Bowlive IV Night 5 Recap w/ Marco Benevento, David Hidalgo & The Shady Horns : John Medeski, Bill Evans & The Shady Horns
Soulive’s Brooklyn Bowl residency, Bowlive IV, reached it’s fifth night last night. In past years, this would signify the middle of the run and the end of the residency’s first week. However, Soulive has chosen to pack more talent into eight days this year and continue to impress upon us just how talented they truly are. As if we didn’t know already.
The equally impressive power trio and Bowlive alumi, The London Souls, opened with a fury that paralleled Bowlive IV’s previous night openers. Eric Krasno made a point to remind the audience that this is one of his “favorite bands!” That was a powerful statement from a powerful guitarist who sees and appreciates the talent in his peers and a clear invitation to Soulive fans to pay attention. The London Souls are a classic rock band consisting of shredding guitarist Tash O’Neal, drummer Chris St. Hilaire and bassist Stu Mahan. Tash’s sound is reminiscent of Jimi Hendrix; the comparisons are just inevitable. However, as a group, they seamlessly flow from multiple styles while improvising styles all with undertones of pure Rock ‘n Roll! Their wickedly expansive sound, something every power trio hopes to accomplish, shone through vibrantly in their performance of originals “Old Country Road,” “Easier Said Than Done,” and the old-timey tune “Bobby James.” The audience rocked out to AC/DC’s “Long Way To The Top” and The Souls closed their set with a rousing cover of Frank Zappa’s “Apostrophe.” So much to say, so little time.
The London Souls Set List:
Lucille Cover
Under Control
All Tied Down
Old Country Road
Honey → Long Way To The Top (AC/DC)
Bobby James
Some Day
Easier Said Than Done
I Think I Like It
Apostrophe (Frank Zappa)
Many times, the relationship between Soulive and their guests is one that has been cultivated in New York City, in front of Soulive fans who get to witness local musical guest sit-ins during local shows. Last night’s first guest, avant-garde pianist and organist Marco Benevento, a long-time NYC resident now living in Woodstock, is a Bowlive alum that fit this category. Benevento adds an element of improvisational psychedelia and locks right into the groove of every tune he touches with a specific experimental jazzy sound that defines his music. Soulive, with the help of the Shady Horns, churned out “El Ron” and teased Bob Marley’s “WAR” before a crushing “Reverb.” Saxophonist James Casey, Baritone saxophonist Ryan Zoidis and trumpeter Eric Bloom went into a hot, circular jam session, just the three of them, before Benevento joined the stage for another Soulive original “Upright.” Benevento made his presence known with an extended face-melting solo of his own. He remained on stage for the rest of the set, seamlessly layering his sound amongst the trio’s for “Swamp E” and The Beatles cover, “Revolution.” As much as Benevento is known for his own amazing techniques and stand alone performances, he is also part of a wonderful Led Zeppelin tribute band, Bustle In Your Hedgerow, which New York jam band music fans fawn over. So, when Zeppelin’s “The Ocean” began, Benevento fans and beyond went ballistic and everyone’s musical taste buds were satisfied.
Set I:
El Ron
Reverb
Upright (w/ Marco)
Swamp E (w/ Marco)
Revolution (Beatles cover w/ Marco)
The Ocean (Led Zeppelin cover w/ Marco)
The second set came quick as the excitement of the next guest was something that could hardly be contained by the members of Soulive. Los Lobos guitarist David Hildalgo came out on stage and became the newest musician to join the Bowlive roster. Granted, he snuck into a few tunes the previous night but now was his time to shine. For those of you who don’t know, Hildalgo is a world renowned guitarist who has played on albums of Buckwheat Zydeco, Elvis Costello, Paul Simon, Gov’t Mule, and even G. Love and Special Sauce. The list of collaborations goes on as does Hildalgo’s ability to play multiple instruments and styles. However, tonight, his vocals and guitar skills would be the highlight of the second set. Soulive performed “Shaheed” alone before Hildalgo picked up his guitar and walked out to a screaming audience. He veered completely off the setlist and performed a fantastic version of Traffic’s “Who Knows What Tomorrow Will Bring.” The energy on stage was magnetic and the foursome pushed the boundaries of memorable Bowlive collaborations to the limit with Hendrix’s “3rd Stone From the Sun,” and Los Lobo’s tunes, “Dream in Blue” and “Chains of Love.” The Shady Horns threw out killer solos amongst the jams and a highlight of the evening was watching Hildalgo and Krasno trade licks off each other for Jerry Garcia’s “West LA Fade Away.” The tie between Garcia comes from Hildalgo writing “Evangeline,” which the Jerry Garcia Band covered regularly. Hildalgo and Jerry played together on numerous occasions and had a huge respect for one another’s playing. The musicianship on stage was outstanding and the set was pure fire. It’s impossible to replay into words sometimes and for those who were present, they know what I am talking about!
