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Friday’s show was a great start to the weekend. Click here for Friday’s Article….

Welcome to New Jersey!

Welcome to New Jersey!

The second of the three superb performances was upon us and the music and magic that we were in store for is difficult to explain.  This was one of those nights where words will never do it justice.  The soundboards do NOT do it justice.  NOTHING but being there will ever substitute the awesomeness that we were delivered and that we FELT radiating through that theater for night two.  I can honestly say that, for the first time, a Phish performance took my breath away and had me in tears.

TIME FOR ROUND TWO!!!

10/30 - Poster by Nate Duval © Phish 2010. New Jersey Honey Bee.

10/30 - Poster by Nate Duval © Phish 2010. New Jersey Honey Bee.

We slept in, or rather I slept in, until about 1:30pm. The fluffy Borgata bed, devouring me in it’s blankets, made it hard for me to leave its comfort.  Having spent yesterday running around like chickens with our heads cut off, it was nice to take it easy for the rest of the weekend.

We set up some ground rules and meet up times with our Youth Posse (YP) and let them on their way to enjoy the city.  Having them in the back of my mind kept me on my toes the entire weekend.   I would find myself wondering what they were up to, hoping they were raging and having fun together.  Hoping they were safe and happy. Ultimately knowing they were!  How could they not be.  If I felt like a kid in a candy store, I could only imagine how they were feeling.

Our YP enjoyed their day raging around The Borgota, able to watch the members of Phish during sound check.  These humble little ragers enjoy musical happenings in life you can only imagine. While they were entertained by their favorite band,  Josh and I took off to see a few of our phamily.

Soundcheck: Whole Lotta Love (x2), Thank You, Billy Breathes, Can’t You See, Ramble On, Whole Lotta Love, Ginseng Sullivan, Rock Me Baby, Destiny Unbound [Unconfirmed and possibly incomplete]

After a $35 taxi ride, 10 minutes away and totally more expensive then NYC fees, we were at our friend’s house.  If we had not chaperoned the YP this trip, this would have been our accommodations.  A house that sleeps 12 and containing all my favorite people 🙂 We spent the afternoon talking about last night’s performance, what album Phish might play on Sunday, what everyone was planning on doing after the show.  Marco Benevento was playing at the same place Karl Denson raged the previous night.  There were mixed feelings throughout our crowd as to whether Marco would be fun or not. I was 110% set on going and I silently crossed my fingers that they would come to that conclusion later on as well.

We taxied back to Boardwalk Hall around 6pm.  Our friend’s had secured a few rooms in hotels around the venue and so we made our way to The Bally’s for a quick hang with more friends, specifically my NYC/Jamily crew! I LOVE YOU ALL!! We kicked it there for another hour before deciding it was time to head into the venue.

The Heard (photo by Dave Vann © phish 2010)

The Heard (photo by Dave Vann © phish 2010)

Phish @ Atlantic City : Saturday

Exiting onto the boardwalk, the front of the venue was packed to an even greater extent then the night before. There were substantially more people as well as more fingers up in the air for a lucky ticket into the venue.  If we only knew then what we knew now, people might have paid $500 instead of $300 to get into this show…..oh man!

Again, we made sure all of our friend were taken care of before we took off for the nicer private entrance we used the whole weekend.  Just look at that mess up there.  We were in section 104 this time allowing for a slightly better view of the side-angled light show.

As I sit here writing, it has taken me me a minute to recall anything that happened before the bombs of rock hit us midway through the first set.   As much as I want to just blast through the description of the Phish catalog that preceded the EPIC portion of this musical night, I will try to be patient and give ya the whole story!

As the members enter the stage, the audience completely flips their lid.  The beauty of a Phish audience! They are SUCH diehards.  Kill Devil Falls opened up the set with 8 minutes of high energy, hitting a nice Page jam around the 4 minute mark and bringing Trey in to shred close a wonderful opener.

The balloons and balls already making their way into the air from the ground level, I scanned my surroundings and my chest swelled a little bit.  The scene in front of me, the energy surging through the hall…it was a bit overwhelming for me.  I can hear yall now: “God! She is such a mushy female.” But what people need to realize is that these musical moments are my religion. Being  in an audience, listening and feeling what the music does to me.  That is my version of church.  And when you stop, embrace your surroundings and look past the music and take it alllll in…..well, I swell up, and many times, I cry.

Music is my religion!

Music is my religion!

I swelled up at this moment because I can’t help but be touched by a MASSIVE space filled with 14,000 like-minded people, dancing and smiling and SCREAMING for a common goal.  The passion these fans have for Phish. The dedication these fans have to getting into the shows. Here I am blessed to be rocking a laminate around my neck that others would pay me thousands of dollars for.  It blows my mind.

Jesus ~ Phish

Jesus ~ Phish

I feel so blessed to have fallen into the Phish world so deeply, so QUICKLY! Then, top that off with being surrounded by all your closest friends who are just the greatest people to know. I lose myself many times in these moments, throughout my show going experiences….and so I get emotional.  I know I am not the only one who’s “life was saved by rock n’ roll” so, holla if ya hear me 🙂 That being said, if you ever see me weeping at a show or see tears rolling down my face, you can be sure they are tears of joy and I am probably in the middle of an inwardly religious musical moment.

Cavern kept the energy high with each instrument standing out on it’s own, every player sounding on point. The boys had brought more energy into the first two songs of this night then they had during the entire first set of Friday’s performance.

Mike‘s bass brought the jazzy Foam to our ears and brought Trey to his toes.  A random collection of notes coming out of the instruments, the salsa dancer in me wanted to burst out and I wish I was on the floor during this song twirling.  Not having mentioned Chris Kuroda‘s light show yet, can I just say I love him?  Did yall know that 😉  But the stand out in this song is generally Page, and once again, he brought a little love to our ears during his rapid, airy, scaling keys jam.

Glowsticks are fun!

Glowsticks are fun!

WHO LOVES GLOW STICK WARS??  I do! You know, I realized something during these shows, walking around the floor, checking people out.  There are so many aspects to what make a Phish show great.  Seriously, think about it. There are those people who play certain rolls in the community to ensure that the show, with all it’s traditions, stays alive and the audience stay pumped.

Right? So, perhaps I’m reaching here but at a Phish show, you have those people who’s sole dedication to the show is to rage the Glow sticks. They spend all their free moments collecting, ejecting,  recollecting, throwing again and recollecting to ensure proper parts of the song/show are highlighted with these bursts of light and energy.

Trey and Mike Guelah Papyrus dance

Trey and Mike Guelah Papyrus dance

There was a MASSIVE Glow Stick war during Guelah Papyrus.  Best one of the weekend by far. Around 4 minutes into the song, the stage goes black and the band members freeze frame for what seems like forever but was only about 45 seconds. During this time, the audience begins cheering, the glowsticks start flying in the air, the crescendo of sound growing with every half-second.  Single specks in the air turn into hundreds being tossed, some directed at Trey and the other band members who are trying to stand still but also needing to move from time to time as to not get hit right in the face.

I wondered how many people it was taking to create what those of us in the stands could see happening on the floor in front of us.  One’s vision is immediately drawn away from the stage and into the crowd when these bursts happen.

Glowstick Specific Video


Photo by Dave Vann

Photo by Dave Vann

And now…the moment they ripped the lid off Atlantic City.  No one was prepared for what Phish was going to bust open next.  Busting into a heady Chalk Dust Torture, everyone around me was dancing, smiling, same old, same old….and then we heard it. At first, it was interwoven into CDT, my friends catching it almost immediately.  It was impossible not to recognize!

The Realization of Zeppelin

ZEPPELIN RAGE!!!

ZEPPELIN RAGE!!!

The  Whole Lotta Love rift came out of Trey‘s guitar and HOLY SHIT!!!!!!  I generally don’t curse in my articles but HOLY SHIIIIIIIIIIIIIIIIIT!!!  I can’t begin to tell you what the reactions were that occured around me.  There will never be words to describe it.  The videos don’t do it justice, even though the ones below attempt to as their best.  My immediate reaction was a deep breath in and a cough from choking on my breath.  Realizing my immediate crew was jumping sky high, falling forward into the chairs in front of them, one fell into their chair with a gaping mouth.  Throughout the rest of the theater, men around me were screaming like school girls.  Josh almost fell to his knees screaming at the top of his lungs. The entire floor elevated as a unit a few feet off the  ground with fists in the air. Trey himself just dropping his head and we head banged in unison. All around me I heard: “HOLY SHIT! HOLY SHIT!!”  and “OH MY GOOOOD”  Trey vocals kinda sucked through the single verse he sang but who the hell was complaining. This was amazing.

When I heard the cords to Whole Lotta Love starting I felt like I would have to be peeled off of the roof of Boardwalk Hall, I jumped so high to high five Goldy and screamed out in joy. ~ Josh R.

OMG!!!  And from there it was just wide open into a 2 minute Phish original Ha Ha Ha followed by a shredding James Gang‘s Walk Away.  GO TREY!!! 

I loved them and the nostalgia it gave me; the feelings & emotion it provided – and the energy that ensued. You can’t argue with 14,000 people bugging out in surprise and all that emotion. ~ Rob A.

And on and on it went like that all night from Heartbreaker to Ramble On to Thank You to Stairway (OMG HOLY COW) and finally to Good Times Bad Times with Tweezeresque jams painting the corners of the jams. HOLY SHIT!!!! Jimmy Page would definitely enjoy it. ~ Josh R.

Photo by Dave Vann

Photo by Dave Vann

People around me were in tears. I wonder how many, if any, fainted? It was one of those musical moments where the Phish die-hards were just exploding to my left and right.  High energy abounded and there was no stopping the four musicians on stage.  Trey, always being one to feed off his audience, kept things 110% in the zone of RAGE as they continued with the ever vocal, funky Wolfman’s Brother into Undermind into Bathtub Gin.

Gosh, that song [Bathtub Gin] makes me so happy ~ Ali G.

Bathtub Gin was ridiculous. Got to love Page on the keys.  Trey‘s guitar work is so tight.  The Whole Lotta Love tease at the end was cute. Because at this point, we have no idea where things are going. The Squirming Coil concluded the first set with it’s swift heartbeat making our hips shake to the last note.


Photo by Dave Vann

Photo by Dave Vann

SET II

The second set was fire.  Tube into Possum blasted open the second set with Trey’s shredding guitar stylings and screams that encouraged us to get pumped.  Chris Kuroda‘s lights mimicking the title, made me feel like I was at the circus for some reason.  He continued helping elevate the music ever so gently in the most psychedelic way.

I love Possum. It breathes a bit of country into their repertoire. Bluesy, country-vibe with funky undertones with another Whole Lotta Love tease thrown in.  Gets your toes moving. It also allows for Trey to open up and the glow-sticks burst are always visible.

