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As my fifth New Orleans Jazz and Heritage Festival gets closer, the anticipation gets stronger. This year is a little different- I have two friends coming to Jazz Fest on my say so, so I’m a little stressed, wanting to make sure they tell me what they want to hear, making sure they love it as much as I do. So in prepping for my favorite week of the year, here are some things you don’t want to miss:

At the fairgrounds:

Thursday, May 3rd

High School Gospel Choirs: I like to open my fest with the McMain Singing Mustangs – every year, these kids bring some serious firepower to the Gospel Tent.  McDonogh #35 High School also does some incredible stuff later in the afternoon.

New Orleans Music Legends: Bassist George Porter Jr. has probably played on your favorite album, whether with Tori Amos, David Byrne, being the bass line sampled for tons of hip hop classics, or with his own groundbreaking work with the legendary Meters. Do yourself a favor and see him. While you’re at it, check out piano virtuoso Henry Butler, and the boys and girl in Dumpstaphunk. All of em will make you wish you lived here and saw em more often.

Home Grown Up and Comers: I saw Mia Borders in a tiny club with a leaky roof on the lower east side last year and she was amazing. Probably got an awesome band with her, including NOLA saxman Khris Royal (who’s probably with George too), and her cover of Bill Wither‘s “Use Me” was just bananas last year.

2012 Fantasy Map

2012 Fantasy Map

Friday, May 4th

The One Woman Army, now with backup: Theresa Andersson is a tremendous singer, fiddle player, and all around musician. This year, she’s got a great krewe of musicians with her, including Hannah Krieger-Benson, a fantastic trumpet player and singer who’s doing her own stuff (Hannah KB Band) and some ska too (The Local Skank)

Pick your own Jazz Adventure:  Three amazing jazz sets happening right after Theresa, at the same time. I have no idea how I’ll do all three.  Big Chief Donald Harrison will be mixing his bebop and modern jazz skills with R&B and NOLA classics, ala the amazing cover of “Indian Red” he did for the Treme Season One Soundtrack.  Or, you can get your fill of low end saxophonics, with Roger Lewis (Dirty Dozen Brass Band) leading three Bari Saxes and a Bass Sax for Baritone Bliss (which was fantastic last year).  Or, you can see Preservation Hall trumpet man Mark Braud do his own thing in the Economy Hall tent.

Holy People: Bet on Mavis Staples, who was already among the top reasons we went with this weekend, to put on a ridiculous set at the gospel tent in honor of her friend (and ours), the late great Levon Helm.  I’m sure her set is going to be so great, I’ll probably miss Deacon John‘s killer cover of “Many Rivers to Cross” to get a spot. However, if I were you, I wouldn’t miss much else of his set.  Local music legend, a fantastic performer, a great singer, a helluva guitar player, just amazing stuff, see Deacon John.

Mahalia Jackson - Historic Jazz Fest Picture

Mahalia Jackson – Historic Jazz Fest Picture

Saturday May 5th

Family Preservation: Loads of famous families in the New Orleans tradition – on Saturday, the Brunious family represents in Economy Hall. A few hours before Mark Braud (nephew to the late John Brunious) takes the stage (and hopefully passes out some ice cream) with the
Preservation Hall Jazz Band, his other uncle (and brother to John) Wendell Brunious will step up to the stage- Wendell was on fire at BAM a couple weeks back, sitting in with Dr. John, so look for some tasty trumpet goodness all around.

Raisin’ Hell: Another scion of a famous musical family takes the Fais Do Do stage, Rockin Dopsie and his Zydeco Hellraisers.  I feel like a lot of my favorite Zydeco bands all seemed to be packed into first weekend, but Rockin Dopsie is a notable exception.

Local Greats to Look For: Anders Osborne is a beast on guitar, and his new album is a great mix of sweetness, of sadness, of blues and power.  Not sure who’s playing with them, but see it.  Paul Sanchez’s Rolling Road show is always packed with local stars, Joe Krown with Russell Batiste and Walter “Wolfman” Washington is a tight organ guitar drums trio that does it right. John Boutte‘s voice, which you may recognize from the theme song from Treme, is tremendous to hear in the Jazz Tent – he may spoil us with a great cover of Leonard Cohen‘s “Hallelujah”…if we’re lucky!

The Cafe du Monde stand between the Jazz and Blues tents, around 5:30pm.  Good time to hydrate and get some iced coffee.  Hard to see ending my Preservation Hall second line early, but gonna need to refuel. And what better place to do it? Herbie Hancock and his band in the Jazz Tent on your right, the Warren Haynes Band (with tinyrager.com faves Nigel Hall and Alecia Chakour, as well as Dr. John, playing out) on your left in the Blues Tent.

Jazzfest 1975 Historic Poster

Jazz Fest 1975 Historic Poster

Sunday, May 6th

Sunday is always the most packed day, the closing day of the festival.  Of course, I can tell you to park at Gentilly Stage all day, or don’t miss Galactic, but hopefully you already know.  Here are a few things you might not know about:

The Family that Prays Together: Remember that John Boutte guy from Saturday?  He’s bringin’ his whole family to the gospel tent. You should get there too.

