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January 2013 Music Calendar

January 2013 NYC Music Calendar

Calendar updated daily!

FESTIVALS

GLOBALFEST: Groundbreaking international music festival and a volunteer run non-profit organization dedicated to foster cultural exchange. globalFEST’s mission is cultural, social and political. It aims to bring down boundaries between countries and create cultural opportunities for individual artists and for governments, sponsors, scholars and critics to collaborate. Tours and cultural exchanges that result from globalFEST¹s showcases have helped to build an ever widening audience for world music and, by extension an increase in international cooperation and collaboration.

30th Next Wave Festival: returning for its 30th season, presenting an array of contemporary performance, artist talks, storytelling, visual art, and film that showcases work by emerging artists and innovative modern masters.

CONCERTS

Tuesday, January 1, 2013

  • ($18-$25) Joseph Arthur & Vernon Reid @ City Winery
  • ($20) Nigel Hall Band (Phish/Mule After-Party) @ The Blue Note
  • ($25) Rusted Root @ Stage 48
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Wednesday, January 2, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($10-$12) New York Funk Exchange w/ Jane Lee Hooker @ Mercury Lounge
  • ($20) The Louis Armstrong Centennial Band @ Birdland
  • ($35) “A Love Supreme” Azar Lawrence Quintet featuring Eddie Henderson @ Smoke Jazz & Supper Club-Lounge (7pm, 9pm, 10:30 sets)Sets)
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Thursday, January 3, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($22) Howie Day @ City Winery
  • ($35) “A Love Supreme” Azar Lawrence Quintet featuring Eddie Henderson @ Smoke Jazz & Supper Club-Lounge (7pm, 9pm, 10:30 sets)
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Friday, January 4, 2013

  • ($8) Electic Method @ Knitting Factory
  • ($22) Howie Day @ City Winery
  • ($30) John Abercrombie Quartet @ Jazz Standard
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Saturday, January 5, 2013

  • ($8-$10) Ikebe Shakedown @ Cameo Gallery
  • ($20) Maurice Brown @ Ginny’s Supper Club (2 Sets)
  • ($30) John Abercrombie Quartet @ Jazz Standard
  • ($40-$70) New York Philharmonic @ Avery Fisher Hall
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Sunday, January 6, 2013

  • ($20) Earth, Wind & Fire @ B.B. King Blues Club and Grill (Celebrating 40 Years)
  • ($25) John Abercrombie Quartet @ Jazz Standard
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40-$75) Chris Botti @ The Blue Note (2 Sets)

Monday, January 7, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($10) Charlie Hunter @ The Living Room
  • ($10) Alecia Chakour Band: First Mondays @ Rockwood Music Hall
    • Join Alecia Chakour, Neal Evans, Sam Cohen, Alex Chakour, Miles Arntzen, Cochemea Gastelum and friends on the first Monday of every month at Rockwood Music Hall for their unique take on rock n’ soul…
  • ($18-$22) Diane Birch @ City Winery
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard

Tuesday, January 8, 2013

  • ($15) The London Souls @ The Bowery Ballroom
  • ($18-$22) Diane Birch @ City Winery
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($40-$60) Nas with Anthony Decurtis @ Kaufmann Concert Hall, 92 Street Y

Wednesday, January 9, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25) Robert Glasper and Friends @ S.O.B.’s
  • ($25) Dr. Lonnie Smith Trio @ Jazz Standard (2 sets)
  • ($25-$30) Shuggie Otis, People Get Ready, Ofei, Joshua Nelson, & DJ Kool Herc @ Highline Ballroom

Thursday, January 10, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night DJ set)
  • ($10) Jamie McLean Band @ Rockwood Music Hall (10:15pm slot)
  • ($10-$13) Adam Ezra Group @ Mercury Lounge
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25) Robert Glasper & Friends @ SOB’s

Friday, January 11, 2013(Biggest Musical Day of the Month)

  • (FREE) Zongo Junction @ Rockwood Music Hall (11:45pm slot)
  • ($7) Klezwoods @ Spike Hill
  • ($10) Spanglish Fly @ NuBlu
  • ($10-$13) Apollo Run w/ Midnight Spin @ Mercury Lounge
  • ($15) Slick Rick: The Ruler @ Brooklyn Bowl
  • ($15-$18) Snarky Puppy @ Rockwood Music Hall (10pm slot)
  • ($15-$20) APAP Showcase w/ The Iguanas, Mia Borders, Colin Lake & Sasha Masakowski @ Hill Country
  • ($20-$25) Big Sam’s Funky Nation, The Stooges Brass Band, Mia Borders, Christian Scott Sextet & Flow Tribe @ The Cutting Room
  • ($20-$35) Donald Harrison, Ron Carter & Billy Cobham Trio @ The Blue Note (2 Sets)
  • ($25-$30) Alan Doyle (of Great Big Sea), The Dunwells, & Amy Helm @ B. B. Kings Blues Club
  • ($30) Dr. Lonnie Smith Trio @ Jazz Standard
  • ($35) Marcus Strickland & TWI-LIFE @ Sullivan Hall (2013 NYC Winter Jazzfest)
  • ($35-$70) INDELIBLE FESTIVAL: Meshell Ndegeocello presents Spirit Music Jamia @ @ Highline Ballroom
    • Featuring: Cecil Taylor, DJ Questlove, AYO, Guy Davis, Gregoire Maret, THE DUST RAYS featuring Kirk Douglas & Mark Kelley of the Roots & Ricc Sheridan from Earl Greyhound & Surprise Special Guests
  • ($40-$50) Betty LaVette @ City Winery
  • ($50-$55) CAKE @ Bowery Ballroom
  • ($50-$90) Morrissey @ Brooklyn Academy of Music
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium

Saturday, January 12, 2013

  • ($10) Stooges Brass Band @ Brooklyn Bowl
  • ($20) Arturo O’Farrill Trio @ Ginny’s Supper Club
  • ($20-$35) Ramsey Lewis & John Pizzarelli @ The Blue Note (2 Sets)
  • ($30) Dr. Lonnie Smith “In The Beginning” Octet @ Jazz Standard
  • ($30-$40) Paula Cole, Kris Allen, Brother Joscephus and the Love Revolution, Teitur, Leroy Bell and his Only Friends @ City Winery
  • ($40) Bettye LaVette @ Joe’s Pub
  • ($45-$75) Roberta Flack @ St. George Theatre
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium
  • ($68-$92) Def Squad and Method Man @ Hammerstein Ballroom

Sunday, January 13, 2013

  • ($10) Reggie Watts @ Grasslands Gallery, BK
  • ($20) Gregg Kallor Hurricane Sandy Relief Concert w/ Dave Eggar @ Culture Project
  • ($20-$35) Ramsey Lewis & John Pizzarelli @ The Blue Note (2 Sets)
  • ($25) The David Johansen Band @ Highline Ballroom
  • ($26-$64) Green Day @ Barclays Center
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($30) Dr. Lonnie Smith “In The Beginning” Octet @ Jazz Standard (2 sets)
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • ($40) The Stooges Brass Band at globalFEST @ Webster Hall
  • ($45) Cassandra Wilson @ B. B. Kings Blues Club
  • ($50-$200) Idina Menzel @ Carnegie Hall
  • ($60) David Murray Big Band featuring Macy Gray @ The Iridium

Monday, January 14, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($20) Jonathan Batiste @ Rockwood Music Hall
  • ($20-$40) International Guitar Night @ The Blue Note (1 Set)
    • feat. Martin Taylor (Scotland), Brian Gore (US), Solorazaf (Madagascar)
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Terence Blanchard Quintet @ Birdland

Tuesday, January 15, 2013

  • ($20-$40) John and Hank Green: An Evening of Awesome w/ The Mountain Goats @ Carnegie Hall
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($30-$35) The Airborne Toxic Event @ Webster Hall
  • ($35-$55) Little Feat / Leon Russell @ The Capitol Theatre, Port Chester, NY
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($46-$85) Lynyrd Skynyrd @ Beacon Theatre

Wednesday, January 16, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($15-$20) Soundgarden @ Terminal 5
  • ($20-$25) Bob Schneider @ City Winery
  • ($20-$80) Meshell Ndegeocello @ BAM in Brooklyn, NY (Part of 30th Next Wave Festival)
    • When Past & Future Collide ~ Life Along the Borderline: A Tribute to Nico, Curated by John Cale
  • ($30-$35) Billy Cobham’s “Spectrum 40″ @ B. B. Kings Blues Club
  • ($30-$35) The Airborne Toxic Event @ Webster Hall
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($40-$90) G. Love & Special Sauce @ Irving Plaza

Thursday, January 17, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($12) Jeff Bujak @ Sullivan Hall
  • ($36-$40) Lalah Hathaway @ B. B. Kings Blues Club

Friday, January 18, 2013

  • ($25) Toshi Reagon and BIGLovely @ Joe’s Pub
  • ($30-$40) Alejandro Escovedo with The Mastersons @ City Winery
  • ($30-$65) Umphrey’s McGee @ Beacon Theater
  • ($36) Guster & Yellowbirds @ The Capitol Theatre, Port Chester, NY
  • ($40) Terence Blanchard Quintet @ Birdland

Saturday, January 19, 2013

  • ($10) Driftwood @ Rockwood Music Hall
  • ($15) John Brown’s Body @ Maxwell’s Hoboken, NJ
  • ($20) Cracker & Camper Van Beethoven @ Stage 48
  • ($25) Toshi Reagon and BIGLovely @ Joe’s Pub
  • ($30-$40) Alejandro Escovedo with The Mastersons @ City Winery
  • ($40) Terence Blanchard Quintet @ Birdland
  • ($50) Morrissey @ The Capitol Theatre, Port Chester, NY

Sunday, January 20, 2013

  • ($20) Talib Kweli @ S.O.B.’s
  • ($25) Toshi Reagon: Sacred Music Show w/ Bernice Johnson Reagon @ Joe’s Pub
  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($30-$55) Béla Fleck BANJO SUMMIT @ Michael Schimmel Center for the Arts
    • Banjo mastermind, Béla Fleck will be joined by Tony Trischka, Bill Keith, Richie Stearns, Eric Weissberg, and Noam Pikelny.
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill
  • (???) Juan Maclean DJ Set @ Le Bain at The Standard

Monday, January 21, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Tim Reynolds of the Dave Matthews Band @ Iridium Jazz Club
  • ($35) Living Colour @ Highline Ballroom (For The Million Man Mosh II)

Tuesday, January 22, 2013

  • ($10) Zen Tricksters @ The Brooklyn Bowl
    • Special Guest: Rob Barraco (Phil Lesh & Friends, The Dead, Dark Star Orchestra) & Keith Kenny
  • ($30-$35) Johnny Winter – The 3rd Annual Winter in Winter Residency @ B. B. Kings Blues Club
  • ($65-$76) Soundgarden @ Hammerstein Ballroom

Wednesday, January 23, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)
  • ($20) The Louis Armstrong Centennial Band @ Birdland NYC
  • ($30-$35) Papa Roach @ Terminal 5
  • ($40) Trey Anastatio Band @ The Capitol Theatre, Port Chester, NY
  • ($66-$80) Soundgarden @ Hammerstein Ballroom

Thursday, January 24, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($15) FLOODWOOD (feat. Al Schnier & Vinnie Amico of moe.) @ Rockwood Music Hall (9pm slot)
  • ($15) The Wailers (performing Survival & more) @ The Brooklyn Bowl
  • ($25-$45) Dirt Farmer Band featuring Larry Campbell, Amy Helm, Byron Isaacs, Justin Guip and Teresa Williams @ City Winery
  • ($40) Trey Anastatio Band @ The Capitol Theatre, Port Chester, NY
  • ($42.50) Austra @ Hammerstein

Friday, January 25, 2013

  • ($5) Austra (DJ Set) @ Glasslands Gallery
  • ($10) #1 Kid (feat. members of Rubblebucket) @ Rockwood Music Hall ~ Stage 2 (11pm Slot)
  • ($15-$20) Ryan Montbleau Band @ City Winery
  • ($25-$30) Sister Hazel @ B. B. Kings Blues Club
  • ($30-$42) Robert Earl Keen @ Irving Plaza powered by Klipsch
  • ($42.50) Austra @ Hammerstein

Saturday, January 26, 2013

  • ($10-$12) The Nigel Hall Band @ Sullivan Hall
  • ($15) Marion LoGuidice @ Joe’s Pub
  • ($15-$20) Ryan Montbleau Band @ City Winery
  • ($25-$30) Lotus w/ Moon Hooch @ Best Buy Theatre
  • ($30-$35)  Femi Kuti & Positive Force @ Webster Hall
  • ($42-$46)  Loudon Wainwright III @ Zankel Hall
  • ($50-$90) Pat Benatar @ The Capitol Theatre, Port Chester, NY

Sunday, January 27, 2013

  • ($30) Arturo O’Farrill Afro Latin Jazz Orchestra @ Birdland NYC
  • ($40) Harlem Gospel Choir Brunch @ B.B. King Blues Club and Grill

Monday, January 28, 2013

  • ($8) Jim Campilongo @ The Living Room
  • ($8) “Bowling for Justice”: A Residency with Leroy Justice @ The Brooklyn Bowl
  • ($22.50) Reel Big Fish @ Irving Plaza
  • ($25) “Mingus Mondays” w/ Mingus Orchestra @ The Jazz Standard
  • ($30) Johnny Winter – 3rd Annual residency @ B. B. Kings Blues Club
  • ($35-$50) Robert Earl Keen @ City Winery
  • ($40-$75) Tegan and Sara @ The Beacon Theater (SOLD OUT)

Tuesday, January 29, 2013

  • ($20) Alice Smith (Residency Week One) @ Rockwood Music Hall ~ Stage 2
  • ($40-$45) Ladysmith Black Mambazo @ Highline Ballroom
  • ($40-$75) Tegan and Sara @ Beacon Theatre
  • ($50-$63) An Evening of the Blues Feat. Ben Harper & Charlie Musselwhite @ Irving Plaza

Wednesday, January 30, 2013

  • (Free) Brooklyn Shakedown w/ Nutritious @ Bembe (Late Night Set)

Thursday, January 31, 2013

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (late night set)
  • ($25-$30) Gin Blossoms @ B. B. Kings Blues Club

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Soulive members, the rhythmic Evans brothers Neal and Alan and guitarist Eric Krasno transformed The Brooklyn Bowl from a guitar god’s wet dream to a world of funk and Beatle Mania on the third night of Bowlive III.

