Feeds:
Posts
Comments

Posts Tagged ‘The Brooklyn Bowl’

Some Cat From Japan & East Coast Jam Cruise Reunion

@ Brooklyn Bowl (06.03.10)

I had originally intended to attend the Trombone Shorty & Michael Franti show at Governor’s Island with the NYC Funk Live Krewe but two things drew me to The Brooklyn Bowl this night:

  1. The event was playing host to a Jam Cruise East Coast Reunion Party
  2. Some Cat From Japan was opening for Galactic and I loves me some Will Bernard (and the rest of the members)

When I arrive, the venue is scarce as it always is around 8pm.  Ron Johnson spots me from stage: “Karen, can you take some pictures for me please?”  Damn right Ron, my pleasure!  To my left, my buddy is setting up his taping equipment.  Always a positive thing.

Some Cat From Japan @ The Brooklyn Bowl

Some Cat From Japan @ The Brooklyn Bowl

So, who loves Jimi Hendrix?  Better yet, WHO DOESN’T love them some Jimi Hendrix?  Some Cat From Japan is a power house lineup that explores the music of Hendrix through their own interpretations.  Boy, I tell ya! For a group that doesn’t rehearse and mixes up its lineup, they are better then real good.  I will let you go check out the backgrounds of these guys…go now. Here they are:

Will Bernard (Guitar)

Ron Johnson (Bass)

Scott Metzger (Guitar)

Jason Crosby (B3 Keyboard player and violinist )

Eric Bolivar (Drummer)

Jason Crosby and Will Bernard @ Brookly Bowl

Jason Crosby and Will Bernard @ Brooklyn Bowl

The show was slated to start at 8pm and it totally did.  Numerous friends were “late” as a result and were not happy.  These shows never start on time.  But with Galactic coming on at 9:15 and Quest Love dj’ing the 11:30 late night set, things were sticking to schedule.  Galactic did, after all, have two more nights to rage.

I am not a fan of cover bands.  Period.  In this case, there are cover bands and then there is Some Cat From Japan.  Man, we were specifically there to see THEM.  To see a band comprised of exquisite musicians who have the talent, technique, and personal love for the music, developed from childhood, that allows for them to deliver a  show complimenting Jimi’s music through a completely interpretive approach.  The approach…to just play and rage it.   They just get up there and have a damn good time playing  the music from one of their own inspirations.  It’s a beautiful thing to watch.

Some Cat From Japan @ The Brooklyn Bowl

Some Cat From Japan @ The Brooklyn Bowl

Tonight, Jason Crosby would be playing keys in place of Nigel Hall who was busy touring with The Derek Trucks and Susan Tedeschi Band.  Jason would also be bringing us the element of a violin to the mix.  So lovely.

Set List: Freak Out ~ Who Knows ~ Manic Depression ~ Freedom ~ Little Wing ~ Crosstown Traffic ~ Spanish Castle ~ Freak Out

Eric Bolivar @ Brooklyn Bowl

Eric Bolivar @ Brooklyn Bowl

Probably the only warm up they had attempted all day, they raged on stage for awhile.  Just getting their flow.  Honestly, they could have done this all night and I would have been cool with it.  But then it was right into Who Knows! with the strum of Will’s strings announcing the familiar melody. YES!!  Just a hard rock song that made you want to head bang or something.  I have no idea, I just wanted to smile.  I knew that much.  Bernard got his first rage in right away while Bolivar slammed out the beat and Johnson‘s bass reminded us of the melody. Crosby‘s keys and Metzger‘s accompaniment twinkled behind the other instruments.  It was Who Knows but it was their own song.  Ragers.

Jason Crosby @ Brooklyn Bowl

Jason Crosby @ Brooklyn Bowl

During Manic Depression, Eric Bolivar took a SICK drum solo…one of the only notes I wrote down about the show.  I got my first taste of Jason on violin as he gave us a GORGEOUS rendition/breakdown where the keys solo might have been.  I wondered if there was a violinist out there who might have put out a Jimi cover cd.  Answer after looking…nope.  Hmmmm….someone needs to get on that.  I am thinking Lili Haydn.  Mmmm, mmmm, good!

Will Bernard @ Brooklyn Bowl

Will Bernard @ Brooklyn Bowl

Bernard took his liberties straying away from the formula of every song.  Seriously, boys and their toy RAGING.  As I write this, all I want to do is write each of the artists and ask them what their first Hendrix memory was.  Shoot, for many artists, hearing a Hendrix tune WAS the reason they played, regardless of instrument…just that they wanted to make MUSIC!  Hendrix had the influence and power to move every man on that stage.  That is pretty intense.  I wondered if these musicians realized that there were fans in their audience who would be covering their songs in the future with as much passion as they were tonight for Jimi.  It was a great rage on stage that night for sure.

Scott Metzger @ Brooklyn Bowl

Scott Metzger @ Brooklyn Bowl

Crosstown Traffic meant time to move around.  I ran into Annabelle, aka Julie McCoy, as she shouted, “HEY! NICE SHIRT!!  I had, of course, worn my Jam Cruise paraphernalia.  On stage, everyone’s fingers flying a mile a minute with the whine of the guitars screaming through the lanes. It sounded ridiculous as I was summonsed to the Jam Cruise table to gather my Street Team gear for Mountain Jam.  Woohoo!  I got my “Ask Me About Jam Cruise” shirt. You know how happy that makes me?  And during Mountain Jam, you know how many people asked me about Jam Cruise when I wore it the last day? ZERO!  LOL…they couldn’t get past “Ask Me” is my guess…love it!

Some Cat From Japan @ Brooklyn Bowl

Some Cat From Japan @ Brooklyn Bowl

Little Wing slowed down the rage into a sexy sway of the hips.  Crosby turned to the violin again, so very pretty!  The rest of the stage filled in a beautiful backdrop.  There were fun pulls of strings.  This might have been the point when Will bent down and fiddled with all of his equipment and knobs but I could be wrong.  I do wish  could have gotten to the review sooner, as getting to it a few weeks later, behind other shows in my mind, has clouded my memory.  But the beauty of my life is that I shall see them again soooooooooo soon 🙂  And the recording will come out even sooner!

Annabelle and Ron Johnson @ Brooklyn Bowl

Annabelle and Ron Johnson @ Brooklyn Bowl

Spanish Castle was supposed to close out their set but having too much fun up there, the time had flown by and they had run out.  I literally felt like they were up there for 5 minutes but we had been given a good 45 minutes of solid FUN!  And guess what friends…I surround myself with musically knowledgeable people who’s opinions I greatly respect.  The following day was Mountain Jam and even with an entire weekend of utterly amazing music, there was speculation that the Some Cat From Japan set was one of the best all weekend.  I can’t say that, but I can certainly understand where those statements came from.  This show was incredible and I can’t wait to finally hear it again.

After the show, I lingered for the usual goodbyes.  Ron Johnson came into the audience and thanked me for taking pictures for him.  What a sweetheart!  Some artists really do appreciate the fans.  And I hope they forever know how much I appreciate them.

And now…It was time for Galactic

Corey Henry, Cyril Neville and Ben Ellman of Galactic! (06.03.10)

Corey Henry, Cyril Neville and Ben Ellman of Galactic @ Brooklyn Bowl! (06.03.10)

Read Full Post »

Rage Mobile

Rage Mobile

As the eve before Mountain Jam arrived, I couldn’t sleep, no one could.    My phone was blowing up with text messages finalizing last minute plans, causing last minute mini-drama bombs that kept us on our toes.  It was like the day before Christmas, as it is before every festival.  It might as well be Christmas, right?  You know you are going to meet up with long lost phamily that is normally scattered across the nation and when you arrive you are given lots of goodies and presents 🙂  AM I RIGHT?  Oh, our world is so full of life and love.

Approaching Hunter Mountain

Approaching Hunter Mountain

Get ur tickets

Get ur tickets

The four of us piled into my buddy’s rage mobile and we took off down Highway 87.  Two and a half hours later we were taking Exit 20 and making our way through the windy roads to the top of Hunter Mountain, the site of Mountain Jam for the last six years.  The scenic drives through these mountains, or any mountains, are one of the perks of heading to any festival.  Once you exit the bustling city, it only takes about 20 minutes before you start hitting lush rolling green hills on either side.  My mind always gets thrown back to the Blue Ridge Mountains and it makes me miss Virgina, my home state, that much more.

