Posts Tagged ‘Bonnie Raitt’

Soulive: Photograph Courtesy of Calabro Music

Soulive: Photograph Courtesy of Calabro Music

Bowlive V: Night IV – Soulive feat. Jon Cleary and John Scofield @ The Brooklyn Bowl (03.18.14)

As the members of Soulive settled in over the years, their Brooklyn Bowl based annual residency, Bowlive, has became as institutional as the music itself. During the first week, the audience was privileged enough to enjoy the musical styling of vocalists Nigel Hall and Nicki Bluhm, turntablist DJ Logic, rocking guitarists Warren Haynes and Eddie Roberts, legendary bassist George Porter, Jr., and house band, The Shady Horns. Full band performances and collaborations by Leroy Justice and The London Souls added to the marvel. Every song sailed down the middle of the stage, rolled by the trio with the consistency of a pro bowler. This consistency, of course, has been the key to Soulive’s longevity.

“When Soulive hit the stage, I was surprised at how they constantly matched the energy from the previous nights. I’m always reminded of the 80’s power trio bands that filled a room with just three musicians and am amazed how these guys do it. A modern day jazz/funk power trio like no other.” ~ R.G.

Commencing with their second week of Bowlive V, Neal Evans, Alan Evans and Eric Krasno have put together another long list of talented musicians to keep us satiated for the remaining five nights. Over the next few evenings our musical senses will be overloaded with the likes of Joe Russo, Susan Tedeschi, Jon Cleary, Bill Evans, Alan Evans Trio, DMC (of Run DMC), Marco Benevento, Sonya Kitchell, and WOLF! Featuring Scott Metzger. You can also count on some surprise guests.

For night IV, Soulive made all the right moves, showering the audience in musical genius, making sure no one would regret coming out on a Tuesday night. With Jon Cleary and John Scofield as the special guests last night, it was the perfect kick-off for the second week. And what a kick-off it was. It was truly stimulating. Soulive and their guests performed one long extended set with Jon Cleary opening to a packed house at 8:30pm.

“Notes from the front line, my first encounter with Bowlive! Thank you Soulive and Brooklyn Bowl for making our first Brooklyn Bowl/Bowlive experience a very memorable one. From the moment we arrived, we were welcomed by the staff and had a great pre-show dinner, followed by the acquisition of the highly coveted John Warner Bowlive poster, which are limited to 15 posters per evening. After seeing some fellow Pittsburghers and Jam Cruisers, we secured our spots on the platform area with a killer view of the stage.” ~ M.M & L.M.

Jon Cleary Set
I Feel So Damn Good I’ll Be Glad When I Get the Blues
Cheating On You
When You Get Back, We Gonna Cha Cha All Night Long
The Crave (an emotionally complex piece.)
I Get The Blues When It Rains
Unknown (Boogie Woogie Tune)

Phone Capture Courtesy By Rob Mishaan

Phone Capture Courtesy By Rob Mishaan

The venue was packed with devoted music fans. This wasn’t your average audience who was there to drink and chat it up with their friends. Almost every eye was fixated on the stage as Jon Cleary opened the night with a solo piano set showcasing his vested studies in the music of New Orleans. Having moved from Kent, England to study the music of New Orleans, Jon Cleary is arguably the best out there right now. A disciple of Professor Long Hair and James Booker, Cleary’s voice is salty-sweet and he is a master of the piano, organ and guitar. You may know him best as a member of Bonnie Raitt and Taj Mahal‘s bands and his own group, Jon Cleary & the Absolute Monster Gentlemen. With his blend of jazz, blues, soul, gospel, and honky-tonk, Cleary epitomizes New Orleans music. His set was evidence of his extreme caliber of musical knowledge.

Jon Cleary started the night of music off right, as I was immediately intrigued by his silky smooth voice and Deniro-esque looks. His “Big Easy” style was quite a cover for his British heritage. This new musical discovery for me had me Googling his discography this morning to see what else I could find out about this man!” ~ M.M. & L.M.

“Having just booked our trip to Nola for jazziest the night before I could not have asked for a better punctuation. Watching Jon Cleary play keys in such classic New Orleans style blew us away. I could only wonder if Neal Evans was peeking down the stairs to watch this guy.” ~ R.G.

