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June 2010 Potential Show Run Down

June 2010 Potential Show Run Down

(If there is ANYTHING that I have missed that must not be missed, please point it out as this is updated daily things constantly.)

Tuesday, June 1st, 2010:

  • (Free) Dred Scott Trio w/Clay Ross @ Rockwood Music Hall
  • ($10 w/ 2 Drink min) Jason Lindner Trio w/Mark Guiliana @ Zinc Bar
  • ($45-$85) Reggie Watts w/ Conan O’Brien @ Radio City Music Hall

Wednesday, June 2nd, 2010:

  • ($10 w/ 2 Drink min) Jason Lindner Trio @ Zinc Bar
  • ($25-$45) Lisa Loeb @ City Winery
  • ($29.50) Toots & the Maytals @ B.B. Kings
  • ($45-$85) Reggie Watts w/ Conan O’Brien @ Radio City Music Hall

Thursday, June 3rd, 2010:

  • ($15) Galactic Feat. Corey Henry w/ Sp. Guest Corey Glover of Living Colour@ Brooklyn Bowl (Funk Live) –> Some Cat From Japan (A Will Bernad Project) opening for Galactic (Jam Cruise Reunion Party)
  • ($15) Eli “Paperboy” Reed & True Loves @ Mercury Lounge
  • ($32-$35) Dark Star Orchestra @ Music Hall Of Williamsburg
  • ($30-$35) Anders Osborne / Tab Benoit @ Rocks Off Concert Cruise Aboard The Temptress
  • ($35) Michael Franti & Spearheads & Trombone Shorty @ Govenor’s Island
  • ($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note
  • ($150) Patti LaBelle @ B.B. King Blues Club
  • ($??) Eldar @ Iridium Jazz Club

Friday, June 4th, 2010:

  • Mountain Jam IV Music Festival, NY ~ Day I
  • (Free) Von Ghost @ Rockwood Music Hall
  • ($15) Galactic Feat. Corey Henry w/ Sp. Guest Corey Glover of Living Colour@ Brooklyn Bowl (Funk Live) –>
    • Some Cat From Japan (A Will Bernard Project) opening for Galactic
  • ($25) The Return of George Porter Jr. & Runnin Pardners/ Papa Grows Funk @ Sullivan Hall (Funk Live)
  • ($35-$60) Drive By Truckers & Jamie McLean @ Tarrytown Music Hall
  • ($36/SOLD OUT) RJD2, Pretty Lights, Chiddy Bang @ Terminal 5
  • ($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note
  • ($??) Eldar @ Iridium Jazz Club

Saturday, June 5th, 2010:

  • Mountain Jam Music Festival, NY ~ Day II
  • 12th Annual Star Scape Music Festival, MD
  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Underground Horns @ The Shrine
  • ($15) Galactic Feat. Corey Henry w/ Sp. Guest Corey Glover of Living Colour@ Brooklyn Bowl (Funk Live) –> Some Cat From Japan (A Will Bernard Project) opening for Galactic
  • ($30) Martin Sexton, Ryan Montbleau Band @ Nokia Theater Times Square
  • ($36.50 – $40) Southside Johnny And The Asbury Jukes @ B.B. Kings
  • ($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note

Sunday, June 6th, 2010:

  • Mountain Jam Music Festival, NY ~ Day III
  • ($18-$25) Holmes Brothers @ City Winery
  • ($40-$30) Dee Dee Bridgewater: Tribute to Billie Holiday @ The Blue Note

Monday, June 7th, 2010:

  • (Free) Fela! On Broadway Original Cast Recording Release Party @ Brooklyn Bowl
  • ($30) Brand New Heavies feat. N’Dea Davenport @ Highline Ballroom

Tuesday, June 8th, 2010:

Wednesday, June 9th, 2010:

  • ($3 suggested) Norah Jones @ Prospect Park Bandshell
  • (Free) Phish on Late Night with Jimmy Falon
  • (Entered a contest but found no price) Jeff Beck – A Tribute To Les Paul @ Iridium Jazz Club
  • ($10-$15) Trouble & Bass @ Santos House Party
  • ($16-$18) Easy Star All-Stars @ Highline Ballroom
  • ($20-$25) An Evening With Eric Lindell (Album Release Party) @ Sullivan Hall (Funk Live)

Thursday, June 10th, 2010:

  • Bonnaroo Music Festival
  • (Free) Sarah Mclachlan on Late Night with Jimmy Fallon
  • ($15-$20) Orchard Lounge @ Higher Nubela @ Club Love
  • ($20-$25) Evening with Eric Krasno & Chapter 2 @ Sullivan Hall
  • ($20) Jamie Lidell w/ Alex B. @ Music Hall Of Williamsburg
  • ($20-$30) Duncan Sheik & Holly Brook @ City Winery
  • ($35 for each set) Jorma Kaukonen of Hot Tuna @ Iridium Jazz Club

Friday, June 11th, 2010:

  • Bonnaroo Music Festival (Manchester, TN)
  • Reggae On The Road (Lighting Ridge Park, NY)
  • (Free) Allison Moorer on Late Show with David Letterman
  • ($5) Rotary Downs, The Pimps Of Joytime, Big Light @ Brooklyn Bowl (Funk Live)
  • ($25) David Allan Coe @ Music Hall of Williamsburg
  • ($25) The Budos Band @ Rocks Off Concert Cruise (The Temptress) (7pm-11pm)
    • ($25-$30) Rubblebucket @ Rocks Off Cruises (The Temptress) (11pm-4am)
  • ($25-$80) Jethro Tull w/ Procol Harum @ Nikon at Jones Beach Theater
  • ($30-$45) Leo Kottke @ City Winery

Saturday, June 12th, 2010:

  • Bonnaroo Music Festival (Manchester, TN)
  • Reggae On The Road (Lighting Ridge Park, NY)
  • ($20-$25) NYC Undead Jazzfest (2 Nights, 3 Venues, 30 Bands)
  • (Free) West African Band @ St. Nicks, Harlem @12:30 (late night show)
  • (Girls free/$5) Higher Nebulae @ The Delancy (11pm-1145pm)
  • ($3) Allen Toussaint and Davell Crawford @ The Prospect Park Bandhshell
  • ($10) Will Bernard @ The Blue Note @ 12:30pm (late night show)
  • ($25) Grace Potter & The Nocturnals @ Webster Hall
  • ($30-$35) Leo Kottke @ City Winery

Sunday, June 13th, 2010:

  • Bonnaroo Music Festival (Manchester, TN)
  • Reggae On The Road (Lighting Ridge Park, NY)
  • ($20-$25) NYC Undead Jazzfest (2 Nights, 3 Venues, 30 Bands)
  • ($??) Undead Jazzfest w/ Mark Guiliana @ Sullivan Hall
  • ($7)  Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery

Monday, June 14th, 2010:

  • (Free) Baaba Maal, Playing For Change @ Summerstage
  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) The Mingus Big band @ The Jazz Standard

Tuesday, June 15th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($30) John Butler Trio, State Radio, Angus and Julia Stone & State Radio @ Summerstage
  • ($40-$155) Carole King / James Taylor – Troubadour Reunion @ Radio City Music Hall
  • ($15) The Roots @ Highline Ballroom (this is weird online)

Wednesday, June 16th, 2010:

  • ($5) Chico Mann @ Santos House Party
  • ($25) Mary Gauthier @ Joe’s Pub (NolaFolk)
  • ($40-$155) Carole King / James Taylor – Troubadour Reunion @ Radio City Music Hall
  • ($50) Larry Graham + Central Station (S&TFS) @ B.B. Kings

Thursday, June 17th, 2010:

  • CareFusion Jazz Festival New York
  • (Free) Taylor Carson @ Rockwood Music Hall
  • ($??) Mark Guiliana @ 55 Bar
  • (??) Gent Treadly @ Flannery’s Irish Pub (called everywhere looking for price)
  • ($10-$12) Apollo Run @ The Studio @ Webster Hall
  • ($5) The Lee Boys @ Brooklyn Bowl
  • ($13) The London Souls @ Bowery Ballroom
  • ($20-$25) Tony Allen at Le Poisson Rouge (Funk Live)
  • ($25-$30)  Railroad Earth @ Rocks Off Concert Cruise Aboard The Temptress
  • ($40 – $90) Keith Jarrett Trio, Jack DeJohnette, Gary Peacock @ Carnegie Hall (Part of CareFusion Jazz Festival New York)
  • ($59.90-$99.50) New Kids on the Block @ Radio City Music Hall

Friday, June 18th, 2010:

Saturday, June 19th, 2010:

  • PHISH @ SPAC!!!
  • CareFusion Jazz Festival New York
  • (Free) West African Band @ St. Nicks, Harlem (12:pm – late night show)
  • (Free) Apollo Run @ Central Park’s Bandshell
  • (Free) Mike Stern Trio – Bitches Brew Revisited @ Prospect Park Bandshell
  • ($10) The McLovin’s @ Sullivan Hall (@9:30pm)
  • ($10) Sullivan Hall Shakedown @ Sullivan Hall (@12:30am)
    • Featuring Monchan, Chris Hall and DJ Nutritious w/ percussion by Steven Chopeck w/ visuals by Mamiko Kuchida plus special guest ElaNEF
  • ($12) Eli “Paperboy” Reed  @ The Bellhouse
    • Justin Townes Earle (opening for Eli Reed) @ The Bell House
  • ($12-$15)  Jacob Fred Jazz Odyssey @ 92Y Tribeca
  • ($20) Black Dynamite Sound Orchestra @ Southpaw
  • ($59.90-$99.50) New Kids on the Block @ Radio City Music Hall

Sunday, June 20th, 2010:

Monday, June 21th, 2010:

  • CareFusion Jazz Festival New York
  • Make Music New York ALL DAY FUNK FEST! (Funk Live)
  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) The Mingus Big band @ The Jazz Standard
  • ($15) The Roots @ Highline Ballroom (this is odd online)

Tuesday, June 22nd, 2010:

  • CareFusion Jazz Festival New York
  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • (Free) Trombone Shorty and Orleans Avenue @ Late Show with David Letterman
  • ($25) Marcus Miller feat. Christian Scott: The Music of Miles Davis @ Highline Ballroom

Wednesday, June 23rd, 2010:

Thursday, June 24th, 2010:

  • CareFusion Jazz Festival New York
  • Funk Fest 6 at Sullivan Hall (Funk Live)
  • ($10-$85) Blues Summit: James Cotton & Friends feat. Taj Mahal, Hubert Sumlin, Pinetop Perkins, Willie “Big Eyes” Smith, Shemekia Copeland, Darrell Nulisch, David Maxwell @ Jazz at Lincoln Center
  • ($15) The New Deal @ Brooklyn Bowl
  • ($15) The Late Night Jam Sessions @ City Winery (Part of CareFusion Jazz Festival New York)
  • (Unknown) Chico Man @ El Museo del Barrio
  • ($20 ) Giant Panda Guerilla Dub Squad @ Rocks Off Cruise (The Half Moon)
  • (Unknown) Victor Wooten @ BAM Rhythm and Blues Festival
  • ($32.50-$38) En Vogue @ B.B. Kings
  • ($35-$105) Herbie Hancock @ Carnegie Hall (Part of CareFusion Jazz Festival New York)
    • Special guests Terence Blanchard, Ron Carter, Bill Cosby, Dave Holland, Joe Lovano, Wallace Roney, Wayne Shorter, plus other artists to be announced

Friday, June 25th, 2010:

  • Phish @ Susquahana Bank Center, Camen, NJ
  • CareFusion Jazz Festival New York
  • (Free) Soul Cycle @ Brooklyn Academy of Music
  • ($10 – $15) Jason Lindner Trio @ The Jazz Gallery (Part of CareFusion Jazz Festival New York)
  • ($15) Harlem Stride: Henry Butler (NolaJazz), Osmany Paredes @ Harlem Stage Gatehouse
  • ($15) The Sam Kininger Band @ The Blue Note
  • ($35) Al Di Meola @ Highline Ballroom (YES!! YES!! YES!!)
  • ($98) Chuck Berry @ B.B. King Blues Club
  • ($41.50 – $156.50) Maxwell & Jill Scott @ MSG

Saturday, June 26th, 2010:

  • CareFusion Jazz Festival New York
  • (Free) Common & Soulive @ Fort Greene Music Fest 2010
  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Tinariwen & Toubab Krewe @ Central Park Summerstage
  • ($10) Reckoning @ Sullivan Hall (A post Furthur show playing music of the Dead, Phish and more…)
  • ($39.50) Furthur @ MCU Park
    • Featuring Phil Lesh, Bob Weir, Jeff Chimenti, John Kadlecik, Jay Lane & Joe Russo
  • ($30- $385) Yes! & Peter Frampton @ Nikon at Jones Beach Theater
  • ($41.50 – $156.50) Maxwell & Jill Scott @ MSG

Sunday, June 27th, 2010:

  • NASFT Fancy Food Shows @ Javit Center
  • ($39.50) Furthur @ MCU Park
  • ($15) Elvis Perkins in Dearland @ Newtown Barge Park (1pm show)

Monday, June 28th, 2010:

  • NASFT Fancy Food Shows @ Javit Center

Tuesday, June 29th, 2010:

  • NASFT Fancy Food Shows @ Javit Center
  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) Robert Randolph @ Bowery Ballroom
  • ($35-$65) Alejandro Escovedo @ City Winery
  • (Sold Out) Passion Pit @ Prospect Park Bandshell

