For the last three weeks, Steve Kimock held residency at New York City’s Sullivan Hall on the Lower East Side. The beauty of a residency is the opportunity to experience your favorite musician/group in various musical positions. Each week, Kimock was supported by a different line-up of musicians bringing us a dense Dead/New Orleans vibe his first week, creating vibrant jams with a younger generation of musicians the second week and finally destroying the audience with a fusion laden performance the third week. The guests were as follows:
Wednesday night’s performance capped off what was truly a magnificent run of music. The heavy fusion style was deeply evident throughout the night’s performance as Steve Kimock delivered the audience what I am boldly going to have to put into my “Top 10 Favorite Steve Kimock Shows” list. I can hear the gasps now but to be fair, I have only seen him maybe 35 times!! BUT STILL…how many can say that they have seen Steve Kimock sing, let alone sing a Beatles song?
I’ve been seeing Kimock in various iterations (Zero/TheOtherOnes/KVHW/SKB) since 1997. I have NEVER witnessed him singing… Mind = blown.. ~ Evan S.
The rock solid rhythm duo in John Molo (Bruce Hornsby, Phil & Friends) and the phenomenal Andy Hess (Govt Mule, Black Crowes, John Scofield) with the gorgeous ivory talent of Pete Sears (Hot Tuna) provided a support for Kimock that allowed him to showcase his talents effortlessly, to an extent that a fire RARELY seen in our wonderful Mr. Steve Kimock burst through over the progression of the night. Steve Kimock truly shined about as bright as I have ever seen him shine!
Kimock Residency!
John Molo!
When I arrived at the intimate Sullivan Hall, Kimock and friends had just began a Kimock original, It’s Up To You. The placed was packed! I was drawn to the stage immediately as Andy Hess’s bass lines wrapped themselves around my heart, pulling me closer. Nang Chalk Pipe, an Ernest Ranglin cover followed. Jamaican guitarist and composer Ernest Ranglin is someone I had never heard of until Kimock began covering this song. There is a guitar style found in nearly all ska music called “scratching” that some people might suggest was created by Ranglin.
If Eric Clapton is God, then Steve Kimock is the holy ghost ~ Josh W.
Kimock’s slow, calculated intro into the Jimmy Cliff tune Many Rivers To Cross was an audience favorite. Sadly, there was a large group of people talking in this small space and for the first time at a show in a while, I heard a large portion of the audience “shhhhh” the other portion. I LOVED that! Personally, I want a shirt that reads “Shut The Fuck Up While The Band Is Playing” on the front and back. Kimock utilized his Hawaiian lap steel to create the draw that defines the song. It was sullen and romantic at the same time. Couples swayed and smiles abounded on the audiences faces.
The jam into Baby Baby, a cover of Ronnie Shannon’s Baby, I Love You which was a hit for Aretha Franklin in the late 60s (thank you for this clarification, Mike), was wicked with Steve lifting off his seat and on to his feet with a smile creeping out from the sides of his generally stagnant lips.
Andy Hess’s bass line locked it down. Andy Hess’s bass line ALWAYS locks it down. For those of you not familiar with Andy Hess, I suggest seeing him immediately. He is an artist in our community who is criminally slept on, providing a solid foundation in every project he plays participant and is rarely given credit when credit is due. The ability of an artist to hold back is just as important in certain musical scenarios as raging through with your instruments. Musicians need to remember that and sometimes they do not. When musicians play with artists like Steve Kimock or John Scofield, they must remember to allow these guitarist to shine and not overpower them for any reason. It’s a skill you learn over time playing with different artists. Andy Hess can back any musician, allowing them to shine and still be dripping with sweat holding down his spot on stage with a fury. SOLID!
First Set: You’re the One, Nang Chalk Pipe, Many Rivers To Cross, Baby Baby
Andy Hess & John Molo
John Molo!
The second set was KILLER! A personal favorite, Tangled Hangers, had Steve dropping the fusion-y solos and John Molo’s rocking the audience out. However, it was when the first note of Tongue In Groove hit that made me so happy as it is my favorite Steve Kimock tune. As I inhaled the gorgeous beginning of this song, I looked around at the room which was filled almost solely with older men. The masculine beauty of this song was not lost on a single man 0r women in there. It’s the ultimate love song. Half way through, Pete Sears destroyed a solo that elevated the jam immensely. So tight! I am going to let the video speak for itself.
Steve Kimock
Golden Road‘s upbeat, dancing vibe brought out some hoots from the audience before people fell into their own dancing worlds. Peter Sears, yet again, showing his stellar ability on the keyboard without over shadowing Kimock. Another seasoned musician who knows how to withhold until given the window to let loose. John Molo holding down the rhythm with Andy Hess was such a pairing, the two melded seamlessly together. At times, I kept thinking they should be recording this for a live cd release.
I believe that many people’s disconnect with Steve Kimock possibly come from his lack of stage presence. I feel you on that. Tthere are times where he literally disappears off the stage for me but he never falters in his sound. The new generation of music lovers enjoy a hype show, that rager performance, the necessity of dancing and lights, the Chris Loftlin banging his head, Skerik raging in our faces. But with Kimock, well, he just sits on his stool with his glasses propped at the end of his nose dressed in all black, making it look effortless (almost boring as I know some feel). What you fail to see with this opinion is that he is pulling things off that other guitarists only dream of doing. So, when I watched as Steve Kimock walked to the microphone, busted out a killer smile and began singing Slow Down, which I believe is a Beatles tune, my jaw fell to the ground. YES, Steve Kimock sang. I couldn’t understand a word he said and that didn’t matter.