Finally, last evening’s encore could easily rank high in Bowlive History as one of the best. It wasn’t just an encore…It was a “Neil-Core”: Soulive ended the night with a Neil Young medley for the ages, touching on three distinctly different parts of Neil Young’s career. There could not have had a better supporting cast of guitarists to bring the screeching Neil Young chords to life with David Hidalgo (Los Lobos) and Tash Neil (The London Souls) on stage alongside Eric Kranso. The first song in the Neil medley was “Ohio,” a political song written by Neil Young about the 1970 Kent State shootings and the protest movement that it helped shape. “Ohio” was followed up by a spirited version of “Down by the River,” a tune Neil Young and Crazy Horse played on the album Everybody Knows This is Nowhere. Alan Evans, who was lending his drum kit to The London Souls’ Chris St. Hilaire, shared the vocals on that tune with Tash O’Neal. Seeing Alan in the middle of the stage with a microphone in his hand was new and fun. He seemed to be having a blast. Soulive went even deeper into the Neil Young catalog by playing “For What It’s Worth,” another powerful protest song written by Neil’s band mate in the Buffalo Springfield, Stephen Stills. These three songs forced those remaining at the Brooklyn Bowl into a dancing frenzy of happiness.
Set II:
Shaheed
Who Knows What Tomorrow Will Bring (Traffic cover)
Dream of Love (Los Lobos Cover) >
3rd Stone From the Sun (Jimi Hendrix cover)
Chains of Love (Los Lobos cover)
Revolution (The Beatles cover)
West LA Fade Away (Grateful Dead cover)
Stone Free (Jimi Hendrix cover)
-Encore-
Ohio (CSNY)
Down By the River (Neil Young and Crazy Horse)
For What it’s Worth (Buffalo Springfield)
Sure, it was Wednesday night and the audience was weary from dancing their legs off the previous nights, but true music fans love hearing famous covers performed by their favorite bands. Soulive has been consistently banging out tight versions of their own originals but it’s the rousing covers of popular classic rock songs that brought the jam band crowd of the Brooklyn Bowl to their Nirvana last night. These collaborations also feed the members of Soulive. Marco Benevento and David Hildalgo expanded the consciousness of Soulive last night and the audience was just in awe.
Tonight’s guests will include organ wizard (and possibly a regular wizard as well) John Medeski and saxophonist Bill Evans along w/The Shady Horns. Because Brooklyn Bowl is hosting a fundraiser for The Brooklyn Nets this afternoon, so there isn’t an opener tonight. Doors will open at 8p with Soulive on close to 9p. On to the next one……
Bowlive IV #2 Recap w/ Warren Haynes, Derek Trucks, Lee Fields, Robert Randolph & More : Nigel Hall & DJ Logic Tonight
For those super-fans, like myself, who have never missed a Bowlive show, (that’d be 31 shows, counting last night), the epic musicianship of Eric Krasno (guitar) and brothers Neal Evans (Hammond B3 organ, bass keys, clavinet) and Alan Evans (drums) is what drives us to come each night. However, it’s the un-announced musicians that also fuel a real fire in our motivation. The surprise third set that gets announced at the start of the night begins driving the rumor mill and the audience wonders how our favorite jazz trio is going to deliver us their musical spread for the evening. Let’s be honest! If Soulive/Bowlive fans keep it real about one thing they have learned over the last three years, it’s that Soulive will always keep us guessing and they never fail to deliver. The second night of Bowlive IV was no different.
The eight-piece powerhouse, Sister Sparrow and the Dirty Birds, kept the energy going from the first night, opening to another packed house. The sexy, sultry voice of Arleigh Kincheloe led the group, consisting of brothers Jackson Kincheloe (harmonica) and Bram Kincheloe (drums), Sasha Brown (guitar), Josh Myers (bass), Phil Rodriguez (trumpet), Ryan Snow (trombone) and Brian Graham (baritone sax). They rocked through their originals tunes, “Freight Train,” “Too Much,” and “Dirt.” However, they brought down the house when they covered AC/DC’s “Back in Black.”
Soulive blasted out of the gate with “El Ron,” showcasing the magnificent drumming skills of Alan Evans. After Alan removed his jacket and introduced the band, the trio took their time grinding into the melodic “DIG.” The first half of the first set contained jamming, old skool originals like “Uncle Junior” and “Azucar” before vocalist Lee Fields and the Expressions horns joined the stage. It was then that the audience was transported back to the 70’s, with the Brooklyn-based singer, wearing a killer silver suit, knocked the audience down with his powerful vocals. Performing his famous “We Fought for Survival,” recorded in 1970, and “You’re My Weakness,” Lee Fields danced and grooved around on stage and into the audience’s hearts with his James Brown-style. The crowd was electrified.
