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Friday’s show was a great start to the weekend. Click here for Friday’s Article….

Welcome to New Jersey!

Welcome to New Jersey!

The second of the three superb performances was upon us and the music and magic that we were in store for is difficult to explain.  This was one of those nights where words will never do it justice.  The soundboards do NOT do it justice.  NOTHING but being there will ever substitute the awesomeness that we were delivered and that we FELT radiating through that theater for night two.  I can honestly say that, for the first time, a Phish performance took my breath away and had me in tears.

TIME FOR ROUND TWO!!!

10/30 - Poster by Nate Duval © Phish 2010. New Jersey Honey Bee.

10/30 - Poster by Nate Duval © Phish 2010. New Jersey Honey Bee.

We slept in, or rather I slept in, until about 1:30pm. The fluffy Borgata bed, devouring me in it’s blankets, made it hard for me to leave its comfort.  Having spent yesterday running around like chickens with our heads cut off, it was nice to take it easy for the rest of the weekend.

We set up some ground rules and meet up times with our Youth Posse (YP) and let them on their way to enjoy the city.  Having them in the back of my mind kept me on my toes the entire weekend.   I would find myself wondering what they were up to, hoping they were raging and having fun together.  Hoping they were safe and happy. Ultimately knowing they were!  How could they not be.  If I felt like a kid in a candy store, I could only imagine how they were feeling.

Our YP enjoyed their day raging around The Borgota, able to watch the members of Phish during sound check.  These humble little ragers enjoy musical happenings in life you can only imagine. While they were entertained by their favorite band,  Josh and I took off to see a few of our phamily.

Soundcheck: Whole Lotta Love (x2), Thank You, Billy Breathes, Can’t You See, Ramble On, Whole Lotta Love, Ginseng Sullivan, Rock Me Baby, Destiny Unbound [Unconfirmed and possibly incomplete]

After a $35 taxi ride, 10 minutes away and totally more expensive then NYC fees, we were at our friend’s house.  If we had not chaperoned the YP this trip, this would have been our accommodations.  A house that sleeps 12 and containing all my favorite people 🙂 We spent the afternoon talking about last night’s performance, what album Phish might play on Sunday, what everyone was planning on doing after the show.  Marco Benevento was playing at the same place Karl Denson raged the previous night.  There were mixed feelings throughout our crowd as to whether Marco would be fun or not. I was 110% set on going and I silently crossed my fingers that they would come to that conclusion later on as well.

We taxied back to Boardwalk Hall around 6pm.  Our friend’s had secured a few rooms in hotels around the venue and so we made our way to The Bally’s for a quick hang with more friends, specifically my NYC/Jamily crew! I LOVE YOU ALL!! We kicked it there for another hour before deciding it was time to head into the venue.

The Heard (photo by Dave Vann © phish 2010)

The Heard (photo by Dave Vann © phish 2010)

Phish @ Atlantic City : Saturday

Exiting onto the boardwalk, the front of the venue was packed to an even greater extent then the night before. There were substantially more people as well as more fingers up in the air for a lucky ticket into the venue.  If we only knew then what we knew now, people might have paid $500 instead of $300 to get into this show…..oh man!

Again, we made sure all of our friend were taken care of before we took off for the nicer private entrance we used the whole weekend.  Just look at that mess up there.  We were in section 104 this time allowing for a slightly better view of the side-angled light show.

As I sit here writing, it has taken me me a minute to recall anything that happened before the bombs of rock hit us midway through the first set.   As much as I want to just blast through the description of the Phish catalog that preceded the EPIC portion of this musical night, I will try to be patient and give ya the whole story!

As the members enter the stage, the audience completely flips their lid.  The beauty of a Phish audience! They are SUCH diehards.  Kill Devil Falls opened up the set with 8 minutes of high energy, hitting a nice Page jam around the 4 minute mark and bringing Trey in to shred close a wonderful opener.

The balloons and balls already making their way into the air from the ground level, I scanned my surroundings and my chest swelled a little bit.  The scene in front of me, the energy surging through the hall…it was a bit overwhelming for me.  I can hear yall now: “God! She is such a mushy female.” But what people need to realize is that these musical moments are my religion. Being  in an audience, listening and feeling what the music does to me.  That is my version of church.  And when you stop, embrace your surroundings and look past the music and take it alllll in…..well, I swell up, and many times, I cry.

Music is my religion!

Music is my religion!

I swelled up at this moment because I can’t help but be touched by a MASSIVE space filled with 14,000 like-minded people, dancing and smiling and SCREAMING for a common goal.  The passion these fans have for Phish. The dedication these fans have to getting into the shows. Here I am blessed to be rocking a laminate around my neck that others would pay me thousands of dollars for.  It blows my mind.

Jesus ~ Phish

Jesus ~ Phish

I feel so blessed to have fallen into the Phish world so deeply, so QUICKLY! Then, top that off with being surrounded by all your closest friends who are just the greatest people to know. I lose myself many times in these moments, throughout my show going experiences….and so I get emotional.  I know I am not the only one who’s “life was saved by rock n’ roll” so, holla if ya hear me 🙂 That being said, if you ever see me weeping at a show or see tears rolling down my face, you can be sure they are tears of joy and I am probably in the middle of an inwardly religious musical moment.

Cavern kept the energy high with each instrument standing out on it’s own, every player sounding on point. The boys had brought more energy into the first two songs of this night then they had during the entire first set of Friday’s performance.

Mike‘s bass brought the jazzy Foam to our ears and brought Trey to his toes.  A random collection of notes coming out of the instruments, the salsa dancer in me wanted to burst out and I wish I was on the floor during this song twirling.  Not having mentioned Chris Kuroda‘s light show yet, can I just say I love him?  Did yall know that 😉  But the stand out in this song is generally Page, and once again, he brought a little love to our ears during his rapid, airy, scaling keys jam.

Glowsticks are fun!

Glowsticks are fun!

WHO LOVES GLOW STICK WARS??  I do! You know, I realized something during these shows, walking around the floor, checking people out.  There are so many aspects to what make a Phish show great.  Seriously, think about it. There are those people who play certain rolls in the community to ensure that the show, with all it’s traditions, stays alive and the audience stay pumped.

Right? So, perhaps I’m reaching here but at a Phish show, you have those people who’s sole dedication to the show is to rage the Glow sticks. They spend all their free moments collecting, ejecting,  recollecting, throwing again and recollecting to ensure proper parts of the song/show are highlighted with these bursts of light and energy.

Trey and Mike Guelah Papyrus dance

Trey and Mike Guelah Papyrus dance

There was a MASSIVE Glow Stick war during Guelah Papyrus.  Best one of the weekend by far. Around 4 minutes into the song, the stage goes black and the band members freeze frame for what seems like forever but was only about 45 seconds. During this time, the audience begins cheering, the glowsticks start flying in the air, the crescendo of sound growing with every half-second.  Single specks in the air turn into hundreds being tossed, some directed at Trey and the other band members who are trying to stand still but also needing to move from time to time as to not get hit right in the face.

I wondered how many people it was taking to create what those of us in the stands could see happening on the floor in front of us.  One’s vision is immediately drawn away from the stage and into the crowd when these bursts happen.

Glowstick Specific Video


Photo by Dave Vann

Photo by Dave Vann

And now…the moment they ripped the lid off Atlantic City.  No one was prepared for what Phish was going to bust open next.  Busting into a heady Chalk Dust Torture, everyone around me was dancing, smiling, same old, same old….and then we heard it. At first, it was interwoven into CDT, my friends catching it almost immediately.  It was impossible not to recognize!

The Realization of Zeppelin

ZEPPELIN RAGE!!!

ZEPPELIN RAGE!!!

The  Whole Lotta Love rift came out of Trey‘s guitar and HOLY SHIT!!!!!!  I generally don’t curse in my articles but HOLY SHIIIIIIIIIIIIIIIIIT!!!  I can’t begin to tell you what the reactions were that occured around me.  There will never be words to describe it.  The videos don’t do it justice, even though the ones below attempt to as their best.  My immediate reaction was a deep breath in and a cough from choking on my breath.  Realizing my immediate crew was jumping sky high, falling forward into the chairs in front of them, one fell into their chair with a gaping mouth.  Throughout the rest of the theater, men around me were screaming like school girls.  Josh almost fell to his knees screaming at the top of his lungs. The entire floor elevated as a unit a few feet off the  ground with fists in the air. Trey himself just dropping his head and we head banged in unison. All around me I heard: “HOLY SHIT! HOLY SHIT!!”  and “OH MY GOOOOD”  Trey vocals kinda sucked through the single verse he sang but who the hell was complaining. This was amazing.

When I heard the cords to Whole Lotta Love starting I felt like I would have to be peeled off of the roof of Boardwalk Hall, I jumped so high to high five Goldy and screamed out in joy. ~ Josh R.

OMG!!!  And from there it was just wide open into a 2 minute Phish original Ha Ha Ha followed by a shredding James Gang‘s Walk Away.  GO TREY!!! 

I loved them and the nostalgia it gave me; the feelings & emotion it provided – and the energy that ensued. You can’t argue with 14,000 people bugging out in surprise and all that emotion. ~ Rob A.

And on and on it went like that all night from Heartbreaker to Ramble On to Thank You to Stairway (OMG HOLY COW) and finally to Good Times Bad Times with Tweezeresque jams painting the corners of the jams. HOLY SHIT!!!! Jimmy Page would definitely enjoy it. ~ Josh R.

Photo by Dave Vann

Photo by Dave Vann

People around me were in tears. I wonder how many, if any, fainted? It was one of those musical moments where the Phish die-hards were just exploding to my left and right.  High energy abounded and there was no stopping the four musicians on stage.  Trey, always being one to feed off his audience, kept things 110% in the zone of RAGE as they continued with the ever vocal, funky Wolfman’s Brother into Undermind into Bathtub Gin.

Gosh, that song [Bathtub Gin] makes me so happy ~ Ali G.

Bathtub Gin was ridiculous. Got to love Page on the keys.  Trey‘s guitar work is so tight.  The Whole Lotta Love tease at the end was cute. Because at this point, we have no idea where things are going. The Squirming Coil concluded the first set with it’s swift heartbeat making our hips shake to the last note.


Photo by Dave Vann

Photo by Dave Vann

SET II

The second set was fire.  Tube into Possum blasted open the second set with Trey’s shredding guitar stylings and screams that encouraged us to get pumped.  Chris Kuroda‘s lights mimicking the title, made me feel like I was at the circus for some reason.  He continued helping elevate the music ever so gently in the most psychedelic way.

I love Possum. It breathes a bit of country into their repertoire. Bluesy, country-vibe with funky undertones with another Whole Lotta Love tease thrown in.  Gets your toes moving. It also allows for Trey to open up and the glow-sticks burst are always visible.

