahavishnu Project plays Jeff Beck (Wired, Blow By Blow, There & Back) @ Iridium Jazz Club
    • DVD Release Event for “Jeff Beck: Live at Iridium” [free DVD giveaways]
  • ($12) A Post Furthur & Allman Brothers Band Show featuring Some Cat From Japan: The Music Of Jimi Hendrix featuring Nigel Hall , Scott Metzger , Will Bernard , Ron Johnson , Eric Bolivar @ Sullivan Hall
  • ($18-$20) The Wood Brothers with Carsie Blanton @ City Winery (2 shows)
  • ($20) Black Joe Lewis & the Honeybears @ Bowery Ballroom
  • ($25) James Blood Ulmer with The Memphis Blood Blues Band featuring Vernon Reid @ Jazz Standard
  • ($25) Post Allmans in New York Midnight Concert Series Col. Bruce Hampton and Pharoah Gummitt Featuring Duane Trucks @ Iridium Jazz Club
  • ($30) Steve Smith, Jon Herington and Col. Bruce Hampton @ Iridium Jazz Club
  • ($32.50) Victor Wooten and Stanley Clarke @ BB Kings
  • ($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
  • ($40-$47) Queens of the Stone Age @ Terminal 5
  • ($40-$80) Hungarian Echoes IV: Bartók’s First Piano Concerto @ Avery Fisher Hall
  • ($50-$60) Don McLean with Special Guest Dar Williams @ Town Hall
  • ($50-$84) Furthur @ Radio City Music Hall
  • ($61-$172) Allman Brothers Band @ Beacon Theater

Saturday, March 26th, 2011

  • (Free) West African Band @ St. Nicks, Harlem (late night)
  • ($10) A Post Furthur and Allman Brothers Show with Reflections @ Sullivan Hall
  • ($15-$20) Black Joe Lewis and the Honeybears @ Bowery Ballroom
  • ($25) James Blood Ulmer with The Memphis Blood Blues Band featuring Vernon Reid @ Jazz Standard
  • ($35) Hubert Sumlin Band @ Iridium Jazz Club
  • ($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
  • ($40-$80) Hungarian Echoes IV: Bartók’s First Piano Concerto @ Avery Fisher Hall
  • ($45-$65) Afro-Cuban All Stars @ The Concert Hall
  • ($50-$84) Furthur @ Radio City Music Hall
  • ($61-$172) Allman Brothers Band @ Beacon Theater
  • ($100-$175) Rod Stewart / Stevie Nicks – Heart and Soul Tour @ Madison Square Garden

Sunday, March 27th, 2011

  • ($8-$10) Dangermuffin @ The Rock Shop
  • ($25) Hubert Sumlin Band @ Iridium Jazz Club
  • ($25) James Blood Ulmer with The Memphis Blood Blues Band featuring Vernon Reid @ Jazz Standard
  • ($30) Chico O’Farrill Afro-Cuban Jazz Orchestra @ Birdland NYC
  • ($40) Harlem Gospel Choir @ BB Kings
  • ($50-$84) Furthur @ Radio City Music Hall

Monday, March 28th, 2011

  • ($5) London Souls Residency @ The Brooklyn Bowl
  • ($8) Jim Campilongo @ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard
  • ($25) New Sounds Live: So Percussion and Bobby Previte with John Medeski, Zeena Parkins, DJ Olive & Jen Shyu @ Merkin Concert Hall
  • ($35) Hubert Sumlin Band @ Iridium Jazz Club
  • ($40-$47) LCD Soundsystem @ Terminal 5
  • ($50-$117) Jeff Beck and Rock N Roll Party w/ Imelda May & Her Band @ Radio City Music Hall

Tuesday, March 29th, 2011

  • (Free) Dred Scott Trio @ Rockwood Music Hall (late night)
  • ($5) BoomBox @ Brooklyn Bowl
  • ($12-$65) Medeski Martin & Dunn, John Zorn & MASADA Marathon @ David H. Koch Theater
    • Featuring: Marc Ribot, Uri Caine, Dave Douglas, John Medeski, Secret Chiefs 3, Greg Cohen, Joey Baron, Cyro Baptista, Kenny Wollesen, Jamie Saft, Erik Friedlander, Mark Feldman, Sylvie Courvoisier, Trevor Dunn, and many others
  • ($20) Billy Martin w/ Dj Oliver and Ikue @ The Stone
  • ($30-$40) Kevin Eubanks Trio @ Birdland NYC
  • ($40-$47) LCD Soundsystem @ Terminal 5
  • ($55-$65) Billy Bragg – At Home In The City W/ Special guest Ben Sollee @ City Winery

