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Bowlive IV Recap Including Day & Night 8 Reviews

We’ve officially been “Bowlived” for the fourth year as Soulive reached the finish line of their 4th Annual residency, Bowlive, on Saturday night. It’s a bittersweet feeling; similar to the feelings you get when you have to leave an amazing few weeks at summer camp. For the members of Soulive, seeing the regular faces and New York City fan dedication is a wonderful energy for them to play off of throughout the run. In turn, fans get to see their favorite artists night after night, performing exquisitely executed originals and crushing covers with spectacular guests. All the while, both fans and band dance around with each other, their friends, and other musicians in the audience who are there just to bare witness. Everyone smiles and engages each other, soaking up every glorious note. It’s a symbiotic relationship that is hard to fall away from after being dipped so deeply for eight nights. So, when the end comes, we must remind ourselves that these residencies are special because they only happen once a year! Soulive reminds themselves that they have something special to look forward to as much as the audience does. And each year, the audience witnesses the unfolding of a beautiful musical dynasty that Eric Krasno and brothers Neal and Alan Evans have created.

 Unlike the three previous year’s run, Soulive chose to focus their energy into eight shows instead of ten. This choice applies great pressure to any band who chooses to change the formula of a well-established and respected event. Bowlive fans expect a certain caliber of guests, a high level of surprise sit-ins, and some spectacular musical experiences that sometimes end up being a once-in-a-lifetime moment.  Soulive knows this to be true and always takes the time to consider such factors. How about having Mod dancers bust out into the bowling lanes during the second set of Night I?! It was just go time at that point!

Over the course of eight nights, guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans provided a stage and support for fantastic and exciting artists. They played endless jams in multiple styles across the musical spectrum, which is an important goal of the residency every year. Special guests included rocking Southern Blues brothers, guitarist Luther Dickinson and his brother, drummer Cody Dickinson, the 1970’s soul vocalist, Lee Fields and his modern day counterpart, Nigel Hall. There was the unmatched pedal steel slide guitarist Robert Randolph, legendary jam scene DJ, DJ Logic, and The Shady Horns lent their wall of sound during the second week with the help of crushing saxophonist Bill Evans one night. Some of America’s most outstanding keyboardists, 1970’s Memphis blues keyboardist, Booker T. Jones, mad scientist and keyboard wizard, John Medeski, and the ever experimental Marco Benevento, dominated their time on stage. Stepping in to melt faces on guitar was the astonishing Los Lobos’s David Hildago and The Meter’s Leo Nocentell. Soulive closed out their epic week playing with America’s most famous funk bassist, George Porter. Jr.

Another exciting element of Bowlive each year is the choice opening bands Soulive picks to set the audience’s mood each night. Due to a benefit at the Brooklyn Bowl on Night Six, there were only seven opening groups, all delivering a variety of musical power. The ridiculous ragers who make up Kung-Fu opened the run with so much fury. It was a perfect choice. The rocking Sister Sparrow and the Dirty Birds, The London Souls and Leroy Justice got the dance floor grooving. It was also a great pleasure to see two powerful females amongst the male-dominated residency by way of Alecia Chakour (The Alecia Chakour Band) and Arleigh Kincheloe (Sister Sparrow). The soul and flavor of love got shot to our hearts with The Nigel Hall Band, the Alecia Chakour Band and Cocheme Gastulum’s The Electric Sound of Johnny Arrow. You’re encouraged to read about them all in the previous night’s posts.

Then, you have the unannounced guests who are a separate list of continual, crushing talent. The Allman Brother’s southern rock guitarist Warren Haynes and slide guitarist Derek Trucks surprised the audience with a secret full third set on Night Two. Trombonists Sanders Sermon (Tedeschi/Trucks Band) and Natalie Cressman (Trey Anastatio Band) and trumpeters Maurice Brown and Igmar Thomas, and saxophonist Cocheme Gastulum (Sharon Jones and the Dap Kings), enhanced the wall of horns over the run on various nights. Behind everything, the chemistry and talents of Eric Krasno, Neal Evans and Alan Evans, are what make Bowlive possible.

Perhaps the most special show for many Soulive fans is the Kids show. Soulive held another KidsBowl performance early Saturday afternoon from 2pm to 3pm. These specific types of shows bring Soulive’s music to both the fans children and the unknowing adults who bring their kids to bowl on a Saturday, not knowing what a treat they are in for.  For dedicated Bowlive fans, the kids show is a wonderful way for the individual dancing alone at night to bring his or her family to meet one another.  The reality of life becomes evident as the adults were in “parent” mode, not “party” mode. Babies were crawling on the dance floor and children of all ages were running around in bowling shoes. The lights were on and bumpers were out. In their hour, they performed a few Soulive originals and brought Meter’s bassist, George Porter, Jr. It was when the set was over that the real raging began, however, when the children were allowed on stage to play with instruments and dance.

KidsBowl Set:

Uncle Jr.

Vapor

Hat  Trick

Turn It Out

Hey Pockey Way (w/ George Porter, Jr.)

How Sweet It Is (To Be Loved By You)

 It was back to party time with the evening show and The Alecia Chakour Band opening. Her blues siren vocals backed by Neal Evans on keys, bassist Alex Chakour, drummer Caito Sanchez, saxophonist Cocheme Gastulum, and trombonist Dave “Smoota” Smith, were perfection.  After a lovely instrumental intro, Chakour sang seven band originals, including “Runaway,” “Over Again,” “You Didn’t Tell Me,” and “The Sun.” Each member of her band taking solos and leads amongst her sweet sounding vocals. This was a fantastic group of soulful musicians and a perfect choice to transition into the funk-filled evening.

Opening Set:

1. Instrumental

2. Runaway

3. Over Again

4. You Didn’t Tell Me

5. The Sun

6.Ghost

7. Shirley

8. Everything Time I See You (Stevie Wonder Cover)

The important point of all of this, simply, was the music. Music that creates a passion within Soulive and luckily, that passion is extended to the fans. For the final evening of their amazing residency Soulive would play host to their mentor in funk, Meter’s bassist, George Porter Jr. But not before bringing it home for the Soulive purists, proving once again what a sick power trio they truly are.  The first set was pure fire, and with help from the Shady Horns, there was nothing to divert our thoughts from what was most important.  The set was full of sick Soulive originals, “Uncle Jr.,” “Aladdin,” and “One in Seven.” “Lenny,” a Stevie Ray Vaughn cover and highlight of any set, allows Krasno to open up a can of whoop ass upon your ears. He broke his string during his ripping solo. Enough said. The London Souls’ Tash O’Neal (guitar and vocals) and Chris St. Hilaire (drums) joined for the a “cover” of their own “Steady Are You Ready” then stayed on to help deliver a crushing version of Howlin’ Wolf’s “Killin’ Floor” in the vein of Electric Flag’s version. Remember, as we learned on Night Four, Krasno is a huge Tash O’Neal fan, so you can imagine the chemistry.

