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Posts Tagged ‘Break Science’

The Rock & Roll Resort kicked off the NY festival season in Kerhonkson, NY on April 1, 2011.  It was my birthday weekend and I raged my face off.  I covered this fun-filled weekend for Music Marauders.  If you want the in-depth overview you can read about the music filled weekend here!

I found a few other reviews along the way as well:

I also covered the sets for Royal Family Records to include Lettuce, Sam Kininger Band, Break Science, Chapter 2 and The Nigel Hall Band.  For an in-depth overview of each of these acts, please check out my article for The Royal Family Records website.

I actually met the creator of Music Marauders at Rock The Resort around the same time last year.  We clicked immediately and I have supported his site ever since.  If you haven’t checked out Music Marauders, just go ahead right now and do it!  There is so much info about music from our scene being pumped continuously through the site.

What separates Music Marauders from other music news websites is that they don’t place restrictions on their writers.  We are allowed to write in our own voice, evoke emotions and be as opinionated as we like.   The backbone of Music Marauders lies on true music fans who run it out of love and passion for the scene.  They want nothing more then to bring our scene to you, in all it’s music-saturated glory.  They expose the good, the bad and the groovy and it’s a pleasure working with them.

Event though I wrote an overview for Music Marauders, there is some more information that I want to blast out to yall that would have just made the MM article too long.  This isn’t so much an article as a collection of media from the weekend for your enjoyment and perusal.

Who: Rock & Roll Resort

What: Billed on their website as “the ultimate, high-end music destination event.”

When:  April 1st – 3rd 2011

WhereHudson Valley Resort and Spa in Kerhonkson, NY.

Ran ByTeam NorthEast and Wicked Cool Productions

Line UpLettuce Deep Banana BlackoutThe New Riders of the Purple Sage (2 Sets) • Max Creek (2 Sets) • G.F.E. (Granola Funk Express) Eric Krasno & Chapter 2RubblebucketSpiritual Rez The Pimps of JoytimeThe Nigel Hall BandThe BreakfastBreak ScienceCaravan of ThievesSam Kininger BandKung FuJeff BujakMark Mercier ProjectNephrok! AllstarsThe Alchemystics NutritiousSauce Holy Water UndertoeDarian Cunning BandDomino TheoryThe Rev Tor BandThe Tony Lee Thomas BandFever TrainThe Primate Fiasco Lespecial The ProblemaddictsSister Sparrow & The Dirty BirdsSophistafunk CoppertonicKONGNardy BoyI AnbassaSushi Grade PandaThe KingsKevin Crane & Co. • DJ TheoryMichael Greenberg

#15 Heart and Soul at Sauce

This is the piece Josh purchased on site for my birthday present!! Heart, Soul and Sauce: Painted live to Sauce at the Rock N Roll Resort on 04/0/211 in Kerhonkson, New York by Jonathon "CrazyRedBeard" Blake

One of the greatest elements of our scene are the tapers.  Name another scene that has free trade in music the way our Jam Band community does!!  A taper by the name Corey (The Groundhog) was good enough to tape a good number of the best sets that took place over the weekend.  Enjoy!!

DOWNLOADABLE SETS

Friday 4/01:

Saturday 4/02:

Sunday 4/03:

#17 Lettuce

Lettuce: Painted live to Lettuce and the Super Jam at the Rock N Roll Resort on 04/02/11 in Kerhonkson, New York by Jonathon "CrazyRedBeard" Blake

Throughout this media bundle you are seeing wonderful paintings by Jonathon “CrazyRedBeard” Blake.  During music performances, Jonathon sets up his canvas on sides of stages and proceeds to paint what he feels as the musical reaches through him.  Over the course of the Rock & Roll Resort weekend, Jonathon painted numerous canvases with images derived from the feelings evoked from the music he encountered.  He is available for hire for weddings as well as all events that might spark creativity through music, love or spirituality. I most certainly will have him at my wedding when the day finally comes.

Kinds Suds Soap  is a product that I first learned about while on Jam Cruise. Cruisers received them in our gift bags and I have been a fan ever since. Upon entering R&R, laid out across the check-in table was a colorful pile of soap offered to festival goers as a free gift.  The psychedelic wrapper draws the eye immediately and the smell and quality of the product are just as stimulating! I encourage you all to grab a few bars off their website.

Visual stimulation

Visual stimulation performed by Oh My Goddess Entertainment

Music is not the only form of entertainment found at these wonderful festivals.  Those of us who embrace our musical culture know that visual stimulation is just as important as what stimulates our ears.  The lights, the projection screens and the other elements that go into supplementing these musical sets are just as important as the music itself.

For Rock & Roll Resort, Oh My Goddess Entertainment was hired to provide outstanding visual performances through dance to enhance the environment and the stages.  I was able to sit and speak with Michelle Sarah, owner and head choreographer of Oh My Goddess Entertainment, during a brief meal over the weekend.  This kind spirit is also the lead singer of CopperTonic which I will speak of later in this article.

Visual Stimulation!

Visual Stimulation!

Over the weekend, Oh My Goddess Entertainers performed fire dancing outside in the court yard, two aerial silks artists, Kate Brown and Sarah Kaye, performed with Break Science (as seen in the picture above) and…

“…in case that wasn’t enough sexy for the stage, the guys had me bring on my burlesque performer, Donell Wicklund, to do that cabaret style Ohh La La-ness you hopefully didn’t miss 😉  ~ Michelle Sarah “

#14 All The King's Horses

All The King's Horses: Painted live to the New Riders of the Purple Sage at the Rock N Roll Resort on 04/02/11 for the NRPS Brunch by Jonathon "CrazyRedBeard" Blake

Strangers Helping Strangers

Strangers Helping Strangers

Strangers Helping Strangersis a non-profit organization based in Massachusetts and operating throughout the country conducting food drives at concerts and music festivals, and delivering the items collected to a local food bank near the point of collection.  It’s another amazing way of giving back to the communities where these concerts and music festivals take place.

#16 The Theory of Relativity

The Theory of Relativity: Painted live to Kung Fu, Deep Banana Blackout and Break Science at the Rock N Roll Resort on 04/02/11 in Kerhonkson, New York by Jonathon "CrazyRedBeard" Blake

Last Fair Deal glassblowers was on sight as well.  The Last Fair Deal is an artisan vending co-operative. Some of the finest glass artists in New England team up to demonstrate their skills with live glassblowing performances at events over the summer! Setting up shop in the outside courtyard, glass blowing artisans could be seen through the windows as we made our way between the stages.  There was something very cool about this set-up and you were able to purchase things blow only a few hours later once it was dry.  I ended up purchasing numerous pairs of earrings from their booth later in the weekend, greeted warmly and had a fantastic time checking out their intricate pipes and jewelry.