Arieal

Arieal

Glen David Andrews: Cousin to Trombone Shorty and James Andrews, the fire-breathing trombone player’s got an incredible performance you don’t want to miss.  Why he’s not taking his rightful place closing down the Gospel tent is beyond me, but at least it makes the FOMS (Fear of Missing Something) to close the festival a bit easier.

Camping at the Jazz and Heritage Stage: I don’t know the higher heights, but every other group at the Jazz and Heritage stage is a smoker, starting with War Chief Juan, the TBC Brass Band, Los Hombres Calientes will be incredible (why not in the Jazz tent?), and

Big Chief Bo Dollis: It’s not clear if the Big Chief is going to make it, he’s fallen ill, so I expect the boys to rock it out hard for him even if he can’t make it.  Look for Brooklynite turned Orleanian Billy Iuso wrecking shop on guitar (if not here, with Anders on Saturday), he’s a force to be reckoned with.

Close out with the Hall: Okay, so you’ve got 8, count em, 8 amazing sets lined up to end your fest. My pick is Preservation Hall – they’re going to have a lot of friends on stage with them and it’s going to be a lot of fun.  Also, I have no idea why they put Sharon Jones in the Blues Tent when she’s going to want the crowd up and dancing.

The night shows are a whole other animal, coming for part 2…

Words by Guest Writer: Russ Agdern

April 2012 Music Calendar

Calendar updated daily!

Sunday, April 1, 2012 

  • ($42) Citizen Cope ! An Intimate Trio / Acoustic Performance @ City Winery

Monday, April 2, 2012

  • ($17) Van Hunt @ Studio at Webster Hall
  • ($25) Rachael Yamagata @ Highline Ballroom
  • ($25) Mingus Orchestra for “Mingus Mondays” @ Jazz Standard
  • ($42) Citizen Cope ! An Intimate Trio / Acoustic Performance @ City Winery

Tuesday, April 3, 2012 

  • ($15) Van Hunt @ Knitting Factory
  • ($15-$20) DAVY JONES MEMORIAL: An Evening of Music & Memories @ B.B. Kings
    • Featuring the Davy Jones Band past & present, and many very special guests
  • ($20) Melissa Stylianou Quintet w/ sp. guests Anat Cohen & Gene Bertoncini @ Jazz Standard
  • ($42) Citizen Cope ! An Intimate Trio / Acoustic Performance @ City Winery
  • ($150 – $600) The Revlon Concert for the Rainforest Fund @ Stern Auditorium / Perelman Stage
    • Sting, Elton John, James Taylor, Meryl Streep, Bryn Terfel, Rosanne Cash, Vince Gill, Bruno Mars, Channing Tatum, Jennifer Hudson, Additional artists to be announced: Trudie Styler, Producer

Wednesday, April 4, 2012 

  • (Free) Nutritious @ Bembe (A World Beat DJ)
  • ($5) Dopapod @ Brooklyn Bowl
  • ($10) honeyhoney plus Sonya Kitchell @ Union Hall
  • ($20) The Louis Armstrong Centennial Band @ Birdland NYC
  • ($25-$30) Rachael Yamagata @ Music Hall of Williamsburg
  • ($42) Citizen Cope ! An Intimate Trio / Acoustic Performance @ City Winery

Thursday, April 5, 2012 

  • (???) Paul Oakenfold @ Provocateur
  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (11pm set)
  • ($15) ESL Music and BYT presents: The Funk Ark, Chico Mann, Federico Aubele, and Ursula 1000 @ Le Poisson Rouge
  • ($15) Ozric Tentacles @ B.B. Kings Blues Club
  • ($20-$40) Dr. John and Dan Auerbach (Black Keys guitarist) @ Howard Gilman Opera House, Brooklyn Academy Of Music
  • ($42) Citizen Cope ! An Intimate Trio / Acoustic Performance @ City Winery
  • ($47) Chick Corea Solo Performance @ Highline Ballroom (8pm/10pm sets)

Friday, April 6, 2012 

  • (Free) New York Funk Exchange @ Hill Country BBQ
  • ($15) North Mississippi Allstars w/ Leroy Justice @ Brooklyn Bowl
  • ($20-$40) Dr. John and Dan Auerbach (Black Keys guitarist) @ Howard Gilman Opera House, Brooklyn Academy Of Music
  • ($25) David Johansen of the New York Dolls @ Highline Ballroom
  • ($45-$65) A Residency with….Anoushka Shankar @ City Winery
  • ($70-$120) Bruce Springsteen and the E Street Band @ Madison Square Garden