Wednesday, March 30th, 2011

  • ($20) Steve Kimock 2011 NYC Residency with special guests Marco Benevento , Marc Friedman (The Slip) , Adam Deitch (Lettuce, Breakscience) @ Sullivan Hall
  • ($25) Reggie Watts @Music Hall of Williamsburg
  • ($30-$40) Kevin Eubanks Trio @ Birdland NYC
  • ($35-$60) Aaron Neville @ BB Kings Blues Club
  • ($40-$47) LCD Soundsystem @ Terminal 5
  • ($55-$65) Billy Bragg – At Home In The City W/ Special guest Ben Sollee @ City Winery

Thursday, March 31st, 2011

  • ($20) Mimosa @ Irving Plaza (Mis Ter Bugsley)
  • ($27.50) Tim Reynolds @ Iridium Jazz Club
  • ($30-$40) Kevin Eubanks Trio @ Birdland NYC
  • ($40-$47) LCD Soundsystem @ Terminal 5
  • ($55-$65) Billy Bragg – At Home In The City W/ Special guest Ben Sollee @ City Winery

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” We Wish You Were Here” ~ Allen Woody Benefit ~

Allen Woody

Allen Woody

An absolutely historical night of music.  A bitter-sweet night of music.  A magical combination of guitar-shredding artists who came together for the memory of one man. Allen Woody!

Allen Woody!! For those of us who tend to seek out a bass line in a song, the name Allen Woody should register in your brain’s musical library.  Specifically, in the southern rock genre. He was the stand-out bassist for bands such as The Allman Brothers Band, Gov’t Mule, The Artimus Pyle Band and more.

Allen Woody

Allen Woody

His unexpected passing on August 26, 2000 encouraged his fellow musicians to hold the first benefit called One For Woody in September 2000.  Tonight, ten years later, Warren Haynes and an ARSENAL of guitar-wielding friends put together the second benefit for this greatly missed musician: Another One For Woody: “Wish You Were Here!”

This was a man whose musical presence touched the lives of numerous musicians, inspired a genre and who’s musical contribution deserves recognition.  Tonight, people paid over $140 a ticket to pay homage to this dearly missed bass player whose tragically early departure from music left a gaping whole in the sound of southern rock.  The proceeds from this 10th Anniversary event went to raising money for musical education in schools.  For every person we heard complaining about the price, we politely reminded them of this fact.  Having just had the privilege of attending T-Bone Burnett’s “Waiting For Superman” Benefit at The Beacon (click for my review) a few weeks earlier, it is safe to say that the quest for keeping music & art in the school system is not going to ever be ignored. We are all soldiers in that fight.

“It’s too loud? Too fuckin’ bad” -Allen Woody 4/4/96

Roseland Ballroom

Roseland Ballroom

Arriving at 6:45pm, I had quibbled with my man over arriving to the venue early. He didn’t want to stand around for hours and I wanted to make sure we had ample time to arrive early enough for good viewing locations.  Roseland Ballroom is one of those venues, like Terminal 5, that has a sardine-like feeling with horrible site lines due to low ceilings and poor design.  Doors were meant to open at 6pm but didn’t open until after 7pm.  When we arrived, the line to the venue was wrapped completely around the block. Of course, even being an hour early, we were still slightly late but the first of our friends. Our section of the line starting to bulge as more friends joined our space.

Dino Perucci (Dino Perrucci Photography) and Allison Murphy (Allison Murphy Photography), two of my favorite NY based photographers, were walking the front of the stage.  My smile swelled because I knew that I didn’t need my camera tonight.  Throughout this article, many of the pictures you will see are shots through their lens.  Thanks to both photographers for allowing this Tiny Raging blogger to stand there and take it all in, not having to worry about the pictures.  And thank you, not simply for this show, but for the hundreds you do every year. Thank you, from all the people who admire your talent and work, for doing what you do and bringing the music to our eyes.

The show was supposed to start at 7pm and the doors didn’t even open until after 7pm.  After a lovely chat with the lovely Allison Murphy while the unusually long sound check and stage set-up it seemed about that time.  Those of us in the front were debating which musicians would be standing/sitting/playing where.  As long as I could see a full-on shot of Derek Trucks, Warren Haynes and Luther Dickinson, I didn’t care where I was standing.

Warren Haynes Acoustic Set

Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar

Out walks Warren Haynes with two other musicians that I am unsure of.  It wasn’t until maybe an hour later that I found out that the men were Edwin McCain and Kevin Kinney. This was the acoustic set and it was beautiful.

As soon as Warren Haynes started his strumming into Kevin Kinney‘s Just Outside Of Heaven (A Good Country Mile), I got that religious swell that I sometimes reach when the beauty of the music overwhelms me.  This time, it was just as much the energy in the room as the music.  I looked behind me and saw the faces of all my friends just beaming with excitement and love.  Edwin McCain sang The Lucky One.  All three sang on a gorgeous rendition of I Shall Be Released.