Set I:

Uncle Jr. (w/ Shady Horns)

Aladdin (w/ Shady Horns)

Come Together (Beatles cover)

Lenny (Stevie Ray Vaughn cover)

One In Seven

Steady Are you Ready (London Souls cover w/ Tash O’Neal & Chris St. Hilaire)

Killin Floor (Howlin’ Wolf Cover…Electric Flag Version w/ w/ Tash O’Neal & Chris St. Hilaire)

 Soulive performed a beautiful rendition of “El Ron,” before George Porter, Jr. was introduced for Set II, continuing on as one of Bowlive’s greatest musical mainstays.  During this tune, the Shady Horns, with the help of guest saxophonist Cocheme Gastulum, broke off into an extended improvisational blowing session with Alan supporting on drums. For lack of better words, it could best be described as a drum line for horns. A Hornline, if you will?! The entire second set evolved into of slew of classics from The Meter’s catalog.

“People Say,” kicked off a funk-fueled set with James Casey delivering a rousing solo. Casey has carried a saxophone around his next all week and when he plays, it’s clear that he was meant to blow a horn.  However, it must be mentioned that over the run, Casey provided grooving percussion on the congas for many songs. It was a dance party for “Hey Pockey Way,” as Porter announced that, “Everyday should be Mardi Gras!!!”  Then, audience participation time for the fun tune, “Hand Clapping Song.”  The next Meter’s original, “Out in the Country,” was performed in the style of Porter’s slow emotional arrangement from his It’s Life album. This was a gorgeously played ballad that tugged at the heartstrings of the crowd in a deep way. From a personal perspective, it brought tears to my eyes, almost opening the floodgates until I reeled it back in.  I wasn’t alone in this outpour of emotions. Again, acknowledging that this super-stimulating, night time version of summer camp, full of friendly faces, is like ending an addiction cold-turkey. Bowlive is an institution in the Jam Band universe at this point, it lasts longer than many music festivals, and it’s not easy for the die-hards when it ends.

The set ended and no one moved.  There was just endless screaming and shouting of Krasno and the Evans brother’s names. Then, Brooklyn Bowl owner, Peter Shapiro, stepped onto the stage. On the last night of every Bowlive, right before the final encore of the run, Peter Sharpio does something special for Bowlive’s loyal audience in an effort to show his gratitude for their support of live music.  At the end of the first Bowlive, 700 shots of tequila were handed out from the stage.  He kept it entirely mellow last year by passing around Aromatherapy plants: Sage, Rosemary and Thyme, asking that the audience to grab sprigs of each plant and inhale. This was to encourage a revitalization within our body, mind and soul for the energy to dance on for one more song. Not missing a creative beat, Peter Shapiro took the mic on this final night and thanked us for our loyalty in proper rockstar fashion. He alerted the audience that this was a milestone 40th show for Bowlive and that the he had had made t-shirts with “40” on the back and “BOWLIVE” on the front. XL shirts went flying around the venue and Shapiro asked that the audience put them on right away before Soulive would deliver us our double encore of “He Bite Me (The Dragon)” and “Ain’t No Use.” The gifting of the shirts was a smart and fun way to end this year’s Bowlive.

Set II:

El Ron (w/ Shady Horns and Cocheme Gastulum)

People Say

Take A Chance

Hey Pockey Way

Jezebel

Hand Clapping Song

Out In the Country

Encore:

He Bite Me (The Dragon)

Ain’t No Use

Soulive has truly cemented their reign as a musical dynasty. A talented trio on top of their game in this unforgiving musical bastion of NYC. The magnitude of music overheard during the last two weeks was dynamic and inspiring.  The guests and the musicians solos were magnificent, diverse and captivating. Soulive always gives us something to look forward to every single night of Bowlive and this year was nothing less.

On personal note, I hope these reviews have helped supplement the wealth of musical knowledge that Soulive bequeathed upon us during Bowlive IV.  It is a delight and a  privilege to witness Bowlive every year and count Soulive and the Brooklyn Bowl as part of my local music scene. It also goes without saying that it is an honor and a true highlight of my career to be blessed to write for this amazing phenomenon called Bowlive. Thank you to Peter Shapiro, the Brooklyn Bowl, all the staff and production crew. Thank you to Royal Family Records for the opportunity to cover such a delightful event. A giant thank you to all the guests who lent their sound to the stage. Finally, the biggest congratulations and thank you to Alan Evans, Neal Evans and Eric Krasno for making it all possible. Your fans eagerly await to see what you have in store for Bowlive V!

Karen Dugan

tinyrager.com

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Bowlive IV Night 7 Recap w/ George Porter Jr., Leo Nocentelli & The Shady Horns : Next Up Kids Bowl / George Porter Jr. + The Shady Horns

Friday nights are always fun at the Brooklyn Bowl.  There is a relaxed weekend vibe. Everyone is ready to dance, eat Blue Ribbon fried chicken and enjoy a rich Brooklyn brewed lager. We had hit night seven of eight of Soulive’s Brooklyn Bowl residency and Soulive was prepped for the beginning of the end. I wish I could say the same for the audience. Understanding that the band must be weary, there are those fans who just simply can’t ever get enough of virtuoso guitarist Eric Krasno, soul drummer Alan Evans and one of the unique keyboardists of our generation, Neal Evans. As these three musical wizards warmed up over the week, the energy has radiated to an outstanding level. The boundaries of their musical talents have been pushed to the limits by the guests that have graced the stage with them.

