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Bowlive IV Recap Including Day & Night 8 Reviews

We’ve officially been “Bowlived” for the fourth year as Soulive reached the finish line of their 4th Annual residency, Bowlive, on Saturday night. It’s a bittersweet feeling; similar to the feelings you get when you have to leave an amazing few weeks at summer camp. For the members of Soulive, seeing the regular faces and New York City fan dedication is a wonderful energy for them to play off of throughout the run. In turn, fans get to see their favorite artists night after night, performing exquisitely executed originals and crushing covers with spectacular guests. All the while, both fans and band dance around with each other, their friends, and other musicians in the audience who are there just to bare witness. Everyone smiles and engages each other, soaking up every glorious note. It’s a symbiotic relationship that is hard to fall away from after being dipped so deeply for eight nights. So, when the end comes, we must remind ourselves that these residencies are special because they only happen once a year! Soulive reminds themselves that they have something special to look forward to as much as the audience does. And each year, the audience witnesses the unfolding of a beautiful musical dynasty that Eric Krasno and brothers Neal and Alan Evans have created.

 Unlike the three previous year’s run, Soulive chose to focus their energy into eight shows instead of ten. This choice applies great pressure to any band who chooses to change the formula of a well-established and respected event. Bowlive fans expect a certain caliber of guests, a high level of surprise sit-ins, and some spectacular musical experiences that sometimes end up being a once-in-a-lifetime moment.  Soulive knows this to be true and always takes the time to consider such factors. How about having Mod dancers bust out into the bowling lanes during the second set of Night I?! It was just go time at that point!

Over the course of eight nights, guitarist Eric Krasno, bass keyboardist Neal Evans and drummer Alan Evans provided a stage and support for fantastic and exciting artists. They played endless jams in multiple styles across the musical spectrum, which is an important goal of the residency every year. Special guests included rocking Southern Blues brothers, guitarist Luther Dickinson and his brother, drummer Cody Dickinson, the 1970’s soul vocalist, Lee Fields and his modern day counterpart, Nigel Hall. There was the unmatched pedal steel slide guitarist Robert Randolph, legendary jam scene DJ, DJ Logic, and The Shady Horns lent their wall of sound during the second week with the help of crushing saxophonist Bill Evans one night. Some of America’s most outstanding keyboardists, 1970’s Memphis blues keyboardist, Booker T. Jones, mad scientist and keyboard wizard, John Medeski, and the ever experimental Marco Benevento, dominated their time on stage. Stepping in to melt faces on guitar was the astonishing Los Lobos’s David Hildago and The Meter’s Leo Nocentell. Soulive closed out their epic week playing with America’s most famous funk bassist, George Porter. Jr.

Another exciting element of Bowlive each year is the choice opening bands Soulive picks to set the audience’s mood each night. Due to a benefit at the Brooklyn Bowl on Night Six, there were only seven opening groups, all delivering a variety of musical power. The ridiculous ragers who make up Kung-Fu opened the run with so much fury. It was a perfect choice. The rocking Sister Sparrow and the Dirty Birds, The London Souls and Leroy Justice got the dance floor grooving. It was also a great pleasure to see two powerful females amongst the male-dominated residency by way of Alecia Chakour (The Alecia Chakour Band) and Arleigh Kincheloe (Sister Sparrow). The soul and flavor of love got shot to our hearts with The Nigel Hall Band, the Alecia Chakour Band and Cocheme Gastulum’s The Electric Sound of Johnny Arrow. You’re encouraged to read about them all in the previous night’s posts.

Then, you have the unannounced guests who are a separate list of continual, crushing talent. The Allman Brother’s southern rock guitarist Warren Haynes and slide guitarist Derek Trucks surprised the audience with a secret full third set on Night Two. Trombonists Sanders Sermon (Tedeschi/Trucks Band) and Natalie Cressman (Trey Anastatio Band) and trumpeters Maurice Brown and Igmar Thomas, and saxophonist Cocheme Gastulum (Sharon Jones and the Dap Kings), enhanced the wall of horns over the run on various nights. Behind everything, the chemistry and talents of Eric Krasno, Neal Evans and Alan Evans, are what make Bowlive possible.

Perhaps the most special show for many Soulive fans is the Kids show. Soulive held another KidsBowl performance early Saturday afternoon from 2pm to 3pm. These specific types of shows bring Soulive’s music to both the fans children and the unknowing adults who bring their kids to bowl on a Saturday, not knowing what a treat they are in for.  For dedicated Bowlive fans, the kids show is a wonderful way for the individual dancing alone at night to bring his or her family to meet one another.  The reality of life becomes evident as the adults were in “parent” mode, not “party” mode. Babies were crawling on the dance floor and children of all ages were running around in bowling shoes. The lights were on and bumpers were out. In their hour, they performed a few Soulive originals and brought Meter’s bassist, George Porter, Jr. It was when the set was over that the real raging began, however, when the children were allowed on stage to play with instruments and dance.

KidsBowl Set:

Uncle Jr.

Vapor

Hat  Trick

Turn It Out

Hey Pockey Way (w/ George Porter, Jr.)

How Sweet It Is (To Be Loved By You)

 It was back to party time with the evening show and The Alecia Chakour Band opening. Her blues siren vocals backed by Neal Evans on keys, bassist Alex Chakour, drummer Caito Sanchez, saxophonist Cocheme Gastulum, and trombonist Dave “Smoota” Smith, were perfection.  After a lovely instrumental intro, Chakour sang seven band originals, including “Runaway,” “Over Again,” “You Didn’t Tell Me,” and “The Sun.” Each member of her band taking solos and leads amongst her sweet sounding vocals. This was a fantastic group of soulful musicians and a perfect choice to transition into the funk-filled evening.

Opening Set:

1. Instrumental

2. Runaway

3. Over Again

4. You Didn’t Tell Me

5. The Sun

6.Ghost

7. Shirley

8. Everything Time I See You (Stevie Wonder Cover)

The important point of all of this, simply, was the music. Music that creates a passion within Soulive and luckily, that passion is extended to the fans. For the final evening of their amazing residency Soulive would play host to their mentor in funk, Meter’s bassist, George Porter Jr. But not before bringing it home for the Soulive purists, proving once again what a sick power trio they truly are.  The first set was pure fire, and with help from the Shady Horns, there was nothing to divert our thoughts from what was most important.  The set was full of sick Soulive originals, “Uncle Jr.,” “Aladdin,” and “One in Seven.” “Lenny,” a Stevie Ray Vaughn cover and highlight of any set, allows Krasno to open up a can of whoop ass upon your ears. He broke his string during his ripping solo. Enough said. The London Souls’ Tash O’Neal (guitar and vocals) and Chris St. Hilaire (drums) joined for the a “cover” of their own “Steady Are You Ready” then stayed on to help deliver a crushing version of Howlin’ Wolf’s “Killin’ Floor” in the vein of Electric Flag’s version. Remember, as we learned on Night Four, Krasno is a huge Tash O’Neal fan, so you can imagine the chemistry.

