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Soulive: Photograph Courtesy of Calabro Music

Soulive: Photograph Courtesy of Calabro Music

Bowlive V: Night IV – Soulive feat. Jon Cleary and John Scofield @ The Brooklyn Bowl (03.18.14)

As the members of Soulive settled in over the years, their Brooklyn Bowl based annual residency, Bowlive, has became as institutional as the music itself. During the first week, the audience was privileged enough to enjoy the musical styling of vocalists Nigel Hall and Nicki Bluhm, turntablist DJ Logic, rocking guitarists Warren Haynes and Eddie Roberts, legendary bassist George Porter, Jr., and house band, The Shady Horns. Full band performances and collaborations by Leroy Justice and The London Souls added to the marvel. Every song sailed down the middle of the stage, rolled by the trio with the consistency of a pro bowler. This consistency, of course, has been the key to Soulive’s longevity.

“When Soulive hit the stage, I was surprised at how they constantly matched the energy from the previous nights. I’m always reminded of the 80’s power trio bands that filled a room with just three musicians and am amazed how these guys do it. A modern day jazz/funk power trio like no other.” ~ R.G.

Commencing with their second week of Bowlive V, Neal Evans, Alan Evans and Eric Krasno have put together another long list of talented musicians to keep us satiated for the remaining five nights. Over the next few evenings our musical senses will be overloaded with the likes of Joe Russo, Susan Tedeschi, Jon Cleary, Bill Evans, Alan Evans Trio, DMC (of Run DMC), Marco Benevento, Sonya Kitchell, and WOLF! Featuring Scott Metzger. You can also count on some surprise guests.

For night IV, Soulive made all the right moves, showering the audience in musical genius, making sure no one would regret coming out on a Tuesday night. With Jon Cleary and John Scofield as the special guests last night, it was the perfect kick-off for the second week. And what a kick-off it was. It was truly stimulating. Soulive and their guests performed one long extended set with Jon Cleary opening to a packed house at 8:30pm.

“Notes from the front line, my first encounter with Bowlive! Thank you Soulive and Brooklyn Bowl for making our first Brooklyn Bowl/Bowlive experience a very memorable one. From the moment we arrived, we were welcomed by the staff and had a great pre-show dinner, followed by the acquisition of the highly coveted John Warner Bowlive poster, which are limited to 15 posters per evening. After seeing some fellow Pittsburghers and Jam Cruisers, we secured our spots on the platform area with a killer view of the stage.” ~ M.M & L.M.

Jon Cleary Set
Unknown
I Feel So Damn Good I’ll Be Glad When I Get the Blues
Cheating On You
When You Get Back, We Gonna Cha Cha All Night Long
The Crave (an emotionally complex piece.)
I Get The Blues When It Rains
Unknown (Boogie Woogie Tune)

Phone Capture Courtesy By Rob Mishaan

Phone Capture Courtesy By Rob Mishaan

The venue was packed with devoted music fans. This wasn’t your average audience who was there to drink and chat it up with their friends. Almost every eye was fixated on the stage as Jon Cleary opened the night with a solo piano set showcasing his vested studies in the music of New Orleans. Having moved from Kent, England to study the music of New Orleans, Jon Cleary is arguably the best out there right now. A disciple of Professor Long Hair and James Booker, Cleary’s voice is salty-sweet and he is a master of the piano, organ and guitar. You may know him best as a member of Bonnie Raitt and Taj Mahal‘s bands and his own group, Jon Cleary & the Absolute Monster Gentlemen. With his blend of jazz, blues, soul, gospel, and honky-tonk, Cleary epitomizes New Orleans music. His set was evidence of his extreme caliber of musical knowledge.

Jon Cleary started the night of music off right, as I was immediately intrigued by his silky smooth voice and Deniro-esque looks. His “Big Easy” style was quite a cover for his British heritage. This new musical discovery for me had me Googling his discography this morning to see what else I could find out about this man!” ~ M.M. & L.M.

“Having just booked our trip to Nola for jazziest the night before I could not have asked for a better punctuation. Watching Jon Cleary play keys in such classic New Orleans style blew us away. I could only wonder if Neal Evans was peeking down the stairs to watch this guy.” ~ R.G.

Set I
Shaheed
Come Together
One in 7
For Granted
Cannonball
What You See Is What You Get
Nealization
Something’s Got A Hold on Me
Motherless Child
Walk With Me
Don’t Need No Doctor
Turn It Out
Hottentot

Encore: Get Back

Last night, there wasn’t three sets or even two sets, there was one long extended set which ended promptly at midnight. Soulive, The Shady HornsJon Cleary and John Scofield would command the stage with various genres of blues and jazz, filling every second of the evening with prodigious music. The set started out with the members of Soulive performing “Shaheed,” The Beatles‘ tune, “Come Together,” and “One in 7.” During “Come Together,” the audience sang along with heads bobbing and the stage lights flashing, while “One in 7” was played with a delightful intro. It was also during this time that there was some malfunction with Neal’s keyboards. Times like these can break a musical moment but Alan Evans picked up the slack by drumming his heart out while the chords on his brother’s rig were being fixed. When the audience heard the rejuvenation of the bass keys, it was on!

