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Posts Tagged ‘Adam Deitch’

Thank you Cloud 9 Adeventures and MSC Crusies!!

Thank you Cloud 9 Adventures and MSC Cruises!!

There are music festivals and then there is Jam Cruise!!  A musical festival on a cruise ship that travels international seas for 5 to 6 days.  I said it last year and I will say it again now.  IT IS THE GREATEST MUSICAL ADVENTURE anyone can take.

Last year, I was at a complete loss for words.  It was my Virgin Cruise and I was awestruck by the magnitude of what I had just experienced.  Considering this was my second year, I thought the hype would be just a bit dimmer, I figured I would be a little less anxious and calm.  Nope!

Even now, while I could burst at the seams ATTEMPTING to explain these EPIC musical journeys, I find it so hard figuring out where to start. It’s all so unbelievable.  I could tackle these articles by day, or perhaps by subject regarding the atmosphere, the music or the people and so much more. I could write a five page article just on the relationship cultivations that took place this year.  There is just so much!!! And the fact that I only slept about 10-12 hours over the span of 5 days gives me an arsenal of memories to pull from.

Jam Cruise 9 Website Banner

Jam Cruise 9 Website Banner

Last year Tinyrager.com didn’t exist as it’s own site.  I wrote for other sites but mainly for my own personal cataloging of memories and would just save the documents on my computer.  So, after last year’s Jam Cruise, I began writing out my adventure and I never made it past the Sail Away Party.

My life took off before I could finish my personal Jam Cruise manifesto.  But I did make an attempt and the end result was all the glorious details about the embarkation line to the ship, the embarkation process, what happened when I explored the boat stumbling across the various venues and checking into my room with the gift bags and what not.  I wrote about everything I could remember up until the Sail Away Party….and then I stopped.

This year, I am going to continue where I left off at the Sail Away Party with a few backtracking steps.  There is no need for me to re-write the exact same information about the boat for this article. If you would like to know about all the things listed above then CLICK HERE!  The article is totally relevant to this one and worth the read and would help cement your mind if you are still debating on getting on the boat.  Jam Cruise staff actually found it last year and blasted it over their page a few times due to the comprehensive nature of the article.  So, enjoy that! It’s got great pictures too!

Now, let’s get this party started!!!

Hello Pretty Ship!! (Photo by Murray)

Hello Pretty Ship (Photo by Murray)

~ Boarding & Pre-Sail Away ~

Within MINUTES, sooooo much can happen to you on Jam Cruise.  This year, I boarded the boat in what felt like 15 minutes but was really a little over/under an hour.  As we get our room keys and begin the walk into the ship, I gaze to my right and Bob Weir is standing next to me. He pulled himself from the line and leans against the wall looking dazed, confused and very skinny. Had he been standing by us the whole time and we been too excited to notice?  He didn’t have an entourage and he looked so frail I guess it’s possible.  As my friends and I realized the magnitude of this moment, we all said “Hello Bob!” and he flashed us a forced smile.  I couldn’t tell if he was happy or sad but I knew how we felt! FREAKING STOKED!!!

A few more feet through the line and we were shuffled into the section where you get your boarding pictures taken. You could purchase the pictures for $30 if you wanted, but whoa that is a lot.  However, in the group behind us, Steve Kimock jumped into the picture.  Now THAT is a $30 moment worth purchasing!!  And there you had another group of people whose minds were just blown and we hadn’t even made it on the boat yet.  Sadly, my hunt for these pictures has come to a dead end. They are gone once you leave the ship.

Before all hell broke loose :) (Photo By Murray)
The NYC Krewe + some before all hell broke loose 🙂 (Photo By Murray)

I was in line with two of my best friends from NYC and we were in different rooms. Once we boarded the boat we separated so I could take my luggage to my room and unpack as fast as possible as not to miss a moment.  I was wearing my Big Sam’s Funky Nation tee-shirt, READY for the Sail Away Party. READY to see my main man Big Sam.  As I step into the mirrored elevator with my luggage, I was covered by this giant shadow of a man who had followed behind me.  And as I turn around, I am embraced by none other than Big Sam. Having reached out to me after he saw one of my reviews of his show, he flashed a smile that melted me as I got a huge hug! What a super duper dude! I will have TONS to say about him later in these articles.

(Photo by Jeffery Dupuis)

(Photo by Jeffery Dupuis)

Last year I was in the Singles Program.  The layout of my room this year was exactly like last year except that I was now with two friends I had met on my virgin cruise: Aaron and Victoria, a super cute Jam Cruise couple who completely enhanced my journey. Thank you both for being such wonderful roommates.    I entered an empty room and unpacked as fast as I could. When I walked out of my room, I just didn’t know which way to turn. There were SO many people I wanted to see who I hadn’t seen since last year’s journey and whose relationship was cultivated through Facebook over the year as we waited patiently to all be together again.  There was so much I wanted to do all in one moment but I knew where I needed to be.    This year, I had a krewe from NYC on the boat and one of them was a virgin, my dear sweet friend Jessica.  I wanted to see their room and be with her.  I just wanted to watch her take it all in because that must have been what I was like last year with my jaw on the ground.

Jam Cruise is over but we know that time will last forever. From the minute I walked into 10242 there was nothing but LOVE. Jessica who I’vereally never met treated me (and everyone) like I was a saint or angel or something. We constructed the door decor (bonding) and the RAGE was on ! Off to Eric’s to gather the troops and start the search for the bottom of the tequilla bottle. A short time later we were off to the pool deck to find the angel Karen has been talking about: Hillary! ~ Murray Ballz

~ Door Décor Competition ~

Sharon & Said's Decor!!  (Photo by Richmand Images)

Sharon & Said's Decor!! (Photo by Richmand Images)

As I entered their room, the faces looking at me were already more shiny and sparkly then when we had left in line.  The Jam Cruise blood was flowing through their veins. Their room was bigger with a balcony.  It’s always good for SOMEONE in your rage krewe to have a balcony! They had taken out all the makings for their door décor and were attempting to assemble it.  Their concept was beautiful.  Using pictures of multiple artists and groups that inspired them, along with artists that couldn’t make it on the boat as well as pictures of allllllll our friends and families who couldn’t make it on the boat, we were to create a collage covering the door and then we placed a mirror in the middle.  On the mirror’s top it read: “We are all on board together.”  On the mirror’s bottom: “And so are you!” So, that when you look into the mirror, everyone is together, connected somehow on board together.  I loved it!

A typical hallway on Jam Cruise (Photo by Chad Smith)

A typical hallway on Jam Cruise (Photo by Chad Smith)

(Photo by Murray)

(Photo by Murray)

We spent a few hours cutting pictures, tapping things.  The rest of our NY posse rolling through the room to say Hi and get the best hugs in the world.  This also began the utilization of the deck for party breaks which, as time passed, began making it hard for us to focus and use tape correctly HAHAHA!!  The mirror began messing with my head; Rob couldn’t roll a piece of tape to save his life! It was awesome! Oh, you should have seen it.

During this time, the magic of the boat presented itself to us with the introduction of Rob and Jess’s neighbors.  When we ran out of tape, they came right in for the rescue. When we needed writing done for the mirror, they were right there with a solution and Maker’s Mark on the rocks. No matter what you want, you get what you NEED on Jam Cruise! From masking tape to enlightenment.

Putting "our" door decor!! (Photo by Murray)

Putting "our" door decor!! (Photo by Murray)

The final product was perfect. A door COVERED with people and musicians we love that couldn’t be on the boat with us, yet they were, even if it was only in this small way.  Throughout the week, any number of our NYC posse could be found sitting on the floor starting at our door. Staring at our loved ones, staring at Jerry and Janis.  Personally, I was found passed out with my hand on the picture of myself and my boyfriend on the first night and was guided back to bed for what would be the only night I would sleep in my cabin!!!

And in terms of what door enhanced my JC experience the most??   Door number #9211.  This door was covered in 3D pictures from last year’s Jam Cruise.  There were numerous 3D glasses attached to the wall by string so you could see the pictures.  It just got cooler every time I saw it. And at one point, I didn’t even NEED the glasses to see it in 3D.  So, anyway, TINYRAGER award to Room #9211 for making us go OUT of our way at least 2 times a day to check out your door!

Forum Party/ Sharon's Birthday Rage! (Photo by Rex-A-Vision)

Forum Party/ Sharon's Birthday Rage! (Photo by Rex-A-Vision)

Once we finished the door we  realized that we missed the forum party on the pool deck.  They had gathered to give Sharon R. a proper Happy Birthday.  I am so sorry I missed this Sharon!  Love you! And now…it was time for the Sail Away Party!!!