#13 Moving the Elephant

Moving the Elephant: Painted live to Max Creek at the Rock and Roll Resort by Jonathon "CrazyRedBeard" Blake

And finally, I leave you with an excerpt from the Music Marauders Overview. One of the beautiful things about these smaller, regional musical events, is the ability for up and coming musical acts to be recognized, realized and, by music lovers like myself, dissected.  There are a few new acts that need some special recognition.

Caravan of Thieves

Caravan of Thieves

Caravan of Thieves: Fuzz Fuzzman (Deep Banana Blackout), his wife Carrie Sangiovanni and their band mates kicked off the festival Friday afternoon bringing the unique sound of Django Reinhardt to the ears of our community. No one in our scene has even attempted to modernize acoustic gypsy swing, let alone sound so great doing it.  This group is an absolute gem and is delivering this antique sound to our scene with a twist as they cover modern songs amongst their new compositions.

Coppertonic

Coppertonic

Copper Tonic: Looks like we have another female voice to start paying attention to ladies and gentlemen.  For a jamming scene cluttered with male musicians and rough voices, this group of musicians fires on all cylinders and is led by vocalist Michelle Sarah, the owner/head choreographers of Oh My Goddess Entertainment.  Her soulful range drew to mind SusanTedeschi and Grace Potter but her dance moves and connection with the audience made her more accessible.  The guitarist, Andy Mowatt, was on fire and was easily my favorite new guitarist who hooked many over the weekend with his talent.

Jeff Bujak!

Jeff Bujak!

Jeff Bujak: Having first experienced Jeff Bujak at last year’s resort, I have watched him closely over the year and grown more fond of him with every performance.  This classically trained keyboardist/producer/composer has no boundaries for his act and is invested in every aspect of it.  From creating and maintaining his own beats, manipulating multiple contraptions with his hands on top of playing, working the lights and smoke effects with his feet and using every inch of his body to create a one-man full on solid electronic performance, Bujak is someone who is going to go far in our scene and is creating something our scene hasn’t seen before.  He is the kind of artist that people find themselves stopping in their dancing tracks to watch perform.  As my fellow Jam Cruise buddy said “I’ve never been interested in watching someone perform electronica, with this guy, I am entranced”

Nephrox! Allstars: With a wild lead singer named Nephtaliem McCrary at the helm, this vocal heavy Funk band is a real treat.  Comprised of some of Boston’s most well-known musicians, such as Aaron Bellamy on bass and renown legend Jeff Lockhart on guitar, they touch on multiple genres always falling back on James Brown for guidance.  And with Amy Bowells (The Sam Kinninger Band) on keyboards, all is right with the world.

Dixie FUNK!

Dixie FUNK!

Primate Fiasco: I was checking out a handmade beaded purse in the lobby when my ear was caught by what sounded like a New Orleans second line with it’s instruments dipped in Texas.  Psychedelic Dixieland or Dixie Funk.  Which ever way you slice it, this was my favorite new act of the weekend.  The could be seen jumping on and off stages throughout the weekend in second line form with a tuba, clarinet, trumpet, and drums all being led by a banjo! Excellent collection of instruments being played by a very happy group of musicians.

Sister Sparrow & The Dirty Birds

Sister Sparrow & The Dirty Birds

Sister Sparrow and The Dirty Birds: The only thing about Arleigh Kincheloe that is small is her figure. Her powerful, seductive vocals, backed by an even better band has placed this group in the forefront of soul/funk bands to be recognized.  Housing a powerhouse horn section, rocking harmonica and shredding guitar, The Dirty Birds are a tight Brooklyn-based group that is plowing it’s way through our scene.

Thank you Hudson Valley Resort and Spa as well as A Wicked Cool Productions for taking a broken musical streak and fixing it.  Thank you for listening to your guests and taking the time to support their concerns and helping grow this musical event for us to enjoy.  You will most certainly be seeing this eager music fan again next year!

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Oh My Goddess aerial performers during Break Science

Oh My Goddess aerial performers during Break Science

The start of festival season is an exciting time in our musical community!  The cold of winter melts off our dancing legs and the anticipation of weekend and week-long non-stop musical events become reality.  For New Yorker’s, the New York festival season kicked off in Kerhonkson, NY on April 1, 2011with the Rock & Roll Resort.

ED "Jesus" Combes (Lettuce)

ED "Jesus" Combes (Lettuce)

There were many acts, but the main acts of the weekend consisted of multiple musical groups from The Royal Family record label.  The members of The Shady Horns, The Sam Kininger Band, The Nigel Hall Band, Break Science, Chapter 2 and Lettuce headlined each night over the three day musical event.

Sam Kininger (The Sam Kininger Band)

Sam Kininger (The Sam Kininger Band)

The different acts brought an amazing array of musical talent and diversity, from the beautiful vocals of The Nigel Hall Band, to the funky grooves of The Sam Kininger Band, Eric Krasno & Chapter 2 as well as Lettuce and the late night beats of Break Science.  The Royal Family left their mark on Rock and Roll Resort 2011 in a deep way.

Eric Krasno (Lettuce & Chapter 2)

Eric Krasno (Lettuce & Chapter 2)

For an in-depth overview of each of these acts, please check out my article for The Royal Family Records website

Use this link – http://www.royalfamilyrecords.com/news/post/royal-family-reigns-rock-n-roll-resort – if link above doesn’t work!

Downloadable Sets:

Eric Krasno & Chapter 2
The Nigel Hall Band
The Sam Kininger Band
Lettuce

————————

And for an in-depth overview of Rock N Roll Resort, please keep your eyes out for the posting on Music Marauders in the next 48 hours! Rage!

Neal Evans (Chapter 2 & Lettuce)

Neal Evans (Chapter 2 & Lettuce)

Chris Loftlin (Chapter 2)

Chris Loftlin (Chapter 2)

Jeffrey Lockhart (The Sam Kininger Band)

Jeffrey Lockhart (The Sam Kininger Band)

Nigel Hall (The Nigel Hall Band)

Nigel Hall (The Nigel Hall Band)

Adam Deitch (Break Science)

Adam Deitch (Break Science)

** Special thanks to Chris Monaghan for photography.  You can check out his phenomenal photography at http://www.monaghanphotography.com **

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Camp Barefoot 4 | August 19-21th, 2010 | Camp Hidden Meadows, Bartow, WVRemember the name, cause you will be screaming it all weekend long!!!

Welcome to Camp Barefoot 4

Welcome to Camp Barefoot 4

Welcome to Camp Barefoot 4

Camp Barefoot 4 was held on the gorgeous grounds of Camp Hidden Meadows in the West Virginia mountains this past weekend, providing a wonderful backdrop for almost 2000 music loving hippies to dance, eat and smile to good music.  Barefoot also made sure to feature many Virginia-based musicians, bringing a hometown feel to the weekend which I couldn’t ignore and fully appreciated.

Introducing Camp/Team Hardcore

I love that I hang out with Epic Professionals.  I am not talking about professionals in the 9-5 sense of the word.  I am not talking about professional musicians or production members.  I am talking about professional festival goers.  Where most of the people in our scene are obsessed with touring with Phish or Furthur or following any certain band, my running crew is addicted to raging music festivals all over the nation and then, during our down time, seeing individual shows in our respective hometowns.

