Royal Family After Party with Breakscience @ Cameo
Sunday, October 3rd, 2010
I suggest lots of sleep after The Royal Family Ball 😉
Monday, October 4th, 2010
($8) Jim Campilongo@ The Living Room
($25) Mingus Orchestra @ The Jazz Standard
Tuesday, October 5th, 2010
(Free) Dred Scott Trio & THE BRIDGE @ Rockwood Music Hall
(Free) Mavis Staples @ Late Show with David Letterman
($32) Faith Evans @B.B. King Blues Club and Grill
($80 – $250) Roger Waters: The Wall Live @ Madison Square Garden
($25) Peter Yorn @ Bowery Ballroom
Wednesday, October 6th, 2010
(??) Sister Sparrow & the Dirty Birds @ Southpaw
(Free) Mavis Staples @ Colbert Report (TV)
($10) D.V.S. @ Club Love
($12.25) The EGG plus Sonic Spank @ Mercury Lounge
($20) Davell Crawford @ The Jazz Standard
($80 – $250) Roger Waters: The Wall Live @ Madison Square Garden
($35 – $50) Mavis Staples – “You are Not Alone” – Album Release presented by WFUV @ City Winery
($10) Mattson, Barraco & Friends @ Sullivan Hall
Jeff Mattson (DSO, Donna Jean Godchaux Band, Zen Tricksters) , Rob Barraco (DSO, Phil & Friends, Zen Tricksters) , Jason Crosby (Robert Randolph, Susan Tedeschi, Zen Tricksters) , Joe Chirco (Donna Jean Godchaux Band, David Nelson Band, Zen Tricksters) with opening act Easy Over
($44 – $128) Joshua Bell Performs Sibelius @ Avery Fisher Hall
Thursday, October 7th, 2010
(Free) Gorillaz @ The Late Show with David Letterman
($5) ?uestlove DJ Set @ Brooklyn Bowl
($10) Underground Horns “Big Beat” CD release Party @ Nublu
($10) Live Band Tribute to A Tribe Called Quest w/ Alphabet Soup @ Sullivan Hall
($10 – $27) Rosanna Cash @ Kaufmann Concert Hall
Upon the publication of Composed, Ms. Cash sits down for a conversation about her life in music.
($28.50 – $33.50) The Hold Steady @ The Beacon Theater
($30) Gil Scott-Heron @ B.B. Kings
($35) Fountains of Wayne @ Bowery Ballroom
($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall
Friday, October 8th, 2010
(Free?) Sister Sparrow & the Dirty Birds @ Rockwood Music Hall 2
($5) Big Sam’s Funky Nation @ Brooklyn Bowl
Opener: Ikebe Shakedown
($10) Solange DJ Set @ Midnight
($20) Jackie Green @ Bowery Ballroom
($25) The Subdudes @ B.B. Kings
($35) Moe @ Beacon Theater
($35-$45) The Jazz Gallery Rent Jam hosted by Roy Hargrove @ City Winery (late Night)
($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall
($50-$125) Gorillaz & Mos Def @ Madison Square Garden
Saturday, October 9th, 2010
(Free) West African Band @ St. Nicks, Harlem
(Free) Private Party @ Sullivan Hall w/ Lo & Aaron (GSW), Leroy Justice and Jaik Miller
($10-$12) Bustle In Your Hedgerow feat. Joe Russo, Marco Benevento, Dave Dreiwitz and Scott Metzger @ Brooklyn Bowl
($25) Mago – John Medeski & Billy Martin @ Rocks Off Cruise
Sunday, October 10th, 2010
($20) Corrosion of Conformity @ Highline Ballroom
Monday, October 11th, 2010
($8) Jim Campilongo@ The Living Room
($25) Mingus Orchestra @ The Jazz Standard
($65 – $165) Mary J. Blige @ Radio City Music Hall
Tuesday, October 12th, 2010
(Free) Dred Scott Trio & THE BRIDGE @ Rockwood Music Hall
(Free) My Morning Jacket @ The Late Show w/ David Letterman
(Free) REEFER MOVIE MADNESS: THE ULTIMATE STONER FILM GUIDE BOOK RELEASE PARTY @ Brooklyn Bowl
($32 – $117) Joshua Bell, Debussy, Sibelius, and Lindberg @ Avery Fisher Hall
($65 – $165) Mary J. Blige @ Radio City Music Hall
Wednesday, October 13th, 2010
(Free) My Morning Jacket @ Late Night w/ Jimmy Fallon
($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery
($10) R+D with Savoy (DJ), D.V.S*, NUTRITIOUS, MUNcee superjam and Mad Hatter @ Club Love
($10) Jessica Lurie Ensemble @ Brooklyn Lyceum
($12) Dawoud – Renegade Sufi Sitar! @ The Theater for the New City
($25) Ingrid Michaelson @ Best Buy Theater (Formally Nokia Theatre)
($32.59 – $39.50) The Avett Brothers @ Radio City Music Hall
Thursday, October 14th, 2010
(Free) Ben Folds @ Late Night w/ Jimmy Falon
($5) ?uestlove DJ Set @ Brooklyn Bowl
($10) Dred Scott Trio @ 55 Bar
($10) Apollo Run @ Union Hall
($25) Tom Tom Club @ Santos House Party
W/ Caravan of Thieves and The Tony Castles
($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)
Friday, October 15th, 2010
($5) The Trifect @ Sullivan Hall – FUUUUUSION!!!!