Set II began with the jazz-funk trio performing “Aladdin” with Neal Evans standing out significantly on the bass keys. They brought the energy level right back to where they left off at the end of the first set when pedal steel slide guitarist Robert Randolph (Robert Randolph and the Family Band) walked out wearing a silver sequins mask. With Alan Evans on vocals, they crushed Jimi Hendrix’s “Foxy Lady.” Randolph sang his radio friendly tune, “It Don’t Matter,” breaking the first of three chairs that he would eventually bend due to his climbing and jumping upon them. Lee Fields joined the stage for a rousing improvisational jam entitled “C# Funk Blues.” Then, Randolph and the trio took a risk, slowing the pace down for the beautiful “She Feels So Good.” At first, the crowd was lost in conversation but Randolph and the guys quickly reeled them back. Randolph was on his knees while playing The Temptations’ “Papa Was a Rolling Stone” and The Expressions’ saxophonist, Leon Michaels, delivered a long and majestic saxaphone solo to top it off. The set list called for Jimi Hendrix’s “Crosstown Traffic” to end the set. However, Randolph wasn’t done with the stage. Randolph drove past “Crosstown Traffic” into a five minute nameless jam to solidify his reign for this year’s Bowlive run.
After Robert Randolph’s set, the venue emptied out a bit and many who remained had no idea that they were about to be rewarded with an amazing third set. Every year as the Brooklyn Bowl gets down to the Funky sounds of Soulive, there is always another residency raging in New York City at the Beacon Theater. That would be the the Allman Brothers Band residency. Many fans of both bands split their time between the two residencies during their annual extended March runs. There are also many who leave the Beacon and make a beeline to Brooklyn hoping to catch the end of the later running Bowlive performance. And on a few evenings, they hope to see members of the Allman Brothers Band sit in with Soulive. Earlier in the week, Eric Krasno was a guest of the Allman Brothers at the Beacon Theater. But tonight, it would be Kraz’s turn to play musical host to two of the Jam universe’s biggest heroes, Derek Trucks and Warren Haynes.
Long before the surprise guests took the stage, the buzz had flown around the Brooklyn Bowl that the possibility of a Derek Trucks and Warren Haynes appearance was eminent. Everyone waited in anticipation of the third set, which would surely bring together an epic combination of guitarists. Krasno and the Evans brothers went right into a fast paced version of “One in 7.” Kraz played a great solo, perhaps anticipating the push he would feel from the two greats appearing later in the song. Finally, we were delivered our present as Derek Trucks came out during the raging “One in 7” and within 120 seconds, he and Krasno were standing next to one another, trading off screeching leads and bringing the crowd into a state of blissful guitar heaven. The audience was going ballistic and became a sea of cameras and arms.
Warren Haynes came out as the band got ready to play their next song. He stepped right up to the microphone for vocals on “The Thrill is Gone,” backed by Derek and Kraz joining in for a super jam near the end. The rest of the set had the crowd mesmerized as three guitar legends traded licks. However, there was still one more guitarist who had to re-join the party before it was all over, Robert Randolph. Robert came out and sat at his pedal steel as the band ripped into a mind-blowing version of Jimi Hendrix’s “Them Changes.”
Seeing those four finger picking maestros on stage together will be a once-in-a-lifetime moment for many fans in the audience. Those are the moments that scream at the music-lover in all of us. Warning, or rather,TELLING us not to miss the next show. Another amazing Bowlive memory for the books. We should be thankful that, for now, it’s a never ending series!
Tonight, Soulive will host Nigel Hall, who opened all ten nights of Bowlive I and is a staple in the Royal Family projects. As well, be prepared to be awed by the powerful vocals of Alecia Chakour Band and the DJing talents of DJ Logic.
I woke up around 11am, not necessarily wanting to get out of bed but knowing I had a day of music to fully ingest. Right off the bat, I wake up, shower, and try to gather the troops. The worst possible gathering movement ever. Recovery was still in progress. So, I sat on the porch, letting the sun hit my face. I could hear Zach Deputy on the stage and I knew that it was time to start the day. Eventually, the two and four legged animals from the house were moving towards Zach‘s cheery voice.