West Virginia Mountains....pretty

West Virginia Mountains....pretty

Camp Barefoot 4 (CB4) was a new festival added to my radar this year.  I had been looking forward to it all year but was also a tad bit unorganized.  (Thank god for the professionals again.)  This year, our campsite was dubbed Camp Hardcore, so I will refer to my crew as that from now on throughout the rest of the article.

I left New York City after work Wednesday night to catch my ride to a section of West Virginia that I hadn’t been in since I found out Jerry Garcia died while I was climbing Seneca Rocks.  Meeting up with members of Camp Hardcore in Winchester, Virginia, we all caravaned to the festival grounds, arriving at Camp Hidden Meadows around 12:30pm on Thursday.  Checking into VIP was cake.  This was a first as most times there is always some kind of hold up for one reason or another at the entry gates.   We reached VIP camping after only 15 minutes.  Lovely!

I arrived with nothing more then a backpack on my back.  Living in New York City without a car provided a challenge figuring out logistics of raging a West Virginia Mountain by way of public transportation.  I had not yet replaced any of my traveling camping gear that was stolen last year nor do I really have room for all that gear in my Manhattan apartment.  Reaching out to members of Camp Hardcore, my professional posse made sure to bring extra everything to set me up with a nice little home in the woods for the weekend.

The beginning stages of Camp Hardcore

The beginning stages of Camp Hardcore (There's my little red tent....)

Let the Barefooting Begin

No BS Brass band practicing...we think...

No BS Brass band practicing...we think...

The music was not slated to start until 5pm on the Main Stage but there was rumor of the No BS Brass Band playing towards the Main entrance on The Courtyard Stage.  This stage was quite literally made up of two Eazy-Up tent placed over a large plank of wood.  I loved the simplicity of the production…a stage is a stage is a stage…folks don’t really need a lot of flare….sometimes that is the charm. Sadly, the horns never reached the stage.  Instead, a three piece string band slowly began setting up as we discussed what to do next.  The Barefoot Movement continued to play as Bo and I checked out the Camel Trailer located 100 yards from the makeshift stage….

The Camel Trailer on way to Main Entrance

The Camel Trailer on way to Main Entrance

The Camel Trailer

What the hell were we thinking?  The Camel Trailer was actually quite bizarre and more then a little disturbing. We were told that there were options of free cigarettes once you went through the trailer.  Liars.  We entered the trailer, but not before being asked to extinguish Bo’s cigarette.  Oh, the irony.  Upon entering the trailer, you are greeted by a tiny cute female in a jean skirt and a button up plaid shirt.  They would have been better reaching us through patchwork instead of hilly billy plaid. We are hippies, not rednecks.  HAHA!!

Camel Snus

Camel Snus

Our “guide” proceeded to talk to us about CAMEL SNUS, a smoke-free, spit free packet of tobacco that you stick in your lip.  Immediately, Bo and I started pointing out the lack of music (“WHY do you not have music?”) and the stale cool air that was being spewed over us like in a hospital (“Oh man, this staleness is just creepy!”).  There were TV screens with trippy blue waves surrounding us (“Whoa, we need to come back in here in a few hours!”).

Camel Snus - ewww

Camel Snus - ewww

We were not the best people to be guiding as we really were not interested in what they were giving us and by the end, even more offended by their presentation.  We were shuffled along and forced to give our information to a computer, then semi-forced to pick out a container of Snus.  Bo kept telling them he didn’t want one and they couldn’t get that through their heads. I just wanted it for the cute tin it was wrapped in.  Eventually, Bo had one in his hand. Finally, the last leg of the “tour” consisted of a “guide” opening up our SNUS tins and attempting to get us hooked on it right then and there by forcing it up up our lip before we went into a room with a presentation on a screen.  Bo and I both argued that we didn’t want that crap up our lip and so they left us alone and we proceeded to watch the subliminal message being thrown at us in the video.  It was a 4-D experience as our seats moved, air was blown in our face and we were thrown out of airplanes, skiing down slopes, biking down mountains and so much more.  It took a minute for Bo to even turn his head and look at it as he thought he was being brained washed.   He was right. As we left, we were blown away by what had just occurred.  How insane, how forceful and addicting was that?  Bo and I made a point to tell all our friends not to bother going in that trailer.  It was crazy how they attempted to lock you into the product before you even leave the trailer. WOW!!!  Personally, I think all these stupid trailers should be banned.

Gorgeous festival campgrounds

The Main Gate with the Courtyard Stage in white.

Please, my fellow ragers...

Please, my fellow ragers...

VIP PERK #1:  Only members with VIP passes were able to camp with their cars so the process to get general campers inside the venue was a fun one to watch.  Basically, a “shuttle” would come to the pick-up location and scattered hippies cold be seen running from all sides just chucking their gear onto the trailer in the back before the next hippie could.  No lines, not much organization but I never heard anyone complain, just laugh.  More of that charm…. It was so nice to be back home, away from New York City, seeing these smiling faces and knowing that we were going to be having a safe and wonderful time with my mountain pals this weekend.  Nothing better…

Cinder Cat

Cinder Cat

Cinder Cat

Cartwright Brandon – Drums
Drew De Porter – Guitar and Vocals
Taylor Hellhake – Bass
Theremin Charlie Nimitz – Guitar

Around 5pm, the music began.  I walked back to camp, taking in the lovely festival grounds along the way….all while listening to Cinder Cat, an experimental/rock/electronica band out of North Carolina.  They drew me to the stage.  Their sound was trippy and spacey.  Made me wish that they were playing later on in the evening when I would be prepared for them.  However,  I could wager that the members of this group would probably want to be raging to the later bands along side me instead of playing for me.  There is potential for this group to be a raging late night band if they continue practicing and get tighter.  Just a fun group that looked like they were enjoying themselves. There is nothing wrong with that.

Setlist: Intro>, Broke >,Sample >, Twlight >, Swamp, Temple (Part I and II), Saucer face >, A1, MJ

Encore: Antithesis

(Waiting on recording from band – definite)

Camp Hidden Meadow...lovely

Camp Hidden Meadow...lovely

Camp Hidden Meadow...lovely

Camp Hidden Meadow...lovely

VIP PERK #2:  The beauty about the size of this festival and the location of the VIP section, we could hear every single note from the two main stages without ever leaving our camping chairs or in my case, the hammock. One thing I have to say I noticed, the bands that performed earlier on in the day had one underlying similarity that had me losing focus most mornings.  Most would just change directions before truly hitting their jams on a given song.  Just when things would start getting interesting, just when our ear would perks up, many times, the band would flip into a new style in the middle of the song or just not complete the rise into the rage that they were building up to.   Styles in the song would change, directions just changed and it would deflate us completely.

