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Posts Tagged ‘Warren Haynes’

Bowlive IV Recap Including Day & Night 8 Reviews

We’ve officially been “Bowlived” for the fourth year as Soulive reached the finish line of their 4th Annual residency, Bowlive, on Saturday night. It’s a bittersweet feeling; similar to the feelings you get when you have to leave an amazing few weeks at summer camp. For the members of Soulive, seeing the regular faces and New York City fan dedication is a wonderful energy for them to play off of throughout the run. In turn, fans get to see their favorite artists night after night, performing exquisitely executed originals and crushing covers with spectacular guests. All the while, both fans and band dance around with each other, their friends, and other musicians in the audience who are there just to bare witness. Everyone smiles and engages each other, soaking up every glorious note. It’s a symbiotic relationship that is hard to fall away from after being dipped so deeply for eight nights. So, when the end comes, we must remind ourselves that these residencies are special because they only happen once a year! Soulive reminds themselves that they have something special to look forward to as much as the audience does. And each year, the audience witnesses the unfolding of a beautiful musical dynasty that Eric Krasno and brothers Neal and Alan Evans have created.

 Unlike the three previous year’s run, Soulive chose to focus their energy into eight shows instead of ten. This choice applies great pressure to any band who chooses to change the formula of a well-established and respected event. Bowlive fans expect a certain caliber of guests, a high level of surprise sit-ins, and some spectacular musical experiences that sometimes end up being a once-in-a-lifetime moment.  Soulive knows this to be true and always takes the time to consider such factors. How about having Mod dancers bust out into the bowling lanes during the second set of Night I?! It was just go time at that point!

Over the course of eight nights, guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans provided a stage and support for fantastic and exciting artists. They played endless jams in multiple styles across the musical spectrum, which is an important goal of the residency every year. Special guests included rocking Southern Blues brothers, guitarist Luther Dickinson and his brother, drummer Cody Dickinson, the 1970’s soul vocalist, Lee Fields and his modern day counterpart, Nigel Hall. There was the unmatched pedal steel slide guitarist Robert Randolph, legendary jam scene DJ, DJ Logic, and The Shady Horns lent their wall of sound during the second week with the help of crushing saxophonist Bill Evans one night. Some of America’s most outstanding keyboardists, 1970’s Memphis blues keyboardist, Booker T. Jones, mad scientist and keyboard wizard, John Medeski, and the ever experimental Marco Benevento, dominated their time on stage. Stepping in to melt faces on guitar was the astonishing Los Lobos’s David Hildago and The Meter’s Leo Nocentell. Soulive closed out their epic week playing with America’s most famous funk bassist, George Porter. Jr.

Another exciting element of Bowlive each year is the choice opening bands Soulive picks to set the audience’s mood each night. Due to a benefit at the Brooklyn Bowl on Night Six, there were only seven opening groups, all delivering a variety of musical power. The ridiculous ragers who make up Kung-Fu opened the run with so much fury. It was a perfect choice. The rocking Sister Sparrow and the Dirty Birds, The London Souls and Leroy Justice got the dance floor grooving. It was also a great pleasure to see two powerful females amongst the male-dominated residency by way of Alecia Chakour (The Alecia Chakour Band) and Arleigh Kincheloe (Sister Sparrow). The soul and flavor of love got shot to our hearts with The Nigel Hall Band, the Alecia Chakour Band and Cocheme Gastulum’s The Electric Sound of Johnny Arrow. You’re encouraged to read about them all in the previous night’s posts.

Then, you have the unannounced guests who are a separate list of continual, crushing talent. The Allman Brother’s southern rock guitarist Warren Haynes and slide guitarist Derek Trucks surprised the audience with a secret full third set on Night Two. Trombonists Sanders Sermon (Tedeschi/Trucks Band) and Natalie Cressman (Trey Anastatio Band) and trumpeters Maurice Brown and Igmar Thomas, and saxophonist Cocheme Gastulum (Sharon Jones and the Dap Kings), enhanced the wall of horns over the run on various nights. Behind everything, the chemistry and talents of Eric Krasno, Neal Evans and Alan Evans, are what make Bowlive possible.