Last night’s show was the only time I’ve ever seen him say anything to the audience besides band introductions, and certainly the first time I’ve seen him sing (out of maybe…20 shows?). Even during interviews, he’s incredibly reticent, giving either two word answers, or near-nonsensical ramblings, punctuated by nervous laughter. ~ Josh W.
Second Set: Tangled Hangers, Tongue in Groove, Golden Road, Slow Down
This third and final performance of Steve Kimock’s residency had a distinct flow of comfortableness as a result of the musical experience that radiated off his musical support for the evening. Andy Hess, John Molo and Pete sears showed us how to do things right, putting Kimock on his well-deserved pedestal as they all shined along with him. And for someone who lacks stage presence during most of his performances, it was a wonderful treat to see Steve Kimock so spirited.
($33-$95) Tibet House Benefit Concert @ Carnegie Hall
Feat: Philip Glass, Tenzin Choegyal, The Flaming Lips, Angelique Kidjo, Taj Mahal, James McCartney, The Roots, Patti Smith, Jesse Smith and Michael Campbell, Michael Stipe
($40-$80) Mahler’s Fourth Symphony @ Avery Fisher Hall
Friday, March 4th, 2011
($7-$10) Official Conspirator After-Show feat. The Manhattan Project @ The Delancey
($30) Larry Coryell Power Trio with Victor Bailey & Lenny White @ Iridium Jazz Club
($40) 5th Annual Nolafunk Mardi Gras Ball: featuring Dr. John & The Lower 911 , Soul Rebels Brass Band and Sister Sparrow & The Dirty Birds @ Le Poisson Rouge
($40-$80) Mahler’s Fourth Symphony @ Avery Fisher Hall
($41-$331) Bon Jovi @ Madison Square Garden
Sunday, March 6tht, 2011
($30) Larry Coryell Power Trio with Victor Bailey & Lenny White @ Iridium Jazz Club
($30) Chico O’Farrill Afro-Cuban Jazz Orchestra @ Birdland NYC
($30) Fred Hersch & Joshua Redman Duo @ Jazz Standard
Monday, March 7th, 2011
($5) London Souls Residency @ The Brooklyn Bowl
($8) Jim Campilongo @ The Living Room
($25) Mingus Orchestra @ The Jazz Standard
Tuesday, March 8th, 2011
(Free) NY Funk Exchange @ Club Groove
(Free) Mark Guiliana @ Kush
(Free) Dred Scott Trio @ Rockwood Music Hall
($15) Eli Paperboy Reed & The True Loves@ Knitting Factory Brooklyn
($59) FURTHUR: Phil Lesh and Bob Weir @ Best Buy Theater
($61-$172) Allman Brothers Band @ Beacon Theater
($10) A Post Furthur and Allman Brothers Band Show w/ Reckoning @ Sullivan Hall
($25) Post Allmans in New York Midnight Concert Series w/ The Yonrico Scott Band featuring Oteil and Kofi Burbridge @ Iridium Jazz Club
Sunday, March 13th, 2011
($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery
($30) Chico O’Farrill Afro-Cuban Jazz Orchestra @ Birdland NYC
($30-$40) Al Dimeola World Sinofina @ The Blue Note (2 shows)
($30-$42) Intimate Solo Acoustic Citizen Cope @ City Winery
Monday, March 14th, 2011
($5) London Souls Residency @ The Brooklyn Bowl
($8) Jim Campilongo @ The Living Room
($25) Mingus Orchestra @ The Jazz Standard
($30) Steve Martin performing with The Steep Canyon Rangers: An Evening of Bluegrass & Banjo @ Highline Ballroom
($30-$42) Intimate Solo Acoustic Citizen Cope @ City Winery
($61-$172) Allman Brothers Band @ Beacon Theater
Tuesday, March 15th, 2011
(Free) Dred Scott Trio @ Rockwood Music Hall (late night)
($5) That 1 Guy @ The Brooklyn Bowl
($30-$42) Intimate Solo Acoustic Citizen Cope @ City Winery
($35) Steve Martin & the Steep Canyon Rangers @ Joe’s Pub
($59) FURTHUR: Phil Lesh and Bob Weir @ Best Buy Theater
($61-$172) Allman Brothers Band @ Beacon Theater
Wednesday, March 16th, 2011
($10) Gent Treadly @ The Sugar Bar
($30-$42) Intimate Solo Acoustic Citizen Cope @ City Winery (2 shows)
($35) Steve Martin & the Steep Canyon Rangers @ Joe’s Pub
($40) New York Dolls @ Bowery Ballroom
($80-$180) Elton John @ Madison Square Garden
Thursday, March 17th, 2011
(Free) The Farewell Drifters @ Rockwood Music Hall
($5) Dead Kenny G’s @ Brooklyn Bowl
($15) Chris Morrisey Quartet w/ Mark Guiliana @ The Jazz Gallery
($18-$22) JJ Grey(MOFRO) solo acoustic with Shannon McNally @ City Winery
($35) Steve Martin & the Steep Canyon Rangers @ Joe’s Pub
($40) New York Dolls @ Bowery Ballroom
($50-$93) Celtic Women @ Radio City Music Hall
($61-$172) Allman Brothers Band @ Beacon Theater
Friday, March 18th, 2011
(Free) Nutritious @ The Cove
($5) The Heavy Pets (GOLDYS BIRTHDAY PARTY) @ The Brooklyn Bowl
($5) Buzz Universe & Afro Skull @ The Bowery Poetry Club