THE ONE MAN BAND OF AWESOME!!! What can I say about him that I haven’t already said 100 times over in previous reviews. Sadly I had arrived towards the end of his set but not before seeing Zach bring us the sun. Plain and simple. Utilizing his feet, hands, breath, hair, whatever…he manipulates all the gadgets on stage, all the instruments, the whole time piecing together a musical puzzle with the end result in making us smile so wide…literally calling out the sun. And it worked as he played Sunshine. Zach‘s beaming smile beamed down on us as bright as the sun did at that moment.
Banana Mafia @ Mountain Jam
What a wonderful way to start the day. This was good wake up music. Not a lot of fan fare, not too loud. Just one guy, his voice, and his imagination. Slightly soothing for those recovering and just upbeat enough for those wanting to get the dance party started. It was real cool to watch/listen Zach from far away. It totally didn’t sound like one person was making all that fun time sound. I laid on the blanket, gathering my mind.
Set : Butter You Up, Most People Never Heard Real Music, Lincoln Continental, Coconut, Chicken Pot Pie, Tubesteak, Little Bit of You, Freedom Out There, Make It Right, Jump Into The Water, Into the Morning Into The Night, Sunshine, Real
I stepped closer for a few pictures and as I turned around to head back up the mountain to relax with the Karma Wash, I spot my Banana Mafia friend. He just totally cracks me up and makes me smile. I love his energy and his ability to rage full face at any minute. We share similar taste in socks too. 🙂
During Zach Deputy, friends from all over had gathered at the Karma Wash for our good mornings, daily karma scrubbing, hugs and getting our daily plans straight. Seeing how well rested and clean we were, a few friends took off to our house to utilize the showers. And then it was time for the London Souls, a New York City based band, to rock our socks off.
It was SO HOT! I was in a bikini and running shorts and I was still super hot. I started The London Souls set dancing alone. It didn’t take long for my buddies to hear the music and start appearing from various sides of the mountain. I love my festival friends because the hugs and dancing once again commenced.
Rocking their shades and their poofy, out of control hair, the London Souls changed my opinion of them right on the spot. I have always had my reservations about them since being introduced to them during Soulive‘s Bowlive run at Brooklyn Bowl. They wail but I always felt like they were screaming at me with their instruments when they played and for me that isn’t how I like to enjoy my music. But now, I have figured out why it was overwhelming me. By pulling away from the front of the stage and being able to watch them from a distance, the sound was raging but still softer and magnificent. I was able to distinguish the sounds from all three players. They really killed it. They truly are rock-and-roll ragers.
They also caught my ear with a song that rang: “Are you going to let your man push you around. You better stand up.” Uplifting lyrics. I love lyrics that empower women.
“Our songs are usually inspired by any kind of conflict,” says Kiyoshi. “While they all mean something different, lots of our songs are about girls!”
The London Souls View from Karma Wash
The London Souls screamed like Van Halen and WAILED! I got locked into to Tash’s insane vocals and shredding of his guitar. The stand out of the band, in my opinion. Clearly, I do enjoy being FAR away from this band and listening rather then up front being raged at. Probably one of the first times ever that this scenario has arisen.
The last song revolved around there being a “text-in” vote for a cover song that they were to perform at Mountain Jam. The choice was AC/DC’s It’s a Long Way to the Top (If You Wanna Rock and Roll)! Seriously, every time I walk away from their sets, I am more and more impressed with their Jimi Hendrix style antics and full bodied rage. Kickass LS!
Patterson Hood ~ Lyrics, vocals, guitar Mike Cooley ~ Guitar, vocals, bass Shonna Tucker ~Bass, vocals, guitar Brad Morgan ~ drums John Neff ~ Pedal steel guitar Jay Gonzalez ~Keys
Patterson Hood @ Mountain Jam
Even though the Drive By Truckers are considered ragers by many people, in my opinion, they were a much more mellow change in music after The London Souls. They started off with a song all about a good night of drinking called The Fourth Night Of My Drinking. I figured they would just rage my face off with a song like that but the Drive By Truckers are hit or miss with me. They border on a rocky country vibe and that is hard for me to love. But the main reason is that the lead singer, Patterson Hood, has wretched voice. I mean, I know his father is famous and all but that doesn’t mean it runs in the family all the time. Sometimes Hood truly CAN NOT sing.
The Drive By Truckers @ Mountain Jam
John Neff @ Mountain Jam
I have sobered up considerably in the past few years and I am finding that bands I used to think sounded great really don’t sound all that hot. I was listening to the recording from Levon Helm’s Birthday set and it sounds horrible when Hood sings his part. Now, from a rager’s stand point he is awesome I suppose. He can down a 5th of whiskey and still rage it on stage, though, not always in key, pitch or tone. I rage, but no longer like him so alas, I guess that just standing and remembering the lyrics used to count for something to me. Absolutely not good enough anymore.