Perhaps the most special show for many Soulive fans is the Kids show. Soulive held another KidsBowl performance early Saturday afternoon from 2pm to 3pm. These specific types of shows bring Soulive’s music to both the fans children and the unknowing adults who bring their kids to bowl on a Saturday, not knowing what a treat they are in for.  For dedicated Bowlive fans, the kids show is a wonderful way for the individual dancing alone at night to bring his or her family to meet one another.  The reality of life becomes evident as the adults were in “parent” mode, not “party” mode. Babies were crawling on the dance floor and children of all ages were running around in bowling shoes. The lights were on and bumpers were out. In their hour, they performed a few Soulive originals and brought Meter’s bassist, George Porter, Jr. It was when the set was over that the real raging began, however, when the children were allowed on stage to play with instruments and dance.

KidsBowl Set:

Uncle Jr.

Vapor

Hat  Trick

Turn It Out

Hey Pockey Way (w/ George Porter, Jr.)

How Sweet It Is (To Be Loved By You)

 It was back to party time with the evening show and The Alecia Chakour Band opening. Her blues siren vocals backed by Neal Evans on keys, bassist Alex Chakour, drummer Caito Sanchez, saxophonist Cocheme Gastulum, and trombonist Dave “Smoota” Smith, were perfection.  After a lovely instrumental intro, Chakour sang seven band originals, including “Runaway,” “Over Again,” “You Didn’t Tell Me,” and “The Sun.” Each member of her band taking solos and leads amongst her sweet sounding vocals. This was a fantastic group of soulful musicians and a perfect choice to transition into the funk-filled evening.

Opening Set:

1. Instrumental

2. Runaway

3. Over Again

4. You Didn’t Tell Me

5. The Sun

6.Ghost

7. Shirley

8. Everything Time I See You (Stevie Wonder Cover)

The important point of all of this, simply, was the music. Music that creates a passion within Soulive and luckily, that passion is extended to the fans. For the final evening of their amazing residency Soulive would play host to their mentor in funk, Meter’s bassist, George Porter Jr. But not before bringing it home for the Soulive purists, proving once again what a sick power trio they truly are.  The first set was pure fire, and with help from the Shady Horns, there was nothing to divert our thoughts from what was most important.  The set was full of sick Soulive originals, “Uncle Jr.,” “Aladdin,” and “One in Seven.” “Lenny,” a Stevie Ray Vaughn cover and highlight of any set, allows Krasno to open up a can of whoop ass upon your ears. He broke his string during his ripping solo. Enough said. The London Souls’ Tash O’Neal (guitar and vocals) and Chris St. Hilaire (drums) joined for the a “cover” of their own “Steady Are You Ready” then stayed on to help deliver a crushing version of Howlin’ Wolf’s “Killin’ Floor” in the vein of Electric Flag’s version. Remember, as we learned on Night Four, Krasno is a huge Tash O’Neal fan, so you can imagine the chemistry.

Set I:

Uncle Jr. (w/ Shady Horns)

Aladdin (w/ Shady Horns)

Come Together (Beatles cover)

Lenny (Stevie Ray Vaughn cover)

One In Seven

Steady Are you Ready (London Souls cover w/ Tash O’Neal & Chris St. Hilaire)

Killin Floor (Howlin’ Wolf Cover…Electric Flag Version w/ w/ Tash O’Neal & Chris St. Hilaire)

 Soulive performed a beautiful rendition of “El Ron,” before George Porter, Jr. was introduced for Set II, continuing on as one of Bowlive’s greatest musical mainstays.  During this tune, the Shady Horns, with the help of guest saxophonist Cocheme Gastulum, broke off into an extended improvisational blowing session with Alan supporting on drums. For lack of better words, it could best be described as a drum line for horns. A Hornline, if you will?! The entire second set evolved into of slew of classics from The Meter’s catalog.

“People Say,” kicked off a funk-fueled set with James Casey delivering a rousing solo. Casey has carried a saxophone around his next all week and when he plays, it’s clear that he was meant to blow a horn.  However, it must be mentioned that over the run, Casey provided grooving percussion on the congas for many songs. It was a dance party for “Hey Pockey Way,” as Porter announced that, “Everyday should be Mardi Gras!!!”  Then, audience participation time for the fun tune, “Hand Clapping Song.”  The next Meter’s original, “Out in the Country,” was performed in the style of Porter’s slow emotional arrangement from his It’s Life album. This was a gorgeously played ballad that tugged at the heartstrings of the crowd in a deep way. From a personal perspective, it brought tears to my eyes, almost opening the floodgates until I reeled it back in.  I wasn’t alone in this outpour of emotions. Again, acknowledging that this super-stimulating, night time version of summer camp, full of friendly faces, is like ending an addiction cold-turkey. Bowlive is an institution in the Jam Band universe at this point, it lasts longer than many music festivals, and it’s not easy for the die-hards when it ends.