Set I:

Uncle Jr. (w/ Shady Horns)

Aladdin (w/ Shady Horns)

Come Together (Beatles cover)

Lenny (Stevie Ray Vaughn cover)

One In Seven

Steady Are you Ready (London Souls cover w/ Tash O’Neal & Chris St. Hilaire)

Killin Floor (Howlin’ Wolf Cover…Electric Flag Version w/ w/ Tash O’Neal & Chris St. Hilaire)

 Soulive performed a beautiful rendition of “El Ron,” before George Porter, Jr. was introduced for Set II, continuing on as one of Bowlive’s greatest musical mainstays.  During this tune, the Shady Horns, with the help of guest saxophonist Cocheme Gastulum, broke off into an extended improvisational blowing session with Alan supporting on drums. For lack of better words, it could best be described as a drum line for horns. A Hornline, if you will?! The entire second set evolved into of slew of classics from The Meter’s catalog.

“People Say,” kicked off a funk-fueled set with James Casey delivering a rousing solo. Casey has carried a saxophone around his next all week and when he plays, it’s clear that he was meant to blow a horn.  However, it must be mentioned that over the run, Casey provided grooving percussion on the congas for many songs. It was a dance party for “Hey Pockey Way,” as Porter announced that, “Everyday should be Mardi Gras!!!”  Then, audience participation time for the fun tune, “Hand Clapping Song.”  The next Meter’s original, “Out in the Country,” was performed in the style of Porter’s slow emotional arrangement from his It’s Life album. This was a gorgeously played ballad that tugged at the heartstrings of the crowd in a deep way. From a personal perspective, it brought tears to my eyes, almost opening the floodgates until I reeled it back in.  I wasn’t alone in this outpour of emotions. Again, acknowledging that this super-stimulating, night time version of summer camp, full of friendly faces, is like ending an addiction cold-turkey. Bowlive is an institution in the Jam Band universe at this point, it lasts longer than many music festivals, and it’s not easy for the die-hards when it ends.

The set ended and no one moved.  There was just endless screaming and shouting of Krasno and the Evans brother’s names. Then, Brooklyn Bowl owner, Peter Shapiro, stepped onto the stage. On the last night of every Bowlive, right before the final encore of the run, Peter Sharpio does something special for Bowlive’s loyal audience in an effort to show his gratitude for their support of live music.  At the end of the first Bowlive, 700 shots of tequila were handed out from the stage.  He kept it entirely mellow last year by passing around Aromatherapy plants: Sage, Rosemary and Thyme, asking that the audience to grab sprigs of each plant and inhale. This was to encourage a revitalization within our body, mind and soul for the energy to dance on for one more song. Not missing a creative beat, Peter Shapiro took the mic on this final night and thanked us for our loyalty in proper rockstar fashion. He alerted the audience that this was a milestone 40th show for Bowlive and that the he had had made t-shirts with “40” on the back and “BOWLIVE” on the front. XL shirts went flying around the venue and Shapiro asked that the audience put them on right away before Soulive would deliver us our double encore of “He Bite Me (The Dragon)” and “Ain’t No Use.” The gifting of the shirts was a smart and fun way to end this year’s Bowlive.

Set II:

El Ron (w/ Shady Horns and Cocheme Gastulum)

People Say

Take A Chance

Hey Pockey Way

Jezebel

Hand Clapping Song

Out In the Country

Encore:

He Bite Me (The Dragon)

Ain’t No Use

Soulive has truly cemented their reign as a musical dynasty. A talented trio on top of their game in this unforgiving musical bastion of NYC. The magnitude of music overheard during the last two weeks was dynamic and inspiring.  The guests and the musicians solos were magnificent, diverse and captivating. Soulive always gives us something to look forward to every single night of Bowlive and this year was nothing less.

On personal note, I hope these reviews have helped supplement the wealth of musical knowledge that Soulive bequeathed upon us during Bowlive IV.  It is a delight and a  privilege to witness Bowlive every year and count Soulive and the Brooklyn Bowl as part of my local music scene. It also goes without saying that it is an honor and a true highlight of my career to be blessed to write for this amazing phenomenon called Bowlive. Thank you to Peter Shapiro, the Brooklyn Bowl, all the staff and production crew. Thank you to Royal Family Records for the opportunity to cover such a delightful event. A giant thank you to all the guests who lent their sound to the stage. Finally, the biggest congratulations and thank you to Alan Evans, Neal Evans and Eric Krasno for making it all possible. Your fans eagerly await to see what you have in store for Bowlive V!

Karen Dugan

tinyrager.com

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Tedeschi/Trucks Band (Photo by Suzy Perler)

Tedeschi/Trucks Band (Photo by Suzy Perler)

One of the most beautiful things about music is its ability to connect to us on so many levels.  There is the connection between the audience and the musicians; we love them, we hate them, we worship them, we envy them, we listen to them and we critique them.  There is the connection between the musicians on stage as they smile at each other, follow and lead the jam getting lost in the music as we do.  There is a connection to the music through emotions, as the songs make us weep, laugh, get angry, get hyper or sullen. Physically, we dance to the grooves and our connection to the venue and our fellow audience members becomes established as we release our energy onto them.  Finally, the better the group is, the harder, deeper and more intense the connections prove to be.

Tedeschi/Trucks Band (Photo by Suzy Perler)

Tedeschi/Trucks Band (Photo by Suzy Perler)

Derek Trucks (Photo By Dino Perrucci)

Derek Trucks (Photo By Dino Perrucci)

The creation of the Tedeschi/Trucks Band connects very deeply with me on all those levels.  Derek Trucks is my favorite guitarist alive.  When he takes a solo, I many times lose my shit.  He is still the only guitarist who can make me cry in the middle of a rock song, any song for that matter.   Yes, we all know I cry freely when music touches me but no one can get me going as quickly as Derek can.

Susan Tedeschi (Photo by Dino Perrucci)

Susan Tedeschi (Photo by Dino Perrucci)

Susan Tedeschi is hands down my favorite singer in our scene.  When I broke off my engagement a few years ago, her music/voice played an intense part in my healing process.  Specifically, go check out her cover of Bob Dylan’s “Baby, Don’t Think Twice.”  Tell me you don’t LOVE that song!

I was privileged enough to meet them both on their tour bus at Mountain Jam last year and was able to yet again, build another connection as I thanked them for their music, spoke with them about NY living and just hung with them as “regular” people, not the famous musicians I had come to love and worship after finding their talent in 2000.

Susan and Derek (Photo by Dino Perrucci)

Susan and Derek (Photo by Dino Perrucci)

At the end of the day, the beauty of this group lies in its greatest connection: LOVE.  Love is the deepest connection two people can have.  Susan Tedeschi and Derek Trucks are married.  A connection so great and built on love’s foundation.  As well, Derek and Susan chose their line-up wisely, picking from musicians they themselves love and whose talent they feel is outstanding.  When you mix love and music you get The Tedeschi/Trucks Band!