The Weekend Rage Haven

The Weekend Rage Haven

I don’t do well with rain and this festival was notorious for it’s thunderstorms and drastic change of weather. After much debate and consideration, I decided to shack up with my buddy in his house for the weekend.   It was a lovely cottage type house with three bedrooms and a shower, which numerous friends used over the course of the weekend.  It’s always good to have a friend with a house! (MUCH LOVE FOR MURRAY! THANK YOU MY DEAR FRIEND!)

Welcome Center

Welcome Center (& my housemates)

Waiting to see the music and get into camping....

Waiting to see the music and get into camping....

With all my friends setting up their tent cities in Camping, I was free to roam the grounds.  As I walked up the hill, a lovely old deadhead stopped just to tell me I looked lovely.  I was wearing my favorite skirt I had bought at my first festival (All Good) over 11 years ago.  A wonderful skirt my mother has repaired numerous times over to allow it to continue to live.  It is the little moments like these that I never have to write down.  The little moments of joy that find their way to your ears and eyes because people are just KIND in these settings.  Hippies are the greatest people in the world.

Hunter Mountain (East Side)

Climbing up Hunter Mountain (East Side)

This venue was GORGEOUS.  I had never been to a venue with such a gorgeous backdrop.  The scene I was staring at behind the stage was magnificent.  Beautifully lush green mountains with white clouds floating above.  It truly was a sight to behold. Wait until you see the pictures of the sunset.

Look at the view behind stage!  WHAT?

Look at the view behind stage! WHAT?

Kofi Burbridge & TR

Kofi Burbridge & TR

My music karma followed me to Hunter Mountain.  The commute went smooth, the house was so close, the weather for the weekend was, for the most part, sunny and dry.  As well, within the first two hours of arriving, I had spotted and caught up with just about everyone I was hoping to see that weekend.  One of the first people I ran into was Kofi Burbridge.  He is always one to be found mingling among the crowd, getting into trouble.  Then came a string of friendly faces who just made the hug chain continue for a few hours.  This was going to be a GREAT weekend.

Elmwood in Colonel’s Hall

Elmwood in Colonel’s Hall

As I explored the grounds, the first drop of music I could hear was from the Colonel’s Hall, one of four stages set up at the venue.  I stepped in for a few seconds to hear Elmwood and was right back out.  There were three other stages: The East stage (Main stage), The West stage (side stage) and The Awareness Village stage.  The shows I wanted to see were going to be mainly on the East and West stages.

The Karma Wash @ Mountain Jam

The Karma Wash @ Mountain Jam

My home base for the festival was the Karma Wash.  From now on, if they are part of any  festival I am at, you can always find me there.  A wonderful group of people who have more fun then I can describe.  They have created a wonderful wonderland of playfulness for both adults and children.  Everyone always need a good Karma scrubbing and they provide the services!  Join their Facebook fanpage to see where you can get your Karma Washed next!

The Avett Brothers @ Mountain Jam (Main Stage)

The Avett Brothers @ Mountain Jam (Main Stage)

The Avett Brothers

Scott Avett – Vocals, Banjo, Kick Drum, Drums
Seth Avett – Vocals, Guitar, High-Hat, Keys, Drums
Bob Crawford – Vocals, Bass
Joe Kwon – Cello

I made my way to view the East stage where I could hear the folk/rock sound of The Avett Brothers tearing it up.  Ah, the banjo always makes me smile.  Their vibe was upbeat and feisty.  Scott Avett’s singing flowed over the mountain from the stage and was so lovely with his brother harmonizing.  When family members sing together there is a blend and a cohesiveness in the sound that is intangible to others.  I wish I could tell you who else is on stage with the Avett Brothers in the above picture but alas.  They rang out bluegrass into rock up the mountain until a piano was brought out for a few numbers which slowed down the vibe considerably.

As the piano accompanied, Scott sang I and Love and You, the title track off their newest cd.   A simple song with a powerful statement.   The only songs I recalled from quickly listening to their cd a few days prior.  It caught my ear when I heard the lyrics Brooklyn, Brooklyn, take me in and Three words that became hard to say, I and Love and You. This group is tangible and by that I mean that I felt something when they sang. They touched me.  I am not a fan of lyrics but coming from folk/bluegrass type music, I adore it.  They were solid in their delivery and emotional amongst their dancing jigs.  I loved them as they had help me toss my shoes off, hike my skirt up and dance in the dirt. Dancing with nature.

Download: The Avett Brothers @ Mountain Jam VI (06.04.10)

The Avett Brothers @ The Main Stage

The Avett Brothers @ The Main Stage

Now, Mountain Jam is the brain child of Warren Haynes, of The Allman Brothers Band and Gov’t Mule.  This meant that we would be blessed with two full nights of 2 sets of Gov’t Mule.  It meant that Warren Haynes would be sitting in with whatever group he felt drawn to join.  Get your party pants on…because once Mule started, there was no turning back.

Here's that sunset :) SO lovely!

Here's that sunset 🙂 SO lovely!

The rad ladies room

The rad ladies room

There was a 45 minute break before we were raging with Gov’t Mule!!! I completely shacked up by the Karma Wash for this set!  I had no intention of trying to fight the thousands of people cramming up to the stage.   Took off for what I heard was NICE bathroom in the ski lodge. ALWAYS a plus to have something other then a porta-potty.  I about died as I walked passed the men’s room that looked like just a bunch of high school stalls.  And then walking into the ladies room that had a lavish dressing room area, numerous sinks, mirrors, and couches.  LOL!!  Typical…

Gov’t Mule

Warren Haynes – Guitar & Vocals
Matt Abts – Drums
Danny Louis – Keyboards, Background Vocals
Jorgen Carlsson – Bass

Now THIS was how one should watch Gov’t Mule.  This was their festival, their time to shine.  They know just as well as we do that it is their set that first night that sets the mood for the rest of the weekend.  The energy and pure freaking rage of the first set was enough to cause a landslide…pun totally intended!

As World Gone Wild played, I totally realized that I was away from the city and I threw my head back to look at the stars.  In that moment, a shooting star crossed overhead and I totally had a moment with myself.  I shit you not.  I thanked the powers that be for making my life worth living.  And when the sun finally set, Hunter Mountain literally looked like it was on fire from the lights and the energy that was kicking off the weekend.  Look at the picture below.  Fire on the Mountain!

Gov't Mule @ Main Stage

Gov't Mule @ Main Stage

Thorzine Shuffle closed out the set.  Warren screamed “Till the damage is done!”over the mountain and everyone sang along.  I could hear the harmonica on stage as if it were right beside me.  The sound from the stage up that mountain was tremendous.  Warren’s solos were superb and he teased Eleanor Rigby.  I looked to see my friend dancing her heart out.  A fellow blogger, I actually had written in my notes to just link to her description of this set.  A COMPLETE MULEHEAD!!  She was so happy and at that moment I loved me some Warren just as much as she did.

Gov't Mule @ Main Stage

Gov't Mule @ Main Stage

For the second set of Mule we decided we needed to be closer.  The highlight of the set for me was when Les Claypool joined Warren on Greasy Granny’s Gopher Gravy. Such a combination of styles: Warren’s southern drawl against Claypool’s slapstick bass.  They TOTALLY jammed it out for a while.  Unfortunately, this would be the only guest appearance I would SEE.  I took a trip to the parking lot with a friend which caused me to miss seeing Kofi Burbridge sit in on Raven Black Night, Grace Potter sit in on Gold Dust Woman and Ray Lamontague join the stage but THANK GOD I was able to hear it all!!  Kofi’s flute reached my ears and I immediately lost focus on my parking lot mission.  Those conversations would have to wait.   I had to get back.

I about died when I thought I had missed the end of the last set but the encore followed.  Inside Outside Woman Blues was SOOO damn sexy!  I loved Warren’s guitar on this one the best.  Any Open Window and Steppin’ Lightly, where Jorgen Carlsson stood out on bass, closed it OUT!!! WHAT  WAY TO START YOUR FESTIVAL!!!!

