Feeds:
Posts
Comments

Archive for the ‘Music’ Category

The Flaming Lips @ Central Park’s Summerstage (07.26.10)

Central Park's Summerstage

Central Park's Summerstage

Miracled once again.  This was a special miracle for me.  The Flaming Lips were announced earlier in the year and I completely geeked out because it was on Parks land.  This meant that I was on my home turf and could play freely 🙂  However, then I realized I couldn’t go because I had a prior family engagement.  It was rumored that the first set was going to be pulls from The Flaming Lips catalog while the second set was going to be a Dark Side of the Moon cover.  Oh man.  By the time I realized I would be able to go, the show had been sold out for weeks.  The, the week before the show, my friend Justin wrote me and asked me if I might be interested and the rest is history.  I WAS SO HAPPY!!!…for the most part.

Oneida Promo Shot

Oneida Promo Shot

Oneida

Kid Millions – drums, vocals
Bobby Matador – organ, guitar, vocals
Baby Hanoi Jane – guitar, bass
Showtime – guitar
“Snaps” London –  synths, organ, effects

We arrived in the middle of the opening band, Oneida.  Dear God, my ears…that is all I was thinking. I was not alone as I noticed around me, similar scrunched faces of those with confused and hurting ears.  It wasn’t until about the third song that they finally caught my ear.  However, in the end I truly disliked whatever it was they were doing on that stage.  After a little research, it appears NOISE ROCK is their forte. Seriously, so out of control…noise is a perfect description.

Their last song was decent, going out on a lesser then decent note, but ultimately like rock annoyance. I ask you, who picks these bands?  WHY was this band picked?  Did they win some NYC based-contest? Did they pick the short straw?  Seriously…

Now on to real music…well, barely.

Central Park's Summerstage

Central Park's Summerstage

The Flaming Lips

Wayne Coyne – Guitar, Vocals
Steven Drozd – Guitar
Michael Ivins – Bass
Kliph Scurlock – Drums

"Birthing out" each member of band

"Birthing out" each member of band

The Flaming Lips went on around 9pm.  The stage was decorated with a giant half-moon screen in the background of the stage behind the band set-up. When the images finally started shooting across the giant screen, there were various cartoon images, newspaper headlines and then mainly warlike images.  Eventually the images morphed into an image of a psychedelic lady dancing in a sea of background blue.  With trippy chanting in the background combined with ethereal measures, the dancing female image wiggled around the screen, the screen sporadically zooming in and out of her lower body.  Eventually, you could see a spot light up between the dancers legs. The light grew brighter and the screen zoomed closer to the spot between her legs until she was on her back, legs spread….light bright…the members were birthed onto the stage…….and…well

Wayne Coyne, what a beautiful weirdo.  From there, Wayne jumped into a giant plastic bubble ball, the music playing as it filled with air.  And then He bubble surfed the crowd.  I had heard of this bubble surfing act, thinking that our audience tonight would be neither tight nor large enough…I was wrong.  On his first attempt, nothing happened.  We were all too slow and he had to walk back to the stage, gesturing with his hands what he needed to make this stunt work.  He needed his audience.

Slava's Snow Show

Slava's Snow Show

Ok, now feel free to explain that insanity in words. All I can say is that we were birthed onto the stage. Unreal.  At this point all I can think about is Slava’s Snow Show.  That this was some kind of sick extension of Cirque du Soleil.

After everyone was birthed out and the balls were done rolling, Wayne spoke:

“Thank you for coming.  This is the f*#king best night of the summer.  It’s wonderful how the universe is cooperating.  We are all together.  It’s as if we we’re all the womb together…back together again.  Come on, come with me. Come on, come on….”

The Flaming Lips @ Summerstage

The Flaming Lips @ Summerstage

And he jumped around the stage as chaos occurred with flashing lights, explosive streamers, pounding drums and raging guitar.  There were tons of young dancers (not really sure of their purpose) flanking the band. This entire thing was just one rock opera from beginning to end.  Immediately, I realized I was in for a spectacle, not a performance. Ok, well, once I wrapped my head around that, I immediately embraced the show for what it was.

The Flaming Lips @ Summerstage

The Flaming Lips @ Summerstage

By Silver Trembling Hands, the entire band had finally taken thier place on stage.  There was yelling by Wayne Coyne, a huge drummer rage by Kliph Scurlock.  There were streamers flowing from the stage lighting, the turf ground was covered in confetti and the energy was high.

When She Uses Jelly came on the crowd went wild. If you know nothing about The Flaming Lips, you should at least recognize this song.  This is not a great song, it’s actually kinda lame, but it’s nostalgic as all hell.

