Posts Tagged ‘The Avett Brothers’

My 1992 Sony CD Player :)

My 1992 Sony CD Player 🙂

I got my first CD player during Christmas 1995. I was 13. Up until this time, music to me had been limited to whatever I could find on the radio (which I couldn’t rewind), Disney princess movies, other fluffy movie and show soundtracks.

My grandmother had season tickets to Broadway musicals and Classical Series and so I drowned in those, willingly. That music also made up the majority of my tape collection. On the way to school I was able to hear the radio but my mother preferred country against our “harder” choices. We would bond over many of the bands from her time but I still never had what I considered true musical freedom until Christmas 1993 with the arrival of my first CD player.

Mariah Carey's Music Box Album Cover

Mariah Carey's Music Box Album Cover

I see this as a definitive moment in my musical development and the start of a major addiction. I was 15, had allowance and I needed things to spend my money on.  I would eventually join Columbia House, BMG Music (both no longer in existence as CD selling companies)and all the other companies that gave me music on the cheap.  I would scam them using multiple names, ending up with tons of CDs and not enough time to devour them all.  It was the start of my searching; searching for music that filled a hole.

I was given two CDs with my new CD player.  My parents, knowing my love for singing and pop culture, gave me Mariah Carey‘s Music Box.   My Uncle John (unsure of his motivation) gave me Simon and Garfunkel‘s Bridge Over Troubled Water.

Simon and Garfunkel's Bridge Over Troubled Water

Simon and Garfunkel's Bridge Over Troubled Water

Simon & Garfunkel

Simon & Garfunkel

I would come to memorize every one of the songs on both CDs within days.  I fell IN LOVE with Simon and Garfunkel while Mariah Carey disappeared in the back of my CD case after a few months and eventually from my memory.

I was immediately turned on emotionally and spiritually by Bridge Over Troubled Waters.  I was 13.  I struggled with anger and teenage angst and this CD connected with me on so many levels. The voices, the lyrics, the music.  A simply stunning CD. More importantly, it opened me up to a time period in music that I had missed…the 70’s. A  few months later, I would find Jerry and the musical hole within me would be filled.

There is so much to say about it but I won’t bore you with my run-on stories.  My point is that my connection with Simon and Garfunkel runs deep.  Paul Simon is sort of my Bob Dylan.  I can hear you all screaming now but it’s true.  He may not win in your books for the highest award of lyrical and/or song construction but in my book, he is #1.

The Auditorium Stravinsky stage, described in full in my Overview of Montreux Jazz Festival Post, was littered with musicians. I noticed an accordion, a xylophone, a piano, three guitars, a percussion section, one bass, two drummers, a piano and keyboard, horns, and a violin (I think).

Paul Simon’s desire to incorporate multiple multi-cultural instruments is a huge selling point for me being someone who likes to see change and diversity in her musicians.  Simon ranks up there with Bela Fleck for going out in to the world to be the hungry learner, the constant musical hunter. I find so much beauty in musicians like that. We need more musicians like that.

Paul Simon @ Montreux Jazz Festival

This would be my first time seeing Paul Simon live.  This was an epic moment  for me. I felt giddy, like a school girl (pun intended) going to see her first musical crush.  I imagined seeing Paul Simon many times in my life but I never thought the first time would be in this amazing auditorium in Switzerland.   I had to cross the world to make it happen and I couldn’t be happier.

The show was in The Auditorium Stravinsky and we were in the #3 box seats instead of #4 from the night previous. I wondered if any stars would surround me again.  Esperanza Spalding and Paul Simon had been my box neighbors just a night earlier as I watched The Miles Davis Tribute.

Tonight’s show would consist of multiples titles off Simon’s latest CD, So Beautiful or So What.   The CD is built around his acoustic guitar and as the title suggests, the songs consist of views on extremes. However, his projections find themselves somewhere in the middle. His songs lie between the worlds of love and indifference, good and evil, hope and heartbreak.  He speaks on everything from Christmas shopping to suicide bombers to Global warming.  It speaks of his nephew, who has been on multiple tours of duty to Iraq to Jay-Z and Jesus.

The Making of So Beautiful, So What

Singer-songwriter Paul Simon was listening to a box set of old American recordings one day. Among the songs, he found a Christmas sermon bearing the voice of Atlanta’s Rev. J.M. Gates, a hugely popular preacher in the 1930s and ’40s. That sermon stayed with Simon, who turned it into a song.

“It really struck me, not only because it was really an unusual way of having a Christmas sermon, because it’s very dark, it’s like a warning,” Simon tells Morning Edition host Steve Inskeep, “but also … there was a real rhythmic pulse to it … it sounded so natural. I lived with that for a while, and then I thought, ‘I could write a song called “Getting Ready for Christmas Day,” and find a way of making verses that lead up to the sermon and then follow the sermon.’ “

~ Excerpt from NPR’s interview with Paul Simon (04/12/11)

Boy in the Bubble
Dazzling Blue
Fifty Ways to Leave Your Lover
So Beautiful or So What
Slip Sliding Away
Peace like a River
The Obvious Child
Only Living Boy in New York
Learn To Fall
Questions for the Angels
Diamonds on the Soles of Her Shoes
Sounds of Silence

Kodachrome from 1973
Here Comes the Sun
Still Crazy After All These Years
Call Me Al

Simon started his set with “Boy In The Bubble,” the opening song on his 1986 album Graceland. Simon’s lyrics deal with the complex human consequences of modern technology. Do you recall the Boy In The Bubble from the 1980s?  Ironically, this was a perfect start to a show that would continue on with songs highlighting intense issues.