($5) M80 Dubstation Feat. Jon Gutwillig from The Disco Biscuits @ Brooklyn Bowl
($5) Brother Josephus & Josh Phillips Folk Festival @ Brooklyn Bowl
($36.20) Citizen Cope @ Terminal 5
($30-$45) Dar Williams & Toshi Reagon – Many Great Companions Tour @ City Winery
($32.50 – $35) John Hammond @ Rubin Museum of Art
($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)
Saturday, October 16th, 2010
(Free) West African Band @ St. Nicks, Harlem
($10) Tom Tom Club @ Brooklyn Bowl
($35 – $40) Air Supply @ B.B. Kings
($30-$45) Dar Williams & Toshi Reagon – Many Great Companions Tour @ City Winery
($36.20) Citizen Cope @ Terminal 5
($40 – $138) Pinchas Zukerman, Webern, and Brahms@ Avery Fisher Hall (NYPHIL)
($12) Eli Paperboy Reed & The True Loves @ Le Poisson Rouge
($25) UP ON THE RIDGE – Dierks Bentley @ Southpaw
@ Southpaw
($47.50) My Morning Jacket @ Terminal 5
($50-$90) Thievery Corporation @ Beacon Theater
(Starting @ $50) “A Celebration of Paul Newman’s Hole In The Wall Camps” @ Avery Fisher Hall @ Lincoln Center
Performances Will Feature a Line-Up of GRAMMY® Winning Musicians Including Hilary Hahn, Emmylou Harris, Lyle Lovett, John Mellencamp, Keb’ Mo’ and Stevie Wonder With Appearances by Bill Cosby and Renee Zellweger
Friday, October 22nd, 2010
(Free) The London Souls @ The Brooklyn Academy of Music
($20 – $25) THE MONSTER MASH –> Fort Knox Five @ The Electric Warehouse w/ Woody McBride and Larry Tea
($25) Yonder Mountain String Band @ Best Buy Theatre (Formally Nokia Theater)
($47.50) My Morning Jacket @ Terminal 5
($50-$90) Thievery Corporation @ Beacon Theater
($60 – SOLD OUT) Phish @ Providence, RI @ Dunkin Donuts Center
Saturday, October 23rd, 2010
(Free) West African Band @ St. Nick’s Pub
(Free) Apollo Run @ Rockwood Music Hall 1
(Free) Sister Sparrow and the Dirty Birds @ Rockwood Music Hall 2
(Free) Kings of Leon @ Saturday Night Live (TV)
($10) The Breakfast @ Crash Mansion
($35-$60) Jakob Dylan @ City Winery
($40 – $100) Cheech and Chong @ The Beacon Theater
($42 – $48) Indigo Girls @ Carnegie Hall’s Zankel Hall
($47.50) My Morning Jacket @ Terminal 5
($60 – SOLD OUT) Phish @ Amhurst, MA @ Mullins Center
Sunday, October 24th, 2010
($8) Apollo Run @ Pianos
($35-$60) Jakob Dylan @ City Winery
($50 – $113) Steve Miller Band @ Beacon Theater
($60 – SOLD OUT) Phish @ Amhurst, MA @ Mullins Center
Monday, October 25th, 2010
(Free) Dred Scott Trio @ The Delancey
(Free) Kings of Leon @ Late Show with David Letterman (TV)
($8) Jim Campilongo@ The Living Room
($25) Mingus Orchestra @ The Jazz Standard
($35-$60) Jakob Dylan @ City Winery
Tuesday, October 26th, 2010
(Free) The Bridge @ Rockwood Music Hall
(Free) Dred Scott Trio @ Rockwood Music Hall
($10) Talib Kewli @ Brooklyn Bowl
($40) Bad Religion @ Irving Plaza
Wednesday, October 27th, 2010
($??) Chico Mann @ Santos House Party
($25 – $35) Ollabelle @ City Winery
($25 – $153) Yo Yo Ma & Kathryn Scott @ Carnegie Hall
($40) Bad Religion @ Irving Plaza
Thursday, October 28th, 2010
($5) ?uestlove DJ Set @ Brooklyn Bowl
($10) The Mother Hips @ The Brooklyn Bowl
w/ Sean Walsh & The National Reserve
($20) Trouble & Bass @ Santos House Party
Ninja Tune XX (anniversary party): Amon Tobin, Kid Koala, DJ Food & DK, Poirier Toddla T & Serocee, DJ Kentaro, Eskmo
($42) Michael Franti & Spearhead @ Terminal 5
($50 – $90) Styx @ The Beacon Theatre
($70-$80) Deadmau5 @ Roseland Ballroom
Friday, October 29th, 2010
(FREE??) Dred Scott @ Smalls Jazz Club
($10) The Macpodz @ Sullivan Hall
($15) The Toasters & the Pietasters @ B.B. Kings Blues Club
($30) Ok Go @ Terminal 5
($37) Railroad Earth with Donna the Buffalo @ Irving Plaza
($40) Guster @ The Beacon Theater
($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall
($70-$80) Deadmau5 @ Roseland Ballroom
Saturday, October 30th, 2010
($10) Jimkata, Papadosio and D.V.S. @ Sullivan Hall
($36) Gandalf Murphy and the Slambovian Circus of Dreams @ The Gramercy Theater
($36-$40) Cypress Hill @ Besy Buy Theater (Formally Nokia Theatre)
($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall
($70-$80) Deadmau5 @ Roseland Ballroom
Sunday, October 31st, 2010
($24) The Felice Brothers @ Music Hall of Williamsburg
($50) The Black Crowes @ Best Buy Theater (Formally Nokia Theatre)
($60 – SOLD OUT) Phish @ Atlantic City Boardwalk Hall
When I first found out that Stanley Clarke would be performing for FREE in Central Park’s Summer Stage, I immediately thought two things. One, I must get into that show. Two, I knew exactly who would be my plus one.
McCoy Tyner (Photo by: Dino Perrucci)
Working for the Parks Department, our partnership with the Central Park Conservancy allows for some really nice perks regarding Summer Stage performances. So long as they are not benefits, I am able to plop onto the guest list of any show and bring a friend. The cost of these perks are priceless to me. (After this article I am moving onto the New York Philharmonic in Central Park….god, I love my job!)
Once I got on the list, I immediately invited my good friend, Nigel Hall. Nigel’s first concert as a little boy was to see Stanley Clarke with his father. My past connections to Stanley was strictly through my love for Fusion, which Nigel also shares. Tonight was a lovely extension of memories for both of us. Those kind of moments are magical and it’s lovely to build on them.
The venue was set up with chairs in the front and blocked off sections for the “VIPs.” I was rather early and I still didn’t have the ability to snag two seats. I only got one for myself and I hoped I could grab one later for Nigel. The commotion over people Bogarting the seats and saving 10 seats at a time for people who hadn’t showed up was rather annoying. If I had needed a seat immediately for a friend, I would have been in that commotion. Luckily, I was alone and accommodated haha.
Return to Forever
I have never hidden the fact that I have a passionate connection to Fusion Jazz. I have mentioned it numerous times in past articles. Specifically, the group Return To Forever. A group that defined Fusion and showcased some of the genre’s greatest talent. Stanley Clarke is the bass player from that group. Having seen Chick Corea at the Blue Note a few weeks earlier and having Al di Meola in town a few days later, the players of Return To Forever were spread out all over Manhattan and I was soaking it all up little by little.