The set ended and no one moved.  There was just endless screaming and shouting of Krasno and the Evans brother’s names. Then, Brooklyn Bowl owner, Peter Shapiro, stepped onto the stage. On the last night of every Bowlive, right before the final encore of the run, Peter Sharpio does something special for Bowlive’s loyal audience in an effort to show his gratitude for their support of live music.  At the end of the first Bowlive, 700 shots of tequila were handed out from the stage.  He kept it entirely mellow last year by passing around Aromatherapy plants: Sage, Rosemary and Thyme, asking that the audience to grab sprigs of each plant and inhale. This was to encourage a revitalization within our body, mind and soul for the energy to dance on for one more song. Not missing a creative beat, Peter Shapiro took the mic on this final night and thanked us for our loyalty in proper rockstar fashion. He alerted the audience that this was a milestone 40th show for Bowlive and that the he had had made t-shirts with “40” on the back and “BOWLIVE” on the front. XL shirts went flying around the venue and Shapiro asked that the audience put them on right away before Soulive would deliver us our double encore of “He Bite Me (The Dragon)” and “Ain’t No Use.” The gifting of the shirts was a smart and fun way to end this year’s Bowlive.

Set II:

El Ron (w/ Shady Horns and Cocheme Gastulum)

People Say

Take A Chance

Hey Pockey Way

Jezebel

Hand Clapping Song

Out In the Country

Encore:

He Bite Me (The Dragon)

Ain’t No Use

Soulive has truly cemented their reign as a musical dynasty. A talented trio on top of their game in this unforgiving musical bastion of NYC. The magnitude of music overheard during the last two weeks was dynamic and inspiring.  The guests and the musicians solos were magnificent, diverse and captivating. Soulive always gives us something to look forward to every single night of Bowlive and this year was nothing less.

On personal note, I hope these reviews have helped supplement the wealth of musical knowledge that Soulive bequeathed upon us during Bowlive IV.  It is a delight and a  privilege to witness Bowlive every year and count Soulive and the Brooklyn Bowl as part of my local music scene. It also goes without saying that it is an honor and a true highlight of my career to be blessed to write for this amazing phenomenon called Bowlive. Thank you to Peter Shapiro, the Brooklyn Bowl, all the staff and production crew. Thank you to Royal Family Records for the opportunity to cover such a delightful event. A giant thank you to all the guests who lent their sound to the stage. Finally, the biggest congratulations and thank you to Alan Evans, Neal Evans and Eric Krasno for making it all possible. Your fans eagerly await to see what you have in store for Bowlive V!

Karen Dugan

tinyrager.com

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Bowlive IV Night 6 Recap w/ John Medeski, Bill Evans, George Porter Jr & Shady Horns : Tonight Porter, Leo Nocentelli & Shady Horns

To many New Yorkers, Thursday signifies the start of the weekend. Music venues bulk up their staff and bands slated to perform anticipate an audience that is ready for a party.  Last night was the sixth night of Soulive’s Brooklyn Bowl residency, Bowlive IV. The foundation was set for a rocking night of music with the Brooklyn Bowl stocked with staff and Soulive ready to throw it down.

With so many amazing musicians sitting in with Soulive over the past six nights, it has been challenging to ensure proper love is given to everyone. Especially during residencies, focus on special guests and their performances become the unexpected highlights of the articles and sometimes people forget to focus on the core members of the residency themselves. Credit must be given where credit is due.

Guitarist Eric Krasno, drummer Alan Evans and Neal Evans, along with the Brooklyn Bowl, have created something extremely special and unique for the New York music community. Since it’s inception in 2010, Bowlive has turned into a musical Superbowl that pushes the skills of the best of the best. For eight to ten nights, these three rock stars provide a fusion of styles that showcase numerous artist and instruments with Soulive’s distinct sound providing the base. The shared respect between musicians to musicians, and musicians to fans amps the frenetic creative energy that flows from the first downbeat to the final bow. Eric, Alan, and Neal are all at the top of their game and are now standing out among the greats, using the glory of Bowlive to cement their place as a musical dynasty. A dynasty that began in 1999.  It speaks volumes that the trio can support an eight to ten night residency that packs the house every night and attracts some of the biggest names in live music. Last night continued the tradition of amazing collaborations with keyboardist John Medeski and saxophonist Bill Evans.