($30) Duduka Da Fonseca Quintet featuring Anat Cohen @ Jazz Standard
($35) FUNK SUMMIT: Leo Nocentelli (The Meters), Bernie Worrell (P-Funk), Fred Wesley (James Brown, P-Funk) @ Iridium Jazz Club
($61-$172) Allman Brothers Band @ Beacon Theater
($12) A Post Allman Brothers Band Show featuring Some Cat From Japan: The Music Of Jimi Hendrix featuring Scott Metzger / Will Bernard / Ron Johnson / Eric Bolivar @ Sullivan Hall
($60-$275) Janet Jackson – Number Ones, Up Close and Personal World Tour @ Radio City Music Hall
Saturday, March 19th, 2011
(Free) Mark Guiliana @ Rockwood Music Hall
(Free) West African Band @ St. Nicks, Harlem (late night)
($10) Anders Osborne w/ Leroy Justice @ Brooklyn Bowl
($30-$40) Pat Martino Organ Quartet @ Birdland
($35) FUNK SUMMIT: Leo Nocentelli (The Meters), Bernie Worrell (P-Funk), Fred Wesley (James Brown, P-Funk) @ Iridium Jazz Club
($40) Steve Martin & the Steep Canyon Rangers @ Music Hall of Williamsburg
($61-$172) Allman Brothers Band @ Beacon Theater
($60-$275) Janet Jackson – Number Ones, Up Close and Personal World Tour @ Radio City Music Hall
Sunday, March 20th, 2011
($20) Murder By Death @ Rocks Off Cruise
($30) Chico O’Farrill Afro-Cuban Jazz Orchestra @ Birdland NYC
($60-$200) Diana Ross – Greatest Hits Tour @ St. George Theater, S.I.
($75-$125) Benefit for Cornell Dupree w/ Cornell Dupree, Joe Cocker and Dr. John @ B.B. King Blues Club and Grill
($80-$180) Elton John @ Madison Square Garden
Monday, March 21st, 2011
($5) London Souls Residency @ The Brooklyn Bowl
($8) Jim Campilongo @ The Living Room
($10-$17) 101.9 Wrxp 3rd Anniversary Show Feat. Guster @ Irving Plaza
($25) Mingus Dynasty @ The Jazz Standard
($30) Rick Derringer @ Iridium Jazz Club
($50) Keyshia Cole @ B.B. Kings
($60-$275) Janet Jackson – Number Ones, Up Close and Personal World Tour @ Radio City Music Hall
($61-$172) Allman Brothers Band @ Beacon Theater
Tuesday, March 22nd, 2011
(Free) Dred Scott Trio @ Rockwood Music Hall (late night)
($15-$20) Mike Gordon @ The Brooklyn Bowl
($18-$22) Noah and The Whale @ Bowery Ballroom
($25-$40) Paula Cole – DIVINALE: A Month of Wine, Women and Song @ City Winery
($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
($61-$172) Allman Brothers Band @ Beacon Theater
Wednesday, March 23rd, 2011
($10/$12) Heyoka, The Malah, Octopus Nebulae, Tucci @ Public Assembly (Mis Ter Bugsley)
($15) Surprise Me Mr. Davis @ The Bell House
($15-$20) Mike Gordon @ The Brooklyn Bowl
($20-$25) Steve Kimock 2011 NYC Residency w/ special guests Henry Butler , Andy Hess (Gov’t Mule, Black Crowes, John Scofield) and John Morgan Kimock @ Sullivan Hall
($30) Jeff Lorber Fusion @ Iridium Jazz Club
($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
Thursday, March 24th, 2011
($10) The Macpodz and Sister Sparrow And The Dirty Birds @ Studio at Webster Hall
($25) James Blood Ulmer with The Memphis Blood Blues Band featuring Vernon Reid @ Jazz Standard
($30) Jeff Lorber Fusion @ Iridium Jazz Club
($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
($40-$52) Cold War Kids @ Radio City Music Hall
($40-$80) Hungarian Echoes IV: Bartók’s First Piano Concerto @ Avery Fisher Hall
($61-$172) Allman Brothers Band @ Beacon Theater
Friday, March 25th, 2011
($??) Mahavishnu Project plays Jeff Beck (Wired, Blow By Blow, There & Back) @ Iridium Jazz Club
DVD Release Event for “Jeff Beck: Live at Iridium” [free DVD giveaways]
($12) A Post Furthur & Allman Brothers Band Show featuring Some Cat From Japan: The Music Of Jimi Hendrix featuring Nigel Hall , Scott Metzger , Will Bernard , Ron Johnson , Eric Bolivar @ Sullivan Hall
($18-$20) The Wood Brothers with Carsie Blanton @ City Winery (2 shows)
($20) Black Joe Lewis & the Honeybears @ Bowery Ballroom
($25) James Blood Ulmer with The Memphis Blood Blues Band featuring Vernon Reid @ Jazz Standard
($25) Post Allmans in New York Midnight Concert Series Col. Bruce Hampton and Pharoah Gummitt Featuring Duane Trucks @ Iridium Jazz Club
($30) Steve Smith, Jon Herington and Col. Bruce Hampton @ Iridium Jazz Club
($32.50) Victor Wooten and Stanley Clarke @ BB Kings
($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
($40-$47) Queens of the Stone Age @ Terminal 5
($40-$80) Hungarian Echoes IV: Bartók’s First Piano Concerto @ Avery Fisher Hall
($50-$60) Don McLean with Special Guest Dar Williams @ Town Hall