Murphy’s Kids tunes were catchy and I found myself stopping in the middle of pitching a tent to ask who I was listening too.  However, there was just too much going on to truly give their set listening justice.  I hadn’t seen some of Camp Hardcore for over 8 years.  There was quite the reunion this weekend for sure.  I did make a mental note to check out Murphy’s Kids again if they had another set…alas, they did not.

Community Art Project

The Community Art Project

The Community Art Project

Eventually, it was a free for all...

Eventually, it was a free for all...

Art and expression through mediums other then music is nurtured at every musical festival. Most times, there are giant sculptures created as a base for community art project that allows every member of the festival to be play a part in its final creation. This festival was no different.  It was actually cute how the scale of the art project mirrored the scale of the festival.  Mountain Jam, a 15,000+ person festie, had giant towering sculptures and mazes to paint.  Camp Barefoot, what seemed to be no more than 1700 person festival, had various sized mustaches made out of wood, the tallest, coming level to my chest.

Why the mustaches you ask?  Instant Mustache was a proud sponsor of Camp Barefoot.  They provided oodles of entertainment for silly hippies late night by passing out mustaches on a stick that we could hold up under our nose.  It provided hours of entertainment.  Thank you Instant Mustache!

Directions for FUN: Print and cut out the ‘staches below and use some tape to stick them to your favorite face and take some pictures ‘cause I and the whole world wanna see, “How you sport your ’stache!”

CLICK HERE for your FREE Mustache PDF download!

Caught In the Lift

Caught In the Lift

Caught In the Rift

Doug Fisher – Vocals,guitar
Holt Nicholas – Guitar,vocals
Stephen Tuzeneu – Saxophone, keys, and percussion
Casey Sanders – Bass
Miles Kimbrough – Drums

I stopped to listen to Caught In The Rift for a bit, having notice them covering Eric Clapton’s After Midnight.  Reminded me of College…Frat Rock type music.  Lots of guitar jams in the middle of catchy little tunes that were backed with lyrics.  Similar to Vertical Horizon or something of that nature….I remember really liking the singer’s scratchy voice.  But, I couldn’t stay there for too long and I hope to catch them again soon to really get a feel for their vibe.

(Waiting for recording and setlist from band~hopefully)

The Sound Board

The Sound Board

Hippy Invention #1: Propane Drum

Hippy Invention #1:

Handmade schedules made for easier planning....

Handmade schedules made for easier planning....

We spent the rest of the early evening putting together our schedules for the weekend, cooking dinner for the group and just catching up.  The fun hippy toys made their way out under our massive Tertris-like Tent City.  One friend had welded two 5-gallon propane tanks together and cut teeth making a gorgeous sounding drum.  This provided a gorgeous musical outlet for my friend Paul who gave it the best play since it’s creation.  I am always amazed at sounds, no matter where they come from.  There is beauty in each and every one.

Former Champions

Former Champions

Former Champions

David Ashby – Bass and Vocals
Matt Walton – Guitar and Vocals
Geoff Bakel – Drums, Cymbals, Percussion, and Vocals
Ben White – Keyboards, Vocals

There was a third stage, the SKU Stage proudly sponsored by Instant Mustache, located about half a mile away from VIP camping and up a large hill.  We finally took the hike up there to see what was going down.  Sadly, the entire time I was thinking that The Former Champions was this fusion Jazz group I had in my ITunes.  I was wrong but not upset by this fact as Former Champions were hitting the stage hard when we arrived. (Got to love The Instant Mustache banner behind them.)

Former Champions got the party started right.  The guitar was jammy, the spacey keys provided that synthy sound that got everyone dipping into their toes and getting their bodies moving.  The drums raged it.  It was a great group to start the night off.  But, soon it was time to hit the main stages for the real rage of the night.

(Waiting for recording and setlist from band~hopefully)

RAQ

RAQ

RAQ

Jay Burwick — Bass, Vocals
Chris Michetti — Guitar, Vocals
Todd Stoops — Keyboards, Vocals
Greg Stukey — Drums

* Special Guest: Tim Palmieri

RAQ

RAQ

Originally, Steve Kimock Crazy Engine and Ekoostik Hookah were slated to play Camp Barefoot 4. However, due to contractual issues both bands were pulled from the line-up.  I feel as though the removal of these two bands sealed the deal for people on the fence on whether or not to attend.  I imagine the turnout would have been much larger with the inclusion of Kimock and EH in the lineup.  I have no complaints now but I was seriously bitching earlier in the summer.

The lineup change provided an opening for RAQ to play two nights instead of one.  This was wonderful as RAQ was only making one South East music festival this summer.

Tim and Chris...

Tim and Chris...<3

Right! So, I hadn’t  seen RAQ since attending All Good Music Festival many moons ago.  Or perhaps it was the Haymaker Music Festival. Either way, I CERTAINLY have been missing out on some major musical growth within this band.  I absolutely couldn’t believe it.  I never remembered them being so damn good.  And I mean they were damn good!

This was the set that started a theme of rage throughout the weekend for sure.  The energy of the mountain was radiating through every hippy standing around me.  Their faces were lit up and everyone was in party mode.  At one point, Tim Palmieri, of The Breakfast & Kung Fu, joined the stage.   This would be the beginning of Chris Michetti and Tim Palmieri‘s love affair that would continue on throughout the weekend, providing some AMAZING guitar rages and battles.  I mean, WOW!!

RAQ with Tim Palmieri

RAQ with Tim Palmieri

Todd Stoops on keys is what drew me to the stage at Gathering of the Vibes and what kept me in front of the stages most nights at Camp Barefoot 4.  Just a man of so many talents and styles.  Only negative, his voice. I am not a huge fan of that voice and would prefer he stick to playing the keys and leave the singing to another.  Alas, this is not the case most times and luckily the singing doesn’t last for very long. (FYI – TODD – Make yourself a personal myspace page…we need it.)

(Waiting for recording and setlist from band~definite)

My camera doesn't do the beauty of the main stages ANY justice....so pretty

My camera doesn't do the beauty of the main stages ANY justice....so pretty

The Breakfast

Tim Palmieri – Guitar, Vocals
Adrian Tramontano – Drums, Vocals
Chris DeAngelis – Bass, Vocals
Jordan Giangreco – Keyboards, Vocals

Did somebody say they were hungry?  CAUSE WE GOT FED!!!   Yes, I know the cheesy cliches are just that, cheesy…but man, they had me screaming out things I never would have said other wise.  The Breakfast picked up right where RAQ‘s rocking performance left off. HOT DAMN!!

Tim Palmieri is a BEAST on that guitar. Just shredding his way through all the sets that night.  By the end of the weekend I was screaming his name as MVP and I was not alone in this decision.  They started their set off with a trippy 18 minute Metropolis and ended it with Tood Stoops joining in on Buquebus.  Both Todd and Jordan each raging a keyboard and sounding on point.  The singing during the set, again, turned me off. I don’t understand why people sing when they don’t sound good doing it. Their instrument play, however, was AWESOME SAUCE!!