Before they went into The Yeah Yeah Yeah Song, Wayne spoke again about being “pissed off about Bush…our Previous president, GWB.” The crowd booed and hissed

“You know, we write about things that pissed us off. Attempt to come up with a conclusion.  And so we write and we hope to change the world, we hope to change you, we hope to change each other…if only for a moment.  And if only for that moment, we feel less helpless.”

Wayne of The Flaming Lips

Wayne of The Flaming Lips

And the Yeah Yeah Yeah’s led the way with visions of mouths and bubble words coming out of them on the screen behind the band.  This song had me dancing at times after the Yeah Yeahs stopped and they would actually play some music. And again with the cute lyrics attempting to make a statement, evoke thought:

If you could blow up the world with the flick of a switch / Would you do it? / If you could make everybody poor just so you could be rich / Would you do it? / If you could watch everybody work while you just lay on your back / Would you do it? / If you could take all the love without giving any back / Would you do it? / And so we cannot know ourselves or what we’d really do…

Raged!!

Raged Stage!!

Steven Drozd @ Summerstage

Steven Drozd @ Summerstage

Clapping commenced and there was major rage.  Just so many bells and whistles that I truly can’t comment on the music.  The music was just there, creating a backdrop for this spectacular fiasco of crazy.

There were now images of breakfast food on the screen.  My stomach started to hurt so I decided to walk around.  I made my way towards the bathrooms but not before making my way up front to check out the scene. It was actually kind of tough to get up there. I only wanted a few pictures and to check out the feel for the front.

Side stage dancers...

Side stage dancers...

Kliph Scurlock

Kliph Scurlock

When I arrived to the railing, it was covered in YOUNG teenage kids, dressed up in costumes, more like prom dresses, and wigs. They were completely BLISSED OUT.  Then I noticed the stage was covered with 20-somethings dancing like the music was flowing through them like Ecstasy.

You know, who cares what I think…that is what this group showed me.  It’s like church, who cares if not everyone understands the concept.  The power of the group had me radiating happiness and the group truly does touch people with these nutty antics.

The Flaming Lips @ Summerstage

The Flaming Lips @ Summerstage

This group really touches its audience and die-hard Lip fans come from a specific strain of blissed-out hippies. Wayne continued to engage the audience:

“You know when a dream is so good, that when you wake up…your life is not as good as your dream.  And you wish you could just live forever…”

View from back right corner...

View from back right corner...

More stage dancers....

More stage dancers....

He had lost me but the deep bass caught my ear and The Morning of the Musicians rang across the park.  For I Can Be  a Frog, there was a call and response beginning. Wayne explained the directions to the audience by telling us that whatever he sang, we were to emulate in sound in response.  If he said “Cow”, we had to “Moo.”  If he said “Dog, we had to “Woof.”  This was pure sillyness.  I heard lion’s “Rawrs”, and cat’s “Howls.”  When he said Helicopter, then it got a little silly. People made all kinds of sounds. I again got distracted by the audience.

I decided I had had enough of this show.  It was nothing against the Lips. I loved their energy and that was one of the most interesting shows I had ever seen.  However, I am not genuinely intrigued by these kind of performances for very long.  As well, it didn’t help that it was a Tuesday night and as much as I wanted to, I couldn’t digest the energy being thrown at me and thrive off it.  I knew I had to go to bed soon and didn’t want to get all roweled up.  There was so much going on, it made me tired.   I thought I was going to hear some raging rock music.   Instead, I was distracted by all the other layers of fun times they were throwing at me.

INSANITY during Flaming Lips

INSANITY during Flaming Lips

I left the concert only a few songs before the end.  There was no Dark Side of the Moon performance and I was very thankful for that the following day as that was the only regret I had from leaving early. I thought later, perhaps they were going to show off their musical abilities by focusing on only the music during the second set but that never happened.  I had a fun night but I wouldn’t pay $50 to see these guys.  Look forward to seeing them in a festival setting one day though….

Setlist: The Fear, Worm Mountain, Silver Trembling Hands, She Don’t Use Jelly, The Yeah Yeah Yeah Song, The Sparrow Looks Up At The Machine, In The Morning of the Magicians, I Can Be A Frog, Yoshimi Battles the Pink Robots, Pt. 1, See The Leaves, Pompeii Am Gotterdammerung, Taps, The W.A.N.D.

Encore: Do You Realize??