Rumors about tomorrow’s music were squashed as Phish unloaded an arsenal of Zeppelin covers upon an unsuspecting, eager audience. Tweezer started it off. And then ZEPPLIN RAGE!!!  Heartbreaker into Ramble On into Thank You into Stairway to Heaven. Some hellacious guitar jams by Trey, Mike‘s bass thumping in my ear, Kuroda‘s lights into Hearthbreaker was intense.  Ramble On into Thank You. After Stairway to Heaven we hear a “Happy Halloween! See you all next year.” WHAT?  But Trey was just enjoying this whole TRICK situation that was going on. Sadly, he got me! I turned to Josh who just smiled at me

The Led Zeppelin songs on the 30th were incredible to so many of us and in the moment, I was on the verge of so many emotions. The excitement was overwhelming. The Ramble On brought me back to Alpine ’98 when they opened the show with it. That opening line from “Thank You” where Trey said: “if mountains crumble to the sea, there still would be you and me”…made me think of my love and dedication to this incredible band that only gets more intense as the years roll by. Then the closing line of Stairway to Heaven was dream come true and the energy from the guitar jam at the end.” ~ Erika V.

Photo By Nick Nifia

Photo By Nick Nifia

Heartbreak, Thank You and Stairway to Heaven were all Phish debuts so I’ve heard.  Not only was this AWESOME, but it blew the Musical Costume rumor of Led Zeppelin OUT OF THE WATER.

Every year on Halloween, Phish puts on a MUSICAL COSTUME by playing a full album of another band from beginning to end. I had never heard of this before. Apparently, phanatics theorize for months which album might be chosen by playing games or trying to figure out the clues sometimes dropped by Phish.  So, this year, everyone and their mother was calling for Led Zeppelin, some were calling Genesis.  If that is what it took to get Phish to play Zeppelin tonight AND basically telling us that we were not getting Zeppelin for Halloween, then hellz yeah! Sadly, this would be the final Musical Costume Phish would be putting on for at least a few years.

I agree with most phans when I say that Saturday night was the better of the three shows. They gave the crowd what they wanted and got the “led out”. They teased us, then laughed at us!!! (Ha, Ha, Ha) Then gave it to us good!! The crowd’s energy was at a peak that night. ~ Jessica B.

With every realization of the next Led Zeppelin rift/song, the crowd got more elevated. And then Phish brought back the old school jams with some new school tightness. Riding the energy of the Tweezeppelin rage, they tied into Halley’s Comet, another song I really like.   I imagine this would be Bobby McFarrin‘s Phish song of choice.

2001/ Also Sprach Zarathustra & David Bowie followed with a sober bring down to start.  I think everyone was still riding on the Zeppelin wave.  I am trying so hard to remember anything after the Zeppelin rage.  Man! My friend’s and I using this quiet time to rave about what just happened. David Bowie brought forth a pretty gnarly off-the grid jam from the boys. For a moment I thought I had missed a transition into another song…nope.

Show of Life, a newer song that has people split as to whether or not they like it due to it’s slower nature and poppy sound.  I like it. I love it’s message.  The lights WERE GORGEOUS!!!!  Chris Kuroda, once again stealing the spot lights, as it were 🙂 This song may be a bit cheesy to some but it’s melody and notes bring a little tear to my eyes almost every time.  It’s a bit spiritual for this little lady.  I didn’t care for the sloppy ending of this version but it never ceases to lift my spirits and make me feel a bit closer to the people surrounding me.

Nothing could take the place in my heart of the darker Jones Beach version of Backwards Down the Number Line I was lucky enough to catch at the end of this last Summer tour.  Here is yet another song that I notice my friends using to take time to use the rest room or sit and have a little chat with those next to them.  It’s another song I love though.  It’s pretty. I love the lyrics.  I love Trey’s solo jams.  A quirky little take on birthday love and friendship.  Be sure to check out the lights in the video – I can’t pug Chris Kuroda enough it seems.  He really does make the entire show for me.  The use of his lights, his color choices, all delivered to enhance our experiences.

Happy happy oh my friend
Blow out candles once again
Leave the presents all inside
Take my hand and let’s take a ride

Backwards Down The Number Line cascaded into Good Times Bad Times. YES!! Let’s end on a FREAKING ZEPPELIN RAGE ONCE AGAIN!!!!!!!!!!!!! Do I dare try to explain the rage that ensued? Let’s just say, no one could get enough of Phish playing Zeppelin on this night.  People’s minds were blown.  And the fact that my wonderful boyfriend sang these lovely lyrics directly to me almost on his knees was a personal wonderful touch to a wonderful evenings.

I don’t care what the neighbors say, I’m gonna love you each and every day.
You can feel the beat within my heart.
Realize, sweet babe, we ain’t ever gonna part.

People, this is why you go to all three nights and not just Halloween. You never know when Phish is going to bust out the crazy shit!” ~ Erika V.

Photo by Dave Vann

Photo by Dave Vann

Saturday Setlist

Set 1: Kill Devil Falls, Cavern > Foam, Guelah Papyrus, Chalk Dust Torture > Whole Lotta Love > Chalk Dust Torture, Ha Ha Ha, Walk Away, Wolfman’s Brother > Undermind > Bathtub Gin, The Squirming Coil

Set 2: Tube > Possum > Tweezer > Heartbreaker > Ramble On > Thank You -> Tweezer > Stairway to Heaven, Halley’s Comet > Also Sprach Zarathustra > David Bowie, Show of Life, Backwards Down the Number Line > Good Times Bad Times

E: Sleeping Monkey > Tweezer Reprise

“With Phish it’s different. Phish is so amazing on so many levels. Phish to me is all the music of my life’s favorite music, Classic Jam Rock and Roll, done in a modern way but, totally grounded in the roots of the music I love. I love their originals very much, but a night of Zeppelin covers like that just wins for me.” ~ Josh R.

“Well, I guess they won’t be playing Zepp on Halloween”.

Lions, and Tigers and Bears!

Lions, and Tigers and Bears!

Marco Benevento & Friends @ Trump Plaza

Jazz Swank at his best!

Jazz Swank at his best!

Being an ivory-aholic, I was all set for Marco Benevento & Friends once Phish was over.  However, coming from such a guitar heavy performance, there were a lot of skeptics as to whether Marco Benevento would be able to keep the energy pumping until 4am.

The Bennovento set was a nice relaxing set to hang and chill with friends. He is very good, if only he would hire a jamming guitarist, it would really be awesome. ~ Josh R.

We took our time strolling through the Boardwalk, checking out all the posters and artwork along the way. The the show started at 11pm, costing $25 a pop.  We arrived around 12:30-1am I believe. Who can really tell at this point, we were all in la la land!! It proved to be a wonderful night of mingling with our friends who had come in earlier that morning but that we couldn’t find in the sea of 14,000 a few hours earlier.  These after parties truly were a great way to catch up with the masses.

Photo by J.R.

Photo by J.R.

Walking into the venue, the scene was set for what appeared to be a pretty raging time.  The lights were definitely more psychedelic then I had thought they would be.  Marco Benevento, whose hair was all chopped off was sitting at his piano and going OFF!!  Due to the hair cut and the fact that his back was too us, I actually asked someone if that was him.  Why did he have to cut his hair 😦

Photo by J.R.

Photo by J.R.

Bear = Marc Friedman

Bear = Marc Friedman

Along side Marco Benevento this evening was drummer Billy Martin of Martin, Medeski and Wood and Marc Friedman, currently of Surprise Me Mr. Davis but more known for The Slip rounded out the trio on electric bass.  This was a hot trip here ladies and gentleman.  And they gave us EXACTLY what we needed. Thrown in among the jazzy standards and Marco originals like Greenpoint they delivered covers by Elton John, Michael Jackson and more. This was not your typical Marco show IMHO and I was terribly sad to not see tapers in the venue.

Marco and his friends had embraced the holiday season with a cute twist to their costumes. Sitting at the base of Marco‘s piano was a stuffed Lion’s head.  Resting inside Billy Martin‘s bass drum was a Tiger head and Marc Friedman himself was wearing a bear hat with fuzzy ears.  Lions & Tigers’ and Bears.  How dang cute!

***Currently awaiting a response from the band for thier setlist and or recordings…cross your fingers***

Goodnight/Good Morning?

The entire night, NO!!…The ENTIRE DAY was a high energy, completely addictive occurrence that makes one sit back and wonder who the HELL we are supposed to drop these amazing adventures and dare to go back to the “real world” of our 9 to 5.  How do we go back to our daily lives of being teachers and doctors and lawyers and look our co workers in the eye knowing that their lives will never quite as exciting as ours. We live in a BEAUTIFUL world and what we were delivered tonight might be as close to Jam Cruise as many will obtain with the sense of community and layout of Atlantic City.

For others, well, I will let my dearest friend Josh spell it out for ya:

I love their originals very much, but a night of Zeppelin covers like that just wins for me. I heard a few folks talking about Saturday nights show and what it meant to them, and to me I might add. People were saying that while it was not at all the same as seeing Led Zeppelin, for some of us, it was as close as we could come, not because the music is played the same, but because of how well they play it, combined with how happy and high on life Phish just makes us.

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10/29 - Poster by Nate Duval © Phish 2010. New Jersey Eastern Goldfinch.

10/29 - Poster by Nate Duval © Phish 2010. New Jersey Eastern Goldfinch.

Halloween is my favorite holiday! Hands down!  The creativity, the energy, the raging, the musical performances, the underlying scary vibes. It’s an excellent excuse for a party and that is what most in the music industry believe as well.

Hallorage Time!

Hallowrage Time!

Numerous bands and musicians rage their individual Halloween performances all over the nation and expectations are always high.  For the past few years I have spent Halloween in the mecca of the holiday down in the East Village in New York City.  However, this year I would be following only one band and it would take me out of one city and into another.

Phish. Halloween. Atlantic City. Four words that established one of the most amazing, unpredictable, energy-filled weekends in my musical history.

Atlantic City Skyline!

Atlantic City Skyline!

Let me just list a few things for ya here right quick!

Halloween Weekend in Atlantic City = YOUTH POSSE!!!, The Borgata, Phish @ Boardwalk Hall (3 nights), after show performances by Karl Denson’s Tiny Universe (Friday), Marco Benevento (Sat) and The Heavy Pets (Sun), house parties, 30+ friends gathering from around the NATION, good food at fun restaurants, Casinos, raging Halloween costumes, contests, spa treatments, Led Zeppelin rages, Little Feat rages…and the list goes onnnnnnnnn!

The Departure

I could barely sit still at work. I walked into the Arsenal by 7am just so I could put in a full day of work before leaving at 3pm for one of the greatest rages of the year.  My crew (2 adults and the YOUTH POSSE = four raging HS juniors we were chaperoning for the weekend) gathered up our gear, headed out of our respective homes, jobs or schools and collected at 88th and Madison with fireworks coming out of our ears .

Yukon Denali

Yukon Denali

While most people were taking buses, trains or caravan-ing with their friends, we were riding in style in a big black Yukon Denali arranged through a car service. (THANKS MATTT!!)  The ride to the show was a highlight of the weekend, I must say.  Sitting in a car with our four raging high-school charges, listening to their hilarious conversations, participating in a few and being shocked by others.