Dazzling Blue” followed and was the first song performed off Simon’s latest album.  The song has a heavy African vibe; the stage was cast in a blue curtain of light with the majority of light on Simon alone.  Beginning with a talking drum from India, the audience was immediately given access to the love that Simon has for different styles and texture of sound found in various cultures around the globe.

Miles apart, though the miles can’t measure distance
Worlds apart on a rainy afternoon
But the road gets dirty and it offers no resistance
So turn your amp up and play your lonesome tune

Maybe love’s an accident, or destiny is true
But you and I were born beneath a star of dazzling blue

~ Lyrics from “Dazzling Blue”

American rock drumming initiated the beginning to “Fifty Ways To Leave Your Lover,” a 1975 hit song from his album Still Crazy After All These Years.  The stage was filled with green light and Simon sang about the song’s mistress and her humorous advice to a husband on ways to end a relationship.

Fun Fact: G. Love covered the song on his album Fixin’ To Die (2011) which he recorded with the folk-rock band The Avett Brothers. ~ Thanks Wikipedia

And then Paul spoke…

“Hello my friends. I am so happy to be here.  This is my fourth or fifth time here.” ~ Paul Simon to his audience

The bluesy title track, “So Beautiful or So What,off Paul Simon’s latest album, began with two wooden bars being clapped together. The song verbalizes a lesson about life being what you make of it.

Bemoaning human frailty:

Ain’t it strange the way we’re ignorant
how we seek out bad advice
How we jigger it and figure it
mistaking value for the price
And play a game with time and love
like a pair of rolling dice.”~ Lyrics from “So Beautiful or So What”

I swear I heard a telephone ringing as part of the chorus. It was totally prevalent but I am not sure it was part of the song.  At the time, it didn’t surprise me but it made me curious. I loved this song, with its full sound and rock sensibilities.  There was a spoon on metal solo, accordion overlay, beaded shakers kept the beat and Paul showed his picking skills. One thing about Paul’s music, the sounds he conjures out of the various worldly instruments he employs in his music is what truly sets each song apart from the next.

Using his mouth in an unusual way to intro the song, Paul Simon chose another oldie, “Slip Sliding Away.” The best way I can describe these mouth sounds would be like when the drawings in the cartoons would take two coconuts to make the sound of a horse walking.  It was gorgeous…until there was an equipment malfunction.  Paul paused, tapping his fingers on his guitar until his other guitarist strapped in.  Flutes and harpsichords were being played but I couldn’t figure out who was playing the beautiful sounds. Simon accompanied the beauty with whistles and the song ended with acoustic scaling and whistling by Simon.

Peace like a River,” the 7th song of his 2nd studio album, highlighted the piano.  Paul’s voice cut right through me.  There is something so calming and soothing about his sound. The softness is romantic yet there is fierceness in his delivery that comes off as pure professionalism and eagerness to be different.

I found an eight minute video of the performance which shows nothing, but you can hear Simon on stage clearly and that is what matters:

Four drumsticks counted off as both drummers began the lead into “The Obvious Child.” This song is defined by it’s Latin-inspired rhythms and is off The Rhythm and Saints album released in 1990.  Reminiscent of a Big Band feel, we started moving in our seats.  Paul Simon knows what I like, he truly does.  Bright red lights blew up the stage as Josh was so moved he got up to dance.

Did Paul know his favorite fans were in the audience from NYC? Did he know that the NYCers who were there loved this next song? Perhaps not! But I like to think he did as he broke into “The Only Living Boy in New York.” This song touched me deeply as it was the only song sung off  Simon and Garfunkel’s 1970 release, Bridge Over Troubled Water, one of the greatest albums to ever grace this planet.

The irony was not lost on me that on the album it is Art Garfunkel who sings the song while Simon takes a secondary position in the delivery. Not this time.  Not tonight.

Bridge Over Troubled Water fun facts:

  • Fifth and final studio album by Simon & Garfunkel
  • Reached #1 on the Billboard Hot 100 chart on February 28, 1970
  • Won 1971 Grammy Award for Album of the Year
  • Won 1971 Grammy award for Best Engineered Recording
  • Title track won the 1971 Grammy Award for Record of the Year
  • Title track won the 1971 Grammy Award for Song of the Year
  • Won Best International Album at the first Brit Awards in 1977
  • #51 on The Rollings Stones ‘Greatest Album of all Time’ List

The tears trickled down my cheeks freely now. It had only been a matter of time before I knew this would happen and I did think it was going to happen sooner then it did.  It took eight songs to rip into my heartstrings.  I was immediately transported back to being 12 and hearing his voice for the first time and I prayed that he would sing more songs from this album but it never happened.

Learn How To Fall” was full of horns and fierceness. It was jubilant yet with a serious message of needing to “Learn How to Fall” before you can “Learn How to Fly.”

Then perhaps my favorite song of the performance was next, a song I had never heard before. A song off the new album called “Questions for the Angels.”

On “Questions For The Angels,” a middle-aged man strolls across the Brooklyn Bridge searching for heavenly help, only to be confronted with a Jay-Z billboard for a reply.

A pilgrim on a pilgrimage
Walked across the Brooklyn Bridge
His sneakers torn
In the hour when the homeless move their cardboard blankets
And the new day is born….

…..Downtown Brooklyn
The pilgrim is passing a billboard
That catches his eye
It’s Jay-Z
He’s got a kid on each knee
He’s wearing clothes that he wants us to try

~ Lyrics from Questions for Angels

Can I just give props to Paul Simon for picking on Jay-Z?  I don’t want to condone any negative tension but I find it hilarious, although not surprising,  that Paul Simon chose these lyrics. It makes me recall the feud between NAS (who I am seeing tonight with Damien Marley) and Jay-Z.  Would this bring Jay-Z down on Simon? Will there be retaliation through lyrics? Can you imagine that going down? Now, that is some musical drama that I would be interested in seeing take place…just saying.