Set 1: Intro, Stay With Me, New World Blues, World Gone Wild, Time To Confess, The Shape I’m In, Monkey Hill >, Monday Mourning Meltdown, Where Did You Sleep Last Night, Thorazine Shuffle

Set 2: One Of These Days >, Fearless, The Wind Cries Mary, Greasy Granny’s Gopher Gravy (Part 1 & 2) > (w/ Les Claypool), Drums, Wishing Well, Raven Black Night > (w/ Kofi Burbridge), Gold Dust Woman (w/ Grace Potter)

Encores: Inside Outside Woman Blues, Any Open Window >, Steppin’ Lightly

Download: Gov’t Mule @ Mountain Jam VI (06.04.10)

The New Mastersounds

Eddie Roberts – Guitar
Simon Allen – Drums
Pete Shand – Bass
Joe Tatton – Organ and Piano

New Mastersounds @ Colonel Hall

New Mastersounds @ Colonel Hall

After Mule, we geared up for the 1am late night sets.   Les Claypool (Main Stage) and The New Mastersounds (Colonel’s Hall) were performing at the same time.  This would be my first mental headache of the festival.  I adore Claypool, as he feeds into my tiny dark side.  However, I had tickets to see Claypool at the Brooklyn Bowl the following Tuesday in Manhattan so I decided to rage it with The New Mastersounds first.  Apparently, I was not alone. The venue was PACKED but we got our front row spots on lock down no matter where we roll.

The New Mastersounds @ Colonel Stage

The New Mastersounds @ Colonel Stage

Throughout the day, my friends and I had told everyone that The New Mastersounds were the band to watch that night.  Most definitely, one of the freshest acts to come out of England in the last few years.  They truly have skyrocketed up in public opinion and I had been looking forward to seeing them all year.    A friend spit out some interesting info the other day about NMS: “they’ll be the first to tell you they didn’t even think about “jamming” their tunes until they started touring the U.S. and learned that there were people that actually enjoyed that approach.”  So, having only heard their studio album, I was blown away by their live performance.

Kofi Burbridge joins The New Mastersounds

Kofi Burbridge joins The New Mastersounds

Eddie Roberts threw out so much energy from that stage that I felt involved. He got so into his vibe that it was flat out tangible.  Man, being so used to small club type settings or even large venues, on any given night, I felt closer to these bands at certain times on that Mountain amongst 15,000+ people then I ever did in NYC venues.  And The New Mastersounds has us sweating bullets on that dance floor.  A large portion of my friends said that they danced their hardest that first night at New Mastersounds.  I know in that first set, I lost a few pounds myself.  The heat was unbearable and I was dancing up front with my favorite people.  SO HARD!!!  Kofi Burbridge joined the stage during Fast Man and stayed for quite some time, adding his spectacular talent and sound to an already rocking performance.

Set I: Intro, Zambezi, Miracles, Dusty Groove, Thermal Bad, MRG, Fast Man -> Kofi Jam ->, Get On The Good Foot -> You Got It All, Six Underground, The Minx, 33 (A Good Year To Die), Carrot Juice, Make Me Proud!, One Note Brown ->, One Note Brown, Stage Banter, San Frantico, Idris, Nervous ->, Jam ->, Nervous

Download: The New Masterdounds @ Mountain Jam VI (06.04.10)

Les Claypool @ Mountain Jam

Les Claypool @ Mountain Jam

Les Claypool

Les Claypool – Basses
Mike Dillon – Percussion & Vibes
Sam Bass – Cello
Paulo Baldi – Drums

Les Claypool @ Mountain Jam (Main Stage)

Les Claypool @ Mountain Jam (Main Stage)

About half way through their set, I was dying of heat exhaustion and decided to take a walk outside and catch some Les Claypool.  As I walked up the side of the mountain I decided if I was going to watch some Les, I wanted to be in the front row. A friend had been in charge of designing the paramedic route to the stage so the set up was a little different then previous years I was told.  This new route allowed for me to walk right up the middle to the front and allowing me to access the stage very easily.  And by god, it took me sometime but I got to the dead center, front row just as Les was teasing Led Zepplin’s Kashmir.  We are in the second song of the second set at this point.  Times FLIES!  And then I couldn’t move!  Not because of the people, but because Les Claypool delivered a RIGHTEOUS set and a funky David Makalaster I sandwiched a kickass version of Southbound PachydermThe New Mastersounds had lost me.

The Utterly Amazing! Les Claypool

The Utterly Amazing! Les Claypool

If only you could have seen what my eyes saw...

If only you could have seen what my eyes saw...

My favorite part of Claypool’s performance was when he left the stage for the drummer rage.  Upon his return, he had put on his monkey mask and transformed into one of his many personas of strange.  Freaking Creepster.  I love him.  This was just FUN!!  The strobe lighting allowed for him to walk out stunted, as we only saw every other step.  In the frame of mind I was in, I could have easily freaked out.  He looked completely out of control to me.  It was creepy and wonderful at the same time.

Set I: Up On The Roof, Rumble Of The Diesel, Toys Go Winding Down tease->Amanitas, Buzzards Of Green Hill**, Red State Girl, Hendershot, Precipitation->Mr. Krinkle tease->Precipitation>, Drums->, Drums & Whamola Jam

Set II: Booneville Stomp, Cosmic Highway->Goodbye Blue Sky tease->Cosmic Highway->Kashmir tease->Cosmic Highway, David Makalaster I, Southbound Pachyderm, David Makalaster I, D’s Diner

Download: Les Claypool @ Mountain Jam (06.04.10)

During D’s Diner, I took off back towards The New Mastersounds hoping to catch the last few songs with my friends.  I didn’t even bother making my way to the front.  Remember how my friends said they might have danced their hardest to this set?  Well, as I entered Colonel Hall, everyone who I had lot track of, still wanted to see, or was looking for, was right there  in the back.  My friend “M” must have been introduced around 5 times but within a few minutes more glorious friend circles collided and the krewe grew exponentially right on the spot.  GOD, I LOVE THIS COMMUNITY!  My friends were flying all over the place.  Literally, arms flying, spinning in circles, twirling each other, dipping each other….we might have been dancing with the music but we were more dancing with each other at that moment.  This continued for the remaining songs.  And I found myself another few pounds lighter.

The music ended and we walked 20 feet outside to the picnic tables and I SANK into the chair that would remain my best friend for another 2-3 hours.  We literally raged there for the remaining time with new friends and old.  I sat back watching my friends click with each other.  The weather was gorgeous, the vibe was chill.  To me, these might be the greatest moments…when friends from different walks of life finally cross paths and everyone just chills and talks about the great music they saw…all connected through the music, the vibe, the atmosphere.  And it’s especially great when you get to say thank you to the band as they walk to their tour bus to go make more people in another location happy.  The New Mastersounds had blown their spot up at Mountain Jam.  Totally rocked the Mountain to a close.  And when they walked out, the cheer was probably heard in Camping.  They were so appreciated. I hope they knew that deep down in their souls!

We walked home as the sun came up and my head hit the pillow before 6am.  It was difficult to sleep with everything running through my head. What a night and with beautiful weather to boot.  I looked forward to doing it all again tomorrow.

Day II Review: Mountain Jam VI @ Hunter Mountain, NY (06.05.10)

Thorzine Shuffle closed out the set.  Warren screamed “Till the damage is done….”over the mountain and everyone sang along.  I could hear the harmonica on stage as if it were right beside me.  The sound from the stage up that mountain was tremendous.  Warren’s solos were superb and he teased Eleanor Rigby.  I looked to see my friend dancing her heart out.  She was so happy and at that moment I loved me some Warren just as much as my friend did.

Read Full Post »

7 Walkers @ The Brooklyn Bowl

7 Walkers @ The Brooklyn Bowl

The Grateful Dead and New Orleans.  Two epic names.  Names that will go down in history as forever changing the way we see and hear music.    One a group and one a location; both giants in the world of music.  Tonight at The Brooklyn Bowl, The 7 Walkers, a Papa Mali project extended from both, would bring us the greatest combination of NOLA Funk and The Grateful Dead.  An epic night of music.