It was (and always is) great spending time connecting with our favorite young ragers.  It’s just so humbling to be around these wonderful young adults.  They are smart, funny, well-mannered, sober, non-rebellious, beautifully spirited young adults. They are also members of THOR!  Check it out! They truly give me hope for a future where so many kids their age are little bastards. I’m just saying, I live in NYC.  Most of the kids I see/meet are seriously brats.

The Arrival

The Borgata in all it's purple glory!!

The Borgata in all it's purple glory!!

We debated constantly whether to go to The Borgata, our lovely accommodations for the weekend, first to drop off our belongings or head straight to Boardwalk Hall so we didn’t miss the opener. Luckily, we made it in plenty of time to check in, or so we thought.  As we arrived at the giant purple glowing Borgata, the lines were horrendously long, there were Phish heads scattered around the lobby but not many. Our lodging would be a 5 minute taxi ride from the venue but almost everyone else we knew would be occupying casinos surrounding Boardwalk Hall.

So, we left all our things with the Concierge and would deal with it all after the show. This was a bit of a rush and, of course, we all left things behind.  Most important thing I left: my camera.  GRRRR!!   Alas…so many of the pictures you see throughout this article will be from my friends, other websites, etc.

Will-Call/Entry

I lead the Youth Posse to Will Call to pick up our laminates and tickets for the weekend.  Josh went to the flag poles, which would become the meeting point for everyone all weekend.  While handling the ticket situations, which was quite unorganized, a security guard whispered in my ear about drugs.

“Hey! Ppsstt! You looking for some pot?”

“What? Huh? Nah, I’m sorry. I don’t have any.”

“Nah, Nah! I am looking to sell YOU some!”

“Seriously? You are a security guard and I am here with 3 kids. Back it up homie!”

And with that I turned my back and we were off to the flag poles.  The entire exchange blew me away as I had just read the article about Atlantic City cops going undercover at Phish shows to see what they were up against earlier in the week. Here this guard was, trying to deal. Unreal!

Picture by David Vann (2010)

Picture by David Vann (2010)

I am so thankful I never had to deal with the general population entrance to the show.  The set-up was as disorganized like a five lane highway under construction merging into one, bottle-necking at the mouth of the gate where security guards yelled at everyone to hold up their tickets.  To be clear on the disorganization, I had a friend, with a ticket, who made it in without his ticket being scanned or his person being searched. We miracle someone with it during intermission!!  I later came to read about Phishheads crashing the show on Halloween dressing up as security guards and sneaking in as well.

Phish Atlantic City: Friday (10.29.10)

It was a sold-out show but people were pretty much giving their tickets away Friday night.  The ticket situations are super intricate sometimes. People spending hundreds to get into certain shows, doing things I would never do to see a live performance of a band.

Boardwalk Hall Seating

Boardwalk Hall Seating

Friday: SET I

Picture by David Vann (2010)

Picture by David Vann (2010)

After helping/making sure every one of our friends were taken care of, we finally entered the building. We popped into our seats in Section 103 easily enough, the isles already getting packed.  Within minutes of getting to our seats, the lights dimmed, the band walked out and the weekend had OFFICIALLY begun.

Without a beat, all four Phish members surround a microphone situated at the front of the stage and went into a barber shop quartet-style, acapella Star Spangled Banner.  That is the first time that I had ever seen something of this sort at an event other than a sporting event.  I looked to my right and a MASSIVE American flag was hanging at the end of the venue. I wondered if I would have ever noticed it if we hadn’t sung that song.

Having finally gotten to our seat, the show beginning and everyone situated, I collapsed into my seat.  I was completely exhausted.    The excitement of the week leading up to this adventure, the ride to Atlantic City and finally getting things into place for the weekend.  Man oh man, the weight was lifted and I just collapsed.  I took this time to reflect on the venue.  It was gorgeous.

The inside of the gorgeous Boardwalk Hall

The inside of the gorgeous Boardwalk Hall

The bluesy My Soul started off the music, getting us into our dancing shoes.  AC/DC Bag had me on my toes, thinking of my buddy who had been hoping for the song last weekend in Amherst, Mass. The playful, bouncy melody of Ocelot filled our ears as Trey gave us the usual guitar jam in the middle while Fishman slammed our ears with some high-style drumming. It all just brightened up the room a little bit more.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Sample in a Jar, a personal favorite from my teenage years, played but the whole set was still lying a little flat for me.  I was assuming it was because it was Friday and they were saving their energy for the next tw0 nights.  But then, they released themselves upon us. The highlight of the set, IMHO, Light Up or Leave Me Alone, (a Steve Winwood/Traffic cover), rocked everyone’s heads OFF.  AWESOME cover. With Page on vocals and Trey’s jams, they overly entice us to boogie on down.  Page…oh Page!  I just love you. The lights, as always, amazing.

Sugar Shack and Timber (Jerry) were just ok. I like Timber to a point, the chorus is fun to sing along with and roll your body along to the tune.  It’s a decent song that my friend would call an Intermezzo Phish song, giving the audience time to run to the restroom or the beer tent.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Axilla into Rift highlighted Page on his piano and rocked out Fishman on the drums.  This is such a rager of a duo.  The beginning of Axilla simply throws your body into gyrations and it was around this time I found myself starting to head bang in my seat.  I needed to get out of the confines of these bleachers. Not a big fan of them singing during this song but I LOVE the chorus including the guitar rift and the drumming rages.

That super sped-up Axilla (for which I was front row center). Damn, that was hot. Headbanging at Phish shows isn’t usually the protocol, but I can’t resist Axilla! ~ Karina R.

It’s all about the Rhythm section folks. DAYUM! A funky unfinished The Moma Dance into Cities (a Talking Heads cover) had everyone dancing and singing along. The second highlight of the first set for sure.  Tight, funky and fierce.

Continuing the flow from Cities, they took it right into 46 Days as the set closer.  Great high-energy jamming continued on by Trey, Fishman ripping the drums apart, Page slamming down on the keys and Chris Kuroda‘s lights were SUPERB! It’s absolutely amazing watching a light tech do his job, flowing with the music as if he is an extension of the music himself.  110% love me some Chris Kuroda. This was a great ending to the first set. Some argue, the best jam of the weekend.  I’ll let you decide on that one.

FRIDAY: SET II

I was officially hungry for more. The first set of seven for the weekend had ignited my energy.  Where there was once a tired version of me, there was now a bouncing, giggling girl realizing what the hell was standing in front of her. This is what was surrounding….I mean, come on!

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Magic Key to my Magic Weekend

The Magic Key to my Magic Weekend

I needed some air and to get away from all the smoke during intermission so Josh and I explored, using our laminates to find the best way outside as it was a non-reentry show.  I was so thankful for these wonderful bits of magic around our necks for the weekend. I absolutely needed and was able to utilize the fresh air many times that weekend which enhanced my overall comfort throughout the shows. That was great.

As we returned from the cold night air, we walked around the venue to take in the sights.  People were in costumes, running around like chickens with their heads cut off, standing in beer lines, bathrooms lines or just in piles leaning against the walls with friends escaping the hot, smoky inner belly of the venue.

Having missed most of the piano-heavy Punch You In The Eye, we heard the funk going down in Sand beginning to play, a gorgeous song about what it is like being a piece of sand in an hourglass.  We ran into the closest tunnel that would take us to the song, ending up in the very back of the theater.

Slide and let the silicone
Embrace you as you fall
Then bounce and land you let
Your brothers crush you to the wall

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

The light show was spectacular from back there.  The balls flying throughout the floor were so tiny but the whole scene looked so magnified, I was completely overwhelmed.  Sitting closer to the stage, you loose an ability to fully take in the light show.   You loose the magnitude of the venue because you are not looking behind you. Sometimes, people don’t get to experience the magnitude of the space, the energy backing up on all sides.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Sand segued into an unfinished Carini, a little sloppily but the crowd was so pumped they didn’t seem to mind.  It was a  great light show but I felt like I have heard some cleaner, smoother versions of this song. The energy, however, was relentless.   You’ll wanna check out the lights in the video! 🙂

I was walking down the steps towards the GA Friday night when Sand segued into Carini. It was MADNESS. Some guy through his Philly cheese steak up in the air, and I couldn’t move a foot, as everyone had stepped into the aisle to boogie down. I actually thought it was Zeppelin’s Kashmir for a second…interesting foreshadowing! ~ Karina R.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Mike’s bass dominated my ears during Prince Caspian.  Another favorite of mine albeit a little dull at times.  There so many places this song could go in a jam.  Where as Trey didn’t really bring it home, it was a high energy moment in the venue and it was laid out nicely enough.  The lights, the balloons and balls floating over the audience were stunning.  The taper of the videos I am using was in a great centralized location for this show, right?  Great view! Great videos!

Then a song began that I was unsure of until my friends blasted it out before my mind had time to register it. “Los Lobos?” cried one. “No, it’s not!” cried the other. Coincidentally, both were right.  The Taj Mahal cover Corinna was next but Trey teased When the Circus Comes before the count off that threw my musically knowledgeable friends for a tiny little loop. There were a lot of teases throughout the night which I could have written down but I was having too much fun dancing with my friends!

Corrina is a rarity that they’ve been busting out once a tour since New Years 2009. First night was a great warm-up for what was to come. ~ Erika V.

Piper. I am pretty sure this was my first Piper live and I LOVED it.  The intro was fun and it got fast…quick. They were on it here.  Chris Kuroda‘s lights once again stealing my eyes away from the band.  They blast into hyper drive and Trey’s solo begins.  Page’s keys driving it at times.  One of my favorite songs of this set for sure.  And it went into my second favorite song of the set…..

Right into Theme From the Bottom.  Perhaps not the most well-played song of the night, but Chris Kuroda‘s light work on this song was phenomenal. Making the sea of people on the floor look like an ocean of fun I just wanted to jump into. Blue lights radiating off the walls like waves, I swear my face melted a little bit.  The glow stick war that exploded during the crescendo was a favorite moment to top it all off!  Just a great song that threw me back into the seat of any number of my friend’s  car driving around in the 90’s in high school.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

The face melting continued during Golgi Apparatus.  The energy was lifted up and glow sticks went everywhere during the “ticket stub” line.  And then the slow jam that I was wishing would speed up to keep us raging hyper.  Which eventually, it did.  I loved this song mainly because of it’s lighting effects and the speed at which things can change up.  And there is nothing better when the entire place erupts during a climatic point in the tune.  I SAW YOU WITH A TICKET STUB IN YOUR HAND!!! Glow sticks everywhere.   The lights catching them as they fly into the air.  JOY KILL MOMENT: To the people who throw them UP into the stands…STOP! Unprofessional raging!  Throwing them down is as dangerous as it needs to be.  Projectiles coming AT our faces tend to cause more damage then a few sticks hitting you on the head coming from the stands.  Saw a poor girl get one to the eye during this song.   She was ok, albeit a few tears down, never fear 🙂 Tour kids are tough!