“Upon completion of Jon Cleary‘s set, Soulive took the stage, embracing me with their soul soothing sounds and reminding me that Neal Evans is a true bad-ass! Watching him lay down those bass lines with his left hand as his right hand plays the Hammond chords was literal music to my ears! The Beatles‘ cover “Come Together” got the crowd singing along, but you could see the anxious anticipation for the arrival of John Scofield, who was the special guest of the evening. Having the pleasure of watching such musical prowess and interplay in such close proximity was truly a treat.” ~ M.M.

“For Granted” and “Cannonball” were both played with the help of The Shady Horns. Ryan Zoidis (baritone/alto saxophone), Eric “Benny” Bloom (trumpet) and James Casey (alto saxophone/percussion) always bring a special vibe to the stage when they join Soulive. As much as they is a respected jazz trio, their vested interest in funk runs deep. The audience is blessed to have a horn ensemble in the mix of some of their favorite jazz tunes. “For Granted” was a wonderful showcase for the widely talented Ryan Zoidis, while James Casey absolutely stole the show with his performance on “Cannonball.” Eric Bloom took his liberties with his pedals and effects during his solo, as well.  These two songs were meant to showcase The Shady Horns and boy, did they deliver.

The Shady Horns were dead on, once again. Eric Bloom‘s effects-enhanced solos and James Casey killed it, as always, while Ryan continues to be the mainstay. Gonna get some more rest today so I can get back there tonight with Tedeschi!!!” ~ R.G.

The eyes say so much, and they speak even louder when a musician closes his eyes and is fully immersed in song. This happened to Krasno throughout the remainder of the set. When Scofield came on the stage, Krasno was in a blissed-out state of being, eyes closed, in total focus. “What You See Is What You Get,” a major hit for the Dramatics in 1971, is Scofield’s interpretation of Detroit soul music.  The beautiful thing about John Scofield is that even though he covers many old tunes, the arrangements are all his own. “Nealization,” obviously composed by Neal Evans, was a fantastic representation of his talent. Scofield played lead guitar while Krasno played rhythm. The entire crew on stage was grinning from ear to ear while the ax-men played off each other, trading delicious licks on their guitars.

“I have been a fan of John Scofield since the first time I saw him at The Bottom Line in NYC in 1980. I always mark this night as a must go. Even having stayed home from work sick, I got the energy up to get there. I was not disappointed!!! It is so obvious that Kraz uses Sco as a mentor and has used him as one of his many inspirations. As it is equally obvious how Sco is impressed with Kraz. There dueling solos blew the entire audience away. Sco has a way of making his guitar sing.” ~ R.G.

“Can someone explain to me how Neal Evans solos on keys with Soulive while also dropping funky bass? Meanwhile, I can’t even rub my tummy and tap my head at the same time…” ~ K.S.

“Neal Evans is the most underrated bass player in music. His right hand gets so funky, we forget his left is leading us to the promise land.” ~ J.S.

The next two songs were songs off John Scofield‘s latest album release, Piety Street. The Rev. James Cleveland cover, “Something’s Got A Hold On Me,” was first but it was “Motherless Child,” a traditional negro spiritual born out of slavery and sung by Cleary with sharp new harmonies, that grabbed the audience’s attention. 

“When I heard “Motherless Child,” I almost didn’t recognize it. I recognized that I was hearing the words of a song I knew but the arrangement was so different from the versions I’d previously heard.  I am aging myself by saying this but I remember the first time I ever heard that song. I was just 15 years old. It is the hidden song within Track 11 off the Cracked Rear View album by Hootie and The Blowfish. Y’all remember that? Darius Rucker sings the song in it’s traditional A-Capella style. It was as beautiful to back then as it was now, hearing it in this new style and arrangement. I adore when modern musicians take classic songs and make them their own.” ~ K.D.

“One of my favorite moments of the evening, was when the stage was packed with everyone on the bill, Soulive, The Shady Horns, Scofield and Clearly as they played a tune that featured three part harmonies of Alan EvansJon Cleary and Eric “Benny” Bloom. I look forward to finding that show on Archive.org to relive that moment and sing along with them!” ~ M.M.