Wednesday, June 30th, 2010:

  • ($25) New Mastersounds @ Rocks Off Concert Cruise Aboard The Temptress
  • ($35) Passion Pit @ Govenor’s Island, NY
  • ($39.50 – $154.50) James Taylor & Carole King @ Madison Square Garden

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Jeff Bujak @ Club Love

(179 McDougal Street)

(w/ Higher Nebulae, D.V.S., & Orchard Lounge)

Show Pamplet

Show Pamplet

In my mind, I consider myself just beginning to learn about (and possibly appreciate) these late night NYC music scenes.  A scene where the music doesn’t start until 11:00pm, maybe.  A scene where, unless you asked for help, you can’t find the door to the establishment, a scene hidden under the bowels of the city streets.   I normally rage a live concert where the doors open at 6pm and the show start at 8pm.  And THEN, if I have the energy (if?…who are we kidding?), I end up in a dark and grimy basement venue for the remainder of the night.  Most of the time it’s because a friend has talked me into raging harder and not because I feel as though there will be true talent on a stage.  To me, these are the times to mingle and dance till your a puddle of water on the floor.  I have no idea what is going on music wise as…how do I put this….it doesn’t register to me as live music.  It just doesn’t.

Rage Equipment!

Rage Equipment!

Dj-ing is clearly an art.  Sampling music, producing sounds, splicing tunes, putting them back together like a puzzle.  I get it.  I can see the DJs gears working in my mind’s eye when I hear some of the get-down beats we dance too.  And when they rage, I stop dancing and I embrace the lift in the room’s energy, nodding my head in recognition that they just mixed a dope track that got the floor jumpin’.  So, I love it, don’t get me wrong.  I do dance into a puddle and I have fun but it’s not the same thing if it’s just a person and their turntables.  It doesn’t drag me in and make my jaw drop.

Now, take that atmosphere, with that talented puzzle maker and throw in a live instrument.  Like Break Science who has Adam Deitch on the drums bringing forth that extra layer that makes it intoxicating, or The Sullivan Street Shakedown, which combines DJs with numerous live instruments rotated each month.  It lies in the fact that it’s alive to me at that moment.  It’s organic.  I can see it being created.  Tonight, I would be enjoying the performance of Jeff Bujak and he brought me exactly what I needed to have my jaw drop.

Rage equipment!

Rage equipment!

The show was held at Club Love.  Never having been before, I immediately was drawn to the name, wondering what it must look like.  I imagined it being dimly lit, a loungy-vibe with bright tones like purples, yellows and reds.  Slightly Disco-esque with plush couches and anything you would find in a Austin Powers movie.  I couldn’t have been more wrong.

With no sign to the establishment and the entrance being a door hidden by on of those large gate walls that businesses pull down when they close up shop, I only knew I was in the right spot thanks to the store owners around the area.  The show was to start at 10pm but I don’t think the doors even opened until 11pm.  I went across the street for a beer with the three other people foolish enough to come so early…see, I am still learning.

Rage Equipment!

Rage Equipment!

Upon entering Love, you head down the stairs into a dark, concrete floored, cavern-like basement and are forced either left or right.  If you choose right, you are met with the room that would be throwing us the get down grinds.  Probably holds about 250 (??) comfortably, one wall had bench style seating but that was it.  This was a room for dancing.  Period. There was a bar set up with caution tape around it, I assumed to give the waitress some room?  Flat out, not cool waitress.  I bought a $7 beer, gave her a $10 and she just ran with it.  When I asked her for my change, she was like “What? You want me to give you back 2 bucks?”  First of all, take a math course and Poor Service!!!  Seriously? Does it matter?  I used to be a waitress and I was a friggen princess even when I wanted to kill someone.  I will NEVER get used to the poor customer service practices in New York City.  There is TRULY nothing comparable in terms of shitty attitude .  Needless to say,  I was not amused.

Dancing and Hula Hooping

Dancing and Hula Hooping

There was no “stage” per say, just a portion of the floor that had been utilized for the equipment.  As well, there was an elevated portion that held the DJs booth.  I got to be sadly honest and admit that the front of the DJ booth was so high, I could barely see the tops of the DJ’s heads, let alone see them do their thing.  That made me sad.  But I am sure the rest of the world saw the Dj’s as they are all over 5 foot zero!!

If you took a left from Love’s entrance, you are taken to the restrooms, another bar and a separate room that looks cave-ish, like the walls were made of crappy styrafrom, the other walls were glass so that the patrons in the room were viewable from the bar area.  This room was for those who might need to take a rest from the intensity in the other room.  It is small but with stadium seating, more like concrete stairs.  It’s always good to have one of these rooms to retreat into when you have partied to hard.

Higher Nebulae started the night off with some dirty dance beats. There was some gospel layers and rock layers all with some deep whoomping bass.  When the bass beats were dropped we were given some familiar rock favorites and unexpected old school gems such as Metallica‘s “For Whom The Bell Tolls.”

D.V.S.

D.V.S.

Like I said, it’s hard for me to focus on the music when it’s just the DJs so I was wondering around trying to catch a buzz with the $10 beer in hand and attempting to get in the right frame of mind to dance into that puddle I was talking about.  The Banana Mafia was out in full force greeting what appeared to be half the venue who had come under his list.  He brought the energy, he brought in the dancers.  I appreciated that!  However, this Mafia member was without his Banana Suit?  Is that even allowed?  Am I supposed to be outing him over the internet?  Opps.  Either way, he raged all over that dance floor, as well as his friends, and we all had a blast together!!

D.V.S. was up next, his real name being Derek VanScoten.  Where as Jeff Bujak uses a piano to layer on top of his electronic beats, D.V.S. uses a Telecaster guitar.  I stopped my mingling and started focusing on D.V.S..  His music mixed Hip-hop, Soul and even Motown.  He sampled Jimi Hendrix‘s “Foxy Lady” and raged a great guitar during his samples.  He has recently toured as a solo artist supporting Ana Sia, Big Gigantic, Beats Antique, Boombox, Lynx & Janover, JFJO, and M80 Dubstation.  Honestly, not sure if I cared for him that much.  It didn’t do anything for me.

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Let’s talk about Jeff Bujak, the man of the hour!  Duuuuude.  Having just discovered him earlier this summer at Rock The Resort, I was VERY eager to see him again live.  Jeff Bujak is a true musician.  A truly technically talented piano player who, from the moment I stepped foot into his performance at RTR, has had me hooked.  To me, when I listen to his music at home, Jeff reminds me of a mix between Tori Amos and Bruce Hornsby. I could come up with a ton of combination but seriously, his music is beautiful and quirky and demanding with organized chaos and it is all his own! He has coined his music “Intelligent Dance Music.”  Intriguing, no?