Being praised as being one of the finest post-Jerry/Dead projects, this band is truly amazing. The line-up is simple yet dripping in super heavy talent and experience, consisting of:

Papa Mali – Guitar

Bill Kreutzmann – Drums

George Porter, Jr. – Bass

Matthew Hubbard – Keys

What?!?! SERIOUSLY!?!?!  I mean, how wonderful is that four-man band right there?  Now, I don’t even know Matthew Hubbard but the energy the other three bring to the stage alone, before even touching their instruments, it’s something you can’t handle.  Seriously, seeing giants like that walk out on to the stage, a mere 5 feet in front of you…your chest swells and your fingers start to tingle.  I imagine I am taking in…how do I say it?  It’s like they have brought the past with them.  All that energy from their past gigs, their past experiences…their connections to Jerry.  It was all centered right there on an intimate stage in Brooklyn aimed directly at us.  And with George Porter, Jr. on bass instead of Reed Mathis…FIRE!  How paralyzingly wonderful.  IMAGINE!!!  Bill Kreutzmann has played at every single Grateful Dead show ever.  Jerry’s BOY!  I mean come ON!!  Talent and experience at its BEST!!!  I know I say it all the time, but I WAS SOOO EXCITED!

Stage set to RAGE!

Stage set to RAGE!

When I first arrived at the venue it was no where close to being full.  In fact, we all commented on that fact as we found it shocking.  Once again, most people don’t recognize INSANELY GREAT music when it’s right in their back yard.

Matthew Hubbard @ The Brooklyn Bowl

Matthew Hubbard @ The Brooklyn Bowl

As I came around the bend from the bar, the dance floor was bare.  That is, except for the entire front of the stage which was littered end to end by members of Funk Live to the left, Jam Cruiser pals to the right, my taper and deadhead buddies smack in the middle  and other friends scattered about.  I can’t forget to mention how almost every single person was wearing a Dead shirt or NOLA pride shirt.  I LOOOVE the sight of my front row homies.  I truly do.  A line of faces all lighting up with smiles and I feel like I am with family.  It was a hug fest for about 5 minutes.  Always a great way to start off one’s night 🙂

(Tonight was also special because I finally got to meet up with fellow contributing writer, Brett B.!!  Big hugs homie!  I love what you have to say about music and your tats are hot!)

Bill is all smiles durin' a lil prep work...

Bill is all smiles durin' a lil prep work...

I have been to the Brooklyn Bowl a LOT.  But on this night, after a while, maybe it was just me or perhaps it was the pure energy of the room, but the venue seemed brighter, the atmosphere seemed looser and the general vibe seemed lighter then most nights at The Bowl.  It is hard not to feel comfortable and at ease in a room full of deadheads and hippies, especially ones colored so bright! I could feel it and my smile grew.

They came out, George’s back to the audience, Kreutzmann with a huge smile on his face getting situated.  And then immediately flew into a jamming rage.  First song on the set list read: SPACE, how appropriate! And SPACE they gave us, putting us all into the heady lock down that would define the night.

Bill Kreutzmann @ The Brooklyn Bowl

Bill Kreutzmann @ The Brooklyn Bowl

Papa Mali @ The Brooklyn Bowl

Papa Mali @ The Brooklyn Bowl

Right into the memory of Jerry, we were delivered DEALPapa Mali releases a soulful growl as he leads the lyrics:  “Don’t let the deal go down.”  With his guitar resting on his portly belly, Papa delivers us the first guitar rage of the night and mouths drop.  To be honest, I wondered if I had ever seen him before. I’d listened to him a million times but I was seeing him play for the first time right there.  He was as good as I hoped he’d be.

The next song tugged on heart strings.  Men had their eyes closed and they were swaying.  Something about the Grateful Dead makes men romantic it seems, am I alone in thinking this?   In this case, they were thinking of their man crush, Pigpen, as Papa continued singing with Mr. Charlie.  At the end of the song, Kreutzmann raged up on his legs and down on the drums.  A little too hard cause the speakers to his left came crashing down on him, grazing his leg.  See, the power flies right off these bastards.  That power leaving the stage and slamming right into us, or in this case, the speakers.  You can’t make this stuff up.

George Porter, Jr. @ The Brooklyn Bowl

George Porter, Jr. @ The Brooklyn Bowl

We had a little taste of The Dead.  Now it was time for some NOLA flavor as Porter was tapped to sing Hey Pocky Way.  I am beginning to think this is the most covered song ever.  But the fact that it’s over played means everyone knows it and the crowd goes wild.  And on this night, the best part about this song was the audience.  Three songs in and the place was wild.  WILD!!  Oh, how I loved hearing Porter‘s voice.  I immediately started day dreaming of the boat and what the possibilities might be.  During his rage, Porter was off his chair and back down, his legs kicking him all over the place, he was IN IT!!  And then it got silent as Kreutzmann picked up his drums and started striking the skins fast as lighting.

The 7 Walkers @ The Brroklyn Bowl

The 7 Walkers @ The Brroklyn Bowl

Death Don’t Have No Mercy, a Grateful Dead tune, was next.  Matthew Hubbard stopped playing the keys and picked up the trombone that had been resting on the stage to his left. Such a slow song, such a soulful song, such a Jerry song.  Papa gave us a killer solo that reminisced of the swagger Jerry distilled through his guitar, all the while you could hear undertones of Papa trademark bayou style.  It was sultry, sexy, soulful.  People were dancing all over the venue, utilizing the open space to benefit their moods and environments.  It was perfect for so many reasons.

7 Walkers @ The Brooklyn Bowl

7 Walkers @ The Brooklyn Bowl (w/ excellent background artwork)

And then it was theme song time.  Matthew Hubbard gave us an amazing Organ Intro. He was REALLY good.  I am a sucker for keys but man, he was GOOD.  Not sure what I thought about all his “touch-down” moves he banged out after every solo but kick ass solos non-the-less.  Rage!  After a few minute of solid keys, 7 Walkers, new lyrics by Robert Hunter, was blasted out of the belly ‘de Papa.  As I stare at him, he started to morph into one of the characters from Where the Wild Things Are and I brought myself down to reality.  The music was trippy to say the least.  Matt had now jumped to the harmonica, jack of all trades this guy.  Papa Mali absolutely brought it with this song.  At one point, I feel like they teased Shining Star.

“7 Walkers walking in the sky / 7 Walkers watching from on high / 7 Walkers offer their protection / 7 Walkers lookin’ down from heaven”

Matthew Hubbard @ The Brooklyn Bowl

Matthew Hubbard @ The Brooklyn Bowl

The place was on FIRE and it wasn’t close to set break.  Everyone was having a grand ‘ol time at this point. The front row was littered with Dead Heads who longed for tour or just to be close to Kreutzmann.  Then you had the folks there who were ragin’ cause Papa Mali and Porter are the NOLA FUNK BOMBS!  Papa sang most of Lay My Burden Down and keys harmonized. Then the music stops for a bit.  Porter strummin’ on the strings, keys filling in the background.  Papa Mali says, “It’s nice to be back in Brooklyn.  I know I can get a nice slice.”  And right into The Dead’s Sugaree. Porter sang this while Matt raged the keys and Papa harmonized.  There was a big group hug between a bunch of the heads to my left at that moment up front of stage.  It made me so happy, so very happy. Others followed suit.  The venue was at its brightest that moment.  The love was palpable.  The joy was visual.  Exactly what this music represents, exactly what it was meant to evoke.

Wharf Rat closed out the set.  A slow, soulful song.  It was out of control with Papa‘s drawing voice.  And they captured that quintessential Dead sound so well, probably without even trying.  We were so VERY VERY pleased.

Artwork behind Bill

Artwork behind Bill

The 7 Walkers did not waste anytime kicking off the second set.  Kreutzmann took a raging drum solo and into Bertha, a Grateful Dead favorite, everyone was bouncing on their toes, kicking their heels, flipping their skirts. It was a hoedown of as we all sang together.  Hubbard was able to show us some of his fabulous key work.  Scaling up and down the board and striking the keys with ferocity.  Totally on point and captivating me.  Then Kreutzmann gave us the real thing. The real solo, HIS time to rage.  My buddy took a GREAT HD video of it leading into Lovelight.

Matthew Hubbard @ The Brooklyn Bowl

Matthew Hubbard @ The Brooklyn Bowl

Papa and Porter play off each other for a few measures before Papa pulls out to jam on his own line.   Kreutzmann tapped the cymbals.  And so Bottle Up And Go begins and starts to melts our faces.  It was time for the trippy guitar space of Papa‘s mind to play with the audience for a while.  Everyone got lost.  No words. Just SPACE as Porter holds the bass line allowing our own minds to take over and find it’s own adventure.