Speaking on religious material making it’s way into the album:

“It’s not so much that it pops out in a larger way … it’s more frequent. I really had no plan to do that,” Simon says. “They begin as stories, and where they go is just a path I follow. Sometimes spiritual or religious imagery will be part of the story. It’s seldom the point of the story, but it’s a presence that lingers.”

~ Excerpt from NPR’s interview with Paul Simon (04/12/11)

It was back to the old school, this time with songs from Simon’s most famous album, Graceland. At this point I just couldn’t take notes anymore. I had to dance this out.  Other members of the audience felt the same way as they were lifted out of their seats during the dueling drummers solos during “Diamonds On The Soles Of Her Shoes.”  The song is a pure classic about a short relationship Paul Simon had with a diamond mine owner’s daughter, while recording in South Africa. She was very rich and privileged, yet she acted very down to earth, like a poor girl. The drummers were amazing playing off each other and I longed for a concert of just drummers.  Can you imagine? I can.

The Lady Smith Black Mombazo inspired song “Gumboots” kept the dance party going.  This song reminded me String Cheese meeting Bela Fleck.   There was picking on the guitars and a violin entered the mix.  The piano player got up and played the inside of his piano. There was such a wonderful mixture of sound and it kept us all on our feet.  It’s a beautiful song inspired by The Gumboot Dance which is an African dance that is performed by dancers wearing Wellington boots. In South Africa these boots are more commonly called gumboots.

The rest of the band joined the stage for “Kodachrome from 1973”   This song left the hall so full of sound. Great sound. My friends and I were all up dancing in our box. There was no calming us down.

There you have it 🙂 The end of the set. Exiting the stage to monstrous applause, the entire band left. The entire audience began clapping in unison without letting up.  Shortly after, Paul came out alone on his acoustic guitar.


When the notes trickled from the stage and the audience heard “Sounds of Silence,” the Auditorium went silent.  You could hear a pin drop. “Hello darkness my old friend”…and with that, the tears flowed freely again.

This was definitely the most intimate song of the night.  It tore at the heart strings, it made people smile, scream and feel something inside of them stir.  Paul’s music does that to you.  It’s such a classic song that everyone on the planet knows and is touched by it.

Hello darkness, my old friend
I’ve come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence

~ Lyrics from “Sounds of Silence”

Then the audience joined in by humming the lyrics. A single man and his guitar was standing alone on one of the world’s most famous stages and had the entire placed entranced. It was magic.  It was awesome. It was music at its simplest. Music at its best.

Here Comes The Sun” was the second choice with accordions and two guitars with Simon backing the melody.  And with that, the stage emptied again.

The following video has “Sounds of Silence” into “Here Come The Sun.” Enjoy!

!!!!!!!!!! ENCORE #2 !!!!!!!!!!

Everyone walked off stage and for a few minutes the audience just chanted in unison. Paul Simon came out yet again for a second encore. There was no end in sight and that was awesome.

I took out Josh’s Iphone and video taped “Crazy Love” in it’s entirety with GREAT quality.  Enjoy!

“Still Crazy After All These Years” was next. Paul didn’t have an instrument for these songs. Just his voice.

“We’re living in a certain time, and we’re aware of it. And that’s part of what we’re aware of, along with our own personal aches and pains,” Simon says. “The dialogue between what’s going on in the world and what’s going on internally seems to be a natural thing — well, it’s natural to me, anyway, to have these thoughts.” ~ Excerpt from NPR’s interview with Paul Simon (04/12/11)

Call Me Al” ended the set.  Everyone was finally up dancing now. Dancing down below me and clapping. The flute player moved to the  keys. There was a major bass rage. Only a few seconds but so funky! You know the bass line I’m speaking of??

“One of my favorite poets is Philip Larkin,” Simon says. “Philip Larkin didn’t write for several years before his life ended. And when he was asked why he didn’t write, he said the muse deserted him. It sort of scared me. That’s why I think I have no right to assume that some thought is going to come. … But I think, in my imagination, if it is it, there will probably be something else I’m interested in.”

At 70 years old, Paul Simon shows no signs of slowing down.  He is a master of his art, with a soft, intelligent voice, that attains an unmatchable sense of melancholy and tenderness. Regarding his latest cd, anyone who can take a sermon and build an entirely new outlook on life through it by music is stellar.  I was moved  and inspired by this show and I hope that this article touches you in some way that makes you go out and purchase the new album or perhaps invest in seeing him live. Simply Phenomenal.

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October 2010 Potential Show Run Down!

October 2010 Potential Show Run Down

Calendar updated daily!

Friday, October 1st, 2010

  • ($25-$45) Stanley Clarke Feat. Hiromi @ The Blue Note
  • ($32-$112) Alan Gilbert Conducts Mahler’s Sixth Symphony @ Avery Fisher Hall (New York Philharmonic)
  • ($50-$80) Celtic Thunder @ Radio City Music Hall

Saturday, October 2nd, 2010

Sunday, October 3rd, 2010

  • I suggest lots of sleep after The Royal Family Ball 😉

Monday, October 4th, 2010

  • ($8) Jim Campilongo@ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard

Tuesday, October 5th, 2010

  • (Free) Dred Scott Trio & THE BRIDGE @ Rockwood Music Hall
  • (Free) Mavis Staples @ Late Show with David Letterman
  • ($32) Faith Evans @B.B. King Blues Club and Grill
  • ($80 – $250) Roger Waters: The Wall Live @ Madison Square Garden
  • ($25) Peter Yorn @ Bowery Ballroom