Photo Courtesy of Mark Dershowitz

Photo Courtesy of Mark Dershowitz

Then, the jazz/organ trio pulled a new maneuver out of their Bowlive bag of tricks. Jon Cleary and John Scofield remained on stage, while Soulive and The Shady Horns exited. This would be the first time in Bowlive history where the band allowed the stage to be commanded solely by the guests. It was not a coincidence that Jon Cleary and John Scofield were the two guests playing on the bill last night. Cleary is not only renowned for his ability to play the ivories, but he also composes music and went on to write and join John Scofield on the the road singing and playing with Scofield’s Piety Street Band. Needless to say, the combination of the two artists performing their song, “Walk With Me,” was electrifying and unique. Cleary sat back and watched as Scofield took a few measures for himself before joining in the song.

Through great applause, John Scofield leaned into the microphone. Referring to Cleary, he says, “This guy can play a mean piano but did you know he is an amazing guitarist, as well?” With that, Cleary jumped from the keys and moved to guitar while Krasno picked up the bass for “Don’t Need No Doctor.” Scofield continued, “John Mayer used to sing this song, but you should hear Cleary sing this song.” The audience laughed. The horns had left the stage but James Casey remained playing percussion. Casey is an amazing horn player but his talent by way of understanding sounds in percussion has grown exponentially since we saw him last year at Bowlive IV.  During the song, Scofield could be seen bouncing around, pointing to the next member on stage he wanted to pull a solo.

“I want to say that my highlight was “What You See Is What You Get,” “Nealization” or “Hottentot,” but honestly I had two highlights. (1) Cleary killing it on guitar with Kraz killing it on Bass, and (2) Scofield directing traffic. Maybe it’s an elder statesman thing, but the respect that guy engenders on stage is impressive. He was absolutely in charge and was clearly enjoying going tit for tat with everyone. I especially loved when [John Scofield] made a point to give Alan some play time, because, give the drummer some! Am I right? All in all, just a beast of a show. I fucking love Bowlive.”  ~ B.M.

Jon Cleary‘s turn was up and he retired backstage. The Shady Horns were also held back as Soulive and John Scofield played, “Turn It Out.” This was the time for all the jazz heads to revel in the genre. As much as Soulive likes to give us the funk, jazz is their priority and their growing reputation on this musical path is what has brought them this far. Scofield’s reputation in the Jazz community runs deeper and Krasno’s idolization of Scofield’s style is evident in how Krasno, himself, plays. So you can imagine how equally graceful and intense this part of the set was.

“Seeing two guitar gods trade licks was invigorating, and truly impressive at the same time, as you could see the admiration that Krasno has for Scofield as they both played their hearts out! It was ON, for sure!! “Turn It Out” brought back some great musical memories for me, as I harkened back to a January 2003 Soulive show that took place in an Italian restaurant in the tiny mountain town of Makawao, HI on the island of Maui. It reinforced the fact that we made a great decision to make the trek for our first Bowlive and it’s got me jazzed looking forward to what I’ll get to experience tonight! Thank you Eric, Alan and Neal!! You and your friends bring me musical delight!” ~ M.M.

We love you madly,” said Scofield, “This one is a groover, called ‘Hottentot,’ so let’s keep dancing.” And dance we did. The venue never emptied out like in previous nights and this was a true testament to the musicianship on stage. Like I mentioned previously, this wasn’t your average audience of bar goers. There were super fans in the audience for each of the artists on stage and they were there in full support all night. Alan Evans was featured on a rousing drum solo during “Hottentot.”  He is honestly one of the best jazz drummers around and the audience was overheard speaking on how they were looking forward to the Alan Evans Trio opening for Bowlive on night six.

Everyone was brought back on stage for the single-song encore, “Get Back.” A Beatles‘ tune, it was expertly played by the musicians on stage, having all worshiped the Beatles at some point in their musical careers.  The audience was invested as well and sang along with bodies bouncing. It was a perfect ending to a wonderful collaboration of musicians.

——————————

Tonight, Jon Cleary will return with special guests jazz saxophonist Bill Evans, acclaimed Brooklyn drummer Joe Russo and southern vocalist and guitarist Susan Tedeschi. 

——————————

List of Special Guests and Openers:

THURSDAY MARCH 13 – Special Guest: NIGEL HALL, EDDIE ROBERTS, more TBA

FRIDAY MARCH 14 – Special Guests: GEORGE PORTER JR. & SPECIAL GUESTS TBA
Opener: LEROY JUSTICE

SATURDAY MARCH 15 – Special Guest: GEORGE PORTER JR. feat. a special LONDON SOULIVE joint set
Opener: THE LONDON SOULS

TUESDAY MARCH 18 – Special Guest: JOHN SCOFIELD
Opener & Special Guest: JON CLEARY

WEDNESAY MARCH 19 – Special Guests: JOE RUSSO & SUSAN TEDESCHI
Opener & Special Guest: JON CLEARY

THURSDAY MARCH 20 – Special Guest: DMC (of RUN DMC) and TALIB KWELI
Opener: ALAN EVANS TRIO