Leroy Justice set the pace tonight with their garage rock sound. Leroy Justice is a legitimate rock n roll band consisting of the charismatic Jason Gallagher (guitar/vocals), Sloan Marshall (keys), Bradley Wegner (bass), Josh Karis (drummer), Justin Mazer (guitarist). Their eclectic, southern, hard-rocking sound and on stage presence taps into The Doors, Lynyrd Skynyrd, The Allman Brothers and The Black Crowes. The keyboard was covered in an American flag and Pennsylvania license plates decorated the amps. The slamming rhythm section drove the songs that varied in styles from hard rock to southern blues with harmonica and got the crowd in dancing mode.

Over the seven nights of Bowlive IV’s run, Soulive has delivered the audience a Stax appreciation night with Memphis blues keyboardist Booker T. Jones, a southern rock throw down with guitarist Luther Dickinsion and drummer Cody Dickinson and a psychedelic jazz night with experimental jazz keyboardist John Medeski and saxophonist Bill Evans. Last night, Soulive brought it back to their roots; back to their initial passion of soul and funk, with special guests bassist George Porter, Jr. and guitarist Leo Nocentelli, of the legendary 1970’s funk band, The Meters. Soulive opened their set, just the three of them, with an amazing rendition of “Steppin” and “Eleanor Rigby.” The trio was on fire, each taking a little time to shine through the tune. Wasting no time at all, Alan Evans introduced “a first in Bowlive History, y’all!” Guitarist Leo Nocentelli, one of the original forming members of the greatest New Orleans funk band ever, was up on deck for the rest of the set. With the help of The Sandy Horns, Nocentelli , “Rudy’s Way” and “Hat Trick.” It was nice to see Nocentelli and Krasno trading funky licks amongst the traditionally jazzy tunes. Neal’s hands were pounding away at the bass keys and his legs were constantly in motion, dancing behind his kit. Everyone was pumped up as bassist George Porter, Jr. was invited out for “Come Back Jack” and “Cissy Strut,” the songs that made the Meter’s a household name, was supported by Porter’s funky bass riffs.  Porter exited and Nocentelli continued on vocals for Stevie Wonder’s “Jesus Children on America” into “Want Me To Stay.” To say that the band was excited was a gross understatement. The energy flowing between the musicians and through the audience was like a supernova, with screaming fans and our Royal Family musicians ecstatic to be on stage with their own musical heroes.

Set I:
Steppin
Eleanor Rigby (Beatles cover)
Rudy’s Way (w/ Leo Nocentelli)
Hat Trick (w/ Leo Nocentelli)
Come Back Jack (The Meters cover w/ Leo Nocentelli and GPJ)
Cissy Strut (The Meters cover w/ Leo Nocentelli and GPJ)
Jesus Children of America > (Stevie Wonder cover w/ Leo Nocentelli)
If You Want Me to Stay (Sly and the Family Stone cover w/ Leo Nocentelli)

A slow, sexy, melodic version of The Meter’s “Pungee” began with Krasno and the Evans brothers for the second set and George Porter snuck out in the middle of it. It would be Porter’s time to shine after Leo Nocentelli dominated the first set. “No More Okey Doke,” showcased the baritone sax talents of Ryan Zoidis, who traded licks against Porter’s bass lines. Krasno then took what could arguably be the sickest solo of the run.  As if under a trance, his face began a series of contortions that resulted from the severe intensity at which he was focused on delivering the notes. His passionate playing lifted him onto his toes and his body undulated back and forth. It was epic. All the while, the remaining musicians on stage provided a solid foundation for his shredding guitar playing.  “No More Time,” “Jezebel,” and “Stop That Train,” were amazing, different and it was wonderful to hear a bass player with our favorite power trio. It must be mentioned that Neal Evan’s technique of playing the bass line on his clavinet is one of the most defining aspects of Soulive’s sound. So, the addition of one of the sickest bass players to the already magnificent power of Alan, Neal and Krasno projected and supported their expansive sound. When “How Sweet It Is To Be Loved By You” began to play, the same energy that comes from an audience hearing, “With A Little Help From My Friends,” came from this audience. The crowd went wild, couples turned to one another and kissed, and friends placed their arms around each others shoulders. It was friendly, loving and high-energy, creating a smile on every face. With happiness dripping from the rafters, “Them Changes,” a famous Band of Gypsy’s tune written by Buddy Miles, was loud and vibrant with Ryan Zoidis taking another bone-crushing baritone sax solo.

The jams that occurred throughout both sets were fantastic. Everyone felt at home, whether on stage or in the audience. Those comfortable, jamming encounters are what fan our passion for the funk. The funkiest encore of the run, “Afrika,” included a never-ending, thumping rage as Lettuce and Break Science drummer Adam Deitch, finally graced us with his presence. This was not to be taken lightly as Deitch is arguably one of the best drummers of our generation and a Bowlive mainstay in the previous years. As well, unannounced trumpeter Maurice Brown (Tedeschi Trucks Band) and Natalie Cressman (Trey Anastasio Band) ran out into the horn section during the first measures of the song.  At this point, Leo Nocentelli was on guitar along with ten other musicians on stage while Porter sang the tune, “Just Kissed My Baby!” POrter danced around on stage, would turn around to direct the horns and even ran over to Neal’s keyboards and played with him. It was madness, super genius madness and the crowd soaked it up like a sponge.

Set II:
Pungee (Meters cover w/ GPJ)
No More Okey Doke (Meters cover w/ GPJ)
Need More Time (w/ GPJ)
Jezebel (w/ GPJ)
Stop That Train (Bob Marley & Wailers cover w/ GPJ)
How Sweet It Is (To Be Loved By You) (Marvin Gaye cover w/ Leo and GPJ)
Them Changes (Buddy Miles cover w/ Leo and GPJ)
Encore: Africa (w/ Adam Deitch, Leo and GPJ)
Encore: Just Kissed My Baby (w/ Adam Deitch, Leo and GPJ)

The quality of music that came from the Brooklyn Bowl stage the past two weeks has ignited fires in our musical souls. Why would we want it to stop now? To the chagrin of those Soulive fans who couldn’t make it to as many shows they would like this year, there is only one night left of the Fourth Annual Bowlive residency. However, like every closing night of Bowlive, Soulive promises to make it best.  Last night’s guest, bassist George Porter Jr. will continuing his reign tonight as Bowlive’s #1 special guest.