FestivalFamily.com interviews The Karma Wash
The 5th song, Santa Fe, totally caught my ear. It was here that Patterson Hood wished for Simone Felice to get better as he had recently fallen ill. It was a pretty rad song but the vocals are still a little shot. The band is ok if Hood just doesn’t sing. It was also here that I took shots of a darling little family enjoying the Karma Wash. As well, I noticed photographer Michael Patrick shooting & interviewing the Karma Wash. It turned out he was covering Mountain Jam for FestivalFamily.com. The Karma Wash is LEGIT!!!
Festivals = Fun for all ages
David Hood, Patterson Hood’s bass-playing father, came out and joined the Truckers for Respect Yourself and I enjoyed David immensely. However, during Mercy’s Bucket and I decided I had had enough. There was no comparison to the raging between Patterson Hood and Tash from the London Souls. The London Souls brought us a face melting rage and Drive By Truckers brought the vibe down for me rather unexpectedly. But, in less then 30 minutes, we would be dropped a funk bomb by Lettuce who was about to rage on the West Stage at 3:30pm! OMG it was about to be SO ON!!
Set List: The Fourth Night Of My Drinking, Three Dimes Down, The Living Bubba, Carl Perkins Cadillac, Santa Fe, Birthday Boy, Sink Hole, Uncle Frank, Respect Yourself *, Mercy Buckets, Get Downtown, (It’s Gonna Be) I Told You So, Lookout Mountain, Zip City,Let There Be Rock
I was right up front on the gate ready to dance my tiny ragin’ ass off to Lettuce!! They are a die-hard favorite group of mine and it was time to FEEL the FUNK. Lettuce flew right into Blast Off, with Krasnoteasing his guitar before Deitch counted off into the FUNKY FUNK!!!
Jesus Coomes @ Mountain Jam
This was the first time I had ever seen Jesus Coomes (bass). I had heard so much about him and was thrilled to finally be able to hear him wail live. On his Yamaha 6-String (I think), Jesus truly does just bring it home. He feels the music and , man, you can see it. Having researched him heavily before seeing him, Coomes has dipped his talented fingers into all genres of music and has an ear for the bass and production that has allowed him to thrive in the music industry.
Adam Deitch @ Mountain Jam
The second song was a personal favorite and the crowd went wild as Sam Huff’s Flying Ragin’ Machine raged the horns up to the highest points of the mountain where people could be seen dancing their asses off. I encourage you all to just go buy Lettuce‘s Rage cd right now. And I will let Jesus tell you why:
We named the CD Rage! because it’s a state of mind. I don’t mean getting messed up, I mean opening up your whole soul to God and feeling the spirit move. ~ Jesus Coomes. (Amen Jesus, Amen!)
Lettuce @ Mountain Jam
Neal Evans @ Mountain Jam
Kofi Burbridge joined in on The Last Suppit. Adam Deitch stood out on drums as he smashed the rage out of his kit. Krasno then introduced the group on stage. Neal Evans raged the MOOG synth bass and tappin his feet to bring in the familiar tune, Kings of the Burgs. A few minutes in and the horns join! Sam Kiningerand Ryan Zoidisblasted their way in and out of the song as Kofi fluttered his flute into the mix.
Derek Trucks, Susan Tedeschi & Nigel Hall join Lettuce @ Mountain Jam
Half way through the song the crowd screams as I see Derek Trucks plugging in. Krasno shouted, “We got a couple more people we got to bring up here, man. There’s just some heavy shit going on around here.” Oteil Burbridge and Nigel Hall joined the stage to complete a full round power house of talent and rage. “Mountain Jam, Where ya at?” scream Nigel and they fly into Move On Up…(like Susan Tedeschi told you to). Now, it goes from good to GREAT!
Oteil Burbridge, Derek Trucks and Eric Krasno @ Mountain Jam
With Nigel Hall on vocals and Susan Tedeschi backing him on the chorus, Move On Up closed the funkified set. Oteil Burbridge took a solo and scatted on the bass. Deitch backing on the drums was perfection. Kofi fluttered behind his brother, Oteil. Finally, Derek raged a solo before Nigel sang the last verse adding his signature scream. FULL FREAKING FUNKING RAGE! I had been fully melted into a puddle of happy.
“Every festival always needs a banjo!” shouts Jeff Austin (I think) and again, the sound over the mountain shifted into an entirely different vibe, an entirely different musical world. It is always nice to hear Jeff Austin play his banjo. He is just amazing even though he sometimes overpowers and over solos. But still, one of the best in my opinion.