Set: Just Outside Of Heaven (A Good Country Mile), The Lucky One, I Shall Be Released

North Mississippi Allstars Duo

Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard

Special Guests:

Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar

Around 8:15pm, the Dickinson Brothers,  tonight calling themselves the North Mississippi Allstars Duo, took the stage.  The Dickinson family had a wonderful connection to Allen Woody over the years.  The late Jim Dickinson, the Duo’s father, was good friends with the members of the Allman Brothers Band back in the day and when the North Mississippi Allstars toured with Gov’t Mule, they have fond memories of Allen Woody sitting in with them.

Warren Haynes + Gordie Johnson (Photo by Allison Murphy)

Warren Haynes + Gordie Johnson (Photo by Allison Murphy)

The Brothers Dickinson brought the Memphis blues to our ears with Sitting On Top of the World, a 1930’s standard. The gospel tone came out with Shimmy She Wobble > Station Blues > Preachin’ Blues, all North Mississippi Allstars originals.  It was at this time that standing in front of the speakers began to take effect and I had to pop in the ear plugs.  It never fails and as usual, I ended up passing out the rest to friends and strangers around me who were clearly in need.

And then it was time for the guests.  Gordie Johnson, Big Sugar guitarist and recent Gov’t Mule producer, came out to join the Duo for Po Black Maddie. Initially, it looked as though Gordie was going to sing the song but it almost appeared as if he was unsure of the words.  Did anyone else catch this mumbling into the microphone?? Luther ended up singing the song.


Hook Herrera, Warren Haynes + Luther Dickinson (Allison Murphy)

Hook Herrera, Warren Haynes + Luther Dickinson (Allison Murphy)

Gordie Johnson remained for Straight to Hell. Cody Dickinson‘s smile never left his face the entire set.  It almost looked plastered on but we all know he was truly happy. How could anyone not be?  There was a stand-alone drum solo by Cody Dickinson while Luther and Gordie Johnson switch sides of the stage for the final song of the set.

The end of their set was FIRE!!  The Duo welcomed Artimis Pyle (Lynyrd Skynyrd) on drums, Danny Louis (Gov’t Mule) on keys and Audley Freed (Cry of Love & the Black Crowes) to the stage to perform Whiskey Rock A Rolla! There was now an arsenal of musicians on the stage to sing about whiskey and rock-n-roll! Four guitarists as Cody Dickinson moved from his drums to a guitar, tambourines, keyboards…What a mess of Southern rednecks.  Their vests, boots, long stringy hair, cowboy hats…all screaming of their bluesy country background.


Set: Sitting On Top of the World, Shimmy She Wobble > Station Blues > Preachin’ Blues, Glory Glory, Po Black Maddie, Straight To Hell, Whiskey Rockin Rolla

Gov’t Mule

Warren Haynes – Guitar & Vocals
Matt Abts – Drums
Danny Louis – Keyboards, Background Vocals and Other Goodies
Jorgen Carlsson – Bass

Special Guests:

Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals

The members of Gov’t Mule take the stage after a few minutes of stage setting. Warren‘s iconic raspy voice heads into Railroad Boy. The screen behind the band was projecting a black background with “GOT MULE?” plastered across in white. Warren ripped a solo and the set just launched into southern goodness at its best.

There was a spacey rip into Blind Man in the Dark, a personal favorite to sing around my apartment. Warren asked us how we were feeling and the place erupted with a happy reply.  Danny Louis jumped off the keys and onto guitar for Steppin’ Lightly.  At this point, there were old picture of Woody shooting or lingering across the screen behind the band. His face smiling at us, showing his appreciation for the music in front of him.

Sometimes there is nothing better then watching the hands of your favorite guitar player.  Personally, my favorite guitar player had not yet hit the stage but here in front of me was Warren.  He is simply amazing.  Watching Warren, I was in tune with his hands much more then usual.  I equate that to the fact that I have never been this close to his hands before. I was so happy to be in the front row. Banks of the Deep End sprang out of his hands and so it went…full on Warren!

And now it was time for some GUESTS!!!  Gordie Johnson once again joined the stage, this time followed by Jim Loughlin & Vinnie Amico, the drummers from Moe.  They raged I’m A Ram before jamming into Dear Prudence where Chuck Garvey, also of  Moe, joined with his guitar. I LOVE Moe.

Warren Haynes + Chuck Garvey (Photo by Allison Murphy)

Warren Haynes + Chuck Garvey (Photo by Allison Murphy)

Dear Prudence with the members of Moe.  AWESOME! THIS little addition to the stage made me very VERY happy.  Seeing Chuck on stage with Warren was interesting.  Their sounds are so different so vibing them together was great even though I silently wished it had been Al who was joining the stage.   Chuck lead while Warren sang. There were whimsy art paintings across the screen behind the stage.  Chuck gave a great solo and then tagged in Luther.

