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"I've always enjoyed science and how much it translats to music" ~ Richie Goods

"I've always enjoyed science and how much it translats to music" ~ Richie Goods

Jazz Fusion!!! FUUUUUUUUSION!!!  This was to be special night of music.  First night of fusion music all year. God that word alone makes me tingly….There are certain things that are constantly stirring in the back of my head on any given day.  Oddly enough, there isn’t a day that goes by where I don’t think of fusion…of artists like Al Di Meola, Zawinul, Stanley Clark, Chick Corea, George Benson, Jean-Luc Ponty, George Duke.  Just their gorgeous sounds…I hear it in my head all the time…Oh dear lord, I’m getting heated.  If you have never listened to these artists, I DEMAND you download anything by them…IMMEDIATELY!

Return to Forever in Rochester, New York, 1976

Return to Forever in Rochester, New York, 1976

Those artists were my musical muses in that genre when I was growing up.  I remember buying my first Al Di Meola cd as all my friends were buying the new Dave Matthews Band cd, back in 9th grade.   I remember the looks I got and being told what a waste of money that was.  Some people just can’t be taught 🙂  I have to give a shout out to my father for playing jazz around me all my life and blocking MTV/VH1 and BET from the cable lineup! Thank you! Thank you!  Thank you!

Richie Goods somewhere in NY

Richie Goods somewhere in NY

Fusion is my favorite genre of music and for you funk lovers, I apologize but that is the way it is!  Nothing will ever change it.  The beauty about this evening was that Richie Goods & Nuclear Fusion would be delivering a heavy hand of funk laden fusion music and I was SO HAPPY!!! Having been invited to the performance by Jeffery Lockhart, we spoke prior to the show and he sounded terrible.  The poor dear was sick as a dog but he is a rager and was making his way from Boston!  The show must go on…

Heading to the venue, terribly excited about shooting the show and reviewing it, I heard a piano player in the subway and saw an upright being played by the stairs.  How the HELL did he get that thing into the subway?   I knew I had to take a picture but as I want for my camera, it wasn’t there.   Are you kidding me?  I NEEEEEEVER forget my camera and there was no time to go and get it before the show started. I was devastated…yes, devastated.

Piano in subway...HOW on earth? LOL!!

Piano in subway...HOW on earth? LOL!!

I arrived at The Zinc Bar 30 minutes before the show.  Members of Nuclear Fusion were gathered near the front of the venue as the band playing before them was still occupying the stage.  There was poor Jeffery, half sprawled out on a couch trying to hold his head up and fighting the groggy meds.  Hugs and introductions were exchanged and the first thing Jeffery says…”Let me see that camera you work with!”  I about died, of course.  “That’s ok, you are talented and will figure it out.”  He’s a good man!

Being introduced to Lionel Cordew, a last minute drummer replacement, he was super chatty and nice.  We spoke about autistic children who are musical geniuses.  About the kid who writes complete symphonies in his head and only writes them out when he has finished mentally composing them.  And the kid who, once you ask him to play a song, can play it in any musical genre you want.  It’s amazing how the world works!  Richie Goods walks over and introductions make their rounds again.  He recalls me from our discussions over Facebook and smiles abound.  This is a great group of men, a great group of talent.  I am a lucky, lucky lady!

The Zinc Bar

The Zinc Bar

The Zinc Bar is just swanky cool, with a long bar to your left leading the way to a intimate space with the stage in the back.  There were oriental rugs under my feet and on stage, lovely jazz music like Etta James, Dean Martin and Billy Holiday being played on the speakers.  The small round tables were candlelit, 2 to 6 seaters, very intimate.  The lights were low and the mood was romantic. There were numerous people on dates and it was a good choice on whoever’s part as the music that night was perfect for date night!  Someone’s gettin’ lucky!!!

I take a seat in the front so I could ATTEMPT to capture pictures with my camera phone, yes, my camera phone.  Oh the horror….I am disgusted at my forgetfulness.  Especially, as I turned in my seat and saw Jeffery’s cheetah print guitar case that I so desperately wanted a picture of! Jeffery comes over and places his glasses on my table, “These are prescription,” and with that he takes to the stage with Richie Good and Nuclear Fusion.

Helen Sung ~ awesome!

Helen Sung ~ awesome!

Wait a minute, who was this lovely female sitting down at the keys? A FEMALE fusion keys player!  WORD!!!!!  Her name is Helen Sung and she is fierce. But more about her later…

The manager sees my notebook and pen and introduces himself.  He is the one and only Jean Claude of The Zinc Bar who has been with them 15 years and I felt like I knew him immediately.  An infectious character, his energy and charisma alone makes me want to go back to Zinc, just for a hug 🙂

After a little technical difficulty with the amps, it was show time.  The stage, from left to right, went: Lionel Cordew on drums, Richie Goods on bass, Helen Sung on Keys and Jeff Lockhart on the guitar. Yes sir! Sound check commenced, I heard the bass tease a little and I sat a little straighter in my chair. The immediate thought I had in my head, which I scribbled into my notes at that point was: There is so much positive to embrace right now, it’s quite easy to release the negative. The music hadn’t even started yet and already I was getting emotional in my heart and poetic in my mind.  All it took was a strum of Richie’s bass.