($50-$84) Furthur @ Radio City Music Hall
($61-$172) Allman Brothers Band @ Beacon Theater
Saturday, March 26th, 2011
(Free) West African Band @ St. Nicks, Harlem (late night)
($10) A Post Furthur and Allman Brothers Show with Reflections @ Sullivan Hall
($15-$20) Black Joe Lewis and the Honeybears @ Bowery Ballroom
($25) James Blood Ulmer with The Memphis Blood Blues Band featuring Vernon Reid @ Jazz Standard
($35) Hubert Sumlin Band @ Iridium Jazz Club
($40) Charlie Haden Quartet West Celebrates 25th Anniversary With Release of Sophisticated Ladies @ Birdland NYC
($40-$80) Hungarian Echoes IV: Bartók’s First Piano Concerto @ Avery Fisher Hall
($45-$65) Afro-Cuban All Stars @ The Concert Hall
($50-$84) Furthur @ Radio City Music Hall
($61-$172) Allman Brothers Band @ Beacon Theater
($100-$175) Rod Stewart / Stevie Nicks – Heart and Soul Tour @ Madison Square Garden
Sunday, March 27th, 2011
($8-$10) Dangermuffin @ The Rock Shop
($25) Hubert Sumlin Band @ Iridium Jazz Club
($25) James Blood Ulmer with The Memphis Blood Blues Band featuring Vernon Reid @ Jazz Standard
($30) Chico O’Farrill Afro-Cuban Jazz Orchestra @ Birdland NYC
($40) Harlem Gospel Choir @ BB Kings
($50-$84) Furthur @ Radio City Music Hall
Monday, March 28th, 2011
($5) London Souls Residency @ The Brooklyn Bowl
($8) Jim Campilongo @ The Living Room
($25) Mingus Orchestra @ The Jazz Standard
($25) New Sounds Live: So Percussion and Bobby Previte with John Medeski, Zeena Parkins, DJ Olive & Jen Shyu @ Merkin Concert Hall
($35) Hubert Sumlin Band @ Iridium Jazz Club
($40-$47) LCD Soundsystem @ Terminal 5
($50-$117) Jeff Beck and Rock N Roll Party w/ Imelda May & Her Band @ Radio City Music Hall
Tuesday, March 29th, 2011
(Free) Dred Scott Trio @ Rockwood Music Hall (late night)
($5) BoomBox @ Brooklyn Bowl
($12-$65) Medeski Martin & Dunn, John Zorn & MASADA Marathon @ David H. Koch Theater
Featuring: Marc Ribot, Uri Caine, Dave Douglas, John Medeski, Secret Chiefs 3, Greg Cohen, Joey Baron, Cyro Baptista, Kenny Wollesen, Jamie Saft, Erik Friedlander, Mark Feldman, Sylvie Courvoisier, Trevor Dunn, and many others
($20) Billy Martin w/ Dj Oliver and Ikue @ The Stone
($30-$40) Kevin Eubanks Trio @ Birdland NYC
($40-$47) LCD Soundsystem @ Terminal 5
($55-$65) Billy Bragg – At Home In The City W/ Special guest Ben Sollee @ City Winery
Wednesday, March 30th, 2011
($20) Steve Kimock 2011 NYC Residency with special guests Marco Benevento , Marc Friedman (The Slip) , Adam Deitch (Lettuce, Breakscience) @ Sullivan Hall
($25) Reggie Watts @Music Hall of Williamsburg
($30-$40) Kevin Eubanks Trio @ Birdland NYC
($35-$60) Aaron Neville @ BB Kings Blues Club
($40-$47) LCD Soundsystem @ Terminal 5
($55-$65) Billy Bragg – At Home In The City W/ Special guest Ben Sollee @ City Winery
Friday’s show was a great start to the weekend. Click here for Friday’s Article….
Welcome to New Jersey!
The second of the three superb performances was upon us and the music and magic that we were in store for is difficult to explain. This was one of those nights where words will never do it justice. The soundboards do NOT do it justice. NOTHING but being there will ever substitute the awesomeness that we were delivered and that we FELT radiating through that theater for night two. I can honestly say that, for the first time, a Phish performance took my breath away and had me in tears.
We slept in, or rather I slept in, until about 1:30pm. The fluffy Borgata bed, devouring me in it’s blankets, made it hard for me to leave its comfort. Having spent yesterday running around like chickens with our heads cut off, it was nice to take it easy for the rest of the weekend.
We set up some ground rules and meet up times with our Youth Posse (YP) and let them on their way to enjoy the city. Having them in the back of my mind kept me on my toes the entire weekend. I would find myself wondering what they were up to, hoping they were raging and having fun together. Hoping they were safe and happy. Ultimately knowing they were! How could they not be. If I felt like a kid in a candy store, I could only imagine how they were feeling.
Our YP enjoyed their day raging around The Borgota, able to watch the members of Phish during sound check. These humble little ragers enjoy musical happenings in life you can only imagine. While they were entertained by their favorite band, Josh and I took off to see a few of our phamily.