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Jeff comes armed with everything needed to run his one-man show including light, sound, and smoke.  Cables and pedals everywhere, there is a laptop, a sound deck and his dual level keyboard at the helm of his personal electronic monster.  There is a row of lights above his left shoulder flashing us the light show in various colors and mixed to rage with the beat. His shoes were off and the show began.

The set list:

SET 1
Utopia > Kicker > Crowd > Machinist > Slimmy > Cascadation > Sunny’s Song* > PUTV > Mutator

* written by Benevento-Russo Duo (section of)

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Utopia got it started with a synthesizer drop and a deep beat. Very quickly the layering of faster beats were released and right away it was a dance party.  His songs have catchy samples, this one, sampling Cake’s The Distance by using the lyrics “Reluctantly crouched at the starting line…”  After a while, amid the heavy beat of smashing cymbals, I feel a reggae vibe that quickly turns back into a deep electronic beat.

Kicker into Crowd brought us the classical, straight out gorgeous technical chamber piano skills that I adore him for.  These gorgeous notes layer over the rest of the dance worthy beats.  They are hit hard, there are sounds of electric guitars playing but I know that is Bujak manipulating the keys.  The sequenced drum loops made it sound like the drummer was in the room with us at times.  Then we got a little more of the pure keys, nothing manipulated, just beautiful piano sounds.  It’s a gorgeous mixture of electronic and organic.  I mean, there is just GORGEOUS composition amongst his hectic beats.

So, being that I am a romantic female, I found it to be just lovely music and I was pleased to see mainly men in that basement dancing.  In reality, I wondered if these wookies heard what I heard.  They were certainly dancing to the beats but I wonder if they realized just how good he sounded in that basement.  Club Love is rumored as having one of the best sound systems, so perhaps that helped.  There are parts of the songs that got so slow and so sensual.  Preferring to be a stand alone dancer at most shows I attend, it was my pleasure to dance intelligently with some dudes that night to this intelligent music.  A real pleasure. 😉

The music pierced my ear drums and so my ear plugs remained in the entire night.  I love my ear plugs because they helps break down the sounds and I can hear the music very clearly.  I recognized that I was in a grimy basement but being raised on Broadway shows and Classical theater and concerts, I was able to close my eyes and get thrown into the plush seats I imagined earlier.   The raging beats faded away and all I could hear was the gorgeous classical technical training he was throwing at us.

The music sounded like this (around 5:15ish mins he busts out the chamber piano):

But my mind would shut out parts and I would just hear something that sounded like this, beats faded away…just gorgeous:

Machinist is a song that amuses me. I imagine being at an Insane Clown Posse  or 311 show raging out and then Jeff layers some beautiful unmanipulated organized piano playing over it.  That is what does it for me.  I know I always say I love my horns, but I grew up listening to my father plays his piano every night after dinner while I cleared the table and did the dishes.  This fact also makes me overly critical towards keys players and I don’t have a single negative thing to say about Jeff’s work. It was a complete package, a complete pleasure.

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Slimmy was mainly a synthesizer song and pretty sure I heard some Michael Jackson‘s “Thriller” in the mix.  It was HEAVY, deep, and a raging dance song.  This producer/composer really does delivers a vibrant sound so full of melodic energy it stirs even the most timid of dancers. No one was sitting. I make my way up to Jeff’s side, watching him play…oh the essence of a musician when they are in the zone.  Sometimes I swear can feel their energy radiate off them.  It’s what brings tears to my eyes sometimes.  We stand in the audience in love with these musician’s music but what we have to remember is they either love or hate what they are playing as well and you can fell it, you can see it.  The lights and the music and the venue were helping big time.  It was so beautiful and overwhelming.  One man was making all this happen.

I stepped outside for an adventure during Cascadation so I can’t tell you anything about that song. That is one you will just have to go and see to experience 🙂  I came back in towards the end of Sunny’s Song, partially written by Benevento-Russo Duo. Pretty, melodic, slower then the rest.  PUTV gave us a manipulated synthed start to the song with samplings from Eric B. & Rakim’s “Pump Up The Volume” gently layered on top of the rest of the tune.  He goes back and forth between the manipulated sounds and the organic sound the ivories make.  Again, the looped drum beats are stellar and fast forcing Bujak’s fingers to go full blast.

Mutator was last for the evening. To be honest, I wasn’t sure when one song ended or began.  My notes are full of lines where I believe one ends and another beings, arrows shooting up the page because I felt as if he had gone from one song to another and back again, not sure.  Sometimes it was clear and other times it was so well-played that if the change occurred, I had no clue where it was.

Here is the video I took of Jeff @ Club Love…sorry for the sound quality. I had my ear plugs in and it sounded GORGEOUS and crisp in my ear…you get the point 🙂

Orchard Lounge raged our faces off for the rest of the evening but I will have to review them another time.  Jeff was what had brought me here tonight. I had come with the intentions of leaving after Jeff’s set but there was NO WAY. Not only was I one of the first people to arrive that night, I ended up being one of the last people to leave.  Jeff hung out a bit and, when we weren’t dancing, I wandered with my dance partner, getting in to trouble here and there, totally full of energy.  It was a great night and all thank to Jeff….thanks Buj 🙂  Be sure to check out Jeff Bujak’s newest full-length released on Harmonized Records:  “Alive Like the Spine

And as I hit PUBLISH, the irony is not lost on me as I listen to my neighbor begin giving one of her lovely piano lessons…..life is magnificent!

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Stephen Chopek (aka SodaCan) lives and works as a musician and artist in Jersey City, NJ. He is a multi-instrumentalist and self-taught artist. His work explores the connections that exist in the process of creating music and visual art.

Chopek’s music is the sum of many parts – what he terms audio collage. Individual elements are both created by the artist and sampled from previously existing sources. They are then gathered, categorized, arranged, dissected, deconstructed, sliced, diced, manipulated, repeated, rearranged, recycled, reused, and molded into original compositions.

SodaCan = Stephen Chopek

SodaCan = Stephen Chopek

He also applies the collage technique to visual art and poetry. Chopek’s mixed media works take readily accessible materials and found objects out of their original contexts and reshapes them into new compositions.

Chopek began studying drum set and classical percussion at a young age. While performing with William Patterson University‘s percussion ensemble, he pursued his interest in composers such as Steve Reich, John Cage, and Edgar Varèse. Later, Chopek furthered his studies with drummer Billy Martin of Medeski Martin and Wood and percussionist Leon Parker.

As a drummer, Stephen has toured the world and recorded with Charlie Hunter, John Mayer, Marc Broussard, Jesse Malin, The Alternate Routes, and many others.  He maintains a busy performing and recording schedule while spreading the word about SodaCan to new audiences.