Set I
Come Together
One in 7
For Granted
What You See Is What You Get
Something’s Got A Hold on Me
Motherless Child
Walk With Me
Don’t Need No Doctor
Turn It Out

Encore: Get Back

Last night, there wasn’t three sets or even two sets, there was one long extended set which ended promptly at midnight. Soulive, The Shady HornsJon Cleary and John Scofield would command the stage with various genres of blues and jazz, filling every second of the evening with prodigious music. The set started out with the members of Soulive performing “Shaheed,” The Beatles‘ tune, “Come Together,” and “One in 7.” During “Come Together,” the audience sang along with heads bobbing and the stage lights flashing, while “One in 7” was played with a delightful intro. It was also during this time that there was some malfunction with Neal’s keyboards. Times like these can break a musical moment but Alan Evans picked up the slack by drumming his heart out while the chords on his brother’s rig were being fixed. When the audience heard the rejuvenation of the bass keys, it was on!

“Upon completion of Jon Cleary‘s set, Soulive took the stage, embracing me with their soul soothing sounds and reminding me that Neal Evans is a true bad-ass! Watching him lay down those bass lines with his left hand as his right hand plays the Hammond chords was literal music to my ears! The Beatles‘ cover “Come Together” got the crowd singing along, but you could see the anxious anticipation for the arrival of John Scofield, who was the special guest of the evening. Having the pleasure of watching such musical prowess and interplay in such close proximity was truly a treat.” ~ M.M.

“For Granted” and “Cannonball” were both played with the help of The Shady Horns. Ryan Zoidis (baritone/alto saxophone), Eric “Benny” Bloom (trumpet) and James Casey (alto saxophone/percussion) always bring a special vibe to the stage when they join Soulive. As much as they is a respected jazz trio, their vested interest in funk runs deep. The audience is blessed to have a horn ensemble in the mix of some of their favorite jazz tunes. “For Granted” was a wonderful showcase for the widely talented Ryan Zoidis, while James Casey absolutely stole the show with his performance on “Cannonball.” Eric Bloom took his liberties with his pedals and effects during his solo, as well.  These two songs were meant to showcase The Shady Horns and boy, did they deliver.

The Shady Horns were dead on, once again. Eric Bloom‘s effects-enhanced solos and James Casey killed it, as always, while Ryan continues to be the mainstay. Gonna get some more rest today so I can get back there tonight with Tedeschi!!!” ~ R.G.

The eyes say so much, and they speak even louder when a musician closes his eyes and is fully immersed in song. This happened to Krasno throughout the remainder of the set. When Scofield came on the stage, Krasno was in a blissed-out state of being, eyes closed, in total focus. “What You See Is What You Get,” a major hit for the Dramatics in 1971, is Scofield’s interpretation of Detroit soul music.  The beautiful thing about John Scofield is that even though he covers many old tunes, the arrangements are all his own. “Nealization,” obviously composed by Neal Evans, was a fantastic representation of his talent. Scofield played lead guitar while Krasno played rhythm. The entire crew on stage was grinning from ear to ear while the ax-men played off each other, trading delicious licks on their guitars.

“I have been a fan of John Scofield since the first time I saw him at The Bottom Line in NYC in 1980. I always mark this night as a must go. Even having stayed home from work sick, I got the energy up to get there. I was not disappointed!!! It is so obvious that Kraz uses Sco as a mentor and has used him as one of his many inspirations. As it is equally obvious how Sco is impressed with Kraz. There dueling solos blew the entire audience away. Sco has a way of making his guitar sing.” ~ R.G.

“Can someone explain to me how Neal Evans solos on keys with Soulive while also dropping funky bass? Meanwhile, I can’t even rub my tummy and tap my head at the same time…” ~ K.S.

“Neal Evans is the most underrated bass player in music. His right hand gets so funky, we forget his left is leading us to the promise land.” ~ J.S.

The next two songs were songs off John Scofield‘s latest album release, Piety Street. The Rev. James Cleveland cover, “Something’s Got A Hold On Me,” was first but it was “Motherless Child,” a traditional negro spiritual born out of slavery and sung by Cleary with sharp new harmonies, that grabbed the audience’s attention. 

“When I heard “Motherless Child,” I almost didn’t recognize it. I recognized that I was hearing the words of a song I knew but the arrangement was so different from the versions I’d previously heard.  I am aging myself by saying this but I remember the first time I ever heard that song. I was just 15 years old. It is the hidden song within Track 11 off the Cracked Rear View album by Hootie and The Blowfish. Y’all remember that? Darius Rucker sings the song in it’s traditional A-Capella style. It was as beautiful to back then as it was now, hearing it in this new style and arrangement. I adore when modern musicians take classic songs and make them their own.” ~ K.D.