However, before the show could start, there were a few adventures I went on that I would like to share.  The most silly adventure was first. On Jam Cruise this year, a girl named Harmony held a pet adoption with stuffed animals (mostly sheep) of varying styles and sizes. What first occurred at The Catskill Chill Music Festival on a small scale last summer had now made it’s way to the Jam Cruise world on a large scale. As a result, musicians and their children, like New Orleans trombonist Big Sam (Big Sam’s Funky Nation) and Marco Benevento‘s daughter Ruby, adopted animals. Big Sam adopted a sheep and named her…what else? Harmony!

What's with the stuffed animals, you ask?

What’s with the stuffed animals, you ask?

Front row rage with Jessica, Laurie and LUCY!

Front row rage with Jessica, Laurie and LUCY!

Jam Cruisers and their animals were all over the Bowlive scene during the ten day residency but Big Sam is the only artists who engaged in the enjoyment of his adopted pet publicly. Before the show, I was with a friend who had brought her lamb, Lucy. We ran into Big Sam and asked about Harmony. He had her in a plastic bag in his hand. Right then and there, Harmony was brought out and Lucy and she “played” and “danced” a bit together before Big Sam took Harmony backstage! Over the run, Lucy (NY), Smiley-Face (MD), Harmony (NOLA), Fluffy (VA) and Jimmy (NJ) would make their way from various parts of America with their adoptive parents to enjoy Bowlive shows from the front row.  Big Sam’s Harmony, however, was the only one who engaged in the back stage rage and got to dance on stage. Enjoy the clip:


At the end of the day, this new vein within our scene is representative of the curiosity and connection that we all posses and/or seek. Just as The Karma Wash and Fan Club Headquarters are relevant, so is this fun idea. Amazingly, lots of people have mascots and the addition of this adoption program has spawned multiple mascot meetups and adoptive front row rages around our scene. Be sure to look for a stuffed sheep or mascot near you and share a dance 🙂

Neal Evans (Photo by Phrazz)

Neal Evans (Photo by Phrazz)

The previous two evenings, the trio infused their sounds with special guest southern slide guitarist Luther Dickinson and jazz great John Scofield. On this night, Karl Denson (Karl Denson’s Tiny Universe), Sam Williams (Big Sam’s Funky Nation), and Rahzel (The Roots) graced the stage with their flute and saxophone, trombone and beat boxing, respectively.

The organ-based jazz trio kicked off their set with “Steppin,” off their 2010 Live at the Blue Note Tokyo album and “Uncle Junior,” 2007 Get Down album. As the three core leaders of Bowlive, they immediately established that there would be no slowing down. By the middle of “Aladdin,” all three men on stage were fully invested.  Krasno was taking his solos at the edge of the stage, sometimes rising onto his toes, while Neal Evans dominated the song with his bass keys and organ play and Alan Evans slammed his drums with ferocity.

Karl Denson (Photo by Phrazz)

Karl Denson (Photo by Phrazz)

Karl Denson was announced as the audience was told that he “just got off a plane and walked on this stage.”  Karl Denson is one of the hardest working musicians in the business and his passion for his craft drips off every note he plays. He is a fast, funky band leader who is always consistent in his delivery.  “The Swamp” and “Rudy’s Way” followed with Denson choosing to add his flute to the beautifully composed songs.  The addition of Karl’s flute to the sound of our favorite trio added another dimension of emotion to the songs.  They continued with “Shaheed,” off their 2001 album Doin’ Something where Karl’s flute provided a softness to the hard-edged song. Krasno raged his guitar till the strings broke and had to change to a new guitar and Neal Evans kicked a drum solo into the audience’s guts.

Alan Evans, Karl Denson, Big Sam, and Eric Krasno (Photo by Phrazz)

Alan Evans, Karl Denson, Big Sam, Eric Krasno & Nigel Hall (Photo by Phrazz)

Joining the foursome on stage next was Nigel Hall (The Warren Haynes Band) and Sam Williams (Big Sam’s Funky Nation). There can be no doubt that the danceable and excitable energy that Big Sam brings is something you can’t find in many artists. The New Orleans native, formerly the trombonist for the Dirty Dozen Brass Band, danced out on stage with his horn, picked up a stage prop that he had brought (his stuffed sheep named Harmony) and began to dance all around the stage. Nigel and Big Sam began grooving it together and the entire audience couldn’t help but beam over the energy of it all.  These are serious performances but it’s ALWAYS appropriate to have a good time and with just his presence; Big Sam will lift any crowd. The powerhouse of funk on stage slowed the rage down for the soulful, “Leave Me Alone,” sung by Hall. Karl Denson changed to his saxophone and kicked us a lightning fast solo to end the set.

Rage (Photo by Phrazz)

Rage (Photo by Phrazz)

Rahzel Set Break Set (Photo by Phrazz)

Rahzel Set Break Set (Photo by Phrazz)

Straying from the formula of the first two nights, during this set break the audience would not be staring at an empty stage waiting for the first set to start. Instead, Beat Boxer Rahzel, the “Godfather of Noyze,” came out to keep them engaged.  Watching the audience react to this amazing addition to the night was almost as exciting as watching Rahzel. Specialize in the “fifth element of hip-hop,” Rahzel’s instrument is himself and a microphone.  He is a vocal percussionist who uses his breath, mouth and body to imitate sounds, instruments and voices.  He projected unmistakable beats from the Wu-Tang Clan and Run DMC. He became a DJ scratching records, created a buzzing insect around his head and brought Optimus Prime (Transforms) to life on stage with his robotic sounds. His signature song, “If Your Mother Only Knew” is always the highlight of a Rahzel performance. Rahzel simultaneously sings the lyrics and works the beats. It is quite difficult to even comprehend how Rahzel does what he does!  AMAZING!

Rubber Soulive Album

Rubber Soulive Album

Before Beatle Mania could kick off the first set, Soulive joined Rahzel on stage and performed “I Am the Magnificent” and it was just that, magnificent.  The entire first half of the second set consisting of songs chosen off Soulive’s latest album, Rubber Soulive.  “Come Together,” “Eleanor Rigby,” and I Want You (She’s So Heavy).” The audience sang along to the first song while the psychedelic lights and trippy sounds emanating off stage for “She’s So Heavy” was reinvented through the jazz trio.

Karl Denson, Big Sam, Nigel Hall and Lenesha Randolph (Photo by Phrazz)

Karl Denson, Big Sam, Nigel Hall and Lenesha Randolph (Photo by Phrazz)

Questlove (Photo by Phrazz)

Questlove (Photo by Phrazz)

Big Sam, Karl Denson, Nigel Hall and now, Lenesha Randolph (Robert Randolph and the Family Band) joined the stage for “Too Much.” Randolph and Hall sang the up-beat tune while Karl and Big Sam took their turn at the mic delivering some of the hardest, funkiest horn solos that Bowlive audiences will experience this run.  They kept up the pace with Stevie Wonder’s “Signed, Sealed, Delivered” and Questlove (The Roots) replacing Alan Evans, who picked up a guitar.

Full Stage Rage (Photo by Phrazz)

Full Stage Rage (Photo by Phrazz)

The entire crew of Soulive and their special guests kicked off the end of the set with “Tuesday Night Squad.”  Big Sam dominated a 3 minute long trombone rage, Alan was back on killin it on the drums, Nigel was on the Bongos before heading over to Neal where the pair did a little dance, if you will, shifting back and forth past each other to manipulate the various levels of keys that Neal’s kit provides.  Hall sang James Brown’s “Beweildered,” a deep, soulful song that required Nigel to reach the top of his range, and then he walked off stage.  It was back into “Tuesday Night Squad” to close the set.

Nigel and Neal Rage the Boards (Photo by Phrazz)

Nigel and Neal Rage the Boards (Photo by Phrazz)

There was never really an encore because every musician on stage was so into the music and feeling the audience’s energy that they chose to just play through and give their fans that extra five minutes of music that every audience desires.

Download Night 3 Sound Board Audio Here!

In three days Bowlive III had now brought us jazz, soul, psychedelic rock, New Orleans funk, hip-hop and southern-style blues in only three nights. The following evening, the party continued with Karl Denson sticking around for a second night and Jennifer Hartswick (Trey Anastasio Band) joining with her funky trumpet and soulful voice.

Pictures by Phrazz

Videos by: I can’t believe there are no videos for this entire night. If anyone finds some, send them my way

Words by The Tiny Rager

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Introducing Sexual Chocolate!

Introducing Sexual Chocolate!

With the release of the Jam Cruise line up yesterday, I can’t stop thinking of the artist and how they impact our time on the boat.  Running into them in the elevators, having them knock on your cabin door when they hear the pop of a champagne bottle or laying down their food tray to have a leisurely meal with a fan in the dining hall.

As I looked at the line up, I noticed the familiar names.  There is always a George Porter project, an Eric Krasno project, a Karl Denson project.  The latter is the artist I have been thinking the most about.   I just missed two nights of a 3-set GreyBoy Allstars show at the Brooklyn Bowl due to being in the hospital taking care of my boy toy, Josh!

I met Josh at the Karl Denson Tiny Universe shows just about a year or so ago.  During Bowlive 2010, Josh and I actually got a chance to speak to him and thank him for helping us meet.  His response to us: “Just make sure you show me pictures of the children.” Classic Karl. Needless to say, he holds a special place in our hearts.

Karl’s name is yet again plastered as a Jam Cruise headliner, leading his project Karl Denson Tiny Universe.  It was on my first Jam Cruise, Jam Cruise 8, that I truly got to experience Karl Denson in all his glory.  But not as a member of The GreyBoy Allstars, not as a member of The Tiny Universe.  No, this project was called Sexual Chocolate.

Karl Denson rockin his wig!

Karl Denson rockin his wig!

With outstanding talent, worth ethic and enthusiasm, Karl Denson is one of the most respected men in the Funk music community.  Amazing us with his saxophone and flute skills, among other instruments, Karl Denson fronts bands such as Karl Denson Tiny Universe and GreyBoy Allstars! But have you ever heard of his involvement with Sexual Chocolate?

If you haven’t already watched it, go rent Coming to AmericaEddie Murphy plays many rolls throughout the movie but the best role was as the band leader of Sexual Chocolate. And who’s playing saxophone for this gnarly band?  None other than our beloved Karl Denson.

Jeff Coffin and others

Jeff Coffin and others

For many years Sexual Chocolate was out of commission but lucky for us, Karl Denson decided to breathe life into this fictional band by performing a funky Sexual Chocolate set on Jam Cruise 8 in January of this year.

Backing Karl on stage was an Allstar cast consisting of the members of KDTU, Debrissa McKinney (Josh Phillips Folk Festival), Jeff Coffin (Bela Fleck and the Flecktones), Ivan Neville (Dumpstaphunk), Jans Ingber and Liza Oxnard (The Motet).  A super special surprise came when legendary harmonica player Lee Oskar (WAR), a guest on the boat, came out on Galaxy, an actual WAR cover.

Lee Oscar, famous Harmonica player/designer

Lee Oskar, famous Harmonica player/designer

Please enjoy these funky and jazzy tunes which can be downloaded below!

Download music set here!

Karl Denson’s Tiny Universe ~ 01-07-10 ~ JamCruise 8 ~ Theatro Carlo Felice ~ MSC Poesia

1. …banter… (2:01)
2. Front Money (5:57)
3. Galaxy  (13:25)
4. Groovy Thing (5:15)                                                   
5. Fallin’ (6:06)
6. Flute Down (8:54)
7. Mighty Rebel (9:23)
8. Groove On (9:31)

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Thank you Cloud 9 Adeventures and MSC Crusies!!

Thank you Cloud 9 Adventures and MSC Cruises!!

There are music festivals and then there is Jam Cruise!!  A musical festival on a cruise ship that travels international seas for 5 to 6 days.  I said it last year and I will say it again now.  IT IS THE GREATEST MUSICAL ADVENTURE anyone can take.

Last year, I was at a complete loss for words.  It was my Virgin Cruise and I was awestruck by the magnitude of what I had just experienced.  Considering this was my second year, I thought the hype would be just a bit dimmer, I figured I would be a little less anxious and calm.  Nope!

Even now, while I could burst at the seams ATTEMPTING to explain these EPIC musical journeys, I find it so hard figuring out where to start. It’s all so unbelievable.  I could tackle these articles by day, or perhaps by subject regarding the atmosphere, the music or the people and so much more. I could write a five page article just on the relationship cultivations that took place this year.  There is just so much!!! And the fact that I only slept about 10-12 hours over the span of 5 days gives me an arsenal of memories to pull from.

Jam Cruise 9 Website Banner

Jam Cruise 9 Website Banner

Last year Tinyrager.com didn’t exist as it’s own site.  I wrote for other sites but mainly for my own personal cataloging of memories and would just save the documents on my computer.  So, after last year’s Jam Cruise, I began writing out my adventure and I never made it past the Sail Away Party.