For free downloads, visual art, and more information, please visit the SodaCan website at www.SodaCanSodaCan.com

As well, Stephen will be joining The Sullivan Street Shakedown with Mikey Beatz & Zoe Wilder on June 19, 2010 at Sullivan Hall.  Please join us 🙂

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Front of a great shirt!

Front of a great shirt!

…….continued from Night  1 of Karl Denson @ The Brooklyn Bowl (04.23.10)

Before I knew it, my head had hit the pillow in my bed the night before and just like that, my feet were back to hitting the pavement to the Brooklyn Bowl.  The NY Funk Live group was gathering tonight to make sure the dance floor was packed and the energy was high.  Such a genuinely good group of people.  I encourage all funk friendly followers to look into the group and see if it’s for you.  A fellow funksters shirt caught my eye and made me giggle. I hope you get a kick out of it also.

Back of a great shirt!

Back of a great shirt!

It was the second night of Karl Denson’s Tiny Universe at the Brooklyn Bowl.  I was arriving a bit early to meet my buddy who was going to introduce me to just the best damn falafel I have ever eaten.  The place is called Oasis and it is right at the L train Bedford stop, first stop into Brooklyn from Manhattan.  Oh my goodness, it was just so good! Not oily, the extras: the red cabbage, the pickles, the hot sauce, were all so different yet all worked so well together.  SICK! And it was $3.50.  No lie, it is now what I plan on eating every time I head to the Brooklyn Bowl now. Yup! Yup! Light yet filling and $3.50…Word!

John Staten @ The Brooklyn Bowl

John Staten @ The Brooklyn Bowl

We arrived again before 9pm and there is only a slight line at the ID check this time. Once inside, it’s right to the front, makin’ my way to my regular spot to lay down my things.  A few buddies are already marking their territories at the front of the stage.  After chatting with them, I turn around to get my little notebook out and there is a NYC condom laying on my purse.  I look to the guys elevated above me in the bowling section and they just smile with their smirky grins and raise their glasses.  Seriously?  Looks like someone else was marking his territory.  I place the love token in my purse and turned around to the men in the joint that had some class…my friends 🙂

Karl Denson @ The Brooklyn Bowl

Karl Denson @ The Brooklyn Bowl

I was not on point for this show.  Because I was so focused during the first show, I felt like I wanted to just melt my face off and dance tonight.  This review won’t be nearly as long as Night I.  I seemed to focus more on taking pictures then notes.  Karl and his Universe took the stage around 9:45pm this time.  Hell of a lot earlier then the previous night of an hour later.  Right into a full out saxophone rage from Karl Denson.  I am not sure if they really played The Bridge or not.  I don’t recall that song being played but the set list says otherwise…  Either way, the first song was a HUGE rage fest and a great way to open.  EVERYONE was focused, attentive and dancing.  The stage was set up as follows, from left to right:

David Veith (keyboards)

Chris Littlefield (trumpet)

John Staten (drums)

Karl Denson (saxophone/flute)

Chris Stillwell (bass)

Brian Jordan (guitar)

Chris Littlefield & David Veith @ The Brooklyn Bowl

Chris Littlefield & David Veith @ The Brooklyn Bowl

The first song I recall is Kool Is Back.  I love this song.  The horn bring you right in with a catchy tune.  Karl picked up the tambourine and everything got really funky.  Brian gave us a guitar solo created off of his rift that is the background of the song.    The banging of the cowbell, John Staten just ripping apart the drums.  He was always inserting extra smack downs in the lulls of the other instruments which I appreciate.    This song reminded me of a 60’s game show for some reason.  Again, I think that if each of these artists had a band of their own, I would go see them all.  This song is so full of yummy jazz flute I can’t stand it.  FAST jazz flute.  Karl’s fingers were moving so fast and he was bouncing to the rhythm of his fingers.  My friend SCREAMS his monstrous scream in recognition of the slaughter that is taking place with the flute.  And Karl KILLS it.  Both horns are picked back up and they blast out the ending with Brian leading the way with the funky rift.

Brian Jordan @ The Brooklyn Bowl

Brian Jordan @ The Brooklyn Bowl

At this point, Karl’s horn insanity is taking down to a medium slow growl, a really jazzy sound emits and the song changes.  Galaxy!! “On a rocket ship /No time to wait /I just want to gravitate!” sings Karl.  They hit the lyrics pretty hard in this song, little play from the instruments.  At least for a little bit!  We got some interpretive jazz sax from Karl and people screamed.  The drums got louder and Karl got faster.  My friend tapped me on the shoulder to hand me some love.  We danced around.  I heard the tambourine.   As I look at my notes, I see where my friend wrote PEACE + LOVE = FUNK!!  I think he might be on to something. 🙂  So, there is a part in this song where they kind of let the slow, low, minimalist movement take over and not much happens.  He lost me.  I started thinking of a friends who weren’t there and and texted them pictures.  It was just a really jammy sloooow background for some chatting to commence for a few good measures.  But the nice part about these lulls, they pick up fast and just intensify and makes your head EXPLODE.  Yeah, Karl knew what he was doing.  And no pun intended but SPAAAACE!!!  I couldn’t figure out where some of the sounds were coming from, finally figuring out the horn sounds were coming from the keys? Shoot, I still may be wrong. I was loosing my mind waiting for the song to explode in my face.  My notes mention something about there being wasted time pickin’ and that is because I just wanted Brian to rip my face off with his fingers on the guitar.    He stands there with such a darling smile on his face and its like he is busting to blow out the guitar but he doesn’t.  Honestly, I can’t tell who I want to hear more. Who did I come to see?  They were all so great. “Outta Sight, Outta Sight” sings Karl twice.  Honestly, this Tiny Rager was in the middle of a Tiny Universe but I was entirely in my own world.

David Veith @ The Brooklyn Bowl

David Veith @ The Brooklyn Bowl

YES!!  YES!!!  YES!!  I heard the Reggae beat, the dance in my legs shifted immediately.  It moved up to my hips and the salsa vibe was pumping.  Might Rebel was serve up so nicely.  I longed for Debrissa McKinney’s voice immediately as she sings with them on their latest album, Brother’s Keeper.  This is easily one of my top five KDTU songs.  JUST LOVE THIS SONG! Gypsy rage!  Russ ask to borrow a lighter, confusing me because he doesn’t smoke, and holds it in the air swaying it back and forth. We giggle.  It was definitely a moment for that.  Karl looked directly at him, because you just cant miss this guy standing out with his red hair and giant stature holding a lit lighter, and with a beaming smile, nods in recognition of the act.  Russ adds some reggae beats with his mouth in the crowd and its hilarious.  It fits.  This is such a different song from the others being played that night.  It was so very Reggae and it was a nice change.  All the musicians soloed and just killed it.  Coming together at the end, it was just a pure hippie rage in depth.  Very heady and it was over just like that.

