The Funky Meters (Photo by Dino Perrucci)
Three Nights of The Funky Meters @ The Brooklyn Bowl (01.15-17.11)
This was an event! In the same spirit as Phanatics travel to Coventry for three nights of Phish, died hard Meters fans traveled far and wide to witness The Funky Meters magic occur over a span of three nights at the beloved Brooklyn Bowl in Brooklyn, NY.
For having never been to New York, I have never felt more at home in a brand new place. I can’t help but compare the room to the Rock N Bowl in New Orleans, a similar venue with a bowling alley and large stage for music, but this room has a great layout. A bar in the back, with a large dance floor area, the stage straight ahead. And to the side, a few steps up, rows of bowling lanes, with a walkway in front, providing a side stage vantage that lets one really feel like part of the performance. Everywhere you stand, there is a great vantage point of the stage, the lighting is good and the sound quality anywhere in the room was great too. ~ NOLA resident, Ananda Atmore
George Porter Jr. (Photo by Jeffrey Dupuis)
Back in 1967, Art “Poppa Funk” Neville collected a funky gang of New Orleans musicians who would come to be known as The Meters, . George Porter Jr. played bass, Art “Poppa Funk” Neville played keys, Joseph (Zigaboo) Modeliste on drums and Leo Nocentelli on guitar! In 1977, they called it quits, leaving behind a musical legacy cementing them as Funk pioneers.
Russel Batiste (Photo by Jeffrey Dupuis)
Once the group disbanded, Art “Poppa Funk” Neville joined with his brothers performing as The Neville Brothers while George Porter Jr. founded PBS, or Porter, Batiste and Stolz. Since The Neville Brothers were not touring this season, Art Neville was openly available to hit the road with The Funky Meters, who are the members of PBS with the addition of Art “Poppa Funk” Neville.
Art “Poppa Funk” Neville – Keys
George Porter, Jr. – Bass
Brian Stoltz – Guitar
Russell Batiste, Jr. – Drums
Brian Stoltz (Photo by Dino Perrucci)
It had been three years since The Funky Meters last played together. When Brian Stoltz isn’t wowing the audience with his shredding guitar style with The Funky Meters, Ian Neville holds the guitar spot. Essentially, in the middle of all these Meters heads were PBS fans and EVERYONE was a George Porter Jr. fan! But, honestly, who doesn’t love George Porter Jr.? Go check my facebook info under “religion”, you’ll find George Porter Jr.‘s name stands alone!
(Photo by Dino Perrucci)
The Funky Meters (02.15.11)
Art “Poppa Funk” Neville – Keys
George Porter, Jr. – Bass
Brian Stoltz – Guitar
Russell Batiste, Jr. – Drums
(Photo by Jeffrey Dupuis)
I was lucky enough to have the wonderful New Orleans photographer Jeffrey Dupuis (Jeffrey Dupuis Photography) as a house guest for the three night run. We arrived in Brooklyn just in time to grab something to eat some scrumptious $3.50 falafel sandwiches at Oasis, one of my favorite spots to hit before heading to The Brooklyn Bowl.
The turn out for a Tuesday night was exactly what we thought it would be. The venue was no where near sold out but the place was full of people who knew what was going to take place on stage that night. And what a great warm-up performance it was.
(Photo by Jeffrey Dupuis)
(Photo by Jeffrey Dupuis)
As they took the stage, each member had a blazing smile on their face and the audience was wild with applause. George Porter Jr. notices a couple in the audience wearing a “George Matters” tie-dyed tee shirt, the same shirt they had personally created and gifted to him many moons ago. “I recognize that shirt,” he states as he starts the first jam, which was so unbelievably funky.
The following four songs were from The Meters catalog. “The World” brought the funk full throttle as Brian Stoltz reminded me how much I had missed seeing him perform. He is truly superb with his rock-driven funk guitar styling. “Fire on The Bayou” and “Change/Reform” had the entire audience singing as they were the most recognizable Meters songs performed that night. Porter growled deeply into the microphone as they pounded out a wonderful “Here Comes the Jungle Man” that book-ended a “They Don’t Know” tease.