Read Full Post »

Arrested Development @ B.B. Kings

Arrested Development @ B.B. Kings

Arrested Development @ B.B. Kings (07.27.10)

Speech – Lead vocals
JJ Boogie – Guitar
Montsho Eshe – Vocals and dance
1 Love – Vocals and DJ
Rasadon (aka Don Norris)– Drums
Tasha Larae – Lead Vocals
‘Za – Bassist

Arrested Development Promo shot

Arrested Development Promo shot

There are shows you attend because you want to see remarkable musicians manipulate their instruments and bring innovation and something new to the musical tables. Then there are shows one goes to see to be slammed against the wall with nostalgia. You already know every note, every lyrics and you just want to hear everything familiar.  Tonight, I would be seeing Arrested Development perform at B.B. King’s Blues Club & Grill in Times Square.  Tonight…it was  all about nostalgic progressive hippie-rap.

Buy Storm! Out Now!

Buy Storm! Out Now!

Touring mainly over seas since  getting back together in 2000, Arrested Development hasn’t been in our neck of the words for some time.  However, it didn’t take them long to make their second rounds on the American musical community.  With the release of their new album, Strong, and holding top-10 positions on International music charts, they are proving that a positive message, no matter when delivered, is relevant at any age!

Speech of Arrested Development @ B.B. Kings

Speech of Arrested Development @ B.B. Kings

Their albums speak of political issues, ethical dilemmas, they celebrate feminism and masculinity and project mounting peace and love in an overwhelming society fueled by negativity.  My Arrested Development albums were literally some of the first Cds (other then my Grateful Dead Cds) to be played out.  Arrested Development was also my first introduction to hip-hop.  I was immediately listening to beats that I normally would not have been hearing had I only listened to my Grateful Dead or Allman Brothers Band cds.  This was all around 1993 when I was 13 years old so….I heard them, listened to them, and started researching their influences.  I remember being very shocked at the contrast in gansta rap bein’ spit by Dr. Dre vs. the positive lecturing by Speech in the Arrested Development tracks.

One Love of Arrested Development @ B.B. Kings

One Love of Arrested Development @ B.B. Kings

We walked in during We Rad, We Doin’ It. A harmonic, danceable song with the messages of Peace and Love, with sections of One Love inserting his DJ rapping intelligence in the middle.  With a tambourine and a hard rock guitar throughout, Speech gave us the message: “I Get Up / I Keep Going / I Get Over It.” One song in and the stage was already bouncing and the dance floor was already bumpin’.

Montsho Eshe of Arrested Development @ B.B. Kings

Montsho Eshe of Arressted Development @ B.B. Kings

And right into what might be my new favorite Arrested Development tune.  The World is Changing. SO HAPPY, motivationally charged in the music, I couldn’t help but just dance all over the front row with the audience.  The members on stage were just as energized.  I was lucky enough to be in standing in front of Montsho Eshe. Upon her introduction, Speech mentioned that she had been with the group since she was 13 years old.  AND HOLY CRAP!  That woman has some dancing raging energy.  With someone dancing in front of you like that, and the bass pumping like that, do you blame me for not taking notes or good videos? See…..

Rasadon of AD @ B.B. Kings

Rasadon of AD @ B.B. Kings

One of the things I noticed immediately was that the front row was filled with drunk young faces.  With my research showing that the average audience age for Arrested Development being in the 21-25, it is clear that they have been rediscovered by the younger generation as I was in my teenage years when they were influencing my life back in the 90’s.  That stat was CLEARLY reflected in the drunk (possibly 21??) sloppies who were falling into themselves, other audience members, the stage and trying with all their might to touch their idols hands and feet.  Luckily, I had an unlucky buffer by way of a 6’2 African American woman who was clearly trying to remain calm and enjoy her show while remaining upright from being drunkenly danced into.  I felt bad for her but happy that they were not bumping into me.

Arrested Development @ B.B. Kings

Arrested Development @ B.B. Kings

JJ Boogie of AD @ B.B. Kings

JJ Boogie of AD @ B.B. Kings

The vibrantly dressed group proceeded to play all the wonderful nostalgic tunes I came to see:  Tennessee, Mr Wendal,  People Everyday. The audience continued to shout out the names of these songs until they were played.  From their new album, Strong, they performed We Rad, We Doin’ It, LA LA LA, The World is Changing, Bloody and Haters.

LA LA LA is a more sexy, soulful, loungy songs in the repertoire that incorporates some really great voice manipulations, Afrocentric beats and Speech spittin’ his lyrics.  Bloody gave us a more deep, heavy, reggea-ish vibe fueled by issues of genocide and the deconstruction of souls.   It sounded like a song to march into battle with…Militaristic for a reason, with it’s politically charged lyrics.  I suppose I hit the nail on the head as I have just found the video and see it playing out my description…check out the video…what a message:

The strongly spiritually charged Tennessee, Mr. Wendal and Everyday People just BROUGHT DOWN THE HOUSE.  I was thrown back into high school dances and the entire night was exactly what I wanted and expected.  They presented us with a ton of their new material but also balanced their set list with all the songs that brought us to the stage that night in the first place. If you ever enjoyed their music, check them out.