RAGE!!!!!!!!  (Photo by Dino Perrucci)

HE PUT ON HIS RAGE FACE!!!!!!!! (Photo by Dino Perrucci)

The Tedeschi/Trucks Band
Derek Trucks – Guitar
Susan Tedeschi – Guitar & Vocals
Oteil Burbridge – Bass
Kofi Burbridge – Keys & Flute
Tyler Greenwell – Drums
JJ Johnson – Drums
Mike Mattison – Backing Vocals
Mark Rivers – Backing Vocals
Maurice Brown – Trumpet
Kebbi (?)- Saxophone
Unknown – Trombone

The Highline Ballroom was packed! Not surprisingly, the performance had sold out within days of tickets going on sale. The venue withheld the tickets for pick up at the club box office to deter ticket reselling, something I hadn’t dealt with before. There was no opening band and the band took to the stage a little after 8pm to a crazy excited audience.

Oteil Burbirdge (Photo by Suzy Perler)

Oteil Burbirdge (Photo by Suzy Perler)

I’d say that 75% of the audience were 40+ yr old men who needed a fix of their bro-crush from The Allman Brothers Band.  Personally, I wondered how many of these men truly cared about anyone else on stage.  Certainly, The Allman Brother’s fans noticed the amazing Oteil Burbridge  on stage.  I know I did. What a line up.  Oteil’s brother, Kofi, took his rightful place behind the keyboard.

Kofi Burbridge (Photo by Suzy Perler)

Kofi Burbridge (Photo by Suzy Perler)

As all Derek and Susan projects, Mike Mattison was on backup vocals.  Then, there was Mark Rivers, someone who I had never heard of before and I can’t seem to find any information on. Send me a link if you find something! Their voices blended seamlessly with Susan’s but I didn’t really get a full effect from them closer to the end of the performance.

Susan & Derek (Photo by Dino Perrucci)

Susan & Derek (Photo by Dino Perrucci)

Tyler Greenwell, an alumni of the school of Colonel Bruce Hampton, made himself known on stage throughout the whole night with his thick drumming. Great musicality.  JJ Johnson, the second drummer on stage, was a new name to my ears.  His latest venture has been touring as John Mayer’s drummer.  I’ve always loved John Mayer’s songwriting and lyrics but it stops with his music.  Let’s hope JJ Johnson isn’t as much as a douche as Mr. Mayer like to portray himself.  I am sure he isn’t because only great karma gets you a post within the band of one of these magnificent musicians!

Maurice Brown (Photo by Dino Perrucci)

Maurice Brown (Photo by Dino Perrucci)

Susan Tedeschi (Photo By Dino Perrucci)

Susan Tedeschi (Photo By Dino Perrucci)

The horn section was good. I want to say out of this world but I couldn’t really feel anything from two out of the three horn players.  Sadly, I can’t find any mention of the names of the horn section either and the only person I recognized on stage was Maurice Brown on trumpet. Maurice was the horn player who throw it down until the encore.  He was the stand out of the horn section as he ripped open his solo on Uptight (video below), as he twirled his trumpet to the beat like a cowboy does a gun and how he got down dancing completely into the groove when the music moved him. He is a pleasure to watch just like Oteil.  Great stage presence.  Each of the musicians on stage were connected to Derek and Susan in some way but I believe Maurice Brown is the only member not to have played with them before.

(Photo by Suzy Perler)

(Photo by Suzy Perler)

Derek Trucks (Photo by Dino Perrucci)

Derek Trucks (Photo by Dino Perrucci)

Kicking the set off with the instrumental Five Minute Rule, the entire 11-piece ensemble warmed up their instruments and busted out a bit of their chops.  They were just itching to release their music upon us.  They covered epically jamming covers like The Meter’s funky Just Kissed My Baby and Jimi Hendrix’s Manic Depression with Oteil on vocals. At a point in the song, the members on stage back off as Kofi and Oteil were being spotlighted.  My eyes followed Derek and Susan as they sat down on some speakers.  I watched Susan sit down, put her hand on her husband’s leg and smiled deeply into his eyes and mouthed “Hi!”  It was so touching. During the drummer focus at the end of  Stevie Wonder’s Uptight (Outta Sight), both drummers gave us a taste of their talent.  Combined, we were delivered a sense of their sound and sensitivity.


The  group sang a number of songs from their new album, Revolver.  The soulful Love Has Something Else To Say was beautiful. As well, The Derek Trucks Band cover, Midnight in Harlem resonated through the venue as Susan’s emotive vocals carried it away.

Kofi & Susan (Photo by Dino Perrucci)

Kofi & Susan (Photo by Suzy Perler)

Sly Stone’s Simple Song brought the absolute heat.  Susan Tedeschi and Mike Mattison’s vocals was sultry and possessive of the energy in the room.  Mattison’s standing out more for this one, however.  Kofi Burbridge brought it up with the keys. Kofi just sounds better every time I hear him.  Sadly, I don’t think I ever heard the flute.  Maurice Brown took the best solo of the night from the horn players yet again, destroying the funky rock song with a huge jazz0filled solo.  And behind it all, Oteil’s bass line could be heard solid and full of get down funky.  They killed this song!!!

Maurice Brown (Photo by Dino Perrucci)

Maurice Brown (Photo by Dino Perrucci)

The set ended with Herbie Hancock’s Space Captain. Might have been the greatest, most upbeat song of the night!! The spotlight was on Kofi Burbridge as he busted out the intro on keys and was showcased throughout the song in his solos.  Susan’s vocals filled in the rest and the drummers made themselves known. But it wasn’t until Derek Trucks ripped us his solo that I really lost it, weeping openly a few measures in.  Derek Trucks shred our faces off!! Oteil followed me and went, well, nuts.  bouncing all over the stage and dancing with his bass!!  The man is brilliant.   I lost my shit in the second row as I saw the musicians on stage putting on their rager faces and feeling Derek as well. Derek’s ever composed, precise, intense playing makes him one of the world’s greatest guitarist and a master at the slide.  Susan threw her hands up in praise toward him and at that moment Highline Ballroom was Church and Derek Trucks was God!!

Susan & Oteil (Phot By Dino Perrucci)

Susan & Oteil (Phot By Dino Perrucci)

With the ending of such a killer performance they could have gone out on that note and still gotten rave reviews.  KILLER ending to a set but the audience wanted more!!  Before the rest of the band came back to the stage, Kebbi on saxophone player began to rage.  Kebbi ripped right into a hyper jazz solo which eventually was supplemented by JJ Johnson on drums. And yes, he was great! I also gotta say the saxophonist killed that part of the show so I take back what I said about Maurice owning the horn section all night.  Eventually, everyone rejoined and the danceable funky blues song, Bound For Glory, the only song from their new album that is available for download, was the last song played.

The Tedeschi/Trucks band is absolutely brilliant.  Having the past connections of playing with each other behind them, they are way past the rehearsal stage in their third show.  With musicians with never ending talent  and an amazing set list, the night’s performance was a solid treat for the middle of the week.  Listening to this entire set and watching Derek Trucks, I realized that I hadn’t seen him so spirited in a long, LONG time.  His smile was evident throughout the night as was his Rager face!  Susan Tedeschi got me so into the mood that it brought tears to my eyes.  I hadn’t felt this touched by music in a long, long time.