Karl Denson @ The Brooklyn Bowl

Karl Denson @ The Brooklyn Bowl

Shake It Out was next and it was the same as the night previously. I just set everything out and shook it out.  No notes, no recollection of anything fantastic happening.  Just dancing machine!  Hands in the air, spinning, knocking into my pal who was trying to contain himself but I could see in his eyes that he wanted to freaking flip out 🙂 Ah, reservation, I know you not.

And honestly, the set list said “Elephant” was next but it wasn’t. It made it’s way into the second set.  New York City was to rage the closer. And I mean RAGE!  It was a slow start at first and then it was a shit show of EXPLOSIVE funk all over that stage.  The ending of that set was one of the most intense endings of a set I have seen since Bowlive.  It was off the charts funky fantastic.  The energy was palpable, the place was packed.  And with that, they walked off the stage.  It was time to rage the bench and discuss…I was so high from all the goodness of that night that my vision was literally like a rippling pond at one point. Out of control. Damn, what a closer.

Set I: The Bridge, Kool Is Back, Galaxy, Mighty Rebel, Shake It Out, New York City

Karl Denson @ The Brooklyn Bowl

Karl Denson @ The Brooklyn Bowl

For the first time,we were not allowed outside of the front to walk around, smoke, get some fresh air .  We were confined to an area outside the front door, slightly herded. I am still wondering what that was all about.  After the insanity of amazingness that was Bowlive, these Karl Denson shows were definitely some of the the most amazing/fun shows I have seen at the Brooklyn Bowl to date.  Karl Denson’s Tiny Universe has a ridiculously ginormous amounts of soul.  It’s endless, full of funk, jazz, blues, and rage.  A GREAT team.

RAGE!

RAGE!

At this point, I just have my dancing shoes on and am not thinking of much else.  Steamed Water was awesome and I danced so very hard during that song.  David Veith really stood out on the keys during this set.  I had been hearing what I thought was a flute all weekend and it was his sound.  I don’t know if it was where I was standing.  But he always sounded like a flute.  I remember thinking that at that point I would just be happy to have the horns surrounding me on all side just blowing my head off.  I was so needy for them it was ridiculous.  I remember distinctly wanting crawl inside one of the horns and live in it.  Definitely out of control.

Chris Littlefield @ The Brooklyn Bowl

Trampled Underfoot, a Led Zepplin Cover, was “all about the love.”  Brian  worked his magic on the guitar once again. I just love his smile.  Chris Littlefield in tempo with the shaker as Karls on the mic, for like 7 measures, a lot of time on the cowbell.  I remember specifically texting that to a friend haha.  But again Karl ransacked the stage with his horn and the biggest cheer of the night came blasting out of the crowd.  I mean how do you not scream when guitars are jamming, horns are IN YOUR FACE NASTY, the drummer is basically on his feet, breaking his bloody sticks in half with each beat.  The crowd goes ape shit and Karl extends his arm in recognition of the cheer – the place erupts once again.  Back on the cowbell, Karl mentions his anniversary again. So special, it made my heart yearn.  “I cant stop talking about love,” says Karl.  How very special.  Another dance in unison between Chris Littlefield and Karl.

John Staten @ THe Brooklyn Bowl

John Staten @ The Brooklyn Bowl

And the shit just kept hitting the fan.  Karl blew me away in The Grunt. I know I am talking about him a lot but he was the main reason I went to the show.  How many time can I say he blew that horn, raged that horn, he was was awesome.  He brought a little jazz back into the otherwise funky song.  A few blats of improve was nice, a 3 minute jazz solo, real nice.   I remember there was chanting at one point, “NYC, NYC NYC!!!”  I completely spaced out for a while dancing around my little area, it had gotten a bit tight up front at this point, some odd photographers were bouncing around. I don’t know if they changed songs or were in the same one but we got a taste of Brian’s funky guitar and that cute smile.  Wearing a vest over a white shirt with jeans, he was lookin’ adorable that night.  Everyone looked sharp!  God, I love good music. “Make some noise in here,” shout’s Karl.  The venue screams in unison.  There were sooooo many people there compared to the night before.  It was shocking. Where had they all been Friday night?  I was very glad they were there. I wanted Karl and his Tiny Universe to know how much NYC loves them:)

Karl Denson and Chris Littlefield @ The Brooklyn Bowl

Karl Denson and Chris Littlefield @ The Brooklyn Bowl

An introduction to the next song, still unsure of the name.  Karl says, “Everything we do is for the ladies!  Am I right?”  Everyone screamed.  “You know it, they know it…..but just this once, we got a little something for the fellas.  This song is for the fellas.”  There is a little instrument banter and he continues, “Why are you scared?  You know there is always someone out there uglier then you so don’t be afraid, do it – go after it – you have nothing to fear but fear itself”  The song was beautiful.  For some reason, I have “Animal Kingdom” in my notes??  And that I wanted more flute. I was becoming oblivious. Perhaps the song was Groove On, I think it was, the set list says so but I still can’t recall.  See, this is why I have to write the set list down as the show progresses or I just forget everything.

Karl Denson & Jessica Lurie @ The Brooklyn Bowl

Karl Denson & Jessica Lurie @ The Brooklyn Bowl

Elephant was DEFINITELY next with Karl on the shaker and Chris Littlefield on the cowbell.  See, lots of time spent on these funny side instruments, but it was all part of the sound 🙂 What a great song. So heavy, so funky. The title evokes visions of elephants walking in a pack as soon as the tune begins.  Brian lays down the melody of the tune with his strings and Karl laces it out on the flute. Yes, a heady, herdy elephant song with flute!   There was major mouth action this time as he purposefully added in the sounds from his mouth as he blow the flute.  The sound emitted takes on an entirely different texture when the artists allow their mouth sounds to dominate the sounds of the instruments they are playing.  Some folks don’t care for it, but I do!!

Jessica Lurie @ The Brooklyn Bowl

Jessica Lurie @ The Brooklyn Bowl

Here we got our first and only guest treat for the evening. Out walks this lovely female, in a black vest, black tee, black jeans, and boots that looks liked they were broken in years ago, the “oh so comfortable” kind.  Jessica Lurie, a female saxophone player currently transplanted from Seattle to Brooklyn was the special guest for the evening.  I bet she played with Skerik all the time while in Seattle. I would love to see that duo.  SHE RAGED IT!!   I actually would have liked to have seen her perform more but he song didn’t allow for it as Karl was on his sax having to lead the herd through the song.    At one point both saxophone payers were not playing, but instead using the shakers and graters to back up Brian on the guitar.  I wanted more from Lurie. I was intrigued. She is definitely on my radar and I hope to see her again soon!  Karl belts a solo on the flute and Jessica is on various percussion instruments. She definitely didn’t just stand there, which was great.  At the end, they were all on the horns, everyone was jamming but not melting our faces. I was longing for that energy from the last song of the first set.  And then Brian’s guitar was crying as Karl interjected with hoots and yelps reminiscent of tribal banter, spiritual chanting if you will.  HE SCREAMS! And the energy rose, oh so high.  Russ screamed back, completely overcome with emotion from the song, he just couldn’t help it.  Karl stomped this herd into the ground with Lurie at the end. Brian brought the funk and it was just killer.  And then everyone exits the stage except for John Staten who has picked up the song, and taken it as his own…it was his time to shine! Enjoy the video! I personally like Karl’s little jig at the end of the clip!  RAGE JOHN RAGE!