Bill & George @ The Brooklyn Bowl

Bill & George @ The Brooklyn Bowl

Papa Mali @ The Brooklyn Bowl

Papa Mali @ The Brooklyn Bowl

I Know Your Rider, another crowd pleasure, brought everyone’s head from swaying down to forward facing again and singing with the band.  Happy shiny people.  Another great keys rage from Hubbard and the dance party continued all over the venue.  Papa slide his guitar all across the stage and in our face.  This was a raging jam to be sure.  As I stood back and watched these masters ripe our faces off, I wondered about the other groups I love watching jam so much and how they don’t HOLD A CANDLE to the greatness that was taking place on stage.

George Porter, Jr. @ The Brooklyn Bowl

George Porter, Jr. @ The Brooklyn Bowl

I went on an adventure during Early In The Morning & Hey Baby Now so I don’t recall much.  It’s always nice to have something to look forward to in the recordings 🙂  I was not paying attention at this point, pen down, dancing all over the front row.  Bliss.  I was among my favorite friends, among my favorite songs and favorite musicians in my favorite venue.  How do YOU all feel when you are in that situation?? 🙂 Think about it and hold on to the good feeling you get!!

Papa Mali @ The Brooklyn Bowl

Papa Mali @ The Brooklyn Bowl

The New Orleans Crawl, I believe a new song written for the 7 Walkers by Robert Hunter, gave us a taste of NOLA again but more on the Bayou side then the funk….Professor Longhair-esque.  And finally, Goin Down The Road Feelin Bad closed out the set.  They had so much fun with this song.  You could tell they didn’t want to put down their instruments.  If they did, they were sure fooling us.  High energy, dancing in the STREETS!! As they left the stage, some hard core people were litterally crawling on it to get set lists and picks and whatnot but noone moved a muscle.  All screaming, the show would not be over.  The audience refused to let that happen.

Bill Kreutzmann @ The Brooklyn Bowl

Bill Kreutzmann @ The Brooklyn Bowl

In a lovely tribute to the premature death of Gary Coleman earlier that morning, The 7 Walkers came out and played the Different Strokes Theme amongst Junko Partner.   It was fitting and we all remembered our funny little friend as we danced around in the best of spirits.

Everyone was SO SUPER HIGH after the show.  Bouncing all over the place, I said goodbye to all my favorite people.  By far, this was the best turn out of MY musical krewe, forget the rest of NYC who missed an amazing musical opportunity.  The turn out from tonight had allowed all my various groups and friendship circles to collide and it was AWESOME!!!  To be able to turn around and look in any direction to see the WIDEST grins on my friends faces.  Music brings people together and that night, The 7 Walkers had aided in bringing us all much closer.

It was a magical night in the Brooklyn Bowl, that is for sure.  I PRAY that 7 Walkers comes around again.  And if they do, I suggest you pick up your ticket right away because the word from this performance has already spread like wild fire and they will be sure to sell out second time around!

Check out The 7 Walkers summer tour schedule.

Read Full Post »

June 2010 Potential Show Run Down

June 2010 Potential Show Run Down

(If there is ANYTHING that I have missed that must not be missed, please point it out as this is updated daily things constantly.)

Tuesday, June 1st, 2010:

  • (Free) Dred Scott Trio w/Clay Ross @ Rockwood Music Hall
  • ($10 w/ 2 Drink min) Jason Lindner Trio w/Mark Guiliana @ Zinc Bar
  • ($45-$85) Reggie Watts w/ Conan O’Brien @ Radio City Music Hall

Wednesday, June 2nd, 2010:

  • ($10 w/ 2 Drink min) Jason Lindner Trio @ Zinc Bar
  • ($25-$45) Lisa Loeb @ City Winery
  • ($29.50) Toots & the Maytals @ B.B. Kings
  • ($45-$85) Reggie Watts w/ Conan O’Brien @ Radio City Music Hall

Thursday, June 3rd, 2010:

  • ($15) Galactic Feat. Corey Henry w/ Sp. Guest Corey Glover of Living Colour@ Brooklyn Bowl (Funk Live) –> Some Cat From Japan (A Will Bernad Project) opening for Galactic (Jam Cruise Reunion Party)
  • ($15) Eli “Paperboy” Reed & True Loves @ Mercury Lounge
  • ($32-$35) Dark Star Orchestra @ Music Hall Of Williamsburg
  • ($30-$35) Anders Osborne / Tab Benoit @ Rocks Off Concert Cruise Aboard The Temptress
  • ($35) Michael Franti & Spearheads & Trombone Shorty @ Govenor’s Island
  • ($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note
  • ($150) Patti LaBelle @ B.B. King Blues Club
  • ($??) Eldar @ Iridium Jazz Club

Friday, June 4th, 2010:

  • Mountain Jam IV Music Festival, NY ~ Day I
  • (Free) Von Ghost @ Rockwood Music Hall
  • ($15) Galactic Feat. Corey Henry w/ Sp. Guest Corey Glover of Living Colour@ Brooklyn Bowl (Funk Live) –>
    • Some Cat From Japan (A Will Bernard Project) opening for Galactic
  • ($25) The Return of George Porter Jr. & Runnin Pardners/ Papa Grows Funk @ Sullivan Hall (Funk Live)
  • ($35-$60) Drive By Truckers & Jamie McLean @ Tarrytown Music Hall
  • ($36/SOLD OUT) RJD2, Pretty Lights, Chiddy Bang @ Terminal 5
  • ($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note
  • ($??) Eldar @ Iridium Jazz Club

Saturday, June 5th, 2010:

  • Mountain Jam Music Festival, NY ~ Day II
  • 12th Annual Star Scape Music Festival, MD
  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Underground Horns @ The Shrine
  • ($15) Galactic Feat. Corey Henry w/ Sp. Guest Corey Glover of Living Colour@ Brooklyn Bowl (Funk Live) –> Some Cat From Japan (A Will Bernard Project) opening for Galactic
  • ($30) Martin Sexton, Ryan Montbleau Band @ Nokia Theater Times Square
  • ($36.50 – $40) Southside Johnny And The Asbury Jukes @ B.B. Kings
  • ($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note

Sunday, June 6th, 2010:

  • Mountain Jam Music Festival, NY ~ Day III
  • ($18-$25) Holmes Brothers @ City Winery
  • ($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note

Monday, June 7th, 2010:

  • (Free) Fela! On Broadway Original Cast Recording Release Party @ Brooklyn Bowl
  • ($30) Brand New Heavies feat. N’Dea Davenport @ Highline Ballroom

Tuesday, June 8th, 2010:

Wednesday, June 9th, 2010:

  • ($3 suggested) Norah Jones @ Prospect Park Bandshell
  • (Free) Phish on Late Night with Jimmy Falon
  • (Entered a contest but found no price) Jeff Beck – A Tribute To Les Paul @ Iridium Jazz Club
  • ($10-$15) Trouble & Bass @ Santos House Party
  • ($16-$18) Easy Star All-Stars @ Highline Ballroom
  • ($20-$25) An Evening With Eric Lindell (Album Release Party) @ Sullivan Hall (Funk Live)

Thursday, June 10th, 2010:

  • Bonnaroo Music Festival
  • (Free) Sarah Mclachlan on Late Night with Jimmy Fallon
  • ($15-$20) Orchard Lounge @ Higher Nubela @ Club Love
  • ($20-$25) Evening with Eric Krasno & Chapter 2 @ Sullivan Hall
  • ($20) Jamie Lidell w/ Alex B. @ Music Hall Of Williamsburg
  • ($20-$30) Duncan Sheik & Holly Brook @ City Winery
  • ($35 for each set) Jorma Kaukonen of Hot Tuna @ Iridium Jazz Club

Friday, June 11th, 2010:

  • Bonnaroo Music Festival (Manchester, TN)
  • Reggae On The Road (Lighting Ridge Park, NY)
  • (Free) Allison Moorer on Late Show with David Letterman
  • ($5) Rotary Downs, The Pimps Of Joytime, Big Light @ Brooklyn Bowl (Funk Live)
  • ($25) David Allan Coe @ Music Hall of Williamsburg
  • ($25) The Budos Band @ Rocks Off Concert Cruise (The Temptress) (7pm-11pm)
    • ($25-$30) Rubblebucket @ Rocks Off Cruises (The Temptress) (11pm-4am)
  • ($25-$80) Jethro Tull w/ Procol Harum @ Nikon at Jones Beach Theater
  • ($30-$45) Leo Kottke @ City Winery

Saturday, June 12th, 2010:

  • Bonnaroo Music Festival (Manchester, TN)
  • Reggae On The Road (Lighting Ridge Park, NY)
  • ($20-$25) NYC Undead Jazzfest (2 Nights, 3 Venues, 30 Bands)
  • (Free) West African Band @ St. Nicks, Harlem @12:30 (late night show)
  • (Girls free/$5) Higher Nebulae @ The Delancy (11pm-1145pm)
  • ($3) Allen Toussaint and Davell Crawford @ The Prospect Park Bandhshell
  • ($10) Will Bernard @ The Blue Note @ 12:30pm (late night show)
  • ($25) Grace Potter & The Nocturnals @ Webster Hall
  • ($30-$35) Leo Kottke @ City Winery

Sunday, June 13th, 2010:

  • Bonnaroo Music Festival (Manchester, TN)
  • Reggae On The Road (Lighting Ridge Park, NY)
  • ($20-$25) NYC Undead Jazzfest (2 Nights, 3 Venues, 30 Bands)
  • ($??) Undead Jazzfest w/ Mark Guiliana @ Sullivan Hall
  • ($7)  Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery

Monday, June 14th, 2010:

  • (Free) Baaba Maal, Playing For Change @ Summerstage
  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) The Mingus Big band @ The Jazz Standard

Tuesday, June 15th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($30) John Butler Trio, State Radio, Angus and Julia Stone & State Radio @ Summerstage
  • ($40-$155) Carole King / James Taylor – Troubadour Reunion @ Radio City Music Hall
  • ($15) The Roots @ Highline Ballroom (this is weird online)

Wednesday, June 16th, 2010:

  • ($5) Chico Mann @ Santos House Party
  • ($25) Mary Gauthier @ Joe’s Pub (NolaFolk)
  • ($40-$155) Carole King / James Taylor – Troubadour Reunion @ Radio City Music Hall
  • ($50) Larry Graham + Central Station (S&TFS) @ B.B. Kings

Thursday, June 17th, 2010:

  • CareFusion Jazz Festival New York
  • (Free) Taylor Carson @ Rockwood Music Hall
  • ($??) Mark Guiliana @ 55 Bar
  • (??) Gent Treadly @ Flannery’s Irish Pub (called everywhere looking for price)
  • ($10-$12) Apollo Run @ The Studio @ Webster Hall
  • ($5) The Lee Boys @ Brooklyn Bowl
  • ($13) The London Souls @ Bowery Ballroom
  • ($20-$25) Tony Allen at Le Poisson Rouge (Funk Live)
  • ($25-$30)  Railroad Earth @ Rocks Off Concert Cruise Aboard The Temptress
  • ($40 – $90) Keith Jarrett Trio, Jack DeJohnette, Gary Peacock @ Carnegie Hall (Part of CareFusion Jazz Festival New York)
  • ($59.90-$99.50) New Kids on the Block @ Radio City Music Hall

Friday, June 18th, 2010:

Saturday, June 19th, 2010:

  • PHISH @ SPAC!!!
  • CareFusion Jazz Festival New York
  • (Free) West African Band @ St. Nicks, Harlem (12:pm – late night show)
  • (Free) Apollo Run @ Central Park’s Bandshell
  • (Free) Mike Stern Trio – Bitches Brew Revisited @ Prospect Park Bandshell
  • ($10) The McLovin’s @ Sullivan Hall (@9:30pm)
  • ($10) Sullivan Hall Shakedown @ Sullivan Hall (@12:30am)
    • Featuring Monchan, Chris Hall and DJ Nutritious w/ percussion by Steven Chopeck w/ visuals by Mamiko Kuchida plus special guest ElaNEF
  • ($12) Eli “Paperboy” Reed  @ The Bellhouse
    • Justin Townes Earle (opening for Eli Reed) @ The Bell House
  • ($12-$15)  Jacob Fred Jazz Odyssey @ 92Y Tribeca
  • ($20) Black Dynamite Sound Orchestra @ Southpaw
  • ($59.90-$99.50) New Kids on the Block @ Radio City Music Hall

Sunday, June 20th, 2010:

Monday, June 21th, 2010:

  • CareFusion Jazz Festival New York
  • Make Music New York ALL DAY FUNK FEST! (Funk Live)
  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) The Mingus Big band @ The Jazz Standard
  • ($15) The Roots @ Highline Ballroom (this is odd online)

Tuesday, June 22nd, 2010:

  • CareFusion Jazz Festival New York
  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • (Free) Trombone Shorty and Orleans Avenue @ Late Show with David Letterman
  • ($25) Marcus Miller feat. Christian Scott: The Music of Miles Davis @ Highline Ballroom

Wednesday, June 23rd, 2010:

Thursday, June 24th, 2010:

  • CareFusion Jazz Festival New York
  • Funk Fest 6 at Sullivan Hall (Funk Live)
  • ($10-$85) Blues Summit: James Cotton & Friends feat. Taj Mahal, Hubert Sumlin, Pinetop Perkins, Willie “Big Eyes” Smith, Shemekia Copeland, Darrell Nulisch, David Maxwell @ Jazz at Lincoln Center
  • ($15) The New Deal @ Brooklyn Bowl
  • ($15) The Late Night Jam Sessions @ City Winery (Part of CareFusion Jazz Festival New York)
  • (Unknown) Chico Man @ El Museo del Barrio
  • ($20 ) Giant Panda Guerilla Dub Squad @ Rocks Off Cruise (The Half Moon)
  • (Unknown) Victor Wooten @ BAM Rhythm and Blues Festival
  • ($32.50-$38) En Vogue @ B.B. Kings
  • ($35-$105) Herbie Hancock @ Carnegie Hall (Part of CareFusion Jazz Festival New York)
    • Special guests Terence Blanchard, Ron Carter, Bill Cosby, Dave Holland, Joe Lovano, Wallace Roney, Wayne Shorter, plus other artists to be announced

Friday, June 25th, 2010:

  • Phish @ Susquahana Bank Center, Camen, NJ
  • CareFusion Jazz Festival New York
  • (Free) Soul Cycle @ Brooklyn Academy of Music
  • ($10 – $15) Jason Lindner Trio @ The Jazz Gallery (Part of CareFusion Jazz Festival New York)
  • ($15) Harlem Stride: Henry Butler (NolaJazz), Osmany Paredes @ Harlem Stage Gatehouse
  • ($15) The Sam Kininger Band @ The Blue Note
  • ($35) Al Di Meola @ Highline Ballroom (YES!! YES!! YES!!)
  • ($98) Chuck Berry @ B.B. King Blues Club
  • ($41.50 – $156.50) Maxwell & Jill Scott @ MSG

Saturday, June 26th, 2010:

  • CareFusion Jazz Festival New York
  • (Free) Common & Soulive @ Fort Greene Music Fest 2010
  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Tinariwen & Toubab Krewe @ Central Park Summerstage
  • ($10) Reckoning @ Sullivan Hall (A post Furthur show playing music of the Dead, Phish and more…)
  • ($39.50) Furthur @ MCU Park
    • Featuring Phil Lesh, Bob Weir, Jeff Chimenti, John Kadlecik, Jay Lane & Joe Russo
  • ($30- $385) Yes! & Peter Frampton @ Nikon at Jones Beach Theater
  • ($41.50 – $156.50) Maxwell & Jill Scott @ MSG

Sunday, June 27th, 2010:

  • NASFT Fancy Food Shows @ Javit Center
  • ($39.50) Furthur @ MCU Park
  • ($15) Elvis Perkins in Dearland @ Newtown Barge Park (1pm show)

Monday, June 28th, 2010:

  • NASFT Fancy Food Shows @ Javit Center

Tuesday, June 29th, 2010:

  • NASFT Fancy Food Shows @ Javit Center
  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) Robert Randolph @ Bowery Ballroom
  • ($35-$65) Alejandro Escovedo @ City Winery
  • (Sold Out) Passion Pit @ Prospect Park Bandshell

Wednesday, June 30th, 2010:

  • ($25) New Mastersounds @ Rocks Off Concert Cruise Aboard The Temptress
  • ($35) Passion Pit @ Govenor’s Island, NY
  • ($39.50 – $154.50) James Taylor & Carole King @ Madison Square Garden

Read Full Post »

Front of a great shirt!

Front of a great shirt!