I thought the show/band was great — but with that much talent up there, how could they not be? If I had a criticism, it’s that the show was too short… we want more! ~ Jonathon A.

Derek Trucks (Photo by Suzy Perler)

Derek Trucks (Photo by Suzy Perler)

SetList:
Five Minute Rule>
Love Has Something Else To Say
Midnight In Harlem
Just Kissed My Baby
Comin’ Home
Till You Remember
Sing A Simple Song
Nobody’s Free
That Did It
Uptight>Bass>Drums>
Manic Depression (Oteil vocal)
Space Captain

Encore:
Kebbi & JJ jam>
Bound For Glory

Download Tedeschi/Trucks Highline Ball Room Show Here!!

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Terminal 5 Event Poster

Terminal 5 Event Poster

The Royal Family Ball @ Terminal 5 (10.02.10)

It was a night New Yorkers and beyond had been waiting for since it was first announced back in July.  The Royal Family would be taking over Terminal 5 for a night of pure FUNKY RAGE hosting their 3rd Annual Royal Family Ball. Knowing that The Royal Family is a tight brotherhood that rolls deep with love, we die hard fans  knew it would be a special night.  A night to remember, a night of complete surprises, a night of of complete funk, of blues, of rock ‘n’ roll.  A night requiring us to dance till we drop….simply a night we would NEVER forget.

Event Poster: The Royal Family Dream Team

Event Poster: The Royal Family Dream Team

For months, we have eagerly awaited this night.  The Royal Family had enticing little offers before the show such as rewarding the first 100 people to purchase a ticket with an autographed poster of The Royal Family.  Man, what a hilarious treat.  I, of course, jumped on that offer, buying my ticket at 12:01 pm, right when they went on sale, closing the sale out at 12:03pm.  Sadly, I didn’t get a poster but many of my friends did.  I will some how rectify this 😉 You can be sure of that!

The importance of this night and the energy behind it hit me the second I woke up Saturday morning.  I felt like it was Christmas.  As much music as I see, this was a show that had me jumping on my toes.  The anticipation was palpable.  For weeks before the big night, I had numerous friends from outside NY toy with the idea of coming in for the show.  However it was my dear friend Andy who was the only one to make the trip from Baltimore for the day/night.

“Street fair arepas… Gut bomb. Royal Family Revue… Funk bomb.” ~ Andy D.

They handed out party favors...

They handed out party favors...

This was one of those events where traveling would be worth it.  My phone had been blowing up all night prior to the show with friends wondering what was going down before the Rage.  In the end, we summoned all our favorite Ragers to a “Ragehearsal,” as one of my dear friends has come to so aptly name our rendezvous before the shows.  Everyone was eager to make a day of it.  A 24-hour rage.  The EPICNESS of what tonight might bring to our eyes and ears was lost on no one.

“Royals, you shook me, you shook me all night long. Powerful stuff.” ~ Robert M.

Of all the years I have been an Eric Krasno junkie, I have never been part of such a complete day and night full of The Royal Family.  And the best part about it…there were guests.  Oh yes, there were guests. Tonight’s rage would include performances by:

The Royal Family

Soulive

Lettuce

The Nigel Hall Band

Chapter 2

The Shady Horns

Special Guests

John Scofield – Guitar

Warren Haynes – Guitar

Talib Kweli – Rapper

Big Sam Williams – Trombone

The Shady Horns

Maurice Brown – Trumpet

Christian Scott – Trumpet

Spinning between sets: DJ Equal

Terminal 5 doors opened at 6:30pm and we were all in the building by 7:30pm, not wanting to miss a single minute of the show.  The venue was far from packed but by the end of the night, the 3,000-person venue was packed in on all sides. It was a night filled to the brim with the EPITOME of Funk, Soul, Blues, Rock, Hip-Hop and more. They play it all ladies and gentleman. And it all began, as it almost always does, with a set from The Nigel Hall Band. Let’s get this Royal Party started…..

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

The Nigel Hall Band @ 7:30/8:00pm

Nigel Hall – Keys, Vocals

Eric Krasno – Bass

Adam Deitch – Drums

Adam “Shmeeans” Smirnoff – Guitar

Sam Kininger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Maurice Brown – Trumpet

Alan Evans – Backup vocals

Lindsay Lucas – Backup vocals

Mel Flannery – Backup vocals

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

MVP OF THE NIGHT – It just needs to be said, flat out, hands down!!! ROYAL FAMILY MVP!  Nigel Hall started the show, performed throughout the show and closed the show with the highest elevation of energy and the full embodiment of what RAGE truly entails. He had been rehearsing for weeks with new back-up singers and the rest of the crew to deliver what was quite possibly the greatest performance I had ever seen him lay out on a stage.  As soon as I started seeing Nigel Hall perform many moons ago, I started recognizing a pattern prior to his performances and the pattern goes a little something like this…..

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Arriving early, I walk around the venue, listening to the audience talking.  Many are not sure of who this magnificent singing, keys player is who will be opening for whatever Royal Family Project is slated to open that night.  You hear a few people explain  “It’s Nigel Hall!” but they do not elaborate.  “Who is this Nigel Hall” you hear them wondering out loud?  I always want to stop and answer each one of them but I know that Nigel will be answering for himself as soon as the music starts.   And then he starts performing…and if not by the end of the first song, by the end of the second song the audience is locked in, jaws on the ground asking everyone around them, WHO IS THIS GUY!!!!?? But this time, they are really looking for answers, they actually care and are invested…floored by this magical singing machine.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

And so it was this night.  I walked around the venue listening to people talking about what might happen on stage this night.  Noticing so many people asking about the opener, Nigel Hall.  What those around me didn’t realize yet was that he would steal the show.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Tonight The Nigel Hall Band consisted of a thick wall of solid musicians that we all recognized and a few new faces to the mix.  His back up band consisted of those listed above.  Eric Krasno, the King of the Royal Family, supporting his fellow Family member on bass guitar.  Alan Evans stepping out of his drummer seat to sing backup vocals while Adam Deitch destroyed the drum kit.  Not wanting to be left out, from my second level perch I noticed Neal Evans hanging over by Deitch striking things with a single drum stick.  You might not have noticed him if you were on the ground level in front of the stage.

This was also the first time I had seen backup singers.  Lindsay Lucas and Mel Flannery‘s voices, supported by Alan Evans, melted seamlessly with Nigel‘s smooth vocals. This line-up of The Nigel Hall Band hit a home run. To begin, the stage was set with each member on stage, warming up the mics and the instruments for a funky introduction which Nigel steps out to in an orange Argyle sweater with a smile so wide I couldn’t help but mirror the image. And so it began…right into Hang It Up.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Wait Till I Get Home had the Shady Horns completely blowing up the stage.  Ryan Zoidis completely standing out on the baritone sax.  Everywhere I looked…smiles. Second song in and the place was on fire. This is EXACTLY what Nigel Hall is meant to do and by GOD he does a GREAT job.  Never Know saw the Shady Horns exit and Krasno and Smirnoff backing Nigel on keys through the slow and smooth flow.