The noticeable covers of the night were Lee Dorsey‘s “Get Out of My Life, Woman”, Professor Longhair‘s “Going to Mardi Gras” and Tom Waits‘s “Way Down in the Hole”. Porter and Russell Batiste, Jr. both pulled out solos that earned their own spot in the set list! Art showed his age but with a smile on his face, he played through with energy and had a few golden moments himself.
Best reason to do three nights: Rare Songs ~ NOLA Photographer Jeffrey Dupuis
In the end, we were given almost two hours of pure Funky Meters gold and we all walked out of The Brooklyn Bowl terribly excited and putting together our wish list for tomorrow night’s set list!
Set List – Night I
A Jam*
The World Is A Little Under The Weather >
Chicken Strut >
…Fire On The Bayou >
Cardova >
Get Out Of My Life Woman >
Here Come’s The Jungle Man >
They Don’t Know (tease) >
Here Come’s The Jungle Man >
Change/Reform >
Hang ‘Em High >
Africa >
Going To Mardi Gras >
Cabbage Alley >
Going To Mardi Gras >
Porter’s bass solo >
Way Down in The Hole >
Russel Drum Clinic>
Just Kissed My Baby
Porter’s bass solo >
Just Kissed My Baby >
It Ain’t No Use
* Art sings Billy Jean (Michael Jackson)
(Photo by Dino Perrucci)
The Funky Meters (02.16.11)
Art “Poppa Funk” Neville – Keys
George Porter, Jr. – Bass
Brian Stoltz – Guitar
Russell Batiste, Jr. – Drums
Special Guests:
Nigel Hall– Vocals/Keys
Eric Krasno – Guitar
Adam Deitch – Drums
(Photo by Jeffrey Dupuis)
The second night had more of a turn out. People had heard the buzz about the previous night and the venue was now 60-70% full. My girlfriend, Ananda, was flying in from NOLA directly to the show. As she flew towards us to the airport, my NYC crew and I hightailed it from Rockwood Music Hall after watching Nigel Hall Band perform on their quaint stage. We all had our rage faces on as there would also be a third show we would be hitting after The Funky Meters. As well, we had the knowledge of knowing that the Nigel Hall Band would be joining The Funky Meters on stage later that night. The excitement was never ending.
I had flown in straight from New Orleans, made my way through the crowd of smiling faces. Instant reunion with Jam Cruisers, NOLA to NY music lovers and friends old and new. It was my turn to come to their town. Love was everywhere, and the hugs and smiles were abundant, on stage and off. ~ NOLA Resident, Ananda Atmore
Porter was wearing yet another form of tie-dye shirt and Batiste was in another sports jersey, this time white. The boys don’t stray too much from their signature styles. Just like their first night, they started off with songs from The Meters catalog with favorites like “Here Come The Meter Man” and “Look-Ka Py Py.”
(Photo by Jeffrey Dupuis)
The covers of the evening were Roger Miller‘s “Chug-A-Lug,” Professor Longhair‘s “Tipitinas” and “Big Chief.” The encore gave us “Higher” and “Sing A Simple Song,” both Sly and The Family Stone covers while “Them Changes” was a Buddy Miles tune made popular by Jimi Hendrix and Band of Gypsies. “Peace Pipe” has me a bit confused. A friend suggested it might be a Mardi Gras Indian song.
“Love Slip Up on Ya” is a song specific to The Funky Meters catalog and Brian Stoltz once again blasted us with his masterful guitar. “Ride Me Dunky,” also a Funky Meters tune, saw Porter giving us his deep bass lines.
Stepping off stage for only a few moments, the fellas came on stage to perform “Be My Lady.” However, as amazing as they were alone, The Funky Meters show blasted out of control when the Nigel Hall Band took the stage for the remainder of the three-part encore. Nigel grabbed the microphone, Adam Deitch sat in on drums and Eric Krasno played a second guitar for Sly Stone’s “Sing A Simple Song” and “Higher.”