Seriously, the McCoy’s set could and SHOULD be an article all it’s own. However, I just wanted to sit back and relax for McCoy’s set. I knew I would be all over the place mentally when Stanley came on stage. So, I sat back, relaxed, didn’t take notes and just absorbed what was taking place on stage. I actually am seated directly behind the female taking the below video!
Esperanza Spalding (Photo by: Dino Perrucci)
The talent that was mind-blowing and the sounds were so eclectic and wonderfully brought together. You had Afro-Cuban jazz composer and drummer Francisco Mela who was superb, locking down his drum solos each and every time and providing a wonderful session of beats for this insane jazz performance to groove too. I can’t begin to describe his energy and talent.
I had never seen Esperanza Spalding before and I just wanted to BECOME her. Commanding the center of the stage with all these great male musicians surrounding her, with this giant upright bass between her legs, biting her lower lip as she flew over the strings…IT WAS HOT!! And it was almost impossible for me to not focus on her completely. At 26 years old, her fingers move with the grace of an old soul and her sound parallels that. I mean come on…
Then we had Ravi Coltrane, son of John Coltrane, ripping apart the saxophone when his time came. And this was just the opener…
Ravi Coltrane and Esperanza Spalding (Photo by: Dino Perrucci)
The opening band consisted of the second son of luminaries John and Alice Coltrane on saxophone, a bass player hand-picked by President Barack Obama to play in Oslo Hall at the Nobel Peace Prize ceremony, a drummer hailed as “one of the most important Cuban drummers in jazz” by Jazz Times, and the bluesy stylings of McCoy Tyner. UNREAL!!!! I am almost always a hater on opening bands. But this was a real treat. This was talent opening for talent and this is the kind of music and performance I prefer to see. HOT DAMN!!!
INTERMISSION
And then, after all that energy had been put into us, preparing us for the INSANITY that was about to take place…we were put on hold. There was now a change of plans. The show had attracted such enormous response that the outside of the venue had been swarmed with people. A gentleman got on stage and said:
“I have good news and better news. ” The good news is that there are hundreds of people at the bottom of the hill who want to be part of this lovely evening of music. The better news is that we are going to stop for about 20 minutes and ask that you utilize the space around you so that we can provide entrance to more viewers.”
Stanley Clarke (Photo by: Dino Perrucci)
The venue was not even closed to being packed and I was in a chair so I wasn’t to worried. At this point, Nigel was still in transit. He had spent the day performing on free pianos all over the city. Sadly, he missed one hell of a opener but his performances were well worth his delay getting to the show and you should check it out by clicking the link above.
Nigel arrived in plenty of time for Stanley’s set. Perfect timing. Two lovely gentlemen were sitting behind us wearing their Return To Forever shirts. Nigel took their pictures on his phone! We spoke of the coming Al Di Meola show at Highline Ballroom the following night and they already had their tickets. Unfortunately, I was giving free tickets away through the Tiny Rager site but was unable to make it as I was heading to Phish that weekend.
After about half an hour delay, the stage started to buzz again and we were handed 2 1/2 hours of pure Jazz. HELLZ YEAH!!!
Stanley started the show off with Lopsy Lou. Hitting us right in the face with the slaps of his bass and the snare drum tapping off the beat. A great showcase of the bass and immediately I learned who the hell this Hiromi character was and what she was all about. Some could say rager and some ragers might say showboat. Personally, I just have my jaw on the ground.
The words I want to use to describe her actions are as plain as SHE FREAKS THE F#@K OUT!!! Her entire body was involved, her entire mind was probably in outer space or in the keys…inside the piano…it is clearly an out of body experience for her when she plays. There are no words strong enough to describe the insanity that is Hiromi when she plays for us. Just take a look…and this doesn’t even scratch the surface of her raging…
At only 23 year old, Ronald Bruner Jr. blows my mind. Beginning his professional career at the age of 15 at the Theolonius Monk Institute of Jazz, he has already played with huge Jazz legends. His diverse drumming styles could be heard throughout the performance.
And then you had Stanley Clarke. The man of the hour. If you closed your eyes, you felt as if you were listening to Stanley Clarke from 20 years ago. He still has it. Boy, does he still have it. With his electric bass in hand, the group performed Charles Mingus‘s jazz standard, Goodbye Pork Pie Hat.Hiromi once again let loose and RIPPED OPEN her solo with the power and ferocity of an attack dog. Check it out…
Stanley moved to the stand up has for a Return To Forever song called No Mystery. I believe this song was originally written by Chick Corea so Hiromi started off the song with her plinking keys. Initially, there was no bass. During this song, Stanley had some technical difficulties. You heard people in the audience shouting that we couldn’t hear the bass. Nigel and I picked up on it immediately and just watched Stanley handle it in his smooth nature. He sat there looking a bit frustrated but sitting calmly, smoothly, smiling at us, letting Hiromi fill in his blanks.
Stanley Clarke - Bass!
After some commotion on stage, Stanley throws his hands up and then we heard it. The bass was fixed and Stanley was projected out to us once again. Ronald Jr. wiped his face as Stanley thanked the Tech and proceeds to take his solo. And man did he make up for those lost minutes.
While no one else was shouting or jumping out of their chair, Nigel and I proceeded to be moved by the music numerous times bringing us out of our seats and hollering like wild kids at the stage. Sure, this was a jazz show. We were surrounded by people who would have preferred silence and a nice seated audience but that is NOT what was going to be happening with us tonight. This was powerful shit. This is the stuff that made us move and you can forget the manners and civility that is supposed to come with these shows. After the third time jumping up out of our seats Nigel shouts: “Go head Stanley.” Man, this was such a change of pace from the FUNK.
Ronald Bruner Jr. - Drums
The drums held it down while mic was changed on Stanley’s bass. Hiromi continued to rage the keys. Nigel and I bickered over the antics Hiromi threw at us while playing. The way that girl raged, she would most certainly knock over that wine on the Temperpedic commercials. Nigel is from the old school of playing the keys and feel that those kind of shenanigans while playing are not necessary. On the other hand, I felt that her playing was modern, new, fresh and would entice and energize the younger parts of the crowd who might be sitting there bored because their parents drug them to this show.
Ruslan Sirota - Keyboards
The next song was fast jazz with a Broadway bounce. Our real first taste of Ruslan on his Yamaha Motif. He raged some insane fusion keyboards for a few min and Stanley cooly crushed it in the backdrop. Such an unusual sound.
Nigel loved Ruslan so much more thne Hiromi but Ruslan truly didn’t bring the heat that Hiromi did and we both verbally voiced that wish. We were both out of our seats for part of his solo while the whole placed sat quietly.