“One of my favorite moments of the evening, was when the stage was packed with everyone on the bill, Soulive, The Shady Horns, Scofield and Clearly as they played a tune that featured three part harmonies of Alan EvansJon Cleary and Eric “Benny” Bloom. I look forward to finding that show on Archive.org to relive that moment and sing along with them!” ~ M.M.

Photo Courtesy of Mark Dershowitz

Photo Courtesy of Mark Dershowitz

Then, the jazz/organ trio pulled a new maneuver out of their Bowlive bag of tricks. Jon Cleary and John Scofield remained on stage, while Soulive and The Shady Horns exited. This would be the first time in Bowlive history where the band allowed the stage to be commanded solely by the guests. It was not a coincidence that Jon Cleary and John Scofield were the two guests playing on the bill last night. Cleary is not only renowned for his ability to play the ivories, but he also composes music and went on to write and join John Scofield on the the road singing and playing with Scofield’s Piety Street Band. Needless to say, the combination of the two artists performing their song, “Walk With Me,” was electrifying and unique. Cleary sat back and watched as Scofield took a few measures for himself before joining in the song.

Through great applause, John Scofield leaned into the microphone. Referring to Cleary, he says, “This guy can play a mean piano but did you know he is an amazing guitarist, as well?” With that, Cleary jumped from the keys and moved to guitar while Krasno picked up the bass for “Don’t Need No Doctor.” Scofield continued, “John Mayer used to sing this song, but you should hear Cleary sing this song.” The audience laughed. The horns had left the stage but James Casey remained playing percussion. Casey is an amazing horn player but his talent by way of understanding sounds in percussion has grown exponentially since we saw him last year at Bowlive IV.  During the song, Scofield could be seen bouncing around, pointing to the next member on stage he wanted to pull a solo.

“I want to say that my highlight was “What You See Is What You Get,” “Nealization” or “Hottentot,” but honestly I had two highlights. (1) Cleary killing it on guitar with Kraz killing it on Bass, and (2) Scofield directing traffic. Maybe it’s an elder statesman thing, but the respect that guy engenders on stage is impressive. He was absolutely in charge and was clearly enjoying going tit for tat with everyone. I especially loved when [John Scofield] made a point to give Alan some play time, because, give the drummer some! Am I right? All in all, just a beast of a show. I fucking love Bowlive.”  ~ B.M.

Jon Cleary‘s turn was up and he retired backstage. The Shady Horns were also held back as Soulive and John Scofield played, “Turn It Out.” This was the time for all the jazz heads to revel in the genre. As much as Soulive likes to give us the funk, jazz is their priority and their growing reputation on this musical path is what has brought them this far. Scofield’s reputation in the Jazz community runs deeper and Krasno’s idolization of Scofield’s style is evident in how Krasno, himself, plays. So you can imagine how equally graceful and intense this part of the set was.

“Seeing two guitar gods trade licks was invigorating, and truly impressive at the same time, as you could see the admiration that Krasno has for Scofield as they both played their hearts out! It was ON, for sure!! “Turn It Out” brought back some great musical memories for me, as I harkened back to a January 2003 Soulive show that took place in an Italian restaurant in the tiny mountain town of Makawao, HI on the island of Maui. It reinforced the fact that we made a great decision to make the trek for our first Bowlive and it’s got me jazzed looking forward to what I’ll get to experience tonight! Thank you Eric, Alan and Neal!! You and your friends bring me musical delight!” ~ M.M.

We love you madly,” said Scofield, “This one is a groover, called ‘Hottentot,’ so let’s keep dancing.” And dance we did. The venue never emptied out like in previous nights and this was a true testament to the musicianship on stage. Like I mentioned previously, this wasn’t your average audience of bar goers. There were super fans in the audience for each of the artists on stage and they were there in full support all night. Alan Evans was featured on a rousing drum solo during “Hottentot.”  He is honestly one of the best jazz drummers around and the audience was overheard speaking on how they were looking forward to the Alan Evans Trio opening for Bowlive on night six.