Saturday, April 7, 2012 

  • (Free) Sonya Kitchell @ Rockwood Music Hall (8:30pm set)
  • (Free) Tall Tall Trees @ Rockwood Music Hall (11pm set)
  • ($15) Gramatik & Break Science w/ Paul Basic @ Irving Plaza
  • ($15) North Mississippi Allstars w/ Jarrod Dickenson @ Brookln Bowl
  • ($20-$40) Dr. John and Dan Auerbach (Black Keys guitarist) @ Howard Gilman Opera House, Brooklyn Academy Of Music
  • ($45-$65) A Residency with….Anoushka Shankar @ City Winery
  • ($60-$75) Prairie Home Companion @ Town Hall

Sunday, April 8, 2012 

  • (Free) Moonalice @ Brooklyn Bowl
  • ($25) Seun Kuti & Fela’s Egypt 80, Zozo Afrobeat, DJ Rich Medina @ Highline Ballroom
  • ($45-$65) A Residency with….Anoushka Shankar @ City Winery

Monday, April 9, 2012

  • ($8) A Residency With…Kung Fu with Wyllys and NY Hustler Ensemble, Mom and Dad @ Brooklyn Bowl
  • ($8) Jim Campilongo Electric Trio with Stephan Crump & Tony Mason @ The Living Room
  • ($25) Mingus Orchestra for “Mingus Mondays” @ Jazz Standard
  • ($50-$70) FURTHUR featuring Phil Lesh & Bob Weir @ Beacon Theater
  • ($70-$120) Bruce Springsteen and the E Street Band @ Madison Square Garden

Tuesday, April 10, 2012 

  • (Free) Jonathan Batiste @ Rockwood Music Hall (11pm set)
  • ($15) The Alone Together Tour – an Evening of Solo Works, Billy Martin (Medeski Martin & Wood), Sarah Neufeld (Arcade Fire/Bell Orchestre), Gregory Rogove (Devendra Banhart/Priestbird) @ Littlefield
    • **PLEASE NOTE THIS IS AN EARLY SHOW**
  • ($30) HIROMI @ B.B. King Blues Club and Grill (2 sets)
  • ($50-$70) FURTHUR featuring Phil Lesh & Bob Weir @ Beacon Theater

Wednesday, April 11, 2012 

  • (Free) Nutritious @ Bembe (A World Beat DJ)
  • (Free w/ $10 drink minimum) Farewell Drifters @ The Living Room (9pm-10pm Set)
  • (Free w/ $10 drink minimum) Jason Crosby Trio with Hagar Ben Ari and Shawn Pelton with special guests Scott Metzger and Megan Palmer @ The Living Room (10pm-11pm Set)
  • ($20) The Louis Armstrong Centennial Band @ Birdland NYC

Thursday, April 12, 2012 

  • (Free) Wolf Feat. Scott Metzger @ Hill Country BBQ
  • ($5 or Free w/ RSVP) Brooklyn Brass Clash: PitchBlak Brass Band vs. Underground Horns @ Brooklyn Bowl
  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (11pm set)
  • ($20-$55) Dr. John: Insides Out: w/ The Dirty Dozen Brass band @ Howard Gilman Opera House, Brooklyn Academy Of Music
  • ($40-$120) The Fray w/ Jessie Baylin @ Radio City Music Hall
  • ($50-$70) FURTHUR featuring Phil Lesh & Bob Weir @ Beacon Theater
    • ($10) A Furthur After-Party/Art Party hosted by Gnomes Grown with music by Stimulus Clan & Eelko / Gratefully Deadicated (DJ) and The Carnival Parade (DJ) @ Sullivan Hall

Friday, April 13, 2012 

  • ($10) Hot Buttered Rum @ Brooklyn Bowl
    • With Floodwood ft. Al Schnier & Vinnie Amico of moe.
  • ($15) Turkuaz (Live Concert Filming) @ Rockwood Music Hall (8pm set)
  • ($20-$55) Dr. John w/ Dirty Dozen Brass Band @ Howard Gilman Opera House, Brooklyn Academy Of Music
  • ($37.50) Eddie Money @ B.B. Kings Blues Club
  • ($50-$70) FURTHUR featuring Phil Lesh & Bob Weir @ Beacon Theater
    • ($10) A Furthur After-Party: Reflections – A Jerry Celebration @ Sullivan Hall (11pm late set)

Saturday, April 14, 2012

  • (Free) Mark Guiliana @ Rockwood Music Hall
  • ($20-$55) Dr. John: Insides Out: Funky But It’s Nu Awlins @ Howard Gilman Opera House, Brooklyn Academy Of Music
  • ($56-$75) A Prarie Home Companion @ Town Hall
  • ($50-$70) FURTHUR featuring Phil Lesh & Bob Weir @ Beacon Theater
    • ($10) A Furthur After-Party: Reckoning – Performing Grateful Dead, Phish, & more @ Sullivan Hall (late 11pm set)

Sunday, April 15, 2012 

  • ($35-$40) “Remembering Whitney” The HARLEM GOSPEL CHOIR Sings WHITNEY HOUSTON @ B. B. Kings Blues Club
    • By Overwhelming Popular Demand, a Second Show Has Been Added on April 15th
  • ($50-$70) FURTHUR featuring Phil Lesh & Bob Weir @ Beacon Theater