Rumors about tomorrow’s music were squashed as Phish unloaded an arsenal of Zeppelin covers upon an unsuspecting, eager audience. Tweezer started it off. And then ZEPPLIN RAGE!!!  Heartbreaker into Ramble On into Thank You into Stairway to Heaven. Some hellacious guitar jams by Trey, Mike‘s bass thumping in my ear, Kuroda‘s lights into Hearthbreaker was intense.  Ramble On into Thank You. After Stairway to Heaven we hear a “Happy Halloween! See you all next year.” WHAT?  But Trey was just enjoying this whole TRICK situation that was going on. Sadly, he got me! I turned to Josh who just smiled at me

The Led Zeppelin songs on the 30th were incredible to so many of us and in the moment, I was on the verge of so many emotions. The excitement was overwhelming. The Ramble On brought me back to Alpine ’98 when they opened the show with it. That opening line from “Thank You” where Trey said: “if mountains crumble to the sea, there still would be you and me”…made me think of my love and dedication to this incredible band that only gets more intense as the years roll by. Then the closing line of Stairway to Heaven was dream come true and the energy from the guitar jam at the end.” ~ Erika V.

Photo By Nick Nifia

Photo By Nick Nifia

Heartbreak, Thank You and Stairway to Heaven were all Phish debuts so I’ve heard.  Not only was this AWESOME, but it blew the Musical Costume rumor of Led Zeppelin OUT OF THE WATER.

Every year on Halloween, Phish puts on a MUSICAL COSTUME by playing a full album of another band from beginning to end. I had never heard of this before. Apparently, phanatics theorize for months which album might be chosen by playing games or trying to figure out the clues sometimes dropped by Phish.  So, this year, everyone and their mother was calling for Led Zeppelin, some were calling Genesis.  If that is what it took to get Phish to play Zeppelin tonight AND basically telling us that we were not getting Zeppelin for Halloween, then hellz yeah! Sadly, this would be the final Musical Costume Phish would be putting on for at least a few years.

I agree with most phans when I say that Saturday night was the better of the three shows. They gave the crowd what they wanted and got the “led out”. They teased us, then laughed at us!!! (Ha, Ha, Ha) Then gave it to us good!! The crowd’s energy was at a peak that night. ~ Jessica B.

With every realization of the next Led Zeppelin rift/song, the crowd got more elevated. And then Phish brought back the old school jams with some new school tightness. Riding the energy of the Tweezeppelin rage, they tied into Halley’s Comet, another song I really like.   I imagine this would be Bobby McFarrin‘s Phish song of choice.

2001/ Also Sprach Zarathustra & David Bowie followed with a sober bring down to start.  I think everyone was still riding on the Zeppelin wave.  I am trying so hard to remember anything after the Zeppelin rage.  Man! My friend’s and I using this quiet time to rave about what just happened. David Bowie brought forth a pretty gnarly off-the grid jam from the boys. For a moment I thought I had missed a transition into another song…nope.

Show of Life, a newer song that has people split as to whether or not they like it due to it’s slower nature and poppy sound.  I like it. I love it’s message.  The lights WERE GORGEOUS!!!!  Chris Kuroda, once again stealing the spot lights, as it were 🙂 This song may be a bit cheesy to some but it’s melody and notes bring a little tear to my eyes almost every time.  It’s a bit spiritual for this little lady.  I didn’t care for the sloppy ending of this version but it never ceases to lift my spirits and make me feel a bit closer to the people surrounding me.

Nothing could take the place in my heart of the darker Jones Beach version of Backwards Down the Number Line I was lucky enough to catch at the end of this last Summer tour.  Here is yet another song that I notice my friends using to take time to use the rest room or sit and have a little chat with those next to them.  It’s another song I love though.  It’s pretty. I love the lyrics.  I love Trey’s solo jams.  A quirky little take on birthday love and friendship.  Be sure to check out the lights in the video – I can’t pug Chris Kuroda enough it seems.  He really does make the entire show for me.  The use of his lights, his color choices, all delivered to enhance our experiences.

Happy happy oh my friend
Blow out candles once again
Leave the presents all inside
Take my hand and let’s take a ride

Backwards Down The Number Line cascaded into Good Times Bad Times. YES!! Let’s end on a FREAKING ZEPPELIN RAGE ONCE AGAIN!!!!!!!!!!!!! Do I dare try to explain the rage that ensued? Let’s just say, no one could get enough of Phish playing Zeppelin on this night.  People’s minds were blown.  And the fact that my wonderful boyfriend sang these lovely lyrics directly to me almost on his knees was a personal wonderful touch to a wonderful evenings.

I don’t care what the neighbors say, I’m gonna love you each and every day.
You can feel the beat within my heart.
Realize, sweet babe, we ain’t ever gonna part.

People, this is why you go to all three nights and not just Halloween. You never know when Phish is going to bust out the crazy shit!” ~ Erika V.

Photo by Dave Vann

Photo by Dave Vann

Saturday Setlist

Set 1: Kill Devil Falls, Cavern > Foam, Guelah Papyrus, Chalk Dust Torture > Whole Lotta Love > Chalk Dust Torture, Ha Ha Ha, Walk Away, Wolfman’s Brother > Undermind > Bathtub Gin, The Squirming Coil

Set 2: Tube > Possum > Tweezer > Heartbreaker > Ramble On > Thank You -> Tweezer > Stairway to Heaven, Halley’s Comet > Also Sprach Zarathustra > David Bowie, Show of Life, Backwards Down the Number Line > Good Times Bad Times

E: Sleeping Monkey > Tweezer Reprise

“With Phish it’s different. Phish is so amazing on so many levels. Phish to me is all the music of my life’s favorite music, Classic Jam Rock and Roll, done in a modern way but, totally grounded in the roots of the music I love. I love their originals very much, but a night of Zeppelin covers like that just wins for me.” ~ Josh R.

“Well, I guess they won’t be playing Zepp on Halloween”.

Lions, and Tigers and Bears!

Lions, and Tigers and Bears!

Marco Benevento & Friends @ Trump Plaza

Jazz Swank at his best!

Jazz Swank at his best!

Being an ivory-aholic, I was all set for Marco Benevento & Friends once Phish was over.  However, coming from such a guitar heavy performance, there were a lot of skeptics as to whether Marco Benevento would be able to keep the energy pumping until 4am.

The Bennovento set was a nice relaxing set to hang and chill with friends. He is very good, if only he would hire a jamming guitarist, it would really be awesome. ~ Josh R.

We took our time strolling through the Boardwalk, checking out all the posters and artwork along the way. The the show started at 11pm, costing $25 a pop.  We arrived around 12:30-1am I believe. Who can really tell at this point, we were all in la la land!! It proved to be a wonderful night of mingling with our friends who had come in earlier that morning but that we couldn’t find in the sea of 14,000 a few hours earlier.  These after parties truly were a great way to catch up with the masses.

Photo by J.R.

Photo by J.R.

Walking into the venue, the scene was set for what appeared to be a pretty raging time.  The lights were definitely more psychedelic then I had thought they would be.  Marco Benevento, whose hair was all chopped off was sitting at his piano and going OFF!!  Due to the hair cut and the fact that his back was too us, I actually asked someone if that was him.  Why did he have to cut his hair 😦

Photo by J.R.

Photo by J.R.

Bear = Marc Friedman

Bear = Marc Friedman

Along side Marco Benevento this evening was drummer Billy Martin of Martin, Medeski and Wood and Marc Friedman, currently of Surprise Me Mr. Davis but more known for The Slip rounded out the trio on electric bass.  This was a hot trip here ladies and gentleman.  And they gave us EXACTLY what we needed. Thrown in among the jazzy standards and Marco originals like Greenpoint they delivered covers by Elton John, Michael Jackson and more. This was not your typical Marco show IMHO and I was terribly sad to not see tapers in the venue.

Marco and his friends had embraced the holiday season with a cute twist to their costumes. Sitting at the base of Marco‘s piano was a stuffed Lion’s head.  Resting inside Billy Martin‘s bass drum was a Tiger head and Marc Friedman himself was wearing a bear hat with fuzzy ears.  Lions & Tigers’ and Bears.  How dang cute!

***Currently awaiting a response from the band for thier setlist and or recordings…cross your fingers***

Goodnight/Good Morning?

The entire night, NO!!…The ENTIRE DAY was a high energy, completely addictive occurrence that makes one sit back and wonder who the HELL we are supposed to drop these amazing adventures and dare to go back to the “real world” of our 9 to 5.  How do we go back to our daily lives of being teachers and doctors and lawyers and look our co workers in the eye knowing that their lives will never quite as exciting as ours. We live in a BEAUTIFUL world and what we were delivered tonight might be as close to Jam Cruise as many will obtain with the sense of community and layout of Atlantic City.

For others, well, I will let my dearest friend Josh spell it out for ya:

I love their originals very much, but a night of Zeppelin covers like that just wins for me. I heard a few folks talking about Saturday nights show and what it meant to them, and to me I might add. People were saying that while it was not at all the same as seeing Led Zeppelin, for some of us, it was as close as we could come, not because the music is played the same, but because of how well they play it, combined with how happy and high on life Phish just makes us.

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10/29 - Poster by Nate Duval © Phish 2010. New Jersey Eastern Goldfinch.

10/29 - Poster by Nate Duval © Phish 2010. New Jersey Eastern Goldfinch.

Halloween is my favorite holiday! Hands down!  The creativity, the energy, the raging, the musical performances, the underlying scary vibes. It’s an excellent excuse for a party and that is what most in the music industry believe as well.

Hallorage Time!

Hallowrage Time!

Numerous bands and musicians rage their individual Halloween performances all over the nation and expectations are always high.  For the past few years I have spent Halloween in the mecca of the holiday down in the East Village in New York City.  However, this year I would be following only one band and it would take me out of one city and into another.

Phish. Halloween. Atlantic City. Four words that established one of the most amazing, unpredictable, energy-filled weekends in my musical history.

Atlantic City Skyline!

Atlantic City Skyline!

Let me just list a few things for ya here right quick!

Halloween Weekend in Atlantic City = YOUTH POSSE!!!, The Borgata, Phish @ Boardwalk Hall (3 nights), after show performances by Karl Denson’s Tiny Universe (Friday), Marco Benevento (Sat) and The Heavy Pets (Sun), house parties, 30+ friends gathering from around the NATION, good food at fun restaurants, Casinos, raging Halloween costumes, contests, spa treatments, Led Zeppelin rages, Little Feat rages…and the list goes onnnnnnnnn!

The Departure

I could barely sit still at work. I walked into the Arsenal by 7am just so I could put in a full day of work before leaving at 3pm for one of the greatest rages of the year.  My crew (2 adults and the YOUTH POSSE = four raging HS juniors we were chaperoning for the weekend) gathered up our gear, headed out of our respective homes, jobs or schools and collected at 88th and Madison with fireworks coming out of our ears .