Arrested Development Tour Dates

Proposed Set list from stage list: Rock Intro, We Rad We Doin’ It, Motivational, LA La La, World is Changing, Fishin’ For Religion, Dawn Of Dreads, Bloody, Easy My Mind, Africa’s Inside Me, Tennessee, Wet Your Voice, Haters, Inner City, Mr. Wendal, Freestyle, I Got the Feelin’, Honeymoon Day, Raining Rev, Redemption, Miracles, I’m Bad, Mama’s, People Everday.

Actual Set list: Rock Intro, We Rad We Doin’ It, The World Is Changing, Fishin’ For Religion, Dawn of Dreads, Bloody, Ease Mind, Africa’s Inside Me, Tennessee,  Wet Your Voice, Haters, Mr. Wendal, Freestyle Drummer rage, Inner City,  Redemption, Mama’s, Everyday People.

Arrested Development YouTube Channel

This slideshow requires JavaScript.

Read Full Post »

Billy Iuso and the Restless Natives @ Sullivan Hall (08.06.10)

Billy Iuso and the Restless Natives @ Sullivan Hall

Billy Iuso and the Restless Natives @ Sullivan Hall (Photo by Allison Murphy)

Billy Iuso and the Restless Natives

Billy Iuso – General Madness
Thomas McDonald – Bass, vocals
Mike Burkart– Keys, vocals
Spencer Raymond – Drums

Special Guest: Jaik Miller

Another night at Sullivan Hall.  A new night of music.  Tonight, I was prepared to check out Billy Iuso and The Restless Natives, who hit Manhattan hard, opening up for Eric Krasno’s Chapter 2.

I had heard good things about this New Orleans based rock/funk/jam band.  I was also excited to have the opportunity to check out one of the bands competing for a spot on Jam Cruise through the Vote to the Boat Competition taking place on Facebook. Finally, I had been slated to review the show for Jam Base but there seems to be some new motivations behind the Show Review section and so, here we are!

Before the show started, I was hanging out with some cats in the band before I even realized. “Hey Karen!” shouted  fellow New Yorker Spencer Raymond from across the street.  Spencer would be filling in on drums for Bryan Besse who was other wise engaged back in New Orleans.  He and I chatted for a while before I was introduced to Thomas McDonald, the bass-playing Native.  We raged together outside for a bit.  It came to my attention that this was the first time the drummer and the bass player had met, let alone played together.  We laughed about that and I immediately thought, “This is going to be interesting. I hope it sounds tight.” At some point I had ran into Billy Iuso himself, hugged it out and he thanked me for coming.  And then it was time for the boys to get to making some music.

Billy Iuso and the Restless Natives @ Sullivan Hall (Photo by Allison Murphy)

Billy Iuso and the Restless Natives @ Sullivan Hall (Photo by Allison Murphy)

Billy Iuso @ Sullivan Hall

Billy Iuso @ Sullivan Hall

Hitting the stage around 10:15 pm, Billy Iuso and his Restless Natives dove right.  Blending rock and funk with tons of energy and smiles.  Within minutes, the rock/funk hybrid of sound came out and the first song had Billy ripping his guitar across the stand of his microphone for effect, jumping, bouncing…energy.  New Orleans funky-rock. I am really starting to dig the rock-n-roll I am finding in New Orleans.  I am only just now discovering it.  Having just seen The Radiators for the first time a few weeks ago at Gathering of the Vibes, I have been researching more rock based bands out of NOLA.

The Natives brought some fun layers to their music by way of  Thomas McDonald skating over his bass solo during The Meter’s Love Slip Up On Ya.   Sporting a “WHO DAT” shirt, Tom thumped away on his bass proud and loud throughout the night.  As he counted off into Two Deep In Shallows, the energy just got higher with all the members coming together to form a cohesive little stage rage for the rest of their short set.

Mike Burkart @ Sullivan Hall

Mike Burkart @ Sullivan Hall

Mike Burkart stood out on the key for Oh, I See. Funky! Funky!  A strummy rocky number that also showcases Billy‘s skills.  They covered The Talking HeadsOnce in a Lifetime. It took me a minute to recognize the song.  But then it took me even longer to warm up to their styling of it. Perhaps is was how they slowed it down, perhaps the fact that it was missing a little something to give it that kick jump into rage town. Oh well…

Trippin Over Dragons had Billy inviting Jaik Mille to join the stage.  A trippy space jam infused with rock and just good feelings.  A great dancing song with funky keys and lyrics.  Billy’s singing voice was on point and smooth.  We got a fun keys solo from Mike Burkart towards the end of the song. But not before a jamming guitar solo from Billy.  I truly love his energy.  Not every guitar player can be the greatest player but every guitar player can be fun to watch if they feel their own music.  Billy is a great guitar player but he would get lost in his instrument and I loved seeing that in him.  I certainly am not the only one as they are currently third in line for Vote to the Boat.