Monday, April 16, 2012 

  • ($8) A Residency With…Kung Fu with Bio Diesel with Johnny Rabb, Sonic Spank @ Brooklyn Bowl
  • ($8) Jim Campilongo Electric Trio with Stephan Crump & Tony Mason @ The Living Room
  • ($20-$25) Mayer Hawthorne & The County @ Webster Hall
  • ($25) Mingus Orchestra for “Mingus Mondays”@ Jazz Standard
  • ($25) Asobi Seksu @ Highline Ballroom

Tuesday, April 17, 2012 

  • ($???) Bad Brains @ Irving Plaza
  • (Free) New York Funk Exchange @ Club Groove
  • ($20-$25) SUGAR BLUE (Grammy-Winning Blues Harp Legend) @ B. B. Kings
  • ($35-$40) Tower of Power @ B. B. Kings Blues Club
  • ($50-$70) FURTHUR featuring Phil Lesh & Bob Weir @ Beacon Theater

Wednesday, April 18, 2012 

  • (Free) Nutritious @ Bembe (A World Beat DJ)
  • ($20) The Louis Armstrong Centennial Band @ Birdland NYC
  • ($50-$70) FURTHUR featuring Phil Lesh & Bob Weir @ Beacon Theater
  • ($1,500+) “The Paul Simon Songbook” @ Rose Theater, Frederick P. Rose Hall
    • Featuring legendary singer/songwriter, Paul Simon with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Special Guest Aaron Neville.

Thursday, April 19, 2012 

  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (11pm set)
  • ($30) Regina Carter @ Jazz Standard
  • ($45-$90) Creed performing ‘My Own Prison’ @ Beacon Theater
  • ($1,500+) “The Paul Simon Songbook” @ Rose Theater, Frederick P. Rose Hall
    • Featuring legendary singer/songwriter, Paul Simon with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Special Guest Aaron Neville.

Friday, April 20, 2012 

  • (Free) Nutritious @ Ace Hotel
  • ($8-$10) Adam Ezra Group @ The Living Room
  • ($15) The Greyboy Allstars @ Brooklyn Bowl (3 sets)
    • Post Grey Boys: ($10) Try This at Home @ The Blue Note (12:30am set)
  • ($30) Regina Carter @ Jazz Standard
  • ($35-$40) Air Supply @ B. B. Kings Blues Club (2 sets)
  • ($35-$70) Rodrigo y Gabriela and C.U.B.A. @ Radio City Music Hall
  • ($42-$66) Sphongle Presents the Masquerade @ Roseland Ballroom
  • ($45-$90) Creed performing ‘Human Clay’ @ Beacon Theater
  • ($1,500+) “The Paul Simon Songbook” @ Rose Theater, Frederick P. Rose Hall
    • Featuring legendary singer/songwriter, Paul Simon with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Special Guest Aaron Neville.

Saturday, April 21, 2012

  • ($15) The Greyboy Allstars @ Brooklyn Bowl (3 sets)
  • ($30) Fountains of Wayne @ Irving Plaza
  • ($30) Regina Carter @ Jazz Standard
  • ($40-$50) Esperanza Spalding Radio Music Society @ Webster Hall
  • ($65-$150) New Edition @ Madison Square Garden

Sunday, April 22, 2012

  • ($30) Fountains of Wayne @ Irving Plaza

Monday, April 23, 2012

  • ($8) A Residency With…Kung Fu with ft. Jon “The Barber” Gutwillig (of The Disco Biscuits), Damn Right @ Brooklyn Bowl
  • ($8) Jim Campilongo Electric Trio with Stephan Crump & Tony Mason @ The Living Room
  • ($25) Mingus Orchestra for “Mingus Mondays”@ Jazz Standard
  • ($75-$125) Gypsy Kings @ Beacon Theater

Tuesday, April 24, 2012

  • (Free) Dred Scott Trio @ Rockwood Music Hall (12am set)
  • ($50-$75) Counting Crows @ Roseland Ballroom
  • ($105) Valarie Smaldone Interviews Cyndi Lauper @ Kaufmann Concert Hall

Wednesday, April 25, 2012

  • (Free) Nutritious @ Bembe (A World Beat DJ)
  • ($10) Cabinet ELEVEN DVD/CD Release Party with The Hollows, Buzz Universe, Newborn Kings, Twin Cities, Mike Delledera Band @ Sullivan Hall
  • ($20) The Louis Armstrong Centennial Band @ Birdland NYC
  • ($30-$40) Endangered Species: The Music of Wayne Shorter w/Ravi Coltrane, Jeremy Pelt & Marcus Strickland & Directed by David Weiss @ Dizzy’s Coca Cola Club (Jazz @ Lincoln Center)
  • ($45-$50) Suzanne Vega & Duncan Sheik @ Highline Ballroom