Warren Haynes + Hook Herrera (Photo by Allsion Murphy)

Warren Haynes + Hook Herrera (Photo by Allsion Murphy)

The 320 Blues saw Hook Herrera join the stage with his mighty harmonica.  Oh, the harmonica. I LOOOOOOOOOVE the layer of sound a harmonica add to a musical journey.  As well,  Luther and Cody Dickinson joined the stage followed by Artemis Pyle (Lynyrd Skynyrd).  GOD! It just kept getting better and better! So many musicians had been touched by Allen’s friendship, music and memory.  Cody busted out his washboard and I finally heard the North Mississippi Allstars sound that I associate so much to that washboard.  The place was on FIRE!! and the music was so loud and vibrant that the musicians drinks were shaking off the amps.   As far as energy was concerned, this was the pop-off song of the night, so far.

Audley Freed + Robert Kearns (Photo by Allison Murphy)

Audley Freed + Robert Kearns (Photo by Allison Murphy)

Warren then spoke of how Big Sugar used to open for Gov’t Mule and how he and Allen Woody would rage this Al Green song. He welcomed Rich Robinson (Black Crowes) to the stage for Stay With Me, Rick’s slide guitar sound melting everyone’s ears.  Danny Louis was back on his keyboard.  This song was so pretty.  Warren ripped a solo and then they all hugged. The next song saw Rich Robinson staying on stage and being joined by Robert Kearns (Cry of Love) replacing Jorgen Carlsson on bass and Artemis Pyle (Lynyrd Skynyrd) jumping on drums.  They flew into Sometimes Salvation, a Black Crowes cover, and the venue cheered.

Simple Man was next.  I love this song. It never gets old for me. Matt Abts left the stage this time leaving only Artemis Pyle to play the drums. Audley Freed was back out on guitar and so they went…


Warren Haynes + Savannah Woody (Photo by Allison Murphy)

Warren Haynes + Savannah Woody (Photo by Allison Murphy)

Wishing Well was next with the same people gracing the stage. And then we were given an emotional surprise. Savannah Woody, Allen Woody’s daughter, came out to the front of the stage to sing Soul Shine. And  she sang the line:  Now you gotta let your soul Shine / Just like my daddy used to say...the entire place erupted with the longest loudest cheer of the night and Warren’s tears took over the gleam in his eye.  It took some time for people to realize who Savannah Woody was but when she sang that line, I knew immediately that it must be SOME kind of close relative to Woody.

During the song, she was standing on stage, arms dangling while solos were being taken.  A stage hand brought out a tambourine in the cutest way but she still didn’t move that much.

Warren Haynes + Savannah Woody (Photo by Allison Murphy)

Warren Haynes + Savannah Woody (Photo by Allison Murphy)

When Allen died, a fund for Savannah’s education was established in his memory. She didn’t look any older then a high school student and it made me sad to know she lost her father so young. But the fact that she was up there, singing in her father’s memory, and not crying…we knew she was a strong. Certainly stronger then me as I teared up once I realized who she was and what she meant to the show.  It must feel wonderful to see that your father touched so many lives.  It must be wonderful to know that all those amazing guitar legends up on stage were actually men who look after their own and I am sure have taken her under their wing over the years.  It was a lovely and touching performance of an otherwise tedious song.

This show was supposed to end at 11:50pm, due to city/venue rules.  This set ended at 11:30pm and we KNEW that we were not going anywhere for sometime because now….it was time for The Allman Brothers Band, but not before almost a 40 minute set break.

Set List: Railroad Boy > Blind Man In The Dark, Steppin’ Lightly, Banks Of The Deep End, I’m A Ram (with Gordie Johnson, Jim Loughlin & Vinnie Amico), Dear Prudence (with Chuck Garvey, Jim Loughlin & Vinnie Amico), 32/20 Blues (with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle), Stay With Me (with Rich Robinson & Artemis Pyle), Sometimes Salvation (with Rich Robinson, Robert Kearns & Artemis Pyle, without Jorgen Carlsson), Simple Man (with Artemis Pyle, Audley Freed & Robert Kearns, without Matt Abts & Jorgen Carlsson),Wishing Well (with Artemis Pyle & Audley Freed), Soulshine (with Savannah Woody & Artemis Pyle)

The Allman Brothers Band

Gregg Allman – Keys
Butch Trucks – Drums
Jai Johanny “Jaimoe” Johanson – Percussion
Warren Haynes – Guitar
Marc Quiñones – Percussion
Oteil Burbridge – Bass
Derek Trucks – Guitar

Special Guests:

Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums

The set break must have last over 40 minutes.  Sadly, my date for the evening felt the weight of the tiresome day during the obsessively long break and had to leave.  A set that was supposed to end at 11:40pm and didn’t even start until at least midnight.  This was insane but I only knew good things would come from those of us who had been standing on our feet for over five hours at this point.