By the second song, Tim Palmieri was just in a full throttle open rage.  The rock vibe of the music was bumped up with Chris DeAngelis on bass. Adrian Tramontano seemed to be having a fun time with his beats which provided the guitarists a wonderful platform to rage against, and rage they did…..check out their set.

Setlist: Metropolis, Dougboy>, Psygn, Wake Up in a Coma>, Pygmy, Twylyte>, Jam>, May Fly Disarray, Buquebus

Download: The Breakfast Live at Camp Barefoot 4 – Bartow, WV on 2010-08-19 (August 19, 2010)

Toubab Krewe

Toubab Krewe

Toubab Krewe

David Pransky – Electric Bass
Drew Heller – Electric Guitar, Soku
Justin Perkins – Kamel Ngoni, Kora, and Electric Guitar
Luke Quaranta – Percussion
Teal Brown – Drums

Toubab Krewe

Toubab Krewe

There was just a fire on that stage at Barefoot that never went out once RAQ started it.  At 1am Toubab Krewe hit the stage with a vengeance.  With as much electronica as we would be hearing this weekend, I was looking for that sound that would stand out against the rest and Toubab Krewe was just that sound.

This was BY FAR THE BEST Toubab Krewe set I’d seen all year and I can’t find it recorded anywhere. I am so upset by this as I write this section out.   Having seen them four times so far, starting with Jam Cruise, forward to me hanging out on their  tour bus for Valentines Day and ending with a full rage with them in NYC, it goes without saying I am a HUGE fan.  It’s just a phenomenal group with such an interesting sound.

Toubab Krewe

Toubab Krewe

Toubab Krewe

Toubab Krewe

The standout elements of within the group are their West African Influences.  Justin Perkins commands the front stage with his various ethnic instruments, leading the jams.  He is such an interesting character. You can almost NEVER get his eyes looking at a camera, he will always look away.  Luke Quaranta might be one of the best percussion players I have ever seen live.  His speed and facial expressions are off the charts.  He literally looks possessed while playing then stands up and thanks us like nothing happened.  Their sound is driven by the beats through a African vein and Drew Heller brings it back to America with his rock guitar.

(Waiting for recording and setlist from band~hopefully)

Big Gigantic!

Big Gigantic!

Big Gigantic

Dominic Lalli – Production/Sax
Jeremy Salken – Drums

*Special Guest: Chris Michetti

And it just kept getting better.  Big Gigantic capped off the night with a raging dance party.  Just two guys on stage who brought multiple layers of music to our ears.  With dirty beats backed by live drums and a saxophone, I almost started to like this group better then Break Science…I said almost.  But I am telling you, the addition of that saxophone…it just upped the level for me.  Being a funk junky, that shouldn’t shock anyone of yall.

I was anxious to check this group out as they had earned a spot on Jam Cruise this year and I always love my late night dance parties on the boat in between Jam Room rages. Man, this group is going to fit on the boat PERFECTLY!!  The horn is always a big plus, bringing the funk right up in your face.  Big Gigantic dropped it full rage until 5am….I think they actually kicked it a little later because we just couldn’t stop dancing.

Chris Michetti of RAQ added a whole other dimension, coming out to join the group a few songs into the set.  I mean seriously….see for yourself.

Pretty Lights

Pretty Lights

Until Tomorrow Barefoot…

I never made it to the SKU stage for Silo Effect.   For those of you hoping that I had, here is a video for your viewing pleasure as to not disappoint.

And I can’t say goodnight, because I never went to bed.  All but one of my friends had passed out so Paul and I roamed the small festival grounds hanging out with people we found who were also awake.  I met so many wonderful people that night, talked about so many great musicians with some great southern hippies, my vein of people.  And I mean REAL HIPPIES…not these New York hippy-wanna-be’s.  Man, I missed this so much.  The whole charm of being in the mountains.  The whole Southern vibe was reeling in me hardcore.  My eyes grew heavy until a friend came by and took care of that situation for me.  Pretty soon  I heard the word “KICKBAAAAAAAAAAALLLLLLLL” being shouted through the camp grounds.  I hadn’t been to a Southern area festival since All G0od 2006 and my yearning to move back home got very strong during these down times.  But my yearning for dawn kickball was even stronger.  The sun would be coming up shortly and my boy Gator had just given me my second wind!!!

Click for Camp Barefoot: Friday (08.20.10)

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July 2010 Potential Show Run Down

July 2010 Potential Show Run Down

(If there is ANYTHING that I have missed, please point it out.)

Thursday, July 1st, 2010:

  • ($unknown) Gent Treadly @ The Frying Pan
  • ($5-$7) Biz Markie (DJ Set) @ Brooklyn Bowl
  • ($15) Reggie Watts @ Le Poisson Rouge

Friday, July 2nd, 2010:

  • Nothing??  Hmmm…….

Saturday, July 3rd, 2010:

  • (Free) ISTANBULIVE II: The Sounds & Colors of Turkey featuring Kenan Dogulu, mor ve otesi, Ilhan Ersahin’s Istanbul Sessions, Burhan Ocal Tulug Tirpan, Sukriye Tutkun, & DJ Salih Saka @ Summerstage
  • (Free) West African Band @ St. Nicks, Harlem

Sunday, July4th, 2010:

  • Nothing??  Hmmm…….

Monday, July 5th, 2010:

  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) Mingus Big Band @ The Jazz Standard

Tuesday, July 6th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($55) B-52’s @ The Highline Ballroom
  • ($15) Wilco’s Nels Cline @ (Le) Poisson Rouge for two sets with his band The Nels Cline Singers.

Wednesday, July 7th, 2010

  • (Free) The Farewell Drifters @ Madison Square Park
  • ($10) Dumpstaphunk @ The Brooklyn Bowl (Funk Live)
  • ($25) Bonobo Dj Set w/ BreakScience @ Rocks Off Cruise (The Temptress)
  • ($17) Garage A Trois & Dead Kenny G’s @ The Bowery Ballroom
  • ($12) Chico Mann @ Mercury Lounge

Thursday, July 8th, 2010:

  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($8) Assembly of Dust (Feat. Jason Crosby) @ Brooklyn Bowl
  • ($17) Garage A Trois & Dead Kenny G’s @ Maxwell’s, NJ
  • ($45-$65) Steve Earle & Allison Moorer @ City Winery

Friday, July 9th, 2010:

  • (Free) Ozomatli / Fidel Nadal / Toy Selectah @ Prospect Park
  • (Free) Apollo Run @ Rockwood Music Hall
  • ($8) Assembly of Dust (Feat. The Statesmen: Jonah Smith, Josh Dion, Scott Metzger & Ben Rubin) @ Brooklyn Bowl
  • ($18) – Soul Rebels Brass Band @ Sullivan Hall (Funk Live)
  • ($25-$40) James Hunter & Jesse Dee @ City Winery
  • ($   ) Henry Butler @ Terra Blues
  • SOLD OUT!! ($40) God Street Wine @ Gramercy Theater
  • ($100) Rusted Root for the Flood Sisters Kidney Foundation of America “Love.Give.Life.” Event @ Broad Street Ballroom