The power trio had to make a few changes to the musical formula last night. Due to a benefit concert earlier in the day, last night was the first and only night of the run where the power trio did not have a rocking opening band to set pace. Without an opening band, Soulive was tasked with pumping up the eager crowd that was filled up with party animals, packing the dance floor to the brim. By doing so, they completely reinforced to the fans why any of us were there in the first place. Soulive original, “Aladdin,” began the set, providing the first platform for Krasno to open up and slay his guitar.  Jimi Hendrix’s “Manic Depression” followed, a song that everyone can geek out on, especially the musicians playing the tune. After six nights, the guys were thoroughly warmed up and just crushing solos left and right on The Beatles tune, “I Want You.”

Enter The Shady Horns, consisting of trumpeter Eric Bloom, saxophonist James Casey, and baritone saxophonist Ryan Zoidis, for “Backwards Jack.” These three horn players provide a platform for the trio to open up and rage. Over the run, Eric Bloom has been experimenting with a guitar Wa Wa pedal during his trumpet solos, while James Casey has broken out the flute and provided percussion on many songs.

Continuing his guest appearance from the fifth night, London Souls guitarist Tash O’Neal joined the stage for the Beatles, “Get Back” and a slow “PJs.” Quality choices off their 2010 album, Rubber Soulive, made up the bulk of the first set before the audience was hit with a special unannounced guest.  Alan spoke to the crowd, “I am sorry for those of you who can’t come tomorrow night. You know, it’s a real shame that you won’t see George Porter, Jr. tomorrow. But it’s ok! Because you can see him now!!!” This was special.

Bassist George Porter, Jr. is an icon, legend and mentor, not only to the members of Soulive, but any true musician or music lover who loves funky, deep, in-the-pocket bass lines. A member of the legendary group, The Meters, Porter’s unique sound can be heard on recordings for Warren Haynes, Patti Labelle, Jimmy Buffett, David Byrne, Johnny Adams, Harry Connick Jr., Earl King, and Tori Amos, to name a few. Soulive is so well-versed on Porter’s catalog that the end of the set list simply read, “Whatever GPJ Wants!”  They cranked out Meter’s covers “Check Your Mind” right into “Funky Bitch,” without missing a beat.

Soulive continued to descend upon us with new musicians, adding keyboardist John Medeski (Medeski, Martin and Wood) and saxophonist Bill Evans to their Bowlive IV roster for the second set. A set that is hard to describe in words. Let’s just start with knowing the fact that Bill Evans was in Miles Davis’s band at the age of 22 and John Medeski was asked to perform on Jaco Pastorius’s 1981 tour while still a teenager. Along with Soulive and the Shady Horns, Medeski and Evans played a mind-blowing set.  Medeski’s avant-garde jazz quality added an incredible layer of sound to the stage, either filling every empty space with a melodic note, or simply striking one key and locking eyes with Neal. The set was filled with songs from Spark, a collaborative album with Karl Denson, released in March 2012. “Spark!,” the title track, kicked it off with Bill Evans crushing a sick solo on his soprano sax. Trombonist Natalie Cressman (Trey Anastasio Band) was the next unannounced sit-in who lent her sound on “Povo.”  “Nubian Lady” and “Liquid” followed, sounding exactly like the names suggest. The musicians were so tight, fluid, and everyone on stage was cranking out their notes in improvisational ways, yet sounded as if they had been rehearsing the same songs for years.  Unannounced drummer ?uestlove, who holds a standing DJ set on Thursdays for the Brooklyn Bowl, snuck in for “Nautilus” and proceeded to slam our heads into the beat of the song.  It was inspiring. Soulive encored with an extended, jamming “Tuesday Night Squad.”

Tonight’s jam sessions will start at 8:30 with Leroy Justice opening. Special guests will include bassist George Porter, Jr., guitarist Leo Nocentelli and The Shady Horns will be back in full effect to give their fans one extreme night of funk and fury.