Hiromi's kicks...
Stanley felt it and we felt it in him. So many faces while Stanley raged slap acoustic bass and then Ruslan FINALLY brought the heat but not moving even half as much as Hiromi. There was absolutely no flair with this guy but he was clearly talented and GREAT!
Stanley switched to using a bow on the bass for Paradigm Shift. A nice slow, slow start to the song. A shifty song that bounced back and forth between chaos and sanity. Pleasent vs wild. Nigel points out: “He’s had that same part in his hair for 30 yrs.” Ruslan’s legs shook so hard and Stanley plucked the bass so deep. I loved this song. Ronald was fast and chaotic.
This song made me think of lights. I imagined the lift show if there was one. Oh Stanley. As we watched him pluck those strings soooo very fast, we joked about how we bet his wife loves the way he plucks those strings. The slow inclinations were impeccable.
Set list…Lopsy Lou, Goodbye Park, No Mystery, Black Narcisuss, Good Bye Pork Pie, Paradigm Shift
Our View of Stage!
The Stanley Clarke Trio performance featuring Hiromi might just have to be one of my top 5 performances of 2010. It is a style of music that resonates with me harder then Funk, harder then anything. I was watching the show with someone who I knew was appreciating every single drop of sound that was coming from the stage and I loved that. The weather had turned cool and lovely. It was just lovely. At the end of the performance Nigel and I just stared at each other and smiled. What a perfect night of music.
I woke up around 11am, not necessarily wanting to get out of bed but knowing I had a day of music to fully ingest. Right off the bat, I wake up, shower, and try to gather the troops. The worst possible gathering movement ever. Recovery was still in progress. So, I sat on the porch, letting the sun hit my face. I could hear Zach Deputy on the stage and I knew that it was time to start the day. Eventually, the two and four legged animals from the house were moving towards Zach‘s cheery voice.
THE ONE MAN BAND OF AWESOME!!! What can I say about him that I haven’t already said 100 times over in previous reviews. Sadly I had arrived towards the end of his set but not before seeing Zach bring us the sun. Plain and simple. Utilizing his feet, hands, breath, hair, whatever…he manipulates all the gadgets on stage, all the instruments, the whole time piecing together a musical puzzle with the end result in making us smile so wide…literally calling out the sun. And it worked as he played Sunshine. Zach‘s beaming smile beamed down on us as bright as the sun did at that moment.
Banana Mafia @ Mountain Jam
What a wonderful way to start the day. This was good wake up music. Not a lot of fan fare, not too loud. Just one guy, his voice, and his imagination. Slightly soothing for those recovering and just upbeat enough for those wanting to get the dance party started. It was real cool to watch/listen Zach from far away. It totally didn’t sound like one person was making all that fun time sound. I laid on the blanket, gathering my mind.
Set : Butter You Up, Most People Never Heard Real Music, Lincoln Continental, Coconut, Chicken Pot Pie, Tubesteak, Little Bit of You, Freedom Out There, Make It Right, Jump Into The Water, Into the Morning Into The Night, Sunshine, Real
I stepped closer for a few pictures and as I turned around to head back up the mountain to relax with the Karma Wash, I spot my Banana Mafia friend. He just totally cracks me up and makes me smile. I love his energy and his ability to rage full face at any minute. We share similar taste in socks too. 🙂
During Zach Deputy, friends from all over had gathered at the Karma Wash for our good mornings, daily karma scrubbing, hugs and getting our daily plans straight. Seeing how well rested and clean we were, a few friends took off to our house to utilize the showers. And then it was time for the London Souls, a New York City based band, to rock our socks off.
It was SO HOT! I was in a bikini and running shorts and I was still super hot. I started The London Souls set dancing alone. It didn’t take long for my buddies to hear the music and start appearing from various sides of the mountain. I love my festival friends because the hugs and dancing once again commenced.
Rocking their shades and their poofy, out of control hair, the London Souls changed my opinion of them right on the spot. I have always had my reservations about them since being introduced to them during Soulive‘s Bowlive run at Brooklyn Bowl. They wail but I always felt like they were screaming at me with their instruments when they played and for me that isn’t how I like to enjoy my music. But now, I have figured out why it was overwhelming me. By pulling away from the front of the stage and being able to watch them from a distance, the sound was raging but still softer and magnificent. I was able to distinguish the sounds from all three players. They really killed it. They truly are rock-and-roll ragers.
They also caught my ear with a song that rang: “Are you going to let your man push you around. You better stand up.” Uplifting lyrics. I love lyrics that empower women.
“Our songs are usually inspired by any kind of conflict,” says Kiyoshi. “While they all mean something different, lots of our songs are about girls!”
The London Souls View from Karma Wash
The London Souls screamed like Van Halen and WAILED! I got locked into to Tash’s insane vocals and shredding of his guitar. The stand out of the band, in my opinion. Clearly, I do enjoy being FAR away from this band and listening rather then up front being raged at. Probably one of the first times ever that this scenario has arisen.
The last song revolved around there being a “text-in” vote for a cover song that they were to perform at Mountain Jam. The choice was AC/DC’s It’s a Long Way to the Top (If You Wanna Rock and Roll)! Seriously, every time I walk away from their sets, I am more and more impressed with their Jimi Hendrix style antics and full bodied rage. Kickass LS!
Patterson Hood ~ Lyrics, vocals, guitar Mike Cooley ~ Guitar, vocals, bass Shonna Tucker ~Bass, vocals, guitar Brad Morgan ~ drums John Neff ~ Pedal steel guitar Jay Gonzalez ~Keys
Patterson Hood @ Mountain Jam
Even though the Drive By Truckers are considered ragers by many people, in my opinion, they were a much more mellow change in music after The London Souls. They started off with a song all about a good night of drinking called The Fourth Night Of My Drinking. I figured they would just rage my face off with a song like that but the Drive By Truckers are hit or miss with me. They border on a rocky country vibe and that is hard for me to love. But the main reason is that the lead singer, Patterson Hood, has wretched voice. I mean, I know his father is famous and all but that doesn’t mean it runs in the family all the time. Sometimes Hood truly CAN NOT sing.
The Drive By Truckers @ Mountain Jam
John Neff @ Mountain Jam
I have sobered up considerably in the past few years and I am finding that bands I used to think sounded great really don’t sound all that hot. I was listening to the recording from Levon Helm’s Birthday set and it sounds horrible when Hood sings his part. Now, from a rager’s stand point he is awesome I suppose. He can down a 5th of whiskey and still rage it on stage, though, not always in key, pitch or tone. I rage, but no longer like him so alas, I guess that just standing and remembering the lyrics used to count for something to me. Absolutely not good enough anymore.