“I loved the show. I felt that Nigel stood out as there were many great musicians but only 1 best singer. I myself was born under a bad sign so I can relate.” ~ Josh R.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Gimmie a Sign upped the funk meter ten-fold with Nigel funking up the keys.  He then takes a moment to explain to the audience, “This is a song that has stuck with me over many years after I heard this song as a young boy. I hope you enjoy it.” And while Adam “Shmeeans” Smirnoff completely let loose on his guitar, Nigel sang a soulful Baby, I Do Love You.

Give it up for the Horns,” screams Nigel.  With Never Gonna Let You Go closing out his set, Nigel Hall sang smoothly as his backup singers filled in when he walked off the stage.  And as Ryan Zoidis soloed on his axe of funk, Nigel came running back on stage, grabbing the mic, screaming “NEVER! NEVER! NEVEEEEER!”  His passion and his lust for life provides a fuel to his energy that is unmatched.  And this was only the first set 🙂

Nigel Hall Setlist: Intro, Hang It Up, Wait Till I Get Home, Too Sweet, Never Know, Gimme A Sign, Baby I Do Love You, Never Gonna Let You Go

Download: Nigel Hall Band @ Terminal 5 (10/02.10) – It is located under Lettuce’s Set

 

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

NOTE TO TAPERS!!  TAPE NIGEL’S SETS and post them.  Where is the love??? He is just as much a part of this raging cycle of music as anyone of them.  Just sayin….get with the program on that tip please.

After Nigel’s set, I decided to move from my second floor perch to ride the rail with my friends for a bit.  Sadly, my crew was situated right in front of the DJ Booth. However, I could see neither drums nor the horns.  Absolutely couldn’t stand that option for the rest of the night.  Even though I wanted to chill with my friends, I thought, well, I do that every night and this was a show I really had to SEE and inhale completely. So, I reserved myself to chillin on the second perch alone while my crew raged the rail! As it should be 🙂 Watching them, waving to them, laughing with them, we were all still connected as I was completely visible to them.  This was actually a part of the night that enhanced my happiness.  Seeing them react to Warren coming on stage…their faces, their jumping, screaming, hugging. Perfection.

DJ Equal spins in between sets

DJ Equal spins in between sets

Lettuce @ 8:45/9:00pm

Eric Krasno – Guitar

E.D. “Jesus” Combes – Bass, Vocals

Adam Deitch – Drums

Adam “Shmeeans” Smirnoff – Guitar

Neal Evans – Keys, Vocals

Sam Kinninger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Alan Evans – Percussion

Special Guests:

Big Sam Williams – Trombone

Maurice Brown – Trumpet

Christian Scott – Trumpet

John Scofield – Guitar

Talib Kweli – Rapper

Nigel Hall – Keys, Vocals

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Soul singer Hall left the stage and was replaced by DA FUNKY FUNK!!!! One of my top ten favorite groups to have formed on this earth: LETTUCE.  Going on a little before/after 9pm, the entire original crew graced the stage, to include the rare appearance by E.D. “Jesus” Combes on bass.  Living on the West Coast, he is constantly working with big names such as Eminem, Dr. Dre and played bass and wrote/produced several tracks on Britney Spears new album Blackout.  I love E.D. “Jesus” Combes because he puts a lot of thought into the notes he chooses to play, sometimes bursting to the front of the stage with a blast of funk through his body. He totally grinds into his playing which I LOVE!.  He stands out with understated effort because his sound is unusual and not forced. You just got to hear him to understand.

“Excellent night all around. Nigel and Soulive were incredible, but Lettuce especially blew me away! Check out the rooftop area for a breather between sets. Nice joint!” ~ Markus S.

The stellar cast on stage played a handful of favorites to include Blast Off, Sam Huff’s Flying Ragin’ Machine and Last Suppitt before bringing out the guests.  Let it be made very clear that Lettuce completely set the stage on fire even without the guests.  They truly are so tight and on point every time and we were enjoying them so much.  The guests were simply a blessed bonus.  My hands were on the railing of my ledge and I was literally head banging with so much fury as their energy coursed through me.  The horn section with it’s supplements was completely out of control. FIRE FUNK!

Set II: Lettuce w/ Talib Kweli

Set II: Lettuce w/ Talib Kweli

“Talib was money” ~ Eric S.

“You have my quote on the evening… “Tits on bacon.” ~ Andy D.

The first guest and a personal favorite of the night was Talib Kweli.  Rapper’s delight. He brought such an unusual layer to the revue. Bringing the urban into an already straight up funky urban rage, he rapped through Move Something.

The whole joint start shakin

This ain’t the time or place for you to prove something

Cut the stargazin’ yo, move somethin’! ~ Talib Kweli

 

Set II: Lettuce w/ Talib & Nigel

Set II: Lettuce w/ Talib & Nigel

The Blast saw Nigel Hall back on stage as he joined in on vocals with Talib KweliNigel, man, the guy can do it all.  Albeit, he is not a rapper in my mind and probably never will be.  He did, however, bring a soulful layer to his rapping that Talib couldn’t touch as he continued to rap over/under Nigel.  “Jazzfest energy” was a term I heard among my friends to describe the energy of Talib‘s trio of songs ending with Get By.

Little focus on Nigel‘s vocals……

Set II: Lettuce

Set II: Lettuce

Talib and Nigel leave the stage for the originals, led by the ever amazing Eric Krasno, rage through Break Out and Relax. Eric Krasno, relentless, captivating.  His sound and style, one you could pick out of any crowd of guitar players.  Powerful musician…wonderful band leader.  With all his projects and large catalog of musicians under his Royal Family records, Eric Krasno ensures that our nights in NYC are constantly filled with talented musical projects and shows. I can’t imagine the city without Krasno, Deitch and the lot.  And here he was showcased in front of all his projects together in one night. Then as if things could get any better…John Scofield joined the stage…enjoy his warm up…

John Scofield, a legend.  A complete and utter master at his trade. Being billed right off the bat, this was one of the highlights of the show that everyone was anticipating that evening.  The Flu… it was amazing.  John took a little time to warm up in my opinion but then it got rowdy.  The horns were grimy, popping in sounds that reminded me of Skerik.  It got powerful. The guitar standing out on top of it all, the audience slightly more quiet now, just watching it unfold.

The Shady Horns with Big Sam on trombone was out of this world.  Orchestral.  Everything was so tight and then Scofield would go off into trippy spacey scratching of the guitar making faces to match.  He is endless with the sounds he can produce with a guitar.

Set II: Lettuce

Set II: Lettuce

And with a gracious introduction from Alan Evans, with the horns blasting out his name and with John Scofield still in the mix, Nigel Hall was brought back on stage to perform their Curtis Mayfield staple, Move On Up. As many times as I have heard Nigel sing this song and heard he say he was sick of singing it, this version was STELLAR!!! My video is not so great so just turn it down a little lower to hear it and watch it…

The one below is only 1 minute but much better sound. Thought I’d give ya everything 😉

One of the deepest, funkiest, raging songs of the night: Making My Way Back Home, a song about Nigel’s hometown of Washington, DC. Raised three hours away in Williamsburg, Virgina, I relate to this song well. The bass line is killer in  this song. Nigel, so interactive with the audience, breaks it down and just continually bringing the energy UP, UP, UP Chuck Brown-style!!! SARDINES & KRAZ AND SCHMEENS!!