Yukon Denali

Yukon Denali

While most people were taking buses, trains or caravan-ing with their friends, we were riding in style in a big black Yukon Denali arranged through a car service. (THANKS MATTT!!)  The ride to the show was a highlight of the weekend, I must say.  Sitting in a car with our four raging high-school charges, listening to their hilarious conversations, participating in a few and being shocked by others.

It was (and always is) great spending time connecting with our favorite young ragers.  It’s just so humbling to be around these wonderful young adults.  They are smart, funny, well-mannered, sober, non-rebellious, beautifully spirited young adults. They are also members of THOR!  Check it out! They truly give me hope for a future where so many kids their age are little bastards. I’m just saying, I live in NYC.  Most of the kids I see/meet are seriously brats.

The Arrival

The Borgata in all it's purple glory!!

The Borgata in all it's purple glory!!

We debated constantly whether to go to The Borgata, our lovely accommodations for the weekend, first to drop off our belongings or head straight to Boardwalk Hall so we didn’t miss the opener. Luckily, we made it in plenty of time to check in, or so we thought.  As we arrived at the giant purple glowing Borgata, the lines were horrendously long, there were Phish heads scattered around the lobby but not many. Our lodging would be a 5 minute taxi ride from the venue but almost everyone else we knew would be occupying casinos surrounding Boardwalk Hall.

So, we left all our things with the Concierge and would deal with it all after the show. This was a bit of a rush and, of course, we all left things behind.  Most important thing I left: my camera.  GRRRR!!   Alas…so many of the pictures you see throughout this article will be from my friends, other websites, etc.

Will-Call/Entry

I lead the Youth Posse to Will Call to pick up our laminates and tickets for the weekend.  Josh went to the flag poles, which would become the meeting point for everyone all weekend.  While handling the ticket situations, which was quite unorganized, a security guard whispered in my ear about drugs.

“Hey! Ppsstt! You looking for some pot?”

“What? Huh? Nah, I’m sorry. I don’t have any.”

“Nah, Nah! I am looking to sell YOU some!”

“Seriously? You are a security guard and I am here with 3 kids. Back it up homie!”

And with that I turned my back and we were off to the flag poles.  The entire exchange blew me away as I had just read the article about Atlantic City cops going undercover at Phish shows to see what they were up against earlier in the week. Here this guard was, trying to deal. Unreal!

Picture by David Vann (2010)

Picture by David Vann (2010)

I am so thankful I never had to deal with the general population entrance to the show.  The set-up was as disorganized like a five lane highway under construction merging into one, bottle-necking at the mouth of the gate where security guards yelled at everyone to hold up their tickets.  To be clear on the disorganization, I had a friend, with a ticket, who made it in without his ticket being scanned or his person being searched. We miracle someone with it during intermission!!  I later came to read about Phishheads crashing the show on Halloween dressing up as security guards and sneaking in as well.

Phish Atlantic City: Friday (10.29.10)

It was a sold-out show but people were pretty much giving their tickets away Friday night.  The ticket situations are super intricate sometimes. People spending hundreds to get into certain shows, doing things I would never do to see a live performance of a band.

Boardwalk Hall Seating

Boardwalk Hall Seating

Friday: SET I

Picture by David Vann (2010)

Picture by David Vann (2010)

After helping/making sure every one of our friends were taken care of, we finally entered the building. We popped into our seats in Section 103 easily enough, the isles already getting packed.  Within minutes of getting to our seats, the lights dimmed, the band walked out and the weekend had OFFICIALLY begun.

Without a beat, all four Phish members surround a microphone situated at the front of the stage and went into a barber shop quartet-style, acapella Star Spangled Banner.  That is the first time that I had ever seen something of this sort at an event other than a sporting event.  I looked to my right and a MASSIVE American flag was hanging at the end of the venue. I wondered if I would have ever noticed it if we hadn’t sung that song.

Having finally gotten to our seat, the show beginning and everyone situated, I collapsed into my seat.  I was completely exhausted.    The excitement of the week leading up to this adventure, the ride to Atlantic City and finally getting things into place for the weekend.  Man oh man, the weight was lifted and I just collapsed.  I took this time to reflect on the venue.  It was gorgeous.

The inside of the gorgeous Boardwalk Hall

The inside of the gorgeous Boardwalk Hall

The bluesy My Soul started off the music, getting us into our dancing shoes.  AC/DC Bag had me on my toes, thinking of my buddy who had been hoping for the song last weekend in Amherst, Mass. The playful, bouncy melody of Ocelot filled our ears as Trey gave us the usual guitar jam in the middle while Fishman slammed our ears with some high-style drumming. It all just brightened up the room a little bit more.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Sample in a Jar, a personal favorite from my teenage years, played but the whole set was still lying a little flat for me.  I was assuming it was because it was Friday and they were saving their energy for the next tw0 nights.  But then, they released themselves upon us. The highlight of the set, IMHO, Light Up or Leave Me Alone, (a Steve Winwood/Traffic cover), rocked everyone’s heads OFF.  AWESOME cover. With Page on vocals and Trey’s jams, they overly entice us to boogie on down.  Page…oh Page!  I just love you. The lights, as always, amazing.

Sugar Shack and Timber (Jerry) were just ok. I like Timber to a point, the chorus is fun to sing along with and roll your body along to the tune.  It’s a decent song that my friend would call an Intermezzo Phish song, giving the audience time to run to the restroom or the beer tent.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Axilla into Rift highlighted Page on his piano and rocked out Fishman on the drums.  This is such a rager of a duo.  The beginning of Axilla simply throws your body into gyrations and it was around this time I found myself starting to head bang in my seat.  I needed to get out of the confines of these bleachers. Not a big fan of them singing during this song but I LOVE the chorus including the guitar rift and the drumming rages.

That super sped-up Axilla (for which I was front row center). Damn, that was hot. Headbanging at Phish shows isn’t usually the protocol, but I can’t resist Axilla! ~ Karina R.

It’s all about the Rhythm section folks. DAYUM! A funky unfinished The Moma Dance into Cities (a Talking Heads cover) had everyone dancing and singing along. The second highlight of the first set for sure.  Tight, funky and fierce.

Continuing the flow from Cities, they took it right into 46 Days as the set closer.  Great high-energy jamming continued on by Trey, Fishman ripping the drums apart, Page slamming down on the keys and Chris Kuroda‘s lights were SUPERB! It’s absolutely amazing watching a light tech do his job, flowing with the music as if he is an extension of the music himself.  110% love me some Chris Kuroda. This was a great ending to the first set. Some argue, the best jam of the weekend.  I’ll let you decide on that one.

FRIDAY: SET II

I was officially hungry for more. The first set of seven for the weekend had ignited my energy.  Where there was once a tired version of me, there was now a bouncing, giggling girl realizing what the hell was standing in front of her. This is what was surrounding….I mean, come on!

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Magic Key to my Magic Weekend

The Magic Key to my Magic Weekend

I needed some air and to get away from all the smoke during intermission so Josh and I explored, using our laminates to find the best way outside as it was a non-reentry show.  I was so thankful for these wonderful bits of magic around our necks for the weekend. I absolutely needed and was able to utilize the fresh air many times that weekend which enhanced my overall comfort throughout the shows. That was great.

As we returned from the cold night air, we walked around the venue to take in the sights.  People were in costumes, running around like chickens with their heads cut off, standing in beer lines, bathrooms lines or just in piles leaning against the walls with friends escaping the hot, smoky inner belly of the venue.

Having missed most of the piano-heavy Punch You In The Eye, we heard the funk going down in Sand beginning to play, a gorgeous song about what it is like being a piece of sand in an hourglass.  We ran into the closest tunnel that would take us to the song, ending up in the very back of the theater.

Slide and let the silicone
Embrace you as you fall
Then bounce and land you let
Your brothers crush you to the wall

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

The light show was spectacular from back there.  The balls flying throughout the floor were so tiny but the whole scene looked so magnified, I was completely overwhelmed.  Sitting closer to the stage, you loose an ability to fully take in the light show.   You loose the magnitude of the venue because you are not looking behind you. Sometimes, people don’t get to experience the magnitude of the space, the energy backing up on all sides.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Sand segued into an unfinished Carini, a little sloppily but the crowd was so pumped they didn’t seem to mind.  It was a  great light show but I felt like I have heard some cleaner, smoother versions of this song. The energy, however, was relentless.   You’ll wanna check out the lights in the video! 🙂

I was walking down the steps towards the GA Friday night when Sand segued into Carini. It was MADNESS. Some guy through his Philly cheese steak up in the air, and I couldn’t move a foot, as everyone had stepped into the aisle to boogie down. I actually thought it was Zeppelin’s Kashmir for a second…interesting foreshadowing! ~ Karina R.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Mike’s bass dominated my ears during Prince Caspian.  Another favorite of mine albeit a little dull at times.  There so many places this song could go in a jam.  Where as Trey didn’t really bring it home, it was a high energy moment in the venue and it was laid out nicely enough.  The lights, the balloons and balls floating over the audience were stunning.  The taper of the videos I am using was in a great centralized location for this show, right?  Great view! Great videos!

Then a song began that I was unsure of until my friends blasted it out before my mind had time to register it. “Los Lobos?” cried one. “No, it’s not!” cried the other. Coincidentally, both were right.  The Taj Mahal cover Corinna was next but Trey teased When the Circus Comes before the count off that threw my musically knowledgeable friends for a tiny little loop. There were a lot of teases throughout the night which I could have written down but I was having too much fun dancing with my friends!

Corrina is a rarity that they’ve been busting out once a tour since New Years 2009. First night was a great warm-up for what was to come. ~ Erika V.

Piper. I am pretty sure this was my first Piper live and I LOVED it.  The intro was fun and it got fast…quick. They were on it here.  Chris Kuroda‘s lights once again stealing my eyes away from the band.  They blast into hyper drive and Trey’s solo begins.  Page’s keys driving it at times.  One of my favorite songs of this set for sure.  And it went into my second favorite song of the set…..

Right into Theme From the Bottom.  Perhaps not the most well-played song of the night, but Chris Kuroda‘s light work on this song was phenomenal. Making the sea of people on the floor look like an ocean of fun I just wanted to jump into. Blue lights radiating off the walls like waves, I swear my face melted a little bit.  The glow stick war that exploded during the crescendo was a favorite moment to top it all off!  Just a great song that threw me back into the seat of any number of my friend’s  car driving around in the 90’s in high school.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

The face melting continued during Golgi Apparatus.  The energy was lifted up and glow sticks went everywhere during the “ticket stub” line.  And then the slow jam that I was wishing would speed up to keep us raging hyper.  Which eventually, it did.  I loved this song mainly because of it’s lighting effects and the speed at which things can change up.  And there is nothing better when the entire place erupts during a climatic point in the tune.  I SAW YOU WITH A TICKET STUB IN YOUR HAND!!! Glow sticks everywhere.   The lights catching them as they fly into the air.  JOY KILL MOMENT: To the people who throw them UP into the stands…STOP! Unprofessional raging!  Throwing them down is as dangerous as it needs to be.  Projectiles coming AT our faces tend to cause more damage then a few sticks hitting you on the head coming from the stands.  Saw a poor girl get one to the eye during this song.   She was ok, albeit a few tears down, never fear 🙂 Tour kids are tough!