…….continued from Night  1 of Karl Denson @ The Brooklyn Bowl (04.23.10)

Before I knew it, my head had hit the pillow in my bed the night before and just like that, my feet were back to hitting the pavement to the Brooklyn Bowl.  The NY Funk Live group was gathering tonight to make sure the dance floor was packed and the energy was high.  Such a genuinely good group of people.  I encourage all funk friendly followers to look into the group and see if it’s for you.  A fellow funksters shirt caught my eye and made me giggle. I hope you get a kick out of it also.

Back of a great shirt!

Back of a great shirt!

It was the second night of Karl Denson’s Tiny Universe at the Brooklyn Bowl.  I was arriving a bit early to meet my buddy who was going to introduce me to just the best damn falafel I have ever eaten.  The place is called Oasis and it is right at the L train Bedford stop, first stop into Brooklyn from Manhattan.  Oh my goodness, it was just so good! Not oily, the extras: the red cabbage, the pickles, the hot sauce, were all so different yet all worked so well together.  SICK! And it was $3.50.  No lie, it is now what I plan on eating every time I head to the Brooklyn Bowl now. Yup! Yup! Light yet filling and $3.50…Word!

John Staten @ The Brooklyn Bowl

John Staten @ The Brooklyn Bowl

We arrived again before 9pm and there is only a slight line at the ID check this time. Once inside, it’s right to the front, makin’ my way to my regular spot to lay down my things.  A few buddies are already marking their territories at the front of the stage.  After chatting with them, I turn around to get my little notebook out and there is a NYC condom laying on my purse.  I look to the guys elevated above me in the bowling section and they just smile with their smirky grins and raise their glasses.  Seriously?  Looks like someone else was marking his territory.  I place the love token in my purse and turned around to the men in the joint that had some class…my friends 🙂

Karl Denson @ The Brooklyn Bowl

Karl Denson @ The Brooklyn Bowl

I was not on point for this show.  Because I was so focused during the first show, I felt like I wanted to just melt my face off and dance tonight.  This review won’t be nearly as long as Night I.  I seemed to focus more on taking pictures then notes.  Karl and his Universe took the stage around 9:45pm this time.  Hell of a lot earlier then the previous night of an hour later.  Right into a full out saxophone rage from Karl Denson.  I am not sure if they really played The Bridge or not.  I don’t recall that song being played but the set list says otherwise…  Either way, the first song was a HUGE rage fest and a great way to open.  EVERYONE was focused, attentive and dancing.  The stage was set up as follows, from left to right:

David Veith (keyboards)

Chris Littlefield (trumpet)

John Staten (drums)

Karl Denson (saxophone/flute)

Chris Stillwell (bass)

Brian Jordan (guitar)

Chris Littlefield & David Veith @ The Brooklyn Bowl

Chris Littlefield & David Veith @ The Brooklyn Bowl

The first song I recall is Kool Is Back.  I love this song.  The horn bring you right in with a catchy tune.  Karl picked up the tambourine and everything got really funky.  Brian gave us a guitar solo created off of his rift that is the background of the song.    The banging of the cowbell, John Staten just ripping apart the drums.  He was always inserting extra smack downs in the lulls of the other instruments which I appreciate.    This song reminded me of a 60’s game show for some reason.  Again, I think that if each of these artists had a band of their own, I would go see them all.  This song is so full of yummy jazz flute I can’t stand it.  FAST jazz flute.  Karl’s fingers were moving so fast and he was bouncing to the rhythm of his fingers.  My friend SCREAMS his monstrous scream in recognition of the slaughter that is taking place with the flute.  And Karl KILLS it.  Both horns are picked back up and they blast out the ending with Brian leading the way with the funky rift.

Brian Jordan @ The Brooklyn Bowl

Brian Jordan @ The Brooklyn Bowl

At this point, Karl’s horn insanity is taking down to a medium slow growl, a really jazzy sound emits and the song changes.  Galaxy!! “On a rocket ship /No time to wait /I just want to gravitate!” sings Karl.  They hit the lyrics pretty hard in this song, little play from the instruments.  At least for a little bit!  We got some interpretive jazz sax from Karl and people screamed.  The drums got louder and Karl got faster.  My friend tapped me on the shoulder to hand me some love.  We danced around.  I heard the tambourine.   As I look at my notes, I see where my friend wrote PEACE + LOVE = FUNK!!  I think he might be on to something. 🙂  So, there is a part in this song where they kind of let the slow, low, minimalist movement take over and not much happens.  He lost me.  I started thinking of a friends who weren’t there and and texted them pictures.  It was just a really jammy sloooow background for some chatting to commence for a few good measures.  But the nice part about these lulls, they pick up fast and just intensify and makes your head EXPLODE.  Yeah, Karl knew what he was doing.  And no pun intended but SPAAAACE!!!  I couldn’t figure out where some of the sounds were coming from, finally figuring out the horn sounds were coming from the keys? Shoot, I still may be wrong. I was loosing my mind waiting for the song to explode in my face.  My notes mention something about there being wasted time pickin’ and that is because I just wanted Brian to rip my face off with his fingers on the guitar.    He stands there with such a darling smile on his face and its like he is busting to blow out the guitar but he doesn’t.  Honestly, I can’t tell who I want to hear more. Who did I come to see?  They were all so great. “Outta Sight, Outta Sight” sings Karl twice.  Honestly, this Tiny Rager was in the middle of a Tiny Universe but I was entirely in my own world.

David Veith @ The Brooklyn Bowl

David Veith @ The Brooklyn Bowl

YES!!  YES!!!  YES!!  I heard the Reggae beat, the dance in my legs shifted immediately.  It moved up to my hips and the salsa vibe was pumping.  Might Rebel was serve up so nicely.  I longed for Debrissa McKinney’s voice immediately as she sings with them on their latest album, Brother’s Keeper.  This is easily one of my top five KDTU songs.  JUST LOVE THIS SONG! Gypsy rage!  Russ ask to borrow a lighter, confusing me because he doesn’t smoke, and holds it in the air swaying it back and forth. We giggle.  It was definitely a moment for that.  Karl looked directly at him, because you just cant miss this guy standing out with his red hair and giant stature holding a lit lighter, and with a beaming smile, nods in recognition of the act.  Russ adds some reggae beats with his mouth in the crowd and its hilarious.  It fits.  This is such a different song from the others being played that night.  It was so very Reggae and it was a nice change.  All the musicians soloed and just killed it.  Coming together at the end, it was just a pure hippie rage in depth.  Very heady and it was over just like that.

Karl Denson @ The Brooklyn Bowl

Karl Denson @ The Brooklyn Bowl

Shake It Out was next and it was the same as the night previously. I just set everything out and shook it out.  No notes, no recollection of anything fantastic happening.  Just dancing machine!  Hands in the air, spinning, knocking into my pal who was trying to contain himself but I could see in his eyes that he wanted to freaking flip out 🙂 Ah, reservation, I know you not.

And honestly, the set list said “Elephant” was next but it wasn’t. It made it’s way into the second set.  New York City was to rage the closer. And I mean RAGE!  It was a slow start at first and then it was a shit show of EXPLOSIVE funk all over that stage.  The ending of that set was one of the most intense endings of a set I have seen since Bowlive.  It was off the charts funky fantastic.  The energy was palpable, the place was packed.  And with that, they walked off the stage.  It was time to rage the bench and discuss…I was so high from all the goodness of that night that my vision was literally like a rippling pond at one point. Out of control. Damn, what a closer.

Set I: The Bridge, Kool Is Back, Galaxy, Mighty Rebel, Shake It Out, New York City

Karl Denson @ The Brooklyn Bowl

Karl Denson @ The Brooklyn Bowl

For the first time,we were not allowed outside of the front to walk around, smoke, get some fresh air .  We were confined to an area outside the front door, slightly herded. I am still wondering what that was all about.  After the insanity of amazingness that was Bowlive, these Karl Denson shows were definitely some of the the most amazing/fun shows I have seen at the Brooklyn Bowl to date.  Karl Denson’s Tiny Universe has a ridiculously ginormous amounts of soul.  It’s endless, full of funk, jazz, blues, and rage.  A GREAT team.

RAGE!

RAGE!

At this point, I just have my dancing shoes on and am not thinking of much else.  Steamed Water was awesome and I danced so very hard during that song.  David Veith really stood out on the keys during this set.  I had been hearing what I thought was a flute all weekend and it was his sound.  I don’t know if it was where I was standing.  But he always sounded like a flute.  I remember thinking that at that point I would just be happy to have the horns surrounding me on all side just blowing my head off.  I was so needy for them it was ridiculous.  I remember distinctly wanting crawl inside one of the horns and live in it.  Definitely out of control.