FestivalFamily.com interviews The Karma Wash
The 5th song, Santa Fe, totally caught my ear. It was here that Patterson Hood wished for Simone Felice to get better as he had recently fallen ill. It was a pretty rad song but the vocals are still a little shot. The band is ok if Hood just doesn’t sing. It was also here that I took shots of a darling little family enjoying the Karma Wash. As well, I noticed photographer Michael Patrick shooting & interviewing the Karma Wash. It turned out he was covering Mountain Jam for FestivalFamily.com. The Karma Wash is LEGIT!!!
Festivals = Fun for all ages
David Hood, Patterson Hood’s bass-playing father, came out and joined the Truckers for Respect Yourself and I enjoyed David immensely. However, during Mercy’s Bucket and I decided I had had enough. There was no comparison to the raging between Patterson Hood and Tash from the London Souls. The London Souls brought us a face melting rage and Drive By Truckers brought the vibe down for me rather unexpectedly. But, in less then 30 minutes, we would be dropped a funk bomb by Lettuce who was about to rage on the West Stage at 3:30pm! OMG it was about to be SO ON!!
Set List: The Fourth Night Of My Drinking, Three Dimes Down, The Living Bubba, Carl Perkins Cadillac, Santa Fe, Birthday Boy, Sink Hole, Uncle Frank, Respect Yourself *, Mercy Buckets, Get Downtown, (It’s Gonna Be) I Told You So, Lookout Mountain, Zip City,Let There Be Rock
I was right up front on the gate ready to dance my tiny ragin’ ass off to Lettuce!! They are a die-hard favorite group of mine and it was time to FEEL the FUNK. Lettuce flew right into Blast Off, with Krasnoteasing his guitar before Deitch counted off into the FUNKY FUNK!!!
Jesus Coomes @ Mountain Jam
This was the first time I had ever seen Jesus Coomes (bass). I had heard so much about him and was thrilled to finally be able to hear him wail live. On his Yamaha 6-String (I think), Jesus truly does just bring it home. He feels the music and , man, you can see it. Having researched him heavily before seeing him, Coomes has dipped his talented fingers into all genres of music and has an ear for the bass and production that has allowed him to thrive in the music industry.
Adam Deitch @ Mountain Jam
The second song was a personal favorite and the crowd went wild as Sam Huff’s Flying Ragin’ Machine raged the horns up to the highest points of the mountain where people could be seen dancing their asses off. I encourage you all to just go buy Lettuce‘s Rage cd right now. And I will let Jesus tell you why:
We named the CD Rage! because it’s a state of mind. I don’t mean getting messed up, I mean opening up your whole soul to God and feeling the spirit move. ~ Jesus Coomes. (Amen Jesus, Amen!)
Lettuce @ Mountain Jam
Neal Evans @ Mountain Jam
Kofi Burbridge joined in on The Last Suppit. Adam Deitch stood out on drums as he smashed the rage out of his kit. Krasno then introduced the group on stage. Neal Evans raged the MOOG synth bass and tappin his feet to bring in the familiar tune, Kings of the Burgs. A few minutes in and the horns join! Sam Kiningerand Ryan Zoidisblasted their way in and out of the song as Kofi fluttered his flute into the mix.
Derek Trucks, Susan Tedeschi & Nigel Hall join Lettuce @ Mountain Jam
Half way through the song the crowd screams as I see Derek Trucks plugging in. Krasno shouted, “We got a couple more people we got to bring up here, man. There’s just some heavy shit going on around here.” Oteil Burbridge and Nigel Hall joined the stage to complete a full round power house of talent and rage. “Mountain Jam, Where ya at?” scream Nigel and they fly into Move On Up…(like Susan Tedeschi told you to). Now, it goes from good to GREAT!
Oteil Burbridge, Derek Trucks and Eric Krasno @ Mountain Jam
With Nigel Hall on vocals and Susan Tedeschi backing him on the chorus, Move On Up closed the funkified set. Oteil Burbridge took a solo and scatted on the bass. Deitch backing on the drums was perfection. Kofi fluttered behind his brother, Oteil. Finally, Derek raged a solo before Nigel sang the last verse adding his signature scream. FULL FREAKING FUNKING RAGE! I had been fully melted into a puddle of happy.
“Every festival always needs a banjo!” shouts Jeff Austin (I think) and again, the sound over the mountain shifted into an entirely different vibe, an entirely different musical world. It is always nice to hear Jeff Austin play his banjo. He is just amazing even though he sometimes overpowers and over solos. But still, one of the best in my opinion.
Warren Haynes and Jeff Austin @ MJ ~ Photo by Doug Potoksky
The rain came during YMSB but we didn’t move. They continued to play and we continued to dance. It was almost fitting, to be dancing in the rain, with our shoes off, dancing like hillbillies on a mountain. I love that I could rage with a funk band less than one hour earlier and now was LOVING the Bluegrass vibe. There are so many people who just can’t understand it. Like Fusion, they just don’t get it, they can’t wrap their heads around the sound, around the simple yet complicated way the notes are put together. During the last song, Death Trip, Warren Haynes came out and assisted YMSB in playing one hell of a closing for their set.
Set List: If You’re Ever In Oklahoma, Don’t You Lean On Me, Rain Still Falls, How Bout You?, Steep Grade Sharp Curves, Casualty, Fingerprint>, Boatman, Idaho, Irondale, Blue Collar Blues, Snow On The Pines>, Death Trip
During Dave Mason‘s set, my buddy and I decided to check out the lovely art installations at the top of the mountain. Mountain Jam invited John (?) and Cappy Franti (Michael Franti’s son) from San Fransisco, as well as other artists, to create interactive works of art.
Art Installation @ Mountain Jam
The installations began at the start of the festival and the creativity flowed throughout the three days. The end result being three pieces of interactive art work that created seating, beauty and imagination. The collective artists inserted their visions through a spray paint medium (I think) onto the structures. They were really gorgeous to look at.
Passed out Wook!! @ Mountain Jam
Wookies were sprawled out all over the wooden structures. Passed out or just relaxing watching the intense scene of people down the mountain. Parents and their children were utilizing the space to save their children’s eardrums as the parents sat there without their own ear-protectors on. I always wear earplugs, especially while up front at festivals. But just look at the scene from where Murray and I sat and listened to Dave Mason and make new friends. GORGEOUS!