FRIDAY MARCH 21 – Special Guest: Marco Benevento, Sonya Kitchell, Roosevelt Collier, Felix Pastorius, Oteil & Kofi Burbridge, and Brandon Niederauer
Opener: SONYA KITCHELL

SATURDAY MARCH 22 – Special Guest: Bill Evans and more TBA
Opener: WOLF! Featuring Scott Metzger

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Tedeschi/Trucks Band (Photo by Suzy Perler)

Tedeschi/Trucks Band (Photo by Suzy Perler)

One of the most beautiful things about music is its ability to connect to us on so many levels.  There is the connection between the audience and the musicians; we love them, we hate them, we worship them, we envy them, we listen to them and we critique them.  There is the connection between the musicians on stage as they smile at each other, follow and lead the jam getting lost in the music as we do.  There is a connection to the music through emotions, as the songs make us weep, laugh, get angry, get hyper or sullen. Physically, we dance to the grooves and our connection to the venue and our fellow audience members becomes established as we release our energy onto them.  Finally, the better the group is, the harder, deeper and more intense the connections prove to be.

Tedeschi/Trucks Band (Photo by Suzy Perler)

Tedeschi/Trucks Band (Photo by Suzy Perler)

Derek Trucks (Photo By Dino Perrucci)

Derek Trucks (Photo By Dino Perrucci)

The creation of the Tedeschi/Trucks Band connects very deeply with me on all those levels.  Derek Trucks is my favorite guitarist alive.  When he takes a solo, I many times lose my shit.  He is still the only guitarist who can make me cry in the middle of a rock song, any song for that matter.   Yes, we all know I cry freely when music touches me but no one can get me going as quickly as Derek can.

Susan Tedeschi (Photo by Dino Perrucci)

Susan Tedeschi (Photo by Dino Perrucci)

Susan Tedeschi is hands down my favorite singer in our scene.  When I broke off my engagement a few years ago, her music/voice played an intense part in my healing process.  Specifically, go check out her cover of Bob Dylan’s “Baby, Don’t Think Twice.”  Tell me you don’t LOVE that song!

I was privileged enough to meet them both on their tour bus at Mountain Jam last year and was able to yet again, build another connection as I thanked them for their music, spoke with them about NY living and just hung with them as “regular” people, not the famous musicians I had come to love and worship after finding their talent in 2000.

Susan and Derek (Photo by Dino Perrucci)

Susan and Derek (Photo by Dino Perrucci)

At the end of the day, the beauty of this group lies in its greatest connection: LOVE.  Love is the deepest connection two people can have.  Susan Tedeschi and Derek Trucks are married.  A connection so great and built on love’s foundation.  As well, Derek and Susan chose their line-up wisely, picking from musicians they themselves love and whose talent they feel is outstanding.  When you mix love and music you get The Tedeschi/Trucks Band!

RAGE!!!!!!!!  (Photo by Dino Perrucci)

HE PUT ON HIS RAGE FACE!!!!!!!! (Photo by Dino Perrucci)

The Tedeschi/Trucks Band
Derek Trucks – Guitar
Susan Tedeschi – Guitar & Vocals
Oteil Burbridge – Bass
Kofi Burbridge – Keys & Flute
Tyler Greenwell – Drums
JJ Johnson – Drums
Mike Mattison – Backing Vocals
Mark Rivers – Backing Vocals
Maurice Brown – Trumpet
Kebbi (?)- Saxophone
Unknown – Trombone

The Highline Ballroom was packed! Not surprisingly, the performance had sold out within days of tickets going on sale. The venue withheld the tickets for pick up at the club box office to deter ticket reselling, something I hadn’t dealt with before. There was no opening band and the band took to the stage a little after 8pm to a crazy excited audience.

Oteil Burbirdge (Photo by Suzy Perler)

Oteil Burbirdge (Photo by Suzy Perler)

I’d say that 75% of the audience were 40+ yr old men who needed a fix of their bro-crush from The Allman Brothers Band.  Personally, I wondered how many of these men truly cared about anyone else on stage.  Certainly, The Allman Brother’s fans noticed the amazing Oteil Burbridge  on stage.  I know I did. What a line up.  Oteil’s brother, Kofi, took his rightful place behind the keyboard.

Kofi Burbridge (Photo by Suzy Perler)

Kofi Burbridge (Photo by Suzy Perler)

As all Derek and Susan projects, Mike Mattison was on backup vocals.  Then, there was Mark Rivers, someone who I had never heard of before and I can’t seem to find any information on. Send me a link if you find something! Their voices blended seamlessly with Susan’s but I didn’t really get a full effect from them closer to the end of the performance.