My life took off before I could finish my personal Jam Cruise manifesto.  But I did make an attempt and the end result was all the glorious details about the embarkation line to the ship, the embarkation process, what happened when I explored the boat stumbling across the various venues and checking into my room with the gift bags and what not.  I wrote about everything I could remember up until the Sail Away Party….and then I stopped.

This year, I am going to continue where I left off at the Sail Away Party with a few backtracking steps.  There is no need for me to re-write the exact same information about the boat for this article. If you would like to know about all the things listed above then CLICK HERE!  The article is totally relevant to this one and worth the read and would help cement your mind if you are still debating on getting on the boat.  Jam Cruise staff actually found it last year and blasted it over their page a few times due to the comprehensive nature of the article.  So, enjoy that! It’s got great pictures too!

Now, let’s get this party started!!!

Hello Pretty Ship!! (Photo by Murray)

Hello Pretty Ship (Photo by Murray)

~ Boarding & Pre-Sail Away ~

Within MINUTES, sooooo much can happen to you on Jam Cruise.  This year, I boarded the boat in what felt like 15 minutes but was really a little over/under an hour.  As we get our room keys and begin the walk into the ship, I gaze to my right and Bob Weir is standing next to me. He pulled himself from the line and leans against the wall looking dazed, confused and very skinny. Had he been standing by us the whole time and we been too excited to notice?  He didn’t have an entourage and he looked so frail I guess it’s possible.  As my friends and I realized the magnitude of this moment, we all said “Hello Bob!” and he flashed us a forced smile.  I couldn’t tell if he was happy or sad but I knew how we felt! FREAKING STOKED!!!

A few more feet through the line and we were shuffled into the section where you get your boarding pictures taken. You could purchase the pictures for $30 if you wanted, but whoa that is a lot.  However, in the group behind us, Steve Kimock jumped into the picture.  Now THAT is a $30 moment worth purchasing!!  And there you had another group of people whose minds were just blown and we hadn’t even made it on the boat yet.  Sadly, my hunt for these pictures has come to a dead end. They are gone once you leave the ship.

Before all hell broke loose :) (Photo By Murray)
The NYC Krewe + some before all hell broke loose 🙂 (Photo By Murray)

I was in line with two of my best friends from NYC and we were in different rooms. Once we boarded the boat we separated so I could take my luggage to my room and unpack as fast as possible as not to miss a moment.  I was wearing my Big Sam’s Funky Nation tee-shirt, READY for the Sail Away Party. READY to see my main man Big Sam.  As I step into the mirrored elevator with my luggage, I was covered by this giant shadow of a man who had followed behind me.  And as I turn around, I am embraced by none other than Big Sam. Having reached out to me after he saw one of my reviews of his show, he flashed a smile that melted me as I got a huge hug! What a super duper dude! I will have TONS to say about him later in these articles.

(Photo by Jeffery Dupuis)

(Photo by Jeffery Dupuis)

Last year I was in the Singles Program.  The layout of my room this year was exactly like last year except that I was now with two friends I had met on my virgin cruise: Aaron and Victoria, a super cute Jam Cruise couple who completely enhanced my journey. Thank you both for being such wonderful roommates.    I entered an empty room and unpacked as fast as I could. When I walked out of my room, I just didn’t know which way to turn. There were SO many people I wanted to see who I hadn’t seen since last year’s journey and whose relationship was cultivated through Facebook over the year as we waited patiently to all be together again.  There was so much I wanted to do all in one moment but I knew where I needed to be.    This year, I had a krewe from NYC on the boat and one of them was a virgin, my dear sweet friend Jessica.  I wanted to see their room and be with her.  I just wanted to watch her take it all in because that must have been what I was like last year with my jaw on the ground.

Jam Cruise is over but we know that time will last forever. From the minute I walked into 10242 there was nothing but LOVE. Jessica who I’vereally never met treated me (and everyone) like I was a saint or angel or something. We constructed the door decor (bonding) and the RAGE was on ! Off to Eric’s to gather the troops and start the search for the bottom of the tequilla bottle. A short time later we were off to the pool deck to find the angel Karen has been talking about: Hillary! ~ Murray Ballz

~ Door Décor Competition ~

Sharon & Said's Decor!!  (Photo by Richmand Images)

Sharon & Said's Decor!! (Photo by Richmand Images)

As I entered their room, the faces looking at me were already more shiny and sparkly then when we had left in line.  The Jam Cruise blood was flowing through their veins. Their room was bigger with a balcony.  It’s always good for SOMEONE in your rage krewe to have a balcony! They had taken out all the makings for their door décor and were attempting to assemble it.  Their concept was beautiful.  Using pictures of multiple artists and groups that inspired them, along with artists that couldn’t make it on the boat as well as pictures of allllllll our friends and families who couldn’t make it on the boat, we were to create a collage covering the door and then we placed a mirror in the middle.  On the mirror’s top it read: “We are all on board together.”  On the mirror’s bottom: “And so are you!” So, that when you look into the mirror, everyone is together, connected somehow on board together.  I loved it!

A typical hallway on Jam Cruise (Photo by Chad Smith)

A typical hallway on Jam Cruise (Photo by Chad Smith)

(Photo by Murray)

(Photo by Murray)

We spent a few hours cutting pictures, tapping things.  The rest of our NY posse rolling through the room to say Hi and get the best hugs in the world.  This also began the utilization of the deck for party breaks which, as time passed, began making it hard for us to focus and use tape correctly HAHAHA!!  The mirror began messing with my head; Rob couldn’t roll a piece of tape to save his life! It was awesome! Oh, you should have seen it.

During this time, the magic of the boat presented itself to us with the introduction of Rob and Jess’s neighbors.  When we ran out of tape, they came right in for the rescue. When we needed writing done for the mirror, they were right there with a solution and Maker’s Mark on the rocks. No matter what you want, you get what you NEED on Jam Cruise! From masking tape to enlightenment.

Putting "our" door decor!! (Photo by Murray)

Putting "our" door decor!! (Photo by Murray)

The final product was perfect. A door COVERED with people and musicians we love that couldn’t be on the boat with us, yet they were, even if it was only in this small way.  Throughout the week, any number of our NYC posse could be found sitting on the floor starting at our door. Staring at our loved ones, staring at Jerry and Janis.  Personally, I was found passed out with my hand on the picture of myself and my boyfriend on the first night and was guided back to bed for what would be the only night I would sleep in my cabin!!!

And in terms of what door enhanced my JC experience the most??   Door number #9211.  This door was covered in 3D pictures from last year’s Jam Cruise.  There were numerous 3D glasses attached to the wall by string so you could see the pictures.  It just got cooler every time I saw it. And at one point, I didn’t even NEED the glasses to see it in 3D.  So, anyway, TINYRAGER award to Room #9211 for making us go OUT of our way at least 2 times a day to check out your door!

Forum Party/ Sharon's Birthday Rage! (Photo by Rex-A-Vision)

Forum Party/ Sharon's Birthday Rage! (Photo by Rex-A-Vision)

Once we finished the door we  realized that we missed the forum party on the pool deck.  They had gathered to give Sharon R. a proper Happy Birthday.  I am so sorry I missed this Sharon!  Love you! And now…it was time for the Sail Away Party!!!

Jam Cruise Day One Schedule!!

Jam Cruise Day One Schedule!!

~ Big Sam’s Funky Nation / Sail Away Party ~ Pool Deck ~

Photo By Rex-A-Vision

Photo By Rex-A-Vision

The wonderful Julie McCoy (Photo by Chad Smith)

The wonderful Julie McCoy (Photo by Chad Smith)

The Sail Away Party is phenomenal and truly defines the rest of the voyage.  Julie McCoy, the ship’s activities coordinator/manager/queen bee, comes on to the stage.  Free champagne is distributed amongst the cruisers lining the pool deck and The Captain and Julie McCoy toast us off on our journey.  Then the horns blow and you now know…the party has OFFICIALLY begun. As well, Sweet Water Brewery gives out free beer at during this set, wonderful news for the alcohol drinkers, if you like their flavors!

Photo by Rex-A-Vision

Photo by Rex-A-Vision

I walked to the front row with my friends, toasted, and then stepped away for a moment alone. I was alone on the top level of the Pool deck last year for the beginning of Trombone Shorty’s Sail Away Party and I wanted to be in the similar location and just be alone, connecting with the ship, for a few moments.  If you read my post from last year, you know the turmoil I was in before I boarded this magical vessel that changed my world.  So, I walked up to my sacred spot, snapped a picture of the amazing sight I was staring at and took one giant breath. Upon exhaling that breath came SO MANY tears, I almost collapsed.  The flood gates opened upon the realization that I was back. I was back in this music world; this musical WONDERLAND that completely CHANGED MY LIFE! And this year was going to be SO different than last year.

~ Big Sam Sail Away Party~ Raging Audience Shot from Stage ~

Photo By Rex-A-Vision

Photo By Rex-A-Vision

After letting the tears flow for 2 songs, I gathered myself, with the help of a few people around me, and went back down to the front row, puffy faced and all smiles.  For those of you who don’t know much about the boat or who are not large into the music scene, the front row is where it’s at.  I was greeted into the front row where all the best people reside in most musical scenes, let alone Jam Cruise. But I suppose I need to talk about music here at some point right?  Wasn’t this a music festival on a ship?

THE FUNKY NATION:

Big Sam– Trombone
Danny Abel – Guitar
Eric Vogel – Bass
Drummer Boy Milk Williams – Drums
Da Phessah Drew Baham – Vocal/Trumpet

Not so great mobile pic of the View from my "alone" spot (Photo by TinyRager)

Not so great mobile pic of the View from my "alone" spot (Photo by TinyRager)

I have seen Big Sam numerous times throughout the year. I was worried that his Sail Away party would be the same formulaic shows that I had seen him perform over the year.  But that wasn’t the case.  Where there was a similar flow to it all, Big Sam covered some great songs, added some new dance moves…they just brought us a new show and the audience ate it right up.

Photo by Rex-A-Vision

Photo by Rex-A-Vision

During the fourth song, the ship’s debarking horn blew, the pool deck erupted with cheers and we started moving.   Immediately, the heavy hitters started joining the party.  If nothing else, Jam Cruise is about the various musical combination of artists you can find  performing on the boat. You NEVER know who is going to sit in with whom.  In this case, Leo Nocentelli (The Meters) joined Big Sam for “Gonna Get Funked Up Tonight” and Fred Wesley (JB Horns) followed for “See Me Dance”.

~ Big Sam Sail Away Party~ Top of Pool Deck Perspective ~

Now, The Funky Nation is know for their ability to rage cover songs as well as create new edgy music. Throughout the set he blew some heat into Gnarls Barkley‘s “Crazy”, The Black Crowes/Otis Redding‘s “Hard To Handle”  and their final song of the set was a mash up of Cee Lo Green‘s “Fuck You” and Lady Gaga‘s “Bad Religion”.  This moment was special for me because when the song first came out, Josh and I literally blasted that Cee Lo Green song for a month straight every morning while getting ready for work.  The song is hilarious and the video is even more so.  In this moment, I looked around the pool deck and saw people kinda staring blankly.  Except for a few people, they didn’t recognize the song.  The entire set lived up to it’s expectations.  It was high energy, full of flare and raging rock funk.

Set List:

01. Intro
02. ?? (jam/instrumental)
03. Feelin’
04. King of the Party
05. ?? (instrumental)
06. Gonna Get Funked Up Tonight
07. See Me Dance
08. Big Ole Booty
09. Hard to Handle
10. Do Watcha Wanna > Everybody Needs Someone to Love > You Are My Sunshine tease > ??
11. Dance Floor
12. Up In Here >
13. jam >
14. ?? >
15. Crazy > Get Low >
16. band intros/banter >
17. Fuck You > Bad Romance tease

Download Big Sam’s Funky Nation Set

At this point we had half an hour until any music started. Being that this was the first night, I can’t believe they had lulls but this year’s scheduling seemed to be staggered differently so whatever. Gave us time to debate!  The options were:

1) Bob Weir‘s Scaring The Children on the Pool Deck (9:30pm-11:30pm)

2) Greensky Bluegrass in the Zebra Bar (9:15pm-10:45pm)

3) Robert Randolph and the Family Band in Teatro Carlos Felice (9pm-11pm)

Already, my heart was racing with the fact that I knew I would be missing things I didn’t want to miss.  This year, I knew I would be spending a significant amount of time the first few days cultivating relationships and so I made a point to schedule the music I loved but also plan to hang out where a large percentage of my Jamily might be.

Most of the performers have two sets over the course of the week so I was ok with missing things here and there and catching them later.  In general, the inner turmoil for me over what music to see is the most stress I feel on that ship.

Carlos Felice Theater! (Photo by TinyRager)

Carlos Felice Theater! (Photo by TinyRager)

I took off for Robert Randolph and the Family Band, riding on a cloud.  When I got there, the theater greeted me with all its purple and gold majesty.  This is my favorite venue on the ship. Again, you can learn about the ship from last year’s posts.  But I will tell ya that the purple and gold colors are beautiful and remind me of my college, there are two levels to rage on, the elevated steps in front of the stage are perfect for our drinks, extra costume accessories like boas, hats and what not.  The stairs are also rounded and this allows for a much larger front row throwdown.

I got to the theater and no one was really even in there and the roadies were still setting up.  Speaking of cultivating relationships, I met a lovely twin set named Cindy and Mindy, who inevitably raged the front row with the best of us the whole cruise. Rage on ragers. Big hugs to you both!