Allman Brothers Band, Warren Haynes + Derek Trucks (Photo by Allison Murphy)

Allman Brothers Band, Warren Haynes + Derek Trucks (Photo by Allison Murphy)

When the music final started, my feet were aching, I was missing my date and fighting to hold my place up in the front row.  The masses pushed even closer as Derek entered the stage.  And for the first time since I was able to meet him on his tour bus during Mountain Jam (click to read), I was back into a super fan.  My legs buckled at first site, my smile exploded out the side of my face and I screamed like one of those chicks who faint when seeing the Beatles or Justin Beiber.  Derek-Mania was going through my entire body.  He is the one musician that makes me completely lose control.

Derek Trucks + Marc Quinones  (Photo by Allison Murphy)

Derek Trucks + Marc Quinones (Photo by Allison Murphy)

At this point, I am afraid I won’t be doing a great job of writing out exactly what went down.  Like I said, I get a little more then weak in the knees when I see Derek Trucks and stopping to takes notes or trying to recall everything when all I want to be doing is staring at his fingers, well…..I didn’t write much at all.

First, the overly handsome Oteil Burbridge joins the stage, followed by Warren Haynes and Gregg Allman who wander to their respective instruments.  It didn’t take more then 60 seconds for the rest of the members of The Allman Brothers Band, including Marc Quiñones on percussion, to lock into place and blast right into Don’t Want You No More, the first song on the first Allman Brothers album and an instrumental that was originally recorded by The Spencer Davis Group in 1967.  All I wrote in my notes is “Ok, I just need to dance now.”

Gregg Allman continued striking the keys and singing into This is Not My Cross to Bear, a song Greg wrote about an old girlfriend.  Both Derek and Warren were given ample time to release their talents through solos during this song so be sure to watch.  And as you watch Derek smile towards the camera right in the beginning of the following video, you can be sure he is smiling at me.  Oh yes!  To be sure **wink**

End of the Line was next.  Warren changed out his guitars for this one and ripped out an astounding solo.  Sometimes I just don’t understand how things can sound so different with every show.  Same style but soooo different in sounds.  At this point it is still only the members of The Allman Brothers Band gracing the stage and it proceeded that way for the following 5 songs.

Greg Allman + Danny Louis (Photo by Allison Murphy)

Greg Allman + Danny Louis (Photo by Allison Murphy)

So at this point, there is a lull in the sound throughout the audience and I catch myself SCREAMING like one of those Beatles Mania fans again: “DEREK I LOOOOOOOOVE YOU!!!!!!!!!!!!!!!.”  No One Left To Run With was next, one of the few songs Dickey Betts wrote for the group but never sang.

Fun fact: This song was included on the 2002 compilation CD Mullets Rock!. For a while, The Allman Brothers were prime offenders of the haircut that was “Business in the front, party in the back.”

There was a gnarly guitar duel between Warren and Derek.  I mean it just never ends with these two.  Warren was  presenting us with such a phenomenal night of music and he was the ONLY musician to play in almost every song and at least in ever set.  He was the hardest working man in show buisness that night!  The drums in this song were killer.

Black Hearted Woman, also a song written by Gregg Allman about the same woman he wrote This is Not My Cross to Bear about, followed and continued right into Other One Jam, a Grateful Dead cover, until they begin inviting out the guests!!! Greg sang his heart out and the video shows it!


Hook Herrera came out and joined the boys for Who’s Been Talking. That man is an absolutely phenomenal harmonica player. I’ve said it a million times but I LOVE THAT INSTRUMENT. You can’t get a sound from any other instrument the way a sound is produced through a harmonica. It’s just soulful and the epitome of the blues to this southern gal.

Artimus Pyle + Audley Freed (Photo by Allison Murphy)

Artimus Pyle + Audley Freed (Photo by Allison Murphy)

Midnight Rider, a crowd favorite,followed.  Now, the original version of the song was with Duane Allman playing.  I believe  Gregg Allman re-made it a few years later (correct me if I am wrong).  If you listen to older recordings, you can hear and feel Duane and Dickeys’ opposing styles very well. So amazing.  Also, in 2005, this was used in the opening credits of Rob Zombie‘s horror flick The Devil’s Rejects.  Who doesn’t love that kind of product placement!?

Midnight Rider was followed by One Way Out. This song welcomed out Rich Robinson, Berry Oakley Jr. & Artemis Pyle to the stage.  I don’t know why but the videographers apparently must have run out of time or video because the Allman Brothers YouTube videos begin dying off around this point.

Warren Haynes + Berry Oakley Jr (Photo by Allison Murphy)

Warren Haynes + Berry Oakley Jr (Photo by Allison Murphy)

Statesboro Blues saw all guests leave the stage except for Berry Oakley Jr..  Berry Oakley Jr. is the son of Berry Oakley, a founding member and original bass player for The Allman Brothers Band who sadly passed away in 1972.  It was a tribute for many people this evening and I was hoping people recognized the significance.   Berry Oakley, Jr. left the stage and was replaced by Audley Freed & Danny Louis on guitar and keys respectively for The Band‘s The Weight.