Everyone was brought back on stage for the single-song encore, “Get Back.” A Beatles‘ tune, it was expertly played by the musicians on stage, having all worshiped the Beatles at some point in their musical careers.  The audience was invested as well and sang along with bodies bouncing. It was a perfect ending to a wonderful collaboration of musicians.


Tonight, Jon Cleary will return with special guests jazz saxophonist Bill Evans, acclaimed Brooklyn drummer Joe Russo and southern vocalist and guitarist Susan Tedeschi. 


List of Special Guests and Openers:



SATURDAY MARCH 15 – Special Guest: GEORGE PORTER JR. feat. a special LONDON SOULIVE joint set

Opener & Special Guest: JON CLEARY

Opener & Special Guest: JON CLEARY


FRIDAY MARCH 21 – Special Guest: Marco Benevento, Sonya Kitchell, Roosevelt Collier, Felix Pastorius, Oteil & Kofi Burbridge, and Brandon Niederauer

SATURDAY MARCH 22 – Special Guest: Bill Evans and more TBA
Opener: WOLF! Featuring Scott Metzger

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Robben Ford, Toss Panos, Andy Hess & John Scofield @ The Blue Note (12.01.10)

Happy Birthday To Ali Greenberg!!  Ali made my night by picking a wonderful choice performance for her birthday celebration, choosing an intimate John Scofield and friends performance at the Blue Note in the East Village, NYC for a lovely Wednesday night of music.

On stage tonight was:

Robben Ford – Guitar & Vocals
Toss Panos – Drums
John Scofield – Guitar
Andy Hess – Bass

Robben Ford, Toss Panos, Andy Hess & John Scofield - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

Robben Ford, Toss Panos, Andy Hess & John Scofield - The Blue Note, NYC (Photo by Dino Perrucci)

Video and pictures, other then professionals, were prohibited and as our crew arrived early, we were sitting pretty much directly on the stage and I was unable to get away with much.  Thank goodness for Dino Perrucci of Dino Perrucci Photography being present to capture a few moment on camera for us! The pictures throughout the article are his. THANKS DINO!!

I was excited to see tonight’s performance not so much for John Scofield this time but for Andy Hesss and specifically Robben FordRobben Ford is a five-time Grammy nominee and has played with artists as diverse as Joni Mitchell, Jimmy Witherspoon, Miles Davis, George Harrison, Phil Lesh, Bonnie Raitt, Claus Ogerman, Michael McDonald, Bob Dylan, John Mayall, Greg Allman and many others.

Robben Ford - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

Robben Ford - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

After the first song (unknown title), John Scofield introduced the members of his posse on stage.  There was a joke made then went into Traveling Riverside Blues, a Robert Johnson original made famous by Led Zepplin.  A JAMMING Good Morning Little School Girl was next, a song covered so many times that it has been acknowledged by the Blues Foundation Hall of Fame.

The joking continued throughout the night into the next song.  Robben Ford suggested that John had created this blues style song during their two day rehearsals in L.A. and he believed it didn’t have a name.

Yes! We practiced!Robben snickered.

Scofield responds, “Yeah, you have to rehearse the blues.  And actually, the song does have a name and it’s called Slow Blues in F Sharp. ”

It’s in the second fret,”  jokes Scofield to Robben, the audience half gasping, half laughing. “Just kidding! He knows what he is doing!

Robben Ford & John Scofield - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

Robben Ford & John Scofield - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

Andy Hess, ex-bass player for Gov’t Mule, ripped his spot the entire set.  Being that I was positioned directly under Scofield, hoping not to get sweat dripped on me as the place was scorching hot, Andy was blocked most of the set but his strings stood out in each song. My ears kept being drawn to his style of playing.  I found their song choices for the evening fun and feisty as opposed to some stiff jazz performance. The boys had fun in that short window of music.

John Scofield - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

John Scofield - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

Sadly, the set only last a little over an hour, one hour and seven minutes to be exact.  Having to pay $35 to be seated at The Blue Note plus having a $5 minimum at your seat (which really means another $10 plus tip as nothing costs $5.00), brought the bill up and I expected more music for that price, especially since the following set didn’t begin until 10:30pm.  I felt a bit slighted, not going to lie.  AND you have to pay again to view the second set.  Alas…it was annoying but it was worth it regardless.  A nice birthday celebration with friends over a show is never something to complain about 🙂

The crew on stage debated over the next song.  Lovin’ Cup was “on thier list” so they choose that one. John Scofield talked about how he and Robben were fourteen years old together back in 1966 and loved this song.