The first half of Slave to the Traffic Light was a bit slow for my taste but the second half…magic. Slow but lovely.  I remember closing my eyes, taking in the energy around me, swaying in tune with my friends surrounding me, the lights slow and soft.  I raised my hands in the air and it felt slightly like a spiritual moment. Uplifting music is all I ever ask for.  Tinkling piano keys brightening up the bass sounds and Trey just raged the song…fully delivering it at the end.

Rocking Fluffhead, but when is it not rocking.  I do feel like I have seen this song performed at every other show I have seen this year but I wasn’t going to complain because it’s fun.  Lovin Cup (a Rolling Stones cover) was delivered as the encore.  This high-impacting song blazed through the arena.  Everyone singing along, jumping everywhere, the floor a massive earthquake.

I just remember hearing ‘loving cup’ for the first time on Friday. This has been one of my favorite Stones songs forever and hearing the guys play it couldn’t help but put a smile on my face. That encore reminded me that Phish is about more than an exploratory jam; a sense of love and happiness was in the air that night. What a beautiful buzz. ~ Matt L.

Photo by Dave Vann (2010)

Photo by Dave Vann (2010)

Friday definitely got us warmed up for what was in store that weekend. That’s not to say that Axilla and Corinni wasn’t hot, hot, hot. I love a full sound with heavy beats and high energy! ~ J. Bach

Friday’s performance is being greatly over looked by many people I believe. Overall a slow start to a raging weekend, the show blasted us with one hell of set list that brought the energy up just enough to tease us and keep us on our toes for the following night. Of course we would want more energy tomorrow. Of course they would need to bring it tomorrow. Phish knew this and it was nice to see them withhold a few things because what we were about to be delivered the following two nights were beyond anyone’s imagination, predictions and dreams.

Friday started slow but eventually got quite jamming. At the end of the show I leaned over to Isaac and said, that was a tasty appetizer. ~ J. Raskin

Friday Setlist

Set 1: The Star Spangled Banner, My Soul, AC/DC Bag, Ocelot, Sample in a Jar, Light Up Or Leave Me Alone, Sugar Shack, Timber (Jerry) > Bouncing Around the Room, Axilla > Rift, The Moma Dance > Cities > 46 Days

Set 2: Punch You In the Eye > Sand -> Carini > Prince Caspian, Corinna, Piper > Theme From the Bottom > Golgi Apparatus > Slave to the Traffic Light > Fluffhead

E: Loving Cup

DOWNLAODING INFORMATION AS PER PHISH’S FACEBOOK PAGE

Included in the ticket price for each date on Phish’s Fall Tour, is a free MP3 download of the entire show (a fully mixed soundboard recording), redeemable at LivePhish.com. This includes all tickets purchased through Phish Tickets, Ticketmaster, Ticket Horse, and at the venue’s box office.

If you’ve got your tickets in hand, you may redeem your code now at http://www.livephish.com/redeem. Your “code” is the barcode that appears on the tickets. You may upgrade to CD or CD-Quality FLAC or 24 Bit FLAC-HD after you redeem.

Phish’s entire 2010 Fall Tour is available now for download, including their recent Halloween show – with the complete Waiting For Columbus second set – now at LivePhish.com. Included with all downloads is the original Phishbill that was handed out to fans at the begninning of the show.

Please visit http://www.livephish.com/ today.

Borgata Rage & Chris Kuroda

After we were finally ejected from the venue we collected at the Flag poles and delivered the news of the Karl Denson show to anyone who would listen.  No one was going to bed any time soon. The power of the show, even though this was no show stopper, the energy surrounding it, the people, knowing what was in store….We were kids in a candy store. High on life!

We still had not dealt with our luggage and checking into the hotel so we scooped up our Youth Posse and made way for The Borgata in two cabs.  As my crew waited in The Borgata lobby for the second cab to arrive, tour buses began pulling up.   The cute teen couple in my charge stood guessing who’s bus was who.  “It can’t be Trey’s. Trey’s is (insert color here).” or “I think that is Mike’s?”

We ran up to the rooms. They were gorgeous.  Totally jumped on the beds in each room! They were lovely rooms with beautiful views of the city. LOVED the shower! We all got ready for round two  and met in the lobby.

Here comes a super highlight of my night. We reach the lobby and see a friend.  Hugs ensue between everyone and is chatting.  At some point Chris Kuroda has joined the group and we are introduced, again.  Before I register who it is, I go in for the hug I normally give everyone I met and almost get stuck in place. I worship Chris Kuroda. I really do. He is my favorite member of the band.  Pulling away was tough cause I knew I would have to make small talk which is hard for me when I’m standing in front of one of my musical idols. Pulling away was hard enough. I hardly gathered myself but we shared a few words about the light show that evening. My night was officially made.

We jumped back in the taxis and were off to….

Karl Denson’s Tiny Universe@ Trump Plaza

We walked all over Trump Plaza for some tasty Karl Denson, running through casinos, through bars with people in costumes dancing to various styles of music…

OK! This is where I make my first Jam Cruise reference.  I always make one right? Floating around Atlantic City was as close to Jam Cruise as I have found this year aside from Wook the…I mean Rock The Resort.  Running through casinos, restaurants, going from one show to another, stopping in friend’s suites along the way in the various hotels that were pretty much connected, costumes everywhere…the list goes one.

The AC setting is as close to a festival as you can get without actually having a festival. Anything and everything was available to us 24 hours a day. Everywhere I walked, I saw show goers and smiling faces. I can’t stress enough how special it is when so many wonderful, same goal-minded people get together. ~ J. Bach

KDTU! (Picture by I. Sloane)

KDTU! (Picture by I. Sloane)

Karl D! (Photo by J. Raskin)

Karl D! (Photo by J. Raskin)

We got to the show around 1:15 I would say.  It was more empty then I thought it would be.  But, the show had clearly started.  I saw a few tapers in the room and knew I didn’t have to worry anything. I could just enjoy the company of my friends who were, just a few hours earlier,  spread out amongst 14,000 people and who were now all roaming a MUCH smaller space. It was one reunion after the other.

At this point I had been up since 5am Friday morning and was exhausted.  I just let the night flow, not worrying about notes or set lists.  Sadly, the tapers have not loaded their recordings to the web. BOO!!  It was a great show though 🙂

Mellow after such a high energy performance but towards the end Karl had us back on our toes by the time Mighty Rebel was played.  Here are a few videos!  Thank you to the person taking the time to record!!!

Karl Denson’s AfterParty Setlist

Set 1: Turnips, Front Money, Bag O Funk, Look Out, The Answer, Because Of Her Beauty, Soul Driftin’ > Manic Depression, Brother’s Keeper pt.1 > Brother’s Keeper pt.2

Set 2: The Mighty Rebel > reggae jam > Walking On The Moon (one verse), Grenadiers , Chance With You > Hey Jude jam > Chance With You, How Fine Is That, Funky Song, Satisfied, The Bunny Playa

E: Superman Lover, Shake It Out

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The Gorgeous Beacon Theater

The Gorgeous Beacon Theater

What if someone called you and told you that you could see Elton John for $9?  Would your jaw drop? Would you ask “Where’s the catch?”  Or would you just say “GET ME A TICKET!” and ask questions later?  I did all of the above.  That is what happens when you are told that tickets were on sale to see Elton John and Leon Russell at the Beacon Theater and they were on Stubhub.com for $9. UNREAL!!

John & Russell's The Union

John & Russell's The Union

Elton John and Leon Russell, both monster names in the music industry, have come together on a collaborative CD called The Union which just came out on October 19, 2010.  So, as if it couldn’t get more unreal, I spend most of the day of the performance sitting at my work desk thinking I was going to see ONLY these two perform songs from their new album and perhaps catch some oldies from each. Time for the second shock!!  This time a note telling me that the duet performance of these two had been held the day before.  My heart sinks for a minute as I thought we had purchased bunk tickets.  But no…it’s better then we could have dreamed.

The poster I bought!

The poster I bought!

Tonight I would be privileged enough to be see the T-Bone Burnett presents The Waiting For “Supeman” Edition of The Speaking Clock Revue. Joining T-Bone Burnett on stage tonight would be Elton John, Leon Russell, John Mellencamp, Jeff Bridges, Karen Elson, and My Morning Jacket’s Jim James.  We also had Elvis Costello, Gregg Allman, Ralph Stanely, The Secret Sisters, The Punch Brothers and more. I could feel an epic night of music coming.

The Revue title had me a little confused for a moment but it was all made clear over the course of the performance. Davis Guggenheim’s documentary Waiting for “Superman” is a film that follows several students though the American public educational system and analyzes the failures within the system.  T-Bone Burnett was so moved by his viewing of the movie and its message touched him so deeply that he put together this REVUE in order to raise awareness to the issues and to the film.  The proceeds of the night went to The Participant Foundation in support of including music and arts education in public school systems.

T-Bone Burnett

T-Bone Burnett

T-Bone Burnett is a musical master.  A giant in many industries, T-Bone Burnett is a musician and songwriter but most famous as a record and soundtrack producer.  The performers on stage tonight have all been touched by him musically in some way or another.  Burnett has produced artists such as BoDeans, Los Lobos, Counting Crows, Tony Bennett, The Wallflowers, k.d. lang, Alison Krauss and Robert Plant.  He has won awards for Soundtracks like O Brother, Where Art Thou?, Cold Mountain and Crazy Heart.  An amazing musical figure.

T-Bone Burnett presents The Waiting For “Supeman” Edition of The Speaking Clock Revue

The Big Names:

T-Bone Burnett
Elvis Costello
Gregg Allman
John Mellencamp
Elton John
Leon Russell
Jeff Bridges
Ralph Stanely
The Secret Sisters
The Punch Brothers
Karen Elson

Special Guest Appearance:

Jim James

From The Union studio sessions:

Jay Bellerose – Drums
Jackson Smith – Guitar
Dennis Crouch – Bass
Russ Paul – Pedal Steel Guitar
Marc Ribot – Guitar, Electric Mandolin
Mike Compton – Mandolin

John Mellencamp

John Mellencamp

We walked into The Beacon, walked up to the top level and sat down. We were many rows away but could see the stage clearly and for $9 there was no complaining. As we walked in, I immediately recognized the voice of John Mellencamp.  Coming in at the end of the first song, I believe called “The West End,”  he continued on to tell us a story about his dying grandmother.

John Mellencamp

John Mellencamp

She called him Buddy and one night, she asked him to pray with her.  As they prayed she cried: “Lord, Buddy and I are ready to go.”John said, but Grandma, I’m not ready to die.  Her response: “Life is short, even in its longest days.”  And with that, Mellencamp goes into his popular tune “Longest Days”.  The song’s lyrics, that at this moment speaks to me so deeply.  Beautiful lyrics and Mellencamp, alone with his guitar and his voice sang it beautifully into our ears.