Billy Iuso and the Restless Natives @ Sullivan Hall

Billy Iuso and the Restless Natives @ Sullivan Hall

I moved to the raised floor section, giving me more of a bird’s eye view of the stage.  I cheered with the rest of the crowd and began dancing as I heard the opening of Don’t Let Go.  Billy was paying homage to the death of Jerry Garcia and that alone garnered a star in my book.  I enjoyed the cover as I danced next to a happy adorable white-haired man who leans over to me and says:  THAT’S MY SON,” with a beaming proud face.    He pointed out  “This is my favorite song.”  Billy’s father and I danced side by side for the remainder of the song.  Such a proud father!

Billy Iuso and the Restless Natives @ Sullivan Hall (Photo by Allison Murphy)

Billy Iuso and the Restless Natives @ Sullivan Hall (Photo by Allison Murphy)

Later I would find out that Spencer and Billy were members of Brides of Jesus, a band created back in 1992 that has listed Ian Neville, Russle Batiste and other funky musicians as members.  Before this night, Spencer and Billy hadn’t played together in 15 years.  You know,  you never would have know it.  For not having rehearsed before the gig, it went beyond well. All in all it was a great night of funky NOLA rock.  Some good jams pulled out front and the spaces were filled with danceable notes from beginning to end.

I can’t tell you who I am going to vote for, but I can tell you with all certainty, that if Billy Iuso gets voted on the boat, he will deliver some good fun music.  And that is what it’s all about.   I looked forward to my second round of seeing them at Bear Creek Arts and Music Festival in the fall.

Set list!: Love Slip Up On Ya, Oh I See, Two Deep In Shallows, Trippin Over Dragons, Once In a Lifetime, Don’t Let Go, Big Chief

Special Thanks to http://www.ruthrocks.com/ for photography

Check out http://www.billyiuso.com/

Read Full Post »

Furthur @ Nokia Theatre Times Square (07.28.10)

I   Miss Jerry!!

I Miss Jerry!!

I remember fighting and arguing and causing major melt downs in my house when my parents refused to let me go see The Grateful Dead shows when Jerry Garcia was alive.  I never understood my obsessive draw to The Grateful Dead and Jerry Garcia, nor did I understand why my parents refused to let me see them Live.  I specifically recall my father asking me one day, “Why do you like all these musicians who died of some kind of overdose?”  I just stared at him blankly as framed pictures of Janis and Jerry and Bonham stared back at me from my bedroom walls.

I don’t have to describe the feelings we all get when we listen to Jerry…his music, his lyrics, his sound.  The shine we feel when we see his smiling picture.  Such a tragic loss who had a giant impact on human nature and music.  A worldly symbol of peace and love. Strike me down with lightening and hellfire but personally, Jerry has been my religion since I was 12 years old and discovered American Beauty. To this day Ripple and Attics of My Life are in my top five favorite GD tunes.  Music = God.

I Love you Jerry!

I Love you Jerry!

I remember exactly where I was when I found out he had passed away.  I was 15, climbing Seneca Rocks in West Virginia and remember being devastated.  This was the only guitar player I had ever wanted to see Live.  Even now, I don’t itch for a musician the way I itched to see him before he died.    He’s always held that place in my heart as my favorite guitar player and Derek Trucks follows right behind. To this day,  I equate the fact that I am fully addicted to Live music and seeing my favorite musicians religiously because one day these talented guys will be gone.  Some girls have Daddy issues, I have Jerry issues.

Nokia Times Square sign :)

Nokia Times Square sign 🙂

So anyway, Futhur to me is not The Grateful Dead.  Once Jerry died, I lost interest in really seeing The Dead.  It’s not the same.  It never will be.  Fake Jerry is the most dedicated Jerry clone ever but still…he ain’t no Jerry. And so, I only saw my first Futhur show at Coney Island a few weeks ago and here I was at Nokia Theatre in Times Square to see them for the second time.  It wasn’t a bad show but it wasn’t great either.

The chaotic scene before the show!

The chaotic scene before the show!

As we approached the blocks surrounding the theater, the sidewalks became thick with Deadheads and other hippe folk…and all hunting for tickets.  Oddly, I never saw anyone selling a single ticket.  Just lots of fingers up in the air.  I didn’t have a ticket till earlier that day.  Might I suggest ALWAYS ALWAYS ALWAYS checking Craigslist for your ticket.  They are almost always offered at face value or under face.  Certainly not in this case, as people were willing to pay HUNDREDS for tonight’s tickets.  I was miracled again so that was nice.