Aside from the short length of the performance, it was a nice quick bite of music for a Wednesday night.  Can’t go wrong with that 🙂  Everyone should check out Robben Ford when you get a chance.  The guy wails.

Set list: Unknown First song, Traveling Riverside Blues, Good Morning Little School Girl, Slow Blues in F-Sharp, Lovin’ Cup

John Scofield - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

John Scofield - The Blue Note, NYC 12110 (Photo by Dino Perrucci)

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The 2010 New Orleans Jazz and Heritage Festival:

An “Easy D” Perspective: Friday, April 30, 2010

Mike "Easy D" Deasy

Mike "Easy D" Deasy

(Read Easy D’s “Prologue” here)

(Read Easy D’s “Wednesday, April 28, 2010” here)

(Read Easy D’s “Thursday, April 29, 2010” here)

Canal Street (Photo by Jon Weber)

Canal Street (Photo by Jon Weber)

Although I was extremely well rested from the mega-sleep Thursday night, I did not make it out to the fairgrounds early.  We waited while one of our Krewe finally made it to the hotel after a very bad Air Tran experience.  Hey, more time to party…works for me!

Photo by Lynn Lesh

Photo by Lynn Lesh

The weather forecast for the rest of the weekend was cloudy, windy, with the chance of rain getting worse as the weekend wore on.  The storm that ravaged Nashville, Tennesse and many other places looked like it would stay north of New Orleans; Sunday might be the worst rain day.  We made allowances for the weather by throwing raincoats and ponchos into a backpack.

The Chateau Bourbon Hotel portion of my Krewe turned me on to the school bus shuttle to the Fest.  For a $17 round trip, you get door to door service to the fest in an air-conditioned school bus.  It was like being in the HOV lane!  So much better than taking a taxi.  Take note you future festers!

Photo by Derek B.

Big Chief Victor Harris the 2nd Friday @ Jazz Fest, Jazz & Heritage Stage (Photo by Derek B.)

Once out to the fairgrounds, we paused at the Jazz & Heritage stage for the Fi Yi Yi & the Mandingo Warriors.  Not the best of Indian shows.  We didn’t stay long since we were on our way to Gentilly stage anyway for the subdudes.

The Subdudes (Photo by Adam McCullough)

The Subdudes' John Magnie (Photo by Adam McCullough)

The subdudes are a great roots rock band that has been around on and off since 1987.  They are known for their sparse instrumentation with a strong emphasis on songwriting and vocal harmonies.  The current lineup consists of:

Tommy Malone – lead vocals, electric and acoustic guitars

John Magnie –  vocals, organ, keyboards, accordion

Steve Amedée – vocals, tambourine, drums, percussion, electric mandolin

Tim Cook – harmony vocals, bass, percussion

Jimmy Messa – bass, guitar, vocals

Look for a club show action shots of the subdudes in a future installment.  The dudes set was excellent, left me wanting more…I knew I would see them again soon…

Steve Riley And The Mamou Playboy (Photo by Tamara Grayson)

Steve Riley And The Mamou Playboy (Photo by Tamara Grayson)

Next up: A stroll by the Sheraton New Orleans Fais Do Do stage for Steve Riley & the Mamou Playboys, a great Cajun band.  This is an act I have been meaning to check out for years. A special treat: three trombonists from Bonerama joined the stage during their performance!

Steve Riley’s 2008 performance at Jazz Fest earned him a Grammy Award nomination. Though he lost out to Terrance Simien and the Zydeco Experience Band, Riley is a musician worthy of local support and national acclaim. Zydeco music is mostly heard a little further west, but Jazz Fest is a great opportunity to check out some great local music. ~The Daily Reveille~

The Trio (Photo by David Grunfeld)

The Trio (Photo by David Grunfeld)

Time for some food!  I chose another one of my all time favorites.  My friends and I call it the Trio, but it is identified as a platter.  The Trio consists of Alligator Pie, a large Shrimp Stuffed with Crabmeat, and Fried Green Tomatoes.  Mmmm…and all for $10.