Karen E. Dugan

http://tinyrager.com

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Bowlive IV Night 4 Recap w/ Booker T, David Hidalgo & The Shady Horns | Tonight Hidalgo Returns, Marco & The Shady Horns

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Dedicated music lovers brought themselves out to the Brooklyn Bowl for the start of Soulive’s second week of the Bowlive IV residency. Guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans are back with a new week and new musical adventures.

_DSC4418Last week’s roster was packed with sit-ins by southern blues rock guitarist Luther and percussionist Cody Dickinson (The North Mississippi Allstars), the fierce harmonica playing of John Popper (The Blues Travelers), the 70’s flare of vocalist Lee Fields and his Expression Horns, the pedal steel slide guitar styling of Robert Randolph (Robert Randolph and the Family Band), the soul-filled flavor of vocalist Nigel Hall and the spinning talents of DJ Logic. Surprise guests included the amazing Allman Brothers Band guitarists Warren Haynes and Derek Trucks and trombonist Sanders Sermon (Tedeschi/Trucks Band).

One of the highlights of Bowlive this year has been the killer opening bands kicking off every night. Kung Fu absolutely blew the roof off the first night, setting a pace of rage for the rest of the week. The second night followed with the powerful 8-piece Sister Sparrow and the Dirty Birds who kept the energy high and the Alecia Chakour Band delivered their sultry sounds on Saturday. You can read about those shows in earlier posts here on TinyRager.com.

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Following one of the best first weeks in Bowlive history, the formula would to remain the same. The high powered, high energy, talented horn-crunching musicianship of saxophonist Cochemea Gastulem (Sharon Jones and the Dap Kings) and his band, The Electric Sounds of Johnny Arrow, showcased a different style of music to Soulive fans. The sounds of Africa’s Fela Kuti and 70’s baritone player Lekan Animashanu provided influence to the tunes. One’s hips couldn’t help but begin to grind to the pulsating percussion infused music. After the opening set, there were members of the audience who could be overheard discussing these new sounds that Soulive had introduced to their Bowlive roster.

Set List:

Dark City
Carlito
Impala 73
You’re So Good To Me
Heleyos
Lluva Con Nieve
Fathom 5
No Goodbyes

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The theme for the rest of the night was simple. Play one strong, satisfying Tribute to Stax Records with one of the coolest, hippest, electric blues keyboardist of all time, Booker T. Jones (Booker T. and the MG’s.) However, the audience had to be patient. Soulive purists still needed to see their favorite trio stand alone. Alan, Neal and Eric performed “Outrage” and “Dig” before the Shady Horns joined the stage. Baritone saxophonist Ryan Zoidis and trumpeter Eric Bloom (Lettuce) and James Casey (Trey Anastasio Band) brought another layer of funk to the vibe with “Hatrick” and even more horns joined when Cochemea’s baritone saxophonist Freddy Deboe and Lee Fields band’s saxophonist Mike Buckley sat in on “For Granted.”  Their powerful horn solos overwhelmed the speakers causing feedback that took a minute to control and it was back into full funky rage.

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When Booker T. Jones came on stage, the crowd went wild. To experience an entire set with Booker T. and Soulive was liberating. However, to see how excited Soulive was, well, that was just icing on the cake of what was a delicious remaining night of music. Krasno put it best as he spoke to the audience, explaining that as much fun as it is for the fans, it’s equally as fun for Soulive, as they are fans themselves. Fans that have the distinct pleasure and honor of inviting their mentors and influences on stage to join them. The passion for Booker T. was also evident as you looked around the audience and saw other famous Jam-world faces such as Erik Kalb (Deep Banana Blackout), David Bailis (Pimps of Joytime), and Alecia Chakour (Alecia Chakour Band).

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Booker T. and Soulive crushed out iconic Booker T. and the MGs hits “Hip Hug Her,” “Hang ‘Em High,” “Time is Tight,” and more. They then played “Born Under A Bad Sign,” which Albert King made famous but was written by Booker who along with the MG’s and The Memphis horns appear on that studio version. There was the catchy instrumental versions of Cee Lo Green’s “Crazy,” and Lauryn Hill’s “Everything is Everything,” with each instrument on stage taking the lead on each song.  It was sharp, stunning and solid. The Booker T’s Memphis Soul Sound was supported wonderfully by Soulive, all three of whom were grinning from ear to ear throughout the entire set. Finally, it wouldn’t be Bowlive without a surprise special guest. Guitarist David Hidalgo (Los Lobos), in town a night early for his Wednesday night Bowlive appearance, would pop out halfway in the middle of tunes then disappear again. This would continue through the set, teasing us with what would be seen on night five.

