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BATTLE OF THE JAMBANDS:

My Band Can Beat Up Your Band!

By: Brett B.

Brad Pitt in Fight Club

Brad Pitt in Fight Club

Recently while watching TMZ, they happened to show a “street brawl” between two LA hair bands outside of a club.  Now, by “street brawl” I mean 6 skinny guys with a combined weight of probably 400 pounds slapping at each other, so as to not mess up their hair and make-up.  Not exactly a scene from FIGHT CLUB, if you know what I mean.

So, this of course brought to mind the incident years ago when Jack White of The White Stripes beat up Jason Stollsteimer of The Von Bondies over Stollsteimer’s badmouthing Jack behind his back.  Who can forget the photos of the Von Bondie’s bloodied and bruised face posted next to a picture of a smirking Jack White.  Now you might say to yourself “Jack White?  That pale faced thin guy who looks like he can barely bench press the guitars he plays?”  Yes.  That Jack White.  But as anyone who has ever fought will tell you: It’s the little guy you have to worry about.  Small guys always have something to prove.  I would rather go up against someone bigger than me than someone smaller than me every time.  You ever see a little scrawny guy go off in a bar fight?  They look like spider monkeys on PCP.

A raged Jason Stollsteimer...ouch!

A raged Jason Stollsteimer...ouch!

Which makes me wonder, amongst the artists and bands in the jam scene ….  Who’s the toughest?  Now we all know that the jam band scene is the epitome of peace and love and good vibes but let’s just say hypothetically that someone really got pissed off at Bonnaroo and blows were thrown.  Who would be left standing when the dust settled?

Widespread Panic

Widespread Panic

Amongst the old school jammers (Or as I refer to them O.J.’s “Original Jammers”) my two favorite contenders would be Widespread Panic and Gov’t Mule.  To me there has always been something about John Bell that makes me feel that when goes off things could get ugly. There seems to be an underlying sense that he could put a real hurtin’ on someone if he took a mind to do so. And Dave Schools is the last person you would want to get you down on the ground in a full body press. I also have no doubt that Jimmy Herring and John ‘JoJo’ Hermann would be pretty decent back-up if the shit ever hit the fan, as well.

Gov't Mule

Gov't Mule

Now in Gov’t Mule you have a triple threat. (The jury is still out on Jorgen Carlsson).  In this corner you have Warren “Big Daddy” Haynes.  The Jerry Lawler of music. Don’t let Warren’s girth fool you.  The man is a solid barrel of guitar playing fury which would translate into some major damage in a brawl.  Not to mention the fact that he is a pretty tough cookie in real life.  Matt Abts, Mule’s drummer, has always reminded me of Mickey Rourke.  Kind of cool and dangerous.  You know he would be smiling serenely as he stomped you in an bar fight.  And Danny Louis?  There is just something about him that makes me feel he’d make a great hitman.

John Popper RAGE!

John Popper RAGE!

Honorable O.J. mention would have to go the boys in Blues Traveler. When John Popper got pulled over a few years ago in that SUV doing over a hundred miles per hour and the cops found hidden compartments with 4 rifles, 9 handguns, a switchblade knife and a Tazer, you just knew this guy was just praying for something to happen.

Now heading down South, you have some good ole boys who could put a major whoopin’ on your ass if’n they took a mind to do so.  Amongst my nominees would be The Black Crowes and The Drive-By Truckers.

The Black Crowes

The Black Crowes

The Black Crowes definitely would score high in the Potential To Kick Major Ass Department despite Mr. Robinson’s proclivity for smoking herb.  The tension that has existed between Chris and Rich would have no problem being vented against anyone dumb enough to mess with the Robinson brothers.  Nothing says “If I have no problem beating the shit out of a sibling, I will definitely enjoy kicking YOUR ass!” like the love between 2 brothers in the same band.  Just ask the Galaghers of Oasis and the Davies of The Kinks.