What a lovely combination of artists.  And Jean Claude fully agreed.  Introducing the band in his lovely thick French accent, he fiercely praised Richie Good as they had been working together for over 15 years. What a friendship.  As he descended the stage to let them play, he literally skipped away with happiness.

Going right into the first song, a medley of tunes written by Richie and intro written by Helen called Soul Glow, they got it started.  The introduction to the song showcased Helen and I was immediately hooked.  A female fusion keys player…I loved it!  After Helen brought us in with the fusion, Richie and Jeff picked it up with the funk.  Jean Claude makes his round to the front screaming: “YES! YES!” It’s Jeffery’s turn to plug a solo, filling the space that needs to be filled.  Richie’s bass is funk throughout and Helen’s smile never fades as she keeps the fusion sound flowing through the funky bass laden song.  Jean Claude comes over to my table, kisses me on the check and darts off again.  Jeffery gave us a lovely solo again before he nods everyone else into the mix for the ending.

Helen Sung and Jeffery Lockhart @ The Zinc Bar

Helen Sung and Jeffery Lockhart @ The Zinc Bar

Sorceress by Lenny White would be next.  Jean-Claude screams “Talk to me now! Yes! Bring it!”  Richie’s bass teases in the guitar.  I was reminded of Victor Wooten and focused directly on Richie.  The scene on stage was not loud and intense by any means but the feelings that were coming off of Richie’s facial expressions were deep and it looked like he was screaming when he played.  This was his time to shine….he raged, slapping the bass with funk, for a solid 3 minutes.  Moving to the front of the stage and radiating his feelings of music through his body and out his fingers.  And then it was time for the Nuclear team to come together.  Jeffery has some major foot play with his pedals.  There was a lot of droney note holding and manipulations of his sound.  At one point it reminded me of the Sirens from Oh Brother, Where Art Thou!  After some playful instrumental banter between Jeffery and Helen, Helen moved forward with Richie to lead the song. I LOVED HELEN!  I just loved how her fingers swiftly and fiercely struck the keys, she barely taped them it appeared.  Her fusion vibe threaded through out every song that night under the funky beat of the strings. It was now time for a drummer solo rage from Lionel.  He was chewing gum and is also a face making machine so it provided for some interesting combination of looks!!  This was his first time playing with the group as the original drummer, Mike Clark, was unable to make it.  (Jeffery coughs ~ Poor Jeffery) Helen soloed again and Jeffery snuck in with a few scraps of strums of his strings. At this point, a conga player (later find out his name is Victor Jones) sat down at some rouge congas and started playing.  Smiles between the players abounded.

Richie Goods and Nuclear Fusion @ The Zinc Bar

Richie Goods and Nuclear Fusion @ The Zinc Bar

Welcome to The Zinc Bar,” says Richie as he addresses the crowd for the first time that night!  He shouted out the names of tunes which helped me drastically.  He explained that this 3rd song is what he feels a fusion/jazz/funk band might sound like in the desert, thus Desert Jam ensued.  The opening solos by Richie and Helen were gorgeous.  It was ethereal, floaty throng of space action, beautiful bass play over the twinkling of the keys.  One of only two original songs on his CD, Desert Jam was slow, gorgeous, light.  Eyes were closed, light taps on the cymbals.  Mmm, bouncy bass, funky keys and guitar together….definitely a tune with its fingers in some kind of Arabic/tribal undertones.  They conversed on a solo and Jeffery was to take the reins first.  He took his trip around the desert and it was AWESOME!!!! With a slow, strummy pickin’ of his guitar, changing his sounds as the others on stage gave him a pallet of to fill in the blanks at his leisure.  There is a time and place for every note to be played.  Jeffery knows when to hit it, when to wait, when to plow in and when to give slow restraint.  Heavy deep drawn out notes come from his guitar as if he were having a fight in that desert.  It was upbeat, as if he came to fight and with their shifty eyes, the group all came back together in play.  Richie rages a high noted solo that brought him up on his toes!!  It was deep and brought a bit of funk to an other wise relaxing song.  Lionel’s sticks go down and he uses his fingers and hand on the drums to get his sounds heard! I started picturing camels, sand, oasis…I quite literally felt Richie Goods had encapsulated just what a funk/jazz/fusion band would sound like in the desert.  It was my favorite song of the night.

Helen Sung and Jeffery Lockhart @ The Zinc Bar

Helen Sung and Jeffery Lockhart @ The Zinc Bar

It was time for Richie to address the crowd again.  “Judging by what I think your ages are I think you all might know this song.  However, not many people have heard it in a jazz vein before.  It’s a pop tune from the 80’s and I want to see how many of yall figure it out.” (Jeff coughs – poor, poor Jeff)  And they went into it!!  Richie started off with his bass, picking up the intro to the song, a sexy sound came from the bass.  It took me until Helen played the chorus on the keys to realize it was Shout by Tears of Fears.  Honestly, I only knew the lyrics and was singing it under my breath as soon as it started but couldn’t place the band.  But they certainly “let is all out” during this song.  I always love hearing songs being performed out of their styles. It’s one of the beautiful things about music.  I love manipulation of sounds.  With both Jeffery and Richie playing in unison, Lionel was granted a little drummer rage and then Helen.  Richie smiled as Jeffery holstered his guitar on his leg, the song turns into a jammy jammy tune when Helen raged the keys, as Richie blasts that giant white smile of his! So cute! Even though this song was one everyone knew at points, during the solos and the breakoffs you would never know what song it was.  Improvisation is one of the beauties of fusion.  Everyone plays and it comes together to create a complicated grouping of sounds that work as one.  Then it was a full stop, you could hear a pin drop, and then the drum SLAMS into a FUNKY beat, the remaining players bring the song to a close.