Seems like once upon a time ago / I was where I was supposed to be / My vision was true and my heart was too / There was no end to what I could dream ~ John Mellencamp

Elvis Costello - MC for the night

Elvis Costello - MC for the night

He walked off the stage and it took me only a second to realize that Elvis Costello, in that signature hat, had walked out to replace him and greet the audience. Elvis Costello would be our MC for the night.  He immediately welcomed to the stage The Secret Sisters.

The Secret Sisters

The Secret Sisters

These two raven haired ladies with their bright red lips bust out into the purest version of Johnny Cash’s “Big River” that I had ever heard.  Their voices were golden. Angelic.  I was awe struck within the first few notes and as I hear my girlfriend to my right take in a gasping breath, I knew the notes were hitting her ears the same way as they were hitting mine.  Simply magnificent voices.

There is something that must be said about a singing duo of blood relatives.  Similar to the Avett Brothers, they have hauntingly beautiful and pure tones, their voices melting together unlike any other group I can recall. Jackson Smith, the son of rockers Patti Smith and Fred (Sonic) Smith, wailed around on his guitar.

The Secret Sisters + Punch Brothers + some

The Secret Sisters + Punch Brothers + some

Secret Sisters & Punch Brothers

Secret Sisters & Punch Brothers

It was at this point that I attempted to make out who the 15+ piece band was backing the singers this night.  After a little research the band was comprised of house & studio musicians that had worked with T-Bone on various musical productions.  During “Big River“, The Punch Brothers provided the beautiful string background, melting seamlessly with the Sisters voices.  With the grungy, deep drums in the background, it was an innocent part of the performance that has stuck with me such every day since I heard them sing.  I can’t praise them enough.  As the song ends, one of the sisters proclaims: “I hope Johnny Cash isn’t rolling over in his grave.”

The Secret Sisters + Punch Brothers + some

And then we were delivered a soaring rendition of Bill Monroe’s “The One I Love Is Gone.’’  Their voices digging deeper into my soul, sounding much like the sirens from O Brother, Where Art Thou. Reminiscent of purity that only Alison Kruass has ever been able to reach. This video isnt from the show but I wanna pug them again cause they are beautiful.

Elvis Costello joins the stage again.  This time he tells us a very interesting story about our host for the evening.  He says: “30 years, T-Bone Burnett started his career as the assistant to Jeff Bridges. Then 10 years ago, T-Bone Burnett was asked to play Jeff Bridges’s assistant in The Big Lebowski.  Then just three years ago, he once again reprises his role as Jeff Bridges’s assistant in Crazy Heart for which T-Bone Burnett also produced the soundtrack. Please welcome to the stage Jeff Bridges.”

Jeff Bridges + Elvis Costello + T-Bone

Jeff Bridges + Elvis Costello + T-Bone

And with that, out walks Jeff Bridges with his guitar.  If I had to pick a weak  link in the performance, this would be it.  I can barely make out what Jeff Bridges says when he is speaking.  Now try to make out what the guy is saying when he is singing.  It was pretty hard to do.    By the second verse of Fallin’ & Flyin’, a song from the Crazy Heart Soundtrack,  Elvis Costello and T-Bone Burnett had joined the song. At least I could understand the words now hahaha.

“It’s funny how falling feels like flying….only for a little while.” ~

Before his next song, Jeff speaks about the Crazy Heart Soundtrack and working on fixing the schools.  Jeff Bridges exits and Elvis Costello states that “we have a long way to go, a long way to go folks. We don’t know what is going to happen or who is going to turn up.”

Jim James

Jim James

So, speaking like that, he made it sound as if there might be any number of surprise artist floating around backstage.  This wasn’t the case and that kinda urked my nerves. However, I suppose that was Elvis‘s way of introducing Jim James of My Morning Jacket because the young guitarist walked out to the dimly lit stage and joined Elvis in Wonderful (The Way I Feel)Jim James was then left alone with his guitar for a solo rendition of Look At You. This set was one of my favorite of the night.  It was juts simple, poetic, clean and you could hear a pin drop among the audience.


Gregg Allman

Gregg Allman

Elvis Costello back on stage again thanking Jim James and calling him “a shy guy from My Morning Jacket. Then he begins introducing some one “who has performed here more times in this theater then all the other artist combined.  Please welcome Gregg Allman!”   The place ERUPTED.  Honestly, the majority of the people in the venue were Mule Heads. That was made clear as day after he began walking on stage. The yelling, screaming, howling Gregg Allman‘s name…super fans were in the house.

Gregg Allman

Gregg Allman

With a 12 musicians backing him, Gregg Allman sang a lovely version of Eric Clapton‘s Floating Bridge. There was a lovely fiddle solo and the washboard stood out.   The following song was Savoy Brown‘s  Train to Nowhere where the horns I had been seeing in the background finally came alive. Tight but not overpowering.  Nothing like a funk horn section but still noticeable and adding a musical level to the country vibe that I enjoyed.

Gregg, one of the few artists allowed more then two songs per set, continued on into Blind Boy Fuller‘s Pistol Slapper Blues before he stopped to change his guitar.  He says, “I’m gonna do an old song for you” as he went into a beautiful solo guitar rendition of Midnight Rider.

He OWNED that song, Man-o-man!! Another highlight of my night. He sang that song exactly as one might want to hear it sung. Not because of the music, but because of his voice. Gregg ended to a loud applause and states: “We will be back in March” as he exits the stage.

INTERMISSION

Marc Ribot

Marc Ribot

After intermission, T-Bone Burnett himself comes out to the stage to fill the role of MC as he announces Marc Ribot out to perform Don’t Blame Me.  A simply beautiful, wordless tune played through a guitar that sang so lovely. Unsure of who wrote it! Anyone?

As quickly as he exited, T-Bone Burnett was back on stage to announce Elvis Costello‘s set. Elvis proclaims, “This is what we imagine Rock ‘n’ Roll would sound like in the 1920’s” as he goes into A Slow Drag with Josephine with the help of The Secret Sisters and Karen Elson. Lovely! Elvis Costello‘s upcoming album, “National Ransom,” was the source of many of the songs he chose to sing during his set, I just didn’t recognize them as the music hasn’t been released yet haha.

Elvis Costello

Elvis Costello

As The Secret Sisters exit, Costello continues on thanking us for supporting the cause as musical education is so important. Unsure of the next song’s title, it was from a yet to be released album filled with trumpets and strings.  Elvis was on his mandolin and the song had a acoustic jazzy country swagger to it reminding me slightly of Caravan of Thieves.  And finally, Karen Elson, wife of Jack White of the White Stripes, was invited back out to vocally support Elvis during Walking Man Blues.

Elvis Costello, Karen Elson and someone else

Elvis Costello, Karen Elson and someone else

John Mellencamp was back on stage with Karen Elson to sing Mellencamp‘s “Troubled Land.” But it was the next song that became my favorite Mellencamp moment that night. “Save Some Time to Dream” was a positive, wonderful solo guitar performance with beautiful lyrics. And as a single spot light lit him up, he sang:

Save some time to dream
Save some time for yourself
Don’t let your time slip away
Or be stolen by somebody else
Save some time for those you love
For they’ll remember what you gave
Save some time for the songs you sing
And the music that you’ve made

With monstrous applause, Mellencamp ended his set as the lights darkened around him.   Elvis Costello was revealed as the lights went up to announce an epically famous name within the country music community.  “I made sure to teach m children to love and respect this man,” proclaimed Costello.

Dr. Ralph Stanley

Dr. Ralph Stanley

Ralph Stanely, the last of his kind and wearing a raging sparkly jacket, walked to the center of the stage and approached the microphone.  Backed simply by James Shelton on guitar and an unknown on stand up bass (possibly a Punch Brothers??), claps and yells abounded as Mr. Stanely went into a folk song for which I sadly missed the name.   For his second song, the strings stopped playing and Ralph Stanely projected the gospel song “Lift Him Up” so beautifully.  Stars lit up behind him as the stage changed it’s set up for his set.

Dr. Ralph Stanley

Ralph Stanley

I am not a country fan but it is impossible to deny any major musical influence on the music we listen to.  Jerry Garcia, himself, was such a bluegrass head, a jug band kind of mind.  Being that there are so many veins of country music, I can’t help but embrace it all, even while I cringe through a few songs.  The twang of Stanely‘s voice didn’t hurt my ears tonight.  It was lovely.

Stanely starts discussing how he has been singing the next song for 64 years.  He still isn’t sure who ever really got credited with writing it.  And so went into “Man of Constant Sorrow” while James Shelton raged a lovely guitar solo.  Wow, that voice, so country, so grounding.

T-Bone Burnett discusses Waiting for "Superman"

T-Bone Burnett discusses Waiting for "Superman"

The Punch Brothers

The Punch Brothers

T-Bone Burnett comes out on the stage again and describes Waiting for “Superman.” Go back to the top to learn about it all if you have skipped to the good music stuff 😉 However, I am sure you are more interested into The Punch Brothers. I know I was! The Punch Brothers were brought out and just slammed into your face with their raging bluegrass strings acoustic goodness…UGH!!!  It was so fast, like country rapping with yodeling mixed into the music.  At one point, As all this is going down, stage hands began to set in place two pianos, one slightly bigger then the other. My heart was pounding so fast.  Just seeing a piano enter a stage, I sometimes get shivers, my breath gets faster…like a complete upper has entered my body.  I am COMPLETELY addicted to pianos. It’s a deep rooted addiction stemming from my father playing piano every night after dinner in my house. So special. We were in for a treat.

T-Bone Burnett discusses Waiting for "Superman"

T-Bone Burnett discusses Waiting for "Superman"

Leon Russel

Leon Russel

The time had finally come.  The two men I had been waiting for all night. The two men who’s show I thought I would be seeing earlier that night in first place. Out walks Leon Russell, his silver mane glowing in the lights.  What a master. What a treat I was being delivered AND FOR $9 BUCKS!!!  Elton John followed close behind, both sitting at their respective pianos.

Tonight, Elton John and Leon Russell would be performing songs off their new cd, The Union.  Their first pick was the first song off the cd, “If It Wasn’t For Bad,” written by Leon Russell ad sang by both tonight. The pianos came alive so deeply, they were immediately above par for many piano players I had ever seen live.

Elton John and Leon Russell

Elton John and Leon Russell

Behind the duel pianos was a full house band, a horn section and four soulful backup singers who were so full of life.  I was drawn to one singer in particular who’s name I THINK is Lisa Stone. Sadly, I couldn’t catch their names when, at the end of the night, Elvis Costello threw everyone’s names out at warp speed. The drums were deep and powerful and the horn section ripped it.  This was the set we had all waited for and they were delivering right out he hatch.