(Photo by Rex-A-Vision)
(Photo by Rex-A-Vision)

~ Robert Randolph and the  Family Band ~ Theatro Carlo Felice ~

Robert Randolph – Pedal Steel, Guitar and Vocals

The Family Band:

Danyel Morgan – Bass and Vocals
Marcus Randolph – Drummer
Adam Smirnoff – Rhythm Guitar
Lenesha Randolph -Vocals
Brett Haas – Keyboards and Guitar

Special Geusts:

Eric Krasno – Guitar
Big Sam – Trombone
Ivan Neville – Keys
Taylor Hicks -Vocals & Harmonica

(Photo by Rex-A-Vision)
(Photo by Rex-A-Vision)

As I sat there, making new friends, old ones started arriving.  Said and Sharon’s smiling face made their way to our side of the theater. (Thanks to Said for the RR&TFB set-list below).  Then one by one the Jamily krewe gathered until we were 25+ deep on the left side of the stage. Oh, how I just want to talk about all these lovely people, not the music. It’s insane.  But that is not the purpose of this so…

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Having seen Robert Randolph and the Family Band a few times this year and being disappointed in the performances, I was PRAYING that he would kick it back to his roots and focus on older songs, perhaps melt our faces without playing Lady Gaga tunes to fill time.  Perhaps give us some great covers; perhaps show us some great collaborations.  And that is exactly what they did.

Blasting off his set with “Ted’s Jam,” he shot me right back to ten years ago when I first found Robert and Danyel at Star Hill in Charlottesville, Virginia.  The newest addition to the clan, Lenesha Randolph, was on stage, backing up her brother.  I am still weary on her talent.  I won’t say anymore regarding that topic.

“The March” is one of my all time favorites Robert debuted years ago.  I was right up front with my musical posse and when Robert got off his seat and started dancing for us, we all knew the dance and joined along.  He asked us to teach those around us but he was doing a fine job wiggling his body for us….mmmmmm. And Danyel‘s bass thumped away. I am absolutely IN LOVE with Danyel and his voice.   Always have been!

A re-worked “Thriller” cover saw Eric Krasno and Big Sam join the stage and over the remainder of the set Ivan Neville and American Idol’s Taylor Hicks, yup Taylor Hicks, also joined the stage.


“Tears of Joy” brought the blues to an otherwise raging set and my faith in Robert Randolph and his family, however swaying it may have been hours earlier, was restored and his #1 fan was back on top, in the front row, loosing her mind!

Set List:

01. Ted’s Jam
02. ?
03. ?
04. The March
05. ?
06. If I Had My Way
07. Deliver Me
08. I Miss My Girlfriend (Her Name is Molly)
09. Thriller Jam
10. I Need More Love
11. Voodoo Chile
12. Tears of Joy
13. Traveling Shoes

Download Robert Randolph and the Family Band Theater Set

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

As soon as set ended, I hightailed it to the Pool Deck to check out the remainder of Bob Weir‘s Scaring The Children.  I ended up on the upper deck looking down at the sea of Dead heads who were staring doe-eyed at Bobby and Co. The wind was blowing warmly over my body as I realized we were so far from land now I couldn’t see lights.

I gave Bobby as much time as I could before wanting to leave.  Personally, I thought it sounded pretty slow and that is not a bad thing, I just needed something more to move to.  I wish I could recall the song that was playing.  Even though it was tough for me to look at Bobby, as all I could imagine was the scene from Indiana Jones where the guy takes the sip from the wrong chalice and his skin melts off,  it appeared that he was giving the people what they wanted.  Smiles abounded on the faces below me and I just knew that Jerry was smiling down upon the ship.

(Photo by Jeffrey Dupuis)

(Photo by Jeffrey Dupuis)

So, after Robert Randolph‘s set, we were faced with more difficult choices.

1) Pimps of Joytime in the Zebra Bar (11:00pm-1:00am)

2) Karl Denson’s Tiny Universe on the Pool Deck (12:30am-3:00am)

  • Sadly, I can not find a link for this set. If anyone finds one, please pass it along to me.

3) Anders Osborne with Stanton Moore and Carl Dufrene in the Teatro Carlos Felice (11:45pm-1:15am)

Having just seen Karl Denson’s Tiny Universe numerous time over the past year and just a few days earlier as the Phish After Party on New Years Eve, I decided to skip KDTU on the Pool Deck and focus on the Anders Osborne set.

Performing on same stage as Robert Randolph, the Anders set was going to take a little time to prepare as they transferred over the equipment.  I used this time to gather my thoughts, fill up my water bottle and grab a bite to eat. I don’t want to go into the food just yet…too stressful.

(Photo by Michael Weiss)

(Photo by Michael Weiss)

~ Anders Osborne with Stanton Moore and Carl Dufrene ~ Teatro Carlo Felice ~

(Photo by Dave Vann)

(Photo by Dave Vann)

I had missed Anders Osbourne the few times he made his way through NYC the past year and having seen him in the past, I KNEW he would rip up whatever stage he was on with his rouge, wild, rockin’ New Orleans vibe.  That is exactly what I was looking for at this time in the evening.

His back up band was a force to be reckoned with.  Joining  the stage this set was:

Anders Osbourne – Guitar and Vocals
Robert Walter – B3 Organ
Carl Dufrene – Bass
Stanton Moore -Drums

Special Guests:

Scott Metzger – Guitar
Will Bernard – Guitar
Skerik – Saxaphone

(Photo by Michael Weiss)

(Photo by Michael Weiss)

This set was complete fire!!!  I mean absolutely out of control, rock-laced guitar shredding jams, backed by outrageous solos by Skerik and added guitar layers by way of Scott Metzger and Will Bernard.  At the time, it was my favorite set of the night and in hindsight, it is in my top five sets of the week.  The inclusion of Skerik‘s hyper-driven saxophone layered upon Anders songs was, well……take a look at this….seriously.

Set List:

1. Tuning
2. Love Is Taking Its Toll
3. Echoes Of My Sins
4. Darkness At The Bottom
5. Burning On The Inside
6. Got Your Heart
7. Me Donkey Want Water

Download Anders Osborne Theater Set

(Photo by Dave Vann)

(Photo by Dave Vann)

And here we were back having to make decisions!!

1) Papadosio in the Zebra Bar (1:45am-3:15am)

Set List:
1. Utopiate
2. Unparalyzer
3. Magreenery
4. Bionic Man
5. All I Knew
6. Method Of Control
7. Cue
8. Polygons
9. Eyes Have Eyes

2) Stockholm Syndrome in the Teatro Carlos Felice (2:00am-4:00am)

3) Nutritious in the Disco (2:00am-6:00am)

4) AND THE LAST CHOICE!!!!  The Jam Room: Hosted by Tony Hall (12:00am – 6:00am)

Now we come to the greatest and grandest part of the Jam Cruise experience. THE JAM ROOM!! Each night, a different musician (generally a guitar player, keys player or bass player) hosts The Jam Room.  The Jam Room is a entertainment space located in the rear of the ship where these musicians play host to who ever wants to join them on stage.  Sometimes, there are pre-arranged gatherings or sometimes a musician just jumps up for a song and adds to the insanity.  Always, there are free jams, group rages and it’s all off the cuff improvisational jamming.

~ The Jam Room with Host Tony Hall ~

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Tonight’s Jam Room host was Tony Hall, New Orlean’s Dumpstaphunk bass player. Tony is one of the most charismatic musicians around.  He is always invested in engaging with his audiences, making faces, pulling girls on stage, dancing with the audience.  He is one of my favorites in that aspect.

Sadly there is not a lot of footage from the Jam Room to show you.  Many Cruisers had already gone to bed to save their strength while others were raging so hard they couldn’t manipulate a camera or video device to save their life.  But I can tell you that it was a RIPPING good Jam Room.

It was an epic moment lost on the winds of the ocean and remembered only by those that were present… ~ Ananda Atmore

Tony Hall was backed by many of his bands mates from Dumpstaphunk to include:

Ivan Neville – Keys
Nick Daniels III – Bass
Raymond Weber – Drums
Ian Neville – Guitar

Other Guests:

Big Sam – Trombone
Nigel Hall (Lettuce/SCFJ)- Keys
Danny Louis (Gov’t Mule/Stockholm Syndrome) – Keys
Eric Krasno (Lettuce) – Guitar
Adam Deitch (Lettuce) – Drums
Ron Johnson (SCFJ) – Bass
Zach Deputy – Guitar
Roosevelt Collier (The Lee Boys) – Pedal Steel Guitar

There was so much happening on stage there is no way to recall it all.  One of the last songs played in the jam room that night was Jimi Hendrix‘s “Hey Joe”. The Lee BoysRoosevelt Collier jumped up on stage and confused the hell out of us as he was only a passenger on the ship thus year!  SO FUN when things like that happen.  You know it’s a good time when other musicians pay to get on board.

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Tonight would be the only night that I came back to my room to sleep.  The theme one must know and get to embrace on Jam Cruise is: “It’s a marathon, not a sprint!” It appeared that everyone had taken that creed to heart as I wondered around the pool deck wondering where everyone was.  Where were the late night jam sessions and/or drum circles on the pool decks?  Where was Brock Butler playing his acoustic guitar to the people watching the sunrise.I am sure that they were somewhere, I just never stumbled upon them. It was destiny, however, because after raging the Unofficial Pre-Jam Cruise party at the Days Inn Bahia Cabana Beach Resort the night prior, I was exhausted.  I decided to watch the sunrise with my NYC crew and hear how our virgin cruiser Jessica B. had enjoyed her first night.

As I looked over the balcony, lost in the wake of the ship, my friends and I smiled at each other.  We watched the wake of the ship hit the tip of the horizon and we knew there was no turning back. We were together on this epic musical journey and there were so many adventures to be had.  I took myself to bed around 7am but not before touching the faces of all our family and friends that lined the door decor, wishing they were with us.  Sleep was needed as we had a full day at sea tomorrow.  I couldn’t wait to see what was in store for us when we final rose again.

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10/29 - Poster by Nate Duval © Phish 2010. New Jersey Eastern Goldfinch.

10/29 - Poster by Nate Duval © Phish 2010. New Jersey Eastern Goldfinch.

Halloween is my favorite holiday! Hands down!  The creativity, the energy, the raging, the musical performances, the underlying scary vibes. It’s an excellent excuse for a party and that is what most in the music industry believe as well.

Hallorage Time!

Hallowrage Time!

Numerous bands and musicians rage their individual Halloween performances all over the nation and expectations are always high.  For the past few years I have spent Halloween in the mecca of the holiday down in the East Village in New York City.  However, this year I would be following only one band and it would take me out of one city and into another.

Phish. Halloween. Atlantic City. Four words that established one of the most amazing, unpredictable, energy-filled weekends in my musical history.

Atlantic City Skyline!

Atlantic City Skyline!

Let me just list a few things for ya here right quick!

Halloween Weekend in Atlantic City = YOUTH POSSE!!!, The Borgata, Phish @ Boardwalk Hall (3 nights), after show performances by Karl Denson’s Tiny Universe (Friday), Marco Benevento (Sat) and The Heavy Pets (Sun), house parties, 30+ friends gathering from around the NATION, good food at fun restaurants, Casinos, raging Halloween costumes, contests, spa treatments, Led Zeppelin rages, Little Feat rages…and the list goes onnnnnnnnn!

The Departure

I could barely sit still at work. I walked into the Arsenal by 7am just so I could put in a full day of work before leaving at 3pm for one of the greatest rages of the year.  My crew (2 adults and the YOUTH POSSE = four raging HS juniors we were chaperoning for the weekend) gathered up our gear, headed out of our respective homes, jobs or schools and collected at 88th and Madison with fireworks coming out of our ears .

Yukon Denali

Yukon Denali

While most people were taking buses, trains or caravan-ing with their friends, we were riding in style in a big black Yukon Denali arranged through a car service. (THANKS MATTT!!)  The ride to the show was a highlight of the weekend, I must say.  Sitting in a car with our four raging high-school charges, listening to their hilarious conversations, participating in a few and being shocked by others.

It was (and always is) great spending time connecting with our favorite young ragers.  It’s just so humbling to be around these wonderful young adults.  They are smart, funny, well-mannered, sober, non-rebellious, beautifully spirited young adults. They are also members of THOR!  Check it out! They truly give me hope for a future where so many kids their age are little bastards. I’m just saying, I live in NYC.  Most of the kids I see/meet are seriously brats.

The Arrival

The Borgata in all it's purple glory!!

The Borgata in all it's purple glory!!

We debated constantly whether to go to The Borgata, our lovely accommodations for the weekend, first to drop off our belongings or head straight to Boardwalk Hall so we didn’t miss the opener. Luckily, we made it in plenty of time to check in, or so we thought.  As we arrived at the giant purple glowing Borgata, the lines were horrendously long, there were Phish heads scattered around the lobby but not many. Our lodging would be a 5 minute taxi ride from the venue but almost everyone else we knew would be occupying casinos surrounding Boardwalk Hall.

So, we left all our things with the Concierge and would deal with it all after the show. This was a bit of a rush and, of course, we all left things behind.  Most important thing I left: my camera.  GRRRR!!   Alas…so many of the pictures you see throughout this article will be from my friends, other websites, etc.

Will-Call/Entry

I lead the Youth Posse to Will Call to pick up our laminates and tickets for the weekend.  Josh went to the flag poles, which would become the meeting point for everyone all weekend.  While handling the ticket situations, which was quite unorganized, a security guard whispered in my ear about drugs.

“Hey! Ppsstt! You looking for some pot?”

“What? Huh? Nah, I’m sorry. I don’t have any.”

“Nah, Nah! I am looking to sell YOU some!”

“Seriously? You are a security guard and I am here with 3 kids. Back it up homie!”