Jam Cruise Day One Schedule!!

Jam Cruise Day One Schedule!!

~ Big Sam’s Funky Nation / Sail Away Party ~ Pool Deck ~

Photo By Rex-A-Vision

Photo By Rex-A-Vision

The wonderful Julie McCoy (Photo by Chad Smith)

The wonderful Julie McCoy (Photo by Chad Smith)

The Sail Away Party is phenomenal and truly defines the rest of the voyage.  Julie McCoy, the ship’s activities coordinator/manager/queen bee, comes on to the stage.  Free champagne is distributed amongst the cruisers lining the pool deck and The Captain and Julie McCoy toast us off on our journey.  Then the horns blow and you now know…the party has OFFICIALLY begun. As well, Sweet Water Brewery gives out free beer at during this set, wonderful news for the alcohol drinkers, if you like their flavors!

Photo by Rex-A-Vision

Photo by Rex-A-Vision

I walked to the front row with my friends, toasted, and then stepped away for a moment alone. I was alone on the top level of the Pool deck last year for the beginning of Trombone Shorty’s Sail Away Party and I wanted to be in the similar location and just be alone, connecting with the ship, for a few moments.  If you read my post from last year, you know the turmoil I was in before I boarded this magical vessel that changed my world.  So, I walked up to my sacred spot, snapped a picture of the amazing sight I was staring at and took one giant breath. Upon exhaling that breath came SO MANY tears, I almost collapsed.  The flood gates opened upon the realization that I was back. I was back in this music world; this musical WONDERLAND that completely CHANGED MY LIFE! And this year was going to be SO different than last year.

~ Big Sam Sail Away Party~ Raging Audience Shot from Stage ~

Photo By Rex-A-Vision

Photo By Rex-A-Vision

After letting the tears flow for 2 songs, I gathered myself, with the help of a few people around me, and went back down to the front row, puffy faced and all smiles.  For those of you who don’t know much about the boat or who are not large into the music scene, the front row is where it’s at.  I was greeted into the front row where all the best people reside in most musical scenes, let alone Jam Cruise. But I suppose I need to talk about music here at some point right?  Wasn’t this a music festival on a ship?

THE FUNKY NATION:

Big Sam– Trombone
Danny Abel – Guitar
Eric Vogel – Bass
Drummer Boy Milk Williams – Drums
Da Phessah Drew Baham – Vocal/Trumpet

Not so great mobile pic of the View from my "alone" spot (Photo by TinyRager)

Not so great mobile pic of the View from my "alone" spot (Photo by TinyRager)

I have seen Big Sam numerous times throughout the year. I was worried that his Sail Away party would be the same formulaic shows that I had seen him perform over the year.  But that wasn’t the case.  Where there was a similar flow to it all, Big Sam covered some great songs, added some new dance moves…they just brought us a new show and the audience ate it right up.

Photo by Rex-A-Vision

Photo by Rex-A-Vision

During the fourth song, the ship’s debarking horn blew, the pool deck erupted with cheers and we started moving.   Immediately, the heavy hitters started joining the party.  If nothing else, Jam Cruise is about the various musical combination of artists you can find  performing on the boat. You NEVER know who is going to sit in with whom.  In this case, Leo Nocentelli (The Meters) joined Big Sam for “Gonna Get Funked Up Tonight” and Fred Wesley (JB Horns) followed for “See Me Dance”.

~ Big Sam Sail Away Party~ Top of Pool Deck Perspective ~

Now, The Funky Nation is know for their ability to rage cover songs as well as create new edgy music. Throughout the set he blew some heat into Gnarls Barkley‘s “Crazy”, The Black Crowes/Otis Redding‘s “Hard To Handle”  and their final song of the set was a mash up of Cee Lo Green‘s “Fuck You” and Lady Gaga‘s “Bad Religion”.  This moment was special for me because when the song first came out, Josh and I literally blasted that Cee Lo Green song for a month straight every morning while getting ready for work.  The song is hilarious and the video is even more so.  In this moment, I looked around the pool deck and saw people kinda staring blankly.  Except for a few people, they didn’t recognize the song.  The entire set lived up to it’s expectations.  It was high energy, full of flare and raging rock funk.

Set List:

01. Intro
02. ?? (jam/instrumental)
03. Feelin’
04. King of the Party
05. ?? (instrumental)
06. Gonna Get Funked Up Tonight
07. See Me Dance
08. Big Ole Booty
09. Hard to Handle
10. Do Watcha Wanna > Everybody Needs Someone to Love > You Are My Sunshine tease > ??
11. Dance Floor
12. Up In Here >
13. jam >
14. ?? >
15. Crazy > Get Low >
16. band intros/banter >
17. Fuck You > Bad Romance tease

Download Big Sam’s Funky Nation Set

At this point we had half an hour until any music started. Being that this was the first night, I can’t believe they had lulls but this year’s scheduling seemed to be staggered differently so whatever. Gave us time to debate!  The options were:

1) Bob Weir‘s Scaring The Children on the Pool Deck (9:30pm-11:30pm)

2) Greensky Bluegrass in the Zebra Bar (9:15pm-10:45pm)

3) Robert Randolph and the Family Band in Teatro Carlos Felice (9pm-11pm)

Already, my heart was racing with the fact that I knew I would be missing things I didn’t want to miss.  This year, I knew I would be spending a significant amount of time the first few days cultivating relationships and so I made a point to schedule the music I loved but also plan to hang out where a large percentage of my Jamily might be.

Most of the performers have two sets over the course of the week so I was ok with missing things here and there and catching them later.  In general, the inner turmoil for me over what music to see is the most stress I feel on that ship.

Carlos Felice Theater! (Photo by TinyRager)

Carlos Felice Theater! (Photo by TinyRager)

I took off for Robert Randolph and the Family Band, riding on a cloud.  When I got there, the theater greeted me with all its purple and gold majesty.  This is my favorite venue on the ship. Again, you can learn about the ship from last year’s posts.  But I will tell ya that the purple and gold colors are beautiful and remind me of my college, there are two levels to rage on, the elevated steps in front of the stage are perfect for our drinks, extra costume accessories like boas, hats and what not.  The stairs are also rounded and this allows for a much larger front row throwdown.

I got to the theater and no one was really even in there and the roadies were still setting up.  Speaking of cultivating relationships, I met a lovely twin set named Cindy and Mindy, who inevitably raged the front row with the best of us the whole cruise. Rage on ragers. Big hugs to you both!

(Photo by Rex-A-Vision)
(Photo by Rex-A-Vision)

~ Robert Randolph and the  Family Band ~ Theatro Carlo Felice ~

Robert Randolph – Pedal Steel, Guitar and Vocals

The Family Band:

Danyel Morgan – Bass and Vocals
Marcus Randolph – Drummer
Adam Smirnoff – Rhythm Guitar
Lenesha Randolph -Vocals
Brett Haas – Keyboards and Guitar

Special Geusts:

Eric Krasno – Guitar
Big Sam – Trombone
Ivan Neville – Keys
Taylor Hicks -Vocals & Harmonica

(Photo by Rex-A-Vision)
(Photo by Rex-A-Vision)

As I sat there, making new friends, old ones started arriving.  Said and Sharon’s smiling face made their way to our side of the theater. (Thanks to Said for the RR&TFB set-list below).  Then one by one the Jamily krewe gathered until we were 25+ deep on the left side of the stage. Oh, how I just want to talk about all these lovely people, not the music. It’s insane.  But that is not the purpose of this so…

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Having seen Robert Randolph and the Family Band a few times this year and being disappointed in the performances, I was PRAYING that he would kick it back to his roots and focus on older songs, perhaps melt our faces without playing Lady Gaga tunes to fill time.  Perhaps give us some great covers; perhaps show us some great collaborations.  And that is exactly what they did.

Blasting off his set with “Ted’s Jam,” he shot me right back to ten years ago when I first found Robert and Danyel at Star Hill in Charlottesville, Virginia.  The newest addition to the clan, Lenesha Randolph, was on stage, backing up her brother.  I am still weary on her talent.  I won’t say anymore regarding that topic.

“The March” is one of my all time favorites Robert debuted years ago.  I was right up front with my musical posse and when Robert got off his seat and started dancing for us, we all knew the dance and joined along.  He asked us to teach those around us but he was doing a fine job wiggling his body for us….mmmmmm. And Danyel‘s bass thumped away. I am absolutely IN LOVE with Danyel and his voice.   Always have been!