The first half of Slave to the Traffic Light was a bit slow for my taste but the second half…magic. Slow but lovely.  I remember closing my eyes, taking in the energy around me, swaying in tune with my friends surrounding me, the lights slow and soft.  I raised my hands in the air and it felt slightly like a spiritual moment. Uplifting music is all I ever ask for.  Tinkling piano keys brightening up the bass sounds and Trey just raged the song…fully delivering it at the end.

Rocking Fluffhead, but when is it not rocking.  I do feel like I have seen this song performed at every other show I have seen this year but I wasn’t going to complain because it’s fun.  Lovin Cup (a Rolling Stones cover) was delivered as the encore.  This high-impacting song blazed through the arena.  Everyone singing along, jumping everywhere, the floor a massive earthquake.

I just remember hearing ‘loving cup’ for the first time on Friday. This has been one of my favorite Stones songs forever and hearing the guys play it couldn’t help but put a smile on my face. That encore reminded me that Phish is about more than an exploratory jam; a sense of love and happiness was in the air that night. What a beautiful buzz. ~ Matt L.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Friday definitely got us warmed up for what was in store that weekend. That’s not to say that Axilla and Corinni wasn’t hot, hot, hot. I love a full sound with heavy beats and high energy! ~ J. Bach

Friday’s performance is being greatly over looked by many people I believe. Overall a slow start to a raging weekend, the show blasted us with one hell of set list that brought the energy up just enough to tease us and keep us on our toes for the following night. Of course we would want more energy tomorrow. Of course they would need to bring it tomorrow. Phish knew this and it was nice to see them withhold a few things because what we were about to be delivered the following two nights were beyond anyone’s imagination, predictions and dreams.

Friday started slow but eventually got quite jamming. At the end of the show I leaned over to Isaac and said, that was a tasty appetizer. ~ J. Raskin

Friday Setlist

Set 1: The Star Spangled Banner, My Soul, AC/DC Bag, Ocelot, Sample in a Jar, Light Up Or Leave Me Alone, Sugar Shack, Timber (Jerry) > Bouncing Around the Room, Axilla > Rift, The Moma Dance > Cities > 46 Days

Set 2: Punch You In the Eye > Sand -> Carini > Prince Caspian, Corinna, Piper > Theme From the Bottom > Golgi Apparatus > Slave to the Traffic Light > Fluffhead

E: Loving Cup

DOWNLAODING INFORMATION AS PER PHISH’S FACEBOOK PAGE

Included in the ticket price for each date on Phish’s Fall Tour, is a free MP3 download of the entire show (a fully mixed soundboard recording), redeemable at LivePhish.com. This includes all tickets purchased through Phish Tickets, Ticketmaster, Ticket Horse, and at the venue’s box office.

If you’ve got your tickets in hand, you may redeem your code now at http://www.livephish.com/redeem. Your “code” is the barcode that appears on the tickets. You may upgrade to CD or CD-Quality FLAC or 24 Bit FLAC-HD after you redeem.

Phish’s entire 2010 Fall Tour is available now for download, including their recent Halloween show – with the complete Waiting For Columbus second set – now at LivePhish.com. Included with all downloads is the original Phishbill that was handed out to fans at the begninning of the show.

Please visit http://www.livephish.com/ today.

Borgata Rage & Chris Kuroda

After we were finally ejected from the venue we collected at the Flag poles and delivered the news of the Karl Denson show to anyone who would listen.  No one was going to bed any time soon. The power of the show, even though this was no show stopper, the energy surrounding it, the people, knowing what was in store….We were kids in a candy store. High on life!

We still had not dealt with our luggage and checking into the hotel so we scooped up our Youth Posse and made way for The Borgata in two cabs.  As my crew waited in The Borgata lobby for the second cab to arrive, tour buses began pulling up.   The cute teen couple in my charge stood guessing who’s bus was who.  “It can’t be Trey’s. Trey’s is (insert color here).” or “I think that is Mike’s?”

We ran up to the rooms. They were gorgeous.  Totally jumped on the beds in each room! They were lovely rooms with beautiful views of the city. LOVED the shower! We all got ready for round two  and met in the lobby.

Here comes a super highlight of my night. We reach the lobby and see a friend.  Hugs ensue between everyone and is chatting.  At some point Chris Kuroda has joined the group and we are introduced, again.  Before I register who it is, I go in for the hug I normally give everyone I met and almost get stuck in place. I worship Chris Kuroda. I really do. He is my favorite member of the band.  Pulling away was tough cause I knew I would have to make small talk which is hard for me when I’m standing in front of one of my musical idols. Pulling away was hard enough. I hardly gathered myself but we shared a few words about the light show that evening. My night was officially made.

We jumped back in the taxis and were off to….

Karl Denson’s Tiny Universe@ Trump Plaza

We walked all over Trump Plaza for some tasty Karl Denson, running through casinos, through bars with people in costumes dancing to various styles of music…

OK! This is where I make my first Jam Cruise reference.  I always make one right? Floating around Atlantic City was as close to Jam Cruise as I have found this year aside from Wook the…I mean Rock The Resort.  Running through casinos, restaurants, going from one show to another, stopping in friend’s suites along the way in the various hotels that were pretty much connected, costumes everywhere…the list goes one.

The AC setting is as close to a festival as you can get without actually having a festival. Anything and everything was available to us 24 hours a day. Everywhere I walked, I saw show goers and smiling faces. I can’t stress enough how special it is when so many wonderful, same goal-minded people get together. ~ J. Bach

KDTU! (Picture by I. Sloane)

KDTU! (Picture by I. Sloane)

Karl D! (Photo by J. Raskin)

Karl D! (Photo by J. Raskin)

We got to the show around 1:15 I would say.  It was more empty then I thought it would be.  But, the show had clearly started.  I saw a few tapers in the room and knew I didn’t have to worry anything. I could just enjoy the company of my friends who were, just a few hours earlier,  spread out amongst 14,000 people and who were now all roaming a MUCH smaller space. It was one reunion after the other.

At this point I had been up since 5am Friday morning and was exhausted.  I just let the night flow, not worrying about notes or set lists.  Sadly, the tapers have not loaded their recordings to the web. BOO!!  It was a great show though 🙂

Mellow after such a high energy performance but towards the end Karl had us back on our toes by the time Mighty Rebel was played.  Here are a few videos!  Thank you to the person taking the time to record!!!

Karl Denson’s AfterParty Setlist

Set 1: Turnips, Front Money, Bag O Funk, Look Out, The Answer, Because Of Her Beauty, Soul Driftin’ > Manic Depression, Brother’s Keeper pt.1 > Brother’s Keeper pt.2

Set 2: The Mighty Rebel > reggae jam > Walking On The Moon (one verse), Grenadiers , Chance With You > Hey Jude jam > Chance With You, How Fine Is That, Funky Song, Satisfied, The Bunny Playa

E: Superman Lover, Shake It Out

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October 2010 Potential Show Run Down!

October 2010 Potential Show Run Down

Calendar updated daily!

Friday, October 1st, 2010

  • ($25-$45) Stanley Clarke Feat. Hiromi @ The Blue Note
  • ($32-$112) Alan Gilbert Conducts Mahler’s Sixth Symphony @ Avery Fisher Hall (New York Philharmonic)
  • ($50-$80) Celtic Thunder @ Radio City Music Hall

Saturday, October 2nd, 2010

Sunday, October 3rd, 2010

  • I suggest lots of sleep after The Royal Family Ball 😉

Monday, October 4th, 2010

  • ($8) Jim Campilongo@ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard

Tuesday, October 5th, 2010

  • (Free) Dred Scott Trio & THE BRIDGE @ Rockwood Music Hall
  • (Free) Mavis Staples @ Late Show with David Letterman
  • ($32) Faith Evans @B.B. King Blues Club and Grill
  • ($80 – $250) Roger Waters: The Wall Live @ Madison Square Garden
  • ($25) Peter Yorn @ Bowery Ballroom

Wednesday, October 6th, 2010

  • (??) Sister Sparrow & the Dirty Birds @ Southpaw
  • (Free) Mavis Staples @ Colbert Report (TV)
  • ($10) D.V.S. @ Club Love
  • ($12.25) The EGG plus Sonic Spank @ Mercury Lounge
  • ($20) Davell Crawford @ The Jazz Standard
  • ($80 – $250) Roger Waters: The Wall Live @ Madison Square Garden
  • ($35 – $50) Mavis Staples – “You are Not Alone” – Album Release presented by WFUV @ City Winery
  • ($10) Mattson, Barraco & Friends @ Sullivan Hall
    • Jeff Mattson (DSO, Donna Jean Godchaux Band, Zen Tricksters) , Rob Barraco (DSO, Phil & Friends, Zen Tricksters) , Jason Crosby (Robert Randolph, Susan Tedeschi, Zen Tricksters) , Joe Chirco (Donna Jean Godchaux Band, David Nelson Band, Zen Tricksters) with opening act Easy Over
  • ($44 – $128) Joshua Bell Performs Sibelius @ Avery Fisher Hall

Thursday, October 7th, 2010

  • (Free) Gorillaz @ The Late Show with David Letterman
  • ($5) ?uestlove DJ Set @ Brooklyn Bowl
  • ($10) Underground Horns “Big Beat” CD release Party @ Nublu
  • ($10) Live Band Tribute to A Tribe Called Quest w/ Alphabet Soup @ Sullivan Hall
  • ($10 – $27) Rosanna Cash @ Kaufmann Concert Hall
    • Upon the publication of Composed, Ms. Cash sits down for a conversation about her life in music.
  • ($28.50 – $33.50) The Hold Steady @ The Beacon Theater
  • ($30) Gil Scott-Heron @ B.B. Kings
  • ($35) Fountains of Wayne @ Bowery Ballroom
  • ($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall

Friday, October 8th, 2010

  • (Free?) Sister Sparrow & the Dirty Birds @ Rockwood Music Hall 2
  • ($5) Big Sam’s Funky Nation @ Brooklyn Bowl
    • Opener: Ikebe Shakedown
    • ($10) Solange DJ Set @ Midnight
  • ($20) Jackie Green @ Bowery Ballroom
  • ($25) The Subdudes @ B.B. Kings
  • ($35) Moe @ Beacon Theater
  • ($35-$45) The Jazz Gallery Rent Jam hosted by Roy Hargrove @ City Winery (late Night)
  • ($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall
  • ($50-$125) Gorillaz & Mos Def @ Madison Square Garden

Saturday, October 9th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Private Party @ Sullivan Hall w/ Lo & Aaron (GSW), Leroy Justice and Jaik Miller
  • ($10-$12) Bustle In Your Hedgerow feat. Joe Russo, Marco Benevento, Dave Dreiwitz and Scott Metzger @ Brooklyn Bowl
  • ($25) Mago – John Medeski & Billy Martin @ Rocks Off Cruise

Sunday, October 10th, 2010

  • ($20) Corrosion of Conformity @ Highline Ballroom

Monday, October 11th, 2010

  • ($8) Jim Campilongo@ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard
  • ($65 – $165) Mary J. Blige @ Radio City Music Hall