The scene out front of Nokia was rather gross.  Wooks were everywhere, many with their dogs.  To me this just seemed ridiculous.  Dreaded wookies and their pit-bulls.  WTF? This was Times Square and it was just awkward and menacing.  I know they are nice dogs, but in masses smashed into Times Square, you never know if one of them is going to snap or feel uncomfortable.  I was feeling uncomfortable under the cramped, stinky, wooked-out circumstances and I wanted to bite people….shoot.

Eagerly waiting to be played...

Eagerly waiting to be played...

For the first set,  I had spectacular views of Bobby and Phil.  So yummy.  I had maneuvered my way up to the railing on the raised platform directly to the right of the stage.  Perfect view.  The only negative being that I couldn’t see anyone to Bobby’s right.  I couldn’t see Fake Jerry, the backup singers, and I could barely see Joe.  I’d deal with this later, I just wanted to dance right now.  I got terribly excited right before the show.  I again questioned myself as to why I had waited this long to come hear my favorite music and songs played live.  I should have been more loyal to Jerry’s legacy with the passion I had for his music.  Alas….

Let's get this party started...

Let's get this party started...

Futhur consists of:

Phil Lesh – Bass
Bob Weir – Rhythm Guitar
Joe Russo – Drums
Jeff Chimenti – Keys, Organ
John Kadlecik – Guitar

They started the first set with Shakedown Street and Bown Eyed Woman. It sounded good overall but still kind of like they were warming up.  I didn’t think anything of it. I was setteling into my show groove as well.  John Kadlecik immediately brought it out on the guitar. Bobby was alert and throwing signals all over the stage. Singing was on point and the audience joined in on every word.  Bob started forgetting the lyrics during Brown Eyed Woman.

Phil and Bobby @ Nokia

Phil and Bobby @ Nokia

So, we are three songs in and I am dancing with my eyes closed to the beginning of El Paso.  It’s clear something is going on on stage, as Bobby disappeared from my ears all together.  As I look on stage, his strumming had softly slowed, his swaying slowly stopped and it was as if he was passing out while standing up for just a few seconds.  Pure black out stance.  And IMMEDIATELY he would come back to us and get back into the song.  It was weird and I was standing in a position to take in every single moment.  I turned to my friends screaming, “Do you see this?”  But they had been talking.

Phil and Bobby @ Nokia Theater

Phil and Bobby @ Nokia Theater

Attempting to start El Paso again, it happens again.  Bobby zones completely out.  Fazing back in, Phil is looking at Bobby with a very confused look.  That look in particular made me nervous and I turned around, shouting at my friends again, “DO YOU SEE THIS?” Still talking, they hadn’t.  Later, it registered with them why I was in such a weird freak out mood with a worried look on my face.  In the moment, they were so confused.  A few minutes in & Bobby approaches the mic saying “I am going to try this again.”  And he did try it again.  They got through the song but without any lyrics. It didn’t suck, it wasn’t particularly great and almost completely instrumental.  That is the thing about live music, you never know what your going to get 🙂

Crazy Hippies :)

Crazy Hippies 🙂

Apparently, there was a ton of fighting was occurring outside.  As I went to the ladies room  there were numerous security guards discussing the occurrences that were taking place outside.  I just heard them say there were tons of fights and kept walking.   The scene inside was just as hectic but in a more fun way.  There were colorful characters walking the hall ways and dancing in the isles.  The over ragers had found spots along the walls to gather themselves.  Security was everywhere.  It was much more intense then I am used to for other shows.

Furthur @ Nokia Theater

Furthur @ Nokia Theater

By the time we were given Bertha, Bobby was back on his toes.  How strange that he fazed out for such a short time.  If he was dosed, as it was rumored, it would have lasted much longer then just those few minutes, right? The Ambian theory is good too but he would have passed completely out, right? Even though he didn’t appear drunk, that will be the theory I am sticking with.  They ended the set with a HYPED UP Good Lovin’, bringing the heat and gaining a huge cheer from the audience at the end. Phil was clearly upset as he walked off stage.  All I could think about was what was about to take place behind the scenes during set break!  Oh, to be a fly on the wall back there.

Furthur @ Nokia Theater

Furthur @ Nokia Theater

Seeing Joe Russo up there behind the drums was unreal.  How wonderful for him.  How wonderful for us. I am a big Joe Russo fan.  He is a New Yorker and one half of the Benevento-Russo Duo.  He is obscure and off the handle when he plays and plays around here often.  He is an innovator with energy and I thoroughly enjoyed his sound behind Bobby and Phil.