Thursday, April 26, 2012

  • (Free) Nutritious @ Ace Hotel
  • ($5-$7) The Heavy Pets @ Brooklyn Bowl
  • ($5-$8) DJ ?uestlove Presents Bowl Train @ Brooklyn Bowl (11pm set)
  • ($10) The Statesman Record Release @ Rockwood Music Hall (10pm set)
  • ($34-44) Punch Brothers @ Town Hall 
  • ($35) Kenny Garrett Quintet @ Iridium Jazz Club
  • ($45-$50) Suzanne Vega & Duncan Sheik @ Highline Ballroom

Friday, April 27, 2012

  • (Free) Lily and the Parlor Tricks @ Rockwood Music Hall
  • ($30-$40) Endangered Species: The Music of Wayne Shorter w/Ravi Coltrane, Jeremy Pelt & Marcus Strickland & Directed by David Weiss @ Dizzy’s Coca Cola Club (Jazz @ Lincoln Center)
  • ($30-$40) An Evening with the Big Chief Donald Harrison @ Symphony Space
  • ($35) Kenny Garrett Quintet @ Iridium Jazz Club
  • ($40-$80) Death Cab For Cutie Featuring The Magik* Magik Orchestra @ Beacon Theater

Saturday, April 28, 2012

  • ($5) Virginia Coalition @ Brooklyn Bowl
  • ($25-$35) Conspirator @ Irving Plaza
  • ($30-$40) Endangered Species: The Music of Wayne Shorter w/Ravi Coltrane, Jeremy Pelt & Marcus Strickland & Directed by David Weiss @ Dizzy’s Coca Cola Club (Jazz @ Lincoln Center)
  • ($35) Kenny Garrett Quintet @ Iridium Jazz Club
  • ($40-$80) Death Cab For Cutie Featuring The Magik* Magik Orchestra @ Beacon Theater
  • ($65-$85) Dickey Betts & Great Southern @ The Concert Hall

Sunday, April 29, 2012

  • ($15) The Motet Plays Funk is Dead! @ Highline Ballroom
  • ($30-$40) Endangered Species: The Music of Wayne Shorter w/Ravi Coltrane, Jeremy Pelt & Marcus Strickland & Directed by David Weiss @ Dizzy’s Coca Cola Club (Jazz @ Lincoln Center)
  • ($40-$80) Death Cab For Cutie Featuring The Magik* Magik Orchestra @ Beacon Theater

Monday, April 30, 2012

  • ($8) A Residency With…Kung Fu with Juno What?!, pH Factor, special guest Garrett Sayers (of the Motet and Miracle Orchestra) @ Brooklyn Bowl
  • ($8) Jim Campilongo Electric Trio with Stephan Crump & Tony Mason @ The Living Room
  • ($25) Mingus Orchestra for “Mingus Mondays”@ Jazz Standard
  • ($50-$330) Barry Manilow @ Radio City Music Hall

I am surrounded by people with great knowledge of music and some spirited debates occur as a result. I just came across this submission in my emails and absolutely had to post it. Thank you to Brett Bickley who so eloquently pens what I know a lot of us are still feeling…

Dear Grammys … Really?

For real music fans, the yearly broadcast of the Grammy Awards is like being forced to watch the thing you love the most, cheapened and exploited like some sort of shallow painted-up inflatable love doll. You know how some New Jerseyians would cross broken glass on their knees for season Giants tickets? I would do the same thing for Led Zeppelin to reunite. The 3 1/2 hour wankfest that is the National Recording Arts and Sciences yearly broadcast of this, it’s complete disregard for real musicians and artists, and was able to come across even more pathetic than usual. Not an easy task.

Starting things off, of course, was the “800-pound gorilla in the room”: Whitney Houston’s death the day before. A tragedy. Know what’s an even bigger tragedy? How none of her family and friends or business associates didn’t step in very recently and have this poor, sick woman put away for her own safety. The news stories and video is readily available. Whitney had been looking more and more in need of help as the past week went on, and NONE of those people could have found a doctor and said, “Hey, we have got to get her serious help, please”? That’s the tragedy.

How many of you know that that this year, the Grammys cut their categories from 109 to 78? And, did you know that the majority of those eliminated categories were related to world and root music? Those being the very forms and styles of music that our families and ancestors brought here to America when they arrived. The majority of these categories were populated by musicians and artists that 95 percent of you have never heard of, but they work hard, write beautiful music, and have as much a right to be nominated and celebrated for their art as much as the Justin Biebers of the world.

Congratulations to The Allman Brothers Band for receiving the Lifetime Achievement Award. You say you don’t remember seeing it? Oh, that’s right! It wasn’t broadcast! The Allman Brothers Band. An American musical dynasty. These guys make John Mellencamp look like a Socialist. They created an entire musical genre: Southern Rock. Understand? No Allman Brothers Band, no “Freebird.” The Brothers receiving an award for over 30 years of performing and going through every flame of brimstone and fire you can experience in the music business and is not only going strong, but as good as they were when Duane was alive. Americans should be proud of artists like this. How good are the Allman Brothers? Three of them released solo albums this past year and all three got nominated for Grammys. I know. The ironing.