And with that I turned my back and we were off to the flag poles.  The entire exchange blew me away as I had just read the article about Atlantic City cops going undercover at Phish shows to see what they were up against earlier in the week. Here this guard was, trying to deal. Unreal!

Picture by David Vann (2010)

Picture by David Vann (2010)

I am so thankful I never had to deal with the general population entrance to the show.  The set-up was as disorganized like a five lane highway under construction merging into one, bottle-necking at the mouth of the gate where security guards yelled at everyone to hold up their tickets.  To be clear on the disorganization, I had a friend, with a ticket, who made it in without his ticket being scanned or his person being searched. We miracle someone with it during intermission!!  I later came to read about Phishheads crashing the show on Halloween dressing up as security guards and sneaking in as well.

Phish Atlantic City: Friday (10.29.10)

It was a sold-out show but people were pretty much giving their tickets away Friday night.  The ticket situations are super intricate sometimes. People spending hundreds to get into certain shows, doing things I would never do to see a live performance of a band.

Boardwalk Hall Seating

Boardwalk Hall Seating

Friday: SET I

Picture by David Vann (2010)

Picture by David Vann (2010)

After helping/making sure every one of our friends were taken care of, we finally entered the building. We popped into our seats in Section 103 easily enough, the isles already getting packed.  Within minutes of getting to our seats, the lights dimmed, the band walked out and the weekend had OFFICIALLY begun.

Without a beat, all four Phish members surround a microphone situated at the front of the stage and went into a barber shop quartet-style, acapella Star Spangled Banner.  That is the first time that I had ever seen something of this sort at an event other than a sporting event.  I looked to my right and a MASSIVE American flag was hanging at the end of the venue. I wondered if I would have ever noticed it if we hadn’t sung that song.

Having finally gotten to our seat, the show beginning and everyone situated, I collapsed into my seat.  I was completely exhausted.    The excitement of the week leading up to this adventure, the ride to Atlantic City and finally getting things into place for the weekend.  Man oh man, the weight was lifted and I just collapsed.  I took this time to reflect on the venue.  It was gorgeous.

The inside of the gorgeous Boardwalk Hall

The inside of the gorgeous Boardwalk Hall

The bluesy My Soul started off the music, getting us into our dancing shoes.  AC/DC Bag had me on my toes, thinking of my buddy who had been hoping for the song last weekend in Amherst, Mass. The playful, bouncy melody of Ocelot filled our ears as Trey gave us the usual guitar jam in the middle while Fishman slammed our ears with some high-style drumming. It all just brightened up the room a little bit more.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Sample in a Jar, a personal favorite from my teenage years, played but the whole set was still lying a little flat for me.  I was assuming it was because it was Friday and they were saving their energy for the next tw0 nights.  But then, they released themselves upon us. The highlight of the set, IMHO, Light Up or Leave Me Alone, (a Steve Winwood/Traffic cover), rocked everyone’s heads OFF.  AWESOME cover. With Page on vocals and Trey’s jams, they overly entice us to boogie on down.  Page…oh Page!  I just love you. The lights, as always, amazing.

Sugar Shack and Timber (Jerry) were just ok. I like Timber to a point, the chorus is fun to sing along with and roll your body along to the tune.  It’s a decent song that my friend would call an Intermezzo Phish song, giving the audience time to run to the restroom or the beer tent.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Axilla into Rift highlighted Page on his piano and rocked out Fishman on the drums.  This is such a rager of a duo.  The beginning of Axilla simply throws your body into gyrations and it was around this time I found myself starting to head bang in my seat.  I needed to get out of the confines of these bleachers. Not a big fan of them singing during this song but I LOVE the chorus including the guitar rift and the drumming rages.

That super sped-up Axilla (for which I was front row center). Damn, that was hot. Headbanging at Phish shows isn’t usually the protocol, but I can’t resist Axilla! ~ Karina R.

It’s all about the Rhythm section folks. DAYUM! A funky unfinished The Moma Dance into Cities (a Talking Heads cover) had everyone dancing and singing along. The second highlight of the first set for sure.  Tight, funky and fierce.

Continuing the flow from Cities, they took it right into 46 Days as the set closer.  Great high-energy jamming continued on by Trey, Fishman ripping the drums apart, Page slamming down on the keys and Chris Kuroda‘s lights were SUPERB! It’s absolutely amazing watching a light tech do his job, flowing with the music as if he is an extension of the music himself.  110% love me some Chris Kuroda. This was a great ending to the first set. Some argue, the best jam of the weekend.  I’ll let you decide on that one.

FRIDAY: SET II

I was officially hungry for more. The first set of seven for the weekend had ignited my energy.  Where there was once a tired version of me, there was now a bouncing, giggling girl realizing what the hell was standing in front of her. This is what was surrounding….I mean, come on!

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Magic Key to my Magic Weekend

The Magic Key to my Magic Weekend

I needed some air and to get away from all the smoke during intermission so Josh and I explored, using our laminates to find the best way outside as it was a non-reentry show.  I was so thankful for these wonderful bits of magic around our necks for the weekend. I absolutely needed and was able to utilize the fresh air many times that weekend which enhanced my overall comfort throughout the shows. That was great.

As we returned from the cold night air, we walked around the venue to take in the sights.  People were in costumes, running around like chickens with their heads cut off, standing in beer lines, bathrooms lines or just in piles leaning against the walls with friends escaping the hot, smoky inner belly of the venue.

Having missed most of the piano-heavy Punch You In The Eye, we heard the funk going down in Sand beginning to play, a gorgeous song about what it is like being a piece of sand in an hourglass.  We ran into the closest tunnel that would take us to the song, ending up in the very back of the theater.

Slide and let the silicone
Embrace you as you fall
Then bounce and land you let
Your brothers crush you to the wall

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

The light show was spectacular from back there.  The balls flying throughout the floor were so tiny but the whole scene looked so magnified, I was completely overwhelmed.  Sitting closer to the stage, you loose an ability to fully take in the light show.   You loose the magnitude of the venue because you are not looking behind you. Sometimes, people don’t get to experience the magnitude of the space, the energy backing up on all sides.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Sand segued into an unfinished Carini, a little sloppily but the crowd was so pumped they didn’t seem to mind.  It was a  great light show but I felt like I have heard some cleaner, smoother versions of this song. The energy, however, was relentless.   You’ll wanna check out the lights in the video! 🙂

I was walking down the steps towards the GA Friday night when Sand segued into Carini. It was MADNESS. Some guy through his Philly cheese steak up in the air, and I couldn’t move a foot, as everyone had stepped into the aisle to boogie down. I actually thought it was Zeppelin’s Kashmir for a second…interesting foreshadowing! ~ Karina R.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Mike’s bass dominated my ears during Prince Caspian.  Another favorite of mine albeit a little dull at times.  There so many places this song could go in a jam.  Where as Trey didn’t really bring it home, it was a high energy moment in the venue and it was laid out nicely enough.  The lights, the balloons and balls floating over the audience were stunning.  The taper of the videos I am using was in a great centralized location for this show, right?  Great view! Great videos!

Then a song began that I was unsure of until my friends blasted it out before my mind had time to register it. “Los Lobos?” cried one. “No, it’s not!” cried the other. Coincidentally, both were right.  The Taj Mahal cover Corinna was next but Trey teased When the Circus Comes before the count off that threw my musically knowledgeable friends for a tiny little loop. There were a lot of teases throughout the night which I could have written down but I was having too much fun dancing with my friends!

Corrina is a rarity that they’ve been busting out once a tour since New Years 2009. First night was a great warm-up for what was to come. ~ Erika V.

Piper. I am pretty sure this was my first Piper live and I LOVED it.  The intro was fun and it got fast…quick. They were on it here.  Chris Kuroda‘s lights once again stealing my eyes away from the band.  They blast into hyper drive and Trey’s solo begins.  Page’s keys driving it at times.  One of my favorite songs of this set for sure.  And it went into my second favorite song of the set…..

Right into Theme From the Bottom.  Perhaps not the most well-played song of the night, but Chris Kuroda‘s light work on this song was phenomenal. Making the sea of people on the floor look like an ocean of fun I just wanted to jump into. Blue lights radiating off the walls like waves, I swear my face melted a little bit.  The glow stick war that exploded during the crescendo was a favorite moment to top it all off!  Just a great song that threw me back into the seat of any number of my friend’s  car driving around in the 90’s in high school.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

The face melting continued during Golgi Apparatus.  The energy was lifted up and glow sticks went everywhere during the “ticket stub” line.  And then the slow jam that I was wishing would speed up to keep us raging hyper.  Which eventually, it did.  I loved this song mainly because of it’s lighting effects and the speed at which things can change up.  And there is nothing better when the entire place erupts during a climatic point in the tune.  I SAW YOU WITH A TICKET STUB IN YOUR HAND!!! Glow sticks everywhere.   The lights catching them as they fly into the air.  JOY KILL MOMENT: To the people who throw them UP into the stands…STOP! Unprofessional raging!  Throwing them down is as dangerous as it needs to be.  Projectiles coming AT our faces tend to cause more damage then a few sticks hitting you on the head coming from the stands.  Saw a poor girl get one to the eye during this song.   She was ok, albeit a few tears down, never fear 🙂 Tour kids are tough!

The first half of Slave to the Traffic Light was a bit slow for my taste but the second half…magic. Slow but lovely.  I remember closing my eyes, taking in the energy around me, swaying in tune with my friends surrounding me, the lights slow and soft.  I raised my hands in the air and it felt slightly like a spiritual moment. Uplifting music is all I ever ask for.  Tinkling piano keys brightening up the bass sounds and Trey just raged the song…fully delivering it at the end.

Rocking Fluffhead, but when is it not rocking.  I do feel like I have seen this song performed at every other show I have seen this year but I wasn’t going to complain because it’s fun.  Lovin Cup (a Rolling Stones cover) was delivered as the encore.  This high-impacting song blazed through the arena.  Everyone singing along, jumping everywhere, the floor a massive earthquake.

I just remember hearing ‘loving cup’ for the first time on Friday. This has been one of my favorite Stones songs forever and hearing the guys play it couldn’t help but put a smile on my face. That encore reminded me that Phish is about more than an exploratory jam; a sense of love and happiness was in the air that night. What a beautiful buzz. ~ Matt L.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Friday definitely got us warmed up for what was in store that weekend. That’s not to say that Axilla and Corinni wasn’t hot, hot, hot. I love a full sound with heavy beats and high energy! ~ J. Bach

Friday’s performance is being greatly over looked by many people I believe. Overall a slow start to a raging weekend, the show blasted us with one hell of set list that brought the energy up just enough to tease us and keep us on our toes for the following night. Of course we would want more energy tomorrow. Of course they would need to bring it tomorrow. Phish knew this and it was nice to see them withhold a few things because what we were about to be delivered the following two nights were beyond anyone’s imagination, predictions and dreams.

Friday started slow but eventually got quite jamming. At the end of the show I leaned over to Isaac and said, that was a tasty appetizer. ~ J. Raskin

Friday Setlist

Set 1: The Star Spangled Banner, My Soul, AC/DC Bag, Ocelot, Sample in a Jar, Light Up Or Leave Me Alone, Sugar Shack, Timber (Jerry) > Bouncing Around the Room, Axilla > Rift, The Moma Dance > Cities > 46 Days

Set 2: Punch You In the Eye > Sand -> Carini > Prince Caspian, Corinna, Piper > Theme From the Bottom > Golgi Apparatus > Slave to the Traffic Light > Fluffhead

E: Loving Cup

DOWNLAODING INFORMATION AS PER PHISH’S FACEBOOK PAGE

Included in the ticket price for each date on Phish’s Fall Tour, is a free MP3 download of the entire show (a fully mixed soundboard recording), redeemable at LivePhish.com. This includes all tickets purchased through Phish Tickets, Ticketmaster, Ticket Horse, and at the venue’s box office.

If you’ve got your tickets in hand, you may redeem your code now at http://www.livephish.com/redeem. Your “code” is the barcode that appears on the tickets. You may upgrade to CD or CD-Quality FLAC or 24 Bit FLAC-HD after you redeem.

Phish’s entire 2010 Fall Tour is available now for download, including their recent Halloween show – with the complete Waiting For Columbus second set – now at LivePhish.com. Included with all downloads is the original Phishbill that was handed out to fans at the begninning of the show.

Please visit http://www.livephish.com/ today.

Borgata Rage & Chris Kuroda

After we were finally ejected from the venue we collected at the Flag poles and delivered the news of the Karl Denson show to anyone who would listen.  No one was going to bed any time soon. The power of the show, even though this was no show stopper, the energy surrounding it, the people, knowing what was in store….We were kids in a candy store. High on life!

We still had not dealt with our luggage and checking into the hotel so we scooped up our Youth Posse and made way for The Borgata in two cabs.  As my crew waited in The Borgata lobby for the second cab to arrive, tour buses began pulling up.   The cute teen couple in my charge stood guessing who’s bus was who.  “It can’t be Trey’s. Trey’s is (insert color here).” or “I think that is Mike’s?”

We ran up to the rooms. They were gorgeous.  Totally jumped on the beds in each room! They were lovely rooms with beautiful views of the city. LOVED the shower! We all got ready for round two  and met in the lobby.

Here comes a super highlight of my night. We reach the lobby and see a friend.  Hugs ensue between everyone and is chatting.  At some point Chris Kuroda has joined the group and we are introduced, again.  Before I register who it is, I go in for the hug I normally give everyone I met and almost get stuck in place. I worship Chris Kuroda. I really do. He is my favorite member of the band.  Pulling away was tough cause I knew I would have to make small talk which is hard for me when I’m standing in front of one of my musical idols. Pulling away was hard enough. I hardly gathered myself but we shared a few words about the light show that evening. My night was officially made.