Richie Goods and Nuclear   Fusion Live

Richie Goods and Nuclear Fusion Live

Man, so at this point some drunk girl tried scatting…it was HORRID!  Being ADHD and being able to hear EVERYTHING in the background like a damn (insert non-hard of hearing animals type here), it overwhelmed my senses immediately and immediately began ruining my experience.  So, being the bratty musical bitch I am, it only took me a few minutes before I finally had to just turn around, look her dead in the eyes and just say fiercely, “NO WAY MAN! STOP!”   A few patrons clapped and smiled at me and I knew I had done the right thing. I didn’t feel like a bitch anymore hahahaha!

Time for the CD plug!!!  Richie Goods & Nuclear Fusion: Live at The Zinc Bar!! I was lucky enough to be given a CD by Jeffery and have been listening to it the entire time I have been sitting here writing.  It is gorgeous and fun and pretty and full of funky fusion vibes.   I encourage you all to buy it.

Richie Goods and Nuclear Fusion @ The Zinc Bar

Richie Goods and Nuclear Fusion @ The Zinc Bar

The last song was another Lenny White cover called Dark. The strings and drums start off the first few measures as the keys float in shortly after.  Helen stood out in my ears during this song.  As well as Richie’s giant smile! I had run to the restroom at this point and on the way back, caught myself dancing behind the tables and the hippie in me wanted to call everyone to their feet.  The KAREN in me wanted to run around pulling everyone out of their seat 🙂 It’s hard to sit down at concerts…SERIOUSLY hard for me! Richie came in with another bass solo that brought him to the front of the stage, back up on his toes when he hit those higher notes.   He is non-stop with that bass.  His flow, his determination, his body movements, his facial expressions…he is a whole package of funky fusion bass playing and I fell in love with his sound and energy that night.  He has the distinction of being the youngest person ever inducted into the Pittsburgh Jazz Hall of Fame. I encourage you all to check him out immediately.  He must have raged his solo for at least 5 minutes.  It was FUNKY with what felt like Latin undertones coming through…hot, slow, fast, just HOT! The Latin vibe made way for the fusion/funk again and the droney sounds of Jeffery’s guitar picked up and the pedal work commenced.  Helen backs out on the keys and it’s over. Just like that.

There were two sets played that night. I enjoyed the first set so much that I remained for the entirety of the second.  During the set break, Jeffery sat down and we talked about music, family, him being sick and feeling like death. Poor Jeffery!  I asked him what influenced him to pick up a guitar and he explained that his brother had brought home a Jimi Hendrix CD and played Purple Haze.  Yeah, I can see how that might want to make someone pick up a guitar also hahaha!   The second set was identical to the first with a few rearrangements of the song set list and with a whole new sound of improvisational jazzy funk fusion.  Richie blasted right into his bass rage and I knew their first set had warmed them up for an explosive second. And so I closed my notebook, propped my feet up and soaked up every note with a huge smile on my face.  Thank you Richie Goods for putting together a fantastic set of artist and making my Wednesday night complete!


1. Ongoing – Spring Creek Park (77th Street and 156th Avenue) – The resident at Lots 35 and 48 in Block 11456 in Queens/Brooklyn  appear to have extended their fence line into what is known as “forever wild” parklands.  The land is not landscaped.  (09/11/06 – Rcvd email from Kaitilin Griffen initiating contact about encroachment.) (09/21/06 – Rcvd information from Dominick Cusamano.  Rcvd Map of encroachment with various pictures and highlights.) (12/06/06 – Lesley still waiting on Title report to determine easement was removed. Kaitilin states that she is not aware of an easement on this property and wants to speak with Lesley.) (12/14/07 – Lesley emailed Kaitilin with various questions that needed to be answered before she proceeds.) (07/16/06 – Rcvd Memo from Commissioner Lewandowski’s Office regarding encroachment see notes below)(07/24/07 – Rcvd email from Katlin stating that we are no longer to pursue this file until Antonios contacts our office as he is working with Josh Liard on the matter.) (10/01/09 –Rcvd correspondence from Commissioner Lewandowski’s Office regarding all the letters and documents that Mr. Jackson has written us.)  (10/21/09 – No action was taken towards this case for some time as it appears the notes and documentation is all misplaced.  Possibly closed and archived.  However, it was resurrected through the grapevine.  Please see notes below. There are also numerous sites mentioned in the memo from Commissioner. Lewandowski that we have not pursued or been asked to pursue.)

a. Ongoing – Block 11456/ Lot 35 – (Lesley) Mr. Ross and Diane Jackson are maintaining an illegal encroachment at site.  Specifically, they have installed a fence at site. (07/16/07 – Rcvd memo from Commissioner Lewandowski’s office stating that the Jackson’s were interested in purchasing this portion of the park, and therefore brought it to Parks attention.)(10/01/09 – Rcvd correspondence from C.L’s office containing letter from Mr. Jackson stating that he has been communicating with the office for two years and has yet to get a response to his query of purchasing the land.)  (10/21/09 – Made Lesley aware of the correspondences and that she might have to write a response.)

b. Ongoing – 155-18 77th Street – Block 11456 – Lot 113, 48, 40 & 36 – (Lesley) Mr. Giovanni Peconic is maintaining illegal encroachment at site. Specifically, he has installed a driveway, shed, play equipment, a PVC fence, and construction equipment and debris at site.  (10/09/09 – Letter written to Mr. Peconic. Required to remove all illegal property by December 1, 2009.) (10/20/09 – Antonios confirmed that the PRM is Macceau Medozile.)