Warren Haynes and Jeff Austin @ MJ ~ Photo by Doug Potoksky
The rain came during YMSB but we didn’t move. They continued to play and we continued to dance. It was almost fitting, to be dancing in the rain, with our shoes off, dancing like hillbillies on a mountain. I love that I could rage with a funk band less than one hour earlier and now was LOVING the Bluegrass vibe. There are so many people who just can’t understand it. Like Fusion, they just don’t get it, they can’t wrap their heads around the sound, around the simple yet complicated way the notes are put together. During the last song, Death Trip, Warren Haynes came out and assisted YMSB in playing one hell of a closing for their set.
Set List: If You’re Ever In Oklahoma, Don’t You Lean On Me, Rain Still Falls, How Bout You?, Steep Grade Sharp Curves, Casualty, Fingerprint>, Boatman, Idaho, Irondale, Blue Collar Blues, Snow On The Pines>, Death Trip
During Dave Mason‘s set, my buddy and I decided to check out the lovely art installations at the top of the mountain. Mountain Jam invited John (?) and Cappy Franti (Michael Franti’s son) from San Fransisco, as well as other artists, to create interactive works of art.
Art Installation @ Mountain Jam
The installations began at the start of the festival and the creativity flowed throughout the three days. The end result being three pieces of interactive art work that created seating, beauty and imagination. The collective artists inserted their visions through a spray paint medium (I think) onto the structures. They were really gorgeous to look at.
Passed out Wook!! @ Mountain Jam
Wookies were sprawled out all over the wooden structures. Passed out or just relaxing watching the intense scene of people down the mountain. Parents and their children were utilizing the space to save their children’s eardrums as the parents sat there without their own ear-protectors on. I always wear earplugs, especially while up front at festivals. But just look at the scene from where Murray and I sat and listened to Dave Mason and make new friends. GORGEOUS!
The only thing I knew about Dave Mason was that he is an old member of Traffic. As soon as I was told that, the song Feelin’ Alright popped in my head. It was the only one I could recall and at some point in the set, he played it. Woot! I didn’t really pay attention to Dave because I was raging all over the art installations with Murray, making new friends (Hi Carsten!) and getting lost inside the art maze. We had WAAAAY to much fun in there posing for pictures, enjoying the colors and shapes. Simple pleasures, but our minds sets were prepared for exactly what we were doing. From time to time, I would hear some intense raging coming from the stage. As we left the Maze, I entered an entire dancing mountain.
Everyone had recovered and the evening’s party had commenced. We hung out with our new friends for the rest of the set and knew that next time, I would sit and really pay attention to Dave Mason. He was amazing from what I heard and I wish I had heard more. And then front the top of the mountain, I heard Susan’s voice and flew past Murry to the front of the stage so fast that she hadn’t even hit the chorus of the song by the time I got to the center front. My second favorite group of the day was about to bring it.
The Derek Trucks & Susan Tedeschi Band @ Mountain Jam
I had been waiting for this moment ALL YEAR!!! I wasn’t able to go to Wanne Music Festival and they had yet to come to New York City. This was a BIG deal to me. Susan Tedeschi is my #1 favorite southern soul singer. A singer who has touched my life in ways that no one would ever understand. Then you have Derek Trucks, just the greatest guitarist on the planet. He too lifts my soul up when it’s on the ground. In my Top 3 List for favorite living guitarists hands down. Tyler Greenwell and Duane Trucks are out of this world. The Burbridge Brothers, well, they just wail. And, well, download the set or go see them! If I was loaded like Donald Trump, I would pay to have this band play for me once a day. Probably every morning, to wake me up with a soulful smile!
The Derek Trucks & Susan Tedeschi Band @ Mountain Jam
Derek Trucks @ Mountain Jam
Love Has Something To Say started their set with Susan bringing me her soulful voice immediately. That voice. It hits your guts. I feel a change in my mind and body WHENEVER her voice hits me. I am not a fan, I am a freak. LOL!! It’s so weird how she does that to me. Then Mike Mattison sang out a chorus as well and I was thrown back to college when I first heard that scratchy voice. Finally, Nigel Hall rang out a bit and the group gathered back into a collective after a Derek solo.
Susan Tedeschi @ Mountain Jam
I thought that song would be the song that started off the energy curve that would continue to rise with each song but Midnight in Harlem slowed the vibe down considerably. Nothing wrong with that. They had the mountain swaying in unison. Even with it being a calm song, Derek made his guitar softly rage into his solo…making my face tighten, my eyes close and my head thrown back feeling like my body would melt into the earth as I swayed.