A re-worked “Thriller” cover saw Eric Krasno and Big Sam join the stage and over the remainder of the set Ivan Neville and American Idol’s Taylor Hicks, yup Taylor Hicks, also joined the stage.


“Tears of Joy” brought the blues to an otherwise raging set and my faith in Robert Randolph and his family, however swaying it may have been hours earlier, was restored and his #1 fan was back on top, in the front row, loosing her mind!

Set List:

01. Ted’s Jam
02. ?
03. ?
04. The March
05. ?
06. If I Had My Way
07. Deliver Me
08. I Miss My Girlfriend (Her Name is Molly)
09. Thriller Jam
10. I Need More Love
11. Voodoo Chile
12. Tears of Joy
13. Traveling Shoes

Download Robert Randolph and the Family Band Theater Set

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

As soon as set ended, I hightailed it to the Pool Deck to check out the remainder of Bob Weir‘s Scaring The Children.  I ended up on the upper deck looking down at the sea of Dead heads who were staring doe-eyed at Bobby and Co. The wind was blowing warmly over my body as I realized we were so far from land now I couldn’t see lights.

I gave Bobby as much time as I could before wanting to leave.  Personally, I thought it sounded pretty slow and that is not a bad thing, I just needed something more to move to.  I wish I could recall the song that was playing.  Even though it was tough for me to look at Bobby, as all I could imagine was the scene from Indiana Jones where the guy takes the sip from the wrong chalice and his skin melts off,  it appeared that he was giving the people what they wanted.  Smiles abounded on the faces below me and I just knew that Jerry was smiling down upon the ship.

(Photo by Jeffrey Dupuis)

(Photo by Jeffrey Dupuis)

So, after Robert Randolph‘s set, we were faced with more difficult choices.

1) Pimps of Joytime in the Zebra Bar (11:00pm-1:00am)

2) Karl Denson’s Tiny Universe on the Pool Deck (12:30am-3:00am)

  • Sadly, I can not find a link for this set. If anyone finds one, please pass it along to me.

3) Anders Osborne with Stanton Moore and Carl Dufrene in the Teatro Carlos Felice (11:45pm-1:15am)

Having just seen Karl Denson’s Tiny Universe numerous time over the past year and just a few days earlier as the Phish After Party on New Years Eve, I decided to skip KDTU on the Pool Deck and focus on the Anders Osborne set.

Performing on same stage as Robert Randolph, the Anders set was going to take a little time to prepare as they transferred over the equipment.  I used this time to gather my thoughts, fill up my water bottle and grab a bite to eat. I don’t want to go into the food just yet…too stressful.

(Photo by Michael Weiss)

(Photo by Michael Weiss)

~ Anders Osborne with Stanton Moore and Carl Dufrene ~ Teatro Carlo Felice ~

(Photo by Dave Vann)

(Photo by Dave Vann)

I had missed Anders Osbourne the few times he made his way through NYC the past year and having seen him in the past, I KNEW he would rip up whatever stage he was on with his rouge, wild, rockin’ New Orleans vibe.  That is exactly what I was looking for at this time in the evening.

His back up band was a force to be reckoned with.  Joining  the stage this set was:

Anders Osbourne – Guitar and Vocals
Robert Walter – B3 Organ
Carl Dufrene – Bass
Stanton Moore -Drums

Special Guests:

Scott Metzger – Guitar
Will Bernard – Guitar
Skerik – Saxaphone

(Photo by Michael Weiss)

(Photo by Michael Weiss)

This set was complete fire!!!  I mean absolutely out of control, rock-laced guitar shredding jams, backed by outrageous solos by Skerik and added guitar layers by way of Scott Metzger and Will Bernard.  At the time, it was my favorite set of the night and in hindsight, it is in my top five sets of the week.  The inclusion of Skerik‘s hyper-driven saxophone layered upon Anders songs was, well……take a look at this….seriously.

Set List:

1. Tuning
2. Love Is Taking Its Toll
3. Echoes Of My Sins
4. Darkness At The Bottom
5. Burning On The Inside
6. Got Your Heart
7. Me Donkey Want Water

Download Anders Osborne Theater Set

(Photo by Dave Vann)

(Photo by Dave Vann)

And here we were back having to make decisions!!

1) Papadosio in the Zebra Bar (1:45am-3:15am)

Set List:
1. Utopiate
2. Unparalyzer
3. Magreenery
4. Bionic Man
5. All I Knew
6. Method Of Control
7. Cue
8. Polygons
9. Eyes Have Eyes

2) Stockholm Syndrome in the Teatro Carlos Felice (2:00am-4:00am)

3) Nutritious in the Disco (2:00am-6:00am)

4) AND THE LAST CHOICE!!!!  The Jam Room: Hosted by Tony Hall (12:00am – 6:00am)

Now we come to the greatest and grandest part of the Jam Cruise experience. THE JAM ROOM!! Each night, a different musician (generally a guitar player, keys player or bass player) hosts The Jam Room.  The Jam Room is a entertainment space located in the rear of the ship where these musicians play host to who ever wants to join them on stage.  Sometimes, there are pre-arranged gatherings or sometimes a musician just jumps up for a song and adds to the insanity.  Always, there are free jams, group rages and it’s all off the cuff improvisational jamming.

~ The Jam Room with Host Tony Hall ~

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Tonight’s Jam Room host was Tony Hall, New Orlean’s Dumpstaphunk bass player. Tony is one of the most charismatic musicians around.  He is always invested in engaging with his audiences, making faces, pulling girls on stage, dancing with the audience.  He is one of my favorites in that aspect.

Sadly there is not a lot of footage from the Jam Room to show you.  Many Cruisers had already gone to bed to save their strength while others were raging so hard they couldn’t manipulate a camera or video device to save their life.  But I can tell you that it was a RIPPING good Jam Room.

It was an epic moment lost on the winds of the ocean and remembered only by those that were present… ~ Ananda Atmore

Tony Hall was backed by many of his bands mates from Dumpstaphunk to include:

Ivan Neville – Keys
Nick Daniels III – Bass
Raymond Weber – Drums
Ian Neville – Guitar

Other Guests:

Big Sam – Trombone
Nigel Hall (Lettuce/SCFJ)- Keys
Danny Louis (Gov’t Mule/Stockholm Syndrome) – Keys
Eric Krasno (Lettuce) – Guitar
Adam Deitch (Lettuce) – Drums
Ron Johnson (SCFJ) – Bass
Zach Deputy – Guitar
Roosevelt Collier (The Lee Boys) – Pedal Steel Guitar

There was so much happening on stage there is no way to recall it all.  One of the last songs played in the jam room that night was Jimi Hendrix‘s “Hey Joe”. The Lee BoysRoosevelt Collier jumped up on stage and confused the hell out of us as he was only a passenger on the ship thus year!  SO FUN when things like that happen.  You know it’s a good time when other musicians pay to get on board.

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

(Photo by Rex-A-Vision)

Tonight would be the only night that I came back to my room to sleep.  The theme one must know and get to embrace on Jam Cruise is: “It’s a marathon, not a sprint!” It appeared that everyone had taken that creed to heart as I wondered around the pool deck wondering where everyone was.  Where were the late night jam sessions and/or drum circles on the pool decks?  Where was Brock Butler playing his acoustic guitar to the people watching the sunrise.I am sure that they were somewhere, I just never stumbled upon them. It was destiny, however, because after raging the Unofficial Pre-Jam Cruise party at the Days Inn Bahia Cabana Beach Resort the night prior, I was exhausted.  I decided to watch the sunrise with my NYC crew and hear how our virgin cruiser Jessica B. had enjoyed her first night.

As I looked over the balcony, lost in the wake of the ship, my friends and I smiled at each other.  We watched the wake of the ship hit the tip of the horizon and we knew there was no turning back. We were together on this epic musical journey and there were so many adventures to be had.  I took myself to bed around 7am but not before touching the faces of all our family and friends that lined the door decor, wishing they were with us.  Sleep was needed as we had a full day at sea tomorrow.  I couldn’t wait to see what was in store for us when we final rose again.