Patterson Hood of The Drive By Truckers

Patterson Hood of The Drive By Truckers

I once saw Patterson Hood of The Drive-By Truckers polish off close to 10 shots of Jack Daniels while onstage.  Trust me: If you can drink JD like that and still put on one of the best shows out there today, you will have no trouble getting into a back alley fight after the show.  Not to mention, the guys in DBT all look like they have a straight razor in their boots.  Hell, the female bass player in the Truckers could probably do some major damage, as well.

Grace Potter

Grace Potter

And speaking of women, and certainly not to be sexist, what woman out there in the scene is the biggest badass?  I’d put my money on Grace Potter.  Aside from the fact that she is a rock and roll party machine.  Aside from the fact that she is one of the most beautiful women in music today.  Grace P. is one tough cookie.  So, don’t let that sweet smile and gorgeous red hair fool you.  If there was any one female that could lay the smackdown on you, it’s her.

Alejandro Escovedo

Alejandro Escovedo

Finally, the two toughest individual artists out there playing great music that you would be a fool to cross?  Up first, Alejandro Escovedo.  Alejandro has the pedigree to be a dangerous mofo.  Started off in one of the first California punk bands, The Nuns.  Went on to play in some the coolest and down and dirty bar bands ever (Rank & File and True Believers).  And the final confirmation: He played in True Believers with his brother, Javier.  Two brothers of Mexican descent in the same bar band?  It is amazing that they are both still alive.

Karl Denson ~ Badest Cat Around

Karl Denson ~ Badest Cat Around

But without a doubt the toughest, baddest, man most likely to hurt you so bad even your mama wouldn’t recognize you afterwards would have to be one Mr. Karl Denson.  I had the pleasure of being in the ship gym a few years ago on Jam Cruise and let me tell you something.  The man works out like he plays the saxophone.  With a vengeance! Karl D is one of those guys that you would pray that the first blow would kill you or at least knock you out so you wouldn’t have to feel the following blows.

In closing, we all know fighting is bad. No one ever likes to see anyone get hit or hurt.  But on the off chance I am ever jumped out back of a club after a show, I just hope that it’s Grace Potter that leaps off that tour bus Flying V guitar a swingin’ to come to my defense.

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The 2010 New Orleans Jazz and Heritage Festival:

An “Easy D” Perspective: Thursday, April 29, 2010

Mike "Easy D" Deasy

Mike "Easy D" Deasy

(Read Easy D’s “Prologue” here)

(Read Easy D’s “Wednesday, April 28, 2010” here)

The weather for Thursday looked like it would be the best of the entire weekend.  Partly cloudy, breezy, high in low 80s.  Nice!  We arrived in time to see the first act of the day:  Chief Iron Horse & the Black Seminoles Mardi Gras Indians at the Jazz & Heritage stage.  Some of the Madi Gras Indian acts are a blast.  This act was one of the better ones I’ve seen over the years.

Chief Iron Horse & the Black Seminoles Mardi Gras Indians at the Jazz & Heritage stage

Chief Iron Horse & the Black Seminoles Mardi Gras Indians at the Jazz & Heritage stage

Crawfish Monica

Crawfish Monica

Next it was a quick stroll through the food area en route to the Acura stage.  One of the benefits of Thursday is that the festival is less crowded, hence the lines for the popular food items are nonexistent.   The most popular item is Crawfish Monica, a delicious combination of crawfish, pasta, and a nicely spicy creamy sauce!

Next up:   Kirk Joseph’s Backyard Groove at the Acura stage.  Kirk is a sousaphone player and original member of the Dirty Dozen Brass Band.  He has also collaborated with Anders Osborne among others over the years.  The current Backyard Groove lineup also features CR Gruver, a master keyboardist.  Very entertaining set featuring a versatile horn section and nice backup vocals.  I had learned from Kirk that he was having gall bladder issues a few weeks prior to the festival.  He decided to try to deal with it nutritionally so that he could get through the festival gigs.  He did not disappoint with this set.  Stay well Kirk!