Karen Dugan

TinyRager.com

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Bowlive IV Night 6 Recap w/ John Medeski, Bill Evans, George Porter Jr & Shady Horns : Tonight Porter, Leo Nocentelli & Shady Horns

To many New Yorkers, Thursday signifies the start of the weekend. Music venues bulk up their staff and bands slated to perform anticipate an audience that is ready for a party.  Last night was the sixth night of Soulive’s Brooklyn Bowl residency, Bowlive IV. The foundation was set for a rocking night of music with the Brooklyn Bowl stocked with staff and Soulive ready to throw it down.

With so many amazing musicians sitting in with Soulive over the past six nights, it has been challenging to ensure proper love is given to everyone. Especially during residencies, focus on special guests and their performances become the unexpected highlights of the articles and sometimes people forget to focus on the core members of the residency themselves. Credit must be given where credit is due.

Guitarist Eric Krasno, drummer Alan Evans and Neal Evans, along with the Brooklyn Bowl, have created something extremely special and unique for the New York music community. Since it’s inception in 2010, Bowlive has turned into a musical Superbowl that pushes the skills of the best of the best. For eight to ten nights, these three rock stars provide a fusion of styles that showcase numerous artist and instruments with Soulive’s distinct sound providing the base. The shared respect between musicians to musicians, and musicians to fans amps the frenetic creative energy that flows from the first downbeat to the final bow. Eric, Alan, and Neal are all at the top of their game and are now standing out among the greats, using the glory of Bowlive to cement their place as a musical dynasty. A dynasty that began in 1999.  It speaks volumes that the trio can support an eight to ten night residency that packs the house every night and attracts some of the biggest names in live music. Last night continued the tradition of amazing collaborations with keyboardist John Medeski and saxophonist Bill Evans.

The power trio had to make a few changes to the musical formula last night. Due to a benefit concert earlier in the day, last night was the first and only night of the run where the power trio did not have a rocking opening band to set pace. Without an opening band, Soulive was tasked with pumping up the eager crowd that was filled up with party animals, packing the dance floor to the brim. By doing so, they completely reinforced to the fans why any of us were there in the first place. Soulive original, “Aladdin,” began the set, providing the first platform for Krasno to open up and slay his guitar.  Jimi Hendrix’s “Manic Depression” followed, a song that everyone can geek out on, especially the musicians playing the tune. After six nights, the guys were thoroughly warmed up and just crushing solos left and right on The Beatles tune, “I Want You.”

Enter The Shady Horns, consisting of trumpeter Eric Bloom, saxophonist James Casey, and baritone saxophonist Ryan Zoidis, for “Backwards Jack.” These three horn players provide a platform for the trio to open up and rage. Over the run, Eric Bloom has been experimenting with a guitar Wa Wa pedal during his trumpet solos, while James Casey has broken out the flute and provided percussion on many songs.

Continuing his guest appearance from the fifth night, London Souls guitarist Tash O’Neal joined the stage for the Beatles, “Get Back” and a slow “PJs.” Quality choices off their 2010 album, Rubber Soulive, made up the bulk of the first set before the audience was hit with a special unannounced guest.  Alan spoke to the crowd, “I am sorry for those of you who can’t come tomorrow night. You know, it’s a real shame that you won’t see George Porter, Jr. tomorrow. But it’s ok! Because you can see him now!!!” This was special.

Bassist George Porter, Jr. is an icon, legend and mentor, not only to the members of Soulive, but any true musician or music lover who loves funky, deep, in-the-pocket bass lines. A member of the legendary group, The Meters, Porter’s unique sound can be heard on recordings for Warren Haynes, Patti Labelle, Jimmy Buffett, David Byrne, Johnny Adams, Harry Connick Jr., Earl King, and Tori Amos, to name a few. Soulive is so well-versed on Porter’s catalog that the end of the set list simply read, “Whatever GPJ Wants!”  They cranked out Meter’s covers “Check Your Mind” right into “Funky Bitch,” without missing a beat.

Soulive continued to descend upon us with new musicians, adding keyboardist John Medeski (Medeski, Martin and Wood) and saxophonist Bill Evans to their Bowlive IV roster for the second set. A set that is hard to describe in words. Let’s just start with knowing the fact that Bill Evans was in Miles Davis’s band at the age of 22 and John Medeski was asked to perform on Jaco Pastorius’s 1981 tour while still a teenager. Along with Soulive and the Shady Horns, Medeski and Evans played a mind-blowing set.  Medeski’s avant-garde jazz quality added an incredible layer of sound to the stage, either filling every empty space with a melodic note, or simply striking one key and locking eyes with Neal. The set was filled with songs from Spark, a collaborative album with Karl Denson, released in March 2012. “Spark!,” the title track, kicked it off with Bill Evans crushing a sick solo on his soprano sax. Trombonist Natalie Cressman (Trey Anastasio Band) was the next unannounced sit-in who lent her sound on “Povo.”  “Nubian Lady” and “Liquid” followed, sounding exactly like the names suggest. The musicians were so tight, fluid, and everyone on stage was cranking out their notes in improvisational ways, yet sounded as if they had been rehearsing the same songs for years.  Unannounced drummer ?uestlove, who holds a standing DJ set on Thursdays for the Brooklyn Bowl, snuck in for “Nautilus” and proceeded to slam our heads into the beat of the song.  It was inspiring. Soulive encored with an extended, jamming “Tuesday Night Squad.”

Tonight’s jam sessions will start at 8:30 with Leroy Justice opening. Special guests will include bassist George Porter, Jr., guitarist Leo Nocentelli and The Shady Horns will be back in full effect to give their fans one extreme night of funk and fury.

Karen E. Dugan

http://tinyrager.com

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As my fifth New Orleans Jazz and Heritage Festival gets closer, the anticipation gets stronger. This year is a little different- I have two friends coming to Jazz Fest on my say so, so I’m a little stressed, wanting to make sure they tell me what they want to hear, making sure they love it as much as I do. So in prepping for my favorite week of the year, here are some things you don’t want to miss:

At the fairgrounds:

Thursday, May 3rd

High School Gospel Choirs: I like to open my fest with the McMain Singing Mustangs – every year, these kids bring some serious firepower to the Gospel Tent.  McDonogh #35 High School also does some incredible stuff later in the afternoon.

New Orleans Music Legends: Bassist George Porter Jr. has probably played on your favorite album, whether with Tori Amos, David Byrne, being the bass line sampled for tons of hip hop classics, or with his own groundbreaking work with the legendary Meters. Do yourself a favor and see him. While you’re at it, check out piano virtuoso Henry Butler, and the boys and girl in Dumpstaphunk. All of em will make you wish you lived here and saw em more often.