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Zach Deputy @ Sullivan Hall

Zach Deputy @ Sullivan Hall

1,000 miles away in Live Oak, Florida, an enormously large portion of my beautiful musical family were raging their faces off at the Wanee Musical Festival.  Knowing that neither of us could attend, my girl Jenn came for a visit so that we may have each others shoulder to lean upon for the weekend.  Being that Wanee is known as one of the “Land Cruises,” and having met Jen on last year’s Jam Cruise, we were both going through some serious withdrawal from our friends, or rather, our “Jamily.”

But a beautiful aspect of music is that it connects everything, through space and time.  Through the cosmos, through our minds, through the notes.  Zach Deputy performed on Jam Cruise 8 and both Jen and I learned of him for the first time on the boat.  I was DYING for him to come to the city since that time.  And what better a weekend to come!! Zach Deputy came and saved the day 🙂 I bet you one million dollars that Zach wanted to be at Wanee with everyone just as bad as we did.  And so we would all dance and smile and sing together in NYC, extending our energy to our friends at Wanee, and feeling their love in return.

We got to Sullivan Hall around 11pm.  Zach was slated to go on at 11:30pm but when I heard a band say, “We are just getting started to get ready to dance!,” I knew things were on “schedule.”

The Kinetixs, from Denver, Colorado, are composed of:

Adam Lufkin – Guitar/ Vocals
Eric Blumenfeld – Keyboards/ Vocals –
Jordan Linit – Guitar
Josh Fairman – Bass
Jack Gargan – Drums

Jack Gargan @ Sullivan Hall

Jack Gargan @ Sullivan Hall

They started out the set with Big Screen.  I was just arriving at this point and not paying attention at all.  I walked over to the coat check and then Jen and I made the first of many restroom pit stops of the night.  Again, Sullivan Hall was boiling hot so I would be pumping water into my system nonstop.   Adam Lufkin, on guitar and vocals, sounded like a mix between that guy from Maroon 5 and Jason Mraz.  While waiting in the long line for the rest room, because one of the stalls was not fixed and never got fixed, I started to fully pay attention and get hooked.  They were FUN.  They were FUNKY (at times).  They were SO full of energy! Bouncing all over the stage, jumping up and down, kicking their legs in the air in unison.  Smiles everywhere amongst the funk/rock/pop.

Josh Fairman @ Sullivan Hall

Josh Fairman @ Sullivan Hall

Sunshine followed.  A slow, pretty intro made way for Adam’s guitar to cry a little in the beginning of this jammy, slightly reggae tune.  I was immediately thrown back to my college days in the preppy KA frat house.  Not sure how I felt about that.  “What happened to all the birds I used to see fly.  It feels if they all feel down to the earth and died!”  What? The song was just a little too meant for a radio perhaps, for my taste.  There was not a lot of instrument play or rage.  It had a pretty message but it was too cookie cutter for me.  Next please!

Straight into the rockin’ guitar for a measure or two, then the rest of the group joins in, Own Mind got it kicking again.  I remember really diggin’ the keys player, Eric Blumenfeld, at this point.  All that energy was out on stage again and they were bouncing and jumping.  It was impossible to get great shots at ANY point do to the dancing.  A fantastic rage of a jam tune.  Much more up my alley.  Sure there were some lyrics: “filling up my soul with love and passion,”but when they finally got past the lyrics, they had time to let it RIP.  The guitars were rippin, the drums were keepin’ it up up up!

Eric Blumenfeld @ Sullivan Hall

Eric Blumenfeld @ Sullivan Hall

The keys started off Ruined It, another funky little jam. But, another song that seemed built for the radio.  It was catchy, simple; feels like its built off a formula. Eric really let loose during this song.  You know I enjoyed it….simple, funky, he definitely could have brought more but that is because I am a picky ass keys person.  But he raged it, he enjoyed it thus we enjoyed it.

Kinetix @ Sullivan Hall

Kinetix @ Sullivan Hall

Then, we have what was, by far, my favorite song of their set: People.  Adam screams: “People start hoppin'” over and over.  Under the rhythm of the vocal beat, the drums start joining in and escalated slowly until they blast out with the start of the song and then it was ON.   Everyone was hopping, jumping around, dancing, just like they were telling us to do.  “Get the show to start hopping, all when the beat start dropping….”   Adam has a yummy voice and this was just a fun jammy tune telling us to move and get ready to go! It might have been lyric heavy, but the chorus was infectious.  Another showcase for the guitars to rage, it is straight rock with some funky beats.

Finally, they threw in a cover of Queen’s Bohemian Rhapsody.  This was actually really fun.  It sounded great but it was when people started putting their arms around their significant others, around their friends, huggin and swayin and just feeling the lyrics and music, that I truly felt a moment in the music.  It’s the wonderful part of performances like that…the times when the musicians touch the crowd and the energy grows…and you can feel it! And then it was over. Just like that.