Oteil, Susan & Derek @ Mountain Jam
Otiel Burbridge @ Mountain Jam
Susan’s voice was yet again showcased through Love Was All In My Mind but it was her guitar playing that made me scream here.Not as good as her husband but one HELL OF A RAGER!! It made me wonder if they sit together and just jam out in their living room while their kids run around playing. How wonderful. There was deliciously cute banter between Susan and Oteil. There is friendship and love within those glances. Such energy. I LOVE LOVE LOVE watching Oteil Burbridge play his bass. The smile on that man is intoxicating. It’s honest and pure, just like his playing. I’ve Got A Feeling was the same thing with excellent Susan vocals and I let me feelings take me over, dancing around in front with my fellow strangers, singing with their “Oh Yeahs!”
Husband and Wife (Hottest couple ever) @ Mountain Jam
Derek Trucks @ Mountain Jam
Derek played through Nobody’s Free, with not one, but two broken stings, waving away the stage tech to complete the song. The mountain erupted in an applause after this song that kind of shook my core. I was so happy I was not alone in ADORING this group. Susan introduced the band after a few more songs, describing everyone with a little snippet of love before they went into Don’t Drift Away. Derek pulled out a solo here that ripped out my heart. And for the first time that weekend I was brought to tears. Uncontrollable streams of happiness down my cheeks. I held it in as best as I could but I sit here looking at my notes with dots of smeared ink and I smile. I was surrounded by strangers who were all there for the same reason as I was. And here was this magnificent guitarist doing something he does every single day, bringing people to the edge of emotion. That thought alone made me shine.
Kofi Burbridge @ Mountain Jam
It was a slow, soulful start with Standing on the Edge of Love with the end of the song consisting of Derek’s raging guitar bringing the mountain UP! UP! UP. Oteil RIPPED the bass up during Serve It Up and then Susan’s adorable speaking voice asked us how we were and thanked Warren Haynes for having them at the Festival. Next up, Blind Crippled and Crazy was a familiar tune that got people singing around me. Mike giving us his sexy, smooth falsetto and Kofi Burbridge soloing on the organ with a vibe that made you want to get DOWN.
Warren Haynes with Derek Trucks and Susan Tedeschi Band @ Mountain Jam
Few more songs and then WE GOT A VISITOR!!! Warren Haynes joined the stage during Comin’ Home. Check out this GREAT video of the rage that occurred in front of my face. MY GOD!!! YES!!! YES!!! YES!!!!!
Set List –> Intro, Love Has Something Else To Say, Midnight In Harlem, Love Was All In My Mind, I’ve Got a Feeling, Nobody’s Free, Band Intros, Don’t Drift Away, Standing On The Edge Of Love, Look Around, Serve It Up, I’d Rather Be Blind, Crippled And Crazy, All My Love, Comin’ Home, Space Captain
The Derek Trucks & Susan Tedeschi Band @ Mountain Jam
After the The Derek Trucks and Susan Tedeschi Band set, I received a call from Nigel Hall, a dear friend of mine since Jam Cruise, who I hadn’t seen in a minute. We caught up about his tour with Derek and Susan while we walked around, finally unloading his bags from their tour bus. After a minute, Nigel boarded the bus and popped his head out telling me to come on in. That glorious man brought me on the tour bus and sitting there were Susan Tedeschi and Derek Trucks.
I was momentarily speechless as Nigel introduced me. Completely frozen as I bypassed Derek completely to shake Susan’s hand. All I could utter was “Your music saved me last year. You are a hero of mine.” But before I could get it all out, my voice cracked at “hero” and my eyes watered up as I was completely overwhelmed in the moment. It took all my might just to hold it together. She noticed my emotion, smiled and gave me a hug, calling me a “sweet dear.” I didn’t take pictures, I didn’t do anything. I just silently lost my mind trying not to let me emotions over take me. You have to remember that we are in Day II now of the festie which means little sleep and lots of raging has already takin place. I was in little control of my emotions but held it together.
So we sat, Derek, Susan, Nigel and I, chilling for about 20 minutes talking about the set, their tour, my NY stomping grounds, and much more. At one point Derek turns to Susan and says, “You and Karen should exchange numbers. We are always on the Upper East Side.” Honestly, I don’t think I can describe in words my reaction to this statement. First, I thought, what the HELL would she want with my number! Then I thought, who cares, I love her and she can have anything of mine she wants.