Tuesday, October 12th, 2010

  • (Free) Dred Scott Trio & THE BRIDGE @ Rockwood Music Hall
  • (Free) My  Morning Jacket @ The Late Show w/ David Letterman
  • (Free) REEFER MOVIE MADNESS: THE ULTIMATE STONER FILM GUIDE BOOK RELEASE PARTY @ Brooklyn Bowl
  • ($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall
  • ($65 – $165) Mary J. Blige @ Radio City Music Hall

Wednesday, October 13th, 2010

  • (Free) My Morning Jacket @ Late Night w/ Jimmy Fallon
  • ($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery
  • ($10) R+D with Savoy (DJ), D.V.S*, NUTRITIOUS, MUNcee superjam and Mad Hatter @ Club Love
  • ($10) Jessica Lurie Ensemble @ Brooklyn Lyceum
  • ($12) Dawoud – Renegade Sufi Sitar! @ The Theater for the New City
  • ($25) Ingrid Michaelson @ Best Buy Theater (Formally Nokia Theatre)
  • ($32.59 – $39.50) The Avett Brothers @ Radio City Music Hall

Thursday, October 14th, 2010

  • (Free) Ben Folds @ Late Night w/ Jimmy Falon
  • ($5) ?uestlove DJ Set @ Brooklyn Bowl
  • ($10) Dred Scott Trio @ 55 Bar
  • ($10) Apollo Run @ Union Hall
  • ($25) Tom Tom Club @ Santos House Party
    • W/ Caravan of Thieves and The Tony Castles
  • ($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)

Friday, October 15th, 2010

  • ($5) The Trifect @ Sullivan Hall – FUUUUUSION!!!!
  • ($5) M80 Dubstation Feat. Jon Gutwillig from The Disco Biscuits @ Brooklyn Bowl
  • ($5) Brother Josephus & Josh Phillips Folk Festival @ Brooklyn Bowl
  • ($36.20) Citizen Cope @ Terminal 5
  • ($30-$45) Dar Williams & Toshi Reagon – Many Great Companions Tour @ City Winery
  • ($32.50 – $35) John Hammond @ Rubin Museum of Art
  • ($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)

Saturday, October 16th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • ($10) Tom Tom Club @ Brooklyn Bowl
  • ($35 – $40) Air Supply @ B.B. Kings
  • ($30-$45) Dar Williams & Toshi Reagon – Many Great Companions Tour @ City Winery
  • ($36.20) Citizen Cope @ Terminal 5
  • ($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)

Sunday, October 17th, 2010

Monday, October 18th, 2010

  • ($8) Jim Campilongo@ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard
  • ($30) UP ON THE RIDGE – Dierks Bentley @ Bowery Ballroom
  • ($50) My Morning Jacket @ Terminal 5

Tuesday, October 19th, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • (Free) Jason Linder Trio @ Fordham University
  • ($10) Kinetix @ Sullivan Hall
  • ($10) Chico Mann @ Santos House Party
  • ($25-$40) UP ON THE RIDGE – Dierks Bentley & Del McCoury Band @ City Winery
  • ($50) My Morning Jacket @ Terminal 5

Wednesday, October 20th, 2010

Thursday, October 21st, 2010

  • ($5) ?uestlove DJ Set @ Brooklyn Bowl
  • ($12) Eli Paperboy Reed & The True Loves @ Le Poisson Rouge
  • ($25) UP ON THE RIDGE – Dierks Bentley @ Southpaw
  • @ Southpaw
  • ($47.50) My Morning Jacket @ Terminal 5
  • ($50-$90) Thievery Corporation @ Beacon Theater
  • (Starting @ $50) “A Celebration of Paul Newman’s Hole In The Wall Camps” @ Avery Fisher Hall @ Lincoln Center
    • Performances Will Feature a Line-Up of GRAMMY® Winning Musicians Including Hilary Hahn, Emmylou Harris, Lyle Lovett, John Mellencamp, Keb’ Mo’ and Stevie Wonder With Appearances by Bill Cosby and Renee Zellweger

Friday, October 22nd, 2010

  • (Free) The London Souls @ The Brooklyn Academy of Music
  • ($20 – $25) THE MONSTER MASH –> Fort Knox Five @ The Electric Warehouse w/ Woody McBride and Larry Tea
  • ($25) Yonder Mountain String Band @ Best Buy Theatre (Formally Nokia Theater)
  • ($47.50) My Morning Jacket @ Terminal 5
  • ($50-$90) Thievery Corporation @ Beacon Theater
  • ($60 – SOLD OUT) Phish @ Providence, RI @ Dunkin Donuts Center

Saturday, October 23rd, 2010

  • (Free) West African Band @ St. Nick’s Pub
  • (Free) Apollo Run @ Rockwood Music Hall 1
  • (Free) Sister Sparrow and the Dirty Birds @ Rockwood Music Hall 2
  • (Free) Kings of Leon @ Saturday Night Live (TV)
  • ($10) The Breakfast @ Crash Mansion
  • ($35-$60) Jakob Dylan @ City Winery
  • ($40 – $100) Cheech and Chong @ The Beacon Theater
  • ($42 – $48) Indigo Girls @ Carnegie Hall’s Zankel Hall
  • ($47.50) My Morning Jacket @ Terminal 5
  • ($60 – SOLD OUT) Phish @ Amhurst, MA @ Mullins Center

Sunday, October 24th, 2010

  • ($8) Apollo Run @ Pianos
  • ($35-$60) Jakob Dylan @ City Winery
  • ($50 – $113) Steve Miller Band @ Beacon Theater
  • ($60 – SOLD OUT) Phish @ Amhurst, MA @ Mullins Center

Monday, October 25th, 2010

  • (Free) Dred Scott Trio @ The Delancey
  • (Free) Kings of Leon @ Late Show with David Letterman (TV)
  • ($8) Jim Campilongo@ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard
  • ($35-$60) Jakob Dylan @ City Winery

Tuesday, October 26th, 2010

  • (Free) The Bridge @ Rockwood Music Hall
  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($10) Talib Kewli @ Brooklyn Bowl
  • ($40) Bad Religion @ Irving Plaza

Wednesday, October 27th, 2010

  • ($??) Chico Mann @ Santos House Party
  • ($25 – $35) Ollabelle @ City Winery
  • ($25 – $153) Yo Yo Ma & Kathryn Scott @ Carnegie Hall
  • ($40) Bad Religion @ Irving Plaza

Thursday, October 28th, 2010

  • ($5) ?uestlove DJ Set @ Brooklyn Bowl
  • ($10) The Mother Hips @ The Brooklyn Bowl
    • w/ Sean Walsh & The National Reserve
  • ($20) Trouble & Bass  @ Santos House Party
    • Ninja Tune XX (anniversary party): Amon Tobin, Kid Koala, DJ Food & DK, Poirier Toddla T & Serocee, DJ Kentaro, Eskmo
  • ($42) Michael Franti & Spearhead @ Terminal 5
  • ($50 – $90) Styx @ The Beacon Theatre
  • ($70-$80) Deadmau5 @ Roseland Ballroom

Friday, October 29th, 2010

  • (FREE??) Dred Scott @ Smalls Jazz Club
  • ($10) The Macpodz @ Sullivan Hall
  • ($15) The Toasters & the Pietasters @ B.B. Kings Blues Club
  • ($30) Ok Go @ Terminal 5
  • ($37) Railroad Earth with Donna the Buffalo @ Irving Plaza
  • ($40) Guster @ The Beacon Theater
  • ($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall
  • ($70-$80) Deadmau5 @ Roseland Ballroom

Saturday, October 30th, 2010

  • ($10) Jimkata, Papadosio and D.V.S. @ Sullivan Hall
  • ($36) Gandalf Murphy and the Slambovian Circus of Dreams @ The Gramercy Theater
  • ($36-$40) Cypress Hill @ Besy Buy Theater (Formally Nokia Theatre)
  • ($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall
  • ($70-$80) Deadmau5 @ Roseland Ballroom

Sunday, October 31st, 2010

  • ($24) The Felice Brothers @ Music Hall of Williamsburg
  • ($50) The Black Crowes @ Best Buy Theater (Formally Nokia Theatre)
  • ($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall

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Camp Barefoot 4 | August 19-21th, 2010 | Camp Hidden Meadows, Bartow, WVRemember the name, cause you will be screaming it all weekend long!!!

Welcome to Camp Barefoot 4

Welcome to Camp Barefoot 4

Welcome to Camp Barefoot 4

Camp Barefoot 4 was held on the gorgeous grounds of Camp Hidden Meadows in the West Virginia mountains this past weekend, providing a wonderful backdrop for almost 2000 music loving hippies to dance, eat and smile to good music.  Barefoot also made sure to feature many Virginia-based musicians, bringing a hometown feel to the weekend which I couldn’t ignore and fully appreciated.

Introducing Camp/Team Hardcore

I love that I hang out with Epic Professionals.  I am not talking about professionals in the 9-5 sense of the word.  I am not talking about professional musicians or production members.  I am talking about professional festival goers.  Where most of the people in our scene are obsessed with touring with Phish or Furthur or following any certain band, my running crew is addicted to raging music festivals all over the nation and then, during our down time, seeing individual shows in our respective hometowns.

West Virginia Mountains....pretty

West Virginia Mountains....pretty

Camp Barefoot 4 (CB4) was a new festival added to my radar this year.  I had been looking forward to it all year but was also a tad bit unorganized.  (Thank god for the professionals again.)  This year, our campsite was dubbed Camp Hardcore, so I will refer to my crew as that from now on throughout the rest of the article.

I left New York City after work Wednesday night to catch my ride to a section of West Virginia that I hadn’t been in since I found out Jerry Garcia died while I was climbing Seneca Rocks.  Meeting up with members of Camp Hardcore in Winchester, Virginia, we all caravaned to the festival grounds, arriving at Camp Hidden Meadows around 12:30pm on Thursday.  Checking into VIP was cake.  This was a first as most times there is always some kind of hold up for one reason or another at the entry gates.   We reached VIP camping after only 15 minutes.  Lovely!

I arrived with nothing more then a backpack on my back.  Living in New York City without a car provided a challenge figuring out logistics of raging a West Virginia Mountain by way of public transportation.  I had not yet replaced any of my traveling camping gear that was stolen last year nor do I really have room for all that gear in my Manhattan apartment.  Reaching out to members of Camp Hardcore, my professional posse made sure to bring extra everything to set me up with a nice little home in the woods for the weekend.

The beginning stages of Camp Hardcore

The beginning stages of Camp Hardcore (There's my little red tent....)

Let the Barefooting Begin

No BS Brass band practicing...we think...

No BS Brass band practicing...we think...

The music was not slated to start until 5pm on the Main Stage but there was rumor of the No BS Brass Band playing towards the Main entrance on The Courtyard Stage.  This stage was quite literally made up of two Eazy-Up tent placed over a large plank of wood.  I loved the simplicity of the production…a stage is a stage is a stage…folks don’t really need a lot of flare….sometimes that is the charm. Sadly, the horns never reached the stage.  Instead, a three piece string band slowly began setting up as we discussed what to do next.  The Barefoot Movement continued to play as Bo and I checked out the Camel Trailer located 100 yards from the makeshift stage….