Chuck Garvey, Jim Loughlin, Jimmy Vanderbogart & Vinnie Amico came out to join The Allmans during one of my all time favorite Grateful Dead songs, Franklin’s Tower. Got to be honest with you and admit I have NO CLUE who Jimmy Vanderbogart is and I can’t find any info online that can give me more insight – If you know, please comment.

Southbound followed with the addition of the Dickenson Brothers joining the crowd on stage along side Hook Herrera and Danny Louis.  This was one of my favorite songs of the set simply because it was The Allman Brothers with this North Mississippi Allstars Duo and a freaking harmonica.  SOUTHERN GREATNESS!!!

All guests exited the stage and a RAGING Whipping Post closed out the set.  Derek Trucks once again showing us he is the king of the slide guitar. Once again showing me that he is the king of kings in my world when it comes to the guitar.

Gordie Johnson (Photo by Allison Murphy)

Gordie Johnson (Photo by Allison Murphy)

As my girlfriend and I walked away, we realized it was almost 2am in the morning on a work night.  We discussed leaving before the encore and went to the restroom.  Coming back up from the basement bathrooms, we smiled at each other as we heard the   stage light up again.  We couldn’t leave.  Not this time.  Warren Haynes began strumming the chords to Pink Floyd’s Wish You Were Here. And without uttering a word, the entire venue began singing the lyrics.  Warren places his hand behind his ears and the venue sings louder.  Berry Oakley, Jr., Gordie Johnson, Danny Louis and Matt Abts joined the stage for the remainder of the song with images of Woody’s face flashing smiles across the screen behind them.  And I cried…for the third or fourth time that night.

Set List: Don’t Want You No More, Ain’t My Cross To Bear, End Of The Line, No One Left To Run With, Black Hearted Woman > Other One Jam, Who’s Been Talking, Midnight Rider, One Way Out, Statesboro Blues, The Weight, Franklin’s Tower, Southbound, Whipping Post

Encore: Wish You Were Here

What an amazing night of music!!  Simply amazing. The epitome of love and community within southern rock was found on that stage this night.  I truly wish I could offer you a free download but alas…..

Click here to DOWNLOAD/STREAM/LISTEN to the show!

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November 2010 Music Calendar

November 2010 Potential Show Run Down

Calendar updated daily!

Monday, Novemeber 1st, 2010

  • ($12-$18) Marco Benevento (Solo Piano) @ City Winery
  • ($25) Mingus Orchestra @ Jazz Standard
  • ($50) The Black Crowes @ Nokia Theater Times Square

Tuesday, November 2nd, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall (Midnight set)
  • ($50) The Black Crowes @ Nokia Theater Times Square

Wednesday, November 3rd, 2010

  • ($10) The Headhunters @ Brooklyn Bowl
  • ($15) Bedouin Soundclash @ Le Poisson Rouge
  • ($34-$45) Preservation Hall @ City Winery
  • ($36.75) Boys Like Girls @ Irving Plaza
  • ($50) The Black Crowes @ Nokia Theater Times Square
  • ($70-$270) Robert Water’s The Wall @ Izod Center, NJ

Thursday, November 4th, 2010

  • ($14) Daedelus & Gaslamp Killer @ Le Poisson Rouge
  • ($30-$45) Bob Mould @ City Winery
  • ($50) The Black Crowes @ Nokia Theater Times Square
  • ($70-$270) Robert Water’s The Wall @ Izod Center, NJ

Friday, November 5th, 2010

  • ($10) Rubblebucket, Pimps of Joytime, Sister Sparrow and the Dirty Birds @ Highline Ballroom
  • ($10-$12) BR and Timebomb @ Canal Room
  • ($15) Tristan Prettyman @ Bowery Ballroom
  • ($15) Blues Traveler & The Cringe @Brooklyn Bowl
  • ($20) Shawn Mullins & Daniel Wayne @ Le Poisson Rouge
  • ($20) Bonerama Residency with John Kimock
  • ($30-$45) Bob Mould @ City Winery
  • ($50) The Black Crowes @ Nokia Theater Times Square
  • ($51) Interpol @ United Palace Theater

Saturday, November 6th, 2010

  • (Free) West African Band @ St. Nicks, Harlem (late night)
  • ($10) Jerry Joseph & the Jackmormons @ Sullivan Hall
  • ($15) Blues Traveler & The Cringe @Brooklyn Bowl
  • ($15 – $20) Son Of Bill @ Mercury Lounge
  • ($20) Bob Mould @ The Rock Shop
  • ($27.50 – $35) Bassnectar @ Terminal 5
  • ($40) Patti Smith: Khubilai Khan @ Grace Rainey Rogers Auditorium / MMOA
  • ($50) The Black Crowes @ Nokia Theater Times Square
  • ($92 – $278) Robert Water’s The Wall @ Izod Center, NJ