Kirk Joseph's Backyard Groove

Kirk Joseph's Backyard Groove @ Jazz Fest 2010

CR Gruver of Kirk Joseph's Backyard Groove @ Jazz Fest 2010

CR Gruver of Kirk Joseph's Backyard Groove @ Jazz Fest 2010

The ‘scenery’ around the stages was starting to build on this slow day.  Let’s just say that some folks put together fest wardrobes and devised ways to be comfortable at the festival:

Jazz Fest 2010 Scenery

Jazz Fest 2010 Scenery

Jazz Fest 2010 Scenery

Jazz Fest 2010 Scenery

Next up:  Ivan Neville’s Dumpstaphunk at the Acura stage.  Dumpstaphunk is by far one of my favorite bands.  The funksters played the now familiar favorites such as Meanwhile, Turn This Thing Around, Shake It Off, Creedence Clearwater’s Fortunate Son.  Music with a message.  I know I put my troubles in the Dumpsta!  Plus the crowds are starting to build.  Dumpstaphunk lineup:

Ivan Neville – Keyboards and Vocals

Ian Neville – Guitar

Nick Daniels – Bass and Vocals

Tony Hall – Bass, Guitar and Vocals

Raymond Weber – Drums and Vocals

Dumpstaphunk crowd shot @ Acura Stage, Jazz Fest 2010

Dumpstaphunk crowd shot @ Acura Stage, Jazz Fest 2010

As the crowds build, the large video screens enhance the experience:

Raymond Weber @ Acura Stage, Jazz Fest 2010
Raymond Weber @ Acura Stage, Jazz Fest 2010

By this time, more of my extended entourage appeared including my Uptown New Orleans friends who traditionally stake out an area to the right of the Acura stage soundboard they call The Condo.

Easy D and friends @ Jazz Fest 2010

Easy D and friends @ Jazz Fest 2010

Amanda Shaw @ Gentilly Stage, Jazz Fest 2010

Amanda Shaw @ Gentilly Stage, Jazz Fest 2010

Next up: A quick stroll over the the Gentilly stage to catch the end of Amanda Shaw & the Cute Guys.  Amanda Shaw is a 19 year old fiddle and vocal phenom who has been playing professionally for several years.  I think the first time I saw her play at the festival,  Amanda was 13.  While she is building a catalog of original songs, she also plays fun covers such as Charlie Daniel’s The Devil Went Down to Georgia and The Clash’s Should I Stay or Should I Go.  By the way, several years ago,  Amanda turned down Disney’s offer of the title Hannah Montana role to sign with Rounder Records and pursue a serious music career.

Amanda Shaw @ Gentilly Stage, Jazz Fest 2010

Amanda Shaw @ Gentilly Stage, Jazz Fest 2010

And then, stroll back toward the Acura stage for some of Gov’t Mule.  There’s something about strolling around the Fairgrounds while Warren Haynes sings Thorazine Shuffle.  The Gov’t Mule Setlist:

Blind Man In The Dark
Steppin’ Lightly
Broke Down on The Brazos
Railroad Boy->
Beautifully Broken
I’ll Be The One
Thorazine Shuffle
Soulshine

Warren Haynes @ The Acura Stage, Jazz Fest 2010

Warren Haynes @ The Acura Stage, Jazz Fest 2010

At this point, I wanted to catch a little bit of Steve Martin with the Steep Canyon Rangers at the Gentilly stage.  En route, paused at the Congo stage where the Soul Rebels Brass Band were playing:

Soul Rebel Brass Band @ Gentilly stage, Jazz Fest 2010

Soul Rebel Brass Band @ Gentilly stage, Jazz Fest 2010

While walking by the Fais Do Do stage, I ran into more of my Krewe who were watching Geno Delafose & French Rockin’ Boogie, an excellent zydeco band.  Decided to stay here for a while; it was so good.  Plus the dancers to the right of the Fais Do Do stage are always very entertaining:

Geno Delaflose & French Rockin’ Boogie @ Fais Do Do Stage, Jazz Fest 2010

Geno Delaflose & French Rockin’ Boogie @ Fais Do Do Stage, Jazz Fest 2010

Dancin' @ Jazz Fest 2010

Dancin' @ Jazz Fest 2010

Once arriving at the Gentilly stage, after listening to Steve Martin with the Steep Canyon Rangers for a few minutes, I quickly decided that the energy level was not up to the Jazz Fest scene.  I am a fan of the Steep Canyon Rangers having seen them at the Delfest Bluegrass Festival last May.  On this day, they just didn’t work for me.  So it was back to the Acura stage to close the day with Widespread Panic.   The band consists of :

JOHN BELLguitars, vocals

JOHN “JOJO” HERMANNkeyboards, vocals

JIMMY HERRINGguitars

TODD NANCEdrums, vocals

DOMINGO S. ORTIZpercussion, vocals

DAVE SCHOOLSbass, vocals

John Bell @ The Acura Stage, Jezz Fest 2010

John Bell @ The Acura Stage, Jezz Fest 2010

This was the 3rd time that I have seen Widespread Panic at Jazz Fest.   They always play on Thursday so that they can play a full 2 and a half hour set.  This is the 2nd time I have seen the Panic since the death of guitarist Mikey Houser.  While I miss Houser, the supremely skilled Jimmy Herring is a terrific replacement.  Bandleader John Bell was in very fine voice, better than recent shows I have attended.  They performed a couple of my favorites including Imitation Leather Shoes, Ophelia, and the excellent Mikey Houser tune This Part of Town.  Here is a snippet of lyrics from This Part of Town, music with a message IMHO:

I was walkin’ the other day with my head down,
When I met a man who had his hand out.
So I gave him, gave him a dollar,
But as I walked away I heard him call out,

“Tell me Brother, can you see the sun
From where you’re standin’ now?
I’ve been up and I’ve been down,
But I’ve never been to this part of town.”

David Schools @ The Acura Stage, Jezz Fest 2010

David Schools @ The Acura Stage, Jezz Fest 2010

Here is the Widespread Panic set list:

Love Tractor, Pigeons, Space Wrangler, Walkin’ (For Your Love) > Blight, Thought Sausage, Imitation Leather Shoes > Jam > Proving Ground, Down*, Walk On The Flood > North, Up All Night** >Tall Boy**, Good People (w/Dark Bar Rap)**, On Your Way Down**> Bust It Big**,Ophelia** > You Should Be Glad**,This Part Of Town, Aint Life Grand*

Comment: *w/John Keane on Pedal Steel — **w/The Megablasters

Oh by the way, it was a party at The Condo:

Acura Stage @ Jazz Fest 2010

Widespread Panic @ Acura Stage, Jazz Fest 2010

Mikey Houser (yes, even Mikey, may he RIP, was at the fest!)

Mikey Houser (yes, even Mikey, may he RIP, was at the fest!)

Widepread Panic - painting started and completed during the set.

Widepread Panic - painting started and completed during the set.

Well, after this glorious day, we worked our way back to the hotel.  While working our way through the cab line, I tripped on an uneven sidewalk and fell on my right hip.  Fortunately or unfortunately, I broke the fall with my camera pouch.  I was uninjured, but my camera was a casualty.  I will have to depend on others in my Krewe for the remaining installments.

After returning to the hotel, I was tired and in need of a shower and nap.  My ‘power nap’ ended up lasting 10 hours.  Best sleep I’ve had in years.  So, no club show report for Thursday evening.  Next installment: Friday.