The Camel Trailer on way to Main Entrance

The Camel Trailer on way to Main Entrance

The Camel Trailer

What the hell were we thinking?  The Camel Trailer was actually quite bizarre and more then a little disturbing. We were told that there were options of free cigarettes once you went through the trailer.  Liars.  We entered the trailer, but not before being asked to extinguish Bo’s cigarette.  Oh, the irony.  Upon entering the trailer, you are greeted by a tiny cute female in a jean skirt and a button up plaid shirt.  They would have been better reaching us through patchwork instead of hilly billy plaid. We are hippies, not rednecks.  HAHA!!

Camel Snus

Camel Snus

Our “guide” proceeded to talk to us about CAMEL SNUS, a smoke-free, spit free packet of tobacco that you stick in your lip.  Immediately, Bo and I started pointing out the lack of music (“WHY do you not have music?”) and the stale cool air that was being spewed over us like in a hospital (“Oh man, this staleness is just creepy!”).  There were TV screens with trippy blue waves surrounding us (“Whoa, we need to come back in here in a few hours!”).

Camel Snus - ewww

Camel Snus - ewww

We were not the best people to be guiding as we really were not interested in what they were giving us and by the end, even more offended by their presentation.  We were shuffled along and forced to give our information to a computer, then semi-forced to pick out a container of Snus.  Bo kept telling them he didn’t want one and they couldn’t get that through their heads. I just wanted it for the cute tin it was wrapped in.  Eventually, Bo had one in his hand. Finally, the last leg of the “tour” consisted of a “guide” opening up our SNUS tins and attempting to get us hooked on it right then and there by forcing it up up our lip before we went into a room with a presentation on a screen.  Bo and I both argued that we didn’t want that crap up our lip and so they left us alone and we proceeded to watch the subliminal message being thrown at us in the video.  It was a 4-D experience as our seats moved, air was blown in our face and we were thrown out of airplanes, skiing down slopes, biking down mountains and so much more.  It took a minute for Bo to even turn his head and look at it as he thought he was being brained washed.   He was right. As we left, we were blown away by what had just occurred.  How insane, how forceful and addicting was that?  Bo and I made a point to tell all our friends not to bother going in that trailer.  It was crazy how they attempted to lock you into the product before you even leave the trailer. WOW!!!  Personally, I think all these stupid trailers should be banned.

Gorgeous festival campgrounds

The Main Gate with the Courtyard Stage in white.

Please, my fellow ragers...

Please, my fellow ragers...

VIP PERK #1:  Only members with VIP passes were able to camp with their cars so the process to get general campers inside the venue was a fun one to watch.  Basically, a “shuttle” would come to the pick-up location and scattered hippies cold be seen running from all sides just chucking their gear onto the trailer in the back before the next hippie could.  No lines, not much organization but I never heard anyone complain, just laugh.  More of that charm…. It was so nice to be back home, away from New York City, seeing these smiling faces and knowing that we were going to be having a safe and wonderful time with my mountain pals this weekend.  Nothing better…

Cinder Cat

Cinder Cat

Cinder Cat

Cartwright Brandon – Drums
Drew De Porter – Guitar and Vocals
Taylor Hellhake – Bass
Theremin Charlie Nimitz – Guitar

Around 5pm, the music began.  I walked back to camp, taking in the lovely festival grounds along the way….all while listening to Cinder Cat, an experimental/rock/electronica band out of North Carolina.  They drew me to the stage.  Their sound was trippy and spacey.  Made me wish that they were playing later on in the evening when I would be prepared for them.  However,  I could wager that the members of this group would probably want to be raging to the later bands along side me instead of playing for me.  There is potential for this group to be a raging late night band if they continue practicing and get tighter.  Just a fun group that looked like they were enjoying themselves. There is nothing wrong with that.

Setlist: Intro>, Broke >,Sample >, Twlight >, Swamp, Temple (Part I and II), Saucer face >, A1, MJ

Encore: Antithesis

(Waiting on recording from band – definite)

Camp Hidden Meadow...lovely

Camp Hidden Meadow...lovely

Camp Hidden Meadow...lovely

Camp Hidden Meadow...lovely

VIP PERK #2:  The beauty about the size of this festival and the location of the VIP section, we could hear every single note from the two main stages without ever leaving our camping chairs or in my case, the hammock. One thing I have to say I noticed, the bands that performed earlier on in the day had one underlying similarity that had me losing focus most mornings.  Most would just change directions before truly hitting their jams on a given song.  Just when things would start getting interesting, just when our ear would perks up, many times, the band would flip into a new style in the middle of the song or just not complete the rise into the rage that they were building up to.   Styles in the song would change, directions just changed and it would deflate us completely.

Murphy’s Kids tunes were catchy and I found myself stopping in the middle of pitching a tent to ask who I was listening too.  However, there was just too much going on to truly give their set listening justice.  I hadn’t seen some of Camp Hardcore for over 8 years.  There was quite the reunion this weekend for sure.  I did make a mental note to check out Murphy’s Kids again if they had another set…alas, they did not.

Community Art Project

The Community Art Project

The Community Art Project

Eventually, it was a free for all...

Eventually, it was a free for all...

Art and expression through mediums other then music is nurtured at every musical festival. Most times, there are giant sculptures created as a base for community art project that allows every member of the festival to be play a part in its final creation. This festival was no different.  It was actually cute how the scale of the art project mirrored the scale of the festival.  Mountain Jam, a 15,000+ person festie, had giant towering sculptures and mazes to paint.  Camp Barefoot, what seemed to be no more than 1700 person festival, had various sized mustaches made out of wood, the tallest, coming level to my chest.

Why the mustaches you ask?  Instant Mustache was a proud sponsor of Camp Barefoot.  They provided oodles of entertainment for silly hippies late night by passing out mustaches on a stick that we could hold up under our nose.  It provided hours of entertainment.  Thank you Instant Mustache!

Directions for FUN: Print and cut out the ‘staches below and use some tape to stick them to your favorite face and take some pictures ‘cause I and the whole world wanna see, “How you sport your ’stache!”

CLICK HERE for your FREE Mustache PDF download!

Caught In the Lift

Caught In the Lift

Caught In the Rift

Doug Fisher – Vocals,guitar
Holt Nicholas – Guitar,vocals
Stephen Tuzeneu – Saxophone, keys, and percussion
Casey Sanders – Bass
Miles Kimbrough – Drums

I stopped to listen to Caught In The Rift for a bit, having notice them covering Eric Clapton’s After Midnight.  Reminded me of College…Frat Rock type music.  Lots of guitar jams in the middle of catchy little tunes that were backed with lyrics.  Similar to Vertical Horizon or something of that nature….I remember really liking the singer’s scratchy voice.  But, I couldn’t stay there for too long and I hope to catch them again soon to really get a feel for their vibe.

(Waiting for recording and setlist from band~hopefully)

The Sound Board

The Sound Board

Hippy Invention #1: Propane Drum

Hippy Invention #1:

Handmade schedules made for easier planning....

Handmade schedules made for easier planning....

We spent the rest of the early evening putting together our schedules for the weekend, cooking dinner for the group and just catching up.  The fun hippy toys made their way out under our massive Tertris-like Tent City.  One friend had welded two 5-gallon propane tanks together and cut teeth making a gorgeous sounding drum.  This provided a gorgeous musical outlet for my friend Paul who gave it the best play since it’s creation.  I am always amazed at sounds, no matter where they come from.  There is beauty in each and every one.

Former Champions

Former Champions

Former Champions

David Ashby – Bass and Vocals
Matt Walton – Guitar and Vocals
Geoff Bakel – Drums, Cymbals, Percussion, and Vocals
Ben White – Keyboards, Vocals

There was a third stage, the SKU Stage proudly sponsored by Instant Mustache, located about half a mile away from VIP camping and up a large hill.  We finally took the hike up there to see what was going down.  Sadly, the entire time I was thinking that The Former Champions was this fusion Jazz group I had in my ITunes.  I was wrong but not upset by this fact as Former Champions were hitting the stage hard when we arrived. (Got to love The Instant Mustache banner behind them.)

Former Champions got the party started right.  The guitar was jammy, the spacey keys provided that synthy sound that got everyone dipping into their toes and getting their bodies moving.  The drums raged it.  It was a great group to start the night off.  But, soon it was time to hit the main stages for the real rage of the night.

(Waiting for recording and setlist from band~hopefully)

RAQ

RAQ

RAQ

Jay Burwick — Bass, Vocals
Chris Michetti — Guitar, Vocals
Todd Stoops — Keyboards, Vocals
Greg Stukey — Drums

* Special Guest: Tim Palmieri

RAQ

RAQ

Originally, Steve Kimock Crazy Engine and Ekoostik Hookah were slated to play Camp Barefoot 4. However, due to contractual issues both bands were pulled from the line-up.  I feel as though the removal of these two bands sealed the deal for people on the fence on whether or not to attend.  I imagine the turnout would have been much larger with the inclusion of Kimock and EH in the lineup.  I have no complaints now but I was seriously bitching earlier in the summer.

The lineup change provided an opening for RAQ to play two nights instead of one.  This was wonderful as RAQ was only making one South East music festival this summer.

Tim and Chris...

Tim and Chris...<3

Right! So, I hadn’t  seen RAQ since attending All Good Music Festival many moons ago.  Or perhaps it was the Haymaker Music Festival. Either way, I CERTAINLY have been missing out on some major musical growth within this band.  I absolutely couldn’t believe it.  I never remembered them being so damn good.  And I mean they were damn good!

This was the set that started a theme of rage throughout the weekend for sure.  The energy of the mountain was radiating through every hippy standing around me.  Their faces were lit up and everyone was in party mode.  At one point, Tim Palmieri, of The Breakfast & Kung Fu, joined the stage.   This would be the beginning of Chris Michetti and Tim Palmieri‘s love affair that would continue on throughout the weekend, providing some AMAZING guitar rages and battles.  I mean, WOW!!

RAQ with Tim Palmieri

RAQ with Tim Palmieri

Todd Stoops on keys is what drew me to the stage at Gathering of the Vibes and what kept me in front of the stages most nights at Camp Barefoot 4.  Just a man of so many talents and styles.  Only negative, his voice. I am not a huge fan of that voice and would prefer he stick to playing the keys and leave the singing to another.  Alas, this is not the case most times and luckily the singing doesn’t last for very long. (FYI – TODD – Make yourself a personal myspace page…we need it.)

(Waiting for recording and setlist from band~definite)

My camera doesn't do the beauty of the main stages ANY justice....so pretty

My camera doesn't do the beauty of the main stages ANY justice....so pretty

The Breakfast

Tim Palmieri – Guitar, Vocals
Adrian Tramontano – Drums, Vocals
Chris DeAngelis – Bass, Vocals
Jordan Giangreco – Keyboards, Vocals

Did somebody say they were hungry?  CAUSE WE GOT FED!!!   Yes, I know the cheesy cliches are just that, cheesy…but man, they had me screaming out things I never would have said other wise.  The Breakfast picked up right where RAQ‘s rocking performance left off. HOT DAMN!!