Lettuce Setlist: Intro, Blast Off Sam Huff’s Flying Ragin’ Machine, Last Suppitt, King of the Bergs, Move Something, The Blast, Get By, Break Out, Relax, The Flu, Move On Up, Makin My Way Back Home

Download: Lettuce Live at Terminal 5 on 2010-10-02 (October 2, 2010)

Breaksciene’s Afterparty at The Loving Cup’s Cameo was announced and the merchandise was plugged….and the headlining group was finally announced.  Soulive.  Live it, learn it, love them!

Dj Equal spinning away...

Dj Equal spinning away...

Soulive @ 10:30/10:45pm

Eric Krasno – Guitar

Neal Evans – Keys, bass

Alan Evans – Drums

Special Guests:

Warren Haynes – Guitar

Big Sam Williams – Trombone

Rashawn Ross – Trumpet

Sam Kinninger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Maurice Brown – Trumpet

Christian Scott – Trumpet

John Scofield – Guitar

Nigel Hall – Keys, Vocals

Set III: Soulive + Shady Horns

Set III: Soulive + Shady Horns

Keys + Bass = Amazing

Keys + Bass = Amazing

You know about Soulive right? One of the greatest trios ever IMHO!! I sure hope you know who they are and if not, check them out. It’s a trio comprised of the virtuoso guitar player, Eric Krasno, drums played by Alan Evans and then there is Neal Evans who plays keys.  The standout detail about this group is that Neal also plays the bass through the second layer of his keys.  Seriously.  Now…what kind of brain can do that?  That takes a complicated mind right there.   Such a cool combination of sounds/notes/vibes.

Set III: Soulive + Shady Horns

Set III: Soulive + Shady Horns

Soulive came out dressed in stylish suits and slammed into Beatles tunes.  Their latest CD release, Rubber Soulive, has been something of a hot topic among talented music circles.  It’s luscious, loud and worth every single penny.  Bringing their own touch to classic Beatles tune such as Come Together, Something in the Way, and Eleanor Rigby, it’s just superb. Sing alongs ensued.  Come Together found it’s way into everyone’s throats and the audience sang for their tickets as Soulive played for  their lives. Jazz-filled funky rock. The following video is a wonderful collection of all the Beatles tunes.  Sit back, turn it up and watch the magic.  Best video of the article 🙂  Everyone say “Thank you Mike!”

Krasno completely ripped open the songs, jamming us all into the floor.  Backed by the brothers of rage, the Beatles medley was one of the highlights of the show. I Want You (She’s So Heavy) was on a different level all together. Everyone thank my boy Scott for the excellent video below!!

“Was really great to see Soulive hit a comfort level with the Beatles material that they really ripped into it- I want you (She’s so heavy) seemed to really hit another gear of nastiness as they did with that song what most instrumentalists I know have always wanted to do with it.” ~ Russ A.

Set III: Shady Horns + some!!

Set III: Shady Horns + some!!

And once the covers of the Rubber Soulive were done they blasted into their oldies but raging goodies with The Shady Horns (Sam Kinninger & Ryan Zoidis) joining the stage for El Ron.  The place was utterly packed and from my second floor perch, I could see everyone moving, groovin’ and clapping.  Christian Scott had joined the rage and John Scofield joins the stage again for What You See Is What You Get. Granted, Scofield is a god, but this song was stolen by Christian Scott‘s trumpet solo and Neal Evans‘s keys.

At this point, the show starts elevating into a high point that seems unreachable.  Time for a horn rage.  By this time Maurice Brown and Rashawn Ross have joined Christian Scott and the Shady Horns. A horn rage ensues but where is Big Sam Williams on the trombone?? Oh man….well, he tried to join the horn ledge, however, Christian Scott had taken his microphone so NOLA represented.  Walking behind the drum kit to the front of the stage, Big Sam took over Eric Krasno‘s vocal mic for an intense in-your-face solo.  Enjoy! (Turn down volume a bit – it’s one of mine)

Set III: Soulive!

Set III: Soulive!

It was time for Scofield to lead the show with one from his own catalog, the funk rock original Hottentot!! The whisper through the audience after this song was loud.  This song choice made a lot of people happy, as it should.  The song allowed for he & Krasno to trade licks and let loose for a great jam, which I thought might lead to the beginning of the end of Scofield’s addition to the stage, until possibly the encore.  Boy….I had no idea what I was thinking.  The best was totally yet to come…..

Since the album version was my ringtone for years, the surprise bust-out of Sco’s “Hottentot” was probably one of my favorite highlights. It had a slightly slower, nastier vibe to it that I really enjoyed. ~ Andy D.

WARREN joins the stage...

WARREN joins the stage...

And if you just watched the video above, then the end just gave it away but THE BEST WAS TOTALLY YET TO COME!!!  Warren Haynes……….WARREN HAYNES joined the stage.  I literally grabbed the bars in front of me and screamed at the top of my lungs while flailing around.  I couldn’t believe it.  I just couldn’t believe it.  What is more unbelievable is I had to tell all the people around me who that even was.  I believe they were there for Talib Kweli but they had NO clue who Warren was.  Unreal.  And so it was that the venue erupted into a ball of energy that the night had yet to see.

Set III: Soulive + Warren + Sco

Set III: Soulive + Warren + Sco

Born Under A Bad Sign, a song made popular by Cream and originally written by the legendary blues guitarist, Albert King.  Yes SIR!!  HOLY YES!!!!!!  What can I say about this?  It was phenomenal.  Warren Haynes, John Scofield and Eric Krasno on the stage at one time…kidding me?  Nigel Hall came out and sang alternating verses with Warren Haynes and there were mixed reviews over this move but I thought it was superb. Nigel, once again adding a layer to the mix that just felt right.

“Nigel’s voice is always a special treat. Being a longtime Soulive fan, I really appreciated their take on the Beatles. Oh Eleanor Rigby! Thank you Soulive, Nigel Hall and the whole crew for getting so many wonderful musicians together all on one stage for this major collaboration!” ~ Jessica B.

I’m actually a little torn on Nigel.  I think Warren could have held the vocals down on “Born Under a Bad Sign” on his own, though Nigel did rip Too Much and the JB mini set. ~ Russ A.

I always did say Warren sings like an angel. ~ Jessica B.

This was just such a treat. You had Big Sam on his trombone as well.  I mean, the $25 ticket was paid for so long ago but if anyone had any qualms, they were silenced by this mega, face-melting guitar threesome horn flip-out.  Nigel‘s voice was killer.  Warren was killer. The horns were unmatched.  Scofield was melting into the floor with his guitar.  Unreal.  For a minute, I forgot who I was there to watch.  Wondering who the true star of the show truly was. Scofield left the stage and the rest of the set was Nigel Hall tearing up the vocals and Soulive blasting the stage apart with funky goodness. It was so great!