Home Grown Up and Comers: I saw Mia Borders in a tiny club with a leaky roof on the lower east side last year and she was amazing. Probably got an awesome band with her, including NOLA saxman Khris Royal (who’s probably with George too), and her cover of Bill Wither‘s “Use Me” was just bananas last year.

2012 Fantasy Map

2012 Fantasy Map

Friday, May 4th

The One Woman Army, now with backup: Theresa Andersson is a tremendous singer, fiddle player, and all around musician. This year, she’s got a great krewe of musicians with her, including Hannah Krieger-Benson, a fantastic trumpet player and singer who’s doing her own stuff (Hannah KB Band) and some ska too (The Local Skank)

Pick your own Jazz Adventure:  Three amazing jazz sets happening right after Theresa, at the same time. I have no idea how I’ll do all three.  Big Chief Donald Harrison will be mixing his bebop and modern jazz skills with R&B and NOLA classics, ala the amazing cover of “Indian Red” he did for the Treme Season One Soundtrack.  Or, you can get your fill of low end saxophonics, with Roger Lewis (Dirty Dozen Brass Band) leading three Bari Saxes and a Bass Sax for Baritone Bliss (which was fantastic last year).  Or, you can see Preservation Hall trumpet man Mark Braud do his own thing in the Economy Hall tent.

Holy People: Bet on Mavis Staples, who was already among the top reasons we went with this weekend, to put on a ridiculous set at the gospel tent in honor of her friend (and ours), the late great Levon Helm.  I’m sure her set is going to be so great, I’ll probably miss Deacon John‘s killer cover of “Many Rivers to Cross” to get a spot. However, if I were you, I wouldn’t miss much else of his set.  Local music legend, a fantastic performer, a great singer, a helluva guitar player, just amazing stuff, see Deacon John.

Mahalia Jackson - Historic Jazz Fest Picture

Mahalia Jackson – Historic Jazz Fest Picture

Saturday May 5th

Family Preservation: Loads of famous families in the New Orleans tradition – on Saturday, the Brunious family represents in Economy Hall. A few hours before Mark Braud (nephew to the late John Brunious) takes the stage (and hopefully passes out some ice cream) with the
Preservation Hall Jazz Band, his other uncle (and brother to John) Wendell Brunious will step up to the stage- Wendell was on fire at BAM a couple weeks back, sitting in with Dr. John, so look for some tasty trumpet goodness all around.

Raisin’ Hell: Another scion of a famous musical family takes the Fais Do Do stage, Rockin Dopsie and his Zydeco Hellraisers.  I feel like a lot of my favorite Zydeco bands all seemed to be packed into first weekend, but Rockin Dopsie is a notable exception.

Local Greats to Look For: Anders Osborne is a beast on guitar, and his new album is a great mix of sweetness, of sadness, of blues and power.  Not sure who’s playing with them, but see it.  Paul Sanchez’s Rolling Road show is always packed with local stars, Joe Krown with Russell Batiste and Walter “Wolfman” Washington is a tight organ guitar drums trio that does it right. John Boutte‘s voice, which you may recognize from the theme song from Treme, is tremendous to hear in the Jazz Tent – he may spoil us with a great cover of Leonard Cohen‘s “Hallelujah”…if we’re lucky!

The Cafe du Monde stand between the Jazz and Blues tents, around 5:30pm.  Good time to hydrate and get some iced coffee.  Hard to see ending my Preservation Hall second line early, but gonna need to refuel. And what better place to do it? Herbie Hancock and his band in the Jazz Tent on your right, the Warren Haynes Band (with tinyrager.com faves Nigel Hall and Alecia Chakour, as well as Dr. John, playing out) on your left in the Blues Tent.

Jazzfest 1975 Historic Poster

Jazz Fest 1975 Historic Poster

Sunday, May 6th

Sunday is always the most packed day, the closing day of the festival.  Of course, I can tell you to park at Gentilly Stage all day, or don’t miss Galactic, but hopefully you already know.  Here are a few things you might not know about:

The Family that Prays Together: Remember that John Boutte guy from Saturday?  He’s bringin’ his whole family to the gospel tent. You should get there too.

Arieal

Arieal

Glen David Andrews: Cousin to Trombone Shorty and James Andrews, the fire-breathing trombone player’s got an incredible performance you don’t want to miss.  Why he’s not taking his rightful place closing down the Gospel tent is beyond me, but at least it makes the FOMS (Fear of Missing Something) to close the festival a bit easier.

Camping at the Jazz and Heritage Stage: I don’t know the higher heights, but every other group at the Jazz and Heritage stage is a smoker, starting with War Chief Juan, the TBC Brass Band, Los Hombres Calientes will be incredible (why not in the Jazz tent?), and

Big Chief Bo Dollis: It’s not clear if the Big Chief is going to make it, he’s fallen ill, so I expect the boys to rock it out hard for him even if he can’t make it.  Look for Brooklynite turned Orleanian Billy Iuso wrecking shop on guitar (if not here, with Anders on Saturday), he’s a force to be reckoned with.

Close out with the Hall: Okay, so you’ve got 8, count em, 8 amazing sets lined up to end your fest. My pick is Preservation Hall – they’re going to have a lot of friends on stage with them and it’s going to be a lot of fun.  Also, I have no idea why they put Sharon Jones in the Blues Tent when she’s going to want the crowd up and dancing.

The night shows are a whole other animal, coming for part 2…

Words by Guest Writer: Russ Agdern

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Bowlive III: Night Ten – Finale Recap for Soulive w/ Ledisi, Derek Trucks and The London Souls ~ Extended Review + Media (03.10.12)

After nine nights of warming up, Soulive members Eric KransoNeal Evans and Alan Evans tore the roof off the Brooklyn Bowl Saturday night for the final night of their 3rd annual ten-night residency, Bowlive. Over the course of the last two weeks, Soulive presented their audience with talented guests from across the musical spectrum. Virtuoso guitarists such as jazz legend John Scofield, southern blues rocker Luther Dickinson (North Mississippi Allstars), and the hard-bopping Warner Brothers artist Mark Whitfield created slaying duets with guitarist Eric Krasno. Renowned bassists Oteil Burbridge (The Allman Brothers Band) and George Porter, Jr. (The Meters) rocked the stage, adding to the cool bass keys Neal Evans plays so strikingly. Hip-hop drummer ?uestlove (The Roots), experimental percussionist Billy Martin (MMW) and world beat drummer Luke Quaranta took their turns leading the rhythm when the smoother than smooth Soulive drummer Alan Evans stepped aside to play rhythm guitar.