Susan & Derek (Photo by Dino Perrucci)

Susan & Derek (Photo by Dino Perrucci)

Tyler Greenwell, an alumni of the school of Colonel Bruce Hampton, made himself known on stage throughout the whole night with his thick drumming. Great musicality.  JJ Johnson, the second drummer on stage, was a new name to my ears.  His latest venture has been touring as John Mayer’s drummer.  I’ve always loved John Mayer’s songwriting and lyrics but it stops with his music.  Let’s hope JJ Johnson isn’t as much as a douche as Mr. Mayer like to portray himself.  I am sure he isn’t because only great karma gets you a post within the band of one of these magnificent musicians!

Maurice Brown (Photo by Dino Perrucci)

Maurice Brown (Photo by Dino Perrucci)

Susan Tedeschi (Photo By Dino Perrucci)

Susan Tedeschi (Photo By Dino Perrucci)

The horn section was good. I want to say out of this world but I couldn’t really feel anything from two out of the three horn players.  Sadly, I can’t find any mention of the names of the horn section either and the only person I recognized on stage was Maurice Brown on trumpet. Maurice was the horn player who throw it down until the encore.  He was the stand out of the horn section as he ripped open his solo on Uptight (video below), as he twirled his trumpet to the beat like a cowboy does a gun and how he got down dancing completely into the groove when the music moved him. He is a pleasure to watch just like Oteil.  Great stage presence.  Each of the musicians on stage were connected to Derek and Susan in some way but I believe Maurice Brown is the only member not to have played with them before.

(Photo by Suzy Perler)

(Photo by Suzy Perler)

Derek Trucks (Photo by Dino Perrucci)

Derek Trucks (Photo by Dino Perrucci)

Kicking the set off with the instrumental Five Minute Rule, the entire 11-piece ensemble warmed up their instruments and busted out a bit of their chops.  They were just itching to release their music upon us.  They covered epically jamming covers like The Meter’s funky Just Kissed My Baby and Jimi Hendrix’s Manic Depression with Oteil on vocals. At a point in the song, the members on stage back off as Kofi and Oteil were being spotlighted.  My eyes followed Derek and Susan as they sat down on some speakers.  I watched Susan sit down, put her hand on her husband’s leg and smiled deeply into his eyes and mouthed “Hi!”  It was so touching. During the drummer focus at the end of  Stevie Wonder’s Uptight (Outta Sight), both drummers gave us a taste of their talent.  Combined, we were delivered a sense of their sound and sensitivity.


The  group sang a number of songs from their new album, Revolver.  The soulful Love Has Something Else To Say was beautiful. As well, The Derek Trucks Band cover, Midnight in Harlem resonated through the venue as Susan’s emotive vocals carried it away.

Kofi & Susan (Photo by Dino Perrucci)

Kofi & Susan (Photo by Suzy Perler)

Sly Stone’s Simple Song brought the absolute heat.  Susan Tedeschi and Mike Mattison’s vocals was sultry and possessive of the energy in the room.  Mattison’s standing out more for this one, however.  Kofi Burbridge brought it up with the keys. Kofi just sounds better every time I hear him.  Sadly, I don’t think I ever heard the flute.  Maurice Brown took the best solo of the night from the horn players yet again, destroying the funky rock song with a huge jazz0filled solo.  And behind it all, Oteil’s bass line could be heard solid and full of get down funky.  They killed this song!!!

Maurice Brown (Photo by Dino Perrucci)

Maurice Brown (Photo by Dino Perrucci)

The set ended with Herbie Hancock’s Space Captain. Might have been the greatest, most upbeat song of the night!! The spotlight was on Kofi Burbridge as he busted out the intro on keys and was showcased throughout the song in his solos.  Susan’s vocals filled in the rest and the drummers made themselves known. But it wasn’t until Derek Trucks ripped us his solo that I really lost it, weeping openly a few measures in.  Derek Trucks shred our faces off!! Oteil followed me and went, well, nuts.  bouncing all over the stage and dancing with his bass!!  The man is brilliant.   I lost my shit in the second row as I saw the musicians on stage putting on their rager faces and feeling Derek as well. Derek’s ever composed, precise, intense playing makes him one of the world’s greatest guitarist and a master at the slide.  Susan threw her hands up in praise toward him and at that moment Highline Ballroom was Church and Derek Trucks was God!!

Susan & Oteil (Phot By Dino Perrucci)

Susan & Oteil (Phot By Dino Perrucci)

With the ending of such a killer performance they could have gone out on that note and still gotten rave reviews.  KILLER ending to a set but the audience wanted more!!  Before the rest of the band came back to the stage, Kebbi on saxophone player began to rage.  Kebbi ripped right into a hyper jazz solo which eventually was supplemented by JJ Johnson on drums. And yes, he was great! I also gotta say the saxophonist killed that part of the show so I take back what I said about Maurice owning the horn section all night.  Eventually, everyone rejoined and the danceable funky blues song, Bound For Glory, the only song from their new album that is available for download, was the last song played.