Banana Mafia @ Sullivan Hall

Banana Mafia @ Sullivan Hall

Steppin’ outside for some fresh air, there was Zach Deputy! Why on EARTH I didn’t grab a picture with him is beyond me as he was there open and talking to everyone! Just like always.  I spoke to him a bit about Jam Cruise and gave him up to attend to other anxious fans.  I turn to my right and there is a giant banana hanging out with the crowd.  Apparently, this man meant business.

The "Don" of The Banana Mafia @ Sullivan Hall

The "Don" of The Banana Mafia @ Sullivan Hall

Part of The Banana Mafia, “The Don” was raging the show hard throughout the night.  I always saw him dancing ECSTATICALLY, banana hat flapping around and blinking glasses helping him stick out even further! I loved him and I can’t wait to SPOT him again.   The best part of the interaction was when a fellow musician who had come from his own gig to watch Zach, began peeling a banana.  Seriously?  And thus, the picture above was snapped.  I love when stuff like that happens!

Keep reading for Zach Deputy’s Review ….

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Editor’s Notes: Everyone please welcome Mike D (aka Easy D)!!  A fellow music loving friend & writer who will be contributing his Jazzfest adventures, among other musical adventures, to the Tiny Rager blog!  So, keep your eyes peeled and enjoy the shows 🙂  (PS: Hockey is the only sport I like to watch so I am going to let him rage the Hockey insert!)

Mike D aka Easy D!!!!

Mike D aka Easy D!!!!

Greetings from Pittsburgh! I am Mike Deasy, a 55 year old music fan, a live music fan, especially a New Orleans music fan, specifically a New Orleans funk fan. Or Easy D if you will. I am currently a displaced Information Technology professional after a 33 year run at a Fortune 500 Financial Services Corporation headquarted in NYC, which means I got a great severance. Which means I have been able to enjoy more music than usual over the last year and a half. Look for my perspective on the second weekend of the 41st New Orleans Jazz and Heritage Festival, coming soon to a Tiny Rager blog near you (thanks Karen).

Fanattics in Pittsburgh, Pennsylvania

Did I mention that it’s playoff hockey time!! Sorry Rangers and Islanders fans, and sorry to you Devils fans too, ouch!!  So, my evening started with Taco Tuesday at Fanattics, my neighborhood bar located in the Squirrel Hill neighborhood of Pittsburgh, Pennsylvania. Fanattics is fun!  Neighbors such as Mike Tomlin, coach of the Pittsburgh Steelers, and Randy Fichtner, formerly WR coach of the Steelers and the new Quarterback coach, stop in occasionally. Wait a minute, I was talking about hockey. Penguins 7 – Senators 4 in a wild game!

Rex Theater, Pittsburgh, PA

Rex Theater, Pittsburgh, PA

Next up, the South Side neighborhood for a show at the Rex Theater, a small venue and converted movie house. Vince Herman and the Great American Taxi!. I arrive at the door to see posters proclaiming the show as the ‘420 Ball’.   Alright! Especially since I am wearing my Dead 2009 Goin Down the Road 420 t-shirt. The only time I have ever worn an event appropriate t-shirt.

Great American Taxi is fronted by Vince Herman of Leftover Salmon fame. A great bandleader.  So enjoyed his performances at Delfest, an awesome bluegrass festival held in Cumberland, MD over Memorial Day weekend. Vince sings, plays acoustic guitar and mandolin. The rest of the band consists of:

Chad Staehly – keyboards and vocals

Jim Lewin – electric guitar (fender tele) and vocals

Edwin Hurwitz – bass and vocals on a great hillbilly funk song,

Chris Sheldon – drums and vocals

Fine musicians and singers all! The boys started out with two songs referencing 420.  Opener was a train song called ‘420 Special’. After the 420 songs, right into Bob Dylan’s ‘Maggie’s Farm’.  After that, there were many songs referencing, in no discernible order, drinking, smoking, etc.

Reckless Habit Cover

Reckless Habit Cover

I must say this band is very tight, at times jammy, at times bluegrassy, at times bluesy, always rockin’. Premiere musicians all. I did notice a few great songs from the new album ‘Reckless Habits’ (props to the smoking nuns on the cover): ‘One of These Days’ and ‘Cold Lonely Town’ and the event appropriate ‘Fuzzy Little Hippie Girl’.

Sometime earlier in the evening, I was calling for Little Feat’s ‘Don’t Bogart That Joint’.  Such an overly obvious suggestion.  Vince, the master, countered with the awesome Peter Rowan song ‘Lonesome LA Cowboy’ (smokin dope, snortin coke, tryin to write this song…)

What for an encore? My suggestion was good, but not complete. How about an encore of Little Feat’s ‘Willin’ followed by the aforementioned ‘Don’t Bogart’. What a great show!

Now, you’d think I’d cop a set list, right?   Nope! As I found out after the show from keyboardist Chad, there was no set list.  I did not see one on the stage. Said hello to Vince too.  Chad pointed out that they’ve been backing up Todd Snyder (how about that!). Vince Herman and the Great American Taxi! gets the Easy D seal of approval.   Check these guys out.    They are awesome!

As always, I saw some old friends (pUNK of pUNKapalooza fame for one) and met some great new folks at the show. Best Tuesday I’ve spent in a while!

Peace Out and TTYS from NOLA,

Mike

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Oh, Big Sam!!  You ripped us up GOOD!!!!