Guest vocalists Nigel Hall, Allen Stone, Jennifer Hartswick and Alecia Chakour brought their own style of strength and soul to the mic, Citizen Cope and Alice Smith sang an eclectic mix of blues, laid-back rock and folk while Rhazel and Ledisi delivered beat boxing and R&B/Soul into the eager ears of their audience. As well, for two night and two full sets, Royal Family recordings artists Lettuce, consisting of guitarist Adam Smirnoff, drummer Adam Deitch (Break Science), bassist ED “Jesus” Coomes, and The Bowlive horns, seared the stage with their urban funk flavor.

The Bowlive Horns, consisting of saxophonist James Casey, trumpeters Eric Bloom and Matt Owens and tenor saxophonist Ryan Zoidis were joined over the course of the run by numerous big name brass players.  Trombonist Sam “Big Sam” Williams (Big Sam’s Funky Nation), flautist/saxophonist Karl Denson (Karl Denson’s Tiny Universe), trumpeters Rashawn Ross (Dave Matthews Band) and Jennifer Hartswick, flautist Kofi Burbrudge (Derek Trucks Band) and wild improvisational saxophonist Skerik, rotated throughout the ten nights creating one of the sickest brass ensembles some have ever seen.

Other surprise guests included virtuoso pianist Eldar and organist Mitch Chakour while DJ Wyllys spun the ones and twos in between the weekend sets. When Soulive didn’t open the show themselves, the one man band, Zach Deputy, Royal Family recording artists The Nigel Hall Band, The Alecia Chakour Band and The London Souls amped the energy of the evening before Soulive took over to lay devastation upon the stage. It has been a two week rage of full on face melting, mind warping, soul filling, gut busting musicianship that accelerated with power each night and with audience members wondering how it could be topped.

Saturday night was the tenth and last night of Bowlive III. The audience, clad in white outfits for the evening’s White-Out Party theme, could be heard whispering their ideas of who the special guests might be. The London Souls, Ledisi and The Royal Family All-Stars were billed which could only mean that a surprise that couldn’t be named was being prepared.

The London Souls opened the evening with their Hendrix-style rock and roll sound. It is quite impossible to remain calm when guitarist Tash Neal, bassist Stu Mahan, and drummer Chris St. Hilaire are slamming away on their instruments.  The perfect opening for the end of a great run.

Soulive’s set started off with the super horn heavy, high-energy “El Ron”  However, during “Upright,” some unexpected technical difficulty occurred.  What could have been a rough moment turned into something special. There was three minutes where Alan Evans and his team worked at lightning speed to repair a broken drum head while the remaining members on stage worked together to keep the audience engaged. The audience clapped and cheered, supporting their favorite trio because there was importance in this moment. The band’s talent was exposed so much more during this time as they kept it together. The power from the applause in the audience when Evans’ silver shimmering drum kit was finally lifted in the air and put back in place was outstanding. It was a killer moment in rock n roll, a killer moment in Bowlive History. The trio ripped into the end of “Upright” and kept the momentum UP, UP, UP! They rolled through “Tuesday Night Squad” and Nigel Hall sang on the lively “Too Much” and the beautifully arranged “Everybody Wants to Rule the World” by Tears For Fears that segued into Bobby Caldwell’s “Open Your Eyes.”

When Ledisi was brought back on stage for the second night, the crowd exploded. Her R&B flavor had brought such joy to the previous night’s performance and we wanted more. Singing “Love Never Changes” off her Turn Me Loose album, Ledisi unleashed her massively powerful voice upon the audience. Her range and strength were unbelievable as she swiftly scatted her way through “Them Changes,” a Buddy Miles cover off of Jimi Hendrix’s Band of Gypsys. Tash Neal also performed on this song where he and Krasno playfully raged a duet to end the set.

The second set began as multiple white balloons were tossed out into the audience while Soulive played “One in Seven.” The second technical difficulty of the night occurred as Neal Evans’ clavinet finally gave way after nine nights of solid pounding. Not to miss a beat, Alan Evans began jamming on his kit, delivering a tight an extended drum solo as the back line team fixed the issue.  It was then time for some Beatles love as they played an electric run of “Eleanor Rigby,” “She’s So Heavy” and “Get Back.”

Finally, the last surprise guest of this amazing musical journey was invited on the stage. Southern rock, slide guitarist Derek Trucks (The Allman Brothers Band) walked out on stage with Nigel Hall and Ledisi to perform Sam Cooke’s Civil Rights Era anthem “A Change Gonna Come,”. It was no wonder that while Ledisi and Hall sang with all their passion and Derek Trucks made his guitar cry, audience members began to weep where they stood. The meaning and epic delivery of this song wasn’t lost on a single soul. Soulive flipped the emotional script by following Cooke’s song with the raging Jimi Hendrix’s tune, “Manic Depression!” Derek Trucks, Eric Krasno, Neal Evans and Alan Evans delivered a sick rendition of the song with Trucks and Krasno playing off each other and Trucks taking a ripping solo to end the set.

Before the encore, Brooklyn Bowl owner, Pete Shapiro, came on stage with Rosemary and Lavender plants in his hands. He explained that everyone on the floor was to take a piece of the plants being passed around the audience in hopes that the aroma therapy would help us gather our strength for one last song. Ending their epic ten night run the way they began, our favorite trio, just the three of them, took the stage for “Aladdin.”

Bowlive III is now over, leaving some New Yorkers wondering what to do with themselves.  For two weeks, dedicated fans came to the Brooklyn Bowl to see Neal Evans, Alan Evans and Eric Krasno play their hearts out, touching on every musical genre and playing with many of Americas most talented musicians. Let us give thanks to Soulive for the dedication to their craft and their ability to express it through the creative outlet that is Bowlive. Thanks for their want to educate us on new talent, their need to put new twists on old classics, and their determination to raise the bar each and every night.