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Jeff Bujak @ Club Love

(179 McDougal Street)

(w/ Higher Nebulae, D.V.S., & Orchard Lounge)

Show Pamplet

Show Pamplet

In my mind, I consider myself just beginning to learn about (and possibly appreciate) these late night NYC music scenes.  A scene where the music doesn’t start until 11:00pm, maybe.  A scene where, unless you asked for help, you can’t find the door to the establishment, a scene hidden under the bowels of the city streets.   I normally rage a live concert where the doors open at 6pm and the show start at 8pm.  And THEN, if I have the energy (if?…who are we kidding?), I end up in a dark and grimy basement venue for the remainder of the night.  Most of the time it’s because a friend has talked me into raging harder and not because I feel as though there will be true talent on a stage.  To me, these are the times to mingle and dance till your a puddle of water on the floor.  I have no idea what is going on music wise as…how do I put this….it doesn’t register to me as live music.  It just doesn’t.

Rage Equipment!

Rage Equipment!

Dj-ing is clearly an art.  Sampling music, producing sounds, splicing tunes, putting them back together like a puzzle.  I get it.  I can see the DJs gears working in my mind’s eye when I hear some of the get-down beats we dance too.  And when they rage, I stop dancing and I embrace the lift in the room’s energy, nodding my head in recognition that they just mixed a dope track that got the floor jumpin’.  So, I love it, don’t get me wrong.  I do dance into a puddle and I have fun but it’s not the same thing if it’s just a person and their turntables.  It doesn’t drag me in and make my jaw drop.

Now, take that atmosphere, with that talented puzzle maker and throw in a live instrument.  Like Break Science who has Adam Deitch on the drums bringing forth that extra layer that makes it intoxicating, or The Sullivan Street Shakedown, which combines DJs with numerous live instruments rotated each month.  It lies in the fact that it’s alive to me at that moment.  It’s organic.  I can see it being created.  Tonight, I would be enjoying the performance of Jeff Bujak and he brought me exactly what I needed to have my jaw drop.

Rage equipment!

Rage equipment!

The show was held at Club Love.  Never having been before, I immediately was drawn to the name, wondering what it must look like.  I imagined it being dimly lit, a loungy-vibe with bright tones like purples, yellows and reds.  Slightly Disco-esque with plush couches and anything you would find in a Austin Powers movie.  I couldn’t have been more wrong.

With no sign to the establishment and the entrance being a door hidden by on of those large gate walls that businesses pull down when they close up shop, I only knew I was in the right spot thanks to the store owners around the area.  The show was to start at 10pm but I don’t think the doors even opened until 11pm.  I went across the street for a beer with the three other people foolish enough to come so early…see, I am still learning.

Rage Equipment!

Rage Equipment!

Upon entering Love, you head down the stairs into a dark, concrete floored, cavern-like basement and are forced either left or right.  If you choose right, you are met with the room that would be throwing us the get down grinds.  Probably holds about 250 (??) comfortably, one wall had bench style seating but that was it.  This was a room for dancing.  Period. There was a bar set up with caution tape around it, I assumed to give the waitress some room?  Flat out, not cool waitress.  I bought a $7 beer, gave her a $10 and she just ran with it.  When I asked her for my change, she was like “What? You want me to give you back 2 bucks?”  First of all, take a math course and Poor Service!!!  Seriously? Does it matter?  I used to be a waitress and I was a friggen princess even when I wanted to kill someone.  I will NEVER get used to the poor customer service practices in New York City.  There is TRULY nothing comparable in terms of shitty attitude .  Needless to say,  I was not amused.

Dancing and Hula Hooping

Dancing and Hula Hooping

There was no “stage” per say, just a portion of the floor that had been utilized for the equipment.  As well, there was an elevated portion that held the DJs booth.  I got to be sadly honest and admit that the front of the DJ booth was so high, I could barely see the tops of the DJ’s heads, let alone see them do their thing.  That made me sad.  But I am sure the rest of the world saw the Dj’s as they are all over 5 foot zero!!

If you took a left from Love’s entrance, you are taken to the restrooms, another bar and a separate room that looks cave-ish, like the walls were made of crappy styrafrom, the other walls were glass so that the patrons in the room were viewable from the bar area.  This room was for those who might need to take a rest from the intensity in the other room.  It is small but with stadium seating, more like concrete stairs.  It’s always good to have one of these rooms to retreat into when you have partied to hard.

Higher Nebulae started the night off with some dirty dance beats. There was some gospel layers and rock layers all with some deep whoomping bass.  When the bass beats were dropped we were given some familiar rock favorites and unexpected old school gems such as Metallica‘s “For Whom The Bell Tolls.”

D.V.S.

D.V.S.

Like I said, it’s hard for me to focus on the music when it’s just the DJs so I was wondering around trying to catch a buzz with the $10 beer in hand and attempting to get in the right frame of mind to dance into that puddle I was talking about.  The Banana Mafia was out in full force greeting what appeared to be half the venue who had come under his list.  He brought the energy, he brought in the dancers.  I appreciated that!  However, this Mafia member was without his Banana Suit?  Is that even allowed?  Am I supposed to be outing him over the internet?  Opps.  Either way, he raged all over that dance floor, as well as his friends, and we all had a blast together!!

D.V.S. was up next, his real name being Derek VanScoten.  Where as Jeff Bujak uses a piano to layer on top of his electronic beats, D.V.S. uses a Telecaster guitar.  I stopped my mingling and started focusing on D.V.S..  His music mixed Hip-hop, Soul and even Motown.  He sampled Jimi Hendrix‘s “Foxy Lady” and raged a great guitar during his samples.  He has recently toured as a solo artist supporting Ana Sia, Big Gigantic, Beats Antique, Boombox, Lynx & Janover, JFJO, and M80 Dubstation.  Honestly, not sure if I cared for him that much.  It didn’t do anything for me.

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Let’s talk about Jeff Bujak, the man of the hour!  Duuuuude.  Having just discovered him earlier this summer at Rock The Resort, I was VERY eager to see him again live.  Jeff Bujak is a true musician.  A truly technically talented piano player who, from the moment I stepped foot into his performance at RTR, has had me hooked.  To me, when I listen to his music at home, Jeff reminds me of a mix between Tori Amos and Bruce Hornsby. I could come up with a ton of combination but seriously, his music is beautiful and quirky and demanding with organized chaos and it is all his own! He has coined his music “Intelligent Dance Music.”  Intriguing, no?

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Jeff comes armed with everything needed to run his one-man show including light, sound, and smoke.  Cables and pedals everywhere, there is a laptop, a sound deck and his dual level keyboard at the helm of his personal electronic monster.  There is a row of lights above his left shoulder flashing us the light show in various colors and mixed to rage with the beat. His shoes were off and the show began.

The set list:

SET 1
Utopia > Kicker > Crowd > Machinist > Slimmy > Cascadation > Sunny’s Song* > PUTV > Mutator

* written by Benevento-Russo Duo (section of)

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Utopia got it started with a synthesizer drop and a deep beat. Very quickly the layering of faster beats were released and right away it was a dance party.  His songs have catchy samples, this one, sampling Cake’s The Distance by using the lyrics “Reluctantly crouched at the starting line…”  After a while, amid the heavy beat of smashing cymbals, I feel a reggae vibe that quickly turns back into a deep electronic beat.

Kicker into Crowd brought us the classical, straight out gorgeous technical chamber piano skills that I adore him for.  These gorgeous notes layer over the rest of the dance worthy beats.  They are hit hard, there are sounds of electric guitars playing but I know that is Bujak manipulating the keys.  The sequenced drum loops made it sound like the drummer was in the room with us at times.  Then we got a little more of the pure keys, nothing manipulated, just beautiful piano sounds.  It’s a gorgeous mixture of electronic and organic.  I mean, there is just GORGEOUS composition amongst his hectic beats.

So, being that I am a romantic female, I found it to be just lovely music and I was pleased to see mainly men in that basement dancing.  In reality, I wondered if these wookies heard what I heard.  They were certainly dancing to the beats but I wonder if they realized just how good he sounded in that basement.  Club Love is rumored as having one of the best sound systems, so perhaps that helped.  There are parts of the songs that got so slow and so sensual.  Preferring to be a stand alone dancer at most shows I attend, it was my pleasure to dance intelligently with some dudes that night to this intelligent music.  A real pleasure. 😉

The music pierced my ear drums and so my ear plugs remained in the entire night.  I love my ear plugs because they helps break down the sounds and I can hear the music very clearly.  I recognized that I was in a grimy basement but being raised on Broadway shows and Classical theater and concerts, I was able to close my eyes and get thrown into the plush seats I imagined earlier.   The raging beats faded away and all I could hear was the gorgeous classical technical training he was throwing at us.