Sunday, November 7th, 2010

  • ($30) Ralph Stanley & the Clinch Mountain Boys @ B.B. Kings

Monday, November 8th, 2010

  • ($8) Jim Campilongo @ The Living Room
  • ($25) Mingus Orchestra @ Jazz Standard
  • ($31) Bonobo @ Webster Hall

Tuesday, November 9th, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall (Midnight set)
  • ($15) One Eskimo @ Highline Ballroom
  • ($20) The London Souls @ Rocks Off Cruise
  • ($48 – $56) Joshua Redman w/ Brad Mehldau & The Saint Paul Chamber Orchestra @ Zankel Hall

Wednesday, November 10th, 2010

  • (?$$?) Bon Jovi @ Best Buy Theater
  • ($10) Scrapomatic @ Southpaw
  • ($14) Anat Cohen Quartet @ Littlefield
  • ($30) Sara Bareilles @ Webster Hall
  • ($46-$115) Experience Hendrix @ Beacon Theater

Thursday, November 11th, 2010

  • ($10-$15) Sister Sparrow and the Dirty Birds Record Release Party w/ Special Guests @ Sullivan Hall
  • ($10-$15) Trouble & Bass @ Santos House Party
  • ($15) Toots and the Maytals @ Brooklyn Bowl
  • ($19) The Infamous Stringdusters and Trampled By Turtles @ Bowery Ballroom
  • ($38.75) Robert Earl Keen @ Terminal 5

Friday, November 12th, 2010

  • (FREE) Mark Guiliana @ Rockwood Music Hall
  • (FREE) Dynamo & Badnutbeats w/ Higher Nebulae & MUN @ Spike Hill
  • ($10) Melvin Sparks @ Blue Note (12:30 late night slot)
  • ($20) Autumn Defense and Johnny Irion & Sarah Guthrie @ Le Poisson Rouge
  • ($20) Bonerama w/ Terence Higgins (Dirty Doz Brass Band) & Jonathan Batiste @ Sullivan Hall
    • w/ opening acts: Ikebe Shakedown/ Timbre Coup/ Bearquarium
  • ($22.50) Rusted Root w/ Assembly of Dust @ Best Buy Theater
  • ($25) ASIA Featuring JOHN PAYNE – Unplugged @ B.B. Kings
  • ($20- $116) New York Philharmonic @ Carnegie Hall (Stern Auditorium / Perelman Stage)
  • ($30-$40) Slick Rick @ B.B. Kings
  • ($87-$100) Dave Matthews Band w/ John Butler Trio @ Madison Square Garden
  • ($91 – $328) 30th John Lennon Tribute: A Benefit For Playing For Change @ Beacon Theater

Saturday, November 13th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • ($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery
  • ($10) Greensky Bluegrass @ Southpaw
  • ($10-$12) The Reverend Peyton’s Big Damn Band @ Mercury Lounge
  • ($20- $116) New York Philharmonic @ Carnegie Hall (Stern Auditorium / Perelman Stage)
  • ($30) Robert Randolph & the Family Band @ Terminal 5
  • ($76) John McLaughlin and the 4th Dimension @ Town Hall
  • ($87-$100) Dave Matthews Band w/ John Butler Trio @ Madison Square Garden

Sunday, November 14th, 2010

  • ($10) Marcus Randolph & The In Crowd (Mbrs of Robert Randolph & Family Band) @ Europa
  • ($20- $116) New York Philharmonic @ Carnegie Hall (Stern Auditorium / Perelman Stage)
  • ($28-$40) Medeski Martin & Wood @ Tarrytown Music Hall
  • ($25-$35) Allen Toussaint, Nicholas Payton & The Joe Krown Trio @ Lehman College, CUNY: Lehman Center for the Performing Arts
  • ($46) Sufjan Stevens @ Beacon Theater

Monday, November 15th, 2010

  • ($8) Jim Campilongo @ The Living Room
  • ($15) Jimmy Herring of Widespread Panic & Jamie McLean @ Highline Ballroom
  • ($15) Undead Jazz: Charlier Hunter Trio / Mark Guiliana’s Beat Music @ Le Poisson Rouge
  • ($25) Jay-Z @ New York Public Library (A Forum)??
  • ($25) Mingus Orchestra @ Jazz Standard
  • ($46) Sufjan Stevens @ Beacon Theater

Tuesday, November 16th, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall (Midnight set)
  • (Free) Mark Guiliana @ Fordham University
  • ($25) Sheila Jordan’s 82nd Birthday Celebration with Steve Kuhn @ Jazz Standard
  • ($72) Kings of Leon @ Madison Square Garden

Wednesday, November 17th, 2010

  • ($25) Daniel Lanois’ Black Dub @ Bowery Ballroom
  • ($25) Sheila Jordan’s 82nd Birthday Celebration with Steve Kuhn @ Jazz Standard
  • ($26) Peter Rowan + The Steep Canyon Rangers @ B.B. Kings
  • ($30) John Brown’s Body & The Expendables @ Gramercy Theater
  • ($35) Radiators @ Sullivan Hall
  • ($30-$48) Cassandra Wilson with special guest Ravi Coltrane @ Blue Note (2 seperate sets)