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The Booker T. encore was the most recognizable tune of all, the instrumental classic, “Green Onions,” with its ripping Hammond Organ line were both Neal and Booker T. enjoyed trading licks on their keys. That song threw everyone, of all ages, back into the soundtrack of 1993’s The Sandlot, back riding around in their 1962 Chevy Impala Convertible with the top down. It is a song that defined the ages and every one of all ages was invested.

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Capping off the night, the trio stood alone on stage for “Tuesday Night Squad,” a nod to the night and perhaps Soulive’s way of naming the dedicated tribe who supported them on such an early weeknight.  The Tuesday Night Squad we became and Bowlive fanatics should hold that badge with honor, the same way Soulive was visibly honored to perform for us last night with such an amazing icon of music.

Last night’s tribute to Stax Records was a pleasure.  Tonight get there on time for another stunner of an opener with the ever-rocking London Souls and guests Marco Benevento (keys) and guitarist David Hidalgo (Los Lobos).

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Set List:
Hip Hug Her
Hang ‘Em High
Born Under A Bad Sign
Crazy
Time is Tight
Something
Everything is A Everything

Encore:
Green Onions
Tuesday Night Squad

Written by Karen Dugan
Tinyrager.com

Photos By Andrew Blackstein & Allison Murphy

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Bowlive IV #2 Recap w/ Warren Haynes, Derek Trucks, Lee Fields, Robert Randolph & More : Nigel Hall & DJ Logic Tonight

IMG_3535For those super-fans, like myself, who have never missed a Bowlive show, (that’d be 31 shows, counting last night), the epic musicianship of Eric Krasno (guitar) and brothers Neal Evans (Hammond B3 organ, bass keys, clavinet) and Alan Evans (drums) is what drives us to come each night. However, it’s the un-announced musicians that also fuel a real fire in our motivation. The surprise third set that gets announced at the start of the night begins driving the rumor mill and the audience wonders how our favorite jazz trio is going to deliver us their musical spread for the evening. Let’s be honest! If Soulive/Bowlive fans keep it real about one thing they have learned over the last three years, it’s that Soulive will always keep us guessing and they never fail to deliver. The second night of Bowlive IV was no different.

The eight-piece powerhouse, Sister Sparrow and the Dirty Birds, kept the energy going from the first night, opening to another packed house. The sexy, sultry voice of Arleigh Kincheloe led the group, consisting of brothers Jackson Kincheloe (harmonica) and Bram Kincheloe (drums), Sasha Brown (guitar), Josh Myers (bass), Phil Rodriguez (trumpet), Ryan Snow (trombone) and Brian Graham (baritone sax). They rocked through their originals tunes, “Freight Train,” “Too Much,” and “Dirt.” However, they brought down the house when they covered AC/DC’s “Back in Black.”

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IMG_3662 copySoulive blasted out of the gate with “El Ron,” showcasing the magnificent drumming skills of Alan Evans. After Alan removed his jacket and introduced the band, the trio took their time grinding into the melodic “DIG.” The first half of the first set contained jamming, old skool originals like “Uncle Junior” and “Azucar” before vocalist Lee Fields and the Expressions horns joined the stage. It was then that the audience was transported back to the 70’s, with the Brooklyn-based singer, wearing a killer silver suit, knocked the audience down with his powerful vocals.  Performing his famous “We Fought for Survival,” recorded in 1970, and “You’re My Weakness,” Lee Fields danced and grooved around on stage and into the audience’s hearts with his James Brown-style. The crowd was electrified.

IMG_3468 copySet II began with the jazz-funk trio performing “Aladdin” with Neal Evans standing out significantly on the bass keys. They brought the energy level right back to where they left off at the end of the first set when pedal steel slide guitarist Robert Randolph (Robert Randolph and the Family Band) walked out wearing a silver sequins mask. With Alan Evans on vocals, they crushed Jimi Hendrix’s “Foxy Lady.” Randolph sang his radio friendly tune, “It Don’t Matter,” breaking the first of three chairs that he would eventually bend due to his climbing and jumping upon them. Lee Fields joined the stage for a rousing improvisational jam entitled “C# Funk Blues.” Then, Randolph and the trio took a risk, slowing the pace down for the beautiful “She Feels So Good.” At first, the crowd was lost in conversation but Randolph and the guys quickly reeled them back. Randolph was on his knees while playing The Temptations’ “Papa Was a Rolling Stone” and The Expressions’ saxophonist, Leon Michaels, delivered a long and majestic saxaphone solo to top it off. The set list called for Jimi Hendrix’s “Crosstown Traffic” to end the set. However, Randolph wasn’t done with the stage. Randolph drove past “Crosstown Traffic” into a five minute nameless jam to solidify his reign for this year’s Bowlive run.