The music sounded like this (around 5:15ish mins he busts out the chamber piano):

But my mind would shut out parts and I would just hear something that sounded like this, beats faded away…just gorgeous:

Machinist is a song that amuses me. I imagine being at an Insane Clown Posse  or 311 show raging out and then Jeff layers some beautiful unmanipulated organized piano playing over it.  That is what does it for me.  I know I always say I love my horns, but I grew up listening to my father plays his piano every night after dinner while I cleared the table and did the dishes.  This fact also makes me overly critical towards keys players and I don’t have a single negative thing to say about Jeff’s work. It was a complete package, a complete pleasure.

Jeff Bujak @ Club Love

Jeff Bujak @ Club Love

Slimmy was mainly a synthesizer song and pretty sure I heard some Michael Jackson‘s “Thriller” in the mix.  It was HEAVY, deep, and a raging dance song.  This producer/composer really does delivers a vibrant sound so full of melodic energy it stirs even the most timid of dancers. No one was sitting. I make my way up to Jeff’s side, watching him play…oh the essence of a musician when they are in the zone.  Sometimes I swear can feel their energy radiate off them.  It’s what brings tears to my eyes sometimes.  We stand in the audience in love with these musician’s music but what we have to remember is they either love or hate what they are playing as well and you can fell it, you can see it.  The lights and the music and the venue were helping big time.  It was so beautiful and overwhelming.  One man was making all this happen.

I stepped outside for an adventure during Cascadation so I can’t tell you anything about that song. That is one you will just have to go and see to experience 🙂  I came back in towards the end of Sunny’s Song, partially written by Benevento-Russo Duo. Pretty, melodic, slower then the rest.  PUTV gave us a manipulated synthed start to the song with samplings from Eric B. & Rakim’s “Pump Up The Volume” gently layered on top of the rest of the tune.  He goes back and forth between the manipulated sounds and the organic sound the ivories make.  Again, the looped drum beats are stellar and fast forcing Bujak’s fingers to go full blast.

Mutator was last for the evening. To be honest, I wasn’t sure when one song ended or began.  My notes are full of lines where I believe one ends and another beings, arrows shooting up the page because I felt as if he had gone from one song to another and back again, not sure.  Sometimes it was clear and other times it was so well-played that if the change occurred, I had no clue where it was.

Here is the video I took of Jeff @ Club Love…sorry for the sound quality. I had my ear plugs in and it sounded GORGEOUS and crisp in my ear…you get the point 🙂

Orchard Lounge raged our faces off for the rest of the evening but I will have to review them another time.  Jeff was what had brought me here tonight. I had come with the intentions of leaving after Jeff’s set but there was NO WAY. Not only was I one of the first people to arrive that night, I ended up being one of the last people to leave.  Jeff hung out a bit and, when we weren’t dancing, I wandered with my dance partner, getting in to trouble here and there, totally full of energy.  It was a great night and all thank to Jeff….thanks Buj 🙂  Be sure to check out Jeff Bujak’s newest full-length released on Harmonized Records:  “Alive Like the Spine

And as I hit PUBLISH, the irony is not lost on me as I listen to my neighbor begin giving one of her lovely piano lessons…..life is magnificent!

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The 41st New Orleans Jazz & Heritage Festival:

A Russ Agdern Perspective: Thursday, April 29, 2010

(The Fairgrounds Reopen, Marisa Arrives, Let’s Zydeco!)

Mr. Russ Agdern

Mr. Russ Agdern

(Read Russ’s “Wednesday, April 28, 2010″ here)

Cake Cafe (Photo by Bryna Stiefel)

Cake Cafe (Photo by Bryna Stiefel)

So after a five hour sleep, I shower, get dressed, catch up with my buddy for a minute, then it’s off to the Cake Café for a croissant and up the Fairgrounds for Day 1.  It’s a little overcast, the perfect kind of Fest day, not too hot and sunny.  Text my folks to let em know I’m on my way.  Stop to buy water from the same lady I buy water from outside the fest every year, grab my cubes (slang, term to describe Jazz Fest schedule) and tell the nice lady hanging out to remember me and not be surprised when I sweat through them and come back every day.  Get my stuff searched, my ticket scanned, and wow, I’m in.  HAPPY JAZZFEST!

Fais DO DO Stage (Photo by allentomdude)

Fais DO DO Stage (Photo by allentomdude)

For those who don’t know about Jazz Fest, there are three stages you always need to make time to check out: the Gospel Tent, the Jazz and Heritage Stage, and the Fais Do-Do (pronounced Fay doughdough) Stage.  Just do it; make the time.  Because at each of those spaces, there’s a really good chance you’ll hear someone you’ve never heard of before making incredible music.

McMain High School Gospel Choir

McMain High School Gospel Choir

I learned this lesson really well in 2008 and I try to stick to it, so seeing as it’s the first venue on the way in, I grab a seat in the Gospel Tent to check out the McMain High School Gospel Choir.  Local high school, apparently, I know nothing about them and sit down.  WOW.  Amazing!  Unbelievable voices, poise, energy, showmanship.  Just incredible!  All kinds of soloists started doing amazing things, and their band, comprised of high school musicians, was incredibly tight!  Texted my wife that the choir was so good I was thinking about converting, and the Gospel tent is so good it wasn’t the first or last time I’ve made that joke.

Kirk Joseph (Photo By Jeff Dupuis)

Kirk Joseph (Photo By Jeff Dupuis)

While there, I figured out roughly how my day was going to go, then made my way over to LB and her Krewe of folks at the fairgrounds.  LB  is a Jazzfest vet, having been many times, and I had the pleasure of bonding with her about Jazzfest at a Big Sam show last year, so we’ve been hitting great funk shows together since then.  Her Krewe had a nice spot by the Acura (main 1) stage, and I went to check out Kirk Joseph’s Backyard Groove.  Kirk Joseph is the original sousaphone player of the Dirty Dozen Brass Band, and is credited by many with taking Sousaphone playing into the realm of replacing an electric bass in a funk band.  This style of Sousaphone playing, taken up by others like “Tuba Phil” Frazier of the Rebirth Brass Band, has become the standard for many Brass Bands around the world, and Joseph was one of the innovators, so I wanted to see what his new band was putting down.  Nice lineup, multiple horns including what looked like a baritone horn (smaller version of a regular tuba), keys, guitar, and a couple of singers.  Doing a nice mix of funky stuff, flirtatious titles (don’t let me have a taste if I don’t get to have the whole thing), and stuff with a message about living together.

Prejean's pheasant, quail and andouille gumbo (Photo by Prejean's Restaurant)

Prejean's pheasant, quail and andouille gumbo (Photo by Prejean's Restaurant)

Speaking of tastes, it wouldn’t be Fest without the food!  Went off to get my first tastes of Fest, including the Pheasant, Quail and Andouie Gumbo from Prejeans that I look forward to every year, as well as the stuffed mushrooms that are just delicious.  And the nice folks at Prejeans gave me a FREE BOWL!  After I stopped to take a sip, I groaned at how good the stuff is.  One of the folks behind the table asked me why I stopped, I told her it tasted just like I remembered it did last year, and she handed me another bowl without waiting.  Awesome!  Some to share with LB’s buddies of the Superchill Krewe.  Yeah you right!

Dumpstaphunk (Photo by Jason Moran)

Dumpstaphunk (Photo by Jason Moran)

Nothing else grabbed my fancy, so I decided to stay put at Acura and give Dumpstaphunk a real chance.  I always kind of a weird feeling about them-  I feel about musical families the way I feel about royal families- having the name doesn’t impress me, you have to bring it.  Being Art Neville’s nephew and playing keys made me a little wary- I’m a huge devotee of Poppa Funk, and didn’t want to see someone up there just b/c of the name.  But Ivan really brought it on keys and with some great energy on vocals as well.  By the second tune, “Turn This Thing Around” which was talking about helping folks that need a hand, I was really digging the groove.  In some ways, Dumpstaphunk reminded me of a mix between the tight funk of the Meters and the cosmic slop of P-Funk.  Nasty grooves and a good message?  Sign me up.  Ivan and the whole crew were serious business, and I’m sorry I ever had a thought that he wasn’t earning it, because Ivan is a monster on them keys.