~ Continue to the Friday installment of Easy D’s Jazz Fest 2010 adventure~

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The 2010 New Orleans Jazz and Heritage Festival:

An “Easy D” Perspective: Wednesday, April 28, 2010

Mike "Easy D" Deasy

Mike "Easy D" Deasy

(Read Easy D’s “Prologue” here)

The Easy D Krewe got off to a shaky start even before I arrived in New Orleans.  One of our Krewe threw his back out the weekend prior to the trip and had to withdraw.   I can sympathize.  I was struggling with back discomfort a couple of years ago.  Not fun.  Then another member of our Krewe had to return home early to deal with an issue back home.   At least he was able to enjoy the club show on Wednesday night and the festival on Thursday. Yet another guy had airline travel issues and was delayed by a day.  The rest of the Krewe arrived on schedule on either Wednesday or Thursday.

Chickie Wah Wah

Chickie Wah Wah

For Wednesday night, there were 5 of us trying to decide where to go.  I was wavering between seeing Papa Mali and Friends at Chickie Wah Wah in the Mid City neighborhood or The Junco Partners at the Maple Leaf Bar in the Carrollton neighborhood in Uptown New Orleans.  Both of these shows are typical of the club shows on Jazz Fest weekend in that they are an opportunity for artists from various bands to collaborate on a special show.

Maple Leaf Bar Stage

Maple Leaf Bar Stage

The lineup for the Papa Mali show was billed as “The Amalgamation” featuring Papa Mali with Helen Gillet, Harry Hardin, Evan Christopher, Chris Spies, Kirk Joseph, and other very special guests.On the other hand, The Junco Partners show listed John Gros, Brian Stoltz, June Yamagishi, Tony Hall and Raymond Weber. As much as I love Papa Mali (Malcolm Welbourne), so this was a relatively easy decision. The Maple Leaf Bar would be our destination.

I have been to New Orleans many times, but for some unknown reason, I have never attended a show at the iconic Maple Leaf Bar! I have walked by the Bar.  I even have friends that live several blocks away.    This stop was long overdue.   The Maple Leaf Bar has been open since 1974 with music and special events held 7 days a week.  It should be noted that the club was the first music club to reopen after Hurricane Katrina operating the band’s equipment on generators and keeping the beer cold with ice in coolers.

John Gros of Papa Grows Funk at the Maple Leaf

John Gros of Papa Grows Funk at the Maple Leaf

I arrived to see John Gros (Papa Grows Funk) unloading his Hammond B3 organ out of a truck.  I have met John on several occasions.   We chatted for a minute and I pointed out that this was our first stop of the weekend.  The club is a neighborhood bar with a small, narrow performance room adjacent to the room where the bar area is located.  There is also a very nice patio area in the backyard if you want to get some air, grab a smoke or hang out between sets.

Getting there before the show started afforded the Wednesday Krewe the opportunity to reconnect as friends while watching the band members and stage crew set up for the show.  Three of us were from Pittsburgh, one from Frederick, MD, and one from Denver, CO.  After he set up his drum kit, I noticed that Raymond Weber (Ivan Neville’s Dumpstaphunk) standing next to me.  I introduced myself and we talked about the upcoming weekend.

The lineup for The Junco Partners:

John ‘Papa’ Gros (Papa Grows Funk) – Keyboards and Vocals

June Yamagishi (Papa Grows Funk) – Guitar

Brian Stoltz (Brian Stoltz Band formerly of Porter Batiste & Stoltz and others) – Guitar and Vocals

Tony Hall (Ivan Neville’s Dumpstaphunk) – Bass and Vocals

Raymond Weber (Ivan Neville’s Dumpstaphunk) – Drums and Vocals

Unfortunately, your scribe did not bring his camera to the show. It was a great rockin’ funk show.   Great vocals, great musicianship.  This was five of my favorite musicians that are obviously very comfortable playing with each other.  Both John Gros and Raymond Weber mentioned how much fun they had practicing for this show.  It showed in their performance.  A great start to a great weekend!