Soundcheck: Whole Lotta Love (x2), Thank You, Billy Breathes, Can’t You See, Ramble On, Whole Lotta Love, Ginseng Sullivan, Rock Me Baby, Destiny Unbound [Unconfirmed and possibly incomplete]
After a $35 taxi ride, 10 minutes away and totally more expensive then NYC fees, we were at our friend’s house. If we had not chaperoned the YP this trip, this would have been our accommodations. A house that sleeps 12 and containing all my favorite people 🙂 We spent the afternoon talking about last night’s performance, what album Phish might play on Sunday, what everyone was planning on doing after the show. Marco Benevento was playing at the same place Karl Denson raged the previous night. There were mixed feelings throughout our crowd as to whether Marco would be fun or not. I was 110% set on going and I silently crossed my fingers that they would come to that conclusion later on as well.
We taxied back to Boardwalk Hall around 6pm. Our friend’s had secured a few rooms in hotels around the venue and so we made our way to The Bally’s for a quick hang with more friends, specifically my NYC/Jamily crew! I LOVE YOU ALL!! We kicked it there for another hour before deciding it was time to head into the venue.
Exiting onto the boardwalk, the front of the venue was packed to an even greater extent then the night before. There were substantially more people as well as more fingers up in the air for a lucky ticket into the venue. If we only knew then what we knew now, people might have paid $500 instead of $300 to get into this show…..oh man!
Again, we made sure all of our friend were taken care of before we took off for the nicer private entrance we used the whole weekend. Just look at that mess up there. We were in section 104 this time allowing for a slightly better view of the side-angled light show.
As I sit here writing, it has taken me me a minute to recall anything that happened before the bombs of rock hit us midway through the first set. As much as I want to just blast through the description of the Phish catalog that preceded the EPIC portion of this musical night, I will try to be patient and give ya the whole story!
As the members enter the stage, the audience completely flips their lid. The beauty of a Phish audience! They are SUCH diehards. Kill Devil Falls opened up the set with 8 minutes of high energy, hitting a nice Page jam around the 4 minute mark and bringing Trey in to shred close a wonderful opener.
The balloons and balls already making their way into the air from the ground level, I scanned my surroundings and my chest swelled a little bit. The scene in front of me, the energy surging through the hall…it was a bit overwhelming for me. I can hear yall now: “God! She is such a mushy female.” But what people need to realize is that these musical moments are my religion. Being in an audience, listening and feeling what the music does to me. That is my version of church. And when you stop, embrace your surroundings and look past the music and take it alllll in…..well, I swell up, and many times, I cry.
Music is my religion!
I swelled up at this moment because I can’t help but be touched by a MASSIVE space filled with 14,000 like-minded people, dancing and smiling and SCREAMING for a common goal. The passion these fans have for Phish. The dedication these fans have to getting into the shows. Here I am blessed to be rocking a laminate around my neck that others would pay me thousands of dollars for. It blows my mind.
Jesus ~ Phish
I feel so blessed to have fallen into the Phish world so deeply, so QUICKLY! Then, top that off with being surrounded by all your closest friends who are just the greatest people to know. I lose myself many times in these moments, throughout my show going experiences….and so I get emotional. I know I am not the only one who’s “life was saved by rock n’ roll” so, holla if ya hear me 🙂 That being said, if you ever see me weeping at a show or see tears rolling down my face, you can be sure they are tears of joy and I am probably in the middle of an inwardly religious musical moment.
Cavern kept the energy high with each instrument standing out on it’s own, every player sounding on point. The boys had brought more energy into the first two songs of this night then they had during the entire first set of Friday’s performance.
Mike‘s bass brought the jazzy Foam to our ears and brought Trey to his toes. A random collection of notes coming out of the instruments, the salsa dancer in me wanted to burst out and I wish I was on the floor during this song twirling. Not having mentioned Chris Kuroda‘s light show yet, can I just say I love him? Did yall know that 😉 But the stand out in this song is generally Page, and once again, he brought a little love to our ears during his rapid, airy, scaling keys jam.
Glowsticks are fun!
WHO LOVES GLOW STICK WARS?? I do! You know, I realized something during these shows, walking around the floor, checking people out. There are so many aspects to what make a Phish show great. Seriously, think about it. There are those people who play certain rolls in the community to ensure that the show, with all it’s traditions, stays alive and the audience stay pumped.
Right? So, perhaps I’m reaching here but at a Phish show, you have those people who’s sole dedication to the show is to rage the Glow sticks. They spend all their free moments collecting, ejecting, recollecting, throwing again and recollecting to ensure proper parts of the song/show are highlighted with these bursts of light and energy.
Trey and Mike Guelah Papyrus dance
There was a MASSIVE Glow Stick war during Guelah Papyrus. Best one of the weekend by far. Around 4 minutes into the song, the stage goes black and the band members freeze frame for what seems like forever but was only about 45 seconds. During this time, the audience begins cheering, the glowsticks start flying in the air, the crescendo of sound growing with every half-second. Single specks in the air turn into hundreds being tossed, some directed at Trey and the other band members who are trying to stand still but also needing to move from time to time as to not get hit right in the face.
I wondered how many people it was taking to create what those of us in the stands could see happening on the floor in front of us. One’s vision is immediately drawn away from the stage and into the crowd when these bursts happen.
Glowstick Specific Video
Photo by Dave Vann
And now…the moment they ripped the lid off Atlantic City. No one was prepared for what Phish was going to bust open next. Busting into a heady Chalk Dust Torture, everyone around me was dancing, smiling, same old, same old….and then we heard it. At first, it was interwoven into CDT, my friends catching it almost immediately. It was impossible not to recognize!