Walter Payton with Snapbeans & Gumbo Filé

Walter Payton with Snapbeans & Gumbo Filé

But as the crew was rampaging through “Put it in the Dumpsta” I checked the time and realized it was time to see an old friend.  Walter Payton, Jazz Bassist extraordinaire, music education giant of New Orleans, father of trumpet star Nicholas Payton, and longtime stalwart of the Preservation Hall Jazz Band, was playing with his group, Snap Ppeas and Gumbo File, at the Economy Hall Tent.  The Economy Hall tent is one of three Jazz stages at Jazzfest, the stage representing traditional, New Orleans Jazz.  I had the pleasure of making friends with Walter on my first trip to New Orleans in 1999, and always try to get out and see him at Fest.  This was especially important this year as he had a stroke at the beginning of the year, so I really wanted to see him.  And it was tough. The musicianship was great, he had some tremendous folks playing with him, including guitar wizard June Yamagishi (from Papa Grows Funk, among other things) and a couple great singers and dancers.  But he wasn’t nearly as gregarious as previous years, one could tell he wasn’t quite recovered from the stroke and it made me quite sad.  When I spoke with one of the staff of Preservation Hall about Walter on Monday, she and I both started to tear up as she talked to me about him not wanting to slow down, wanting to keep going and pushing himself a little too hard to get back.  I made her promise to tell him I send my best and she did.  It’s a sad thing to see good people not quite at their best.  Here’s hoping for a continued speedy recovery, Walter.  The music world, and really the whole world needs you better.  Readers, if you’re not sure you agree, check out this great video of Walter singing the Louis Armstrong classic, “Shimmy Like My Sister Kate”

Mardi Gras Indian (Photo by Mica Lawson)

Mardi Gras Indian (Photo by Mica Lawson)

Having a bit of time to kill before Dr. Klaw, my next must see, I headed over to catch Bruce “Sunpie” Barnes and the Louisiana Sunspots over at the Congo Square stage.  On the way, I got caught in some second line fun with some Mardi Gras Indians and the Paulin Brothers Brass Band.  Oh yeah, if ten stages of unbelievable music isn’t enough for you, there are often Brass Bands and Mardi Gras Indians parading through the fairgrounds at random times.

Paulin Brothers Brass Band (Photo by Maitri)

Paulin Brothers Brass Band (Photo by Maitri)

So after waving around a napkin and shaking it with the Paulin Brothers Brass Band, who were just great, went off to see Sunpie.  Sunpie is impressive, multi instrumentalist, great singer, and a big presence.  He apparently used to play football, he’s a tall dude.  He’s also all over the place, playing WWOZ’s piano night, playing with his own band, later on that weekend with the Mardi Gras Indians Orchestra, and on the awesome new Ensemble Fatien disc.  I was looking forward to catching him and the Sunspots later that night at the Mid City Lanes annual Legends of Zydeco show, but wanted to catch a peek now.  He didn’t disappoint, romping through Louis Jordan’s “Choo Choo Ch’boogie” and a couple others before I danced my way back to the Jazz and Heritage Stage for Dr. Klaw.  Some really great accordion work, and that band is awful tight.

Alright Dr. Klaw!  Dr. Klaw is one of these bands that only exists in a few places like Jazz Fest and Jam Cruise, a mutant mash up of Chapter 2, represented by Eric Krasno on guitar and some vocals, Adam Deitch on drums, and Nigel Hall on Keys and vocals, and Dumpstaphunk, represented by Nick Daniels on bass and lead vocals and Ian Neville on guitar.  It was kinda weird to see a guitar based band at the Jazz and Heritage stage, but I didn’t mind it.  These guys were fantastic- Nick Daniels syncing up with Adam Deitch for some sick grooves, Eric Krasno letting it out and singing it out a lil bit, and Nigel laying down some tasty stuff on the keys.  Ian was good too, but seemed content to let Kras take the lead.  Ivan Neville was on the side of the stage most of the set, grooving and possibly chomping at the bit to get in the mix, but didn’t end up stepping in.  My personal highlight was Nick Daniels and Nigel Hall sharing vocals on a tasty as hell version of “Higher Ground” by Stevie Wonder.  It’s only halfway through Day 1 at the Fairgrounds, and I already got a “best covers of 2010” list brewing in my head.  The fellas headed into Nigel Hall’s “Leave Me Alone” but not being in the mood to hear that particular track, I bounded towards the track side of the Congo Square stage to get a good spot for the Soul Rebels Brass Band.

Soul Rebel Brass Band

Soul Rebel Brass Band

The Soul Rebels are one of New Orleans’ many great second generation Brass Band outfits.  I say second generation because you have older guard groups like the Treme Brass Band, the Paulin Brothers, and then, starting with the Dirty Dozen Brass Band and of course, the mighty Rebirth Brass Band, you have a second wave of brass bands that combine the traditional music with Funk, R&B, Rock, and Hip Hop to make more contemporary flavored music.  The Soul Rebels have been around at least sixteen or seventeen years.  I got down with their groove for a bit before chatting a little with some folks that were set up near me, including a woman who asked me if I spoke Hebrew (in Hebrew).  Ah, the surprises of wearing a Hebrew letter Yankees hat to Jazz Fest.  She let me know there were actually a lot of Yids and Israelis at Jazz Fest, and that I should look out for the Krewe at, what else, the Israeli flag by Acura.

Someone bumps into me and it’s KD! KD is the person that finally went to Fest in 2007 and inspired me to get off my tuchus and go there, and she’s just good people.  Starting last year, she’s been “living the dream” and spending 12 days in New Orleans for Fest.  We catch up, she tells me where she’s been, who she’s been seeing and how she’s doing.  We both grumble at the mediocre hip hop stuff that’s entered the Soul Rebels set.  I’m sorry y’all, I’m from New York and I take Hip Hop seriously, so I’m kinda tough on folks dropping random things in.  Y’all wouldn’t like it if Talib Kweli picked up a saxophone and started half ass-ing “Do Whatcha Wanna” either.  Glad to see KD but feeling like a different energy, we hug and part ways, and I head back to the Jazz and Heritage stage to catch 101 Runners.

101 Runner (Photo by Kaarin Tisue)

101 Runner (Photo by Kaarin Tisue)

MAN!  What a difference!  These guys are pouring it out there, goin nuts over “Shallow Water” and whipping the crowd into a frenzy.  I have to say, watching people discover this stage is a favorite of mine.  People don’t know what to make of the Mardi Gras Indians groups but they get into them pretty quickly with their incredibly funky grooves and their catchy call and response melodies.  Perfect.  Off to snag a Loretta’s Praline and get a decent spot for Elvis Costello at the Gentilly Stage.  Well, I didn’t head over soon enough, because I can hear strains of a killer version of “Hey, You’ve Got To Hide Your Love Away” wafting skyward as I approach.  The lawn is packed, no good spot for me.  I unfold the chair and grab a seat.

Elvis Costello @ Jazzfest 2010

Elvis Costello @ Jazzfest 2010

He’s performing some great stuff, and the local crowd has some real love for him as he’s been around the city post federal flood.  Does a few more great tunes I don’t know (I must confess to not knowing his catalog super well) and it’s great stuff… but for some reason, my soul is not there.  This is one thing that’s difficult to manage about Jazzfest- restless ears.  There’s so much good stuff happening at any one moment that it’s tough to stay in one place if you’re not feeling it.  So even though this was my first time seeing Elvis Costello, and even though he was great, and even though my friends reading this will probably smack me for saying this… I left Gentilly to end my day at another tent.

On my way to the main gate, I passed the Economy Hall tent, where there was a great tribute to Louis Prima happening, as part of the celebration of his 100th birthday.  One of Prima’s guitar players, Bobby Lonero, was leading a great band in a set of Prima classics.  Who could go wrong?  Great mash up of When You’re Smiling into Oh Marie, and then, when they asked the crowd for a request, everyone yelled for Just a Gigolo.  For those who don’t know, the David Lee Roth version was ripped off essentially note for note from Louis Prima’s arrangement.  Don’t believe me? Check this out:

John Popper @ Jazz Fet 2010

John Popper @ Jazz Fet 2010

Except Roth, the nice Jewish boy, leaves off my favorite part, when Prima is saying nobody/no one in multiple languages, including Yiddish at the end.  In any case, the band is doing a fantastic version of it, and while I know they’re doing a tribute, it’s putting a big smile on my face.  After they finish it, the band starts into “I’m Leaving You” Prima’s last song before he went into a coma and later passed, and not in a place to be down, I head towards the Blues tent where John Popper and the gents from Blues Traveler are closing out the day.  The harmonica work is great, and they launch into a great version of Sublime’s “What I Got” which is a great way to end the first day at the fairgrounds.  But, as you know from the previous post, this is not the end of the action, but merely half time, as it’s only 7pm and there will be music happening until sunrise tonight!