~Continue to the Thursday installment of Easy D’s Jazz Fest 2010 adventure~

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The 2010 New Orleans Jazz and Heritage Festival:

An “Easy D” Perspective: Friday, April 30, 2010

Mike "Easy D" Deasy

Mike "Easy D" Deasy

(Read Easy D’s “Prologue” here)

(Read Easy D’s “Wednesday, April 28, 2010” here)

(Read Easy D’s “Thursday, April 29, 2010” here)

Canal Street (Photo by Jon Weber)

Canal Street (Photo by Jon Weber)

Although I was extremely well rested from the mega-sleep Thursday night, I did not make it out to the fairgrounds early.  We waited while one of our Krewe finally made it to the hotel after a very bad Air Tran experience.  Hey, more time to party…works for me!

Photo by Lynn Lesh

Photo by Lynn Lesh

The weather forecast for the rest of the weekend was cloudy, windy, with the chance of rain getting worse as the weekend wore on.  The storm that ravaged Nashville, Tennesse and many other places looked like it would stay north of New Orleans; Sunday might be the worst rain day.  We made allowances for the weather by throwing raincoats and ponchos into a backpack.

The Chateau Bourbon Hotel portion of my Krewe turned me on to the school bus shuttle to the Fest.  For a $17 round trip, you get door to door service to the fest in an air-conditioned school bus.  It was like being in the HOV lane!  So much better than taking a taxi.  Take note you future festers!

Photo by Derek B.

Big Chief Victor Harris the 2nd Friday @ Jazz Fest, Jazz & Heritage Stage (Photo by Derek B.)

Once out to the fairgrounds, we paused at the Jazz & Heritage stage for the Fi Yi Yi & the Mandingo Warriors.  Not the best of Indian shows.  We didn’t stay long since we were on our way to Gentilly stage anyway for the subdudes.

The Subdudes (Photo by Adam McCullough)

The Subdudes' John Magnie (Photo by Adam McCullough)

The subdudes are a great roots rock band that has been around on and off since 1987.  They are known for their sparse instrumentation with a strong emphasis on songwriting and vocal harmonies.  The current lineup consists of:

Tommy Malone – lead vocals, electric and acoustic guitars

John Magnie –  vocals, organ, keyboards, accordion

Steve Amedée – vocals, tambourine, drums, percussion, electric mandolin

Tim Cook – harmony vocals, bass, percussion

Jimmy Messa – bass, guitar, vocals

Look for a club show action shots of the subdudes in a future installment.  The dudes set was excellent, left me wanting more…I knew I would see them again soon…

Steve Riley And The Mamou Playboy (Photo by Tamara Grayson)

Steve Riley And The Mamou Playboy (Photo by Tamara Grayson)

Next up: A stroll by the Sheraton New Orleans Fais Do Do stage for Steve Riley & the Mamou Playboys, a great Cajun band.  This is an act I have been meaning to check out for years. A special treat: three trombonists from Bonerama joined the stage during their performance!

Steve Riley’s 2008 performance at Jazz Fest earned him a Grammy Award nomination. Though he lost out to Terrance Simien and the Zydeco Experience Band, Riley is a musician worthy of local support and national acclaim. Zydeco music is mostly heard a little further west, but Jazz Fest is a great opportunity to check out some great local music. ~The Daily Reveille~

The Trio (Photo by David Grunfeld)

The Trio (Photo by David Grunfeld)

Time for some food!  I chose another one of my all time favorites.  My friends and I call it the Trio, but it is identified as a platter.  The Trio consists of Alligator Pie, a large Shrimp Stuffed with Crabmeat, and Fried Green Tomatoes.  Mmmm…and all for $10.