Saturday, July 10th, 2010:

  • SOLD OUT!!! ($40) God Street Wine @ Gramercy Theater
  • (Free) West African Band @ St. Nicks, Harlem
  • ($30-$100+) The Doobie Brothers & Chicago @ Nikon at Jones Beach Theater

Sunday, July 11th. 2010:

Monday, July 12th, 2010:

  • (Free) Femi Kuti @ Damrosch Park (Funk Live)
  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) Mingus Big Band @ The Jazz Standard
  • ($35-$45) Blind Boys of Alabama @ Alice Tully Hall, Starr Theater
    • “Spirit in the Dark” Featuring Yo La Tengo, Yim Yames of My Morning Jacket, Lambchop, Marshall Allen and the Sun Ra Horns, and Exene Cervenka

Tuesday, July 13th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery Funk Live
  • (?) The London Souls @ Cameo Gallery
  • ($20) KT Tunstall @ Hiro Ballroom
  • ($75) Sting @ The Metropolitan Opera House

Wednesday, July 14th, 2010:

  • (FREE) NY Philharmonic in Central Park
  • (FREE) Naomi Shelton & Gospel Queens @ Stuy Town Oval
  • (FREE) Funky Fritters @ Waterside Plaza Music Fest (Funk Live)
  • ($35-$45) Blind Boys of Alabama @ Alice Tully Hall, Starr Theater
    • “The Unbroken Circle” Featuring Ralph Stanley, Yonder Mountain String Band, Sara Watkins, Ray Benson and Jason Roberts of Asleep at the Wheel, and Allison Moorer
  • ($70) Jack Johnson: To The Sea Tour 2010 (w/ G. Love & Special Sauce) @ Madison Square Garden
  • ($75) Sting @ The Metropolitan Opera House

Thursday, July 15th, 2010:

  • (FREE) Brother Joscephus and the Love Revival Revolution Orchestra @ BID Music Outdoor Concert Series
  • ($5) Langhorn Slim @ The Brooklyn Bowl
  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($15) Animal Liberation Orchestra @ Santos House Party
  • ($20) Orchard Lounge @ Club Love
  • ($25) Beats Antique @ Le Poisson Rouge
  • ($25-$30) Eric Krasno & Chapter 2 @ Rocks Off Cruise (Funk Live)
  • ($25-$30) Turbine @ Rocks Off Cruise
  • The Brew maybe? Jambase confirms but not on Rocks Off schedule
  • ($45-$65) Steve Earle & Allison Moorer @ City Winery
  • ($52.50 – $60) Natalie Merchant @ Town Hall

Friday, July 16th, 2010:

  • ($20-$25) Pre-party Cruise to Dave Matthews Band Show @ Citi Field on Rocks Off Cruises
  • ($10) NYC SHAKEDOWN: ATNARKO w/ Brooklyn Sound Lab & Nutritious @ The Bell House (Prior Review)
  • ($5) Greensky Bluegrass @ Brooklyn Bowl
  • ($20) Hollis Brown @ Rocks off Cruise
  • ($35-$45) Blind Boys of Alabama @ Alice Tully Hall, Starr Theater
    • “Blind Boys of Alabama Family Revival” Featuring Aaron Neville, Joan Osborne, Dan Zanes, New Orleans’ Own Hot 8 Brass Band, Charlie Musselwhite, and John Hammond
  • ($40) God Street Wine @ The Fillmore at Irving Plaza
  • ($54) Weezer @ East River State Park
  • ($52.50 – $60) Natalie Merchant @ Town Hall
  • ($90) Dave Matthews Band @ Bethel Woods Center for the Arts

Saturday, July 17th, 2010:

  • An Evening FREE Dead Kenny G’s in Virginia
  • Siren Music Festival (Noon-9pm @ Coney Island)
  • (Free) Konono No. 1 @ Prospect Park Bandshell
  • (Free) Raphael Saadiq @ Summerstage
  • (Free) West African Band @ St. Nicks, Harlem
  • (Free) Dr. Dog & Eli “Paperboy” Reed & the True Loves @ The Beach at Governors Island
  • ($13-$15) The London Souls @ Bowery Ballroom
  • ($25) Toubab Krewe @ Rocks Off Cruise (The Jewel)
  • ($40) God Street Wine @ The Fillmore at Irving Plaza
  • ($50) Hot Tuna & Steve Earle @ Theater at Westbury

Sunday, July 18th, 2010:

  • ($30-$100+) Carlos Santana & Steve Winwood @ Nikon at Jones Beach Theater
  • (FREE) Brother Joscephus & the Love Revival Revolution Orchestra @ Roosevelt Island

Monday, July 19th, 2010:

  • ($8-$15 + 1 drink min.) Jim Campilongo Electric Trio (w/ Stephan Crump and Tony Mason) @ The Living Room
  • ($25) Mingus Big Band @ The Jazz Standard

Tuesday, July 20th, 2010:

  • (FREE) Dred Scott Trio @ Rockwood Music Hall
  • ($56-$36) Loudon Wainwright III @ Prospect Park Bandshell
  • ($47.50) Sublime with Rome, Matisyahu, and the Dirty Heads @ Nikon at Jones Beach Theater

Wednesday, July 21th, 2010:

  • (Free) Easy Star Allstars @ Stuyvesant Town Oval
  • (Free) Burning Spear @ Rockefeller Park
  • ($30-$100+) John Mayer @ Nikon at Jones Beach Theater

Thursday, July 22th, 2010:

  • Floyd Music Festival, Virginia
  • ($7) Gent Treadly @ Uncle Mike’s
  • (Free) Antibalas @ Castle Clinton
  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($25-$30) Joe Krown, Walter “Wolfman” Washington & Russell Batiste @ Rocks Off Cruise (The Half Moon) (Funk Live)
  • ($30-$100+) John Mayer @ Nikon at Jones Beach Theater
  • ($45-$60) Widespread Panic @ Radio City Music Hall
    • ($12) Jerry Joseph @ Sullivan Hall (Post Widespread Show)

Friday, July 23rd, 2010

  • Floyd Music Festival, Virginia
  • ($10) Reckoning @ Sullivan Hall
  • ($20) Davell Crawford @ Joe’s Pub (NolaPianoFunk)
  • ($65-$85) Dickey Betts & Great Southern @ The Concert Hall

Saturday, July 24th, 2010

  • Floyd Music Festival, Virginia
  • (Free) West African Band @ St. Nicks, Harlem
  • ($47-$100+) Rush @ Nikon at Jones Beach Theater

Sunday, July 25th, 2010:

  • Floyd Music Festival, Virginia
  • ($10) Reckoning: Playing the Music of Phish, The Dead, Allman Bros

Monday, July 26th, 2010:

Tuesday, July 27th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • ($17) Arrested Development @ B.B. Kings
  • ($5) Brother Joscephus and the Love Revival Revolution Orchestra @ The Brooklyn Bowl
  • ($35) The Black Keys @ Central Park’s Summerstage
  • ($42.50) The Flaming Lips @ Terminal 5
  • ($75 – 200+) Sting @ Nikon at Jones Beach Theater (w/ Royal Philharmonic Orchestra)

Wednesday, July 28th, 2010:

Thursday, July 29th, 2010:

  • GATHERING OF THE VIBES MUSIC FESTIVAL
  • ($5-$7) ?uestlove (DJ Set) @ Brooklyn Bowl
  • ($13-$15) The Lemonheads @ The Knitting Factory
  • ($10) Trouble & Bass @ Santos Party House
  • ($30) Larry Coryell Power Trio w/ Victor Bailey & Lenny White @ The Iridum Jazz Club
  • SOLD OUT ($40) Furthur @ Nokia Theater Times Square
  • ($45-$65) Steve Earle & Allison Moorer @ City Winery

Friday, July 30th, 2010:

  • GATHERING OF THE VIBES MUSIC FESTIVAL
  • ($10) Ghost Stepper @ Mercury Lounge
  • ($30) Larry Coryell Power Trio w/ Jeff ‘Tain’ Watts @ The Iridum Jazz Club
  • ($36.50) Primus / Gogol Bordello & The Dead Kenny G’s @ Williamsburg Waterfront
  • ($20-$50) Jamie McLean & The Jamie Mclean Band @ The Blue Note

Saturday, July 31st, 2010:

  • GATHERING OF THE VIBES MUSIC FESTIVAL
  • (Free) Los Amigos Invisibles @ Central Park Summerstage
  • (Free) Ponderosa Stomp presents The Detroit Breakdown! @ Hearst Plaza / Damrosch Park
  • New York Funk Exchange @ Bohemian Hall & Beer Garden
  • (Free) West African Band @ St. Nicks, Harlem
  • ($30) Larry Coryell Power Trio w/ Jeff ‘Tain’ Watts @ The Iridum Jazz Club

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Jeff Bujak @ Club Love

(179 McDougal Street)

(w/ Higher Nebulae, D.V.S., & Orchard Lounge)

Show Pamplet

Show Pamplet

In my mind, I consider myself just beginning to learn about (and possibly appreciate) these late night NYC music scenes.  A scene where the music doesn’t start until 11:00pm, maybe.  A scene where, unless you asked for help, you can’t find the door to the establishment, a scene hidden under the bowels of the city streets.   I normally rage a live concert where the doors open at 6pm and the show start at 8pm.  And THEN, if I have the energy (if?…who are we kidding?), I end up in a dark and grimy basement venue for the remainder of the night.  Most of the time it’s because a friend has talked me into raging harder and not because I feel as though there will be true talent on a stage.  To me, these are the times to mingle and dance till your a puddle of water on the floor.  I have no idea what is going on music wise as…how do I put this….it doesn’t register to me as live music.  It just doesn’t.

Rage Equipment!

Rage Equipment!

Dj-ing is clearly an art.  Sampling music, producing sounds, splicing tunes, putting them back together like a puzzle.  I get it.  I can see the DJs gears working in my mind’s eye when I hear some of the get-down beats we dance too.  And when they rage, I stop dancing and I embrace the lift in the room’s energy, nodding my head in recognition that they just mixed a dope track that got the floor jumpin’.  So, I love it, don’t get me wrong.  I do dance into a puddle and I have fun but it’s not the same thing if it’s just a person and their turntables.  It doesn’t drag me in and make my jaw drop.

Now, take that atmosphere, with that talented puzzle maker and throw in a live instrument.  Like Break Science who has Adam Deitch on the drums bringing forth that extra layer that makes it intoxicating, or The Sullivan Street Shakedown, which combines DJs with numerous live instruments rotated each month.  It lies in the fact that it’s alive to me at that moment.  It’s organic.  I can see it being created.  Tonight, I would be enjoying the performance of Jeff Bujak and he brought me exactly what I needed to have my jaw drop.

Rage equipment!

Rage equipment!

The show was held at Club Love.  Never having been before, I immediately was drawn to the name, wondering what it must look like.  I imagined it being dimly lit, a loungy-vibe with bright tones like purples, yellows and reds.  Slightly Disco-esque with plush couches and anything you would find in a Austin Powers movie.  I couldn’t have been more wrong.

With no sign to the establishment and the entrance being a door hidden by on of those large gate walls that businesses pull down when they close up shop, I only knew I was in the right spot thanks to the store owners around the area.  The show was to start at 10pm but I don’t think the doors even opened until 11pm.  I went across the street for a beer with the three other people foolish enough to come so early…see, I am still learning.

Rage Equipment!

Rage Equipment!

Upon entering Love, you head down the stairs into a dark, concrete floored, cavern-like basement and are forced either left or right.  If you choose right, you are met with the room that would be throwing us the get down grinds.  Probably holds about 250 (??) comfortably, one wall had bench style seating but that was it.  This was a room for dancing.  Period. There was a bar set up with caution tape around it, I assumed to give the waitress some room?  Flat out, not cool waitress.  I bought a $7 beer, gave her a $10 and she just ran with it.  When I asked her for my change, she was like “What? You want me to give you back 2 bucks?”  First of all, take a math course and Poor Service!!!  Seriously? Does it matter?  I used to be a waitress and I was a friggen princess even when I wanted to kill someone.  I will NEVER get used to the poor customer service practices in New York City.  There is TRULY nothing comparable in terms of shitty attitude .  Needless to say,  I was not amused.

Dancing and Hula Hooping

Dancing and Hula Hooping

There was no “stage” per say, just a portion of the floor that had been utilized for the equipment.  As well, there was an elevated portion that held the DJs booth.  I got to be sadly honest and admit that the front of the DJ booth was so high, I could barely see the tops of the DJ’s heads, let alone see them do their thing.  That made me sad.  But I am sure the rest of the world saw the Dj’s as they are all over 5 foot zero!!

If you took a left from Love’s entrance, you are taken to the restrooms, another bar and a separate room that looks cave-ish, like the walls were made of crappy styrafrom, the other walls were glass so that the patrons in the room were viewable from the bar area.  This room was for those who might need to take a rest from the intensity in the other room.  It is small but with stadium seating, more like concrete stairs.  It’s always good to have one of these rooms to retreat into when you have partied to hard.

Higher Nebulae started the night off with some dirty dance beats. There was some gospel layers and rock layers all with some deep whoomping bass.  When the bass beats were dropped we were given some familiar rock favorites and unexpected old school gems such as Metallica‘s “For Whom The Bell Tolls.”

D.V.S.

D.V.S.