Upperline, NOLA

Upperline, NOLA

On the long walk to my rental car, I realize this is the only day I’ll be able to hit Upperline, an insanely delicious restaurant hidden between the garden district and the Tulane campus.  Not wanting to wait another year to have their insanely good Roast Duck with Garlic Port sauce, on a whim, I call to see if they have room for one.  If I can get there by 8pm, there’s a small table I can sneak into for an hour.  PERFECT!

The Monsters of Zydeco (nb, Mid City, y’all should really call it that next year) doesn’t start till 9ish, M’s flight lands at 10, delicious dinner, half hour of music, get M, 4 more hours of music.  Done!  I fly across town and, using my handy map (remember those, people? Who needs a GPS when you can read a freaking map!?!), and in 25 minutes, I go from Fairgrounds traffic to Upperline deliciousness.  As I sit down and order, I notice an African American gentleman heading towards the… holy crap, it’s DIESEL!  Karl Denson is playing a late show at Tipitina’s with his solo band, the Tiny Universe, and he apparently made time for one of New Orleans’ best restaurants as well. Yep, 2 out of 2 funky sax players agree, Upperline is the place to be.  I tuck in to my roast duck with praline pecan yams and, MAN, I am a happy camper.  Except when I look at my phone and find out that M’s flight, after first text that they were boarded and ready to go, is delayed.  NO!  Just so y’all know, M is my wife of 2 years, and one of the first things we’ve bonded over is Zydeco music.  Since the inception of the Monsters of Zydeco show in 08, I’ve been dying for her to get to Fest in time to see this show.  Sated and pleased with the meal but grumpy about the news, I make my way to Mid City Lanes.

Night Show review: Legends of Zydeco, Mid City Lanes, Thursday, 4/29.

Rock'N'Bowl, NOLA

Rock'N'Bowl, NOLA

I’ve been to the first two Monsters of Zydeco shows, and it’s pretty much all you could ask for in an all star show.  Four or Five of the very best artists in a style of music, playing full hour plus sets with their bands AND everyone is sitting in with each other as well.  Imagine four of your favorite rock bands getting together and doing something like that.  Awesome, right?  Except, this ACTUALLY happens at Rock’N’Bowl each year, unlike the all star concert in your head.

This show, as it was the last two years, is an absolute blast.  When you have Buckwheat Zydeco, CJ Chenier, Sunpie Barnes, Nathan Williams of Nathan and the Zydeco Cha Chas, and old school Zydeco legend Clayton Sampy rocking out together, with zydeco and blues guitar master L’il Buck Sinegal leading the band, you know it’s gonna be a good party.  Sunpie was serving as the MC of the evening and doing a great job introducing everyone.  It seems that in Zydeco, there’s a lot of love to go around with all the musicians involved, and it certainly comes to the forefront on a night like this.

This year, while players were moving in and out, it was mostly Buckwheat’s band that formed a house band, with L’il Buck at the helm, and man, were they on it.  The people were on it, too, as the floor filled up with swingers and two steppers the second Sampy got it started.  I’ve been in Pantera and Primus mosh pits, and I can tell you it gets a little dangerous on the dance floor at Zydeco night at the Rock’N’Bowl.  Sampy played some great French language old school classics and the people were really feeling it.

Next up, Nathan Williams took a turn and he mixed a little more English into the songs and things got a bit more contemporary, there was the start of the mix of classic Zydeco and R&B, with Nathan leading the band in a rousing cover of “Hey Hey Hey Hey!” Nathan also put on quite a show, getting down on his knees at the front of the stage (he came right over to me several times, which was awesome) and hopping off the stage to play in the crowd.  Want some Zydeco..take a listen…

CJ Chenier

CJ Chenier

The sets were a good hour or so, and the set breaks were pretty short as they kept rotating in players.  Next up was Sunpie, and I was psyched to see the man take a turn- he got a serious groove going the dance floor was a frenzy!  Too bad I wasn’t getting to frenzy, thanks to the fools that delayed M’s flight… but wait, the phone’s ringing!  Hooray! M’s landed, and after Sunpie’s second song ends, I sprint to the car to go get her.  She hops in and we drive right back to the show as quick as possible.  We missed the end of Sunpie’s set, but CJ Chenier is getting started, and man, that guy can play. But hell, they all can play.  And while the other leaders/bands are coming on, everyone else stays and listens, and takes their cher out on the dance floor.  M and I would bump into CJ later on the floor during Buckwheat’s set.  CJ is going bananas, as is the band and the rest of the place.  CJ plays a good hour, dropping Hot Tamale Baby on us, and M and I twirl around the dance floor while trying not to get elbowed or body checked by another dancing couple.

Buckwheat Zydeco

Buckwheat Zydeco

We hit the set break, grab a drink, sit by an empty bowling alley and relax for a minute.  I find out that M is a complete trooper, having been up till 2 packing, gotten up at 6 and is still standing now and waiting for Buckwheat to come out.  What can I say, the girl loves her some Zydeco.  And Buckwheat didn’t disappoint.  We were especially psyched to cheer when the introduction of Buckwheat was no longer just about his Grammy nominations, but as a Grammy Winner!  Buckwheat burns immediately into “Whatcha Gonna Do?” and the place is going crazy.  CJ is dancing with someone and has a huge grin on his face.  Sunpie is out dancing too.  It’s fantastic- everyone is dancing, smiling and having a ball.  It’s Jazz Fest.  As the show winds down to a close, John Blanchard, Mid City Lanes Owner, asks everyone to clear a path, and one of the bartenders does ten or so back flips in a row!  Insane!  As the band is packing up, Sunpie decides we haven’t gotten enough, so he gives us a little Lagniappe (something extra) by firing up his accordion and singing some more.  CJ Chenier sits down at the organ to join him but for the first couple of minutes there’s no power, which Sunpie found out the hard way when he said “you got it, CJ” to give him a solo, and CJ yells (no mic, but audibly) “got what, I ain’t got nothin!” but finally the power gets back on and a washboard player jumps on stage, and they gave us another half hour of music!

Again, this is exactly what you want your All Star shows to be like- everyone doin their own thing and also doing it together.  For nearly six hours.  Yeah You Right!

I drove us back to our buddy’s spot, quieted the very energetic dog and helped M into bed.  After considering joining LB at Tips for KDTU’s show, I decided Fest is a marathon and I have many late nights still to go, so I climbed into bed with my baby at 3am instead of going back out- though not before predicting to LB that Robert Walter would sit in with KDTU that night and asking her not to tell me about it till the next day.  With my sweetie in town, and her fam due in the next day, and the alarm clock going off in 6.5 hours, Friday is going to be a fun day…

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~ JAMCRUISE 9 ~

~ The Greatest Musical Adventure at sea goes on sale June 2nd, 2010 @ 12pm eastern~

Check out Jam Cruise 2011

I don’t know why, it’s the same reason why you like some music and you don’t like others. There’s something about it that you like. Ultimately I don’t find it’s in my best interests to try and analyze it, since it’s fundamentally emotional. ~ Jerry Garcia

The Line-Up:

Second Round Announcements:

Wish list:

Important Forum Posts:

Jam Cruise 9 Announces Ship, Dates, Ports & Lineup

Jam Cruise 9 Lineup

Ports of Call

Forum Frequently Asked Questions by 1st time Jam Cruisers

Unofficial Theme: Porno clowns

Official Thread for Unofficial Zebra Theme Night

M.E.A.T. (McTuff Earns a Turn)

The boat came by and I got on, that’s where it all began…..

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May 2010 Potential Show Run Down

(If there is ANYTHING that I have missed that must not be missed, please point it out. I add things constantly.)