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After Robert Randolph’s set, the venue emptied out a bit and many who remained had no idea that they were about to be rewarded with an amazing third set. Every year as the Brooklyn Bowl gets down to the Funky sounds of Soulive, there is always another residency raging in New York City at the Beacon Theater.  That would be the the Allman Brothers Band residency.  Many fans of both bands split their time between the two residencies during their annual extended March runs. There are also many who leave the Beacon and make a beeline to Brooklyn hoping to catch the end of the later running Bowlive performance.  And on a few evenings, they hope to see members of the Allman Brothers Band sit in with Soulive.  Earlier in the week, Eric Krasno was a guest of the Allman Brothers at the Beacon Theater.  But tonight, it would be Kraz’s turn to play musical host to two of the Jam universe’s biggest heroes, Derek Trucks and Warren Haynes.

IMG_3828 copyLong before the surprise guests took the stage, the buzz had flown around the Brooklyn Bowl that the possibility of a Derek Trucks and Warren Haynes appearance was eminent. Everyone waited in anticipation of the third set, which would surely bring together an epic combination of guitarists.  Krasno and the Evans brothers went right into a fast paced version of “One in 7.”  Kraz played a great solo, perhaps anticipating the push he would feel from the two greats appearing later in the song. Finally, we were delivered our present as Derek Trucks came out during the raging “One in 7” and within 120 seconds, he and Krasno were standing next to one another, trading off screeching leads and bringing the crowd into a state of blissful guitar heaven. The audience was going ballistic and became a sea of cameras and arms.

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IMG_4051 copyWarren Haynes came out as the band got ready to play their next song.  He stepped right up to the microphone for vocals on “The Thrill is Gone,” backed by Derek and Kraz joining in for a super jam near the end.  The rest of the set had the crowd mesmerized as three guitar legends traded licks. However, there was still one more guitarist who had to re-join the party before it was all over, Robert Randolph.  Robert came out and sat at his pedal steel as the band ripped into a mind-blowing version of Jimi Hendrix’s “Them Changes.”

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Seeing those four finger picking maestros on stage together will be a once-in-a-lifetime moment for many fans in the audience. Those are the moments that scream at the music-lover in all of us. Warning, or rather,TELLING us not to miss the next show. Another amazing Bowlive memory for the books. We should be thankful that, for now, it’s a never ending series!

Tonight, Soulive will host Nigel Hall, who opened all ten nights of Bowlive I and is a staple in the Royal Family projects. As well, be prepared to be awed by the powerful vocals of Alecia Chakour Band and the DJing talents of DJ Logic.

Written by Karen Dugan

Pictures by Allison Murphy

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Neal Evans (Photo by Phrazz)

Neal Evans (Photo by Phrazz)

The second night of BOWLIVE III at The Brooklyn Bowl started similarly to the previous evening with Soulive members Eric Krasno and brothers Neal Evans and Alan Evans taking the stage alone for the first two songs.  “Shaheed,” from band’s 2001 album Doin’ Something, and “DIG,” from their 2003 self-titled album started the set. With the members of Soulive choosing to open the sets themselves, they took on on the entire responsibility of pumping up their audience. They fully succeeded.  By the end of the second song, audience members were whispering that this night was even hotter than the last.

Eric Krasno (Picture by Phrazz)

Eric Krasno (Picture by Phrazz)

Luther Dickinson (Photo by Phrazz)

Luther Dickinson (Photo by Phrazz)

For those who couldn’t make this night due to responsibilities, I understand your pain. This evening would be one that would go down in Soulive history. For those of you who chose to come to the first and not the second, purely on issues related to laziness, I know you feel pissed enough. I won’t rub it in. Seeing how Luther Dickinson and John Scofield didn’t get on stage together with Krazno in the first night, one could logically assume that following day would see our hope delivered. All three guitarists on stage…at the same time!!