Big Sam's Funky Nation's New Cd: King of the Party

New York City was NOT prepared for what hit it Friday night.  How do I know this?   Because EVERYONE I know who attended Friday’s show was crying from the pain on Saturday after we danced OUR ASSES OFF!!!!  Big Sam’s Funky Nation rolled in hard and strong to Sullivan Hall for the Album Release Party of their fourth studio album, King of the Party this past Friday.  OK! I am just going to say it: Big Sam is…STRAIGHT UP…the  King of the Party. What an amazing, fun, fantastic performance!

H&MBB

I was unable to make it for the opening acts as I had a previous engagement uptown with a group of my favorite girlfriends.  Yes, just sometimes, I make room for things other then music in my life.  S0, I quite literally arrived at the venue as the The High & Mighty Brass Band was wrapping up.  SORRY H&MBB!!

As I entered the venue, I walked up to the right front of the stage and there they all were; the lovely members of the NYC Funk Live Group who were able to make it out that night.  I was immediately bombarded with hugs,  introductions and smiles.  Apparently, I had missed a hell of an opener as they all seemed energized.  My good pal, Russ, says “I wasn’t sure of the set list, but I got this for ya,” as he hands me The High & Mighty Brass Band‘s set list from the stage!!! Enjoy:

High and Might Brass Band’s Set List:

1. Cerole Love Song

2. Ol Girl

3. St. James

4. We Rock, We Roll

5. It’s Alright

6. Island Tune

7. Why Don’t Cha?

8. Baby

9. Big Draws

10. Lil Mary


Big Sam @ Sullivan Hall

Big Sam @ Sullivan Hall (04.16.10)

The first thing I recall about the scene is that it was SUPER hot, as per Sullivan Hall’s usual.  The venue had unloaded into the street during the set break and I was able to make my way up front and put my things down after the lovely greetings ceased.  At that time The High and Mighty Brass Band decided to make their exit…or was it their segway in for Big Sam’s entrance?  Similar to Brother Joscephus and the Love Revival Revolution Orchestra, out came a parade of horns, parasols and tambourines from the side of the stage.  They paraded all the way through the venue and out the front door…and then there was Big Sam on stage!

Poor Big Sam started to melt the second he stepped foot on stage but it did nothing to hinder his performance.  Wearing a navy blue button up shirt over jeans with a pageboy cap, he was stylin and lookin’ fine…Big (very in shape) and fine!!!  Big Sam, on vocals and trombone, was joined on stage that night by his Funky Nation, consisting of:

THE FUNKY NATION:
Danny Abel – Guitar
Eric Vogel – Bass
Drummer Boy Milk Williams – Drums
Da Phessah Drew Baham – Vocal/Trumpet

Big Sam @ Sullivan Hall (04.16.10)

Big Sam @ Sullivan Hall (04.16.10)

For his fourth studio album, King of the Party, Big Sam has combined rock, jazz and hip-hop into his already intensely funky styling.  Being that this was an album release party we were very excited to hear the new music that Big Sam was ready to fling at us.  And he brought an arsenal of music.  First things first, a trombone RAGE!  Blowing on his trombone as hard as he can, holding the note out and commanding the stage, Big Sam got all our attention.  Each musician on stage took thier turn giving us a little samples of their instruments before it was time to get the dance party started.

More cowbell @ Sullivan Hall

More cowbell @ Sullivan Hall

With a introduction of Up in Here, Lil Liza Jane, a Jazz standard, started us off.  It reeked of tradition and the 1920’s, which was lovely.  Without stopping a beat, Feelin’ Kinda Funky was getting us all to dance.  “I’m feelin’ funky! Are you feelin’ funky,” asks Big Sam.  The venue erupts with a scream.  Danny Abel caught my eye at this point.  What is it about the guitar players that join these horn bands? They are always AMAZING! Danny Abel was good! He was no (insert name of my favorite guitar player here) but he really gave it up when he was let go to solo.  FKF ended with a bass rage from Eric Vogel.

Krunked Up! was our first taste of music from his new cd.  This song is very modern, a little dirty, and very much not at all what I was expecting to hear that night.  It started out a nice little jammy tune, horns and guitar in a nice little jammy beat.  The bass was vibrant in this one!  “We’re gonna get krunked up tonight!!  While we’re dancing on the dance floor, everything is feeling right!”  And then BOOM!!   Into a rock driven chorus where Big Sam’s voice was converted with a machine sounding similar to T-Pain.  Big Sam had definitely dipped his hands in the pool of funk-rock jam with this one.

Da Phessah Drew Baham @ Sullivan Hall

Da Phessah Drew Baham @ Sullivan Hall

Covers followed with Sexy M.F. by Prince and Crazy by Gnarls Barkley.  Danny stood out again playing the guitar again on these.  I honestly can’t stand a sloppy guitar player or one who doesn’t fill all the space with the notes when the time calls for it.  Danny put on a smile and he just shredded it when it was his turn to shine and I loved it.  There was a great horn battle during Crazy, that had the entire venue jumping.  They were turning in circles and dancing around each other; all while playing Prince and Gnarls Barkley. It was funny to me.