I heard the first few notes of a familiar song, and thought “could it be?”. Are they really going to play it? YES! It was “Be my Lady”! This is an old Meters song that I haven’t heard performed in several years now, and a long time favorite of mine. This was my golden musical moment, and hearing them perform this song made the whole trip worth it in one moment. ~ NOLA Resident Ananda Atmore
(Photo by Jeffrey Dupuis)
The energy on stage was palpable. Watching Eric Krasno play across from Brian Stoltz was magnificent. Two of my favorite guitarists having so much fun with each other on stage. Russell Batiste, Jr. banging on a cowbell, dancing all over the stage as he helped knock the energy up to another level. Art “Poppa Funk” Neville needed key changes shouted out a few times and then he left Nigel Hall to take over as he walked away for a breather and took the time to dance around to the music.
(Photo by Jeffrey Dupuis)
The Royal Family remained on the stage with the The Funky Meters to close out the show! And what a show this was. The second night had been pure fire!! It was off to the third show of the night: DJ Nutritious‘s Bembe rage with Nigel Hall and Stephen Chopek.
Download Link To The Funky Meters @ The Brooklyn Bowl (02.16.11)
Set list – Night II
Here Comes The Meter Man >
Look-Ka Py Py >
Too Funky >
Bass intro Too >
Chug A Lug
Love Slip Up On Ya
Keep on Marching (Funky Soldier)
That Ain’t The Way to Carry On
Funkify Your Life
My Baby
Tipitina’
Hoo Chie Coo
Ride Me Dunky/Soul Island
Message From The Meters
People Say
Bass Intro too >
Big Chief>
Peace Pipe
Encore
Be My Lady
Sing A Simple Song*
Higher*
Them Changes*
Cissy Strut – tease*
*w/guest Nigel Hall, Eric Krasno & Adam Deitch
(Photo by Jeffrey Dupuis)
The Funky Meters (02.17.11)
Art “Poppa Funk” Neville – Keys
George Porter, Jr. – Bass
Brian Stoltz – Guitar
Russell Batiste, Jr. – Drums
Special Guests:
Eric Krasno – Guitar
?uestlove – Drums
Nikie Glaspie – Drums
(Photo by Allison Murphy)
Here we were, the third night of The Funky Meters. The house was packed and this time, I was going to rage front row, right under George Porter, Jr.. I had taken myself from the front of the stage the previous nights to write on the elevated side of The Brooklyn Bowl because I knew I would dance away from my responsibility of writing if I was up front. Again, he is my religion after all.
(Photo by Jeffrey Dupuis)
(Photo by Jeffrey Dupuis)
As I walked around the venue throughout the show, I ran into musicians like Nikie Glaspie who was utilizing a bowling with her friends. Henry Butler was standing amongst the crowd with a huge smile on his face. Joe Russo and Eric Krasno were watching from backstage while the owner himself, Pete Shapiro, positioned himself atop a speaker right on the side stage sucking the entire thing in with a beaming persona.
(Photo by Jeffrey Dupuis)
It started off the same as the nights previous. Batiste was wearing another green jersey, Porter was in yet another tie-die, Stoltz was in a button up with a few hipped out accessories. I forgot to mention his Kenny Rogers look he’s raging this tour. He pulls it off nicely! The tapers were out in full force. Sadly, even though I saw tapers each night, the third night was the only recording that could be found. Enjoy!
Download Link To The Funky Meters @ The Brooklyn Bowl (02.17.11)
The funky foursome brought the heat immediately after a funky, funky warm-up jam got the night started right. Porter had his feet firmly planted into the ground as he put the bass in our face front row.
(Photo by Jeffrey Dupuis)
The night was full of amazing, jamming covers. We got “Rainy Day Women” by Bob Dylan, “9 to 5” by Dolly Parton and “Love the One Your With” by Crosby, Stills and Nash.
(Photo by Allison Murphy)
There was a KILLER Rock-a-billy vibe during “Big Boss Man”, a Luther Dixon song made famous by Jimmy Reed. They ran through “Simple Song” again, the Sly cover from the previous night. The crowd was on fire, singing along to everything, filling in the lyrics when Art couldn’t remember them as they barely got through The Allman Brothers‘ “Midnight Rider” where Stoltz saved the day with a ripping guitar solo.