Might Mouse was slated on the set list but they choose to rage another.  At this point a fan had come up to Karl and shouted something, He said, “OK! SO then we will play that song next for you, Happy Birthday!”  So kind, so genuine Such a good man, on top of being a good musician.    Soul Drifting would be the song of choice and it was full of just more funk and fun. David Veith mouthing the “sounds” he was making on the keys.  I was so focused on the horns and the guitars that I lost track of the keys and for that I apologize.  The keys were light, shifty, breezy.  Everyone was smiling. Karl places the mouth piece on his sax again and it creates the low growl.  “I feel like talking tonight.” says Karl.  He doesn’t talk so much as he gives us such a pretty jazzy flute, like a humming birds wings, his fingers were flying.  I closed my eyes as the song willed me to.  It was such a slow jam at first and then he screamed so soulfully, so fast.  Brian picked up his pace and just let loose on the strings, Karl picks up percussion instruments, I danced so hard I fell over.  Yup!  Just fell over…I was out of my mind, as were the people surrounding me; the people up front, paying attention to the slaughter that was taking place.  “Thank you New York!  Thank You New York,” screams Karl to the beat of the song.  And that feeling of dread that floods over you when you know a show is ending immediately flooded in.  Had two nights of Karl Denson really just come and gone just like that?  Perhaps for many, if not most people, they can just go home having enjoyed the night, being able to move forward and immediately think of things on their to do lists the following day….moving forward.  Not me, I get stuck in the moments and I truly dislike being pulled out of them.  I truly is an addiction.  It makes me tankful for these opportunities to write for yall, and for myself, to relive the memories and have a record of them.  It allows me to release and move forward like the “regular” folks 🙂

Karl Denson and Jessica Lurie @ The Broooklyn Bowl

Karl Denson and Jessica Lurie @ The Broooklyn Bowl

The stage was empty, no one moved, and everyone was screaming at the top of their lungs.  Of course, we all wanted more.  Karl Denson’s Tiny Universe to the the stage of the Brooklyn Bowl one more time that weekend and gave us a hell of an encore: Bougainvillea! Of and older CD, The D Stands for Diesel, Karl says, I got an old skool song for ya.”  The flute goes right into it, light, jammy guitar, interesting sounds with the keys. I was really too busy dancing to worry about much else.  Then the flute is put down and replaced by the saxophone.  Jessica Lurie came out and joined the session.  “I’ll sing you a song all night long,” shout’s Karl.  And the horns ended the evening blasting into the night and off the stage.  You know how I said this wouldn’t be a long review? I lied 🙂  It was too good to summarize.  And  when this review completed….it’s off to the next adventure 🙂 because I have just released!!! 🙂

Set II: Steamed Water, Trampled Under Foot (Led Zeppelin Cover), The Grunt, Groove On, Elephants, Soul Drifting, Bougainvillea

Download: Karl Denson’s Tiny Universe Live at Brooklyn Bowl (04.23.10)

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….continued from previous The Kinetix & Zach Deputy Review

Zach Deputy @ Sullivan Hall (04.17.10)

Zach Deputy @ Sullivan Hall (04.17.10)

Upon re-entering Sullivan Hall, I took my spot to the right of the stage.  Immediately, I was aware of this loud, thumping bass coming from either above me, below me or the side.  It was obnoxiously loud, distracting, and I realized there was no way Zach Deputy‘s show would get into my ears  and brain with my ADHD self focusing on the thumping.  I had to move.  I took over some bar stools in the slightly elevated section to the left of the stage and awaited the show to begin.

Zach Deputy & I on Jam Cruise 8

Zach Deputy & I on Jam Cruise 8

Zach came out and sat down at his monstrous one-man-band contraption. “New York, New York! It’s been too long!”  He smiled.  Oh, if I could only explain his smile.  I believe that Zach Deputy might be one of the most fabulous musical spirits to ever roam this earth.  Spiritually, I hold him in high regard up there with George Porter, Karl Denson and all other musicians who live their life with good intentions, living by a wonderful moral code so full of love and respect, not abusing their status or talent.  There are SO many musicians out there who are in the industry for the wrong reasons or who use their fame and fortune in the wrong ways, hurting people as they move along their path.  Having met Zach on Jam Cruise last year, I immediately fell in love with him.  Not his music, not his style, just him as a human being.  A genuinely HAPPY man, with a heart of gold, someone who LOVES to hug, a head full of music and spirit full of such light that when he smiles, your mouth turns up without your brain even helping you master the action.  You catch your cheeks hurting just by standing in his presence.  That must sound so strange to him, to hear how people react to his shine.  But it’s true and I dare anyone to tell me otherwise when it comes to this wonderful soldier of music and love.

Zach Deputy @ Sullivan Hall (04.17.10)

Zach Deputy @ Sullivan Hall (04.17.10)

With his signature beard surrounding his wide smile, Zach picked up his guitar and went right into laying out the bass line with his voice.  Then a few other beats on top of that before he extended us his guitar talents in a little jam before bringing us into Can You Tell Me Right Now!  Good Vibrations was next.  I went to take pictures of Zach at this point as I felt his energy building, drawing me to the front where I normally reside. I got to the front of the stage and started to take a few shots.  Meanwhile, this girl behind me continually pinches my butt and giggling the whole time saying, “Oh my, I just keep grabbing things.”  I guess Zach just brings the “feisty” out of people! I turn to give the butt pinching dancer her space back and I spot my Jam Cruise buddy, swaying, with her eyes closed, completely lost in her own world dancing in her private area…completely at peace.  I remember getting a little choked up while watching her.  And it made me very happy we chose to come see Zach at that moment. We both needed him, his words, his lyrics, his sounds.

Banana Mafia sighting!

Banana Mafia sighting!

The third song was one I didn’t recognize.  It was called Make A Man Smile. There was a lovely jam by Zach before hand.  “All I wanna do is jam with Momma,” says Zach.  There are so many layers and levels to Zach songs sometimes they start to feel similar to me.  This was one of those times.  I can’t distinguish at this point where my notes for this song start or end.  I made my way to the floor to dance around a bit and get some water. IT WAS SO HOT!!!

More Cowbell!

More Cowbell!