Elton John and Leon Russell

Elton John and Leon Russell

Elton John

Elton John

The second song, I believe, was called “Gone to Shiloh.” Russ Paul’s pedal steel guitar solo was superb and there were no horns for this song.   The twelfth song off their studio album, “Hearts Have Turned to Stone,” was next.  It was a beautiful dueling piano tune and the backup singers were classic.  “Monkey Suit,” was next with Elton John on vocals, Leon Russell on lead piano. “Hey Ahab” was the last song picked from album and delivered to the audience.  Awesome!

Elton John and Leon Russell

Elton John and Leon Russell

Leon Russell

Leon Russell

The energy in this show was nothing compared to many shows that I attend, but the magic of it all wasn’t lost on me.  This was too cool.  I may never get to see Elton John again being that he could sell out MSG in a matter of minutes for $100 tickets.  Here we were, seeing him in a barely filled theater with numerous other artists for such a minimal price. it was blowing my mind.

Elvis Costello came out and began his goodbyes.  he blasted out the name of the horn sections, backup vocalists and the full house band so quickly! I was a bit frustrated about but alas.  (If there is anyone I have forgotten to mention that oyu notice please let me know!)

Elvis Costello Giving it up to the piano men!

Elvis Costello Giving it up to the piano men!

There was no encore really. Instead, as all the musicians on stage that night gathered one by one, they sang “There’s No Tomorrow.” T-Bone Burnett, lacking in view most of the night but his presence being ever present in each song’s note, joined the stage to a furry of handshakes and a standing ovation.

It was a simple night filled with a powerful energy all it’s own.  I spent a lovely night in my seat watching fabulous music meant to bring awareness to a meaningful documentary.  For $9, the night will never be forgotten. What a treat. I can’t wait to frame my poster 🙂

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Palisades Parkway

Palisades Parkway

A nature and music filled weekend in upstate New York.  The weather was picture perfect as we left the city in our rental car by way of Palisades Parkway.  We stopped at a lovely scenic overlook to admire a view of Manhattan we rarely get to experience.

Mohonk Mountain

View from part of the Mohonk Mountain hike

As we drove down the New York State Thruway, the weather remained unmatchable, the trees glowing in their shades of orange and yellows. It was simply magnificent.  Coming from the Blue Ridge Mountains to live in NYC, the drive reminded how lovely the change of season is and how I longed for Virginia.  New York, however, served up such images of beauty over the weekend, I half considered, just for a moment, how nice it would be to have my parents move here to join my sister and I to live out our days in the tri-state area.

View from Mohonk Mountain hike

View from Mohonk Mountain hike

Leaving Manhattan in the early afternoon, Jay and I were dropped off at the mouth of the Mohunk Preserve.  The weekend started with a rocky rambling hike through the Preserve to the Mohunk Mountain House.  So majestically beautiful, I couldn’t possibly have left it out of the weekend’s descriptions.  Walking through the halls of this massive castle the Quakers built back in the 1800s, I immediately felt like I was in the Stephen King novel, The Shining.  And as I vocalize this thought to my companion he turns to tell me that Stephen King stayed here and this was where he got the inspiration for the movie.  Creepy.

Mohonk Mountain House

Mohonk Mountain House

Walking to the top of the Mohunk Mountain to the tower was magical. I felt as if I was in a different land.  How could I be in New York?  How could it have taken me 7 years to make my way to this beautiful area.  Simply majestic.

View of Mohonk Mountain House from top of Hike

View of Mohonk Mountain House from top of Hike

RAGING THE MOUNTAIN!

RAGING THE MOUNTAIN!

I ended Saturday with a few new bruises and so many smiles, surrounded by new friends and excited for what Sunday would bring.  As we awoke Sunday morning, I stepped out on to the back porch of the country house and took in the view and the fresh air.  What a great day for a Ramble. The sun was shining, the air had warmed and our friends had started to gather for round two.  But what is a Ramble you ask?  Once a month, Levon Helm, best known as the drummer for The Band, holds a The Midnight Ramble inside “The Barn” located on his Woodstock New York property.  That is pretty awesome. Today was a free Levon Helm’s Kids Ramble and it would be held at Gills Farm.

Gill's Farm Store Front

Gill's Farm Store Front

Pumpkin Cannon of Ulster County

Pumpkin Cannon of Ulster County

The Kids Ramble was slated to go from 2pm to 4pm.  We arrived around 1pm and the parking had already gotten tight.  As I exited the car, the first sounds I heard came from THE PUMPKIN LAUNCHER. A pretty insane part of the event.  The epic sound of this launcher was ridiculous.  I hadn’t seen the thing yet but I imagined this GIANT slingshot type thing going down.  Not the case.   First thing I saw, as we made our way to the property, peeking out just above the tree line, was the tip of a metal shaft and a chunk of pumpkin spewing out.  This thing was more crucial then I could even imagine.  The second thing I  see is a crowd of people checking out this MASSIVE, double-tanked 30+ foot welded, metal pumpkin launcher. Apparently, they have contests giving people a reason to build these excellent contraptions.

THE CANNON

THE CANNON

Having a 6 year old with us, this Ramble was designed for her and her peer group.  There was a giant pumpkin field on the right side of the property where families were picking pumpkins to take home. There was face painting and pumpkin carving stations.  You had an amazing tractor ride that took families through the pumpkin field, the corn field, a mud bog and back to the pumpkin field.  Then you had this enclosed hay tunnel the kids could climb through.  And although I never saw the end, it must have had one as the kids came bounding to the soundboard once the music started.

Hippies dancing in the pumpkin fields

Hippies dancing in the pumpkin fields

The entire event was was literally held in the parking lot and side field (a little more then an acre of space maybe??) in the store font of Gills Farm.  Taking a look around, there were easily 300 people crammed onto this property and SPILLING into the streets, into the pumpkin field.  It got to the point where the locals had parked along the nearby streets, blocking the shuttle buses picking people up from the designated parking lots.

Roasted Corn! Get Some!!

Roasted Corn! Get Some!!

On the side of the store was the kitchen where they sold roasted corn, corn chowder, chili, hot dogs, squash soup, ciders and more. I can speak for the roasted corn and corn chowder.  I had never had roasted corn before and I believe it made it into my top 100 all time favorite foods now.  A-MA-ZING!  Then you had the corn chowder which I had heard others raving about.  It was not overly salted or peppered so the simplicity of the corn really came through.  I loved it.

Our Farm Fueled Lunch!

Our Farm Fueled Lunch!

Yummy!

Yummy!

As we attempted to find a spot to sit and eat, we came across a few upside down plastic crates and sat.  Just as I was about to dig into my corn I was told I had to move.  There was no natural seating except for a few benches here that were all taken up.  As I walked away to head to our blanket behind the soundboard, the crowd started cheering.  Seems I had been sitting right next to Levon’s trailer and sadly, as my hands were filled with scrumptious farm treats, I was unable to get pictures.  I was also a little open-jawed as Donald Fagan followed close behind.  And as I made it to the soundboard, Levon made it to the stage.

View from behind Soundboard

View from behind Soundboard

The Levon Helm’s Band

Levon Helm – Drums, Guitar, Vocals
Larry Campbell – Guitar, Mandolin, Violin, Vocals
Amy Helm – Backup Vocals
Teresa Williams – Guitar and Vocals
Jim Weider – Guitar
Byron Isaacs – Upright Bass
Brian Mitchell – unknown
Jay Collins – Saxophone
Erik Lawrence – Saxophone
Howard Johnson
Justin Flick – Drums
Steven Bernstein – Trumpet
Clark Gayton – Trombone

Special Guests:

Donald Fagan – Keys
Daniel Lewis – Keys

Man, I want this!

Man, I want this!

They started the set with notable songs from The Band‘s catalog like Look Out Cleveland and Long Black VeilLarry Campbell, a self taught musician who has never had formal training on any of the instruments he plays, switched from guitar to mandolin to violin throughout the set.    Teresa Williams also on guitar, sang like a dove.  Long Black Veil was a favorite of the day thanks to her earthy vocals.

Rambling Musicians!

Rambling Musicians!

Next we had Donald Fagan give us a sultry, bluesy intro to a song I am unsure of.  He sang the lyrics and melted the last few notes.  I really wish I could recall the title. Ophelia had everyone cheering and singing along. A great song. There was a large horn section with two saxophones, a trumpet and trombone. Each one taking their turn for a solo throughout the song.  Almost sounding second line-esque the entire set.

Then we had the Grateful Dead covers  by way of Shakedown Street with Donald Fagan on lead vocals.  Deep Elem Blues had Larry Cambell on mandolin, hippies dancing in pumpkin patches and the horns got down and dirty as Levon played his electric mandolin while Justin Flick took his place at the drum kit.

With all these people he brings to a stage, Levon is never far from adding more and more.  Out walks Daniel Lewis (Gov’t Mule) to play keys along side Donald Fagan for Tennessee Jed. I saw a guy on the french horn at this point but I was unsure of who he was.  The horn players evaded me as I couldn’t get close enough to make out faces.

Larry and Teresa

Larry and Teresa - Levon on Mandolin

Donald Fagan and Daniel Lewis blasted out on the keys for a superb cover of Steely Dan’s Black Friday. Teresa Williams BELTED out Hot Tuna‘s Keep Your Lamps Trimmed and Burning. This song was originally a spiritual song sung by Blind Willie Johnson, a favorite of mine. The way her voice melted into the song almost had me in tears.  Yup.  It’s been a while sing I cried at s show as a result of being touched by the music.  She almost had me but not quite.  Perhaps yall should check out her band, Ollabelle.

They closed the show out with The Band‘s famous song, The Weight. Everyone was singing.  The kids were dancing. Steven Bernstein gave us a wonderful solo on the trumpet.  The sun was shining.  We all ended the set in a blissful singalong.

Levon says Goodbye!

Levon says Goodbye!

SET LIST: Look Out Cleveland, Long Black Veil, ———, Ophelia, Shakedown Street, ————, Deep Elem Blues, Tennessee Jed, Black Friday, Keep Your Lamps Trimmed and Burning, King’s Harvest, The Weight

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Terminal 5 Event Poster

Terminal 5 Event Poster

The Royal Family Ball @ Terminal 5 (10.02.10)

It was a night New Yorkers and beyond had been waiting for since it was first announced back in July.  The Royal Family would be taking over Terminal 5 for a night of pure FUNKY RAGE hosting their 3rd Annual Royal Family Ball. Knowing that The Royal Family is a tight brotherhood that rolls deep with love, we die hard fans  knew it would be a special night.  A night to remember, a night of complete surprises, a night of of complete funk, of blues, of rock ‘n’ roll.  A night requiring us to dance till we drop….simply a night we would NEVER forget.