(Doin the 2 Video is uploading.  I’ll insert it tomorrow)

The encore was a James Brown Medley of all kinds of songs.  John Scofield came back out.  During the 3rd song, Nigel miscounted the beats and had a little rage to a stop and rewind the moment.  TWENTY!!!  And the second time around it went down right and they dropped the funk into our faces and dripped funk until they exited the stage.  JAMES BROWN MEDLEY!!  Think about that energy if you can!  Those of you there, remember that?  Nigel screaming, horns blasting…

There was some kind of swagger in the Soulive set that night. maybe it was that this was the biggest paying crowd for them headlining a show in nyc, maybe it was just feeling good on the material, maybe it was the hard work, but they played the hell out of those tunes. they owned those tunes. ~ Russ A.

Soulive Setlist: Come Together, Something In The Way, Eleanor Rigby, I Want You (She’s So Heavy),

El Ron, What You See Is What You Get, Hottentot, Born Under a Bad Sign, Do The 2, Too Much, JB Medley w/ John Scofield

Download: Soulive Live at Terminal 5 on 2010-10-02 (October 2, 2010)

 

THANK YOU ROYAL FAMILY!!!

THANK YOU ROYAL FAMILY!!!

 

It was a phenomenal night of music at Terminal this night.  for $25 you just couldn’t beat what we had just witnessed.  There was a fire on stage and an energy pumping thorugh the venue that I hadn’t felt before.  The crowd being so diverse, some coming for Talib Kweli and not knowing Warren Haynes.  Others knowing Warren Haynes but not Nigel Hall.  Others boasting about Lettuce but knowing nothing of John Scofield.  I think the greatest part of the night was knowing that a lot of people were introduced to a lot of new music and musicians this night.  I hope they went home and looked up Warren Haynes and Talib Kweli and Nigel Hall.

The Royal Family ensures that New York City will remain at the forefront of musical collaborations and musical history.  I feel as though whenever The Royal Family has a big to-do, they out do themselves every single time.  Thank you Royal Family.  Thank you for feeding us, supplying us with the music we need to survive.

Thank You SO MUCH!!!

Thank You SO MUCH!!!

 

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August 2010 Potential Show Run Down!

August 2010 Potential Show Run Down

Calendar updated daily!


Sunday, August 1st, 2010

  • Gathering Of The Vibes Music Festival, Bridgeport, CT
  • ($20) Hot Buttered Rum @ Rocks Off Cruise
  • ($30) Larry Coryell Power Trio w/ Jeff ‘Tain’ Watts @ The Iridum Jazz Club

Monday, August 2nd, 2010

  • ($8) Jim Campilongo@ The Living Room (W/ Charlie Hunter)
  • ($25) The Mingus Big Band @ The Jazz Standard
  • ($35-$65) Dr. John & The Lower 911 @ City Winery

Tuesday, August 3rd, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($5) Talib Kweli & Friends w/ Live Band @ Brooklyn Bowl
  • ($8) Caravan of Thieves @ The Living Room
  • ($30) Los Lobos @ Bowery Ballroom
  • ($35-$65) Dr. John and The Lower 911 @ City Winery
  • ($37.50) The Dead Weather @ Prospect Park Bandshell
  • ($50-$100) Heart @ Hammerstein Ballroom

Wednesday, August 4th, 2010

  • (1 Drink Min,) American Babies @ Rockwood Music Hall
  • ($8) Devi @ Bowery Electric
  • ($18) Jemimah Puddleduck ft. Mark Karan of Ratdog @ Sullivan Hall
  • ($50) Arcade Fire @ Madison Square Garden

Thursday, August 5th, 2010

  • Royal Family Ball @ Sullivan Hall (Private party)
  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($8 + 1 drink) Will Bernard Trio @ The Bar Next Door
  • ($45-$65) Steve Earle & Allison Moorer @ City Winery
  • ($50) Arcade Fire @ Madison Square Garden

Friday, August 6th, 2010

  • (Free) House of Usher: Marco Benevento Trio @ Prospect Park Bandshell
    • Marco Benevento to write a new original score to this cult B-movie study in creeping, diabolical menace.
  • ($10) Mark Guiliana & Jason Lindner Trio @ The Jazz Gallery
  • ($10) Sonya Kitchell @ Le Poisson Rouge
  • ($15) Eric Krasno & Chapter 2 w/ special guests Ryan Zoidis and Maurice Brown

  • ($21 – $70+) Paramore @ Nikon at Jones Beach Theater
  • ($25) Buster Williams @ The Iridium Jazz Club
  • ($20-$35) Pat McGee Band @ City Winery
  • ($40) Keane w/ Ingrid Michaelson @ East River State Park (Williamsburg Waterfront)
  • ($40) Corrine Bailey Rae @ Governors Island

Saturday, August 7th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • (Free) Sharon Jones + Budos Band at Prospect Park bandshell (Funk Live)
    • The Budos Band @ Prospect Park Bandshell
  • ($15-$22) Simone Felice w/ Nicole Atkins @ City Winery
  • ($80 – $300+) Anthony Hamilton, Kem & Jaheim & Raheem Devaughn @ Nikon at Jones Beach Theater

Sunday, August 8th, 2010

  • (Free) Soul Rebels Brass Band @ Lincoln Center (Outdoor Concert Series)
  • (Free) Justin Townes Earle @ The Beach @ Governors Island
  • ($15) Reckoning @ B.B. Kings
    • The Lead Heads (opening @ 7pm)

Monday, August 9th, 2010

  • ($5) Deadcenter Presents…Jerry Garcis: A Restrospective – The Jam Stampede (feat. members of the Zen Tricksters)
    • With: Jason Crosby, Michael Falzarano, Johnny Markowski, Barry Mitterhof
  • ($20-$25) Jimmie’s Chicken Shack @ Rocks Off Cruise
  • ($25) Empire of the Sun @ Terminal 5
  • ($25) The Mingus Big Band @ The Jazz Standard
  • ($35) Leo Nocentelli w/ Les Paul Trio @ City Winery

Tuesday, August 10th, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($5) The Infamous Stringdusters @ The Brooklyn Bowl
  • ($8) Caravan of Thieves @ The Living Room
  • ($25) The Felice Brothers @ Rocks Off Cruise
  • ($30-$40) Lee Ritenour w/ Dave Grusin @ The Blue Note

Wednesday, August 11th, 2010

  • (Free) American Babies @ Rockwood Music Hall
  • (Free) Jackie Green & Gov’t Mule @ Central Park Summerstage
  • ($10) Melvin Seals & JGB @ The Brooklyn Bowl
  • ($15) Eli Paperboy Reed & The True Loves @ Le Poisson Rouge
  • ($25) Big Sam’s Funky Nation @ Rocks Off Cruise
  • ($30-$40) Lee Ritenour With Dave Grusin @ The Blue Note
  • ($35) STS9 (Sound Tribe Sector 9) @ The Gramercy Theater