We jumped back in the taxis and were off to….

Karl Denson’s Tiny Universe@ Trump Plaza

We walked all over Trump Plaza for some tasty Karl Denson, running through casinos, through bars with people in costumes dancing to various styles of music…

OK! This is where I make my first Jam Cruise reference.  I always make one right? Floating around Atlantic City was as close to Jam Cruise as I have found this year aside from Wook the…I mean Rock The Resort.  Running through casinos, restaurants, going from one show to another, stopping in friend’s suites along the way in the various hotels that were pretty much connected, costumes everywhere…the list goes one.

The AC setting is as close to a festival as you can get without actually having a festival. Anything and everything was available to us 24 hours a day. Everywhere I walked, I saw show goers and smiling faces. I can’t stress enough how special it is when so many wonderful, same goal-minded people get together. ~ J. Bach

KDTU! (Picture by I. Sloane)

KDTU! (Picture by I. Sloane)

Karl D! (Photo by J. Raskin)

Karl D! (Photo by J. Raskin)

We got to the show around 1:15 I would say.  It was more empty then I thought it would be.  But, the show had clearly started.  I saw a few tapers in the room and knew I didn’t have to worry anything. I could just enjoy the company of my friends who were, just a few hours earlier,  spread out amongst 14,000 people and who were now all roaming a MUCH smaller space. It was one reunion after the other.

At this point I had been up since 5am Friday morning and was exhausted.  I just let the night flow, not worrying about notes or set lists.  Sadly, the tapers have not loaded their recordings to the web. BOO!!  It was a great show though 🙂

Mellow after such a high energy performance but towards the end Karl had us back on our toes by the time Mighty Rebel was played.  Here are a few videos!  Thank you to the person taking the time to record!!!

Karl Denson’s AfterParty Setlist

Set 1: Turnips, Front Money, Bag O Funk, Look Out, The Answer, Because Of Her Beauty, Soul Driftin’ > Manic Depression, Brother’s Keeper pt.1 > Brother’s Keeper pt.2

Set 2: The Mighty Rebel > reggae jam > Walking On The Moon (one verse), Grenadiers , Chance With You > Hey Jude jam > Chance With You, How Fine Is That, Funky Song, Satisfied, The Bunny Playa

E: Superman Lover, Shake It Out

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Click here to read: Camp Barefoot 4: Thursday (08.19.10)

Camp Barefoot 4 | August 19-21th, 2010 | Camp Hidden Meadows, Bartow, WVGood Morning Barefoot 4…Oh Wait...

I wish I could say Good Morning but I never went to bed…and for GOOD REASON!!  There are so many great things I would love to write about for Camp Barefoot 4.  It was just such an eventful, wonderful good time.  Even though this was the smallest festival I have attended this year, it was the biggest in terms of adventure and just pure fun.

I was not prepared for the weather on that mountain.  The drop in temperature was quick and fierce Thursday night.  By the time 5am Friday morning had rolled around, I was covered in a sheet of dew and running around the camp site with my new friend Tyson and my buddy Paul, gearing up for Kickball.

A gorgeous stream that passed under a quaint bridge on the gorgeous grounds
A gorgeous stream, passing under a quaint bridge on the gorgeous grounds

DAWN KICKBALL!!..

Team Whiskey vs. Team Spunyun

Three kickball games were supposed to take place over the course f the Barefoot weekend. The first went down Friday morning at DAWN!!  Hillary Dovel, the Queen Bee of Festival Kickball, had organized Kickball the previous year at Camp Barefoot 3 so there was already a following.  Camp Hardcore also made sure to help spread the word Thursday night before everyone passed out.  The teams were to consist of those who had been awake all night vs. those who passed out.  I, of course, wanted to be on the team that stayed awake so I could take Hillary’s team out.

At this point it’s about 6am.  Paul and I have made our way back to the campground and are contemplating passing out, my eyes heavy.  Paul decided to head to his campsite and passes out leaving me as the only member of Camp Hardcore awake.  I refused to sleep because I had missed Jam Cruise Jamaica Kickball by passing out a mere minutes before the game was called back on.  I REFUSED to miss Camp Barefoot Dawn Kickball.  However, I knew this game was a MAYBE situation, depending on when Hillary woke up…was Dawn kickball going to happen?

All of a sudden, eager wookies begin appearing from the mist and shadows of the dew-filled air, filling available seats within Camp Hardcore.  Our resident Camp Clown, Stevie P., pops out of his big red truck with a blow-horn and a smile.  Wookies started whispering on all sides of Hillary’s bed…KICKBALL!!  KICKBALL!! The whisper’s gained momentum.  Hillary emerged from the VW bus and so it began.

The field, in front of the main stage!
The field, in front of the main stage!

Stevie hopped on our friend’s fold-up bike, placed the disco ball helmet on his head and proceed to ride around the festival grounds recruiting.  Hillary and I attempted to wake Paul (that wasn’t happening) and then walked the grounds for our own wave of recruitment. (I was just hoping to be miracled a mimosa at this point and this comes into play later!)

As we wondered the festivals grounds, I heard: “KAREN! Go to bed!”  The lovely owners of Beandawg Artworks, a gorgeous tye-dying company, were awake and beginning their day.  “I don’t know what that means,” I holler back.

View of vendor area from road.

View of vendor area from road.

As Stevie comes flying down the hill towards us, he hits one of the many rocks in the ground and takes a tumble over the handle bars, face planting into the hill as the bike goes flying to the left.  He jumps up, with a huge smile on his face. “Thank god for helmets!” He had done his job as we made our way to the field in front of the stage to find at least 30 wooked-out hippies raging to play.  There was no Awake vs Asleep this time.  Everyone but Hillary seemed to have been awake throughout the night.  So, now it was Team Whiskey vs. Team Spunyun.

Setting up the bases...

Laying out the bases! (Ps: You want her on your team!)

There are no pictures of this fiasco as I was playing the entire time.  Hillary and I were on Team Spunyun and we were getting killed 1 to 6 until one of our members called for a huddle.  “This is serious!  We need something to help us focus.  If you got it, smoke it.”  And as Team Whiskey yelled at us to hurry up, we all commenced with the “TEAM MEETING.”  It was hysterical…and genius…because we came back and beat Team Whiskey 8 to 6.

We have this in blanket form..a gorgeous pattern!
A gorgeous pattern!

I ate breakfast during Barefoot Wade, a Zach Deputy-type with Caribbean flare. Another member of Camp Hardcore made sure to check him out and brought back seashells that B-Wade was handing out.  B-Wade was also handing out Popsicles.  How thoughtful is that…seashells and Popsicles. He made my friend Beau very happy and the ladies in the camp appreciated the gifting of the shells by Beau after the set 🙂

I toyed with the idea of trying to catch some rest for a few hours before checking out Pants for Bears but playing kickball had given me my third wind.  There really is something to playing a quick sporty game to get your blood going.  The sun was shining on us but it was cool out because of the morning dew.  The sun would be taking over in a little under an hour.

Pants For Bears

Ben Geiser – Guitar
Lee Hartman – Bass Guitar
Praveen Chhetri- Guitar
Brad Corallo- Drums
Avery Fary – Percussion, FX, Theremin
Adam Miller – Vocals
Josh Horst – Keyboard, Percussion, Synth

Sadly, I passed out at a pretty crucial time.  I was looking forward to catching a close friend’s band, Pants for Bears.  I tried so hard to make it to their 1pm set but ended up utilizing the hammock for the first time that weekend around 12pm, missing the Pants for Bears set. Happy to report, I had friends who did see the set.   General consensus was “they were jammin’.”  Coming from my friends, who I consider to have great taste in music, that is a huge compliment.  This made me feel worse but I was so happy they were impressed.

LarJar

Larry Alen Jarrell-drums
Jason Jarrell-basses
Dave Klemencic-keys

I missed LarJar and I keep wondering about their name.  There were not many videos of anything from Camp Barefoot 4 but there was a LarJar video so I felt I should include it.

The Mantras

Keith Allen – Guitar/Vocals
Marcus Horth – Guitar/Vocals
Justin Loew – Drums
Brian Tyndall – Bass/Vocals
Brent Vaughn – Percussion/Vocals

I woke up around 4:30 from my “nap”.  I had missed Pants for Bears and was kicking myself.  I made a point to catch everyone else so long as I was awake.   The Mantras, from Greensboro, North Carolina, were playing and I was immediately perked up by their sound.  I grabbed a Veggie Burger from one of the vendors and walked over to the stage.

The Mantras

The Mantras

Keith Allen

Keith Allen

The Mantras!! Now say it again and remember it.  MAN!! I just LOVE being introduced to new music.  I like it even better when I LOVE what I am listening to.  With three guitars on stage, I sometimes got lost in their sound as a whole, not focusing on individual talents as I generally do.  Eventually though, I ended up transfixed on Keith Allen and the fury of his guitar for the most of their set.  Playing a few new songs from their newly released cd, Dharland, The Mantras were tight and full of rock ‘n’ roll-vibin’ jams.   I’ve been listening to them ever since seeing this set.

I don’t want to elaborate on this band any further as I hope to one day (very, very soon) catch them in the NYC or the surrounding areas and write a big fat positive review on their music.  Come to NYC soon Mantras…come to us soon.

Setlist: Improv ->, The Prelude ->, Five Roads, Cross The Divide ->, Abacus ->, Further ->, Boy In The Bubble* ->, Popna, Crowd/Banter, Hobo Ken ->, Song For You -> Barefoot Jam, Funky Jank Patrol**

Notes:
* Boy In The Bubble (Paul Simon)
** w/ Bobby Muncy (Funk Ark) on baritone saxophone and Joe Hererra (Funk Ark) on trumpet

Download: The Mantras Live at Camp Barefoot 4, Bartow, WV on 2010-08-20 (August 20, 2010)

DJ Williams Projekt

DJ Williams Projekt

DJ Williams Projekt

DJ Williams – Guitar & vocals
Gordon Jones – Sax & vocals
Dusty Simmons – Drums
Todd Herrington – Bass
Mark Ingraham – Trumpet & Borine
Joey Ciucci – Keys

DJ Williams Projekt

DJ Williams Projekt

The next band that blew me away was Richmond-based DJ Williams Projekt.  Being that I am from Williamsburg, Virginia, for a moment, while listening to this group, I actually felt I could move back to my hometown because there would be some dope music only 20 minutes away.

The Funky horns of DJ Williams Projeckt

The Funky horns of DJ Williams Projeckt

DJ Williams, a spindly, attractive, studious-lookin’ lead guitar player has the spark of Jimmy Hendrix flowing through him.  Where some guitarist’s are full of flare and movement when they play, DJ Williams was stoic and stood planted in his spot most of the time and the corresponding  sound coming from his guitar might have well been coming from a schizophrenic flipping out all over stage.  I mean, just chaos and raging guitar sounds out of someone who barely moved.  And then when he did, his smile was so wide, his legs were trying to break free like his fingers.

DJ Williams Projekt

DJ Williams Projekt

Todd Herrington

Todd Herrington

Todd Herrington, of Modern Groove Syndicate, was phenomenal, thumping his bass over every beat the drums threw down.  I looked over to my left and the Pants for Bears bassist was just staring with his jaw open.  He later would dance over to me exclaiming: “That bassist is amazing” and mention something about hoping being on his level one day.

My focus kept shifting between DJ Williams and Todd Herrington.  Wow.  What a duo.  What a great group. What a pleasure to be seeing some sick ass funky music come from my old hood.  Now, I could only pray they would make it to my new hood, NYC.

Enjoy this clip of a fabulous wookie raging to the DJ Williams Projekt:

Poor shot but you get the point...

On occasion, I take a step back from the rail... 🙂

FunkUpOnYa

Doug Carter – Guitar
Carl Blackwell – Drums
Brian Werner – Keys
Leo Kishore – Bass

Special Guest: Keith Allen (The Mantras)

We picked up a friend from the Beandawg Artworks tent and made our way up the hill to the SKU tent for FunkUpOnYa.  My friend, AB, had boasted heavily about this group and so we weren’t to miss them.

FunkUpOnYa (SKU Stage)

FunkUpOnYa (SKU Stage)

Calling themselves “Certified Organic Funk”, I was hoping they lived up to their self-proclaimed branding and they certainly did. This band brought a little maturity to the festival as they appeared to be seasoned musicians. I wondered why they were raging the side stage but found out they had a main stage booking tomorrow.  Bassist Leo Kishore stood out heavily.  Keys player Brian Werner appeared to be utilizing some interesting techniques to make his sound, smacking the keys as fast as lighting like he was swatting a fly.

FunkUpOnYa

FunkUpOnYa

As I stood there dancing, they started playing a familiar tune by Soulive.  They were covering 76.  Could it be that I couldn’t get away from Soulive even traveling miles away from them?  It was true. In my frame of mind, I was completely confused for a minute trying to place the song.  I look at my friend and he confirms my confused look with a simple ” Yes!” Well, this made me love FunkUpOnYa even more as Soulive can do no wrong in this New Yorkers book.  They also covered Stanton Moore’s Blues for Ben at some point.  It was raging.

FunkUpOnYa Debut Cd

FunkUpOnYa Debut Cd

A few songs in and I noticed a gentleman in front who turned around and smiled.  He went back to dancing and then did it again.  After the third time, he leaned over and said: “You like this?” I responded, “Most certainly do.”  And with that he handed me FunkUpOnYa self-titled debut cd, still in its shrink wrap.   They were wonderful and I just popped in the cd as I write this 🙂

It was also during this set that Instant Mustache reps handed out various mustaches on a convenient little stick.  Seriously, it was fun for all ages.  And with the crowd that was raging the stages late night, it provided countless hours of manipulation of faces, voices and attitudes when the staches got into anyone’s hands.  Excellent idea 🙂

Keith Allen joins FunkUpOnYa stage

Keith Allen joins FunkUpOnYa stage

Keith Allen of Mantras

Keith Allen of Mantras

Finally, one of the best parts of the set was when FunkUpOnYa invited up Mantras guitar player, Keith Allen.  Wow.  Talk about rippin’.  The banter between artists and their respective instrument on the stage at during those few songs was palpable.  Keith, clearly having a great time with his friends as we all watched in on the art taking place before us.