May 1st, 2010:

  • ($38) Sharon Jones and The Dap-Kings @ Apollo Theater
  • ($30) David Knopfler of Dire Straits @ B.B. Kings
  • ($25) Sublime, Dirty Heads @ Roseland Ballroom
  • ($10) Brother Joscephus and the Love Revival Revolution Orchestra @ The Stephen Talkhouse
  • ($10) Trouble & Bass @ Santos Party House

May 2nd, 2010:

May 3rd, 2010:

May 4th, 2010:

  • ($35) Bill Frisell Trio w/ Eyvind Kang & Rudy Royston @ Village Vanguard
  • ($33) Corinne Bailey Rae @ Music Hall of Williamsburg
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note
  • (Free) Dred Scott Trio @ Rockwood Music Hall

May 5th, 2010:

  • ($35) Bill Frisell Trio w/ Eyvind Kang & Rudy Royston @ Village Vanguard
  • ($33) Corinne Bailey Rae @ Music Hall of Williamsburg
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note
  • ($25) Dierks Bentley featuring the Travelin McCourys @ Highline Ballroom
  • (Free) Mark Guiliana @ Rose Live Music
  • ($30) The Mick Taylor Band (Rolling Stones Guitarist) @ B.B. Kings
  • ($25) The Mingus Big Band (Charles Mingus) @ The Jazz Standard

May 6th, 2010:

  • ($35) Bill Frisell Trio w/ Eyvind Kang & Rudy Royston @ Village Vanguard
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note
  • ($43) A-Ha @ Nokia Theatre Times Square
  • ($25) Sia @ Terminal 5
  • (Free w/1 drink min) Mark Guiliana @ Rockwood Music Hall
  • (Free) Sonya Kitchell @ Rockwood Music Hall
  • (Free) Mark Guiliana w/ Jeff Taylor @ Rockwood Music Hall

May 7th, 2010:

  • ($35) Bill Frisell Trio w/ Eyvind Kang & Rudy Royston @ Village Vanguard
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note
  • (Sold out) Broken Social Scene, Fan Death @ Webster Hall
  • ($35) Steve Kimock (2 shows) @ The Stone
  • ($10) EOTO Featuring Michael Travis and Jason Hann from String Cheese Incident @ Brooklyn Bowl
  • ($10) BR & Timebomb @ Bar East
  • ($10) Drunken Pumpkin@ Crash Mansion
  • ($10) John Ellis and Double-Wide (featuring Derrek Phillips) @ Rose Live

May 8th, 2010:

May 9th, 2010:

  • ($35) Bill Frisell Trio w/ Eyvind Kang & Rudy Royston @ Village Vanguard
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note

May 10th, 2010:

  • ($22-$28) Aqualung & Krista Polvere @ City Winery

May 11th, 2010:

  • ($35) Bill Frisell Quartet: Hank Roberts-clo, Eyvind Kang-vln, Jenny Scheinman-vln @ Village Vanguard
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note
  • ($25) Aqua Teen Hunger Force Live @ Nokia Theater Times Square
  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • (Free) MGMT @ Late Show with David Letterman
  • Free Live Hilarious Comedy: SRSLY LOL @ Metropolitan Bar

May 12th, 2010:

May 13, 2010:

  • (Free) Sonya Kitchell @ Rockwood Music Hall
  • ($7) Afro Funky Party w/ Zongo Junction, Top Shotta & DJ Offbeat @ Cameo Gallery (Funk Live Meetup)
  • ($10) Todd Sickafoose, Jim Black, Jonathon Goldberger Trio @ Barbes
  • ($20) Orchard Lounge Residency + Jeff Bujak + D.V.S. + Higher Nebulae @ Club Love
  • ($35) Bill Frisell Quartet: Hank Roberts-clo, Eyvind Kang-vln, Jenny Scheinman-vln @ Village Vanguard
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note (With special guest Hubert Laws)

May 14th, 2010:

  • Wicked on Broadway
  • ($15) Todd Sickafoose’s Tiny Resistor’s @ 45 Bleeker, NYC
  • ($35) Bill Frisell Quartet: Hank Roberts-clo, Eyvind Kang-vln, Jenny Scheinman-vln @ Village Vanguard
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note
  • ($15) The Mother Hips @ Bowery Ballroom
  • ($??)Radiohead Tribute Band @ B.B. Kings
  • Free Live Hilarious Comedy: Triple Minority Report @ Comix

May 15th, 2010:

  • ($35) Bill Frisell Quartet: Hank Roberts-clo, Eyvind Kang-vln, Jenny Scheinman-vln @ Village Vanguard
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note
  • ($5) The London Souls @ Brooklyn Bowl
  • ($17) Donna The Buffalo @ Southpaw
  • ($45) Loudon Wainwright III @ Irvington Town Hall Theater
  • ($10) Soul Cycle @ The Blue Note

May 16th, 2010:

  • ($35) Bill Frisell Quartet: Hank Roberts-clo, Eyvind Kang-vln, Jenny Scheinman-vln @ Village Vanguard
  • ($40-$65) Chick Corea, Eddie Gomez, Paul Motian Further Explorations of Bill @ The Blue Note
  • ($??) Ikebe Shakedown @ Bembe (Funk Live Meetup)
  • ($20) Voices of the Big Easy feat. Henry Butler & Chuck Perkins @ Jazz Gallery

May 17th, 2010:

  • ($30) The Lovin’ Spoonful @ B.B. King Blues Club
  • ($25) The Mingus Big Band (Charles Mingus) @ The Jazz Standard

May 18th, 2010:

  • ($30) Joe Louis Walker, Watermelon Slim, Janiva Magness @ B.B. Kings
  • ($20 – $40) Raul Midon @ City Winery
  • (Free) Dred Scott Trio @ Rockwood Music Hall

May 19th, 2010:

  • ($16) The London Souls @ The Gramercy Theater
  • ($10) Apollo Sunshine @ Mercury Lounge

May 20th, 2010:

  • Sushioke #14
  • ($25-$45) The Proclaimers @ City Winery
  • (Free) Sonya Kitchell @ Rockwood Music Hall
  • ($80) Pearl Jam w/ Band of Horses @ Madison Square Garden
  • ($25) Dafnis Prieto Proverb Trio feat. Kokayi & Jason Lindner @ The Jazz Standard
  • ($15) ALO @ Brooklyn Bowl
  • Free Live Hilarious Comedy: The Tweet Spot: The Twitter Game Show

May 21st, 2010:

  • ($80) Pearl Jam w/ Band of Horses @ Madison Square Garden
  • ($40) Jefferson Starship @ B.B. Kings
  • (SOLD OUT) LCD Soundsystem @ Terminal 5
  • ($30) Dafnis Prieto Proverb Trio feat Kokayi & Jason Lindner @ The Jazz Standard

May 22nd, 2010:

  • (SOLD OUT) LCD Soundsystem @ Terminal 5
  • Adam Deitch @ Modern Drummer Festival – Montclair State University
  • ($10) Dig Deeper presents Bobby Patterson @ Southpaw
  • ($??) Brother Joscephus and the Love Revival Revolution Orchestra @ The Brooklyn Bowl (Funk Live Meetup)
  • ($17) Marco Benevento Trio @ Bowery Ballroom
  • ($10) Turbine @ Mercury Lounge

May 23rd, 2010:

  • ($35) LCD Soundsystem @ Terminal 5

May 24th, 2010:

  • Go find something 🙂

May 25th, 2010:

  • (Free) Dred Scott Trio @ Rockwood Music Hall
  • (Free) Live Hilarious Comedy: SRSLY LOL @ Metropolitan bar
  • ($8) The Six Figures (Louis Cato & James Casey) opening for The Brown / Hawk Syndicate w/ Drummers: Justin Brown & Dana Hawkins
  • ($??) Will Bernard, Trevor Dunn, Dan Weiss and Michael Blake @ Krozo
  • ($28 – $40) Imogen Heap @ The Hammerstein Ballroom
  • ($50-$75) Erykah Badu & Dj ?uestlove @ Roseland Ballroom

May 26th, 2010:

  • ($50) Bettye LaVette @ Highline Ballroom
  • ($32) The Yardbirds @ B.B. Kings
  • ($33) Coheed and Cambria @ Summer Stage

May 27th, 2010:

May 28th, 2010:

May 29th, 2010:

  • (Free) West African Band @ St. Nicks, Harlem
  • ($5) Chico Mann w/ Midnight Magic @ Brooklyn Bowl
  • ($45- $95) GLEE Concert @ Radio City Music Hall (oh yeah, you read this right) (3pm & 8pm)
  • ($30) Tribute to Ray Charles & Frank Sinatra @ B.B. Kings

May 30th, 2010:

  • ($45- $95) GLEE Concert @ Radio City Music Hall (oh yeah, you read this right) (3pm & 8pm)

May 31st, 2010:

  • ($35) The Coup @ Rocks Off Cruise (Funk Live Meetup)

    Nublu's May 2010 Schedule

    Nublu's May 2010 Schedule - Click for bigger image!

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