So, The Brothers receive their award that afternoon and what does America get 15 minutes of? Chris Brown. That’s right. No TV time for Gregg and the boys but the guy who almost beat his celebrity girlfriend to death in a car a few years ago gets a tight 15 minutes of prime time. Gee. Thanks. “Hey, kids, I wanted you to see one of the coolest bands to ever play rock and roll do a song after winning their big award but instead we’re going watch the poster child for domestic violence shake his booty and lip sync for awhile.”

So, Grammys … On behalf of all the REAL music fans out here: throw us a bone. Maybe realize that the quality music out there isn’t being pushed down the American consumers’ throats by ClearChannel on the radio and MTV. It’s being played in garages and basements all over the world.

~ Words by Brett Bickley

Bowlive III: Night Ten – Finale Recap for Soulive w/ Ledisi, Derek Trucks and The London Souls ~ Extended Review + Media (03.10.12)

After nine nights of warming up, Soulive members Eric KransoNeal Evans and Alan Evans tore the roof off the Brooklyn Bowl Saturday night for the final night of their 3rd annual ten-night residency, Bowlive. Over the course of the last two weeks, Soulive presented their audience with talented guests from across the musical spectrum. Virtuoso guitarists such as jazz legend John Scofield, southern blues rocker Luther Dickinson (North Mississippi Allstars), and the hard-bopping Warner Brothers artist Mark Whitfield created slaying duets with guitarist Eric Krasno. Renowned bassists Oteil Burbridge (The Allman Brothers Band) and George Porter, Jr. (The Meters) rocked the stage, adding to the cool bass keys Neal Evans plays so strikingly. Hip-hop drummer ?uestlove (The Roots), experimental percussionist Billy Martin (MMW) and world beat drummer Luke Quaranta took their turns leading the rhythm when the smoother than smooth Soulive drummer Alan Evans stepped aside to play rhythm guitar.

Guest vocalists Nigel Hall, Allen Stone, Jennifer Hartswick and Alecia Chakour brought their own style of strength and soul to the mic, Citizen Cope and Alice Smith sang an eclectic mix of blues, laid-back rock and folk while Rhazel and Ledisi delivered beat boxing and R&B/Soul into the eager ears of their audience. As well, for two night and two full sets, Royal Family recordings artists Lettuce, consisting of guitarist Adam Smirnoff, drummer Adam Deitch (Break Science), bassist ED “Jesus” Coomes, and The Bowlive horns, seared the stage with their urban funk flavor.

The Bowlive Horns, consisting of saxophonist James Casey, trumpeters Eric Bloom and Matt Owens and tenor saxophonist Ryan Zoidis were joined over the course of the run by numerous big name brass players.  Trombonist Sam “Big Sam” Williams (Big Sam’s Funky Nation), flautist/saxophonist Karl Denson (Karl Denson’s Tiny Universe), trumpeters Rashawn Ross (Dave Matthews Band) and Jennifer Hartswick, flautist Kofi Burbrudge (Derek Trucks Band) and wild improvisational saxophonist Skerik, rotated throughout the ten nights creating one of the sickest brass ensembles some have ever seen.

Other surprise guests included virtuoso pianist Eldar and organist Mitch Chakour while DJ Wyllys spun the ones and twos in between the weekend sets. When Soulive didn’t open the show themselves, the one man band, Zach Deputy, Royal Family recording artists The Nigel Hall Band, The Alecia Chakour Band and The London Souls amped the energy of the evening before Soulive took over to lay devastation upon the stage. It has been a two week rage of full on face melting, mind warping, soul filling, gut busting musicianship that accelerated with power each night and with audience members wondering how it could be topped.

Saturday night was the tenth and last night of Bowlive III. The audience, clad in white outfits for the evening’s White-Out Party theme, could be heard whispering their ideas of who the special guests might be. The London Souls, Ledisi and The Royal Family All-Stars were billed which could only mean that a surprise that couldn’t be named was being prepared.

The London Souls opened the evening with their Hendrix-style rock and roll sound. It is quite impossible to remain calm when guitarist Tash Neal, bassist Stu Mahan, and drummer Chris St. Hilaire are slamming away on their instruments.  The perfect opening for the end of a great run.

Soulive’s set started off with the super horn heavy, high-energy “El Ron”  However, during “Upright,” some unexpected technical difficulty occurred.  What could have been a rough moment turned into something special. There was three minutes where Alan Evans and his team worked at lightning speed to repair a broken drum head while the remaining members on stage worked together to keep the audience engaged. The audience clapped and cheered, supporting their favorite trio because there was importance in this moment. The band’s talent was exposed so much more during this time as they kept it together. The power from the applause in the audience when Evans’ silver shimmering drum kit was finally lifted in the air and put back in place was outstanding. It was a killer moment in rock n roll, a killer moment in Bowlive History. The trio ripped into the end of “Upright” and kept the momentum UP, UP, UP! They rolled through “Tuesday Night Squad” and Nigel Hall sang on the lively “Too Much” and the beautifully arranged “Everybody Wants to Rule the World” by Tears For Fears that segued into Bobby Caldwell’s “Open Your Eyes.”