The only thing I knew about Dave Mason was that he is an old member of Traffic. As soon as I was told that, the song Feelin’ Alright popped in my head. It was the only one I could recall and at some point in the set, he played it. Woot! I didn’t really pay attention to Dave because I was raging all over the art installations with Murray, making new friends (Hi Carsten!) and getting lost inside the art maze. We had WAAAAY to much fun in there posing for pictures, enjoying the colors and shapes. Simple pleasures, but our minds sets were prepared for exactly what we were doing. From time to time, I would hear some intense raging coming from the stage. As we left the Maze, I entered an entire dancing mountain.
Everyone had recovered and the evening’s party had commenced. We hung out with our new friends for the rest of the set and knew that next time, I would sit and really pay attention to Dave Mason. He was amazing from what I heard and I wish I had heard more. And then front the top of the mountain, I heard Susan’s voice and flew past Murry to the front of the stage so fast that she hadn’t even hit the chorus of the song by the time I got to the center front. My second favorite group of the day was about to bring it.
The Derek Trucks & Susan Tedeschi Band @ Mountain Jam
I had been waiting for this moment ALL YEAR!!! I wasn’t able to go to Wanne Music Festival and they had yet to come to New York City. This was a BIG deal to me. Susan Tedeschi is my #1 favorite southern soul singer. A singer who has touched my life in ways that no one would ever understand. Then you have Derek Trucks, just the greatest guitarist on the planet. He too lifts my soul up when it’s on the ground. In my Top 3 List for favorite living guitarists hands down. Tyler Greenwell and Duane Trucks are out of this world. The Burbridge Brothers, well, they just wail. And, well, download the set or go see them! If I was loaded like Donald Trump, I would pay to have this band play for me once a day. Probably every morning, to wake me up with a soulful smile!
The Derek Trucks & Susan Tedeschi Band @ Mountain Jam
Derek Trucks @ Mountain Jam
Love Has Something To Say started their set with Susan bringing me her soulful voice immediately. That voice. It hits your guts. I feel a change in my mind and body WHENEVER her voice hits me. I am not a fan, I am a freak. LOL!! It’s so weird how she does that to me. Then Mike Mattison sang out a chorus as well and I was thrown back to college when I first heard that scratchy voice. Finally, Nigel Hall rang out a bit and the group gathered back into a collective after a Derek solo.
Susan Tedeschi @ Mountain Jam
I thought that song would be the song that started off the energy curve that would continue to rise with each song but Midnight in Harlem slowed the vibe down considerably. Nothing wrong with that. They had the mountain swaying in unison. Even with it being a calm song, Derek made his guitar softly rage into his solo…making my face tighten, my eyes close and my head thrown back feeling like my body would melt into the earth as I swayed.
Oteil, Susan & Derek @ Mountain Jam
Otiel Burbridge @ Mountain Jam
Susan’s voice was yet again showcased through Love Was All In My Mind but it was her guitar playing that made me scream here.Not as good as her husband but one HELL OF A RAGER!! It made me wonder if they sit together and just jam out in their living room while their kids run around playing. How wonderful. There was deliciously cute banter between Susan and Oteil. There is friendship and love within those glances. Such energy. I LOVE LOVE LOVE watching Oteil Burbridge play his bass. The smile on that man is intoxicating. It’s honest and pure, just like his playing. I’ve Got A Feeling was the same thing with excellent Susan vocals and I let me feelings take me over, dancing around in front with my fellow strangers, singing with their “Oh Yeahs!”
Husband and Wife (Hottest couple ever) @ Mountain Jam
Derek Trucks @ Mountain Jam
Derek played through Nobody’s Free, with not one, but two broken stings, waving away the stage tech to complete the song. The mountain erupted in an applause after this song that kind of shook my core. I was so happy I was not alone in ADORING this group. Susan introduced the band after a few more songs, describing everyone with a little snippet of love before they went into Don’t Drift Away. Derek pulled out a solo here that ripped out my heart. And for the first time that weekend I was brought to tears. Uncontrollable streams of happiness down my cheeks. I held it in as best as I could but I sit here looking at my notes with dots of smeared ink and I smile. I was surrounded by strangers who were all there for the same reason as I was. And here was this magnificent guitarist doing something he does every single day, bringing people to the edge of emotion. That thought alone made me shine.
Kofi Burbridge @ Mountain Jam
It was a slow, soulful start with Standing on the Edge of Love with the end of the song consisting of Derek’s raging guitar bringing the mountain UP! UP! UP. Oteil RIPPED the bass up during Serve It Up and then Susan’s adorable speaking voice asked us how we were and thanked Warren Haynes for having them at the Festival. Next up, Blind Crippled and Crazy was a familiar tune that got people singing around me. Mike giving us his sexy, smooth falsetto and Kofi Burbridge soloing on the organ with a vibe that made you want to get DOWN.
Warren Haynes with Derek Trucks and Susan Tedeschi Band @ Mountain Jam
Few more songs and then WE GOT A VISITOR!!! Warren Haynes joined the stage during Comin’ Home. Check out this GREAT video of the rage that occurred in front of my face. MY GOD!!! YES!!! YES!!! YES!!!!!
Set List –> Intro, Love Has Something Else To Say, Midnight In Harlem, Love Was All In My Mind, I’ve Got a Feeling, Nobody’s Free, Band Intros, Don’t Drift Away, Standing On The Edge Of Love, Look Around, Serve It Up, I’d Rather Be Blind, Crippled And Crazy, All My Love, Comin’ Home, Space Captain
The Derek Trucks & Susan Tedeschi Band @ Mountain Jam
After the The Derek Trucks and Susan Tedeschi Band set, I received a call from Nigel Hall, a dear friend of mine since Jam Cruise, who I hadn’t seen in a minute. We caught up about his tour with Derek and Susan while we walked around, finally unloading his bags from their tour bus. After a minute, Nigel boarded the bus and popped his head out telling me to come on in. That glorious man brought me on the tour bus and sitting there were Susan Tedeschi and Derek Trucks.
I was momentarily speechless as Nigel introduced me. Completely frozen as I bypassed Derek completely to shake Susan’s hand. All I could utter was “Your music saved me last year. You are a hero of mine.” But before I could get it all out, my voice cracked at “hero” and my eyes watered up as I was completely overwhelmed in the moment. It took all my might just to hold it together. She noticed my emotion, smiled and gave me a hug, calling me a “sweet dear.” I didn’t take pictures, I didn’t do anything. I just silently lost my mind trying not to let me emotions over take me. You have to remember that we are in Day II now of the festie which means little sleep and lots of raging has already takin place. I was in little control of my emotions but held it together.