Wednesday, October 6th, 2010

  • (??) Sister Sparrow & the Dirty Birds @ Southpaw
  • (Free) Mavis Staples @ Colbert Report (TV)
  • ($10) D.V.S. @ Club Love
  • ($12.25) The EGG plus Sonic Spank @ Mercury Lounge
  • ($20) Davell Crawford @ The Jazz Standard
  • ($80 – $250) Roger Waters: The Wall Live @ Madison Square Garden
  • ($35 – $50) Mavis Staples – “You are Not Alone” – Album Release presented by WFUV @ City Winery
  • ($10) Mattson, Barraco & Friends @ Sullivan Hall
    • Jeff Mattson (DSO, Donna Jean Godchaux Band, Zen Tricksters) , Rob Barraco (DSO, Phil & Friends, Zen Tricksters) , Jason Crosby (Robert Randolph, Susan Tedeschi, Zen Tricksters) , Joe Chirco (Donna Jean Godchaux Band, David Nelson Band, Zen Tricksters) with opening act Easy Over
  • ($44 – $128) Joshua Bell Performs Sibelius @ Avery Fisher Hall

Thursday, October 7th, 2010

  • (Free) Gorillaz @ The Late Show with David Letterman
  • ($5) ?uestlove DJ Set @ Brooklyn Bowl
  • ($10) Underground Horns “Big Beat” CD release Party @ Nublu
  • ($10) Live Band Tribute to A Tribe Called Quest w/ Alphabet Soup @ Sullivan Hall
  • ($10 – $27) Rosanna Cash @ Kaufmann Concert Hall
    • Upon the publication of Composed, Ms. Cash sits down for a conversation about her life in music.
  • ($28.50 – $33.50) The Hold Steady @ The Beacon Theater
  • ($30) Gil Scott-Heron @ B.B. Kings
  • ($35) Fountains of Wayne @ Bowery Ballroom
  • ($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall

Friday, October 8th, 2010

  • (Free?) Sister Sparrow & the Dirty Birds @ Rockwood Music Hall 2
  • ($5) Big Sam’s Funky Nation @ Brooklyn Bowl
    • Opener: Ikebe Shakedown
    • ($10) Solange DJ Set @ Midnight
  • ($20) Jackie Green @ Bowery Ballroom
  • ($25) The Subdudes @ B.B. Kings
  • ($35) Moe @ Beacon Theater
  • ($35-$45) The Jazz Gallery Rent Jam hosted by Roy Hargrove @ City Winery (late Night)
  • ($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall
  • ($50-$125) Gorillaz & Mos Def @ Madison Square Garden

Saturday, October 9th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Private Party @ Sullivan Hall w/ Lo & Aaron (GSW), Leroy Justice and Jaik Miller
  • ($10-$12) Bustle In Your Hedgerow feat. Joe Russo, Marco Benevento, Dave Dreiwitz and Scott Metzger @ Brooklyn Bowl
  • ($25) Mago – John Medeski & Billy Martin @ Rocks Off Cruise

Sunday, October 10th, 2010

  • ($20) Corrosion of Conformity @ Highline Ballroom

Monday, October 11th, 2010

  • ($8) Jim Campilongo@ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard
  • ($65 – $165) Mary J. Blige @ Radio City Music Hall

Tuesday, October 12th, 2010

  • (Free) Dred Scott Trio & THE BRIDGE @ Rockwood Music Hall
  • (Free) My  Morning Jacket @ The Late Show w/ David Letterman
  • ($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall
  • ($65 – $165) Mary J. Blige @ Radio City Music Hall

Wednesday, October 13th, 2010

  • (Free) My Morning Jacket @ Late Night w/ Jimmy Fallon
  • ($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery
  • ($10) R+D with Savoy (DJ), D.V.S*, NUTRITIOUS, MUNcee superjam and Mad Hatter @ Club Love
  • ($10) Jessica Lurie Ensemble @ Brooklyn Lyceum
  • ($12) Dawoud – Renegade Sufi Sitar! @ The Theater for the New City
  • ($25) Ingrid Michaelson @ Best Buy Theater (Formally Nokia Theatre)
  • ($32.59 – $39.50) The Avett Brothers @ Radio City Music Hall

Thursday, October 14th, 2010

  • (Free) Ben Folds @ Late Night w/ Jimmy Falon
  • ($5) ?uestlove DJ Set @ Brooklyn Bowl
  • ($10) Dred Scott Trio @ 55 Bar
  • ($10) Apollo Run @ Union Hall
  • ($25) Tom Tom Club @ Santos House Party
    • W/ Caravan of Thieves and The Tony Castles
  • ($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)

Friday, October 15th, 2010

  • ($5) The Trifect @ Sullivan Hall – FUUUUUSION!!!!
  • ($5) M80 Dubstation Feat. Jon Gutwillig from The Disco Biscuits @ Brooklyn Bowl
  • ($5) Brother Josephus & Josh Phillips Folk Festival @ Brooklyn Bowl
  • ($36.20) Citizen Cope @ Terminal 5
  • ($30-$45) Dar Williams & Toshi Reagon – Many Great Companions Tour @ City Winery
  • ($32.50 – $35) John Hammond @ Rubin Museum of Art
  • ($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)

Saturday, October 16th, 2010

  • (Free) West African Band @ St. Nicks, Harlem
  • ($10) Tom Tom Club @ Brooklyn Bowl
  • ($35 – $40) Air Supply @ B.B. Kings
  • ($30-$45) Dar Williams & Toshi Reagon – Many Great Companions Tour @ City Winery
  • ($36.20) Citizen Cope @ Terminal 5
  • ($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)