Mark Williams @ Sullivan Hall

Mark Williams @ Sullivan Hall

So, we were then given a phat tease from Eric B. & Rakim’s Paid in Full, which brought us into the Otis Retting cover, Hardle to Handle. This is also number 7 on Big Sam’s new cd!   Upbeat and funk driven, there was a wonderful dance off here between Big Sam and Da Phessah Drew Baham.  Without missing a beat, “Who Dat! Who Dat!” was being shouted from the stage.  The Saints Chant was next with a great trumpet vs. trombone battle.  There is something about that song too!  It just makes you want to look to the heavens and smile! Even in that dark, grimy, exhaustively hot Sullivan Hall, my smile was blasting and I felt sunshine in my heart.  It’s time like these when I take a look around and I see all my favorite people smiling, laughing, dancing…the real reason music was created…to bring happiness.

It’s on like Donkey Kong,” someone screams! And Sam returns, “Yeah, You Right!”  We were given a second line tease into number 8 off the new cd, Big ‘Ol Booty! And then the horns were alternating blasts, sounding off and leaving way for the guitar and bass to pick it up.  “Shake that Big ‘ol booty for me. Shake it, shake it! Don’t you stop!” was Sam’s chant in what was yet another rock laden jam.  And yet another a horn heavy song asking us to shake our big ‘ol bootys.  Oh, irony!

Treme Logo

At this point Big Sam steps up to the microphone and gives a shout out to Treme, a dramatic television series based in New Orleans and meant to take place three month after that bitch, Hurricane Katrina.  I have not had a chance to sit down and watch ANYTHING, let alone something that would demand my attention so deeply.  I don’t even have HBO, but I will watch this show as I suggest you all do.  Aside from the gorgeous story of survival, the soundtrack to the show incorporates different musicians from NOLA.  I don’t think I want any distractions when I sit down and watch this one!

BSFN & H&MBB @ Sullivan Hall

BSFN & H&MBB @ Sullivan Hall

The stage begins filling with members of The High & Mighty Brass Band and it was back to tradition with Rebirth Brass Band’s Do Whatcha Wanna horns and drums. And I hear COWBELL!!!  It was the perfect segway into Everybody Needs Somebody To Love. I believe this is when I was noticed the High & Mighty Brass Band dancer in the audience with a tambourine. She set it down to dance!  Oh yeah, it was on.  I always want the tambourine 🙂  I grabbed that son-of-a bitch and then it became just a general RAGE fest.  Seriously.  I am just going to post Russ’s amazing set list section here:

Chameleon intro —> It’s Your Thing (Isley Brothers) —->Just Kissed My Baby (Meters) —-> Chameleon (Herbie Hancock) —-> Shake What Yo Momma Gave Ya —> Flashlight (G.Clinton) tease during solos —-> Sam teases Freedom Jazz Dance (Miles Davis) during his solo —> No Diggity (Blackstreet) —-> Rebirth of the Slick (Digable Planets) —–> Hip Hop Hooray (Naughty by nature)—–>Rebirth of Slick

Seriously?  How does one remember all of that?  BIG BIG SHOUT OUT to my funky fine friend, Russ Adgren, who put together a wonderful set list for me, all as the show went down.  This man is a music encyclopedia and is a major reason I was able to just kick back and enjoy myself at this performance without taking copious notes!!  He will also be hookin the site up with his review of Sharon Jones and the Dap King’s newest CD, I Learned the Hard Way!  Keeps your eyes peeled.

Ok, back from our regularly scheduled plugs…

RAGE!!!!!

RAGE!!!!!

During that whole time of FUNKY NATION raging, The High and Might Brass Band members were taking turns ripping solos.  In particular, saxophonist Chad Gales really pulled out a nice one. During It’s Your Thang, 5 horns fronted the stage and blasted in our faces.  Big Sam brought the heat for Flashdance! The dancer girl, Jamie Neumann was all over the stage and at some point gained control of the tambourine again.  Then Big Sam had it and they danced with each other.  Then it was time to sing…Big Sam and Da Phessah singing most of the lyrics and Da Pessah sticking the microphone in my face for parts of No Diggity No Doubt.  I got to tell them all I liked the way they worked it!!  Hip Hop Hurray brought Danny back into the forefront with another guitar shred.

And the cowbell made it way back into the songs haha.

Drummer Boy Milk Williams @ Sullivan Hall

Drummer Boy Milk Williams @ Sullivan Hall

This whole time I had been focusing on the horn players. Because why not, wouldn’t you?  But raging like a monster behind Big Sam and Da Phessah was Drummer Boy Milk Williams! There is a reason your momma tells you to drink your milk.  Yes sir!!  And his shirt had come off, as had many peoples. I wanted to take off mine but alas, ladies don’t strip in sweaty nasty dance halls….or do they?  Man, that sexy, shirtless glass of chocolate milk raged a drum solo that went on for days and days and days. And damn, it kept the dance party going with out all the other musicians.  Eric backed him and teased him on the bass and so it went on and on for a good five minutes of solid drumming rage.

Everbody Get's Down @ Sullivan Hall

Everbody Get's Down @ Sullivan Hall

Honestly, I don’t ever remember them leaving the stage. I truly don’t. But if Russ says there was an encore then there was.  I don’t have the separation into my notes, thanks again for the help my man!!  My notes do say, that in that T-Pain style voice, Big Sam said, “Everybody on the dance floor,” and he didn’t mean dancing.  He meant down.  And down the band went, on their backs kicking their legs in the air.  And down we went some on their knees, some on their backs, some legs in the air, most just bent in a squatting position, all smiling!