The Realization of Zeppelin
ZEPPELIN RAGE!!!
The Whole Lotta Love rift came out of Trey‘s guitar and HOLY SHIT!!!!!! I generally don’t curse in my articles but HOLY SHIIIIIIIIIIIIIIIIIT!!! I can’t begin to tell you what the reactions were that occured around me. There will never be words to describe it. The videos don’t do it justice, even though the ones below attempt to as their best. My immediate reaction was a deep breath in and a cough from choking on my breath. Realizing my immediate crew was jumping sky high, falling forward into the chairs in front of them, one fell into their chair with a gaping mouth. Throughout the rest of the theater, men around me were screaming like school girls. Josh almost fell to his knees screaming at the top of his lungs. The entire floor elevated as a unit a few feet off the ground with fists in the air. Trey himself just dropping his head and we head banged in unison. All around me I heard: “HOLY SHIT! HOLY SHIT!!” and “OH MY GOOOOD” Trey vocals kinda sucked through the single verse he sang but who the hell was complaining. This was amazing.
When I heard the cords to Whole Lotta Love starting I felt like I would have to be peeled off of the roof of Boardwalk Hall, I jumped so high to high five Goldy and screamed out in joy. ~ Josh R.
OMG!!! And from there it was just wide open into a 2 minute Phish original Ha Ha Ha followed by a shredding James Gang‘s Walk Away. GO TREY!!!
I loved them and the nostalgia it gave me; the feelings & emotion it provided – and the energy that ensued. You can’t argue with 14,000 people bugging out in surprise and all that emotion. ~ Rob A.
And on and on it went like that all night from Heartbreaker to Ramble On to Thank You to Stairway (OMG HOLY COW) and finally to Good Times Bad Times with Tweezeresque jams painting the corners of the jams. HOLY SHIT!!!! Jimmy Page would definitely enjoy it. ~ Josh R.
Photo by Dave Vann
People around me were in tears. I wonder how many, if any, fainted? It was one of those musical moments where the Phish die-hards were just exploding to my left and right. High energy abounded and there was no stopping the four musicians on stage. Trey, always being one to feed off his audience, kept things 110% in the zone of RAGE as they continued with the ever vocal, funky Wolfman’s Brother into Undermind into Bathtub Gin.
Gosh, that song [Bathtub Gin] makes me so happy ~ Ali G.
Bathtub Gin was ridiculous. Got to love Page on the keys. Trey‘s guitar work is so tight. The Whole Lotta Love tease at the end was cute. Because at this point, we have no idea where things are going. The Squirming Coil concluded the first set with it’s swift heartbeat making our hips shake to the last note.
Photo by Dave Vann
SET II
The second set was fire. Tube into Possum blasted open the second set with Trey’s shredding guitar stylings and screams that encouraged us to get pumped. Chris Kuroda‘s lights mimicking the title, made me feel like I was at the circus for some reason. He continued helping elevate the music ever so gently in the most psychedelic way.
I love Possum. It breathes a bit of country into their repertoire. Bluesy, country-vibe with funky undertones with another Whole Lotta Love tease thrown in. Gets your toes moving. It also allows for Trey to open up and the glow-sticks burst are always visible.
Rumors about tomorrow’s music were squashed as Phish unloaded an arsenal of Zeppelin covers upon an unsuspecting, eager audience. Tweezer started it off. And then ZEPPLIN RAGE!!! Heartbreaker into Ramble On into Thank You into Stairway to Heaven. Some hellacious guitar jams by Trey, Mike‘s bass thumping in my ear, Kuroda‘s lights into Hearthbreaker was intense. Ramble On into Thank You. After Stairway to Heaven we hear a “Happy Halloween! See you all next year.” WHAT? But Trey was just enjoying this whole TRICK situation that was going on. Sadly, he got me! I turned to Josh who just smiled at me
The Led Zeppelin songs on the 30th were incredible to so many of us and in the moment, I was on the verge of so many emotions. The excitement was overwhelming. The Ramble On brought me back to Alpine ’98 when they opened the show with it. That opening line from “Thank You” where Trey said: “if mountains crumble to the sea, there still would be you and me”…made me think of my love and dedication to this incredible band that only gets more intense as the years roll by. Then the closing line of Stairway to Heaven was dream come true and the energy from the guitar jam at the end.” ~ Erika V.
Photo By Nick Nifia
Heartbreak, Thank You and Stairway to Heaven were all Phish debuts so I’ve heard. Not only was this AWESOME, but it blew the Musical Costume rumor of Led Zeppelin OUT OF THE WATER.
Every year on Halloween, Phish puts on a MUSICAL COSTUME by playing a full album of another band from beginning to end. I had never heard of this before. Apparently, phanatics theorize for months which album might be chosen by playing games or trying to figure out the clues sometimes dropped by Phish. So, this year, everyone and their mother was calling for Led Zeppelin, some were calling Genesis. If that is what it took to get Phish to play Zeppelin tonight AND basically telling us that we were not getting Zeppelin for Halloween, then hellz yeah! Sadly, this would be the final Musical Costume Phish would be putting on for at least a few years.
I agree with most phans when I say that Saturday night was the better of the three shows. They gave the crowd what they wanted and got the “led out”. They teased us, then laughed at us!!! (Ha, Ha, Ha) Then gave it to us good!! The crowd’s energy was at a peak that night. ~ Jessica B.