Event Poster: The Royal Family Dream Team

Event Poster: The Royal Family Dream Team

For months, we have eagerly awaited this night.  The Royal Family had enticing little offers before the show such as rewarding the first 100 people to purchase a ticket with an autographed poster of The Royal Family.  Man, what a hilarious treat.  I, of course, jumped on that offer, buying my ticket at 12:01 pm, right when they went on sale, closing the sale out at 12:03pm.  Sadly, I didn’t get a poster but many of my friends did.  I will some how rectify this 😉 You can be sure of that!

The importance of this night and the energy behind it hit me the second I woke up Saturday morning.  I felt like it was Christmas.  As much music as I see, this was a show that had me jumping on my toes.  The anticipation was palpable.  For weeks before the big night, I had numerous friends from outside NY toy with the idea of coming in for the show.  However it was my dear friend Andy who was the only one to make the trip from Baltimore for the day/night.

“Street fair arepas… Gut bomb. Royal Family Revue… Funk bomb.” ~ Andy D.

They handed out party favors...

They handed out party favors...

This was one of those events where traveling would be worth it.  My phone had been blowing up all night prior to the show with friends wondering what was going down before the Rage.  In the end, we summoned all our favorite Ragers to a “Ragehearsal,” as one of my dear friends has come to so aptly name our rendezvous before the shows.  Everyone was eager to make a day of it.  A 24-hour rage.  The EPICNESS of what tonight might bring to our eyes and ears was lost on no one.

“Royals, you shook me, you shook me all night long. Powerful stuff.” ~ Robert M.

Of all the years I have been an Eric Krasno junkie, I have never been part of such a complete day and night full of The Royal Family.  And the best part about it…there were guests.  Oh yes, there were guests. Tonight’s rage would include performances by:

The Royal Family

Soulive

Lettuce

The Nigel Hall Band

Chapter 2

The Shady Horns

Special Guests

John Scofield – Guitar

Warren Haynes – Guitar

Talib Kweli – Rapper

Big Sam Williams – Trombone

The Shady Horns

Maurice Brown – Trumpet

Christian Scott – Trumpet

Spinning between sets: DJ Equal

Terminal 5 doors opened at 6:30pm and we were all in the building by 7:30pm, not wanting to miss a single minute of the show.  The venue was far from packed but by the end of the night, the 3,000-person venue was packed in on all sides. It was a night filled to the brim with the EPITOME of Funk, Soul, Blues, Rock, Hip-Hop and more. They play it all ladies and gentleman. And it all began, as it almost always does, with a set from The Nigel Hall Band. Let’s get this Royal Party started…..

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

The Nigel Hall Band @ 7:30/8:00pm

Nigel Hall – Keys, Vocals

Eric Krasno – Bass

Adam Deitch – Drums

Adam “Shmeeans” Smirnoff – Guitar

Sam Kininger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Maurice Brown – Trumpet

Alan Evans – Backup vocals

Lindsay Lucas – Backup vocals

Mel Flannery – Backup vocals

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

MVP OF THE NIGHT – It just needs to be said, flat out, hands down!!! ROYAL FAMILY MVP!  Nigel Hall started the show, performed throughout the show and closed the show with the highest elevation of energy and the full embodiment of what RAGE truly entails. He had been rehearsing for weeks with new back-up singers and the rest of the crew to deliver what was quite possibly the greatest performance I had ever seen him lay out on a stage.  As soon as I started seeing Nigel Hall perform many moons ago, I started recognizing a pattern prior to his performances and the pattern goes a little something like this…..

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Arriving early, I walk around the venue, listening to the audience talking.  Many are not sure of who this magnificent singing, keys player is who will be opening for whatever Royal Family Project is slated to open that night.  You hear a few people explain  “It’s Nigel Hall!” but they do not elaborate.  “Who is this Nigel Hall” you hear them wondering out loud?  I always want to stop and answer each one of them but I know that Nigel will be answering for himself as soon as the music starts.   And then he starts performing…and if not by the end of the first song, by the end of the second song the audience is locked in, jaws on the ground asking everyone around them, WHO IS THIS GUY!!!!?? But this time, they are really looking for answers, they actually care and are invested…floored by this magical singing machine.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

And so it was this night.  I walked around the venue listening to people talking about what might happen on stage this night.  Noticing so many people asking about the opener, Nigel Hall.  What those around me didn’t realize yet was that he would steal the show.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Tonight The Nigel Hall Band consisted of a thick wall of solid musicians that we all recognized and a few new faces to the mix.  His back up band consisted of those listed above.  Eric Krasno, the King of the Royal Family, supporting his fellow Family member on bass guitar.  Alan Evans stepping out of his drummer seat to sing backup vocals while Adam Deitch destroyed the drum kit.  Not wanting to be left out, from my second level perch I noticed Neal Evans hanging over by Deitch striking things with a single drum stick.  You might not have noticed him if you were on the ground level in front of the stage.

This was also the first time I had seen backup singers.  Lindsay Lucas and Mel Flannery‘s voices, supported by Alan Evans, melted seamlessly with Nigel‘s smooth vocals. This line-up of The Nigel Hall Band hit a home run. To begin, the stage was set with each member on stage, warming up the mics and the instruments for a funky introduction which Nigel steps out to in an orange Argyle sweater with a smile so wide I couldn’t help but mirror the image. And so it began…right into Hang It Up.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Wait Till I Get Home had the Shady Horns completely blowing up the stage.  Ryan Zoidis completely standing out on the baritone sax.  Everywhere I looked…smiles. Second song in and the place was on fire. This is EXACTLY what Nigel Hall is meant to do and by GOD he does a GREAT job.  Never Know saw the Shady Horns exit and Krasno and Smirnoff backing Nigel on keys through the slow and smooth flow.

“I loved the show. I felt that Nigel stood out as there were many great musicians but only 1 best singer. I myself was born under a bad sign so I can relate.” ~ Josh R.

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

Gimmie a Sign upped the funk meter ten-fold with Nigel funking up the keys.  He then takes a moment to explain to the audience, “This is a song that has stuck with me over many years after I heard this song as a young boy. I hope you enjoy it.” And while Adam “Shmeeans” Smirnoff completely let loose on his guitar, Nigel sang a soulful Baby, I Do Love You.

Give it up for the Horns,” screams Nigel.  With Never Gonna Let You Go closing out his set, Nigel Hall sang smoothly as his backup singers filled in when he walked off the stage.  And as Ryan Zoidis soloed on his axe of funk, Nigel came running back on stage, grabbing the mic, screaming “NEVER! NEVER! NEVEEEEER!”  His passion and his lust for life provides a fuel to his energy that is unmatched.  And this was only the first set 🙂

Nigel Hall Setlist: Intro, Hang It Up, Wait Till I Get Home, Too Sweet, Never Know, Gimme A Sign, Baby I Do Love You, Never Gonna Let You Go

Download: Nigel Hall Band @ Terminal 5 (10/02.10) – It is located under Lettuce’s Set

 

Set I: The Nigel Hall Band

Set I: The Nigel Hall Band

NOTE TO TAPERS!!  TAPE NIGEL’S SETS and post them.  Where is the love??? He is just as much a part of this raging cycle of music as anyone of them.  Just sayin….get with the program on that tip please.

After Nigel’s set, I decided to move from my second floor perch to ride the rail with my friends for a bit.  Sadly, my crew was situated right in front of the DJ Booth. However, I could see neither drums nor the horns.  Absolutely couldn’t stand that option for the rest of the night.  Even though I wanted to chill with my friends, I thought, well, I do that every night and this was a show I really had to SEE and inhale completely. So, I reserved myself to chillin on the second perch alone while my crew raged the rail! As it should be 🙂 Watching them, waving to them, laughing with them, we were all still connected as I was completely visible to them.  This was actually a part of the night that enhanced my happiness.  Seeing them react to Warren coming on stage…their faces, their jumping, screaming, hugging. Perfection.

DJ Equal spins in between sets

DJ Equal spins in between sets

Lettuce @ 8:45/9:00pm

Eric Krasno – Guitar

E.D. “Jesus” Combes – Bass, Vocals

Adam Deitch – Drums

Adam “Shmeeans” Smirnoff – Guitar

Neal Evans – Keys, Vocals

Sam Kinninger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Alan Evans – Percussion

Special Guests:

Big Sam Williams – Trombone

Maurice Brown – Trumpet

Christian Scott – Trumpet

John Scofield – Guitar

Talib Kweli – Rapper

Nigel Hall – Keys, Vocals

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Set II: Lettuce w/ Talib Kweli, Big Sam, John Scofield

Soul singer Hall left the stage and was replaced by DA FUNKY FUNK!!!! One of my top ten favorite groups to have formed on this earth: LETTUCE.  Going on a little before/after 9pm, the entire original crew graced the stage, to include the rare appearance by E.D. “Jesus” Combes on bass.  Living on the West Coast, he is constantly working with big names such as Eminem, Dr. Dre and played bass and wrote/produced several tracks on Britney Spears new album Blackout.  I love E.D. “Jesus” Combes because he puts a lot of thought into the notes he chooses to play, sometimes bursting to the front of the stage with a blast of funk through his body. He totally grinds into his playing which I LOVE!.  He stands out with understated effort because his sound is unusual and not forced. You just got to hear him to understand.

“Excellent night all around. Nigel and Soulive were incredible, but Lettuce especially blew me away! Check out the rooftop area for a breather between sets. Nice joint!” ~ Markus S.

The stellar cast on stage played a handful of favorites to include Blast Off, Sam Huff’s Flying Ragin’ Machine and Last Suppitt before bringing out the guests.  Let it be made very clear that Lettuce completely set the stage on fire even without the guests.  They truly are so tight and on point every time and we were enjoying them so much.  The guests were simply a blessed bonus.  My hands were on the railing of my ledge and I was literally head banging with so much fury as their energy coursed through me.  The horn section with it’s supplements was completely out of control. FIRE FUNK!

Set II: Lettuce w/ Talib Kweli

Set II: Lettuce w/ Talib Kweli

“Talib was money” ~ Eric S.

“You have my quote on the evening… “Tits on bacon.” ~ Andy D.

The first guest and a personal favorite of the night was Talib Kweli.  Rapper’s delight. He brought such an unusual layer to the revue. Bringing the urban into an already straight up funky urban rage, he rapped through Move Something.

The whole joint start shakin

This ain’t the time or place for you to prove something

Cut the stargazin’ yo, move somethin’! ~ Talib Kweli

 

Set II: Lettuce w/ Talib & Nigel

Set II: Lettuce w/ Talib & Nigel

The Blast saw Nigel Hall back on stage as he joined in on vocals with Talib KweliNigel, man, the guy can do it all.  Albeit, he is not a rapper in my mind and probably never will be.  He did, however, bring a soulful layer to his rapping that Talib couldn’t touch as he continued to rap over/under Nigel.  “Jazzfest energy” was a term I heard among my friends to describe the energy of Talib‘s trio of songs ending with Get By.