Next up: The set that I have been looking forward to for weeks: The New Orleans Social Club in the Blues tent.  This is an all-star band consisting of:

Ivan Neville (Dumpstaphunk) – Keyboards and Vocals

Henry Butler – Piano and Vocals

George Porter, Jr. (The Meters, etc) – Bass and Vocals

Leo Nocentelli (The Meters) – Guitar and Vocals

Raymond Weber (Dumpstaphunk) – Drums and Vocals

At the fairgrounds, in the below video, the New Orleans Social Club burns through the end of the Wild Tchopitoulas classic “Indian Red.”

If you ever get a chance to see Henry Butler perform, I urge not to walk, but run to see him.  He is a national treasure.  To give you an idea, check out this video about the recording of Honeybee for Papa Mali’s Do Your Thing album:

There was no reason to leave the Blues tent since The Derek Trucks & Susan Tedeschi Band were up next.   This husband and wife team were excellent as usual.  The band also included a couple of Burbridges:  Oteil, the bassist from The Allman Brothers Band and Kofi, keys, flute, etc. from The Derek Trucks Band.

It was very hot and extremely humid in the tent so my gang moved on.  Earlier in the day, we received word that Aretha Franklin had canceled for some undisclosed diva reason.  Late replacement:  Earth, Wind and Fire at the Acura stage!  Very nice!  After a couple of sexy soulful  tunes, my Krewe (of guys) all started looking at each other kinda funny.  We realized that we better head for the school bus and head back to the French Quarter.  A very nice day indeed.  And the weather held up!!!

Earth, Wind and Fire @ Jazz Fest 2010

Earth, Wind and Fire @ Jazz Fest 2010

Friday Evening at the Rock ‘N’ Bowl

Rock 'N' Bowl

Rock 'N' Bowl

There were lots of great music choices for Friday night club shows.  I really wanted to see 7 Walkers featuring Papa Mali and Bill Kreutzman.  They were playing a theater show opening for Gov’t Mule as well as a later show at Mardi Gras World. When I’m in New Orleans, I much prefer to go to the clubs instead of a theater.  There are so many fun clubs in New Orleans in so many different neighborhoods.  Much of the time, magical things happen when musicians go from club to club to sit in on other artist’s sets.

John Mooney at the Rock 'N' Bowl

John Mooney at the Rock 'N' Bowl

We decided to go to The Rock ‘N’ Bowl, a great music venue and bowling alley in the Mid City neighborhood.   A couple of years ago, The Rock ‘N’ Bowl moved from one location to more spacious quarters on Carrollton Ave.  The new place is much nicer for music, much more spacious and comfortable.  The lineup for the evening:  John Mooney and Bluesiana, Sonny Landreth, and Bonerama.

John Mooney is a delta, swamp, slide, Louisiana blues guitarist and singer who has called New Orleans home since 1976.  John’s trio put on a great performance while enduring the chatter that opening acts inevitably have to deal with.

Sonny Landreth @ Jazzfest 2010

Sonny Landreth @ Jazzfest 2010

Next up Lafayette Louisiana’s own Sonny Landreth, another Louisiana slide master.  I am a longtime fan of Sonny.  How big a fan?  My 12 year old Nissan Sentra sports a Sonny Landreth bumper sticker that reads ‘My Other Car is a Zydecoldsmobile’ which references Sonny’s rockin’ tune USS Zydecoldsmobile.  Sonny has a long career of collaborations with the likes of John Hiatt and the Goners (along with Sonny’s bassist David Ranson), Bonnie Raitt, Buckwheat Zydeco, Jimmy Buffett, and many others.

Grant Street Album

Grant Street Album

For this show, Sonny had his usual power trio setup with David Ranson on bass, and a drummer du jour.  Tunes in the set included Native Stepson, Port of Calling, All About You, and USS Zydecoldsmobile.  To get a sense of Sonny live, I recommend Sonny’s Grant Street live album.


Lastly we all had to get ‘boned’.   Bonerama is a rock band fronted by several trombones/horns.   In addition to playing killer covers, Bonerama featured three songs in the set from their excellent recently released Hard Times EP.   Later in the show, the Bones brought up to the stage guitarist Jimmy Robinson (Woodenhead, Twangorama) for the end of the set and the encore.  Bones and guitar for Whipping Post and War Pigs!  Yeah you right!

Bonerama set list:

Bayou Betty
Cabbage Alley
Lost My House
The Ocean
Hard Times
I Got Loaded
Close The Door
Whipping Post *
Folly *

Encore: War Pigs *

Note: * w/ Jimmy Robinson on Guitar

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