So we sat, Derek, Susan, Nigel and I, chilling for about 20 minutes talking about the set, their tour, my NY stomping grounds, and much more. At one point Derek turns to Susan and says, “You and Karen should exchange numbers. We are always on the Upper East Side.” Honestly, I don’t think I can describe in words my reaction to this statement. First, I thought, what the HELL would she want with my number! Then I thought, who cares, I love her and she can have anything of mine she wants.
It was at that moment that I realized that as much as I ADORE/LOVE/WORSHIP Derek Trucks and consider him one of the greatest guitar players in the world, it was Susan who truly was my passion on that bus. It was her cover of Bob Dylan’s Don’t Think Twice, It’s All Right that truly grounded me and kept me sane in one of the worst times of my life. It’s why I broke down meeting her, all those feelings flooding back…knowing if all that evil hadn’t happened to me, I never would have made it on that bus to meet her. And I healed, just a little bit more… my heart opened up a little bit wider. And then finally we said our goodbyes. *** NIGEL! THANK YOU SO MUCH for knowing how important that was to me and for making it happen. THANK YOU!!! ***
The Villa Vosilla
The Lettuce crew was staying off site and so we took a little ride through the mountain and raged at the Villa Vosilla for a bit. Ate some dinner and relaxed in these ridiculous rooms that had me thinking I was in Alice in Wonderland. Yeah! Fully raged. We didn’t get back to the Festival until 11pm, just in time for the beginning of the second Gov’t Mule set. But missing the first Mule set was 110% worth it. The laughter on the ride back from the hotel alone made up for missing the music.
Rage room! @ Villa Vosilla
When we stopped at a check point, the police officers heckled us a bit. Our driver explained we needed to get to the festival and that this was a band. Finally, the officer asked the name of the band. Oh man. This was so good. Neal Evans leans over and says, “Lettuce.” The officer stared blankly for a minute and repeats “Lettuce” as if he must have misunderstood. “Lettuce. Did you say Lettuce?” “Yes,” says practically the whole van. Inside my head, I was laughing my ever loving mind off. The officer clearly thought we were herbs and finally let us pass. If he only knew the talent that was in that van…
I got back to the festival in time to rage the second set with my friends. However, I spent most of the first bit looking for them. Everyone’s phones were dying and my friends were up front amongst the masses. It didn’t take long before they found ME wondering around. I was pretty much in full face melting stance at this point and not taking notes. Just thrashing around the mountain dancing with my friends. All my favorite all stars joined the stage for this set and I was finally able to see Warren play with some favorites: The Shady Horns (Sam Kininger on Alto, Ryan Zoidis on Tenor Sax), Eric Krasno, and Jackie Green. I am not going to break it all down, you can download the set. But I will tell you that the encore of their set was a cover of Pearl Jam’sBLACK and it was awesome!!!
Set I: Railroad Boy >, Temporary Saint >, Gameface, Woodstock, Broke Down on the Brazos, Gordon James, Sad & Deep As You *, Kind Of Bird #, Blind Man in the Dark
Set II: The Joker ^, Frozen Fear >, D’yer Mak’er > Frozen Fear >, Rockin’ In The Free World >, Machine Gun > Rockin’ In The Free World >
Drums, Forevermore, The Spider & The Fly %$, Ventilator Blues !$, Monkey Man !, crowd, encore intro, Black, Train Kept A Rollin’
Lettuce brought the funk for the last time at 1m inside at the Colonel’s Stage while Dark Star Orchestra raged the Mainstage outside on the Mountain. I never once left the front of the Colonel’s stage. I couldn’t as I was glued to their sound. I was glued to their energy. I had absolutely no desire to see Dark Star even though I dig ’em.
The Shady Horns (Sam Kininger & Ryan Zoidis) @ Mountain Jam
Tonight we danced. We danced so hard. I was barely wearing anything, just a bikini and shorts, and I was dripping in FUNK! The good kind even though it was pretty hot! 🙂 Somewhere in the middle of the music, my buddy threw a head of Lettuce up on stage screaming, “We love You!” And it was true. My friends and I, a group of people who’s musical opinions I greatly value, are smitten with the Royal Family. Didn’t you know? 😉
Warren Haynes and Eric Krasno @ Mountain Jam
I could give you another run down on the Late night Lettuce rage but it would just be more of the same up from there. Gushing over how much we danced, raged, melted, and smiled. How amazing each player is and how TIGHT they all sound together. The group is just TIGHT. The Shady Horns play so impeccably in sync. But I won’t. I will stop right there and only say that Warren Haynes joined in towards the end of the set. Song #15 as the recording places it but as I do not listen to the recordings or read the reviews for shows until I write my own articles, I don’t know if it’s correct. And since I didn’t take note…
After the set, we walked up the mountain to the VIP tents and hung out for a few more hours with friends. Winding down, playing guitars and with lights. The sun started to come up and we knew it was time for bed. It’s the WORST trying to fall sleep as the sun is coming up. If you can get to bed before you see it, you are golden. Otherwise, it throws things completely off. My girl and I walked home in the misty rain and I hoped it would stop by afternoon when I awoke. I wanted more then anything to make The Bridge the next morning at 12pm but it was never going to happen. I finally fell asleep at 6am. When my body hit the bed, it was probably the most comfortable bed in the world at that moment. I know yall feel me. This festival was rockin’ our worlds. However, I had to keep it together because I had one more day of insanity…are you having fun with me so far??
Stay Tuned for Day III Review: Mountain Jam VI @ Hunter Mountain, NY (06.06.10)
When I arrive, the venue is scarce as it always is around 8pm. Ron Johnson spots me from stage: “Karen, can you take some pictures for me please?” Damn right Ron, my pleasure! To my left, my buddy is setting up his taping equipment. Always a positive thing.
Some Cat From Japan @ The Brooklyn Bowl
So, who loves Jimi Hendrix? Better yet, WHO DOESN’T love them some Jimi Hendrix? Some Cat From Japan is a power house lineup that explores the music of Hendrix through their own interpretations. Boy, I tell ya! For a group that doesn’t rehearse and mixes up its lineup, they are better then real good. I will let you go check out the backgrounds of these guys…go now. Here they are:
The show was slated to start at 8pm and it totally did. Numerous friends were “late” as a result and were not happy. These shows never start on time. But with Galactic coming on at 9:15 and Quest Love dj’ing the 11:30 late night set, things were sticking to schedule. Galactic did, after all, have two more nights to rage.