Little focus on Nigel‘s vocals……

Set II: Lettuce

Set II: Lettuce

Talib and Nigel leave the stage for the originals, led by the ever amazing Eric Krasno, rage through Break Out and Relax. Eric Krasno, relentless, captivating.  His sound and style, one you could pick out of any crowd of guitar players.  Powerful musician…wonderful band leader.  With all his projects and large catalog of musicians under his Royal Family records, Eric Krasno ensures that our nights in NYC are constantly filled with talented musical projects and shows. I can’t imagine the city without Krasno, Deitch and the lot.  And here he was showcased in front of all his projects together in one night. Then as if things could get any better…John Scofield joined the stage…enjoy his warm up…

John Scofield, a legend.  A complete and utter master at his trade. Being billed right off the bat, this was one of the highlights of the show that everyone was anticipating that evening.  The Flu… it was amazing.  John took a little time to warm up in my opinion but then it got rowdy.  The horns were grimy, popping in sounds that reminded me of Skerik.  It got powerful. The guitar standing out on top of it all, the audience slightly more quiet now, just watching it unfold.

The Shady Horns with Big Sam on trombone was out of this world.  Orchestral.  Everything was so tight and then Scofield would go off into trippy spacey scratching of the guitar making faces to match.  He is endless with the sounds he can produce with a guitar.

Set II: Lettuce

Set II: Lettuce

And with a gracious introduction from Alan Evans, with the horns blasting out his name and with John Scofield still in the mix, Nigel Hall was brought back on stage to perform their Curtis Mayfield staple, Move On Up. As many times as I have heard Nigel sing this song and heard he say he was sick of singing it, this version was STELLAR!!! My video is not so great so just turn it down a little lower to hear it and watch it…

The one below is only 1 minute but much better sound. Thought I’d give ya everything 😉

One of the deepest, funkiest, raging songs of the night: Making My Way Back Home, a song about Nigel’s hometown of Washington, DC. Raised three hours away in Williamsburg, Virgina, I relate to this song well. The bass line is killer in  this song. Nigel, so interactive with the audience, breaks it down and just continually bringing the energy UP, UP, UP Chuck Brown-style!!! SARDINES & KRAZ AND SCHMEENS!!

Lettuce Setlist: Intro, Blast Off Sam Huff’s Flying Ragin’ Machine, Last Suppitt, King of the Bergs, Move Something, The Blast, Get By, Break Out, Relax, The Flu, Move On Up, Makin My Way Back Home

Download: Lettuce Live at Terminal 5 on 2010-10-02 (October 2, 2010)

Breaksciene’s Afterparty at The Loving Cup’s Cameo was announced and the merchandise was plugged….and the headlining group was finally announced.  Soulive.  Live it, learn it, love them!

Dj Equal spinning away...

Dj Equal spinning away...

Soulive @ 10:30/10:45pm

Eric Krasno – Guitar

Neal Evans – Keys, bass

Alan Evans – Drums

Special Guests:

Warren Haynes – Guitar

Big Sam Williams – Trombone

Rashawn Ross – Trumpet

Sam Kinninger -Saxophone

Ryan Zoidis – Alto & Baritone Saxophone

Maurice Brown – Trumpet

Christian Scott – Trumpet

John Scofield – Guitar

Nigel Hall – Keys, Vocals

Set III: Soulive + Shady Horns

Set III: Soulive + Shady Horns

Keys + Bass = Amazing

Keys + Bass = Amazing

You know about Soulive right? One of the greatest trios ever IMHO!! I sure hope you know who they are and if not, check them out. It’s a trio comprised of the virtuoso guitar player, Eric Krasno, drums played by Alan Evans and then there is Neal Evans who plays keys.  The standout detail about this group is that Neal also plays the bass through the second layer of his keys.  Seriously.  Now…what kind of brain can do that?  That takes a complicated mind right there.   Such a cool combination of sounds/notes/vibes.

Set III: Soulive + Shady Horns

Set III: Soulive + Shady Horns

Soulive came out dressed in stylish suits and slammed into Beatles tunes.  Their latest CD release, Rubber Soulive, has been something of a hot topic among talented music circles.  It’s luscious, loud and worth every single penny.  Bringing their own touch to classic Beatles tune such as Come Together, Something in the Way, and Eleanor Rigby, it’s just superb. Sing alongs ensued.  Come Together found it’s way into everyone’s throats and the audience sang for their tickets as Soulive played for  their lives. Jazz-filled funky rock. The following video is a wonderful collection of all the Beatles tunes.  Sit back, turn it up and watch the magic.  Best video of the article 🙂  Everyone say “Thank you Mike!”

Krasno completely ripped open the songs, jamming us all into the floor.  Backed by the brothers of rage, the Beatles medley was one of the highlights of the show. I Want You (She’s So Heavy) was on a different level all together. Everyone thank my boy Scott for the excellent video below!!

“Was really great to see Soulive hit a comfort level with the Beatles material that they really ripped into it- I want you (She’s so heavy) seemed to really hit another gear of nastiness as they did with that song what most instrumentalists I know have always wanted to do with it.” ~ Russ A.

Set III: Shady Horns + some!!

Set III: Shady Horns + some!!

And once the covers of the Rubber Soulive were done they blasted into their oldies but raging goodies with The Shady Horns (Sam Kinninger & Ryan Zoidis) joining the stage for El Ron.  The place was utterly packed and from my second floor perch, I could see everyone moving, groovin’ and clapping.  Christian Scott had joined the rage and John Scofield joins the stage again for What You See Is What You Get. Granted, Scofield is a god, but this song was stolen by Christian Scott‘s trumpet solo and Neal Evans‘s keys.

At this point, the show starts elevating into a high point that seems unreachable.  Time for a horn rage.  By this time Maurice Brown and Rashawn Ross have joined Christian Scott and the Shady Horns. A horn rage ensues but where is Big Sam Williams on the trombone?? Oh man….well, he tried to join the horn ledge, however, Christian Scott had taken his microphone so NOLA represented.  Walking behind the drum kit to the front of the stage, Big Sam took over Eric Krasno‘s vocal mic for an intense in-your-face solo.  Enjoy! (Turn down volume a bit – it’s one of mine)

Set III: Soulive!

Set III: Soulive!

It was time for Scofield to lead the show with one from his own catalog, the funk rock original Hottentot!! The whisper through the audience after this song was loud.  This song choice made a lot of people happy, as it should.  The song allowed for he & Krasno to trade licks and let loose for a great jam, which I thought might lead to the beginning of the end of Scofield’s addition to the stage, until possibly the encore.  Boy….I had no idea what I was thinking.  The best was totally yet to come…..

Since the album version was my ringtone for years, the surprise bust-out of Sco’s “Hottentot” was probably one of my favorite highlights. It had a slightly slower, nastier vibe to it that I really enjoyed. ~ Andy D.

WARREN joins the stage...

WARREN joins the stage...

And if you just watched the video above, then the end just gave it away but THE BEST WAS TOTALLY YET TO COME!!!  Warren Haynes……….WARREN HAYNES joined the stage.  I literally grabbed the bars in front of me and screamed at the top of my lungs while flailing around.  I couldn’t believe it.  I just couldn’t believe it.  What is more unbelievable is I had to tell all the people around me who that even was.  I believe they were there for Talib Kweli but they had NO clue who Warren was.  Unreal.  And so it was that the venue erupted into a ball of energy that the night had yet to see.

Set III: Soulive + Warren + Sco

Set III: Soulive + Warren + Sco

Born Under A Bad Sign, a song made popular by Cream and originally written by the legendary blues guitarist, Albert King.  Yes SIR!!  HOLY YES!!!!!!  What can I say about this?  It was phenomenal.  Warren Haynes, John Scofield and Eric Krasno on the stage at one time…kidding me?  Nigel Hall came out and sang alternating verses with Warren Haynes and there were mixed reviews over this move but I thought it was superb. Nigel, once again adding a layer to the mix that just felt right.

“Nigel’s voice is always a special treat. Being a longtime Soulive fan, I really appreciated their take on the Beatles. Oh Eleanor Rigby! Thank you Soulive, Nigel Hall and the whole crew for getting so many wonderful musicians together all on one stage for this major collaboration!” ~ Jessica B.

I’m actually a little torn on Nigel.  I think Warren could have held the vocals down on “Born Under a Bad Sign” on his own, though Nigel did rip Too Much and the JB mini set. ~ Russ A.

I always did say Warren sings like an angel. ~ Jessica B.

This was just such a treat. You had Big Sam on his trombone as well.  I mean, the $25 ticket was paid for so long ago but if anyone had any qualms, they were silenced by this mega, face-melting guitar threesome horn flip-out.  Nigel‘s voice was killer.  Warren was killer. The horns were unmatched.  Scofield was melting into the floor with his guitar.  Unreal.  For a minute, I forgot who I was there to watch.  Wondering who the true star of the show truly was. Scofield left the stage and the rest of the set was Nigel Hall tearing up the vocals and Soulive blasting the stage apart with funky goodness. It was so great!

(Doin the 2 Video is uploading.  I’ll insert it tomorrow)

The encore was a James Brown Medley of all kinds of songs.  John Scofield came back out.  During the 3rd song, Nigel miscounted the beats and had a little rage to a stop and rewind the moment.  TWENTY!!!  And the second time around it went down right and they dropped the funk into our faces and dripped funk until they exited the stage.  JAMES BROWN MEDLEY!!  Think about that energy if you can!  Those of you there, remember that?  Nigel screaming, horns blasting…

There was some kind of swagger in the Soulive set that night. maybe it was that this was the biggest paying crowd for them headlining a show in nyc, maybe it was just feeling good on the material, maybe it was the hard work, but they played the hell out of those tunes. they owned those tunes. ~ Russ A.

Soulive Setlist: Come Together, Something In The Way, Eleanor Rigby, I Want You (She’s So Heavy),

El Ron, What You See Is What You Get, Hottentot, Born Under a Bad Sign, Do The 2, Too Much, JB Medley w/ John Scofield

Download: Soulive Live at Terminal 5 on 2010-10-02 (October 2, 2010)

 

THANK YOU ROYAL FAMILY!!!

THANK YOU ROYAL FAMILY!!!

 

It was a phenomenal night of music at Terminal this night.  for $25 you just couldn’t beat what we had just witnessed.  There was a fire on stage and an energy pumping thorugh the venue that I hadn’t felt before.  The crowd being so diverse, some coming for Talib Kweli and not knowing Warren Haynes.  Others knowing Warren Haynes but not Nigel Hall.  Others boasting about Lettuce but knowing nothing of John Scofield.  I think the greatest part of the night was knowing that a lot of people were introduced to a lot of new music and musicians this night.  I hope they went home and looked up Warren Haynes and Talib Kweli and Nigel Hall.

The Royal Family ensures that New York City will remain at the forefront of musical collaborations and musical history.  I feel as though whenever The Royal Family has a big to-do, they out do themselves every single time.  Thank you Royal Family.  Thank you for feeding us, supplying us with the music we need to survive.

Thank You SO MUCH!!!

Thank You SO MUCH!!!

 

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