Big Sam and Friends Get Down

Big Sam and Friends Get Down

Big Sam and his Funky Nation, with the help of The High and Mighty Brass Band really whipped the floor clean with us that night.  I was not kidding when I said earlier that all my friends were sore the following day.  I, myself, had company coming in and another show to attend and the second I tried to stand the following morning my back and legs yelled at me fiercely.  There are dance parties and then there are dance parties.  The entire venue never stopped dancing for the entire set.  It was a rock laden brassy night.  A little unexpected, a little expected…all in all, it was a WONDERFUL dance party with friends and I encourage you all not only to buy this fourth album, but the previous three Big Sam and his Funky Nation have previously released!!!!

Big Sam’s Funky Nation Sullivan Hall Set List

1) Up in Here —> Lil Liza Jane —> hey hey hey hey —->Feelin Kinda Funky
2) Krunked Up
3) Sexy Muthafucka (Prince) —> Crazy (Gnarles Barkley)
4) Paid in Full tease into Hard to Handle
5) Saints
6) Second Line Tease into Big Ole Booty
7) Do whatcha wanna   —> Everybody Needs Somebody to Love —-> Lighthouse
8) Chameleon intro —> it’s your thing (Isley Brothers) —->just kissed my baby (Meters) —-> chameleon (Herbie Hancock) —-> shake
what yo momma gave ya —>flashlight (G.Clinton) tease during solos —-> Sam teases Freedom Jazz Dance (Miles Davis) during his solo —>
No Diggity (Blackstreet) —-> Rebirth of the Slick (Digable Planets)
—–> Hip Hop Hooray (Naughty by nature)—–>Rebirth of Slick
9) “Long Ass Drum Solo” by Chocolate Milk
10) Up in Here
11) Second Line(!!)

Encores:
Dance Floor
See Me Dance

—————————————————————————————-

Robert : Oh I loved it! And whenever I see you, I know the evenings gonna rock.

Best drunk note of the night : BF in NYC = WOOKIE

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1st time I saw her in NYC!

1st time I saw her in NYC!

I first met Megan Rickman at the lovely Virginia wedding of her brother and my friend, Zach.  Immediately, we recognized we were kindred spirits as we rode through Richmond, Virginia chillin with the windows down, bonding while listening to Anthony Hamilton and Mos Def.  Being someone who generally knows a lot of people but doesn’t necessarily “CLICK” with them,  I knew right away that Megan would bring something more to my life.  She radiated an energy that I felt as I sat next to her.

Megan and I only hung out that one day and didn’t see each other for months to follow, but we remained in communication and have since grown a lovely friendship out of mutual respect and support in each others various projects of passion.  She is the reason I became involved in the poetry scene here in New York City.   Whenever she is in town, you can’t stop me from dropping all my plans to attend her battles, which she sometimes wins!

Megan Rickman

Megan Rickman

I remember when I first saw Megan on stage.  She had come to New York with the Richmond Slam team for a competition last summer.   There is seeing live music and then there is seeing live poetry.  The layers of emotions that one feels over the course of a slam competition is overwhelming.  I quite literally feel the need to ball my eyes out at times and then busted out in belly laughs seconds later.  It’s a roller coaster of emotions for sure: Humor, sadness, anger, hate.

Megan Rickman

Megan Rickman

Since her jump onto the Richmond Slam Scene in January 2007, she has traveled with Slam Richmond to Nationals twice, taking 21st in 2008, 3rd in 2009 at Southern Fried.  She recently placed sixth at the Women of the World Poetry Slam.  In 2010, she was nominated by her peers for two National Underground Spoken Word and Poetry Awards (NUSPAS) for Best female perfromer and best female writer.

She continues her work with bringing youth to spoken word, through her workshops across the state in the high schools and co-coaching the first youth team from Richmond, Virginia to compete in Brave New Voices, Slam Dominion.

The latest entry in a long line of passionate poetry from Megan Rickman is out: My Dear Goddess!  A gorgeous ode to woman everywhere telling us that we are beautiful and we don’t have to shine alone 🙂 She takes all the liberties she can in her poetry and her delivery on paper is only magnified once she hits the stage.  I hope you enjoy My Dearest Goddess as much as I do! I can’t wait to see it performed!

My Dearest Goddess by Megan Rickman

I bet there are boys still riding the curve of your collar bone
Breasts,
tattooed against memory.
Somewhere tonight,
there are boys,
painting your face against their palms.

When did you realize you were beautiful.
Was your mothers womb lined with mirrors?
Or as I suspect,
did it take a little longer.
How many years did you practice peeling back skin?

Your beautiful skin.
built of defiance and love,
swirling ash,
and lace,
You eruption of elegance,
how many scars will we have to explain,
When we dance naked with wildflowers and God.

I will cradle your cheeks of upturned prayers.
Dig questioning fingers,
into dimples of wishing well,
Massage secrets,
from the glint of your eye.
Hold your rocking body,
beat my heart,
to the rhythm of confessions,
and kiss your hands,
beneath a jealous sky.

Two stars.
A brilliant constellation,
Sister find solace.
You don’t have to shine alone.
Anymore.

** Right now the voting is still taking place for the NUSPAS and it would be cool if people went and voted if you liked what you read 🙂

http://www.greatpublishing.com

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