Tim Palmieri is a BEAST on that guitar. Just shredding his way through all the sets that night.  By the end of the weekend I was screaming his name as MVP and I was not alone in this decision.  They started their set off with a trippy 18 minute Metropolis and ended it with Tood Stoops joining in on Buquebus.  Both Todd and Jordan each raging a keyboard and sounding on point.  The singing during the set, again, turned me off. I don’t understand why people sing when they don’t sound good doing it. Their instrument play, however, was AWESOME SAUCE!!

By the second song, Tim Palmieri was just in a full throttle open rage.  The rock vibe of the music was bumped up with Chris DeAngelis on bass. Adrian Tramontano seemed to be having a fun time with his beats which provided the guitarists a wonderful platform to rage against, and rage they did…..check out their set.

Setlist: Metropolis, Dougboy>, Psygn, Wake Up in a Coma>, Pygmy, Twylyte>, Jam>, May Fly Disarray, Buquebus

Download: The Breakfast Live at Camp Barefoot 4 – Bartow, WV on 2010-08-19 (August 19, 2010)

Toubab Krewe

Toubab Krewe

Toubab Krewe

David Pransky – Electric Bass
Drew Heller – Electric Guitar, Soku
Justin Perkins – Kamel Ngoni, Kora, and Electric Guitar
Luke Quaranta – Percussion
Teal Brown – Drums

Toubab Krewe

Toubab Krewe

There was just a fire on that stage at Barefoot that never went out once RAQ started it.  At 1am Toubab Krewe hit the stage with a vengeance.  With as much electronica as we would be hearing this weekend, I was looking for that sound that would stand out against the rest and Toubab Krewe was just that sound.

This was BY FAR THE BEST Toubab Krewe set I’d seen all year and I can’t find it recorded anywhere. I am so upset by this as I write this section out.   Having seen them four times so far, starting with Jam Cruise, forward to me hanging out on their  tour bus for Valentines Day and ending with a full rage with them in NYC, it goes without saying I am a HUGE fan.  It’s just a phenomenal group with such an interesting sound.

Toubab Krewe

Toubab Krewe

Toubab Krewe

Toubab Krewe

The standout elements of within the group are their West African Influences.  Justin Perkins commands the front stage with his various ethnic instruments, leading the jams.  He is such an interesting character. You can almost NEVER get his eyes looking at a camera, he will always look away.  Luke Quaranta might be one of the best percussion players I have ever seen live.  His speed and facial expressions are off the charts.  He literally looks possessed while playing then stands up and thanks us like nothing happened.  Their sound is driven by the beats through a African vein and Drew Heller brings it back to America with his rock guitar.

(Waiting for recording and setlist from band~hopefully)

Big Gigantic!

Big Gigantic!

Big Gigantic

Dominic Lalli – Production/Sax
Jeremy Salken – Drums

*Special Guest: Chris Michetti

And it just kept getting better.  Big Gigantic capped off the night with a raging dance party.  Just two guys on stage who brought multiple layers of music to our ears.  With dirty beats backed by live drums and a saxophone, I almost started to like this group better then Break Science…I said almost.  But I am telling you, the addition of that saxophone…it just upped the level for me.  Being a funk junky, that shouldn’t shock anyone of yall.

I was anxious to check this group out as they had earned a spot on Jam Cruise this year and I always love my late night dance parties on the boat in between Jam Room rages. Man, this group is going to fit on the boat PERFECTLY!!  The horn is always a big plus, bringing the funk right up in your face.  Big Gigantic dropped it full rage until 5am….I think they actually kicked it a little later because we just couldn’t stop dancing.

Chris Michetti of RAQ added a whole other dimension, coming out to join the group a few songs into the set.  I mean seriously….see for yourself.

Pretty Lights

Pretty Lights

Until Tomorrow Barefoot…

I never made it to the SKU stage for Silo Effect.   For those of you hoping that I had, here is a video for your viewing pleasure as to not disappoint.

And I can’t say goodnight, because I never went to bed.  All but one of my friends had passed out so Paul and I roamed the small festival grounds hanging out with people we found who were also awake.  I met so many wonderful people that night, talked about so many great musicians with some great southern hippies, my vein of people.  And I mean REAL HIPPIES…not these New York hippy-wanna-be’s.  Man, I missed this so much.  The whole charm of being in the mountains.  The whole Southern vibe was reeling in me hardcore.  My eyes grew heavy until a friend came by and took care of that situation for me.  Pretty soon  I heard the word “KICKBAAAAAAAAAAALLLLLLLL” being shouted through the camp grounds.  I hadn’t been to a Southern area festival since All G0od 2006 and my yearning to move back home got very strong during these down times.  But my yearning for dawn kickball was even stronger.  The sun would be coming up shortly and my boy Gator had just given me my second wind!!!

Click for Camp Barefoot: Friday (08.20.10)

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www.gatheringofthevibes.comGathering of the Vibes Music Festival: Friday (07.30.10)

Day I Review: Gathering of the Vibes VX @ Bridgeport, CT (07.29.10)

The Cosmic Casbah...

The Cosmic Casbah...

Jesus, my spoiled ass forgot what a hot tent feels like in the morning when the sun finally seeks you out.  MY GOODNESS!!  But considering the stormy conditions we had to endure at last year’s Vibes, the sun was completely welcoming.

VIP Perk #1: You have sectioned camping in the section of the park that has the most tree canopy coverage.  The general camping is located in mainly open fields and parking lots.

The Casbah...

The Casbah...

Quote of the morning: *With a mischievous look** “Are you trying to tempting me with a good time??”

We woke up to a gorgeous day.  We spent the morning relaxing, waking up slowly with our friends at the Cosmic Casbah.  We were greeted with friends of ours who were only just now passing out, a table full of breakfast foods like bacon and eggs, muffins and fruit, and music.  I crashed onto the mats with my plate of food, listening to the music, letting it breath life into me to start my day.

We knew that for breakfast we were being dished some New Orleans ROCK by way of  The Radiators so we hit the field pretty early, only missing Billy Simons Band on the Green Vibes stage. You know, it’s almost impossible to catch all the music at a festival if you are solo but with a running crew it takes that much more time to settle.

VIP TENT! (Night shot!)

VIP TENT! (Night shot!)

Eat me!VIP Perk #2: During this time, we utilized the free food in the VIP tent where they had wonderful selection of snacks and beverages to sustain us ALL DAY.  At $6-$10 for a single meal or $4 for a water in general vending, these 24-hour snacks of fruit, pretzels, chips and salsa, candies, sodas, water, juices, milk, coffees and teas were BEYOND welcoming, sustaining and economical.  It’s possible to spend $60 on water before even considering food at a festival.  And that is just the 24-hour spread. From 11am-3pm you are offered a buffet of hot meats, salads, pastas, and desserts to chose from.  And generally, if you are starving and want another half of a turkey wrap, you could easily ask for one.  We made our rounds of good mornings and set up shop by the Karma Wash. It was time to focus on the music.

Gathering of the Vibes 2010

Gathering of the Vibes 2010

The Radiators

Dave Malone – guitar, vocals
Ed Volker – keyboards, vocals
Camile Baudoin – guitar
Reggie Scanlan – bass
Frank Bua Jr. – drums

I danced into the field listening to The Radiators.  Their bluesy-rocky vibe catching my feet and ears completely off guard.  Being a huge fan of New Orleans Funk, I knew anything coming from NOLA would be better then good.  I was excited to hear some NOLA ROCK from the band considered the #1 Rock band on the NOLA scene!!!  They didn’t disappoint.

They came out blasting with rock -n-roll.  For all you Phish heads out there, Phish opened for this band back in the 90’s.  So did Widespread Panic.  Where as both of those bands have now reached high commercial success, The Radiators have always been a deeply respective, yet decisively underground group on the scene.

Ragers!

Ragers!

An unavoidable NOLA signature, their funk layer was evident in the music immediately, coming from Ed Volker on keys.  There was also that grungy swamp rock layer by way of Camile Baudoin on guitar.  It was rough and rugged.  The keys sounded almost out of tune but on purpose reminiscent of Professor Longhair in sound, not style.  They were a tight group, the guitar players really made some hot sounds with their axes, with twang here, rock there, and smooth swamp grunge in the middle.  It was fun music to dance too, sway too, but really it was something to slither too.

Setlist: I Like It Like That, Lets Radiate, Hard Rock Kid >, Lost Highway, Sitting on Top of the World, Crazy Mona, River Run, Soul on Fire, The Death Of The Blues, Junco Partner, You Ain’t Going Nowhere, Rosie

Download: The Radiators @ Gathering of the Vibes (07.30.10)

Gathering of the Vibes 2010

Gathering of the Vibes 2010

 

Kung Fu

Dave Livolsi – Bass
Kris Jensen – Sax
Todd Stoops – Keyboards
Tim Palmieri – Guitar
Adrian Tramontano – Drums

Kung Fu @ GOTV 2010

Kung Fu @ GOTV 2010

 

Kung Fu @ GOTV 2010

Kung Fu's Todd Stoops @ GOTV 2010

 

We needed to charge our phones so headed over towards the Green Vibe stage and that is where I heard the  funky, odd sounding keys reminiscent of Alan Evans.  But maybe a bit too much guitar.  It was not as solid as it could be.  It sounded choppy at times.  Definitely took some getting used too. So, since they confused me, yet, intrigued me…of course, I had to check them out.

Kung Fu's Kris Jensen @ GOTV 2010

Kung Fu's Kris Jensen @ GOTV 2010

When I approached the stage, I recognized Kris Jensen right away from Dickey Betts.  His horn brought a delicious element to an otherwise decent band.  I wasn’t a big fan of Todd Stoops singing, or any of the singing really, but he knew his way around that keyboard.   Tim Palmieri looked familiar as well and I realized later he has played with numerous artists I knew.  He was great.  Ultimately, the band itself was comprised of some talented musicians who tore up their solos but sometimes they fell off the page when they were playing as a group.  The following video will show you what I mean…not bad their at the end, huh?

Gathering of the Vibes 2010

Gathering of the Vibes 2010

Jackie Greene

Jackie Greene – Guitar
Nathan Dale – Sax
Jeremy Plog – Keyboards
John Hofer – Guitar

Jackie Greene @ GOTV 2010

Jackie Greene @ GOTV 2010

Jackie Greene @ GOTV 2010

Jackie Greene @ GOTV 2010

I was soooo ready to get down to Jackie Greene‘s set that when I heard him start during the Kung Fu set, I took off running.  Jackie Greene is a wonderful artist who has an old soul sound and a yung sexy body 😉  Young and talented, open and warm, HOT!!!  A rocker, a funker, a jammer, a rager on top of being a keys player, songwriter and a guitarist., electric, acoustic, loungy, rock, whatever…he does it all.