Let us give thanks to The Brooklyn Bowl, because without them there would be no Bowlive. Thanks for their wonderful environment, staff and treatment.  For the last 2 weeks the Brooklyn Bowl has been our community’s second home. We’ve feasted on their fantastic Blue Ribbon cuisine, felt at home on their plush leather couches and enjoyed their attentive staff.   Soulive + The Brooklyn Bowl = Bowlive and don’t you forget it!

A change has come to New York City. A change has come to the music community.  Soulive has created something so special in Bowlive.  There is nothing else like it in our scene and it’s through that unique way of doing things that Soulive will remain one of the most influential groups in our music community. Bowlive is the development of a passionate dream that is now reality. After three years, Bowlive is no-doubt a game changer in the music community and will continue to be for many years to come. Thank you Soulive!

 Karen E. Dugan
– Photo courtesy of Phrazz

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Bowlive III: Night Nine – Soulive w/ George Porter Jr., Ledisi and Skerik ~ Extended Review + Media (03.09.12): Bowlive Finale White Party Ledisi, The London Souls, and The Royal Family All-Stars TONIGHT!

Fire! Fire! Fire! These three little words are the simplest yet perfect definition of what occurred on the Brooklyn Bowl‘s stage last night for the ninth night of Soulive’s third annual ten night residency, Bowlive. So far, nine epically diverse nights of music have now been devoured by sold-out crowds of rabid NY music fans. The members of Soulive, the amazing Neal Evans on organ and bass keys, Eric Krasno, and the backbone of it all, Alan Evans on drums, were back at it for the last weekend of this fantastic run. After eight nights of raging musical collaborations, Soulive continued to deliver with an onslaught of some of America’s most influential musicians. The members of Soulive, The Bowlive Horns, George Porter, Jr., Eldar, Ledisi, Mark Whitfield, Nigel Hall and Alecia Chakour invested all their energy into making last night’s audience react just as powerfully as these musicians performed.

Last night’s opening act is one of the newest musical collaborations within the Royal Family. Nigel Hall and Alecia Chakour took to the stage with a “little help from their friends” to deliver a set of beautifully arranged classics.  These soul-filled vocalists are being compared to some of the greatest soul singing duos of our era and deserve all the love and recognition that comes their way. Supporting their slow, soulful vibe was drummer Adam Deitch (Break Science), trumpeter Eric Bloom (Diana Birch), guitarist Adam Smirnoff (Lettuce), saxophonist James Casey (6figures), Ryan Zoidis (Lettuce), and Alecia Chakour’s brother, bassist Alex Chakour. Nigel Hall sat behind his Rhodes keyboard while Alecia dominated the crowds command from the front of the stage. Performing such classics as Stevie Wonder’s “Signed, Sealed, Delivered” and The Righteous Brothers’ “You’ve Lost That Loving Feeling,” Hall and Chakour made the music their own with beautifully blended voices and arrangements of the songs. These two voices were meant to find each other and the audience couldn’t have been more invested in the harmonies and beauty resonating between them. Pure soul perfection. Keeping with the “Family Affair,” Mitch Chakour, Alecia and Alex’s father, was invited on stage to play keys for Joe Cocker’s “With a Little Help From my Friends!” When Nigel Hall and Alecia Chakour join forces on stage, their bond through music and their passion for soul pours out of them. This was only the second time the duo had performed as an organized set all their own and fans can be sure that it will not be their last. There is magic in this musical union that doesn’t come around often.

After such an touching set, NY-bsed DJ, Wyllys, spun on the 1’s and 2’s to keep the crowds elevated before Soulive took to the stage. When Soulive finally hit, they came out blasting with “Steppin.” This was the final weekend of Bowlive and the trio, who have been delivering us powerful sets for two weeks, raised their own bar a little higher.  After the short set with George Porter Jr. (The Meters) the previous night, Soulive jumped right into the second song by inviting New Orleans funkiest bassist back out on stage for “Pungee” and “Need More Time.” There is an energy that George Porter, Jr. brings to a stage that is tangible. Nigel Hall was back to join Porter for “Leave Me Alone,” but not before Nigel bowed at Porter’s feet letting the crowd know that this “was the funkiest black man in the universe!”

When special guest New Orleans singer-songwriter Ledisi was announced, the venue erupted. This portion of the set was so smokin’ that heat was rising from the stage. Performing “Knocking,” with Adam Deitch now on drums, Ledisi wowed the crowd with her powerful, demanding vocals and sensual style. There is no doubt that she deserves the multiple Grammy nominations that have come her way in the past few years as this was the definition of pure entertainment. “Chain of Fools” followed with The Bowlive Horns, Porter, and a surprise sit-in by Eldar, a fellow Grammy nominated pianist and composer. Surely one of the hottest portion of the night, confirmed by the buzz heard through the audience, Eldar delivered a complex piano solo while Ledisi scatted atop his gorgeous improvisational composition.  George Porter Jr. and the remaining musicians on stage supported this musical bliss to end one of the most magnificent sets of the run. Ledisi’s vocals supported by George Porter Jr. funky bass and combined with the jazzy vibe from Soulive and surprise guest Eldar was truly inspirational, uplifting and touched the audience’s soul. This is what Bowlive is all about, the deliverance of truly developed artists who are masters at their craft!!

Wyllys was spinning again for set break. Never using a set list, Wyllys kept the energy UP with choice selections of funk, R&B, and soul tunes. He kept the crowd dancing before Soulive came back for “Cannonball” supported by the Bowlive Horns. Always ready for something special and new, Soulive invited hard bop jazz guitarist Mark Whitfield on stage next for an electric rendition of George Benson’s “World is a Ghetto.” Following this amazing sit-in, George Porter, Jr. came back on stage and took the lead for the rest of the night performing multiple tunes from The Meters catalog, “Funky Miracle,” “The Dragon,” “People Say,” and “Ain’t No Use.”  The consistent funky bass lines and powerful, invested vocals coming from Porter during these selections fueled the set as well as the musicians sharing the stage. They were long arrangements making room for each artist to share their talent with rousing solos and epic extended jams. Tears were in the eyes of their audience as Eric Krasno and friends ended the set with a stunning, gorgeous arrangement of “Out in the Country.”