I am not a fan of cover bands. Period. In this case, there are cover bands and then there is Some Cat From Japan. Man, we were specifically there to see THEM. To see a band comprised of exquisite musicians who have the talent, technique, and personal love for the music, developed from childhood, that allows for them to deliver a show complimenting Jimi’s music through a completely interpretive approach. The approach…to just play and rage it. They just get up there and have a damn good time playing the music from one of their own inspirations. It’s a beautiful thing to watch.
Set List: Freak Out ~ Who Knows ~ Manic Depression ~ Freedom ~ Little Wing ~ Crosstown Traffic ~ Spanish Castle ~ Freak Out
Eric Bolivar @ Brooklyn Bowl
Probably the only warm up they had attempted all day, they raged on stage for awhile. Just getting their flow. Honestly, they could have done this all night and I would have been cool with it. But then it was right into Who Knows! with the strum of Will’s strings announcing the familiar melody. YES!! Just a hard rock song that made you want to head bang or something. I have no idea, I just wanted to smile. I knew that much. Bernard got his first rage in right away while Bolivar slammed out the beat and Johnson‘s bass reminded us of the melody. Crosby‘s keys and Metzger‘s accompaniment twinkled behind the other instruments. It was Who Knows but it was their own song. Ragers.
Jason Crosby @ Brooklyn Bowl
During Manic Depression, Eric Bolivar took a SICK drum solo…one of the only notes I wrote down about the show. I got my first taste of Jason on violin as he gave us a GORGEOUS rendition/breakdown where the keys solo might have been. I wondered if there was a violinist out there who might have put out a Jimi cover cd. Answer after looking…nope. Hmmmm….someone needs to get on that. I am thinking Lili Haydn. Mmmm, mmmm, good!
Will Bernard @ Brooklyn Bowl
Bernard took his liberties straying away from the formula of every song. Seriously, boys and their toy RAGING. As I write this, all I want to do is write each of the artists and ask them what their first Hendrix memory was. Shoot, for many artists, hearing a Hendrix tune WAS the reason they played, regardless of instrument…just that they wanted to make MUSIC! Hendrix had the influence and power to move every man on that stage. That is pretty intense. I wondered if these musicians realized that there were fans in their audience who would be covering their songs in the future with as much passion as they were tonight for Jimi. It was a great rage on stage that night for sure.
Scott Metzger @ Brooklyn Bowl
CrosstownTraffic meant time to move around. I ran into Annabelle, aka Julie McCoy, as she shouted, “HEY! NICE SHIRT!! I had, of course, worn my Jam Cruise paraphernalia. On stage, everyone’s fingers flying a mile a minute with the whine of the guitars screaming through the lanes. It sounded ridiculous as I was summonsed to the Jam Cruise table to gather my Street Team gear for Mountain Jam. Woohoo! I got my “Ask Me About Jam Cruise” shirt. You know how happy that makes me? And during Mountain Jam, you know how many people asked me about Jam Cruise when I wore it the last day? ZERO! LOL…they couldn’t get past “Ask Me” is my guess…love it!
Some Cat From Japan @ Brooklyn Bowl
Little Wing slowed down the rage into a sexy sway of the hips. Crosby turned to the violin again, so very pretty! The rest of the stage filled in a beautiful backdrop. There were fun pulls of strings. This might have been the point when Will bent down and fiddled with all of his equipment and knobs but I could be wrong. I do wish could have gotten to the review sooner, as getting to it a few weeks later, behind other shows in my mind, has clouded my memory. But the beauty of my life is that I shall see them again soooooooooo soon 🙂 And the recording will come out even sooner!
Annabelle and Ron Johnson @ Brooklyn Bowl
Spanish Castle was supposed to close out their set but having too much fun up there, the time had flown by and they had run out. I literally felt like they were up there for 5 minutes but we had been given a good 45 minutes of solid FUN! And guess what friends…I surround myself with musically knowledgeable people who’s opinions I greatly respect. The following day was Mountain Jam and even with an entire weekend of utterly amazing music, there was speculation that the Some Cat From Japan set was one of the best all weekend. I can’t say that, but I can certainly understand where those statements came from. This show was incredible and I can’t wait to finally hear it again.
After the show, I lingered for the usual goodbyes. Ron Johnson came into the audience and thanked me for taking pictures for him. What a sweetheart! Some artists really do appreciate the fans. And I hope they forever know how much I appreciate them.
($15) Galactic Feat. Corey Henry w/ Sp. Guest Corey Glover of Living Colour@ Brooklyn Bowl (Funk Live) –> Some Cat From Japan (A Will Bernard Project) opening for Galactic
($30) Martin Sexton, Ryan Montbleau Band @ Nokia Theater Times Square
($36.50 – $40) Southside Johnny And The Asbury Jukes @ B.B. Kings
($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note
Sunday, June 6th, 2010:
Mountain Jam Music Festival, NY ~ Day III
($18-$25) Holmes Brothers @ City Winery
($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note
Monday, June 7th, 2010:
(Free) Fela! On Broadway Original Cast Recording Release Party @ Brooklyn Bowl
($30) Brand New Heavies feat. N’Dea Davenport @ Highline Ballroom
Tuesday, June 8th, 2010:
(Free) Dred Scott Trio @ Rockwood Music Hall
($??) Kenny Neal @ Terra Blues
($16-$20) Dirty Dozen Brass Band @ B.B. Kings (Funk Live)
($10-$85) Blues Summit: James Cotton & Friends feat. Taj Mahal, Hubert Sumlin, Pinetop Perkins, Willie “Big Eyes” Smith, Shemekia Copeland, Darrell Nulisch, David Maxwell @ Jazz at Lincoln Center
($15) The New Deal @ Brooklyn Bowl
($15) The Late Night Jam Sessions @ City Winery (Part of CareFusion Jazz Festival New York)
(Unknown) Chico Man @ El Museo del Barrio
($20 ) Giant Panda Guerilla Dub Squad @ Rocks Off Cruise (The Half Moon)
(Unknown) Victor Wooten @ BAM Rhythm and Blues Festival
($32.50-$38) En Vogue @ B.B. Kings
($35-$105) Herbie Hancock @ Carnegie Hall (Part of CareFusion Jazz Festival New York)
Special guests Terence Blanchard, Ron Carter, Bill Cosby, Dave Holland, Joe Lovano, Wallace Roney, Wayne Shorter, plus other artists to be announced