Thursday, November 18th, 2010

  • (??) Sharon Jones and the Dap Kings @ Brooklyn Bowl (as per Jambase)
  • ($35) Radiators @ Sullivan Hall

Friday, November 19th, 2010

  • (Free until midnight then $15) Dj Nutritious @ Cielo
  • ($12-$15) Eoto and D.V.S. @ Brooklyn Bowl
  • ($20) Bonerama w/ Steve Kimock & Kyle Hollingsworth @ Sullivan Hall
  • ($57) Ani Defranco @ Townhall

Saturday, November 20th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • ($10) Reflections: Late Night FURTHUR Aftershow – PURE JERRY GARCIA TRIBUTE (11:59pm set)
  • ($10-$12) The New Mastersounds @ The Brooklyn Bowl
  • ($15) Giant Panda Guerilla Dub Squad @ Mercury Lounge
  • ($25-$45) ROSWELL RUDD’s Trombone Tribe with Steve Swell, Deborah Weisz, Bob Stewart, Ken Filiano and Barry Altschul @ City Winery
  • ($36.50) Southside Johnny And The Asbury Jukes @ B.B. Kings
  • ($40) Revolution of Soul Feat. Maceo Parker and Karl Denson’s Tiny Universe @ Irving Plaza
  • ($50) Bill Frisell’s Disfarmer Project @ The Concert Hall
  • ($57) Ani Difranco @ Townhall
  • ($60-$70) Futhur @ Radio City Music Hall

Sunday, November 21st, 2010

  • (Free) McLovins @ Brooklyn Bowl
    • Second Set Features Tom Marshall (writer/lyricist for Phish) and Anthony Krizan
  • ($10-$12) The New Mastersounds @ The Brooklyn Bowl
  • ($10-$12) American Babies @ Ace of Clubs (Late night show @ 11:30)
  • ($60-$70) Futhur @ Radio City Music Hall

Monday, November 22nd, 2010

  • ($8) Jim Campilongo @ The Living Room
  • ($8-$10) Talib Kweli @ Brooklyn Bowl
  • ($25) Mingus Orchestra @ Jazz Standard
  • ($40) Aimee Mann @ Music Hall of Williamsburg
  • ($65) Bob Dylan @ Terminal 5
  • ($117)Another One For Woody Featuring The Allman Brothers, Gov’t Mule & The North Mississippi Allstars @ Roseland Ballroom ~ WE GOT OUR TICKETS!!!

Tuesday, November 23rd, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall (Midnight set)
  • (Free) Jason Linder Trio @ Rockwood Music Hall
  • ($30-$40) Joanna Newsom @ Stern Auditorium / Perelman Stage (Carnigie Hall)
  • ($65) Bob Dylan @ Terminal 5

Wednesday, November 24th, 2010

  • ($65) Bob Dylan @ Terminal 5
  • ($43-$90) Paul Oakenfold / Roger Sanchez / Sidney Samson @ Roseland Ballroom

Thursday, November 25th, 2010

  • ($15-$20) U-Melt Final Show @ Highline Ballroom
    • w/ The Heavy Pets and more

Friday, November 26th, 2010

  • ($12.25) Turbine @ Mercury Lounge
  • ($15) JJ Grey & Mofro Ryan Montbleau Band @ Brooklyn Bowl
  • ($33) State Radio and The London Souls @ Terminal 5
  • ($50 – $100) Levon Helm Band with special guest Steve Earle @ Beacon Theater

Saturday, November 27th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • ($12.50-$70) Arlo Guthrie @ Carnegie Hall
  • ($15) JJ Grey & Mofro Ryan Montbleau Band @ Brooklyn Bowl
  • ($20) Ben Kweller @ The Rock Shop
  • ($37-$87) New York Philharmonic: Mozart, Haydn, and Tchaikovsky@ Avery Fisher Hall (Saturday Matinee)
  • ($50 – $100) Levon Helm Band with special guest Steve Earle @ Beacon Theater

Sunday, November 28th, 2010

  • ($107-$145) Michael Bublé @ Radio City Music Hall

Monday, November 29th, 2010

  • ($8) Jim Campilongo @ The Living Room
  • ($25) Mingus Orchestra @ Jazz Standard
  • ($25) Matisyahu @ Brooklyn Bowl

Tuesday, November 30th, 2010

  • ($20-$35) John Scofield and Rooben Ford @ The Blue Note
  • ($27.50) Leon Russel @ B.B. Kings – CANCELED!!!
  • ($28-$40) John Hammond @ City Winery
  • ($30) Gil-Scott Heron @ B.B Kings
  • ($40) Matisyahu @ Williamsburg Music Hall

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