Luther and Krasno (Photo by Phrazz)

Luther and Krasno (Photo by Phrazz)

John Scofield, considered one of the “big three” of America’s current jazz guitarists, joined the stage for a second night with a pink guitar and giant smile.  “Nealization,” off their 2003 album Turn It Out, which Scofield performed on the album for this song, was next on the energized set-list. The energy level for a Wednesday night at the Brooklyn Bowl that was two-thirds full was stellar. The players on stage had picked up where they left off the night before and continued to elevate throughout the entire night.

Nigel Hall, the soulful vocalist and keyboardist from The Warren Haynes Band, was a much larger presence last night coming out on the Billy Cobham and George Duke tune, “Stratus.” Hall’s passion for the Fusion genre, especially George Duke, runs DEEP so you can only imagine how tight, invested and amazing he was performing the tune. Absolutely CRUSHING with Scofield distorting his rock-oriented sound! John Lennon’s “Jealous Guy” and Freddie Hubbard’s “Provo” followed.

With Nigel still on stage, delivering a fun Moog solo half way through, they performed the Scofield original, “Hottentot.” Alan Evans was clearly feeling this song as he threw in slight change ups in his beats that altered the style and sound in a great way, if only for a few seconds. His eyes closed and his lips pursed during the intense moments of connection to his instrument, Alan Evans was fully engaging and stood out as a leader on stage that night.

Luther Dickinson (Photo by Phrazz)

Luther Dickinson (Photo by Phrazz)

Ending the set with Nappy Brown’s 1957 cover made popular by Ray Charles, “The Night Time is the Right Time,” Soulive and guitar god history was made. Luther Dickinson (North Mississippi Allstars), John Scofield and Eric Krasno were all on the stage at the same time, for the first time. This was the moment that the die-hard fans were waiting for.  Nigel Hall sang the bluesy love song while the audience witnessed the three guitarists take their turns playing in their own unique and respective styles in a solo.

Luther Dickinson eventually left the stage as the song continued. Then, what I definitely considered one of the most interesting guitar banters of the musical run, took place. Scofield and Krasno played off each other’s rifts in one of the most unusual and gorgeous ways this super fan has ever witnessed. The Evans brothers lightened their presence, tapping a little lighter and recognizing the moment that was taking place. It was almost as if the two guitars were holding a conversation. The audience was silent when the song ended and then they erupted. THIS WAS WHY THESE MEN DO WHAT THEY DO! These rare moments of musical collaborations are what define Bowlive.

During set break audience members engaged in the Brooklyn Bowl’s amazing Blue Ribbon Fried Chicken, played a game of bowling and could be heard comparing the two evenings. Everyone was in agreement that this night kicked the previous night out of the water.

The second set started with Luther Dickinson joining the stage immediately for “Outrage” and stayed on stage for the entire set. “Bubble” and “All Night Long” were simply fantastic. There was no warming up this time, no taking it slow and simple. It was a full speed ahead.

Luther Dickinson and Eric Krasno (Photo by Phrazz)

Luther Dickinson and Eric Krasno (Photo by Phrazz)

Nigel Hall (Photo By Phrazz)

Nigel Hall (Photo By Phrazz)

Neal Evans was a force to be reckoned with during the second set with his heavy-handed organ play sounding excellent partnered with Dickinson’s slide guitar for “Shake Your Momma.”  Nigel Hall came out on stage once again to perform Muddy Water’s “Champagne and Reefer,” which had the audience laughing in agreement to the lyrics.

Alan Evans (Photo by Phrazz)

Alan Evans (Photo by Phrazz)

The encore was spectacular. Leaving the stage for only 120 seconds, Soulive and Luther Dickinson literally ran back on stage to perform “Spanish Castle” by Jimi Hendrix.  Their excitement was evident as Dickinson sang the verses and Alan Evans sang the chorus. No one wanted the show to end but the audience accepted the fact that these talented musicians needed their rest.

We had eight more days to go and Soulive’s passion and desire to strive would ensure that the coming nights continue bringing straight fire. Tommorrow’s rage would consume me with the FUNK as Karl Denson, Big Sam and Rahzel continue where Luther Dickinson and John Scofield left off.

Download Night 2 Sound Board Audio Here!

Pictures by Phrazz

Videos by Marc Millman and mkdevo

Words by The Tiny Rager

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