Sunday, October 17th, 2010

Monday, October 18th, 2010

  • ($8) Jim Campilongo@ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard
  • ($30) UP ON THE RIDGE – Dierks Bentley @ Bowery Ballroom
  • ($50) My Morning Jacket @ Terminal 5

Tuesday, October 19th, 2010

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • (Free) Jason Linder Trio @ Fordham University
  • ($10) Kinetix @ Sullivan Hall
  • ($10) Chico Mann @ Santos House Party
  • ($25-$40) UP ON THE RIDGE – Dierks Bentley & Del McCoury Band @ City Winery
  • ($50) My Morning Jacket @ Terminal 5

Wednesday, October 20th, 2010

Thursday, October 21st, 2010

  • ($5) ?uestlove DJ Set @ Brooklyn Bowl
  • ($12) Eli Paperboy Reed & The True Loves @ Le Poisson Rouge
  • ($25) UP ON THE RIDGE – Dierks Bentley @ Southpaw
  • @ Southpaw
  • ($47.50) My Morning Jacket @ Terminal 5
  • ($50-$90) Thievery Corporation @ Beacon Theater
  • (Starting @ $50) “A Celebration of Paul Newman’s Hole In The Wall Camps” @ Avery Fisher Hall @ Lincoln Center
    • Performances Will Feature a Line-Up of GRAMMY® Winning Musicians Including Hilary Hahn, Emmylou Harris, Lyle Lovett, John Mellencamp, Keb’ Mo’ and Stevie Wonder With Appearances by Bill Cosby and Renee Zellweger

Friday, October 22nd, 2010

  • (Free) The London Souls @ The Brooklyn Academy of Music
  • ($20 – $25) THE MONSTER MASH –> Fort Knox Five @ The Electric Warehouse w/ Woody McBride and Larry Tea
  • ($25) Yonder Mountain String Band @ Best Buy Theatre (Formally Nokia Theater)
  • ($47.50) My Morning Jacket @ Terminal 5
  • ($50-$90) Thievery Corporation @ Beacon Theater
  • ($60 – SOLD OUT) Phish @ Providence, RI @ Dunkin Donuts Center

Saturday, October 23rd, 2010

  • (Free) West African Band @ St. Nick’s Pub
  • (Free) Apollo Run @ Rockwood Music Hall 1
  • (Free) Sister Sparrow and the Dirty Birds @ Rockwood Music Hall 2
  • (Free) Kings of Leon @ Saturday Night Live (TV)
  • ($10) The Breakfast @ Crash Mansion
  • ($35-$60) Jakob Dylan @ City Winery
  • ($40 – $100) Cheech and Chong @ The Beacon Theater
  • ($42 – $48) Indigo Girls @ Carnegie Hall’s Zankel Hall
  • ($47.50) My Morning Jacket @ Terminal 5
  • ($60 – SOLD OUT) Phish @ Amhurst, MA @ Mullins Center

Sunday, October 24th, 2010

  • ($8) Apollo Run @ Pianos
  • ($35-$60) Jakob Dylan @ City Winery
  • ($50 – $113) Steve Miller Band @ Beacon Theater
  • ($60 – SOLD OUT) Phish @ Amhurst, MA @ Mullins Center

Monday, October 25th, 2010

  • (Free) Dred Scott Trio @ The Delancey
  • (Free) Kings of Leon @ Late Show with David Letterman (TV)
  • ($8) Jim Campilongo@ The Living Room
  • ($25) Mingus Orchestra @ The Jazz Standard
  • ($35-$60) Jakob Dylan @ City Winery

Tuesday, October 26th, 2010

  • (Free) The Bridge @ Rockwood Music Hall
  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($10) Talib Kewli @ Brooklyn Bowl
  • ($40) Bad Religion @ Irving Plaza

Wednesday, October 27th, 2010

  • ($??) Chico Mann @ Santos House Party
  • ($25 – $35) Ollabelle @ City Winery
  • ($25 – $153) Yo Yo Ma & Kathryn Scott @ Carnegie Hall
  • ($40) Bad Religion @ Irving Plaza

Thursday, October 28th, 2010

  • ($5) ?uestlove DJ Set @ Brooklyn Bowl
  • ($10) The Mother Hips @ The Brooklyn Bowl
    • w/ Sean Walsh & The National Reserve
  • ($20) Trouble & Bass  @ Santos House Party
    • Ninja Tune XX (anniversary party): Amon Tobin, Kid Koala, DJ Food & DK, Poirier Toddla T & Serocee, DJ Kentaro, Eskmo
  • ($42) Michael Franti & Spearhead @ Terminal 5
  • ($50 – $90) Styx @ The Beacon Theatre
  • ($70-$80) Deadmau5 @ Roseland Ballroom

Friday, October 29th, 2010

  • (FREE??) Dred Scott @ Smalls Jazz Club
  • ($10) The Macpodz @ Sullivan Hall
  • ($15) The Toasters & the Pietasters @ B.B. Kings Blues Club
  • ($30) Ok Go @ Terminal 5
  • ($37) Railroad Earth with Donna the Buffalo @ Irving Plaza
  • ($40) Guster @ The Beacon Theater
  • ($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall
  • ($70-$80) Deadmau5 @ Roseland Ballroom

Saturday, October 30th, 2010

  • ($10) Jimkata, Papadosio and D.V.S. @ Sullivan Hall
  • ($36) Gandalf Murphy and the Slambovian Circus of Dreams @ The Gramercy Theater
  • ($36-$40) Cypress Hill @ Besy Buy Theater (Formally Nokia Theatre)
  • ($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall
  • ($70-$80) Deadmau5 @ Roseland Ballroom

Sunday, October 31st, 2010

  • ($24) The Felice Brothers @ Music Hall of Williamsburg
  • ($50) The Black Crowes @ Best Buy Theater (Formally Nokia Theatre)
  • ($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall

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Rage Mobile

Rage Mobile

As the eve before Mountain Jam arrived, I couldn’t sleep, no one could.    My phone was blowing up with text messages finalizing last minute plans, causing last minute mini-drama bombs that kept us on our toes.  It was like the day before Christmas, as it is before every festival.  It might as well be Christmas, right?  You know you are going to meet up with long lost phamily that is normally scattered across the nation and when you arrive you are given lots of goodies and presents 🙂  AM I RIGHT?  Oh, our world is so full of life and love.