(Check out a Free rare performance of A BIG YES and a small no (A Joe Russo Project) @ Lakeside Lounge on August 19th.)

Furthur @ Nokia Theater

Furthur @ Nokia Theater

Because of my lacking view from my pretty great location, I chose to move for the second set.  Some friends of ours had gotten some great seats in the middle behind the soundboard so for the second set, that is where I spent most of my time, taking off to the stairs from time to time to catch closer shoots of the stage.

View from the stairs - mid floor

View from the stairs - mid floor

The second set started off much better with Music Never Stopped.  Bobby had apparently gotten over what was bothering him and he was extremely coherent.  Phil was in good spirits and they got the dance party started immediately.  Overall the second set was very good.  Some great jams.

Furthur @ Nokia Theater

Furthur @ Nokia Theater

They covered Ryan Adam’s “Bartering Lines” half way through the set.  Phil really let us have it with his bass on this one.  Great song.  The back up singers were soulful and when I finally recognized them in my head, I wondered why they didn’t pick up the slack on El Paso?  Hmmmm?  LOL……

Closing the second set with I Know You Rider, everyone sang along and danced.  The lyrics: Gonna miss me when I’m gone resonated with me as I stared at the stage and missed Jerry.  As I type this, I feel it must look and sound rather strange. There is such a deep emotional and nostalgic pull to that man, that even though I have never met him, never seen him live, it’s as if I have known him forever through his music.  So, I miss this ghost of a man who left his soul on earth through his music.

Furthur @ Nokia Theater

Furthur @ Nokia Theater

I was actually pretty nervous that they might not come out for an encore considering what had transpired with Bobby earlier in the show.  But, I was worried for nothing.  They played Phil’s Donor Rap and capped off the night with Uncle John’s Band. Always a crowd pleaser.

Furthur @ Nokia Theatre

Furthur @ Nokia Theatre

At the end of the show, Phil went up to Bobby and gave him a huge hug.  The audience went crazy for a good long while.  How wonderful. Love in Jerry’s spirit.  There must have been some kind of explanation that had been realized behind the scene during set break.

As the venue empties....

As the venue empties....

They pulled off a good show. I remember being happy and confused at the same time as I left the venue, overhearing all the buzz about what had occurred in the first set.  We hung outside for some time and meet up with tour buddies who spent the concert looking for tickets.  Everyone wanted to know what we saw.  The dogs and wooks were still behaving and I saw no evidence of fights.  Again, I thought that I had worried for nothing.  It was a splendid night but I still knew it was nothing without Jerry.  I look forward to meeting him in the afterlife. We are going to RAGE HEAVEN and HELL into the ground!!!

Furthur
Wed. July 28, 2010
Nokia Theatre Times Square
New York, NY

Set 1: Shakedown Street >, Brown Eyed Women, El Paso (2x 1st verse, instrumental)>, Dire Wolf, Row Jimmy, I Need a Miracle >, Bertha >, Good Lovin’

Set II: Music Never Stopped, Colors of the Rain>, Cassidy, Cold Rain and Snow, Bartering Lines, Space, Born Cross-eyed, Stella Blue, I Know You Rider

Encore: Donor Rap & Uncle John’s Band

Download: Furthur @ The Nokia Theatre Times Square (07.28.10)

Read Full Post »

It was pouring rain all day.  Working for the New York City Department of Parks and Recreation, my office is situated near the Special Events office whose phones were ringing off the hook from patrons wondering if the evening’s New York Philharmonic perfromance had been canceled.  “We are on the phone with the National Weather Service but it won’t be called until the last minute.”

Having been raised on Broadway, Jazz, and Classical music, I fall into these events easily and willingly. Tonight we were getting a wonderful treat in the history of music and the New York Philharmonic (NYP).  Branford Marsalis, a Louisiana saxophonist, would be making his New York Philharmonic debut.  Seriously, this was a ridiculous treat.

The happenings behind NY Phil stage...

The happenings behind NY Phil stage...

Loving my Parkie perks, we entered in through the back of the stage area.  It’s fun to see the happenings behind the stage before the performances. Musicians are stuffing their faces with food, sipping on drinks and mingling while they mess with their instruments.

View of side stage...walking in

View of side stage...walking in

My tribe of 14 had dwindled to 7 as the rainy day progressed.  Honestly, I had my own doubts on how the night would turn out but I was trying to stay positive. However, just like the previous night, the rain stopped around 3pm and the 55-acre center of Central Park, called The Great Lawn, was littered with people who knew a little water was worth what we might get to experience.