Next up: The set that I have been looking forward to for weeks: The New Orleans Social Club in the Blues tent.  This is an all-star band consisting of:

Ivan Neville (Dumpstaphunk) – Keyboards and Vocals

Henry Butler – Piano and Vocals

George Porter, Jr. (The Meters, etc) – Bass and Vocals

Leo Nocentelli (The Meters) – Guitar and Vocals

Raymond Weber (Dumpstaphunk) – Drums and Vocals

At the fairgrounds, in the below video, the New Orleans Social Club burns through the end of the Wild Tchopitoulas classic “Indian Red.”


If you ever get a chance to see Henry Butler perform, I urge not to walk, but run to see him.  He is a national treasure.  To give you an idea, check out this video about the recording of Honeybee for Papa Mali’s Do Your Thing album:

There was no reason to leave the Blues tent since The Derek Trucks & Susan Tedeschi Band were up next.   This husband and wife team were excellent as usual.  The band also included a couple of Burbridges:  Oteil, the bassist from The Allman Brothers Band and Kofi, keys, flute, etc. from The Derek Trucks Band.

It was very hot and extremely humid in the tent so my gang moved on.  Earlier in the day, we received word that Aretha Franklin had canceled for some undisclosed diva reason.  Late replacement:  Earth, Wind and Fire at the Acura stage!  Very nice!  After a couple of sexy soulful  tunes, my Krewe (of guys) all started looking at each other kinda funny.  We realized that we better head for the school bus and head back to the French Quarter.  A very nice day indeed.  And the weather held up!!!

Earth, Wind and Fire @ Jazz Fest 2010

Earth, Wind and Fire @ Jazz Fest 2010

Friday Evening at the Rock ‘N’ Bowl

Rock 'N' Bowl

Rock 'N' Bowl

There were lots of great music choices for Friday night club shows.  I really wanted to see 7 Walkers featuring Papa Mali and Bill Kreutzman.  They were playing a theater show opening for Gov’t Mule as well as a later show at Mardi Gras World. When I’m in New Orleans, I much prefer to go to the clubs instead of a theater.  There are so many fun clubs in New Orleans in so many different neighborhoods.  Much of the time, magical things happen when musicians go from club to club to sit in on other artist’s sets.

John Mooney at the Rock 'N' Bowl

John Mooney at the Rock 'N' Bowl

We decided to go to The Rock ‘N’ Bowl, a great music venue and bowling alley in the Mid City neighborhood.   A couple of years ago, The Rock ‘N’ Bowl moved from one location to more spacious quarters on Carrollton Ave.  The new place is much nicer for music, much more spacious and comfortable.  The lineup for the evening:  John Mooney and Bluesiana, Sonny Landreth, and Bonerama.

John Mooney is a delta, swamp, slide, Louisiana blues guitarist and singer who has called New Orleans home since 1976.  John’s trio put on a great performance while enduring the chatter that opening acts inevitably have to deal with.

Sonny Landreth @ Jazzfest 2010

Sonny Landreth @ Jazzfest 2010

Next up Lafayette Louisiana’s own Sonny Landreth, another Louisiana slide master.  I am a longtime fan of Sonny.  How big a fan?  My 12 year old Nissan Sentra sports a Sonny Landreth bumper sticker that reads ‘My Other Car is a Zydecoldsmobile’ which references Sonny’s rockin’ tune USS Zydecoldsmobile.  Sonny has a long career of collaborations with the likes of John Hiatt and the Goners (along with Sonny’s bassist David Ranson), Bonnie Raitt, Buckwheat Zydeco, Jimmy Buffett, and many others.

Grant Street Album

Grant Street Album

For this show, Sonny had his usual power trio setup with David Ranson on bass, and a drummer du jour.  Tunes in the set included Native Stepson, Port of Calling, All About You, and USS Zydecoldsmobile.  To get a sense of Sonny live, I recommend Sonny’s Grant Street live album.

Bonerama:

Lastly we all had to get ‘boned’.   Bonerama is a rock band fronted by several trombones/horns.   In addition to playing killer covers, Bonerama featured three songs in the set from their excellent recently released Hard Times EP.   Later in the show, the Bones brought up to the stage guitarist Jimmy Robinson (Woodenhead, Twangorama) for the end of the set and the encore.  Bones and guitar for Whipping Post and War Pigs!  Yeah you right!