The Tedeschi/Trucks band is absolutely brilliant.  Having the past connections of playing with each other behind them, they are way past the rehearsal stage in their third show.  With musicians with never ending talent  and an amazing set list, the night’s performance was a solid treat for the middle of the week.  Listening to this entire set and watching Derek Trucks, I realized that I hadn’t seen him so spirited in a long, LONG time.  His smile was evident throughout the night as was his Rager face!  Susan Tedeschi got me so into the mood that it brought tears to my eyes.  I hadn’t felt this touched by music in a long, long time.

I thought the show/band was great — but with that much talent up there, how could they not be? If I had a criticism, it’s that the show was too short… we want more! ~ Jonathon A.

Derek Trucks (Photo by Suzy Perler)

Derek Trucks (Photo by Suzy Perler)

SetList:
Five Minute Rule>
Love Has Something Else To Say
Midnight In Harlem
Just Kissed My Baby
Comin’ Home
Till You Remember
Sing A Simple Song
Nobody’s Free
That Did It
Uptight>Bass>Drums>
Manic Depression (Oteil vocal)
Space Captain

Encore:
Kebbi & JJ jam>
Bound For Glory

Download Tedeschi/Trucks Highline Ball Room Show Here!!

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July 2010 Potential Show Run Down

July 2010 Potential Show Run Down

(If there is ANYTHING that I have missed, please point it out.)

Thursday, July 1st, 2010:

  • ($unknown) Gent Treadly @ The Frying Pan
  • ($5-$7) Biz Markie (DJ Set) @ Brooklyn Bowl
  • ($15) Reggie Watts @ Le Poisson Rouge

Friday, July 2nd, 2010:

  • Nothing??  Hmmm…….

Saturday, July 3rd, 2010:

  • (Free) ISTANBULIVE II: The Sounds & Colors of Turkey featuring Kenan Dogulu, mor ve otesi, Ilhan Ersahin’s Istanbul Sessions, Burhan Ocal Tulug Tirpan, Sukriye Tutkun, & DJ Salih Saka @ Summerstage
  • (Free) West African Band @ St. Nicks, Harlem

Sunday, July4th, 2010:

  • Nothing??  Hmmm…….

Monday, July 5th, 2010:

  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) Mingus Big Band @ The Jazz Standard

Tuesday, July 6th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($55) B-52’s @ The Highline Ballroom
  • ($15) Wilco’s Nels Cline @ (Le) Poisson Rouge for two sets with his band The Nels Cline Singers.

Wednesday, July 7th, 2010

  • (Free) The Farewell Drifters @ Madison Square Park
  • ($10) Dumpstaphunk @ The Brooklyn Bowl (Funk Live)
  • ($25) Bonobo Dj Set w/ BreakScience @ Rocks Off Cruise (The Temptress)
  • ($17) Garage A Trois & Dead Kenny G’s @ The Bowery Ballroom
  • ($12) Chico Mann @ Mercury Lounge

Thursday, July 8th, 2010:

  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($8) Assembly of Dust (Feat. Jason Crosby) @ Brooklyn Bowl
  • ($17) Garage A Trois & Dead Kenny G’s @ Maxwell’s, NJ
  • ($45-$65) Steve Earle & Allison Moorer @ City Winery

Friday, July 9th, 2010:

  • (Free) Ozomatli / Fidel Nadal / Toy Selectah @ Prospect Park
  • (Free) Apollo Run @ Rockwood Music Hall
  • ($8) Assembly of Dust (Feat. The Statesmen: Jonah Smith, Josh Dion, Scott Metzger & Ben Rubin) @ Brooklyn Bowl
  • ($18) – Soul Rebels Brass Band @ Sullivan Hall (Funk Live)
  • ($25-$40) James Hunter & Jesse Dee @ City Winery
  • ($   ) Henry Butler @ Terra Blues
  • SOLD OUT!! ($40) God Street Wine @ Gramercy Theater
  • ($100) Rusted Root for the Flood Sisters Kidney Foundation of America “Love.Give.Life.” Event @ Broad Street Ballroom

Saturday, July 10th, 2010:

  • SOLD OUT!!! ($40) God Street Wine @ Gramercy Theater
  • (Free) West African Band @ St. Nicks, Harlem
  • ($30-$100+) The Doobie Brothers & Chicago @ Nikon at Jones Beach Theater

Sunday, July 11th. 2010:

Monday, July 12th, 2010:

  • (Free) Femi Kuti @ Damrosch Park (Funk Live)
  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) Mingus Big Band @ The Jazz Standard
  • ($35-$45) Blind Boys of Alabama @ Alice Tully Hall, Starr Theater
    • “Spirit in the Dark” Featuring Yo La Tengo, Yim Yames of My Morning Jacket, Lambchop, Marshall Allen and the Sun Ra Horns, and Exene Cervenka