When Ledisi was brought back on stage for the second night, the crowd exploded. Her R&B flavor had brought such joy to the previous night’s performance and we wanted more. Singing “Love Never Changes” off her Turn Me Loose album, Ledisi unleashed her massively powerful voice upon the audience. Her range and strength were unbelievable as she swiftly scatted her way through “Them Changes,” a Buddy Miles cover off of Jimi Hendrix’s Band of Gypsys. Tash Neal also performed on this song where he and Krasno playfully raged a duet to end the set.

The second set began as multiple white balloons were tossed out into the audience while Soulive played “One in Seven.” The second technical difficulty of the night occurred as Neal Evans’ clavinet finally gave way after nine nights of solid pounding. Not to miss a beat, Alan Evans began jamming on his kit, delivering a tight an extended drum solo as the back line team fixed the issue.  It was then time for some Beatles love as they played an electric run of “Eleanor Rigby,” “She’s So Heavy” and “Get Back.”

Finally, the last surprise guest of this amazing musical journey was invited on the stage. Southern rock, slide guitarist Derek Trucks (The Allman Brothers Band) walked out on stage with Nigel Hall and Ledisi to perform Sam Cooke’s Civil Rights Era anthem “A Change Gonna Come,”. It was no wonder that while Ledisi and Hall sang with all their passion and Derek Trucks made his guitar cry, audience members began to weep where they stood. The meaning and epic delivery of this song wasn’t lost on a single soul. Soulive flipped the emotional script by following Cooke’s song with the raging Jimi Hendrix’s tune, “Manic Depression!” Derek Trucks, Eric Krasno, Neal Evans and Alan Evans delivered a sick rendition of the song with Trucks and Krasno playing off each other and Trucks taking a ripping solo to end the set.

Before the encore, Brooklyn Bowl owner, Pete Shapiro, came on stage with Rosemary and Lavender plants in his hands. He explained that everyone on the floor was to take a piece of the plants being passed around the audience in hopes that the aroma therapy would help us gather our strength for one last song. Ending their epic ten night run the way they began, our favorite trio, just the three of them, took the stage for “Aladdin.”

Bowlive III is now over, leaving some New Yorkers wondering what to do with themselves.  For two weeks, dedicated fans came to the Brooklyn Bowl to see Neal Evans, Alan Evans and Eric Krasno play their hearts out, touching on every musical genre and playing with many of Americas most talented musicians. Let us give thanks to Soulive for the dedication to their craft and their ability to express it through the creative outlet that is Bowlive. Thanks for their want to educate us on new talent, their need to put new twists on old classics, and their determination to raise the bar each and every night.

Let us give thanks to The Brooklyn Bowl, because without them there would be no Bowlive. Thanks for their wonderful environment, staff and treatment.  For the last 2 weeks the Brooklyn Bowl has been our community’s second home. We’ve feasted on their fantastic Blue Ribbon cuisine, felt at home on their plush leather couches and enjoyed their attentive staff.   Soulive + The Brooklyn Bowl = Bowlive and don’t you forget it!

A change has come to New York City. A change has come to the music community.  Soulive has created something so special in Bowlive.  There is nothing else like it in our scene and it’s through that unique way of doing things that Soulive will remain one of the most influential groups in our music community. Bowlive is the development of a passionate dream that is now reality. After three years, Bowlive is no-doubt a game changer in the music community and will continue to be for many years to come. Thank you Soulive!

 Karen E. Dugan
– Photo courtesy of Phrazz

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Bowlive III: Night Nine – Soulive w/ George Porter Jr., Ledisi and Skerik ~ Extended Review + Media (03.09.12): Bowlive Finale White Party Ledisi, The London Souls, and The Royal Family All-Stars TONIGHT!

Fire! Fire! Fire! These three little words are the simplest yet perfect definition of what occurred on the Brooklyn Bowl‘s stage last night for the ninth night of Soulive’s third annual ten night residency, Bowlive. So far, nine epically diverse nights of music have now been devoured by sold-out crowds of rabid NY music fans. The members of Soulive, the amazing Neal Evans on organ and bass keys, Eric Krasno, and the backbone of it all, Alan Evans on drums, were back at it for the last weekend of this fantastic run. After eight nights of raging musical collaborations, Soulive continued to deliver with an onslaught of some of America’s most influential musicians. The members of Soulive, The Bowlive Horns, George Porter, Jr., Eldar, Ledisi, Mark Whitfield, Nigel Hall and Alecia Chakour invested all their energy into making last night’s audience react just as powerfully as these musicians performed.