Approaching Hunter Mountain

Approaching Hunter Mountain

Get ur tickets

Get ur tickets

The four of us piled into my buddy’s rage mobile and we took off down Highway 87.  Two and a half hours later we were taking Exit 20 and making our way through the windy roads to the top of Hunter Mountain, the site of Mountain Jam for the last six years.  The scenic drives through these mountains, or any mountains, are one of the perks of heading to any festival.  Once you exit the bustling city, it only takes about 20 minutes before you start hitting lush rolling green hills on either side.  My mind always gets thrown back to the Blue Ridge Mountains and it makes me miss Virgina, my home state, that much more.

The Weekend Rage Haven

The Weekend Rage Haven

I don’t do well with rain and this festival was notorious for it’s thunderstorms and drastic change of weather. After much debate and consideration, I decided to shack up with my buddy in his house for the weekend.   It was a lovely cottage type house with three bedrooms and a shower, which numerous friends used over the course of the weekend.  It’s always good to have a friend with a house! (MUCH LOVE FOR MURRAY! THANK YOU MY DEAR FRIEND!)

Welcome Center

Welcome Center (& my housemates)

Waiting to see the music and get into camping....

Waiting to see the music and get into camping....

With all my friends setting up their tent cities in Camping, I was free to roam the grounds.  As I walked up the hill, a lovely old deadhead stopped just to tell me I looked lovely.  I was wearing my favorite skirt I had bought at my first festival (All Good) over 11 years ago.  A wonderful skirt my mother has repaired numerous times over to allow it to continue to live.  It is the little moments like these that I never have to write down.  The little moments of joy that find their way to your ears and eyes because people are just KIND in these settings.  Hippies are the greatest people in the world.

Hunter Mountain (East Side)

Climbing up Hunter Mountain (East Side)

This venue was GORGEOUS.  I had never been to a venue with such a gorgeous backdrop.  The scene I was staring at behind the stage was magnificent.  Beautifully lush green mountains with white clouds floating above.  It truly was a sight to behold. Wait until you see the pictures of the sunset.

Look at the view behind stage!  WHAT?

Look at the view behind stage! WHAT?

Kofi Burbridge & TR

Kofi Burbridge & TR

My music karma followed me to Hunter Mountain.  The commute went smooth, the house was so close, the weather for the weekend was, for the most part, sunny and dry.  As well, within the first two hours of arriving, I had spotted and caught up with just about everyone I was hoping to see that weekend.  One of the first people I ran into was Kofi Burbridge.  He is always one to be found mingling among the crowd, getting into trouble.  Then came a string of friendly faces who just made the hug chain continue for a few hours.  This was going to be a GREAT weekend.

Elmwood in Colonel’s Hall

Elmwood in Colonel’s Hall

As I explored the grounds, the first drop of music I could hear was from the Colonel’s Hall, one of four stages set up at the venue.  I stepped in for a few seconds to hear Elmwood and was right back out.  There were three other stages: The East stage (Main stage), The West stage (side stage) and The Awareness Village stage.  The shows I wanted to see were going to be mainly on the East and West stages.

The Karma Wash @ Mountain Jam

The Karma Wash @ Mountain Jam

My home base for the festival was the Karma Wash.  From now on, if they are part of any  festival I am at, you can always find me there.  A wonderful group of people who have more fun then I can describe.  They have created a wonderful wonderland of playfulness for both adults and children.  Everyone always need a good Karma scrubbing and they provide the services!  Join their Facebook fanpage to see where you can get your Karma Washed next!

The Avett Brothers @ Mountain Jam (Main Stage)

The Avett Brothers @ Mountain Jam (Main Stage)

The Avett Brothers

Scott Avett – Vocals, Banjo, Kick Drum, Drums
Seth Avett – Vocals, Guitar, High-Hat, Keys, Drums
Bob Crawford – Vocals, Bass
Joe Kwon – Cello

I made my way to view the East stage where I could hear the folk/rock sound of The Avett Brothers tearing it up.  Ah, the banjo always makes me smile.  Their vibe was upbeat and feisty.  Scott Avett’s singing flowed over the mountain from the stage and was so lovely with his brother harmonizing.  When family members sing together there is a blend and a cohesiveness in the sound that is intangible to others.  I wish I could tell you who else is on stage with the Avett Brothers in the above picture but alas.  They rang out bluegrass into rock up the mountain until a piano was brought out for a few numbers which slowed down the vibe considerably.

As the piano accompanied, Scott sang I and Love and You, the title track off their newest cd.   A simple song with a powerful statement.   The only songs I recalled from quickly listening to their cd a few days prior.  It caught my ear when I heard the lyrics Brooklyn, Brooklyn, take me in and Three words that became hard to say, I and Love and You. This group is tangible and by that I mean that I felt something when they sang. They touched me.  I am not a fan of lyrics but coming from folk/bluegrass type music, I adore it.  They were solid in their delivery and emotional amongst their dancing jigs.  I loved them as they had help me toss my shoes off, hike my skirt up and dance in the dirt. Dancing with nature.