Tuesday, July 13th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery Funk Live
  • (?) The London Souls @ Cameo Gallery
  • ($20) KT Tunstall @ Hiro Ballroom
  • ($75) Sting @ The Metropolitan Opera House

Wednesday, July 14th, 2010:

  • (FREE) NY Philharmonic in Central Park
  • (FREE) Naomi Shelton & Gospel Queens @ Stuy Town Oval
  • (FREE) Funky Fritters @ Waterside Plaza Music Fest (Funk Live)
  • ($35-$45) Blind Boys of Alabama @ Alice Tully Hall, Starr Theater
    • “The Unbroken Circle” Featuring Ralph Stanley, Yonder Mountain String Band, Sara Watkins, Ray Benson and Jason Roberts of Asleep at the Wheel, and Allison Moorer
  • ($70) Jack Johnson: To The Sea Tour 2010 (w/ G. Love & Special Sauce) @ Madison Square Garden
  • ($75) Sting @ The Metropolitan Opera House

Thursday, July 15th, 2010:

  • (FREE) Brother Joscephus and the Love Revival Revolution Orchestra @ BID Music Outdoor Concert Series
  • ($5) Langhorn Slim @ The Brooklyn Bowl
  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($15) Animal Liberation Orchestra @ Santos House Party
  • ($20) Orchard Lounge @ Club Love
  • ($25) Beats Antique @ Le Poisson Rouge
  • ($25-$30) Eric Krasno & Chapter 2 @ Rocks Off Cruise (Funk Live)
  • ($25-$30) Turbine @ Rocks Off Cruise
  • The Brew maybe? Jambase confirms but not on Rocks Off schedule
  • ($45-$65) Steve Earle & Allison Moorer @ City Winery
  • ($52.50 – $60) Natalie Merchant @ Town Hall

Friday, July 16th, 2010:

  • ($20-$25) Pre-party Cruise to Dave Matthews Band Show @ Citi Field on Rocks Off Cruises
  • ($10) NYC SHAKEDOWN: ATNARKO w/ Brooklyn Sound Lab & Nutritious @ The Bell House (Prior Review)
  • ($5) Greensky Bluegrass @ Brooklyn Bowl
  • ($20) Hollis Brown @ Rocks off Cruise
  • ($35-$45) Blind Boys of Alabama @ Alice Tully Hall, Starr Theater
    • “Blind Boys of Alabama Family Revival” Featuring Aaron Neville, Joan Osborne, Dan Zanes, New Orleans’ Own Hot 8 Brass Band, Charlie Musselwhite, and John Hammond
  • ($40) God Street Wine @ The Fillmore at Irving Plaza
  • ($54) Weezer @ East River State Park
  • ($52.50 – $60) Natalie Merchant @ Town Hall
  • ($90) Dave Matthews Band @ Bethel Woods Center for the Arts

Saturday, July 17th, 2010:

  • An Evening FREE Dead Kenny G’s in Virginia
  • Siren Music Festival (Noon-9pm @ Coney Island)
  • (Free) Konono No. 1 @ Prospect Park Bandshell
  • (Free) Raphael Saadiq @ Summerstage
  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Dr. Dog & Eli “Paperboy” Reed & the True Loves @ The Beach at Governors Island
  • ($13-$15) The London Souls @ Bowery Ballroom
  • ($25) Toubab Krewe @ Rocks Off Cruise (The Jewel)
  • ($40) God Street Wine @ The Fillmore at Irving Plaza
  • ($50) Hot Tuna & Steve Earle @ Theater at Westbury

Sunday, July 18th, 2010:

  • ($30-$100+) Carlos Santana & Steve Winwood @ Nikon at Jones Beach Theater
  • (FREE) Brother Joscephus & the Love Revival Revolution Orchestra @ Roosevelt Island

Monday, July 19th, 2010:

  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) Mingus Big Band @ The Jazz Standard

Tuesday, July 20th, 2010:

  • (FREE) Dred Scott Trio @ Rockwood Music Hall
  • ($56-$36) Loudon Wainwright III @ Prospect Park Bandshell
  • ($47.50) Sublime with Rome, Matisyahu, and the Dirty Heads @ Nikon at Jones Beach Theater

Wednesday, July 21th, 2010:

  • (Free) Easy Star Allstars @ Stuyvesant Town Oval
  • (Free) Burning Spear @ Rockefeller Park
  • ($30-$100+) John Mayer @ Nikon at Jones Beach Theater

Thursday, July 22th, 2010:

  • Floyd Music Festival, Virginia
  • ($7) Gent Treadly @ Uncle Mike’s
  • (Free) Antibalas @ Castle Clinton
  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($25-$30) Joe Krown, Walter “Wolfman” Washington & Russell Batiste @ Rocks Off Cruise (The Half Moon) (Funk Live)
  • ($30-$100+) John Mayer @ Nikon at Jones Beach Theater
  • ($45-$60) Widespread Panic @ Radio City Music Hall
    • ($12) Jerry Joseph @ Sullivan Hall (Post Widespread Show)

Friday, July 23rd, 2010

  • Floyd Music Festival, Virginia
  • ($10) Reckoning @ Sullivan Hall
  • ($20) Davell Crawford @ Joe’s Pub (NolaPianoFunk)
  • ($65-$85) Dickey Betts & Great Southern @ The Concert Hall

Saturday, July 24th, 2010

  • Floyd Music Festival, Virginia
  • (Free) West African Band @ St. Nicks, Harlem
  • ($47-$100+) Rush @ Nikon at Jones Beach Theater

Sunday, July 25th, 2010:

  • Floyd Music Festival, Virginia
  • ($10) Reckoning: Playing the Music of Phish, The Dead, Allman Bros

Monday, July 26th, 2010:

Tuesday, July 27th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($17) Arrested Development @ B.B. Kings
  • ($5) Brother Joscephus and the Love Revival Revolution Orchestra @ The Brooklyn Bowl
  • ($35) The Black Keys @ Central Park’s Summerstage
  • ($42.50) The Flaming Lips @ Terminal 5
  • ($75 – 200+) Sting @ Nikon at Jones Beach Theater (w/ Royal Philharmonic Orchestra)

Wednesday, July 28th, 2010:

Thursday, July 29th, 2010:

  • GATHERING OF THE VIBES MUSIC FESTIVAL
  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($13-$15) The Lemonheads @ The Knitting Factory
  • ($10) Trouble & Bass @ Santos Party House
  • ($30) Larry Coryell Power Trio w/ Victor Bailey & Lenny White @ The Iridum Jazz Club
  • SOLD OUT ($40) Furthur @ Nokia Theater Times Square
  • ($45-$65) Steve Earle & Allison Moorer @ City Winery

Friday, July 30th, 2010:

  • GATHERING OF THE VIBES MUSIC FESTIVAL
  • ($10) Ghost Stepper @ Mercury Lounge
  • ($30) Larry Coryell Power Trio w/ Jeff ‘Tain’ Watts @ The Iridum Jazz Club
  • ($36.50) Primus / Gogol Bordello & The Dead Kenny G’s @ Williamsburg Waterfront
  • ($20-$50) Jamie McLean & The Jamie Mclean Band @ The Blue Note

Saturday, July 31st, 2010:

  • GATHERING OF THE VIBES MUSIC FESTIVAL
  • (Free) Los Amigos Invisibles @ Central Park Summerstage
  • (Free) Ponderosa Stomp presents The Detroit Breakdown! @ Hearst Plaza / Damrosch Park
  • New York Funk Exchange @ Bohemian Hall & Beer Garden
  • (Free) West African Band @ St. Nicks, Harlem
  • ($30) Larry Coryell Power Trio w/ Jeff ‘Tain’ Watts @ The Iridum Jazz Club

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Stephen Chopek (aka SodaCan) lives and works as a musician and artist in Jersey City, NJ. He is a multi-instrumentalist and self-taught artist. His work explores the connections that exist in the process of creating music and visual art.

Chopek’s music is the sum of many parts – what he terms audio collage. Individual elements are both created by the artist and sampled from previously existing sources. They are then gathered, categorized, arranged, dissected, deconstructed, sliced, diced, manipulated, repeated, rearranged, recycled, reused, and molded into original compositions.

SodaCan = Stephen Chopek

SodaCan = Stephen Chopek

He also applies the collage technique to visual art and poetry. Chopek’s mixed media works take readily accessible materials and found objects out of their original contexts and reshapes them into new compositions.

Chopek began studying drum set and classical percussion at a young age. While performing with William Patterson University‘s percussion ensemble, he pursued his interest in composers such as Steve Reich, John Cage, and Edgar Varèse. Later, Chopek furthered his studies with drummer Billy Martin of Medeski Martin and Wood and percussionist Leon Parker.

As a drummer, Stephen has toured the world and recorded with Charlie Hunter, John Mayer, Marc Broussard, Jesse Malin, The Alternate Routes, and many others.  He maintains a busy performing and recording schedule while spreading the word about SodaCan to new audiences.

For free downloads, visual art, and more information, please visit the SodaCan website at www.SodaCanSodaCan.com

As well, Stephen will be joining The Sullivan Street Shakedown with Mikey Beatz & Zoe Wilder on June 19, 2010 at Sullivan Hall.  Please join us 🙂

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