Last night’s opening act is one of the newest musical collaborations within the Royal Family. Nigel Hall and Alecia Chakour took to the stage with a “little help from their friends” to deliver a set of beautifully arranged classics.  These soul-filled vocalists are being compared to some of the greatest soul singing duos of our era and deserve all the love and recognition that comes their way. Supporting their slow, soulful vibe was drummer Adam Deitch (Break Science), trumpeter Eric Bloom (Diana Birch), guitarist Adam Smirnoff (Lettuce), saxophonist James Casey (6figures), Ryan Zoidis (Lettuce), and Alecia Chakour’s brother, bassist Alex Chakour. Nigel Hall sat behind his Rhodes keyboard while Alecia dominated the crowds command from the front of the stage. Performing such classics as Stevie Wonder’s “Signed, Sealed, Delivered” and The Righteous Brothers’ “You’ve Lost That Loving Feeling,” Hall and Chakour made the music their own with beautifully blended voices and arrangements of the songs. These two voices were meant to find each other and the audience couldn’t have been more invested in the harmonies and beauty resonating between them. Pure soul perfection. Keeping with the “Family Affair,” Mitch Chakour, Alecia and Alex’s father, was invited on stage to play keys for Joe Cocker’s “With a Little Help From my Friends!” When Nigel Hall and Alecia Chakour join forces on stage, their bond through music and their passion for soul pours out of them. This was only the second time the duo had performed as an organized set all their own and fans can be sure that it will not be their last. There is magic in this musical union that doesn’t come around often.

After such an touching set, NY-bsed DJ, Wyllys, spun on the 1’s and 2’s to keep the crowds elevated before Soulive took to the stage. When Soulive finally hit, they came out blasting with “Steppin.” This was the final weekend of Bowlive and the trio, who have been delivering us powerful sets for two weeks, raised their own bar a little higher.  After the short set with George Porter Jr. (The Meters) the previous night, Soulive jumped right into the second song by inviting New Orleans funkiest bassist back out on stage for “Pungee” and “Need More Time.” There is an energy that George Porter, Jr. brings to a stage that is tangible. Nigel Hall was back to join Porter for “Leave Me Alone,” but not before Nigel bowed at Porter’s feet letting the crowd know that this “was the funkiest black man in the universe!”

When special guest New Orleans singer-songwriter Ledisi was announced, the venue erupted. This portion of the set was so smokin’ that heat was rising from the stage. Performing “Knocking,” with Adam Deitch now on drums, Ledisi wowed the crowd with her powerful, demanding vocals and sensual style. There is no doubt that she deserves the multiple Grammy nominations that have come her way in the past few years as this was the definition of pure entertainment. “Chain of Fools” followed with The Bowlive Horns, Porter, and a surprise sit-in by Eldar, a fellow Grammy nominated pianist and composer. Surely one of the hottest portion of the night, confirmed by the buzz heard through the audience, Eldar delivered a complex piano solo while Ledisi scatted atop his gorgeous improvisational composition.  George Porter Jr. and the remaining musicians on stage supported this musical bliss to end one of the most magnificent sets of the run. Ledisi’s vocals supported by George Porter Jr. funky bass and combined with the jazzy vibe from Soulive and surprise guest Eldar was truly inspirational, uplifting and touched the audience’s soul. This is what Bowlive is all about, the deliverance of truly developed artists who are masters at their craft!!

Wyllys was spinning again for set break. Never using a set list, Wyllys kept the energy UP with choice selections of funk, R&B, and soul tunes. He kept the crowd dancing before Soulive came back for “Cannonball” supported by the Bowlive Horns. Always ready for something special and new, Soulive invited hard bop jazz guitarist Mark Whitfield on stage next for an electric rendition of George Benson’s “World is a Ghetto.” Following this amazing sit-in, George Porter, Jr. came back on stage and took the lead for the rest of the night performing multiple tunes from The Meters catalog, “Funky Miracle,” “The Dragon,” “People Say,” and “Ain’t No Use.”  The consistent funky bass lines and powerful, invested vocals coming from Porter during these selections fueled the set as well as the musicians sharing the stage. They were long arrangements making room for each artist to share their talent with rousing solos and epic extended jams. Tears were in the eyes of their audience as Eric Krasno and friends ended the set with a stunning, gorgeous arrangement of “Out in the Country.”


There are some music performances that are simply impossible to describe with words. Last night was one of those nights and any attempt at doing justice through written word seems unfulfilling after witnessing the magic of last night. The musical genius that poured off the stage resulted in emotional ballads and extended improvisational jams that expanded on the already amazing two weeks that Soulive has provided it’s audience. It’s painful to even imagine that this adventure is coming to an end. However, we still have one night!  A single night to enjoy one of the sickest musical residencies to happen to our musical community. Every night Soulive has stepped up their game, tightened their sound, and put together an arsenal of talented musicians to play some of the greatest songs ever written.  Tonight, Soulive invites Ledisi, The London Souls, and the Royal Family All-Stars to close out the residency. You can expect nothing but pure gold this evening as these boys will surely be going out with a bang! 

 Karen E. Dugan

– Photo courtesy of Marc Millman

*To see photos of these musicians and lots of other live music, please check out: http://www.marcmillmanphotos.com/music

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