Now Dr. Doctor I know, and I know well. Coming out with his strummy guitar leading the way in front of the vocal  beats, he brought us yet another tune surrounded by the love for a woman.  The guitar rift establishing the melody is looped and the beats are laid down.  A few high pitch cries, oohs and ahhs, lead the way into the song, and we know his backdrop for fun is complete…time for lyrics.  I love the lyrics to this song, simple, sweet: “Dr. Doctor, you ain’t got no remedy, no! I got my woman at home and she’s everything I need.”  Zach brought in the rock fused guitar solo to the end of the song.  People were clapping and swaying to the beat.  Just a real catchy tune!

Zach Deputy @ Sullivan Hall

Zach Deputy @ Sullivan Hall

Can I just mention how much I LOVE AMELIA!!?  She is the floor waitress at Sullivan Hall!  I just love her.  And it had to be said 🙂

Always brought us from heavy beats to a beautiful vibe change.  Zach gave us such a pretty guitar solo and the melody was lovely.  It got very mellow and the chatter began to build. I was able to sit down on the stool and just take it all in.   Zach continued with the gorgeous songs!  Lovely was his March 2010 studio single release and its just that, lovely. The lyrics spoke of being with each other but being so far away.  Zach sings ever so softly, “I wanna be with you tonight.”  With layers of oohs and ahhs, a beautiful melody over his multiple layers of sound.  This is one of those songs where the men should grab their girls and swing around, looking them in the eyes and just dance slow.

Next it was time for Fresh Street.  “All right people, are you ready to get down!!!!   It got fast, the strumming got tight and swift.  Zach was bouncing between microphones sounding like himself one minute and like T-Pain the next.  I loved this song!!   Zach fires out, “Little momma, little momma! Got it going on!!”  I mean, I am 5 feet zero so you know I was all about it…come on 🙂 This is such a upbeat jam, everyone was dancing.  I was off the stool and dancing to the song that was secretly written for me, he just doesn’t know it haha.  Zach finally brought me back to the Jam Cruise Jam Room on  this one and gave us a solid guitar rage.  When he said “Ohhh yeah!!,” we all respond in unison, people with hands in the air.  “I am feeling good, better then all right”…such good lyrics for this feisty tune.

Zach Deputy @ Sullivan Hall

Zach Deputy @ Sullivan Hall

It was super hot in the venue from the dancing and the energy. I felt the need to take a break outside.  As I left the venue, Zach headed into Valencia, a reggae-esque jammy tune.  Little adventures ensued outside, nothing special and then it was too cold haha.  Most Don’t Hear Real Music brought back the strummy guitar, a jammy tune, the familiar lay of the beats with his mouth ensued.  As Zach says, “I am music!” I can’t help but feel that he knows who he is as I watch him laying out every rhythm and beat and groove and emotion that songs are meant to evoke, all by himself.  He stops the beats for a mini guitar rage which was fun and with a hit of a button (or a flip of a switch?) he brought back the funky noises he had recorded only a few moments earlier.  The one man band is a rare talent but it limits you to your chair for sure unless you are wearing your arsenal of rage on your back!  🙂 He brought out the cowbell!  Loved it! His guitar made human sounds during this song.  SUCH GREAT LYRICS!!  “Most people never heard real music/ just a radio jam/ I got a little real music/because….and he screams, “Music is what I am,” bringing the venue to their toes and raging back.  This was high energy and funnnn!

Zach Deputy @ Sullivan Hall

Zach Deputy @ Sullivan Hall

Ain’t My Time to Get Burned was next.  A Deep heavy beat with a solid rift established and we danced and I spaced out.  A salsa/latin vibe filled the room as Zach’s guitar cried Into the Morning, Into the Night.  A few bumps of his mouth created the beat and so it goes on as he built up the song, releasing the simple lyrics, “Into the Morning, Into the Night.” A great beat infused with Latin rage, a very different style compared to the rest but still with the underlying Zach vibe.  It caught me off guard, no lyrics, just strumming of the guitar and mouthing “Into the Morning.”  Back to the Jam Room, Zach gave us a trippy spacey drone of his guitar.  A contemporary dancer was stunting around the dance floor, making some of the oddest movements I have ever seen.  I closed my eyes because the song asked me too.  It’s amazing to think one man on stage was making all these layered lovely songs.  There are only maybe 60 people in the venue at this point so the heat was not as overwhelming.   Zach screams, “JAM CRUUUUUUUUUUUUUISEEEE!!”  I swear, over half the venue cheered.  Was I really in a room with that many Jam Cruisers?  My girlfriend and I look at each other and scream at the top of our lungs!  We hug each other so hard and my heart swells again with emotion, for the boat, the music, my friend, just for my life.  Happy tears abounded and I again thanked Zach in my head for making it to us on this particular weekend.

The rest of the songs started to get blurry.  Things were starting to flow together, sound similar.  I was getting figgity, tired as hell from the night before.  I had to walk around but my legs hurt, literally hahah.  I went outside for another break of fresh air and some adventures ensued that kept me outside of the venue for a fair amount of songs. Damn, it was cold!   The last song was one that most should have known.  Off the album Sunshine, Twisty, Twisty, I first heard this song on Jam Cruise and remember the sun shining on our backs, the wind blowing in our hair.  This song is just so cute.  When I got back from Jam Cruise, sometime in March, I was watching old episodes of Cougar Town and I swore I heard it in the background! After a little search on Facebook, I found I was correct.  How funny!  The scene was a frat boy party type of environment where they were playing beer pong.  It fit perfectly!!  Zach sang, “Swirly, Swirly! The hurricanes’ a coming'”  and with some cowbell and the rage of his guitar, the song came to an end.  What was left of the crowd cheered.  It had really cleared out at this point.

Zach Deputy had done it again. He had come out onto an empty stage and given us such an upbeat dance party. With songs raging of love , peace, harmony.  His smile, so wide, so bright, that it FORCED us to smile throughout the show.  His songs so upbeat that they FORCED people off their butts and onto the dance floor.  He had taken his arsenal of rock and turned it into so many beautiful sounds.  As I scoop up my tired friend, we walked home reminiscing of Jam Cruise, of Zach’s set, comparing all the memories we now had of him in our heads.

Zach Deputy Set List: 4-17-10 @ Sullivan Hall

1- (jam) Can You Tell Me Right Now

2- Good Vibrations

3-  (jam) Make a Man Smile

4- Dr. Doctor

5- Always

6- Lovley/Another Dream/Lovely

7- Fresh Street

8- Valencia

9- Real Music

10- Ain’t My Time to Get Burned

11- Into the Morning

12- (jam) She Knows She Won

13- (jam) Your Loving is True

14- Happy Graduation

15- Twisty Twisty

Download: Zach Deputy Live at SUllivan Hall (04.17.10)

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