I made it front row for Jackie Greene where I ran into a few of my favorite Jam Cruisers.  He came out rocking right off the bat.  The second song was a new rock tune, Medicine. And I love a good harmonica. He slowed it down with a beautiful Shaken. Jut an upbeat rock vibe from Jackie all the way through.  Perfect set for that perfect sunny afternoon.

Another Tiny Rager!

Another Tiny Rager!

He blew me away.  Tight, on point, smooth and simple.  Jackie Greene isn’t someone who needs lights and fluff.  He is just talent.  He had the whole field dancing and I noticed that the ladies were ogling over him as much as I was.  I try not to but sometimes, just DAYUM! Animal was just sexy and finally I was enjoying a singer for the first time that day.  And finally, inviting drummer John Molo (Phil & Friends) to the stage,  showing love to Jerry, he raged the hell out of his encore covering Scarlet Begonias, one of my favorite Jerry songs that houses one of my favorite Grateful Dead lyrics:

Once in a while you get shown the light/In the strangest of places if you look at it right.

Setlist: I’m So Gone, Medicine, Farewell, So Long, Goodbye, A Moment of Temporary Color, Gone Wanderin’, Shakey Ground, Animal, Spooky Tina, Shaken, Tell Me Mama, Tell Me Right, Hollywood ->, Tomorrow Never Knows >, Taxman ->, Tomorrow Never Knows, Scarlet Begonias *, Like A Ball And Chain

Download: Jackie Greene Live at Gathering of the Vibes; Seaside Park on 2010-07-30 (July 30, 2010)

MacPodz

Nick Ayers – Percussion, Flute and Vox
Brennan Andes – Bass and Vox
Jesse Clayton – Keys
Griffin Bastian – Drums
Ross Huff – Trumpet, Flugelhorn and Vox

The Macpodz @ GOTV 2010

The Macpodz @ GOTV 2010

Surrounded by creativity!

Surrounded by creativity!

Another cell phone charger exchange. We wanted to make sure that we could always get in touch with Issac so Jay and I would alternate charging our phones making sure one of us had a functioning one at all times.  Where I generally might have left my phone to die in my tent since I was actually camping and not in a house, this couldn’t be the case this festival.  I, of course, ended up using it much more by having it on my person.  Alas, I am addicted to technology 🙂 Because of this, I also was able to check out the side stage performances and here we were with The Macpodz.

Just like Kung Fu, I was drawn towards the stage because of what I heard coming from the keyboardist, Jesse Clayton. Sounded GOOD! Their image immediately stood out to me, not that it matters but it was like a warped frat house up there. I enjoyed the trumpet as well.  Other then that, meh! Nothing would hae sounded good to me at time, knowing who was coming on the Main stage next.

Steve Kimock Crazy Engine

Steve Kimock – Guitars
John Morgan Kimock – Drums
Bernie Worrell – Keys
Bobby Vega – bass

Steve Kimonk Crazy Engine @ GOTV 2010

Steve Kimonk Crazy Engine @ GOTV 2010

One of my favorite sets of the day.  When is Steve Kimock not good?  When does he never just sound so perfect and beautiful and full of rage at the same time making you dance to PRETTY music.  And here we had the debut of a NEW CRAZY ENGINE!

Such a signature sound with Kimock, that guitar. So light, airy, happy, funky and jammy.  He always has such lovely melodies throughout his music. His songs engage different emotions with every measure.  I love him.  The addition of keyboard legend, Bernie Worrell was a treat for all of us.  He threw in Row Row Row Your Boat, The Star- Spangled Banner and all kinds of silly licks from nostalgic tunes throughout his solos.

Steve Kimock and son, John Morgan @ GOTV 2010

Steve Kimock and son, John Morgan @ GOTV 2010

Wavy Gravy - blowing bubbles during Kimock set

Wavy Gravy - blowing bubbles during Kimock set

Bobby Vega bassed us out on Funky B4 Five, a lovely melodic jam where a fun response comes from the crowd at the end of the chorus.  Everything is Everything brought out a rapping Chris Burger (Alphabet Soup, Band of Brotherz) who began with the band introductions. Bernie funked out the keys and it was just a funk fest in the field.  Closing with Parliament Funkadelic‘s Red Hot Mama, the guitar just sounded so hot and Bernie Worrell was in his element.  John Kimock never stood out to me during this set but I do know he is a wonderful fresh drummer who I hope hits our scene with a tornado like force one of these days.

Setlist: A New Africa, Five B4 Funk, Crazy Engine, Everything is Everything, Red Hot Mama

Download: Steve Kimock Crazy Engine Live at Gathering of the Vibes on 2010-07-30 (July 30, 2010)

We again made our way to the Silver Lining booth where we were charging our phones with our friend, Thud.  Once again, a decent sounding song caught my ear.  Quinn Sullivan was playing but I didn’t have time to stop and pay attention.  I had a 15 year old to check in with and feed and Sharon Jones and the Dap Kings were up next on stage.

Sahron Jones and the Dap Kings - Promo shot

Sahron Jones and the Dap Kings - Promo shot

Sharon Jones and the Dap Kings

Sharon Jones – Vocals

THE DAP-KINGS are:
Homer Steinweiss – Drums
Binky Griptite – Guitar
Boogaloo Valez – Congas
Dave Guy – Trumpet
Tommy TNT Brenneck – Guitar
Bosco Mann – Bass
Neal Sugarman – Tenor
Ian Jendrickson – Smith – Baritone

There are certain bands where words never do it justice, and sometimes, they don’t even do themselves justice, because they are just THAT good.  Sharon Jones and the Dap Kings have consistently performed, blowing the ears and minds of millions of people with every performance. This performance was no exception.   Just stop the program.  Just end it all right here.  No one can touch this woman.  She is FIRE.

Sharon Jones and the Dap Kings @ GOTV 2010

Sharon Jones and the Dap Kings @ GOTV 2010

Sharon Jones (Photo by Jeffrey Dupuis)

Sharon Jones (Photo by Jeffrey Dupuis)

Sharon Jones didn’t join the stage immediately.  First, the stage just filled with DAPPER looking men and their instruments.   The first song consisted of the horns blasting, the funk machine igniting and it was POPPIN’.   After the first few songs, Sharon Jones joined the stage and well…I just really don’t know how to describe her.  She is like a bolt of lightning.  Her pores OOZE soul.  Her dance moves are spirited and it was as if the music inside her was controlling her like a puppet with strings.  Her eyes closing and opening as the passion in the music gained momentum.  She kicked her shoes off at one point and just brought down the house with every single word and note.  Just watch this woman perform.

Check out this video of The Vibes performance:

Check out the video for the title track from the 2007 album “100 Days, 100 Nights.” in it’s entirety.


Robert Randolph & The Family Band @ GOTV 2010

Robert Randolph & The Family Band @ GOTV 2010

Robert Randolph and the Family Band

Robert Randolph – Pedal Steel, Guitar
Danyel Morgan – Bass
Marcus Randolph – drums
Adam Smirnoff – Guitar
Lenesha Randolph – Backup Vocals
Brett Haas – Keyboardist

Robert Randolph & The Family Band @ GOTV 2010

Robert Randolph & The Family Band @ GOTV 2010

THANK GOD!!!!  I was not sure what to expect from this set.  I had seen Robert Randolph a few weeks earlier in New York City and had witnessed one of the worst Randolph performances I had ever seen.  I almost cried because my heart hurt from thinking such bad thoughts of the show.  It wasn’t because he didn’t play his songs well but because his new songs are just not of the caliber of AWESOMENESS that they were in his early years.

My Tribe had to be up front for this performance and so we were, dead center.  As I approached the front row, it looked as if Robert had found his roots again.  Where a tie had been worn at the previous show, Robert was now wearing a liberating bandanna with a long tail.  Where the white guy behind the mic were doing most of the singing at the previous show, Robert was now throwing us the licks and doin’ the spittin’ on the mic.  Where as Robert was on his guitar most of the time at the previous show, today, he gave an amazing chance to a few lucky guys in the audience and stuck mainly to his pedal steel where his fingers knew no boundaries. His energy was contagious…

Robert Randolph & The Family Band @ GOTV 2010

Robert Randolph & The Family Band @ GOTV 2010

He brought the stage to fire with an old song right out of the hatch: Ted’s Jam, one of my top three favorite Randolph’s tunes. With this song, it just escalated into one of my favorite, hottest Robert Randolph performances.  I could write pages about it but I will write about my favorite memory of the set.

Towards the end of the set, Robert Randolph said he needed some help from and audience member to rage a song.  The first guy got on stage and immediately proved he had no chops. This happened with 2 other men before Frederick Aidan Pagnani from Freddy and the Yeti’s jumped on stage to Robert’s delight.  Once he started playing, this 19 year old (we found that out talking to him in the VIP then) held his own against Robert Randolph and The Family Band.  Check it out:

Setlist: Ted’s Jam, Back to Wall, Travel Shoes, Them Bones, Untitled, I’m Not Listening, Papa Was a Rolling Stone, Deliver Me, If I Had My Way, E, It Don’t Matter

Download: Robert Randolph [and the Family Band] Live at Gathering of the Vibes on 2010-07-30 (July 30, 2010)

Furthur @ GOTV 07.30.10

Furthur @ GOTV 07.30.10 (Photo by Jeff Dupuis)

Furthur

Phil Lesh – Bass
Bob Weir – Guitar
Jeff Chimenti – Keyboards
John Kadlecik – Guitar
Joe Russo – Drums
Jeff Pearson – Vocals
Sunshine Becker – Vocals

The headliner for the evening was Furthur.  Just like the Randolph set, here was another group that I was hoping was going do a better then job then I had seen them last.  If you might recall, there was giant whirlwind chatter about the Furthur show, specifically Bob Weir’s performance, at Nokia Theatre in Times Square last Wednesday. What a difference.

“Seal your face right off your head

Between Dark Star Orchestra and Furthur, it was arguable who had performed a better set.  Both nights were magical recreations of some tightly played nostalgic tunes.  Where as Dark Star seemed to be more of stand out performance by Jeff Mattson, Furthur’s performance felt like more of a cohesive group effort and Bobby was on point.  The set list contained a plethora of sing along tunes and provided platforms for intense jams during the 4 hours slot.

There was a gorgeous glow worm that was walked through the 15,000 person audience which  I was able to catch on film!

Now, here is the song in it’s entirety with the appearance of the glow worm 🙂

Furthur @ GOTV 2010

Furthur @ GOTV 2010 (Photo by Jeff Dupuis)

Set I: The Golden Road, Jack Straw, Ramble On Rose, Dupree’s Diamond Blues, Friend of The Devil, Estimated Prophet> , Eyes of The World>, Not Fade Away,

Set II: Playing In The Band, Althea, Wharf Rat>, He’s Gone>, Scarlet Begonias>, The Wheel, Standing On The Moon, Help On The Way>, Slipknot!>, Franklin’s Tower, crowd/donor rap/tuning,

Encore: Terrapin Station Suite

Download: Furthur Live at Gathering of the Vibes; Seaside Park on 2010-07-30 (July 30, 2010)

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Move on to: Day III Review: Gathering of the Vibes VX @ Bridgeport, CT (07.31.10)

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