Chris Littlefield @ The Brooklyn Bowl

Trampled Underfoot, a Led Zepplin Cover, was “all about the love.”  Brian  worked his magic on the guitar once again. I just love his smile.  Chris Littlefield in tempo with the shaker as Karls on the mic, for like 7 measures, a lot of time on the cowbell.  I remember specifically texting that to a friend haha.  But again Karl ransacked the stage with his horn and the biggest cheer of the night came blasting out of the crowd.  I mean how do you not scream when guitars are jamming, horns are IN YOUR FACE NASTY, the drummer is basically on his feet, breaking his bloody sticks in half with each beat.  The crowd goes ape shit and Karl extends his arm in recognition of the cheer – the place erupts once again.  Back on the cowbell, Karl mentions his anniversary again. So special, it made my heart yearn.  “I cant stop talking about love,” says Karl.  How very special.  Another dance in unison between Chris Littlefield and Karl.

John Staten @ THe Brooklyn Bowl

John Staten @ The Brooklyn Bowl

And the shit just kept hitting the fan.  Karl blew me away in The Grunt. I know I am talking about him a lot but he was the main reason I went to the show.  How many time can I say he blew that horn, raged that horn, he was was awesome.  He brought a little jazz back into the otherwise funky song.  A few blats of improve was nice, a 3 minute jazz solo, real nice.   I remember there was chanting at one point, “NYC, NYC NYC!!!”  I completely spaced out for a while dancing around my little area, it had gotten a bit tight up front at this point, some odd photographers were bouncing around. I don’t know if they changed songs or were in the same one but we got a taste of Brian’s funky guitar and that cute smile.  Wearing a vest over a white shirt with jeans, he was lookin’ adorable that night.  Everyone looked sharp!  God, I love good music. “Make some noise in here,” shout’s Karl.  The venue screams in unison.  There were sooooo many people there compared to the night before.  It was shocking. Where had they all been Friday night?  I was very glad they were there. I wanted Karl and his Tiny Universe to know how much NYC loves them:)

Karl Denson and Chris Littlefield @ The Brooklyn Bowl

Karl Denson and Chris Littlefield @ The Brooklyn Bowl

An introduction to the next song, still unsure of the name.  Karl says, “Everything we do is for the ladies!  Am I right?”  Everyone screamed.  “You know it, they know it…..but just this once, we got a little something for the fellas.  This song is for the fellas.”  There is a little instrument banter and he continues, “Why are you scared?  You know there is always someone out there uglier then you so don’t be afraid, do it – go after it – you have nothing to fear but fear itself”  The song was beautiful.  For some reason, I have “Animal Kingdom” in my notes??  And that I wanted more flute. I was becoming oblivious. Perhaps the song was Groove On, I think it was, the set list says so but I still can’t recall.  See, this is why I have to write the set list down as the show progresses or I just forget everything.

Karl Denson & Jessica Lurie @ The Brooklyn Bowl

Karl Denson & Jessica Lurie @ The Brooklyn Bowl

Elephant was DEFINITELY next with Karl on the shaker and Chris Littlefield on the cowbell.  See, lots of time spent on these funny side instruments, but it was all part of the sound 🙂 What a great song. So heavy, so funky. The title evokes visions of elephants walking in a pack as soon as the tune begins.  Brian lays down the melody of the tune with his strings and Karl laces it out on the flute. Yes, a heady, herdy elephant song with flute!   There was major mouth action this time as he purposefully added in the sounds from his mouth as he blow the flute.  The sound emitted takes on an entirely different texture when the artists allow their mouth sounds to dominate the sounds of the instruments they are playing.  Some folks don’t care for it, but I do!!

Jessica Lurie @ The Brooklyn Bowl

Jessica Lurie @ The Brooklyn Bowl

Here we got our first and only guest treat for the evening. Out walks this lovely female, in a black vest, black tee, black jeans, and boots that looks liked they were broken in years ago, the “oh so comfortable” kind.  Jessica Lurie, a female saxophone player currently transplanted from Seattle to Brooklyn was the special guest for the evening.  I bet she played with Skerik all the time while in Seattle. I would love to see that duo.  SHE RAGED IT!!   I actually would have liked to have seen her perform more but he song didn’t allow for it as Karl was on his sax having to lead the herd through the song.    At one point both saxophone payers were not playing, but instead using the shakers and graters to back up Brian on the guitar.  I wanted more from Lurie. I was intrigued. She is definitely on my radar and I hope to see her again soon!  Karl belts a solo on the flute and Jessica is on various percussion instruments. She definitely didn’t just stand there, which was great.  At the end, they were all on the horns, everyone was jamming but not melting our faces. I was longing for that energy from the last song of the first set.  And then Brian’s guitar was crying as Karl interjected with hoots and yelps reminiscent of tribal banter, spiritual chanting if you will.  HE SCREAMS! And the energy rose, oh so high.  Russ screamed back, completely overcome with emotion from the song, he just couldn’t help it.  Karl stomped this herd into the ground with Lurie at the end. Brian brought the funk and it was just killer.  And then everyone exits the stage except for John Staten who has picked up the song, and taken it as his own…it was his time to shine! Enjoy the video! I personally like Karl’s little jig at the end of the clip!  RAGE JOHN RAGE!

Might Mouse was slated on the set list but they choose to rage another.  At this point a fan had come up to Karl and shouted something, He said, “OK! SO then we will play that song next for you, Happy Birthday!”  So kind, so genuine Such a good man, on top of being a good musician.    Soul Drifting would be the song of choice and it was full of just more funk and fun. David Veith mouthing the “sounds” he was making on the keys.  I was so focused on the horns and the guitars that I lost track of the keys and for that I apologize.  The keys were light, shifty, breezy.  Everyone was smiling. Karl places the mouth piece on his sax again and it creates the low growl.  “I feel like talking tonight.” says Karl.  He doesn’t talk so much as he gives us such a pretty jazzy flute, like a humming birds wings, his fingers were flying.  I closed my eyes as the song willed me to.  It was such a slow jam at first and then he screamed so soulfully, so fast.  Brian picked up his pace and just let loose on the strings, Karl picks up percussion instruments, I danced so hard I fell over.  Yup!  Just fell over…I was out of my mind, as were the people surrounding me; the people up front, paying attention to the slaughter that was taking place.  “Thank you New York!  Thank You New York,” screams Karl to the beat of the song.  And that feeling of dread that floods over you when you know a show is ending immediately flooded in.  Had two nights of Karl Denson really just come and gone just like that?  Perhaps for many, if not most people, they can just go home having enjoyed the night, being able to move forward and immediately think of things on their to do lists the following day….moving forward.  Not me, I get stuck in the moments and I truly dislike being pulled out of them.  I truly is an addiction.  It makes me tankful for these opportunities to write for yall, and for myself, to relive the memories and have a record of them.  It allows me to release and move forward like the “regular” folks 🙂

Karl Denson and Jessica Lurie @ The Broooklyn Bowl

Karl Denson and Jessica Lurie @ The Broooklyn Bowl

The stage was empty, no one moved, and everyone was screaming at the top of their lungs.  Of course, we all wanted more.  Karl Denson’s Tiny Universe to the the stage of the Brooklyn Bowl one more time that weekend and gave us a hell of an encore: Bougainvillea! Of and older CD, The D Stands for Diesel, Karl says, I got an old skool song for ya.”  The flute goes right into it, light, jammy guitar, interesting sounds with the keys. I was really too busy dancing to worry about much else.  Then the flute is put down and replaced by the saxophone.  Jessica Lurie came out and joined the session.  “I’ll sing you a song all night long,” shout’s Karl.  And the horns ended the evening blasting into the night and off the stage.  You know how I said this wouldn’t be a long review? I lied 🙂  It was too good to summarize.  And  when this review completed….it’s off to the next adventure 🙂 because I have just released!!! 🙂

Set II: Steamed Water, Trampled Under Foot (Led Zeppelin Cover), The Grunt, Groove On, Elephants, Soul Drifting, Bougainvillea

Download: Karl Denson’s Tiny Universe Live at Brooklyn Bowl (04.23.10)

Read Full Post »

« Newer Posts - Older Posts »