Download: The Avett Brothers @ Mountain Jam VI (06.04.10)

The Avett Brothers @ The Main Stage

The Avett Brothers @ The Main Stage

Now, Mountain Jam is the brain child of Warren Haynes, of The Allman Brothers Band and Gov’t Mule.  This meant that we would be blessed with two full nights of 2 sets of Gov’t Mule.  It meant that Warren Haynes would be sitting in with whatever group he felt drawn to join.  Get your party pants on…because once Mule started, there was no turning back.

Here's that sunset :) SO lovely!

Here's that sunset 🙂 SO lovely!

The rad ladies room

The rad ladies room

There was a 45 minute break before we were raging with Gov’t Mule!!! I completely shacked up by the Karma Wash for this set!  I had no intention of trying to fight the thousands of people cramming up to the stage.   Took off for what I heard was NICE bathroom in the ski lodge. ALWAYS a plus to have something other then a porta-potty.  I about died as I walked passed the men’s room that looked like just a bunch of high school stalls.  And then walking into the ladies room that had a lavish dressing room area, numerous sinks, mirrors, and couches.  LOL!!  Typical…

Gov’t Mule

Warren Haynes – Guitar & Vocals
Matt Abts – Drums
Danny Louis – Keyboards, Background Vocals
Jorgen Carlsson – Bass

Now THIS was how one should watch Gov’t Mule.  This was their festival, their time to shine.  They know just as well as we do that it is their set that first night that sets the mood for the rest of the weekend.  The energy and pure freaking rage of the first set was enough to cause a landslide…pun totally intended!

As World Gone Wild played, I totally realized that I was away from the city and I threw my head back to look at the stars.  In that moment, a shooting star crossed overhead and I totally had a moment with myself.  I shit you not.  I thanked the powers that be for making my life worth living.  And when the sun finally set, Hunter Mountain literally looked like it was on fire from the lights and the energy that was kicking off the weekend.  Look at the picture below.  Fire on the Mountain!

Gov't Mule @ Main Stage

Gov't Mule @ Main Stage

Thorzine Shuffle closed out the set.  Warren screamed “Till the damage is done!”over the mountain and everyone sang along.  I could hear the harmonica on stage as if it were right beside me.  The sound from the stage up that mountain was tremendous.  Warren’s solos were superb and he teased Eleanor Rigby.  I looked to see my friend dancing her heart out.  A fellow blogger, I actually had written in my notes to just link to her description of this set.  A COMPLETE MULEHEAD!!  She was so happy and at that moment I loved me some Warren just as much as she did.

Gov't Mule @ Main Stage

Gov't Mule @ Main Stage

For the second set of Mule we decided we needed to be closer.  The highlight of the set for me was when Les Claypool joined Warren on Greasy Granny’s Gopher Gravy. Such a combination of styles: Warren’s southern drawl against Claypool’s slapstick bass.  They TOTALLY jammed it out for a while.  Unfortunately, this would be the only guest appearance I would SEE.  I took a trip to the parking lot with a friend which caused me to miss seeing Kofi Burbridge sit in on Raven Black Night, Grace Potter sit in on Gold Dust Woman and Ray Lamontague join the stage but THANK GOD I was able to hear it all!!  Kofi’s flute reached my ears and I immediately lost focus on my parking lot mission.  Those conversations would have to wait.   I had to get back.

I about died when I thought I had missed the end of the last set but the encore followed.  Inside Outside Woman Blues was SOOO damn sexy!  I loved Warren’s guitar on this one the best.  Any Open Window and Steppin’ Lightly, where Jorgen Carlsson stood out on bass, closed it OUT!!! WHAT  WAY TO START YOUR FESTIVAL!!!!

Set 1: Intro, Stay With Me, New World Blues, World Gone Wild, Time To Confess, The Shape I’m In, Monkey Hill >, Monday Mourning Meltdown, Where Did You Sleep Last Night, Thorazine Shuffle

Set 2: One Of These Days >, Fearless, The Wind Cries Mary, Greasy Granny’s Gopher Gravy (Part 1 & 2) > (w/ Les Claypool), Drums, Wishing Well, Raven Black Night > (w/ Kofi Burbridge), Gold Dust Woman (w/ Grace Potter)

Encores: Inside Outside Woman Blues, Any Open Window >, Steppin’ Lightly

Download: Gov’t Mule @ Mountain Jam VI (06.04.10)

The New Mastersounds

Eddie Roberts – Guitar
Simon Allen – Drums
Pete Shand – Bass
Joe Tatton – Organ and Piano

New Mastersounds @ Colonel Hall

New Mastersounds @ Colonel Hall

After Mule, we geared up for the 1am late night sets.   Les Claypool (Main Stage) and The New Mastersounds (Colonel’s Hall) were performing at the same time.  This would be my first mental headache of the festival.  I adore Claypool, as he feeds into my tiny dark side.  However, I had tickets to see Claypool at the Brooklyn Bowl the following Tuesday in Manhattan so I decided to rage it with The New Mastersounds first.  Apparently, I was not alone. The venue was PACKED but we got our front row spots on lock down no matter where we roll.

The New Mastersounds @ Colonel Stage

The New Mastersounds @ Colonel Stage

Throughout the day, my friends and I had told everyone that The New Mastersounds were the band to watch that night.  Most definitely, one of the freshest acts to come out of England in the last few years.  They truly have skyrocketed up in public opinion and I had been looking forward to seeing them all year.    A friend spit out some interesting info the other day about NMS: “they’ll be the first to tell you they didn’t even think about “jamming” their tunes until they started touring the U.S. and learned that there were people that actually enjoyed that approach.”  So, having only heard their studio album, I was blown away by their live performance.