Thursday, August 12th, 2010

  • ($12) Break Science @ Sullivan Hall
  • ($30-$40) Lee Ritenour With Dave Grusin @ The Blue Note
  • ($35) STS9 (Sound Tribe Sector 9) @ Roseland Ballroom
    • Lotus @ Roseland Ballroom
    • AFTER PARTY: ($??) Big Gigantic @ Irving Plaza
  • ($50 – $300+) Aerosmith @ Nikon at Jones Beach Theater

Friday, August 13th, 2010

  • ($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery (Funk Live)
  • ($25) Lenny White & Jimmy Herring @ Iridium Jazz Club
  • ($30-$40) Lee Ritenour With Dave Grusin @ The Blue Note

Saturday, August 14th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • ($5) Rubblebucket @ Brooklyn Bowl
  • ($) Jason Crosby w/Common Rotation @ The Library
  • ($10) Grizzly Adamz (John Medeski, Saft, Perwosky and Blume) @ Littlefield
  • ($25) Lenny White & Jimmy Herring @ Iridium Jazz Club
  • ($30-$40) Lee Ritenour With Dave Grusin @ The Blue Note
  • ($40 – $150) Kiss @ Nikon at Jones Beach Theater

Sunday, August 15th, 2010

  • (Free) Dr. Dog & Eli Paperboy Reed & The True Loves @ The Beach @ Governor’s Island
  • ($13) Daedelus with Mux Mool, Sepalcure and Beautiful Bells @ Santos House Party
  • ($25) Lenny White & Jimmy Herring @ Iridium Jazz Club
  • ($25) Deep Banana Blackout @ Rocks Off Cruise
  • ($30-$40) Lee Ritenour With Dave Grusin @ The Blue Note

Monday, August 16th, 2010

  • (Free) John Kimock w/ Mike Gamble, Daniel Carter and Marc Freidman @ Bar 4
  • (Free) Jason Crosby & Dark Loft @ Rockwood Music Hall
  • ($25) The Mingus Big Band @ The Jazz Standard
  • ($30) Jimmy Herring @ Iridium Jazz Club

Tuesday, August 17th, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($8) Caravan of Thieves @ The Living Room
  • ($50-$150+) Phish @ Nikon at Jones Beach Theater
  • ($40) MGMT @ Radio City Music Hall

Wednesday, August 18th, 2010

  • Sushioke #17
  • ($40) MGMT @ Radio City Music Hall
  • ($50-$150+) Phish @ Nikon at Jones Beach Theater

Thursday, August 19th, 2010

  • CAMP BAREFOOT ~ Bartow, West Virginia
  • (Free) A BIG YES and a small no (Joe Russo Project) @ Lakeside Lounge
  • ($10) Jason Lindner Trio @ Smalls
  • ($33-$100) Ray Lamontagne & David Gray @ Nikon at Jones Beach Theater
  • ($99) Henry Butler with Gent Treadly @ Rocks Off Cruise

Friday, August 20th, 2010

  • CAMP BAREFOOT ~ Bartow, West Virginia
  • ($10) O’Death @ The Rock Shop
  • ($25) Bonerama @ The Rocks Off Boat Cruise – The Jewel (Funk Live)
  • ($25) Joe Krown, Walter “Wolfman” Washington, Russel Batiste @ The Rocks Off Boat Cruise – Half Moon
  • ($17-$100+) Crosby, Stills & Nash @ Nikon at Jones Beach Theater
  • ($50) Kenny “Babyface” Edmonds – @ B.B. Kings
  • (not sure) Black Joe Lewis and The Honeybears @ Maxwells, Hoboken, NJ

Saturday, August 21st, 2010

  • CAMP BAREFOOT ~ Bartow, West Virginia
  • (Free) West African Band @ St. Nicks, Harlem
  • ($20) Urban Sun @ Rocks Off Cruise
  • ($25) Some Cat From Japan @ Rocks Off Cruise
    • w/ Will Bernard & Nigel Hall

Sunday, August 22nd, 2010

  • CAMP BAREFOOT ~ Bartow, West Virginia
  • (Free) Black Joe Lewis and The Honey bears @ Summerstage (Funk Live)

Monday, August 23rd, 2010

  • ($8) Jim Campilongo @ The Living Room
  • ($20-$25) Dylan Different: Ben Sidran with Amy Helm, Will Bernard, Tim Luntzel, Leo Sidran  @ Highline Ballroom
  • ($25) The Mingus Big Band @ The Jazz Standard

Tuesday, August 24th, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($8) Caravan of Thieves @ The Living Room
  • ($35) Paul Motian, Mark Turner, Tony Malaby & Bill Frisell @ Village Vanguard

Wednesday, August 25th, 2010

  • ($22.50) Xavier Rudd & Izintaba @ Irving Plaza
  • ($35) Paul Motian, Mark Turner, Tony Malaby & Bill Frisell @ Village Vanguard

Thursday, August 26th, 2010

  • ($20-$25) Hudson River Live! A concert series by Affairs Afloat aboard the Queen of Hearts
  • ($25) American Babies & Big Light @ Rocks Off Cruise (unknown)
  • ($25) Ryan Montbluea Band @ Rocks Off Cruise (The Jewel)
  • ($35) Paul Motian, Mark Turner, Tony Malaby & Bill Frisell @ Village Vanguard
  • ($40) Trombone Shorty & Orleans Ave feat. Jon Cleary @ South Street Seaport
    • W/ High and Mighty Brass Band

Friday, August 27th, 2010

  • ($??) DJ Nutrious @ Southpaw
  • ($20) Benevento Russo Duo Acoustic @ The Highline Ballroom
  • ($25) Donna The Buffalo @ Rocks Off Cruise
  • ($25) Future Rock @ Rocks Off Cruise
  • ($35) Paul Motian, Mark Turner, Tony Malaby & Bill Frisell @ Village Vanguard

Saturday, August 28th, 2010

  • ($6-$8) Pimps of Joytime @ Brooklyn Bowl
  • ($99-$400) Rock the Bells Festival 2010: Governors Island
    • Wu-Tang Clan @ The Beach @ Governor’s Island
  • ($10) Reckoning @ Sullivan Hall
  • ($18) New Rider’s Of The Purple Sage @ Highline Ballroom
  • ($35) Bill Frisell @ Village Vanguard
  • ($39-$65) The Rhythm Devils, feat Bill Kreutzmann & Mickey Hart @ Tarrytown Music Hall

Sunday, August 29th, 2010

  • ($35) Bill Frisell @ Village Vanguard

Monday, August 30th, 2010

  • ($8) Jim Campilongo @ The Living Room
  • ($25) The Mingus Big Band @ The Jazz Standard
  • ($25) Roots & Dub on the River for Ethiopa @ Rocks Off Cruises
  • ($30) Eric Krasno w/ Les Paul Trio @ Iridium Jazz Club

Tuesday, August 31st, 2010

  • (Free + 1 drink ) Nigel Hall @ Rockwood Music Hall #2 @ 10:15
  • (Free + 1 drink) Dred Scott Trio @ Rockwood Music Hall @ midnight
  • ($8) Caravan of Thieves @ The Living Room
  • ($35) Bill Frisell @ Village Vanguard
  • ($60-$150+) Jimmy Buffet @ Nikon at Jones Beach Theater

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