It was at that moment that I realized that as much as I ADORE/LOVE/WORSHIP Derek Trucks and consider him one of the greatest guitar players in the world, it was Susan who truly was my passion on that bus. It was her cover of Bob Dylan’s Don’t Think Twice, It’s All Right that truly grounded me and kept me sane in one of the worst times of my life. It’s why I broke down meeting her, all those feelings flooding back…knowing if all that evil hadn’t happened to me, I never would have made it on that bus to meet her. And I healed, just a little bit more… my heart opened up a little bit wider. And then finally we said our goodbyes. *** NIGEL! THANK YOU SO MUCH for knowing how important that was to me and for making it happen. THANK YOU!!! ***
The Villa Vosilla
The Lettuce crew was staying off site and so we took a little ride through the mountain and raged at the Villa Vosilla for a bit. Ate some dinner and relaxed in these ridiculous rooms that had me thinking I was in Alice in Wonderland. Yeah! Fully raged. We didn’t get back to the Festival until 11pm, just in time for the beginning of the second Gov’t Mule set. But missing the first Mule set was 110% worth it. The laughter on the ride back from the hotel alone made up for missing the music.
Rage room! @ Villa Vosilla
When we stopped at a check point, the police officers heckled us a bit. Our driver explained we needed to get to the festival and that this was a band. Finally, the officer asked the name of the band. Oh man. This was so good. Neal Evans leans over and says, “Lettuce.” The officer stared blankly for a minute and repeats “Lettuce” as if he must have misunderstood. “Lettuce. Did you say Lettuce?” “Yes,” says practically the whole van. Inside my head, I was laughing my ever loving mind off. The officer clearly thought we were herbs and finally let us pass. If he only knew the talent that was in that van…
I got back to the festival in time to rage the second set with my friends. However, I spent most of the first bit looking for them. Everyone’s phones were dying and my friends were up front amongst the masses. It didn’t take long before they found ME wondering around. I was pretty much in full face melting stance at this point and not taking notes. Just thrashing around the mountain dancing with my friends. All my favorite all stars joined the stage for this set and I was finally able to see Warren play with some favorites: The Shady Horns (Sam Kininger on Alto, Ryan Zoidis on Tenor Sax), Eric Krasno, and Jackie Green. I am not going to break it all down, you can download the set. But I will tell you that the encore of their set was a cover of Pearl Jam’sBLACK and it was awesome!!!
Set I: Railroad Boy >, Temporary Saint >, Gameface, Woodstock, Broke Down on the Brazos, Gordon James, Sad & Deep As You *, Kind Of Bird #, Blind Man in the Dark
Set II: The Joker ^, Frozen Fear >, D’yer Mak’er > Frozen Fear >, Rockin’ In The Free World >, Machine Gun > Rockin’ In The Free World >
Drums, Forevermore, The Spider & The Fly %$, Ventilator Blues !$, Monkey Man !, crowd, encore intro, Black, Train Kept A Rollin’
Lettuce brought the funk for the last time at 1m inside at the Colonel’s Stage while Dark Star Orchestra raged the Mainstage outside on the Mountain. I never once left the front of the Colonel’s stage. I couldn’t as I was glued to their sound. I was glued to their energy. I had absolutely no desire to see Dark Star even though I dig ’em.
The Shady Horns (Sam Kininger & Ryan Zoidis) @ Mountain Jam
Tonight we danced. We danced so hard. I was barely wearing anything, just a bikini and shorts, and I was dripping in FUNK! The good kind even though it was pretty hot! 🙂 Somewhere in the middle of the music, my buddy threw a head of Lettuce up on stage screaming, “We love You!” And it was true. My friends and I, a group of people who’s musical opinions I greatly value, are smitten with the Royal Family. Didn’t you know? 😉
Warren Haynes and Eric Krasno @ Mountain Jam
I could give you another run down on the Late night Lettuce rage but it would just be more of the same up from there. Gushing over how much we danced, raged, melted, and smiled. How amazing each player is and how TIGHT they all sound together. The group is just TIGHT. The Shady Horns play so impeccably in sync. But I won’t. I will stop right there and only say that Warren Haynes joined in towards the end of the set. Song #15 as the recording places it but as I do not listen to the recordings or read the reviews for shows until I write my own articles, I don’t know if it’s correct. And since I didn’t take note…
After the set, we walked up the mountain to the VIP tents and hung out for a few more hours with friends. Winding down, playing guitars and with lights. The sun started to come up and we knew it was time for bed. It’s the WORST trying to fall sleep as the sun is coming up. If you can get to bed before you see it, you are golden. Otherwise, it throws things completely off. My girl and I walked home in the misty rain and I hoped it would stop by afternoon when I awoke. I wanted more then anything to make The Bridge the next morning at 12pm but it was never going to happen. I finally fell asleep at 6am. When my body hit the bed, it was probably the most comfortable bed in the world at that moment. I know yall feel me. This festival was rockin’ our worlds. However, I had to keep it together because I had one more day of insanity…are you having fun with me so far??
Stay Tuned for Day III Review: Mountain Jam VI @ Hunter Mountain, NY (06.06.10)
Musical Musings of a Tiny Rager 