Like I said, it’s hard for me to focus on the music when it’s just the DJs so I was wondering around trying to catch a buzz with the $10 beer in hand and attempting to get in the right frame of mind to dance into that puddle I was talking about.  The Banana Mafia was out in full force greeting what appeared to be half the venue who had come under his list.  He brought the energy, he brought in the dancers.  I appreciated that!  However, this Mafia member was without his Banana Suit?  Is that even allowed?  Am I supposed to be outing him over the internet?  Opps.  Either way, he raged all over that dance floor, as well as his friends, and we all had a blast together!!

D.V.S. was up next, his real name being Derek VanScoten.  Where as Jeff Bujak uses a piano to layer on top of his electronic beats, D.V.S. uses a Telecaster guitar.  I stopped my mingling and started focusing on D.V.S..  His music mixed Hip-hop, Soul and even Motown.  He sampled Jimi Hendrix‘s “Foxy Lady” and raged a great guitar during his samples.  He has recently toured as a solo artist supporting Ana Sia, Big Gigantic, Beats Antique, Boombox, Lynx & Janover, JFJO, and M80 Dubstation.  Honestly, not sure if I cared for him that much.  It didn’t do anything for me.

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Let’s talk about Jeff Bujak, the man of the hour!  Duuuuude.  Having just discovered him earlier this summer at Rock The Resort, I was VERY eager to see him again live.  Jeff Bujak is a true musician.  A truly technically talented piano player who, from the moment I stepped foot into his performance at RTR, has had me hooked.  To me, when I listen to his music at home, Jeff reminds me of a mix between Tori Amos and Bruce Hornsby. I could come up with a ton of combination but seriously, his music is beautiful and quirky and demanding with organized chaos and it is all his own! He has coined his music “Intelligent Dance Music.”  Intriguing, no?

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Jeff comes armed with everything needed to run his one-man show including light, sound, and smoke.  Cables and pedals everywhere, there is a laptop, a sound deck and his dual level keyboard at the helm of his personal electronic monster.  There is a row of lights above his left shoulder flashing us the light show in various colors and mixed to rage with the beat. His shoes were off and the show began.

The set list:

SET 1
Utopia > Kicker > Crowd > Machinist > Slimmy > Cascadation > Sunny’s Song* > PUTV > Mutator

* written by Benevento-Russo Duo (section of)

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Utopia got it started with a synthesizer drop and a deep beat. Very quickly the layering of faster beats were released and right away it was a dance party.  His songs have catchy samples, this one, sampling Cake’s The Distance by using the lyrics “Reluctantly crouched at the starting line…”  After a while, amid the heavy beat of smashing cymbals, I feel a reggae vibe that quickly turns back into a deep electronic beat.

Kicker into Crowd brought us the classical, straight out gorgeous technical chamber piano skills that I adore him for.  These gorgeous notes layer over the rest of the dance worthy beats.  They are hit hard, there are sounds of electric guitars playing but I know that is Bujak manipulating the keys.  The sequenced drum loops made it sound like the drummer was in the room with us at times.  Then we got a little more of the pure keys, nothing manipulated, just beautiful piano sounds.  It’s a gorgeous mixture of electronic and organic.  I mean, there is just GORGEOUS composition amongst his hectic beats.

So, being that I am a romantic female, I found it to be just lovely music and I was pleased to see mainly men in that basement dancing.  In reality, I wondered if these wookies heard what I heard.  They were certainly dancing to the beats but I wonder if they realized just how good he sounded in that basement.  Club Love is rumored as having one of the best sound systems, so perhaps that helped.  There are parts of the songs that got so slow and so sensual.  Preferring to be a stand alone dancer at most shows I attend, it was my pleasure to dance intelligently with some dudes that night to this intelligent music.  A real pleasure. 😉

The music pierced my ear drums and so my ear plugs remained in the entire night.  I love my ear plugs because they helps break down the sounds and I can hear the music very clearly.  I recognized that I was in a grimy basement but being raised on Broadway shows and Classical theater and concerts, I was able to close my eyes and get thrown into the plush seats I imagined earlier.   The raging beats faded away and all I could hear was the gorgeous classical technical training he was throwing at us.

The music sounded like this (around 5:15ish mins he busts out the chamber piano):

But my mind would shut out parts and I would just hear something that sounded like this, beats faded away…just gorgeous:

Machinist is a song that amuses me. I imagine being at an Insane Clown Posse  or 311 show raging out and then Jeff layers some beautiful unmanipulated organized piano playing over it.  That is what does it for me.  I know I always say I love my horns, but I grew up listening to my father plays his piano every night after dinner while I cleared the table and did the dishes.  This fact also makes me overly critical towards keys players and I don’t have a single negative thing to say about Jeff’s work. It was a complete package, a complete pleasure.

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Slimmy was mainly a synthesizer song and pretty sure I heard some Michael Jackson‘s “Thriller” in the mix.  It was HEAVY, deep, and a raging dance song.  This producer/composer really does delivers a vibrant sound so full of melodic energy it stirs even the most timid of dancers. No one was sitting. I make my way up to Jeff’s side, watching him play…oh the essence of a musician when they are in the zone.  Sometimes I swear can feel their energy radiate off them.  It’s what brings tears to my eyes sometimes.  We stand in the audience in love with these musician’s music but what we have to remember is they either love or hate what they are playing as well and you can fell it, you can see it.  The lights and the music and the venue were helping big time.  It was so beautiful and overwhelming.  One man was making all this happen.

I stepped outside for an adventure during Cascadation so I can’t tell you anything about that song. That is one you will just have to go and see to experience 🙂  I came back in towards the end of Sunny’s Song, partially written by Benevento-Russo Duo. Pretty, melodic, slower then the rest.  PUTV gave us a manipulated synthed start to the song with samplings from Eric B. & Rakim’s “Pump Up The Volume” gently layered on top of the rest of the tune.  He goes back and forth between the manipulated sounds and the organic sound the ivories make.  Again, the looped drum beats are stellar and fast forcing Bujak’s fingers to go full blast.

Mutator was last for the evening. To be honest, I wasn’t sure when one song ended or began.  My notes are full of lines where I believe one ends and another beings, arrows shooting up the page because I felt as if he had gone from one song to another and back again, not sure.  Sometimes it was clear and other times it was so well-played that if the change occurred, I had no clue where it was.

Here is the video I took of Jeff @ Club Love…sorry for the sound quality. I had my ear plugs in and it sounded GORGEOUS and crisp in my ear…you get the point 🙂

Orchard Lounge raged our faces off for the rest of the evening but I will have to review them another time.  Jeff was what had brought me here tonight. I had come with the intentions of leaving after Jeff’s set but there was NO WAY. Not only was I one of the first people to arrive that night, I ended up being one of the last people to leave.  Jeff hung out a bit and, when we weren’t dancing, I wandered with my dance partner, getting in to trouble here and there, totally full of energy.  It was a great night and all thank to Jeff….thanks Buj 🙂  Be sure to check out Jeff Bujak’s newest full-length released on Harmonized Records:  “Alive Like the Spine

And as I hit PUBLISH, the irony is not lost on me as I listen to my neighbor begin giving one of her lovely piano lessons…..life is magnificent!

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