With every realization of the next Led Zeppelin rift/song, the crowd got more elevated. And then Phish brought back the old school jams with some new school tightness. Riding the energy of the Tweezeppelin rage, they tied into Halley’s Comet, another song I really like. I imagine this would be Bobby McFarrin‘s Phish song of choice.
2001/ Also Sprach Zarathustra & David Bowie followed with a sober bring down to start. I think everyone was still riding on the Zeppelin wave. I am trying so hard to remember anything after the Zeppelin rage. Man! My friend’s and I using this quiet time to rave about what just happened. David Bowie brought forth a pretty gnarly off-the grid jam from the boys. For a moment I thought I had missed a transition into another song…nope.
Show of Life, a newer song that has people split as to whether or not they like it due to it’s slower nature and poppy sound. I like it. I love it’s message. The lights WERE GORGEOUS!!!! Chris Kuroda, once again stealing the spot lights, as it were 🙂 This song may be a bit cheesy to some but it’s melody and notes bring a little tear to my eyes almost every time. It’s a bit spiritual for this little lady. I didn’t care for the sloppy ending of this version but it never ceases to lift my spirits and make me feel a bit closer to the people surrounding me.
Nothing could take the place in my heart of the darker Jones Beach version of Backwards Down the Number Line I was lucky enough to catch at the end of this last Summer tour. Here is yet another song that I notice my friends using to take time to use the rest room or sit and have a little chat with those next to them. It’s another song I love though. It’s pretty. I love the lyrics. I love Trey’s solo jams. A quirky little take on birthday love and friendship. Be sure to check out the lights in the video – I can’t pug Chris Kuroda enough it seems. He really does make the entire show for me. The use of his lights, his color choices, all delivered to enhance our experiences.
Happy happy oh my friend Blow out candles once again Leave the presents all inside Take my hand and let’s take a ride
Backwards Down The Number Line cascaded into Good Times Bad Times. YES!! Let’s end on a FREAKING ZEPPELIN RAGE ONCE AGAIN!!!!!!!!!!!!! Do I dare try to explain the rage that ensued? Let’s just say, no one could get enough of Phish playing Zeppelin on this night. People’s minds were blown. And the fact that my wonderful boyfriend sang these lovely lyrics directly to me almost on his knees was a personal wonderful touch to a wonderful evenings.
I don’t care what the neighbors say, I’m gonna love you each and every day. You can feel the beat within my heart. Realize, sweet babe, we ain’t ever gonna part.
People, this is why you go to all three nights and not just Halloween. You never know when Phish is going to bust out the crazy shit!” ~ Erika V.
Photo by Dave Vann
Saturday Setlist
Set 1: Kill Devil Falls, Cavern > Foam, Guelah Papyrus, Chalk Dust Torture > Whole Lotta Love > Chalk Dust Torture, Ha Ha Ha, Walk Away, Wolfman’s Brother > Undermind > Bathtub Gin, The Squirming Coil
Set 2: Tube > Possum > Tweezer > Heartbreaker > Ramble On > Thank You -> Tweezer > Stairway to Heaven, Halley’s Comet > Also Sprach Zarathustra > David Bowie, Show of Life, Backwards Down the Number Line > Good Times Bad Times
E: Sleeping Monkey > Tweezer Reprise
“With Phish it’s different. Phish is so amazing on so many levels. Phish to me is all the music of my life’s favorite music, Classic Jam Rock and Roll, done in a modern way but, totally grounded in the roots of the music I love. I love their originals very much, but a night of Zeppelin covers like that just wins for me.” ~ Josh R.
“Well, I guess they won’t be playing Zepp on Halloween”.
Lions, and Tigers and Bears!
Marco Benevento & Friends @ Trump Plaza
Jazz Swank at his best!
Being an ivory-aholic, I was all set for Marco Benevento & Friends once Phish was over. However, coming from such a guitar heavy performance, there were a lot of skeptics as to whether Marco Benevento would be able to keep the energy pumping until 4am.
The Bennovento set was a nice relaxing set to hang and chill with friends. He is very good, if only he would hire a jamming guitarist, it would really be awesome. ~ Josh R.
We took our time strolling through the Boardwalk, checking out all the posters and artwork along the way. The the show started at 11pm, costing $25 a pop. We arrived around 12:30-1am I believe. Who can really tell at this point, we were all in la la land!! It proved to be a wonderful night of mingling with our friends who had come in earlier that morning but that we couldn’t find in the sea of 14,000 a few hours earlier. These after parties truly were a great way to catch up with the masses.
Photo by J.R.
Walking into the venue, the scene was set for what appeared to be a pretty raging time. The lights were definitely more psychedelic then I had thought they would be. Marco Benevento, whose hair was all chopped off was sitting at his piano and going OFF!! Due to the hair cut and the fact that his back was too us, I actually asked someone if that was him. Why did he have to cut his hair 😦
Photo by J.R.
Bear = Marc Friedman
Along side Marco Benevento this evening was drummer Billy Martin of Martin, Medeski and Wood and Marc Friedman, currently of Surprise Me Mr. Davis but more known for The Slip rounded out the trio on electric bass. This was a hot trip here ladies and gentleman. And they gave us EXACTLY what we needed. Thrown in among the jazzy standards and Marco originals like Greenpoint they delivered covers by Elton John, Michael Jackson and more. This was not your typical Marco show IMHO and I was terribly sad to not see tapers in the venue.