We had a few repeats with “Funkify Your Life”, “Hoochie Coo”, “Fiyo On The Bayo”, “Junko Partner” and “Cabbage Alley” among others. All audience favorites that we didn’t mind hearing over and over again. “Aiko Aiko,” a James Crawford song made famous by the one and only Dr. John had the place erupting with dancing feet.
(Photo by Jeffrey Dupuis)
The entire night was so high energy and the event was capping off such a full week of funky New Orleans Love, it was just outstanding. Towards the end of the night, Eric Krasno, Nikie Glaspie and ?uestlove joined the stage for a percussion driven rage. Batiste, Glaspie and ?uestlove took turns beating the drums, the cowbell and just about anything else they could find to hit within their reach. Krasno was back on guitar facing off across Stoltz.
(Photo by Jeffrey Dupuis)
The encore saw Krasno leave the stage and then jump back on as they weren’t done with him yet. The wicked funky “Keep on Stretching Your Rubber Band” and “Audubon Zoo”, originally titled “All Asked For You” and changed by their manager, closed the three night run.
The 3rd night didn’t disappoint either. The set list speaks for itself really. They played again Sing a Simple Song, which had me on the front row jumping and smiling even more enthusiastically than before. And the encore of Keep on Stretching your rubber band. Pure Funky Meters magic. ~ NOLA Resident Ananda Atmore
The Funk Meter was off the charts this last night. Even though watching The Funky Meters is similar to watching Furthur, in the respect that they aren’t spring chickens anymore, they brought the FIYO to the Brooklyn Bowl the past three nights.
(Photo by Allison Murphy)
I watched as all the men got up, gathered in the center of the stage and bowed before us. Porter walked to the front of the stage and I got a smile and handshake from him as he continued down the line of people in the front row shaking hands and thanking the audience for coming. I might never wash this hand.
Allison Murphy caught Porter shaking my hand! (Photo by Alison Murphy)
The final part of this musical adventure placed me upstairs in the backstage area, shaking hands, hugging and taking pictures with George Porter Jr. It was a trio of nights that I will NEVER forget. I hope you enjoy(ed) the shows!!
Setlist: Night III
Jam >
Funky Miracle >
Funkify Your Life >
Rainy Day Women >
9 to 5
Hey Pocky Way >Cissy Strutt >
Love the one you’re with >
Hoochie Coo
He Bite Me (the Dragon) >
Voodoo Child* >
Fiyo on the Bayou >
Big Boss Man >
Aiko Aiko ^ >
Junko Partner >Midnight Rider >
Simple Song # >
Cabbage Alley >
Baby What you want me to do >
Hey Pocky Way
(Keep on Stretching) your Rubber Band
Audubon Zoo (All asked for you)
^ w/ She’ll be coming round the mountain
# w/ Krasno, ?uestlove, Nikki Galaspie
(Photo by Jeffrey Dupuis)
Me and my religion 🙂 GPJR!! (Photo by Ananda)
Musical Musings of a Tiny Rager 
please don’t compare the funky meters in brooklyn to coventry…
other than that, nice review.
Not comparing the music or magnitude. Simply comparing how people pick up and travel long distances for music they love.
I enjoyed the Funky Meters blog entry (although a little long)!
Check out my blog when you get a chance, for lots of live funk: http://funkit.virose.net/
Thanks for the compliment! Basically, the length of my articles are exactly the point. I don’t enjoy going to look for a review and seeing a few sentences to recap. I want to put my readers in the front row and feel what was felt even though they couldn’t be there. When I read a review, I am always left wanting to see setlists, I want to be able to click on a person who I don’t know and research them; I want to see videos. Basically, I give my readers what I would want to know. That is a rare find and my site is definitely not for everyone because of its length. However, where my style of writing is long winded, the primary aim is the embellished, emotional, detailed review. I look forward to checking out your site!