Our seats...with view of Great Lawn behind

Our seats...with view of Great Lawn behind

Parkies get wonderful accommodations for Central Park performances.  Where as all other patrons in the park must get there insanely early to beat the 30,000 other people expected to occupy the lawn that night, Parkies get special seating in chairs while the New York Phil guests get even closer seats.  We also get the option of having  plenty of space to lay out blankets and have a picnic style lounge for the evening.  There were so many free seats that we took over an edge of seats and placed the blanket along side. A few laid down on the grass while the rest of us utilized the seats.

View from our seats of Stage

View from our seats of Stage

A long time New Yorker and my guest for that evening explained to me how in the past he would arrived early in the morning and leaves his blankets and bikes in the spot he wanted to reserve only to come back hours later to occupy his spot.  Apparently, no one ever messed with his belongings. I am glad I didn’t have to take those kind of risks.  My advice is to do just that if you do not have an “in” for these performances.

Where there is normally 61,000 there was only 20,000

Where there is normally 30,000 there was only 11,000

Right before the show began, a NYP staff member came around to the Parks attendees and told us that the they would love for us to move forward to use their seating as so many people had not shown. We decided we were close enough and didn’t move.

Check out this video of the musicians preparing for a night of gorgeous music!

The concert was conducted by Andrey Boreyko, a Russian conductor, and featured the following pieces:

Anatoly Lyadov‘s “Baba-Yaga”

Alexander Glazunov‘s “Concerto for Alto Saxophone”

Erwin Schuhoff‘s “Hot Sonate for Alto Saxophone and Orchestra”

Selections from Sergei Profokiev‘s Romeo & Juliet

Encore: Disney’s Sleeping Beauty Medley

I am not going to break this night up by song.  I totally just sat back and enjoyed myself choosing only to recall whatever ends up in this article.  When it comes to Classical music, I just want to sink into it.  I don’t want to think about writing or taking pictures.  In fact, I don’t think I took a single picture with my camera, these are all from my Droid.

The first half of the program consisted of the first three pieces with Marsalis coming out on the second. Marsalis was spectacular, blowing his alto saxophone with technical perfection.  These songs were rather obscure and I didn’t know them.  It was nice to hear Russian interpretations though.  The only piece that wasn’t Russian was Schuhoff‘s.

Walked into the Park for a nice set break :)

Walked into the Park for a nice set break 🙂

My good friend, and constant Philharmonic companion, James M., made a nice little video recap of the evening.  The classical music starts somewhere in the middle and the fireworks display is great! (He had a rough time getting the music to play on other outlets so enjoy Alicia Keys dubbed over for a bit in the beginning!)

The ambiance alone is worth going.    There was gorgeous music with a backdrop of a gorgeous skyline while sitting on a lush green carpet of grass. We had wines, cheeses, dips, conversation, fireworks, seats if our backs hurt or it got wet.  The sound is incredible.  If you are seated in the back of the Lawn then you had screens to see the performance.  Just the entire event, from start to end, with all its little elements really makes it a stand out summer performance from a music festival or a show held indoors.   I am constantly looking forward to it coming around every summer.

Brandford Marsali's NYPhil Debut :)

Brandford Marsali's NY Phil Debut 🙂

During this entire time, we had been experiencing a lovely vibe.  There were couples around us laying on blankets, snuggling.  In the middle of a particularly quiet moment in the music, we hear this ripping blast from the guy on the blanket to our right.  I don’t think I can emphasize the power it took for all of us to not bust a gut laughing.  He immediately sat up and tried to mask it with a cough while I almost choked.  Angie, who was closest, didn’t know  what to do with herself.  I mean, just hilarious.  The guys were not as good at hiding their giggles.   A lovely classy moment brought back to our gross reality.

Brandford Marsali's NYPhil Debut :)

Brandford Marsali's NYPhil Debut 🙂

The encore was not mentioned in the pamphlet but I recognized the music almost immediately.  They performed a medley of songs from Disney’s Sleeping Beauty, which draws as much from Tchaikovsky’s ballet.  It was gorgeous and gave us another 20 minutes of classical music.  I always love hearing nostalgic tunes covered in interesting ways.  Classical Disney music?  Totally my thing.

Fireworks

Fireworks over CP South

They ended the night with a lovely fireworks display over the south end of the Central Park.  The display lasted over 10 minutes and solidified everyone’s smile for the evening.  All we could think about is what the people in midtown were thinking about when these explosions went off near them.

As always, my tribe was one of the last to leave the lawn, or rather, be asked to leave. We strolled out of the park in our various directions home feeling sorry for those who had chickened out of the concert.  They missed a phenomenal night where some history was made 🙂

Read Full Post »

« Newer Posts - Older Posts »