Marco and his friends had embraced the holiday season with a cute twist to their costumes. Sitting at the base of Marco‘s piano was a stuffed Lion’s head. Resting inside Billy Martin‘s bass drum was a Tiger head and Marc Friedman himself was wearing a bear hat with fuzzy ears. Lions & Tigers’ and Bears. How dang cute!
***Currently awaiting a response from the band for thier setlist and or recordings…cross your fingers***
Goodnight/Good Morning?
The entire night, NO!!…The ENTIRE DAY was a high energy, completely addictive occurrence that makes one sit back and wonder who the HELL we are supposed to drop these amazing adventures and dare to go back to the “real world” of our 9 to 5. How do we go back to our daily lives of being teachers and doctors and lawyers and look our co workers in the eye knowing that their lives will never quite as exciting as ours. We live in a BEAUTIFUL world and what we were delivered tonight might be as close to Jam Cruise as many will obtain with the sense of community and layout of Atlantic City.
For others, well, I will let my dearest friend Josh spell it out for ya:
I love their originals very much, but a night of Zeppelin covers like that just wins for me. I heard a few folks talking about Saturday nights show and what it meant to them, and to me I might add. People were saying that while it was not at all the same as seeing Led Zeppelin, for some of us, it was as close as we could come, not because the music is played the same, but because of how well they play it, combined with how happy and high on life Phish just makes us.
It was a lovely scene outside of Rose Live on Sunday evening. It was a bit muggy but it was the first night one could walk around comfortably in a short sleeve shirt and skirt and I was loving that. The lights were on in the trees out front; the front windows had been opened to create dining space on the sidewalk. Spring has sprung at Rose Live! Such a lovely venue.
Rose Live
I was in good company, having good conversation awaiting Benevento/Russo Duo drummer Joe Russo’s set with Fat Mama guitarist Jonathan Goldberger & Slip bassist Marc Friedman. They were performing a one hour improvised set and I was looking forward to it! Joe and his lovely girlfriend, Pooja, were occupying one of the tables on the sidewalk, appreciating the change in season as much as we all were. My friend introduced herself and a round of introductions abounded. Smiles. Respect. I love New York, I really do. For moments like those 🙂
Trio Unknown
Trio Unknown
Sunday night was the kind of night where you pick out a nice glass of wine, pull up a seat at one of the intimate 2 seaters lit by a single candle and enjoy yourself. Close your eyes and just listen. As we waited for Joe‘s set, we were welcomed with another trio performing. It was actually a lovely contrast to what I assumed was going to take place later. I was right. This set was traditional, technical, lovely. They played a few standards that I wish I could place. The saxophone was simple and sweet. At times it was just three notes being drawn out over a period of time…some could wonder how this was music? I appreciated how something so simple could sound so beautiful. It’s good to get away from the funk now and then. To get way from the intense energy and relax with some slower vibes and calmer sounds. Smooth improvisational jazz. Perfection. But, I knew it wouldn’t continue because Joe Russo is neither calm nor slow.
The sidewalk was bustling with people after the set. Rose was still relatively empty compared to what it would be in the next 30 minutes. It is always best to get to Rose earlier rather then later. Rose pumped some great funk songs while we waited. They always have pretty dope music in between sets. I need to get my hands on the bartender’s Ipod. There was some funky bass lines dropped by the bassist during sound check and my ears perked up. But pretty soon all of that was to be forgotten because we were immediately thrown into some spaced out trippy jazzy meld of sounds.
Joe, Marc, Jonathon @ Rose Live
Joe Russo is the man. Coming off of his gig with Furthur, he is complex and in attack mode as soon as he picks up his sticks. Nothing slow or soft about him, he is a beast. This was a set of pure fun. Marc Friedman and Jonathan Goldberger manipulated every sound that came out of their instruments with their various contraptions. Experimental acidy jazzy goodness. Little bit of rock, little bit of fusion, little bit of space….it was just fun and smiles! At the same time, this yummy chaos of sound had a purpose, a destination, because Joe was leading the way with the beat. His upper body flying all over the place with a huge smile on his face. To my right, my friend was inspired to write poetry as she sat and listened. Yes, it was inspiring. To my left, I smiled as I noticed Sonya Kitchell enjoying herself front and center. I love seeing artists become fans. Little does she know what a huge fan I am of hers.
Joe, Marc, Jonathon @ Rose Live
It was just a fun hour of sounds being created with Joe backing them up on drums. There were maybe 50 people in the room. At one point I recalled the movies I used to watch with my father and imagined the Borg from Star Trek coming and taking over the world. Another time, it sounded like bullets being fired but out of an arcade gun. You know the sound? In the middle of it all, Joe gave us a cowbell. There was laughter and it somehow stuck and pulled its way into that part of the…are we calling this a song? Every time it made its way around, there were smiles given up for an otherwise grim medley. It shifted HARD to rock as Jonathon took us through a rock rage that had a completely different vibe then the first 15 minutes of the improv.
Joe, Marc, Jonathon @ Rose Live
Towards the end, they just let Joe take it away. Using big mallets on a standard drum kit, he beat the living hell out of the them and with big giant bangs it was over and everyone cheered. It was just pure fun. I truly adore Joe Russo as a musician. He enhances any project he touches. Then you have Rose Live, which provides some of the most intimate settings for some of the city’s best artists to showcase their talent. I am so thankful I live in a gorgeous city with musical opportunities such as these.