Bonerama set list:

Bayou Betty
Cabbage Alley
Lost My House
The Ocean
Hard Times
I Got Loaded
Close The Door
Whipping Post *
Folly *

Encore: War Pigs *

Note: * w/ Jimmy Robinson on Guitar

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Editor’s Notes: Everyone please welcome Brett. B.!!  A fellow music loving friend & writer who was nice enough to contribute some wonderful musings to the Tiny Rager blog!

Resurrecting The Banjo

(by Brett B.)

Deliverance

Deliverance: 1972

1972. The year of DELIVERANCE. The year that a once proud American instrument was forever linked to hillbillies, Burt Reynolds in a canoe, and Ned Beatty squealing like a pig.  In the 35 years since DELIVERANCE was released and it’s theme song, “Dueling Banjos” became a punchline for anything even remotely redneck related, just the mention of the word “banjo” or a few notes picked on one has caused a chuckle and the anticipation of a joke containing either roadkill, moonshine, incest or all three.

Well, not anymore.  In the last few years, the music scene has re-embraced the banjo and begun to help it throw off the stigmata that has followed it for over three decades.  A once proud and noble and truly AMERICAN instrument is getting the respect that it had taken away from it so callously, all those years ago.  We can see in the last few years, the canonization and public recognition that this round cousin of the guitar so rightly deserves.

The mass appeal of the jam band scene and its constant desire to feverishly dig deeper and deeper into the music of our country’s past has certainly contributed greatly to this phenomenon.  This younger generation of musicians has embraced, and brought to their audiences, both the songs and instrumentations of a bygone era.  As technology heads into the digital future at warp speed, we are seeing the American music scene heading the other direction almost as fast.  It is as if these artists are seeking something more real and sincere and organic.  Something that is found in the simple picking of banjo strings.

Read almost any music site or magazine that covers the jam band scene, and chances are in at least one article, concert review or album review you will see the word “banjo”.  Oh, sure you will see the occasional fiddle or washboard mentioned.  But let’s face it: The banjo is the new “bad boy” of instruments.  If you want your band or it’s music to simply scream authenticity?  Get yourself a banjo.

Dave Johnston of YMSB

Dave Johnston of YMSB

Yonder Mountain String Band has been at the forefront of this scene and probably the best known of the jam bands who have brought bluegrass to a whole new generation of listeners.  Thanks in no small part to Dave Johnston on banjo.  Other names who you will always see mentioned in the same sentence with banjo?  Danny Barnes, for one.  The wunderkind of the banjo, Danny has been tearing up for years and is practically worshiped as one of the best players out there today.   Otis Taylor’s most recent album, RECAPTURING THE BANJO pretty much says it all right there in the title. Put this album on and close your eyes.  You will immediately feel as if you have been transported back in time and place to the Faulkner’s old South.  You can almost smell the magnolia blossoms and hear the posse chasing the escaped chain gang prisoners through a Cypress choked swamp.

For years, Tony Trischka was the lone voice in the musical wilderness using the banjo to make himself heard.  Album after quality album filled with fun songs, quick pickin’ and a real love of what he was doing.  And after guesting on a Tony T. album, the one and only Steve Martin just released his first album of banjo music, THE CROW: NEW SONGS FOR THE 5-STRING BANJO. (I wonder if anyone has ever done a thesis on the symbolism of the crow and it’s occurrence in American banjo music?)

So, after reading a recent article on Eddie Van Halen’s new signature guitar that will cost upwards of $3,000, one has to wonder if the days of the flashy axe playing front man are about to be replaced.  Could we someday witness the release of the Steve Johnston Flying V Banjo? Or even better: One day hear someone described as the “Jimi Hendrix of the Banjo”?

Only time and the banjo will tell.

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