Kofi Burbridge joins The New Mastersounds

Kofi Burbridge joins The New Mastersounds

Eddie Roberts threw out so much energy from that stage that I felt involved. He got so into his vibe that it was flat out tangible.  Man, being so used to small club type settings or even large venues, on any given night, I felt closer to these bands at certain times on that Mountain amongst 15,000+ people then I ever did in NYC venues.  And The New Mastersounds has us sweating bullets on that dance floor.  A large portion of my friends said that they danced their hardest that first night at New Mastersounds.  I know in that first set, I lost a few pounds myself.  The heat was unbearable and I was dancing up front with my favorite people.  SO HARD!!!  Kofi Burbridge joined the stage during Fast Man and stayed for quite some time, adding his spectacular talent and sound to an already rocking performance.

Set I: Intro, Zambezi, Miracles, Dusty Groove, Thermal Bad, MRG, Fast Man -> Kofi Jam ->, Get On The Good Foot -> You Got It All, Six Underground, The Minx, 33 (A Good Year To Die), Carrot Juice, Make Me Proud!, One Note Brown ->, One Note Brown, Stage Banter, San Frantico, Idris, Nervous ->, Jam ->, Nervous

Download: The New Masterdounds @ Mountain Jam VI (06.04.10)

Les Claypool @ Mountain Jam

Les Claypool @ Mountain Jam

Les Claypool

Les Claypool – Basses
Mike Dillon – Percussion & Vibes
Sam Bass – Cello
Paulo Baldi – Drums

Les Claypool @ Mountain Jam (Main Stage)

Les Claypool @ Mountain Jam (Main Stage)

About half way through their set, I was dying of heat exhaustion and decided to take a walk outside and catch some Les Claypool.  As I walked up the side of the mountain I decided if I was going to watch some Les, I wanted to be in the front row. A friend had been in charge of designing the paramedic route to the stage so the set up was a little different then previous years I was told.  This new route allowed for me to walk right up the middle to the front and allowing me to access the stage very easily.  And by god, it took me sometime but I got to the dead center, front row just as Les was teasing Led Zepplin’s Kashmir.  We are in the second song of the second set at this point.  Times FLIES!  And then I couldn’t move!  Not because of the people, but because Les Claypool delivered a RIGHTEOUS set and a funky David Makalaster I sandwiched a kickass version of Southbound PachydermThe New Mastersounds had lost me.

The Utterly Amazing! Les Claypool

The Utterly Amazing! Les Claypool

If only you could have seen what my eyes saw...

If only you could have seen what my eyes saw...

My favorite part of Claypool’s performance was when he left the stage for the drummer rage.  Upon his return, he had put on his monkey mask and transformed into one of his many personas of strange.  Freaking Creepster.  I love him.  This was just FUN!!  The strobe lighting allowed for him to walk out stunted, as we only saw every other step.  In the frame of mind I was in, I could have easily freaked out.  He looked completely out of control to me.  It was creepy and wonderful at the same time.

Set I: Up On The Roof, Rumble Of The Diesel, Toys Go Winding Down tease->Amanitas, Buzzards Of Green Hill**, Red State Girl, Hendershot, Precipitation->Mr. Krinkle tease->Precipitation>, Drums->, Drums & Whamola Jam

Set II: Booneville Stomp, Cosmic Highway->Goodbye Blue Sky tease->Cosmic Highway->Kashmir tease->Cosmic Highway, David Makalaster I, Southbound Pachyderm, David Makalaster I, D’s Diner

Download: Les Claypool @ Mountain Jam (06.04.10)

During D’s Diner, I took off back towards The New Mastersounds hoping to catch the last few songs with my friends.  I didn’t even bother making my way to the front.  Remember how my friends said they might have danced their hardest to this set?  Well, as I entered Colonel Hall, everyone who I had lot track of, still wanted to see, or was looking for, was right there  in the back.  My friend “M” must have been introduced around 5 times but within a few minutes more glorious friend circles collided and the krewe grew exponentially right on the spot.  GOD, I LOVE THIS COMMUNITY!  My friends were flying all over the place.  Literally, arms flying, spinning in circles, twirling each other, dipping each other….we might have been dancing with the music but we were more dancing with each other at that moment.  This continued for the remaining songs.  And I found myself another few pounds lighter.

The music ended and we walked 20 feet outside to the picnic tables and I SANK into the chair that would remain my best friend for another 2-3 hours.  We literally raged there for the remaining time with new friends and old.  I sat back watching my friends click with each other.  The weather was gorgeous, the vibe was chill.  To me, these might be the greatest moments…when friends from different walks of life finally cross paths and everyone just chills and talks about the great music they saw…all connected through the music, the vibe, the atmosphere.  And it’s especially great when you get to say thank you to the band as they walk to their tour bus to go make more people in another location happy.  The New Mastersounds had blown their spot up at Mountain Jam.  Totally rocked the Mountain to a close.  And when they walked out, the cheer was probably heard in Camping.  They were so appreciated. I hope they knew that deep down in their souls!

We walked home as the sun came up and my head hit the pillow before 6am.  It was difficult to sleep with everything running through my head. What a night and with beautiful weather to boot.  I looked forward to doing it all again tomorrow.

Day II Review: Mountain Jam VI @ Hunter Mountain, NY (06.05.10)

Thorzine Shuffle closed out the set.  Warren screamed “Till the damage is done….”over the mountain and everyone sang along.  I could hear the harmonica on stage as if it were right beside me.  The sound from the stage up that mountain was tremendous.  Warren’s solos were superb and he teased Eleanor Rigby.  I looked to see my friend dancing her heart out.  She was so happy and at that moment I loved me some Warren just as much as my friend did.

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