Sadly, but for a positive reason, I was playing in the Charity Kickball game during FunkUpOnYa‘s main stage set the following day.  I shall leave you with a video from that set….they rage 🙂

The Kyle Hollingsworth Band

The Kyle Hollingsworth Band

Kyle Hollingsworth Band

Kyle Hollingsworth Keys & Organ
Garret Sayers – Bass
Dave Watts – Drums
Dan Schwindt – Guitar

Special Guests:

Kris Jensen (Kung Fu)
Jordan Giangreco (The Breakfast)
Cory Potrafka (Jackass Flats)

Another RIPPIN SET!!!  This time with a few familiar faces from Jam Cruise. With Garret Sayers and Dave Watts of the Motet backing Kyle Hollingsworth of The String Cheese Incident, we were bound for some dancing action and a taste of the West Coast.

Kyle Hollingsworth Band

Kyle Hollingsworth Band

Kyle Hollingsworth‘s slick voice flowed nicely behind his phenomenal bass influx of Garret Sayers. SO GOOD!  Covering Led Zeppelin and Guns ‘N Roses, the set was full of crushing solos and jamming fun and smiles from the entire band. By the end of their set, the stage was filled with members of various bands who were all having a blast.

The Kyle Hollingsworth band + some :)

The Kyle Hollingsworth Band + some 🙂

Kyle and Me!!

Kyle and Me!!

There was definitely an energy at Camp Barefoot that I hadn’t experienced in years and again I was happy to be back in the mountains, reliving my college days with some of my favorite people.  I ended the set sitting down on the side stage backstage.   Lack of sleep, playing sports and dancing all day and night was starting to take its toll.

After their set, the band exited the stage and they were bombard by genuine fans from other bands.  I made eye contact with Garrett and just said “Jam Cruise!,” with my fist in the air.  His eyes perked up immediately and he steered my direction, repeating “Jam Cruise!” with a smile.  Chatting it up with Garrett was a highlight of my weekend in terms of backstage entry.

Setlist: Bam!, Too Young, Yo Se, Way That It Goes, All Inside ->, Kashmir ->, Boo Boo’s Pik-a-nik ->, Sweet Child O’ Mine ->, Boo Boo’s (end), Piece Of Mine, Let’s Go Outside, Seventh Step, Naive Melody, Peregrino

Encore: ‘Round In Circles

Download: Kyle Hollingsworth Band Live at Camp Barefoot 4, Bartow, WV on 2010-08-20

View of Kung Fu from my side stage seat

View of Kung Fu from my side stage seat

Kung Fu

Todd Stoops (Keyboards)
Adrian Tramontano (Drums)
Kris Jensen (Sax)
Dave Livolsi (Bass)
Tim Palmieri (Guitar)

Special Guests: Greg Stukey and Chris Michetti (RAQ) and Chris DeAngelis (The Breakfast)

I had just seen the Kung Fu set at Gathering of the Vibes and had left the stage more then impressed by their individual talents but not loving them when they came together as a group.  I must now equate this to the fact that there was so much insanely good music at GOTV that I was judging them too harshly against the bigger, better bands.  I also didn’t spend enough time to truly form any type of opinion of them as a group.  I knew half of them from other projects.  Anyway, that had to be the case, because tonight…the stage was on fire.

Kung Fu

Kung Fu

THIS BAND IS ONLY 9 MONTHS OLD!!  Yet, they are regional super group consisting of members of RAQ and The Breakfast, making Kung Fu just a rad bunch of talented musicians having a raging good time.  And looking good doing it. Good ‘Ol Boys club from the Northeast bringing it to the South.

This set was one of the hottest sets of the weekend. They brought the funk immediately with every single note.  Kris Jensen on Sax was  and Todd Stoops slippin into space with the keys.  You can’t help but move.  They scatter at times into spacey jams and integrate numerous styles of music into a single song.  Todd Stoops reminded me of at times.  I was happy to not hear as much singing in this  project. It was consistently jamming with so many layers going on.  Loved me some Dave Livolsi, those fast grimey fingers of funk.

Kung Fu

Kung Fu

For the encore, Chris Machetti was invited to join the stage along with the musical antics that took place on the stage at this point can only be seen.  I seem to be the only one at the festival who caught this action on video.  The sound is terrible so turn your speakers down a little bit but DEFNITELY hit play!!!

Setlist: “What is up BIG UP?, Actual Proof@, Bopcorn%, Chakrabarty Overdrive#, Lilliputians#, Teen Town$, Stratus*

notes:
@ – Herbie Hancock
% – Palmieri
# – Stoops
$ – Jaco Pastorius
* – Billy Cobham; with Greg Stukey and Chris Michetti (Raq) and Chris DeAngelis (The Breakfast)

Download: Kung Fu Live at Camp Barefoot 4, Bartow WV on 2010-08-20 (August 20, 2010)

Particle

Tim Palmieri – Guitar
Steve Molitz – Keys
Darren Pujalet – Drums
Eric Gould – Bass

Particle.  They had struck me hot and cold over the years.  I was glued to my side stage seat for this set.  I was completey being taken over by my exhaustion.  Afte rI dozed off a few songs in, I made a deal with myself that after I passed out in my chair for the third time , I would take myself “home.”

It must be mentioned, the kindness of my fellow southerners.  Having made friends with the VIP guard earlier in the night, he leaned over next to me as we watched particle, and said, “Lil lady,  I see you dozin off.  Don’t you frete. I won’t move until you wake up.  You go head an feel safe nah.”  I mean, just such a nice crew.

Sitting in for Ben Combe was Tim Palmieri.  Sadly, Ben had to remove himself from the scene for a while to deal with personal matters.  However, lucky for us, Tim Palmieri brought an entirely new layer to the group.  Having heard them for years, having gotten sick of them and genreally not all that interested to stay up any longer, I rallied in my side stage seat more then half way through.  I remember it being amazing but I was falling asleep where I sat most of the set.  I am stubborn and really don’t like leaving any type of live music until it’s over.  I leave you with this video by someone who had more energy then me.

Goodnight…Tonight I Can Say it

I immediately looked into many of the days band’s scheduling when I got back to NYC and noticed they hardly ever, if at all, come through.  This revelation has me feeling happy and sad at the same time.  Sad because who knows when I will see these raging musical acts again.  And happy in the sense that in only a matter of hours, Camp Barefoot had introduced me to and had me floored by some phenomenal musicians and groups that are specific to their region.  For the fisrt time in years, I had more musical faith in my home state and it’s neighboring areas.

I was looking forward to what was in store next. Day II down and one more to go.  Another dawn kickball was going to be happening soon.  I saw members of Team Whiskey as  iwalked home and we all looked in bad shape…perfect kickball material 🙂

Stay tuned for Camp Barefoot 4: Saturday (08.21.10)

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www.gatheringofthevibes.comGathering of the Vibes 2010: Saturday (07.31.10)

Check out Day II: Gathering of the Vibes VX @ Bridgeport, CT (07.30.10)

The Beautiful Festival Grounds!

The Beautiful Festival Grounds!

Creativity shines!

Creativity shines!

Issac was up early and eager to get right out to the field.  Jay and I were NOT!! Zach Deputy was opening the festival this morning and is one of my top 3 one-man-bands but we just couldn’t get out there in time.  We did, however, send Issac on his way to check Zach out. He had never seen him and  I was eager to hear Issac’s opinion later on.

Jay and I walked along the water, finding RVs who would “miracle” us some of their power to charge our phones as we enjoyed the lovely scenery that makes up the grounds of the Festival. Volunteers from Save The Sound had gathered with gloves, trash and recycling bags and were finishing up their beautiful activism.

Quote of the morning: “Who’s got my miracle electricity?

The Beautiful Festival Grounds

The Beautiful Festival Grounds

Shower time!

Shower time!

VIP Perk #3: During Zach Deputy and Max Creek, I decided I needed to shower.  I knew people who bathed in the water that made up our pretty view, but no thanks. I walked in it last year and felt more dirty.  University of Bridgeport‘s sports locker rooms were offered, free of charge, to VIP lot.  Everyday, we cause a commotion at the locker rooms, making the staff laugh and giggle as we entered and exited.  Jay is just a super funny guy so we always had fun with the locker room staff, all staff for that matter. Oh, and we were also miracled shampoo since I had forgotten to pack my own.  We were camping, I forgot about showers! 

VIP Showering Facilities. Thank you U Of B!

VIP Showering Facilities. Thank you U Of B!

The people make it fun...

The people make it fun...

After our showers, we headed to the Cosmic Casbah to sun dry and slowly prepare for our day.  This morning was not as active as the previous morning.  There was no breakfast laid out as we had arrived to late (Thankful for VIP PERK #2: Free Meal).  There were no stragglers on the mats from the night before attempting to FINALLY make their way to dream land! (Happy for my pals because it’s BRUTAL attempting to go to sleep once the sun has risen.) There were no musicians up wanting to jam the morning started with acoustics.  But the theatrics of the festival never fail to shine through every moment and make us smile:

Zach Deputy & Max Creek

I had seen Zach Deputy so many times this year that I felt ok missing his set.  Max Creek was performing as we strolled and showered.  So, I know I missed both, but that doesn’t mean you should. Enjoy their sets:

Download: Zach Deputy Live at Gathering of the Vibes; Seaside Park on 2010-07-31 (July 31, 2010)

Download: Max Creek Live at Gathering of the Vibes; Seaside Park on 2010-07-31

Assembly of Dust @ GOTV 2010

Assembly of Dust @ GOTV 2010

Assembly of Dust

Reid Genauer – lead vocals, guitar
Adam Terrell – lead guitar, vocals
John Leccese – bass, vocals
Andy Herrick – drums

Reid Genauer of AOD @ GOTV 2010

Reid Genauer of AOD @ GOTV 2010

Assembly of Dust was the first set I actually focused on after running around waking up, charging phones and camera, feeding the little rager and ourselves, slathering him with suntan lotion and setting up shop by the Karma Wash.

Adam Terrell of AOD @ GOTV 2010

Adam Terrell of AOD @ GOTV 2010

There was actually a little altercation at the Karma Wash.  As we arrived to set up shop, a gentleman had placed his chair on the red carpet, ripping it, ashing his cigarettes on it and casually resting his beer all around him.  Jay asked him nicely to move just a few inches OFF the red carpet and it just couldn’t be a simple issue with this guy.  I am glad it didn’t get out of hand, but you could tell by his drunken ass attitude, that he was someone who wasn’t going to cooperate easily and just argued with us. Luckily, his friends were more coherent and sane.

Assembly of Dust @ GOTV 2010

Assembly of Dust @ GOTV 2010

John Leccese

John Leccese

I am a huge fan of this group, not for their ridiculous talent or anything but simple because they epitomize a group of jammers who just know how to play and have fun. Their lyrics are as playful as their tunes. They are a mix of folk and rock and all their tunes are catchy enough to get you up out of a chair and dancing on your feet.

Assembly of Dust @ GOTV 2010

Assembly of Dust @ GOTV 2010

Jason Crosby :)

Jason Crosby 🙂

After three songs, Assembly of Dust invited Jason Crosby and Todd Isler to the stage for the remainder of the set.

Set List:  Sinner, Valhalla, Telling Sue, Pedal Down Samuel Aging Fountain, Light Blue Lover, Weekhawken Ferry, Harrower, Second Song, Paul Henry, Love Junkie, Westerly

Download: Assembly of Dust Live at Gathering of the Vibes; Seaside Park on 2010-07-31 (July 31, 2010)

Wavy Gravy, GOTV Emcee

Wavy Gravy, GOTV Emcee

Galactic

Jeff Raines – Guitar
Stanton Moore – Drums
Robert Mercurio – Bass
Ben Ellman – Saxaphone/Harmonica
Richard Vogel – Keyboard
Corey Henry – Trombone
Cyril Neville – Percussion and Vocals

Ben Ellman

Ben Ellman

KEEP THE FIRE COMING!!!   Again, we all took off in different directions during break but found our way back to dead center, front row for this performance My Tribe having grown to about 15 scattered sporadically behind me.

I knew that I was about to see the same set that I had seen at the four other Galactic shows I had already seen this year.  With the addition of Corey Henry, I was hoping that over tour, they would add new songs to their repertoire from the previous cds so that he could add his flavor.  This hasn’t seemed to have happened yet.  I do love the addition of Corey Henry‘s horn (and attitude) to the mix.

Galactic @ GOTV 21010

Galactic @ GOTV 21010

Corey Henry

Corey Henry

It was here I made a mental note to appreciate how wonderful it is to see music during the day.  It’s the atmosphere.  Something about seeing these bands in an open field, with the sun beating down on you.  Everything just SOUNDS better, feels better.  So often, I am stuck in a basement or a dark building seeing shows in the dark with a poor light show. Seeing a band in daylight, wind blowing your hair, sun shining on your skin. It just truly changes everything about a performance.  I encourage all of you take the time to get to know the music that plays in your local Parks….most of the time…it is FREE .