There are some music performances that are simply impossible to describe with words. Last night was one of those nights and any attempt at doing justice through written word seems unfulfilling after witnessing the magic of last night. The musical genius that poured off the stage resulted in emotional ballads and extended improvisational jams that expanded on the already amazing two weeks that Soulive has provided it’s audience. It’s painful to even imagine that this adventure is coming to an end. However, we still have one night!  A single night to enjoy one of the sickest musical residencies to happen to our musical community. Every night Soulive has stepped up their game, tightened their sound, and put together an arsenal of talented musicians to play some of the greatest songs ever written.  Tonight, Soulive invites Ledisi, The London Souls, and the Royal Family All-Stars to close out the residency. You can expect nothing but pure gold this evening as these boys will surely be going out with a bang! 

 Karen E. Dugan

– Photo courtesy of Marc Millman

*To see photos of these musicians and lots of other live music, please check out: http://www.marcmillmanphotos.com/music

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Bowlive III: Night Eight – Soulive w/ George Porter Jr., Zach Deputy, Citizen Cope and Alice Smith ~ Extended Review + Media (03.08.12)

For the eighth night, Soulive members, Eric Krasno, Alan Evans and Neal Evans, performed at the Brooklyn Bowl for their annual residency, Bowlive.  In its third year, Bowlive has become one of the most interesting, engaging, educational and smoking residencies in New York City. There are some, who might argue, in America. Each night has gotten heavier, deeper, tighter, and energetically more invested with each guest who joins the stage to breath more life into the already amazing trio.

The Alecia Chakour Band opened last night to a huge crowd. Chakour joined the Bowlive rooster last year.  In the masculine crew that makes up the artists on the Royal Family Records Label, Alecia Chakour is a breath of fresh female energy. With a voice and range as powerful as Aretha Franklin, Chakour rightful deserves to be on stage with the talented musicians who make up Soulive. Chakour’s band members consisted of trumpeter Igmar Thomas (The Cypher), organist Neal Evans (Soulive), bassist and brother Alex Chakour, drummer Miles Arntzen (Antibalas), guitarist Sam Cohen (Apollo Sunshine), and saxophonist James Casey (6figures).  A highlight was when surprise guest artist Kofi Burbridge (The Derek Trucks band) lent his fluttering flute to the bunch on their new tune, “Surely.” The Alecia Chakour Band is a sick, tight, funky crew who fit right into the rotation of amazing acts that we have so far seen over the two week run.

Soulive members (guitarist Eric Krasno and soul brothers Alan Evans on drums and Neal Evans on clavinet) welcomed numerous guests on stage last night, some announced and some a surprise. This is always to be expected and they never disappoint. “Steppin” was the only song Soulive ever stood alone on stage for. After that, the flood gates opened with Kofi Burbridge jumping in on “El Ron” with the Bowlive Horns: saxophonist James Casey, trumpeter Eric Bloom and tenor saxophonist Ryan Zoidis. Special guest and Brooklyn resident Citizen Cope was next to join the stage to perform his original “Bullet and a Target,” and “Something to Believe In.” Cope’s raw, uncommon chords and proactive lyrics have been recognized and covered by likes of Carlos Santana, Dido, Sheryl Crow and Slipknot. His vocals transformed the bowl into a new vibe, a slower yet passionate part of the set. Alice Smith, the second vocalist billed that night, joined for Cope’s last tunes, “Ain’t Gonna Stand for It” and “107 Degrees.” Alice Smith’s voice melded beautifully with Cope’s the same way that Alecia Chakour’s voice melds perfectly with Nigel Halls. She is aggressive, serious, powerful, and passionate with a 4-octave vocal range and stunning stage presence. Cope exited the stage and Alice Smith, with the Soulive trio backing her, performed Cee Lo Green’s, “Fool For You.” The Bowlive Horns helped closed out the set with “Tuesday Night Squad,”as trumpeter Eric Bloom’s excitement spilled out of his animated solo and Nigel Hall took over the keys.

The second set was dedicated exclusively to the musical power of New Orleans yet contained special guests of varying styles. This was definitely one of the best sets of the entire run. Special guests, world renowned New Orleans bassist George Porter, Jr. (The Meters), drummer ?uestlove (The Roots), Billy Martin (Martin, Medeski and Wood), flautistKofi Burbridge and saxophonist Skerik, out for his third night, piled on stage with Soulive and the Bowlive horns. Covering New Orleans and Meters favorites “Just Kissed My Baby, “Hey Pocky Way,” “Come Fly with Me,” and “Funkify Your Life,” the musical entourage on stage was the definition of a Jam Room. George Porter, Jr. brought such life to the younger musicians who were surrounding him. Each artist took their turn power housing their instruments because Porter believes in the journey of the song and allowing it to unfold, which is exactly what happened on “Africa,” when Skerik took his solo and the classic song turned into a completely different creature.

Experimental jazz percussionist Billy Martin was left to his own devices with a pile of instruments to create sounds with after drumming for “Hey Pokey Way.” Martin is the drumming member of his own jazz, funk trio so his addition to Soulive allowed for experimental sounds that enhanced the layers of the music. “Everything is Everything” closed the set with Nigel Hall on vocals and another night of Bowlive ended, this time without and encore.  ?uestlove’s Bowl Train DJ set saw out the rest of  the night and everyone danced their way through funky, old skool tunes until their weary bodies said enough.


It’s unbelievable to think that the members of Soulive have been going full speed for eight crazy nights. What a testament to their level of stamina, creativity, and their ability to surprise and entice their audience.  For those who can’t make the last two nights, check out the live feed on iClips.net. For those of you with the ability to make it this weekend, you won’t be disappointed. Continuing his New Orleans flavor from last night, special guest George Porter Jr. will be joined by Ledisi with Nigel Hall and Alecia Chakour opening. We can only speculate who the surprise guests will be, but you can be sure they will bring in Bowlive’s final weekend in FULL RAGE!!!

BUY SINGLE DAY TICKETS NOW!
Can’t make the LIVE RAGE? Stream It on iClips.net!

 Karen E. Dugan
– Photo courtesy of Phrazz

Youtube Videos

Soulive feat. Citizen Cope – “Bullet & a Target” : http://www.youtube.com/watch?v=hoFGGhF_z2s

Soulive feat. George Porter & Nigel Hall – “Come Fly Away” : http://www.youtube.com/watch?v=azUKgsH7ztY

Soulive feat Alice Smith & Citizen Cope – “107 Degrees” : http://www.youtube.com/watch?v=HdVFSkp-YEg

Soulive feat. George Por ter, Nigel & Kofi – “Voices Inside” : http://www.youtube.com/watch?v=7cRBqKlyAHc

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