For New Yorkers:

Central Parks’ Summer Stage
Jazz Festival New York
City of New York Parks and Recreation

Stanton Moore of Galactic @ GOTV 2010

Stanton Moore of Galactic @ GOTV 2010

To be honest, Stanton Moore looked like he was just going with the motions.  His cute face made the looks we are used to when he gets into it but his jumps and attempts at theatrics were always just a tiny bit off.  Still sounded great though.  Always does.  This was also the first time I haven’t seen Corey Henry jump into the audience. walking and playing through the waves of fans.

Cyril Neville w/ Galactic @ GOTV 2010

Cyril Neville w/ Galactic @ GOTV 2010

Lil rager :)

Lil rager 🙂

Cyril Neville did his thing like he always does, gliding between his  percussion set and the front of the stage as he energized the lyrics with his signature voice.  I really enjoy his energy. I love his look.  Honestly, I enjoy Galactic because they have great collaborations with people like Cyril and Corey.  These artists really bring another layer to the already funky group. I am already wanting them to stop touring and come out with a new cd.  OMG, who would you want to hear with Galactic?

HORN RAGE!  Galactic @ GOTV 2010

HORN RAGE! Galactic @ GOTV 2010

Set List: Gemini Rising, Gossip, You Don’t Know, Balkan Wedding, Heart Of Steel,  Cineramascope, Ooh Nay Nay, Boban, Tell Me What’s On Your Mind, Boe Money, No More Okey Doke, From the Corner to the Block

Download: Galactic 2010-07-31 Gathering of the Vibes; Seaside Park; Bridgeport CT

Here’s one I took.  I think you’ll see what I mean at the end of the video about how Stanton was just a tad bit off. Not that it matters, but it happened a few times and I want him to kick ass. So, there.  I said something negative about Stanton, sue me!

Umphrey’s McGee

Brendan Bayliss – Guitar, vocals
Jake Cinninger – Guitar, vocals
Ryan Stasik – Bass, no vocals
Kris Myers – Drums, vocals
Andy Farag – Percussion
Joel Cummins – Keyboards, vocals

Banana Mafia Sighting

Banana Mafia Sighting

Umphrey’s McGee.  What can I say. I haven’t always understood what the big deal is about Umphrey’s.  They jam with the best of them and have an unbelievable following. However, I am still waiting for them to smack me into a wall with awesome sauce and so I see them.  To be honest, mainly because after Chris Kuroda, Jefferson Waful is my favorite light designer for the stage.  However, it was still sunny out so there wasn’t much drawing me to stay in the front row.  To be honest, I actually walked out of the last Umphrey’s show I was attending.  The only show all year where I have done that.  But tonight, well, they just sounded great.

Zach Deputy and I

Zach Deputy and I

Issac was thrilled to already have a spot up front to rage with his favorite band.  His energy fueled my own and I made a point to seek out the music with my ears while I was running around taking care of things before Rhythm Devils. We left him to rage with his favorite band.  I needed to take a break off my feet and just relax for a little bit at the Karma Wash before  I took off again. At some point, I ran into Zach Deputy in the VIP tent.

Umphrey’s touched on everything.  They rocked out one minute and tripped out another.  I love their drummer.  Great melodies like always.  Major guitar jams.  Just tight.

Lovely Art Installation

Lovely Art Installation

Dream!

Dream!

I also used this time to check out the vendors, the food, the art exhibits. There were times that we were forced to stop dead in our tracks to the jams that were being delivered on stage.  The audience was cheering constantly. The sun slowly went down and the lights slowly showed up 🙂

Set List: Turn & Run >, Much Obliged, Women Wine & Song, Der Bluten Kat >, Hajimemashite >, Der Bluten Kat, The Linear >, Steppin’ Razor >, Mullet (Over), The Floor, Pay the Snucka >, White Man’s Moccasins, The Fuzz >, Pay the Snucka, 40’s Theme

Download: Umphreys McGee Live at Gathering of the Vibes; Seaside Park on 2010-07-31 (July 31, 2010)

Rhythm Devils @ GOTV 2010

Rhythm Devils @ GOTV 2010

Karma Wash = Self Service

Karma Wash = Self Service

VIP PERK #4: THE RAISED DANCE FLOOR!!!  OMG!!!  So, the entire weekend, VIP and staff had access to an elevated dance floor located to the left of the soundboard.  The dance floor itself was two levels and could hold quite a few people.  HOWEVER, it wasn’t until the middle of today that  I started noticing that none of my fellow VIP campers were ever up there.  I started spreading the word and everyone I told HAD NO CLUE it was available to them.  Apparently, this was a new addition to the VIP package.  It was at this point that I decided it was time to utilize the hell out of the dance floor.  During Rhythm Devils, all the members of the krewe started popping up. I wish I had a picture of the smiles on their faces when they saw the unimpeded view.    Check it out after Primus and the field emptied…

Empty stage...empty dance floor...

Empty stage with lights...empty dance floor w/ chairs...after Primus

Rhythm Devils featuring Mikey Hart, Bill Kreutzmann & Keller Williams

Bill Kreutzmann – Drums
Mickey Hart – Drums
Keller Williams – Guitar, vocals
Davy Knowles – Guitar, vocals
Sikiru Adepoju – Talking drum
Andy Hess – Bass

I LOVE KELLER (Photo by Jeffrey Dupuis)

I LOVE KELLER (Photo by Jeffrey Dupuis)

Setting up shop with our chairs in the second row on the elevated dance floor just sealed the deal for the night. Let alone, we now were about to get a full on rage from Grateful Dead drummers Mikey Hart and Bill Kreutzmann…..with KELLER WILLIAMS!!!   LORD YES!!

I LOVE KELLER WILLIAMS. Not as much as I used to, but man. He was one of the first acts I saw on our scene.  At my first festival (Allgood 2000) and I remember watching him up on stage with like 7 guitars on  individual stands, just making his way from one to the other, manipulating and lopping their sounds.  Then, as they all played around him, he merrily danced around the stage to the awesome combination of music he had created.  I fell in love on the spot.

Rhythm Devils @ GOTV 2010

Rhythm Devils @ GOTV 2010

Mikey Hart @ GOTV 2010 (Photo by Jeff Jupuis)

Mikey Hart @ GOTV 2010 (Photo by Jeff Jupuis)

With Keller in the mix, Jerry’s Celebration of Life just continued through the Rhythm Devils, extending the power from Furthur‘s set the night prior. Fire on the Mountain was a GREAT lift in the set and the energy in the pool of people in front of me.  Keller brought a unique sound that only Keller Williams can bring.  His voice, refreshing.

The encore was ridiculous.  While the drums raged out of control, the of the sexiest black catsuit wearing, fire dancing woman came onto the stage and completely owned it for over 10 minutes. Slinging fire all around then on strings, hoops, dancing on each other, manipulating the fire thorough their bodies.  I can only imagine the jaws on the floor in the front row.  We were getting a pretty psychedelic light show from our view as well.

Let me just say, that with Keller on the line-up, this might be my favorite recording of the day.

Set List: Cold Rain and Snow, Uncle John’s Band, Strange World, Wrecking Crew, This One Hour, So Many Roads, Fire on the Mountain, Bo Diddly, Comes the Dawn, Voodoo Zombies, See You Again, crowd/band intros

Encore: Full on Drum Rage with Firedancers!

Download: Rhythm Devils Live at Gathering of the Vibes; Seaside Park on 2010-07-31 (July 31, 2010)

Primus @ GOTV 2010

Primus @ GOTV 2010

PRIMUS

Les Claypool – Bass, Vocals
Larry LaLonde – Guitar
Jay Lane – Drums

My fav Freak (Photo by Jeff Dupuis)

My fav Freak (Photo by Jeff Dupuis)

After Rhythm Devils, the dance floor emptied out.  We had been dancing behind a row of camping chairs set up by older Deadheads who just wanted to enjoy the show seated…and who completely tripped out over Jay’s laser.

We had the best spot to view Primus.  Especially since the Deadheads totally went staying for the rage that was about to take place.    And our chairs immediately popped up in the empty space. We stubbed all our friends up to the elevated dance floor with our gorgeous laminates and by the time the set started, I was surrounded by ny friends, Jam Cruisers, co-workers, and just felt so warm with my VibeTribe.

The stage was amazing. Two giant spacesuits flaked the drum kit, flashes of faces and other video being shoot onto the “mask” of the statues.  A green hue tint sprayed over thee stage by the lights. The visual stimulation was fantastic. And with a little dance in a circle and the first slap of his bass, the spectacle began.  A sound very different from anything that had graced the stage the entire weekend. Everyone had the biggest smile. Everyone was on their feet, dancing.

Primus @ GOTV 2010

Primus @ GOTV 2010

Tim Alexander (Photo by Jeff Dupuis)

Jay Lane (Photo by Jeff Dupuis)

I can’t say it was the case for me, but some people just couldn’t take Primus. I suppose it’s an acquired taste but I love Les Claypool. With his haunting howls and screams, his insane vibe.  He touches my darker side of music and I love it.

Anything Les Claypool touches is gold and this little hippie turned into a head banging rager.  His sound is hard, heavy, menacing, intriguing, deep.  It makes you think and it’s just different.  I can completely understand how it wouldn’t be the right vibe for some people .  I LOVED it.

To be honest, I can’t tell you about any one but Les.  He is my favorite bass player.  Well, in the top three.  After the keys, the bass is my favorite instrument and it stands out heavily in shows unless I block it out.  But with Les Claypool, he is all I care to hear.  It never fails.  I completely focus all my energy and power into him.  Issac, being a bass player, had me excited for him to see Les.  Unfortunately, Issac couldn’t get into the music so he went back to a little nap before Deep Banana Blackout. I continued to dance my ASS OFF through the very last note!!  Les NEVER fails to deliver a vibrant show.  It always seems new.

Setlist: Intro, To Defy the Laws of Tradition, In the Flesh, Here Come the Bastards, American Life, Duchess and the Proverbial Mind Spread, Coat Tails of a Dead Man, Bob, Jerry was a Race Car Driver, Over the Electric Grapevine, Behind my Camel, Groundhogs Day, Drum and Whamola Jam, Eleven, Cosmic Highway tease > Frizzle Fry, Harold of the Rocks,

Encore: Over the Falls, Those Damned Blue-Collar Tweekers

Download: Primus 2010-07-31 Gathering of the Vibes Seaside Park; Bridgeport CT

Fully raged stage...

Fully raged stage...

Issac took off for Deep Banana Blackout on the Green Vibes Stage and I took off to the VIP tent for one more water upload and a lil food intake and to say goodbye to friends as we would be leaving first thing in the morning.  I took my time making my way to the VIP tent.  There is something about the energy left on a field after its been raged. A nd once again, my little VibeTribe was a few of the last folks there, witnessing the aftermath…and helping clean.

Fully raged field...

Fully raged field...

Costumes optional but preferred :)

Costumes optional but preferred 🙂

As we made our way to the Silver Lining booth, we found our little rager passing out in the camp chair next to the booth.  He had had enough.  It was off to end the night for him and we continued the night dancing around Thud’s booth.  I took a little pilgrimage through the chaos to take a few pictures but I just wanted to rage towards the back spinning in circles. My fellow Jam Cruiser and most lovely advocate in Medical Marijuana Law, Lisa Roche, was on had with her friend to dance with us. And dance we did…

Deep Banana Blackout @ GOTV 2010

Deep Banana Blackout @ GOTV 2010

Deep Banana Black Out

James “Fuzz” San Giovanni – Guitar, Vocals
Eric Kalb– Drums
Jen Durkin – Vocals
Rob Somerville – Sax, Vocals
Rob Volo – Trombone – Guitar, Vocals
Cyrus Madan – Keyboards
Johnny Durkin – Percussion

Fuzz Rage! (DBB)

Fuzz Rage! (DBB)

I don’t know about anyone else but I truly do prefer a late night FUNK set over a late night disco set. Deep Banana Blackout fully delivers.  This group is just spitfire and a Bridgeport native.  Guitar powerhouse Fuzz’s energy is always constant.  His sound, always RAGING! I love Eric Kalb on drums.  I have gotten to see him with Charlie Hunter and Will Bernard a few times this year and that’s a lovely pairing right there.

Deep Banana Blackout @ GOTV 2010

Deep Banana Blackout @ GOTV 2010

Jen Durkin‘s voice came out of no where to me.  I can’t recall ever really seeing this group live, as I had been out of the scene for almost 6 years until this past Jamuary.  Jen‘s voice hit me like Susan’s voice hits me.  So full of soul.  Singing feelings.  Notes oozing out of the coroners of her mouth. Dreads swinging in the wind!  Whoa.

Fun Fact: Deep Banana Blackout has been performing at Gathering of the Vibes since the first Vibes 15 years ago.

Setlist: Intro – Ken Hayes, Bridgeport Mayor Bill Finch, Take The Time, Homo Lingo ->, Tijuana Mama, Getch’all In The Mood, Hear My Song, Family Groove *, It’s A New Day, Like A Road +, bass solo -> Tug ->, Breakfast At Volo’s, Soul Sacrifice, band intros/announcements

* = w/Jesse Gibbon from Schleigho on keys
+ = w/Carrie and Leanne on vocals

Download: Deep Banana Blackout Live at Seaside Park, Gathering Of The Vibes on 2009-07-24 (July 24, 2009)

Good Morning and Goodbye Vibes!

Good Morning and Goodbye Vibes!

We spent the rest of the night, into the morning, hanging out with friends in the Cosmic Casbah and  watching the sun rise.  This Gathering of the Vibes had been one of the kindest, safest, well-run festivals I have ever been privileged to be  participant.  I certainly hope that everyone considers this event next year when you are planning your Summer Festival calendar 🙂 Much Love!

Thank you Note from Vibes to Participants and Staff :) Much Love!

Thank you Note from Vibes to Participants and Staff 🙂 Much Love!

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